New Controllers And Interfaces: Synido, MIDIPLUS, Topping - Music China 2026

video upload by sonicstate

Synido on Amazon

"Millie from Synido showed us their products - W25 Play, TempoKey K32 Play, Scale Pocket, Gaming A7 and LiveDock A20 Pro. Synido is a Shenzhen-based company with a focus on compact music tools, MIDI controllers and small audio interfaces.

W25 Play works without a computer for setup. It includes scale mode, chord mode, an arpeggiator, MIDI, and MIDI In, Out and Thru. It costs $169.

TempoKey K32 Play includes 128 sounds, 10 drum keys, a speaker, battery, 32 MIDI keys, eight knobs, eight pads, Bluetooth MIDI and USB-C. It costs $149 and is released in mainland China, with overseas release planned through the website and Amazon.

Scale Pocket includes 132 scales, 12 sounds, a speaker, headphone jack, USB-C MIDI and 24 velocity-sensitive keys. Gaming A7 is a low-latency gaming audio interface due in December at $53. LiveDock A20 Pro includes instrument input, mic, output and Type-C, and costs $60."

X-Max And Many New Products: MIDIPLUS - Music China 2026

video upload by sonicstate

MIDIPLUS on Amazon

"YK from MIDI Plus gave us a tour of the massive booth they had in hall N1 covering products across many areas. YK showed us the flagship X-Max keyboard, and several new products in the company's range. We heard about the brand's history, including early Chinese digital keyboard development, portable MIDI keyboards for personal computers, and MIDI-to-USB work with MIDI Man. They collaborate with many brands to bring products to us.

*X-Max *is the flagship keyboard. It comes in an 88-key Fatar-touch version, with three semi-weighted versions also available. It includes hundreds of sounds, supports split mode, and offers DAW control for Logic, Cubase, Nuendo, Pro Tools, Live and others. Features include Chinese instruments, velocity-switched sample layers, expression control, smart scales, a learning mode, arpeggiator mutation and chord pads. Pricing is over RMB 6,000.

The Titan Q4F audio interface is a new 8-in/8-out model with a self-developed FPGA platform, screen metering, Bluetooth 5.4 with aptX HD and LDAC, plus Dante, ADAT, S/PDIF and OTG support.

Portal is a broadcast-focused interface with EQ, effects, pads, sampling, presets, mix-minus and loopback. We also saw a *folding AI smart guitar*, a Bluetooth MIDI wind instrument, and an expandable DAW controller with up to 32 channels.
More Info: https://www.midiplus.com.tw/"

KB22 and M62: Topping - Music China 2026

video upload by sonicstate

Topping is primarily known for their DACs.

"Marie from Topping Pro gave us a look at KB22, a mechanical keyboard with a built-in 2-in/2-out audio interface, alongside the portable M62 interface. The KB22 is a recent release from the Guangzhou company, which has its roots in hi-fi products and is now moving further into pro audio. This while at first glance might seem like a gimmick, actually makes a lot of sense.

The KB22 includes mic and high-impedance instrument inputs, line output, USB hub, OTG for phone connection, and 6.35mm headphone output with monitor volume control. The keyboard comes in two switch-feel options, and a small screen shows basic data.

Its control panel offers three modes: pro audio, gaming and hi-fi. Pro audio mode includes 80 dB gain, six loopback channels, DSP effects, noise reduction, reverb and ducking. Gaming mode includes voice boost and monitoring tools, while hi-fi mode includes EQ adjustment for playback tuning.

The M62 offers similar functions in a portable format, with a built-in battery rated at about 6.5 hours, dual mic inputs, aux input, headphone output, charge, OTG and USB-C ports. It supports phone and computer connection, including two-phone live streaming, and comes in seven colours. KB22 is priced at $269, while M62 is $249, with availability via Topping's global store, distributors and Amazon.

More Info: https://www.toppingaudio.com/"

Oral Histories - Warren Burt

video upload by Melbourne Electronic Sound Studio (MESS)

"Warren Burt arrived in Australia in 1975 and the landscape of Australian electronic and experimental music changed forever. An encyclopaedic repository of works and theories in the field - Warren has been educating and inspiring generations for half a century. His work spans almost all conceivable genres and modalities ranging from his Aardvarks series of pieces (that are also devised instruments) to works exploring incompetence as a paradigm and even compositions designed to propagate in gasses other than oxygen! Since his arrival he has been an almost constant agitator and organiser, creating new performance contexts and ways to educate people both within and outside of the institutions that have been lucky enough to have him on staff.

About Oral Histories:

Storytelling is an essential part of what it means to be human. When we share our stories we create space for real exchange and a deeper sense of empathy toward one another. At MESS we are conscious that so much of what has happened in Australian electronic music was never written down. Even when things are documented formally in books and journals - that very process can create an orthodox history which is inevitably incomplete and riddled with unconscious bias. So what we are doing is sitting down with the people who have made a lasting contribution to the form and asking them to tell us about their experiences in their own words.

The Oral Histories project was funded initially by a local histories grant from the Public Record Office of Victoria.

Filmed and produced by Jonnine Nokes

Find out more at http://mess.foundation"

The Crow Hill Company Introduces FOREST HARPS Incantatory Invention

video upload by CROW HILL

"In this video Christian walks us through his latest incatative invention made in collaboration with the entire Crow Hill team. Forest Harps is made up of a rare find coupled with medieval ingredients and his own very special and grotesque approach to sound design. If you're looking for a harp that isn't a harp, a classical guitar that isn't a classical guitar and some fully controllable shifts in darkness of tone for your next score, song or soundtrack it would be worth checking out"

Press release follows:

The Crow Hill Company continues investigating its Origins series of virtual instrument plug-in collectibles with FOREST HARPS incantatory invention

EDINBURGH, UK: The Crow Hill Company is delighted to continue investigating its Origins series of virtual instrument plug-in collectables with the release of its intriguing-sounding FOREST HARPS — being billed as an incantatory invention collectively crafted by the Edinburgh-based enterprise, effectively comprising a harp made from elk horn, conch shell, animal ribs, and fishing wire brought together with medieval psaltries fed through a slowly rotating Leslie cabinet to create a forest floor of plucks, textures, and atmospheres as a rare and grotesque approach to sound design — as of October 20…

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OB-6 Bells | Arpeggio & Improvisation

video upload by Modularis

"A short electronic improvisation built around a bell-like arpeggio on the Sequential OB-6.

From there, the piece gradually opens into synth textures, rhythm and piano, keeping the performance spontaneous and mostly untouched.

Modularis is the electronic music project of Joan Alfaras, created and performed through synthesizers, keyboards and original sound exploration.

#SequentialOB6 #KurzweilPC3K8"

Additional videos:

CLICK FOR MORE »

Oberheim Teo5 “Cinamatique” Preset (Violins in my Mind)creating an Instrumental using Step Sequencer

video upload by Maria Calfa-DePaul

"This synth is quickly become one of my favorites. I think if I had to sell all of them, I definitely would keep this one. It is just got such an incredible sound. It feels like an instrument not a synthesizer. Don’t know if that makes any sense but it feels so real feels like you can do so many different types of music with it and I’m enjoying having it and going back to it. I can’t play everything all at once so I like to give my synthesizer and Instruments a little bit of love whenever I can And in this track, I use the preset Cinematique and I use the step sequencer with some rest to kinda get it to the tempo that I wanted and it seemed to work really well. I really felt like this could be background music or used for scarring a movie. You know I mean, I love the sound of the synthesizer and I hope it comes through and I hope you felt relaxed and enjoyed watching it."

Sound Sampling Experiment No. 3 | Fieldtone Weaver

video upload by The Pedalboard Orchestra

"This is a meditative ambient soundscape created with the Fieldtone Weaver Audio sampler.

The Weaver captures a 2-second sound sample, which is randomly processed and then sent through a few selected stereo effects pedals.

Kinotone Ribbons shapes the tone, Alexander Pedals Forget Me Not adds some delay, and the AC Noises Ricorda adds the final sense of space.

🎥 All sounds and visuals by The Pedalboard Orchestra
🔊 Recording & mastering by The Pedalboard Orchestra
⚠️ This is not a sponsored video — all equipment was personally purchased

🎧 Listen to my music on Bandcamp:
👉 https://thepedalboardorchestra.bandca...

Get the newest updates for my music on Instagram:
👉 / the_pedalboard_orchestra

📺 Have a look at my other ambient soundscapes created with synthesizers, electric guitar and effects pedals:"

AE Machine | Architecture For Drums That Never Repeat & Oxide Virtual Tape Processor

video upload by Emiliano

"One practical note: listen to this on monitors or proper headphones. Most of what the machine does lives in the low end and in the stereo field, and laptop speakers will simply delete it. Loud is not necessary, full range is."

This one was spotted and sent in via Ivan Trajkovic aka deejayiwan. There are 21 videos in the playlist above. They mainly focus on AE Machine as a whole, but video 7 is focused on Oxide. You'll find the full video descriptions for the first and seventh videos further below. You can find full details on AE Machine at https://www.peamarte.it/ae - Oxide in chapter 52 of the user manual.

In short, AE Machine (estimated release date of October 2) consists of:

"Eleven synthesis voices built from scratch at sample level, five samplers, two free-running pads. A sequencer where a 16 × 16 Markov matrix decides which step may follow which, a note sieve that re-orchestrates the pattern when you transpose it, a chaotic modulation matrix reaching 271 parameters, morphing between any two presets, and a stem recorder that writes twenty-six files in one press. It runs in Max/MSP 9 on macOS and Windows, and playing it requires no paid Max license: an unlicensed copy of Max opens and runs the machine in full.

This is not commercial software in the ordinary sense. It is my working method, the environment I built night after night for my own music, packaged so that you can play it. When you get it, you are getting research: the reading, the listening, the failed versions, the decisions. The manual is a hundred pages and it is already here, whole, free to read. Trust your ears over any paragraph in it."

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The best groovebox he's ever played | Akai MPC Key 37 G2 live performance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer performance using only the MPC Key 37 G2.

To be clear: I bought this synth with my own money, thanks to the support of my Patreon community. So while I recognize that the following praise seems effusive, it's the truth.

I got into hardware through grooveboxes. I started with the Novation Circuit and got more complex from there. The groovebox—sequencer, multiple timbres of synth, drums, samples, and effects—is my happy place. And while many devices have been good, I've never found "the one", that one groovebox that does everything you want it to do. Until now, maybe.

I've played with MPCs quite a bit over the last few years, but this newest generation, and this model in particular, is the one. It's a combination of things: a mature platform with fast loading and workflow; every conceivable sound type I want, from synths to samples to piano; a robust collection of effects, with great reverbs, delays, and ways to mess up a sound; more tracks than I'll ever need for a song; a sequencer without the limitations of 64 or 128 steps; clip launching; simple audio recording in; auto-sampling to capture your own sounds; MIDI in and out via 5-pin DIN and USB; MIDI learn with peripheral MIDI controllers that works flawlessly; USB multi-track audio recording that just works without a hitch; so much more.

CLICK FOR MORE »

63 Sticky synth knobs?! Here’s how I cleaned them (with a little help from Zara XD)

video upload by Solidtrax

"Many synth manufacturers use these nice rubbery knobs, but after a while, these tend to get really sticky. I needed these two instruments for a project, so I decided to clean them. A bit of a shout-out to A big shout-out to ‪@charliedont‬ & ‪@LESINDES‬ for the inspiration. I’ve added a third method as well. Plus, I used a bit of common sense to get the knobs off easily and clean them properly.

Music is composed with the help of the ‪@ArturiaOfficial‬ DrumBrute, The MicroFreak and the new ‪@bitwig‬ Studio 6.1. Used ‪@CytomicAudio‬ The Scream as well."

The Crow Hill Company Introduces ARCANE STRINGS

video upload by CROW HILL

Press release follows:



EDINBURGH, UK: readily representing its first ‘big’ release in over a year (when the temporarily out-of-circulation GLASS STRINGS was effectively re-released with a totally redesigned GUI and added features as the Edinburgh-based enterprise’s workhorse string library for a new era in more human-sounding music and scores, coinciding with rebranding itself with an aesthetic that truly realised company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began), The Crow Hill Company is proud to announce availability of ARCANE STRINGS — taking the sampling rule book and ripping it up, ultimately resulting in a string library featuring amateur players in order to achieve an arcane, primitive, dislocated, microtonal, loose, and sometimes savage sound duly designed for media composers wanting to leave a truly characterful imprint on their next drama score, or, indeed, composers who want to gain extra devilish bite out of their existing string collections — as of August 14…

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Yamaha CS-5 improvisation over drones | Analogue synthesizers performance

video upload by Telantas Changxo

"This is part of a new thing I am doing where I just turn on the camera and the audio recorder and sart patching and improvising, withoutnany preparation. I hope you enjoy it -let me know im the comments."

But we are still human, can't you see? | Original analogue synthesizer composition and performance

video upload by Telantas Changxo

"Kant wrote '... that the human being and in general every rational being exists as an end in itself, not merely as a means to be used by this or that will at its discretion; instead he must in all his actions, whether directed to himself or also to other rational beings, always be regarded at the same time as an end.' (IMMANUEL KANT in 'Groundwork of the Metaphysics of Morals') These words acquire new meaning in the present world where social media, artificial intelligence, and automation offer new ways of organisation, manipulation, and control. Whether the aim is to achieve more efficient distribution networks, more agile organisational structures, or a more convenient election result, we increasingly see powerful individuals and organisations achieving their aims by using people as tools, not as human beings with their very own needs, desires, and intrinsic value. Meanwhile, large language models such as ChatGPT hold up a mirror to ourselves: here is a being capable of speech, reasoning, and even a sense of identity (much as they protest that they don't have one when you ask them directly). But, are they tools, or ends in themselves? And if we get used to treating them as tools, what will prevent us from ending up translating the new forms of coercion and deceit that we will develop for them to us as well?"

#philosophy #music #synthesizer #dawless #yamahacs #yamahacs5 #behringercrave #yamahasynths #yamahasynth #bossdd200

Star Spangled Banner on the Soma Terra Synth - Nod to Jimi Hendrix

video upload by Lawrence Pritchard

"I'm learning to play my new Soma Terra synth and thought I'd try a rendition of the Star Spangled Banner. The style is inspired by the version played by Jimi Hendrix at the end of the Woodstock festival in 1969. Hendrix's iconic "Banner" was a sublime translation into music of the sense of turmoil, pain, beauty and hope that characterized the United States in the late 1960s.

It somehow feels appropriate to these days too.

The Soma Terra is an incredibly fun instrument to play. It's more of a performance synth rather than a sound design synth. The tactile immediacy of the Terra is kind of like playing an analog instrument like a guitar or violin...it responds well to subtle gestures. The Terra is just the sort of thing I need right now."

Tech Talk: K.A.S.I. - Serge Modular, Improvisation & Organic Movement (Electronic Beats TV)

video upload by Telekom Electronic Beats TV

"For this episode of Electronic Beats Tech Talk, we visited Kasi in the studio to explore her unique approach to live electronic performance, modular synthesis, and hardware-driven sound design.
She is currently studying Electronic Music Production and Performance at Catalyst – Institute for Creative Arts and Technology.
Working with the Serge Modular System, selected Eurorack modules, the Erica Synths Perkons, and the Elektron Analog Four MKII, Kasi creates a sound world between experimental ambient, hypnotic textures, and raw, groove-driven techno.
In this conversation, she talks about improvisation, real-time interaction, unstable modulation, and why she treats sound as a living system — shaped by psychedelic experiences, abstract art, and organic movement.

Production & Camera: Romi Agel & Holger Wick / Sense Music & Media
Edit and Graphics: Klara Mottlova"

The Terminal Island Freeway (CA 47 & 103) | Synthesizer soundtrack

video upload by CatSynth TV

"We return to Terminal Island to explore its freeways anew after several major construction projects, starting with California highways 103 and 47, which form the Terminal Island Freeway. The island and its surroundings are at the southern end of Los Angeles, and host the massive ports of Los Angeles and Long Beach. This gives the drive an industrial, surreal, and delightfully dystopian vibe. The music, which combines metallic sounds with a sense of solitude, reflects the experience.

The Terminal Island Freeway begins at an intersection near the southern terminus of Interstate 710 and heads north, crossing the Commodore Schuyler F. Heim Bridge onto the mainland, where 47 and 103 split. We stick with CA 103 and the freeway, passing by some large industrial facilities and CA 1, and ending at modest intersection with Willow Street in Long Beach.

Synthesizers used:
Arturia Augmented Persia and CMI V
Yamaha RX5 vintage drum machine
Anukari 3D physics modeling synth
Cherry Audio DS-2, Spirit, and Filtomika
AudioThing Wires
EastWest Fab Four, Stormdrum 3, and Orchestral Percussion"

Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth

0:00 Introduction
0:11 Starting out on Terminal Island
0:29 The start of the Terminal Island Freeway (CA 47 and CA 103)
0:54 CA 47 leaves the freeway, which continues with CA 103
1:42 Crossing CA 1 and entering Long Beach
2:22 The freeway and CA 103 end at Willow Street in Long Beach

TEAR - Experimental jam #31 // Vhikk X, Moog Subharmonicon, Bitbox

video upload by David Falcon

"Testing this battery powered mobile setup. The Palette case can be powered via powerbank and with the Bitbox micro I can record within the Modular case itself, without the need of any other equipment. The idea behind it is to take it outside to some special places to record, and maybe add some field recordings in the background.

I finally got to try the Vhikk X after a while trying to get one. The first few hours with it I was not very inspired by it, but kept digging and found this small melody that felt pretty emotional. Ironically the drone bass did not come from the Vhikk, but instead from my favorite, the Subharmonicon.

The Bitbox is here because it can do a lot in such small footprint. It is a sampler in the classic sense, but also is acting as a pseudo-Radio Music module with a radio sample I found, and also is recording the whole piece directly like the 4ms Wav Recorder.

In Ableton I added later on a bit of compression and EQ to even out the sounds.

I have published the first ALBUM that is acompilation of songs, some from this year and some older called "Hipotese". It is available in the streaming platforms and bandcamp. Go check it out!
https://davidfalcon.bandcamp.com

// Patch notes //
Moog Subharmonicon - Drone Bass, modulated from Pam's New Workout
Forge TME Vhikk X - Melody, sequenced from Oxi One and processed with a LPG in the Disting mk4.
1010 Music Bitbox Micro - Synth, piano and radio samples. Records the whole mix that comes out from the Befaco Output Bus. This is what makes the setup truly portable."

Waldorf Iridium / Quantum - "Harmony of the Spheres" (50 Presets)

video upload by LFOstore

"'Harmony of the Spheres' is a truly remarkable soundset for the Waldorf Iridium and Quantum synthesizers with 50 exclusive presets created by the well-known sound designer, film composer and sound therapist, Otto K. Schwarz. Whether you are composing ambient journeys, cinematic soundtracks, meditative music, experimental electronica or simply seeking moments of cosmic resonance, “Harmony of the Spheres” invites you to become part of this eternal harmony!

As the name suggests, this soundbank is dedicated to the ancient philosophical concept of the harmony of the spheres, also known as Musica universalis. The ancients spoke of the musical and mathematical structure of the cosmos. They believed that the movement of heavenly bodies gives rise to a perfect harmony, expressed through distances equal to the consonant musical proportions — a celestial symphony that resonates through the universe itself.

On the powerful wavetable, granular and sampling engines of the Iridium and Quantum, this philosophy comes vividly to life. Here you will find multi-layered pads that dissolve into infinite cosmic depths, evolving sequences that mirror the the cosmic cycles and events, hypnotic arpeggios that echo the orbital dance of planets and moons, cosmic leads that pierce the veil of unseen, and ethereal keys bathed in the radiant frequencies of starlight.

Otto K. Schwarz, with over 12 years of experience and collaborations with leading manufacturers such as Access Music, Modal Electronics and Native Instruments, brings his signature blend of psychoacoustic depth, emotional intelligence and therapeutic insight to this library. Each preset is meticulously sculpted to evoke not just sound, but a sense of universal connection — a sonic meditation on the hidden music that binds all existence! Experience the Journey!"

Keep an eye on the following links for the soundset:

https://lfo.store/product-category/hardware-synths/waldorf-iridium/

https://lfo.store/product-category/hardware-synths/waldorf-quantum/

Waldorf - Iridium MK2 - Trailer & Deep Dive with CTO Rolf Wöhrmann

video upload by WaldorfMusicChannel


video upload by WaldorfMusicChannel

Check with dealers on the right for availability and price.

0:00 Start
1:26 Polyphonic Arpeggiator
6:35 Flavour - microvariations
10:12 4 layers multi-timbral
14:09 Seeds - new synthesis
22:51 Mutator
25:58 Per-Note-Parameter-Locks


via Waldorf

Iridium Desktop MK2: The Next Sound Dimension

Iridium Desktop MK2 is a new generation of the highly acclaimed Iridium Desktop synthesizer introduced in 2020 by Waldorf Music, and since then used by countless artists and sound designers. After six years the time has come to advance the sonic success story even further.

Based on the legendary multi-engine design of the Quantum & Iridium product line, the MK2 innovates even further, thus fitting perfectly into Waldorf’s forward-looking synthesizer design philosophy.

The MK2 features a new and fresh design, and an improved CPU board with more RAM and flash storage allowing for more sample storage and opening a whole new world of synthesis capabilities.

Per-Note-Parameter-Locks
(ft. Aphex Twin)
Only on the MK2 you can enjoy a very special feature called Per-Note-Parameter-Locks which is the result of a collaboration with legendary Aphex Twin, a long-term Iridium Desktop user.

With this feature, each of the 128 notes can be assigned up to 16 individual parameter variations by simply holding a note and turning knobs. This system allows each note to have a different set of parameters. You can even change the synthesis mode of oscillators for each note or change effect parameters. It feels like adding a whole new dimension to your music. Per-Note-Parameter-Locks are saved with each patch and can be inspected and edited on a dedicated page.

Seeds – The Sixth Synthesis Sense
The added RAM further allows a new sixth synthesis method for each of the three oscillators. Inspired by wavetable synthesis, in which each wavetable represents a timbral journey, Waldorf has found a way to base these timbral journeys not only on static waveforms, but also to dynamically synthesize each waypoint from sub-oscillators we called “Seeds”. These can be controlled and recombined using techniques like ring modulation and frequency modulation, and enriched with noise and other non-pitched material. While we provide, similarly to wavetables, a set of predefined timbral journeys, you can also edit and create your own.

Protein’s “Flavour” Knob
The new knob called “Flavour” adds sonic liveliness using our new concept of micro-variations in timing, timbre, pitch, and a whole set of additional parameters we recently introduced with the Protein synthesizer.

More Memory, Layers & Sound
With the increased memory capacity, you can change the multi-timbral layer count from 2 to 4. In addition to layered and split modes, the new MK2 also features more advanced multi-timbral modes, such as round-robin and random-robin. These additions bring greater timbral richness and variety, letting you build deep and complex sonic landscapes. A dream come true for all sound designers, sonic explorers and cinematic artists!

Iridium & Quantum Update 4.0
A general update of the Iridium and Quantum operating system will be available soon.

Version 4.0 provides some of the new features for all existing Quantum and Iridium models like the Mutator patch randomizer introduced in the Microwave plugin, a new polyphonic arpeggiator, new microtonal features saved in patches and other features.

Connectivity
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI In, Out & Thru
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MIDI 2.0 compatible
MicroSD slot
4 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analog clock In & Out with clock divider settings
Analog gate and start inputs
Kensington® compatible lock

CLICK FOR MORE »

MultiVERSE - New Multiversal Shared System | NUSS Episode 05

video upload by Cinematic Laboratory

"I got my MultiWAVE in december 2025, but got distracted by my January 2026 'musical holiday' and making the 'AI Survival Guide'. Meanwhile, MakeNoise has posted a wealth of videos and guides, and Red Means Jeremy did one of the best musical demos out there. There's no need to repeat any of those. I needed to do 'my own thing', but couldn't really figure out how this would look like.

My favorite modular will always remain the Shared System because this is what made me start modular in the first place, all the way back to 2018. The 'Shared' is my reference. So I wondered how MultiWAVE would sound as a shared guest and move my way to the full NUSS setup. NUSS is very much a new ecosystem and it's a bit 'closed' in the sense that you really need the combo of MultiWAVE, PoliMaths and the dual QXG to get started. Sure you can use them on their own (especially QXG) but you'd be in the unexplored territory of the MultiVERSE. However, this is where the happy accidents live. In the odd combinations and the bad patching.

So in this episode there's more noise than music. When the midi implementation firmware is available, this may change."

Frap Tools MAGNOLIA – 8-voice analog thru-zero FM synthesizer – OUT NOW

video upload by Frap Tools

Check with dealers on the right for price and availability.

"Magnolia is an eight-voice analog through-zero linear FM synthesizer. Besides the classic analog polysynth sounds, its design allows programming some less conventional timbres closer to the world of modular synthesizers, and especially of the so-called “complex oscillators.”

Magnolia allows to bring modular synthesis techniques in the world of analog polysynths, with all the known advantages of the latter: polyphony, immediacy of use, powerful sound, and those little unpredictable details generally known as “analog warmth.”

Magnolia is a highly playable instrument thanks to its expressive Fatar keyboard with polyphonic aftertouch and encourages sound exploration through its large and relaxing front panel.

CLICK FOR MORE »

#NAMM 2026: Chordcat - this cat can elevate your chord progressions

video upload by CatSynth TV

"We get a tour of the Chordcat. In addition to featuring "cat" in its name, this eight-track groovebox has a large library of chord progressions, and the ability to predict/suggest follow-on chords to your current harmony in a palette from which the composer can then choose. It has built-in sounds as well as the ability to export MIDI to DAWs and other software for further development of compositions.

To find out more, please visit https://alphatheta.com/en/product/pro...


_________
Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth"

145 Sound Presets + 16 drum kits
Designed for a wide range of genres, you can spark fresh ideas during the creative process by switching between 145 sound presets and 16 drum kits.
Tune your sound presets however you like them using the low-pass filter and amp envelope. These parameters can be automated for each pattern, allowing you to dynamically change the tone as well as the chord progression. This allows you to create lively phrases.

Easily make unique chord progressions

Chord Cruiser Mode
Generate up to 110,000 chord combinations that you can use to create your own progressions.
Put the groovebox in Chord Cruiser mode, and an exclusive algorithm selects and suggests multiple musically compatible chords from its database. You can listen to these chords and assign your favorite to a keyboard, triggering the next suggestion automatically.
With this intuitive workflow at your fingertips, you can enjoy a simple process to create original tracks.

Versatile arrangement features and intuitive instrument control

3 built-in effects
Manipulate 3 built-in effects intuitively using the XY pad:
Arpeggiator: Creates melodies from chords.
Delay: Adds depth to sounds and spatial dimension to your music.
Ducker: Adds dynamics and emphasis, creating a sense of movement in your tracks.

Running Direction Feature
Change the playback direction of 4×4 step-sequenced patterns by pressing a single button.
Choose from 4 options — right, down, clockwise, and counterclockwise — to discover new phrases and rhythms. This feature unlocks new ideas, so you can create innovative chord progressions or explore rhythms across different genres.

Key and scale settings
When you set a key and scale on Chordcat, only the notes that belong to the selected key and scale are mapped to the keyboard.
The compatibility of chords suggested in Chord Play mode or Chord Cruiser mode and the selected key and scale are indicated by LED lights; perfect for beginners and professional musicians.

Versatile connectivity: Expand your creative horizons
It’s easy to integrate Chordcat with external synthesizers and DAW software on PC/Mac computers thanks to its MIDI OUT/THRU, MIDI IN, and USB Type-C ports.
Use Chord Play and Chord Cruiser modes to control and perform with your connected devices effortlessly.