New GRP A10 Flagship Synthesizer Incoming

These in via John L Rice.

Left: front panel layout.

Below: PDF with full details. Click on each pic to zoom in.

Update: "The Grp A10 will cost €10,000* plus VAT and will be available at the end of 2026."

CLICK FOR MORE »

Why the MiniFreak Is Changing the Synth Game — 2025 Review

video upload by Sineway

"Arturia MiniFreak is not just a synth — it’s a hybrid that finally makes sense.

It’s got analog filters, digital oscillators, and all the freaky sound design options you’d expect — but it has also removed the single biggest friction point I have with every other hardware synth. It's honestly redefined how I make music.

In this video, I’ll walk through some of the MiniFreak’s sound design tools, play some of my favorite patches, and show you exactly what makes it stand out in a sea of synths."

Check with dealers on the right on availability.

Create Ambient Tracks with SpaceBlender

video upload by soundtoys

Follow-up to this post. Two new videos and the official press release below.

"With SpaceBlender, you can quickly and easily turn any sound into a massive musical ambience. In this example you’ll hear three simple sources and three SpaceBlender presets – without any other plugins or automation."

SpaceBlender - Preset Audio Examples

video upload by soundtoys

"In this video, we add SpaceBlender to a variety of sources — cello, guitar, vocals, drums, and more —and use different presets to showcase the plug-in’s power and versatility.

Get SpaceBlender FREE through May 22, 2025. Only at www.soundtoys.com.

00:00 - Cello
02:00 - Pedal Steel Guitar
03:19 - Door Closing SFX
03:49 - Electric Guitar Harmonics
05:05 - Vocal
06:43 - Drum Machine
07:09 - Piano
09:06 - Saxophone"

Press release follows:


Soundtoys Releases New SpaceBlender Plug-in

Free for a limited time only – a $99 value

BURLINGTON, VT – Renowned pro audio effects creator Soundtoys proudly announces the release of SpaceBlender, an experimental reverb that lets you create unreal and imaginary spaces – shapes, textures,and tones otherwise impossible in the real world. Inspired by the pioneers of ambient music, with their extensive use of layered tape loops and delays, SpaceBlender is designed to create massive waves of lush, organic, and evolving spatial effects.

SpaceBlender is available now at soundtoys.com for free – a $99 value – through May 22. Sign up to claim this offer.

Whether enhancing a track’s sense of space or creating dynamic, evolving effects, SpaceBlender is a fun and intuitive tool for sound designers, musicians, and producers looking for creative yet easy-to-use spatial processing.

“We’ve been exploring new ways to build an algorithmic reverb – something with the creative flexibility of convolution and the richness, depth, and soul of classic hardware devices,” said Ken Bogdanowicz, CEO and founder of Soundtoys.

“SpaceBlender is the first product of this research, and we’ve tried to make it easy to play with ‘space’ in a fun and musical way. We’re excited to hear what people create with it.”

Key features of SpaceBlender include:

● Interactive control – move between gate, reverse, decay, and bloom reverb shapes and everything
in-between, in real time.

● Visualizer – see your sound move through the reverb shape as you adjust its sonic envelope.

● Simple control of spectral evolution; reverbs can get darker or brighter over time.
● Deeply embedded modulation creates rich, constantly moving ambient effects.

● Smoothly change the reverb texture from dense and lush to sparse and grainy.

● Extreme range from super short 100-millisecond nonlinear effects to absurdly long 60-second meditations.

The free SpaceBlender offer is valid only at soundtoys.com through May 22, 2025. SpaceBlender will be available for purchase from authorized resellers worldwide on May 23. Learn about Soundtoys’ system requirements and host compatibility.

ULT-SOUND Introduces DS-4M ProMuzer

Short Demo: Polyphonic Mode video upload by Freaky Tweaky

"I tried out the ULT-SOUND DS-4M ProMuzer, which is scheduled to be released in June.

The newly added Polyphonic Mode assigns voices using the round robin method, just like a typical polysynth, so by varying the settings of each OSC appropriately, you can enjoy kaleidoscope-like changes even with simple phrases. ✨ (Granular, Reverse, and Reverb are added in the DAW as post-effects)"

Check in with dealers on the right for upcoming availability. Note this is the ProMuzer version. A few non ProMuzer versions have shown up on Reverb in previous posts here.






"Introducing the Ult-Sound DS-4M ProMuzer, a modern reissue of Toyo Gakki's DS-4 analog drum synthesizer, available in a limited edition of only 50 units. This exclusive release features a sleek new design with a custom white front panel and black lettering, blending vintage charm with modern aesthetics. The DS-4M ProMuzer faithfully reproduces the second iteration of the ULT-SOUND DS-4 - while incorporating innovative upgrades to meet contemporary music production needs.

Some features of the original DS-4 have been retained in this reissue, and we highlight them here for those unfamiliar with the original design:

CLICK FOR MORE »

Introducing ALICE by Acustica Audio

video upload by Acustica Audio

From the makers of Thing 8.

"What if your synth reshaped reality?
Alice-9 is the next-generation sample-based synthesizer forged from the chaos of the unknown and built for creators who refuse to follow.

Powered by SCO technology, and infused with analog soul, AL9 isn’t here to emulate.
It’s here to change the rules.

🎛 Real movement, deep stereo placement, aging imperfection, and punchy compression.
🎶 Every preset is a twist. Every sound a move. Every session, your next breakthrough.

This isn’t just another synth.
This is the edge of synthesis.

Choose your sound. Be the one who rewrite the rules.

Alice-9 has just entered the game."

ALICE9 | Live preview!

video upload by Acustica Audio

Acustica Audio - Alice-9 (AL9) is a next-generation sample-based synthesizer in the digital domain.
video upload by 23dB Productions

ALICE: https://www.acustica-audio.com/shop/p...



Alice-9 (AL9) is a next-generation sample-based synthesizer in the digital domain, part of the Marea virtual instrument series, and powered by the innovative MUST (Modular Unified Synthesis Technology). Early testers have described it as an instrument with a deeply organic and varied sound palette — evocative of iconic synthesizers from the 1990s and early 2000s. AL9 redefines what a sample-based synth can be, merging analog realism, playable feel, and modern digital power into a single instrument. Available in VST3, AU, and AAX formats, ensuring integration with all major DAWs.
Use code: ALICESPECIAL at checkout for 41% off until August 31, 2025!

The first users compared AL9 to walking into a music store in the 1990s, hearing a synth that delivers something new and inspiring with each preset. That rare sensation of immediacy, depth, and musicality — the feeling of a “real instrument” — is the essence of AL9.

Made to Inspire
The architecture of AL9 goes far beyond sample playback or wavetable synthesis. Its sound engine is built around SCO (Sample-Controlled Oscillator), a high-resolution resampling system capable of reproducing natural analog behaviors such as frequency drift and evolving dynamics. Unlike typical static samplers or rigid waveforms, AL9’s oscillators breathe and shift like their analog ancestors.

This realism is further enhanced by the proprietary Superstereo system for natural stereo placement , the Age control that adds subtle imperfections, emulating the warmth of aged hardware and Integrated multiband dynamics processor inspired by the popular OTT compression paradigm, delivering musical glue and energetic punch.

Whether you're chasing nostalgia or forging new paths in sound design, AL9 provides an inspiring playground that rewards musicianship and creativity.

Beyond Emulation
The idea for THING originated during the development of Thing (TH8 – TH5) — an emulation of a classic 1980s DCO synth. During that process, a question arose: what if, instead of replicating digital waveforms, we could capture and reproduce the actual behavior of an analog VCO? What if we could push timbral diversity beyond the limitations of traditional synthesis methods?

CLICK FOR MORE »

The Beatles’ “Here Comes the Sun” - SYNTH PARTS YOU’VE NEVER HEARD BEFORE!

video upload by Anthony Marinelli Music

"I’m going to take you on a quest into one of The Beatles’ most iconic songs, 'Here Comes the Sun', and show you something I recently discovered, that really surprised me. — THERE ARE SYNTHESIZERS IN THIS ACOUSTIC AND ORGANIC SOUNDING TRACK!

I’ll break down the arrangement of this beautiful song and show you how to create all the synth sounds that were used to transcend it's sound. We’ll cover everything from the signature whistle sound, the main lead synth, the intro sound, and the buzzy synth bass that gives the track its vibe. I’ll also discuss the Beatles’ evolution as they started experimenting with effects on traditional instruments, which ultimately led them to integrate synthesizers in ways that completely reshaped what others thought possible.

They used the Moog synthesizer to replace orchestral parts in some sections of the song and to complement the acoustic elements in others. It was all about pushing the boundaries of what was possible at the time but still keeping their unique voice in tact.

What makes this even more special is that I’ve recreated these sounds on my rare, vintage 1969 Moog IIIc — the same model that was shipped just months after The Beatles received their own Moog directly from Bob Moog. This instrument, used on the 'Plantasia' album by Mort Garson, is in fully working order, so it’s my chance to give you a sense of the subtle nuances The Beatles heard when they first explored this revolutionary sound in their music. I’ll bring you as close to the original sound as possible and show you exactly how they used it in 'Here Comes the Sun'.

So, grab your synths (or just sit back and enjoy), and let’s take a closer look at how The Beatles incorporated this groundbreaking technology into their timeless music. You might just discover something new about one of the most loved songs in history and how you can do the same in your music today.

Don’t forget to like, subscribe, and hit the notification bell so you don’t miss out on any of the synth goodness I have coming your way! Also, check out my course Think Like a Synth to learn the exact method I've used for decades on hit records and films — and still use today.

____________________________________
ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work 'In the Family Way', written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website - https://www.anthonymarinellimusic.com"

PlantsSystem-Zone16

video upload by plantssystem

"Zone16 is an experimental track where beats and textures intertwine, built using the classic sampler MPC2000 and the legendary synthesizer Prophet-5.
The tight groove of the MPC2000 supports the rhythmic structure, while the warm analog sound of the Prophet-5 expands the space, creating a unique sound world.
PureData + GEM was used for the video, and the visual expression of fantastic particles dancing like a flow further enhances the floating feeling of the music.
The sound and video unfold in sync, creating a work that gives you a sense of immersion as if you have stepped into a different dimension."

Korg Opsix - "Meditation" Soundset (50 Presets)

video upload by LFOstore

"In these turbulent times we all need a sense of peace and harmony. Dive deeper in the world of "Meditation", a transcendent soundset crafted by renowned sound designer, OttO K. Schwarz, co-founder of the acclaimed LFO Store platform! Designed exclusively for the Korg Opsix (suitable for hardware and software editions), this collection of 50 meticulously curated presets invites you to explore serene soundscapes perfect for ambient storytelling, meditation and new age music, cinematic scoring and immersive electronica!

Features:
50 Exclusive Royalty-free Presets: Dive into a world of evolving pads, crystalline bells, spacy plucks, warm-fashioned leads, and hypnotic arpeggios—all designed to inspire calm, focus, and creativity;
Versatile Sound Design: Each preset balances delicate nuance with powerful modulation (modwheel, velocity, etc.) for instant playability;
Hardware + Software Compatible: Seamlessly integrates with both the Korg Opsix synth and the Opsix Native VST/AU plugin;
Instant Inspiration: Ideal for producers, composers, and sound designers seeking ready-to-use tools for ambient, chillout, New Age, or film/TV projects.

Please find the soundset here - https://ottolfo.sellfy.store/opsix/"

432 vs 440Hz concert pitch | Love never dies, but Math never lies.

video upload by Cinematic Laboratory

"I am aware this is a controversial subject, but I've been intrigued by it for a long time. First, I was open for it, then I became doubtful and ended up in 'it makes no difference' camp. It's just a frequency like any other.
Honestly, this was supposed to be a 'fun' video where I'd investigate the subject like a mad scientist would, without jumping to conclusions.

From a numerologic perspective, 432 is a fun number. When you add all digits, you'd end up with 4+3+2 = 9. If you tune A to 432, the next A would be 864. Again, 8+6+4 = 1+8 = 9. If you'd use equal temperament, all notes in your scale would be integer (whole) numbers with no decimals, and the digits of all frequencies would add up to 9. A440 would have eight 'broken' frequencies in the scale. But that's numerology, it doesn't make music any better or worse. A VCO runs perfectly stable on 345.6701 Hz and it will probably drift all over the place when it's analog. Does 432 make any sense from the perspective of the Universe? Quite. The number constantly turns up in time and space. Ofcourse it also returns in the Great Pyramid and the lightspeed constant.

Again, that's just numerology and it has nothing to do with frequency. That's like apples, oranges or cows. Or is it? Frequency is cycles per second. Cycles are circles moving in time and phase is expressed in numbers like 45, 90, 180 and 360. There's that number 9 again. How about time? There are 4320 seconds in 12 hours. So maybe, just maybe, 432 Hz is not like 432 cows. The number 9 is a funny number.

Mr Spock would say 'fascinating' and raise an eyebrow.

I've set my Mordax Data to 432 and 440 Hz on 'wave generator' so I could play both with a sequence. Sure it sounds different, because it's tuned a tiny bit lower (98,18 of 100%). By itself this would have a psychological effect of relief, of closure. When you start A440 and play A432, it's relaxing.
But this also happens when you move a semitone or note down.

I ran my Mordax raw sinewaves through Joranalogue's Collide 4 and used it as a resonating body (with the filter and the quadrature ring mod).
I ran a sequence spanning a wide range of notes, with plenty of reverb to make the notes interact, blur and sustain. Then, suddenly the differences between A440 and A432 wasn't subtle anymore. It was huge.

Better? I think so, but that's personal taste. Healing? Nah. More natural? I think so too. But there's nothing magical about it, it's math. I figured that a frequency doubles for each octave, so the range of A0 to A9 would sound completely different for 432 and 440. In fact, the high notes in 440 end up 256 Hz higher than in 432. It doesn't sound like a big deal, but A3 (220 Hz) is already one octave below A4 (440).

So my 'conclusion' is that A432 sounds much lower over the full range of 88 piano keys and the highs are less high. Pitch quality is different, it sounds different, and interaction with other complex frequencies will be different. Resonance and FM will be different. It's up to you to determine what sounds best. Please share your experience in the comments, and please note I am just having fun. I don't believe in the 440 conspiracy and I don't think it's bad for your health. I believe ALL music can support a healing process, but always listen to your doctor first."

KRONOS Returns: The Next Generation of Music Workstations

video upload by Korg

"The next generation of music workstations is here—KRONOS has returned. With a fast boot time, an enhanced touchscreen, and a refined aesthetic design, this next-generation powerhouse sets a new standard in versatility and performance capabilities."

CLICK FOR MORE »

Korg Trident Mk1 with MIDI SN 330904

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

CLICK FOR MORE »

Escaping to Nature with the Digitone

video upload by VoltageCtrlRtv

"Sometimes, I need to step away from screens and just reconnect with nature. My birthday was on the 7th so I I packed up my Elektron Digitone, the Myvolts Step Up Explorers Kit, and a portable Bluetooth speaker and headed out to a quiet spot where I could breathe. Being surrounded by trees and open skies always inspires something deeper in my music; it's like the melodies just flow naturally in response to the landscape. I found a shady spot, plugged in, and let the Digitone hum its warm, evolving tones. As I dialed in delicate FM textures, while listening organic sounds, I felt an incredible sense of peace. Making ambient music here felt right, like syncing with a rhythm older than any technology.

Digitone and other Elektron sound packs available at : http://audibleobjects.com"

Mastering Feedback: The Art of Sonic Chaos | Audrey II Synthesizer

video upload by Synthux Academy

"Feedback. Some avoid it at all costs. Others find the most haunting, electrifying sounds hidden within the noise. In this video, we explore how controlled feedback can be transformed from an unwanted screech into a powerful musical tool. Using the Audrey II synthesizer, we’ll show you how to capture, shape, and unleash feedback to create everything from eerie soundscapes to rich, sustained tones. Perfect for musicians and sound designers looking to push the boundaries of their craft—discover how feedback can add a whole new dimension to your music."

via Synthux Academy

"Audrey II is a horrorscape synthesizer designed for fearless exploration of feedback. Unpredictable yet compelling, it transforms chaotic sound into immersive soundscapes. From deep, haunting drones to screeching, otherworldly tones, Audrey II is a sonic beast like no other.

FEEDBACK SYNTHESIS?

What is feedback, really? It’s that magical moment when sound loops on itself, evolving into something wild. With Audrey II, we’re taking feedback to the next level using Karplus-Strong synthesis—a fancy term for turning short bursts of noise into rich, self-sustaining tones. Think digital strings, but way cooler.

DIGITAL WITCHCRAFT

Some say analog is the only way to get that sound… We were surprised too when we heard the first burst of noise coming through our headphones. That warmth, the grit, the unpredictability—it was all there. But here’s the twist: Audrey II is 100% digital, running on the almighty Daisy Seed platform.

Built from the ground up to emulate analog chaos, digital bits power every nuance of Audrey II’s feedback, distortion, and reverb-drenched echoes. It’s pure digital magic that doesn’t just imitate analog—it embraces and amplifies it. What you hear isn’t just a close approximation; it’s a whole new breed of sound that pushes digital synthesis into uncharted territory.

PRISTINE SOUND

Powered by the Daisy Seed microcontroller, Audrey II delivers 96kHz / 24-bit audio with the speed of an ARM Cortex-M7 at 480MHz. Equipped with 64MB of SDRAM, it handles complex feedback, drones, and effects seamlessly, pushing digital synthesis into rich, analog-like territory.

CLICK FOR MORE »

Ambient analog jam w/ Prophet Rev2, Deckard's Dream, Moog Minitaur, Mother 32

video upload by Jay Hosking

"A live synthesizer jam performed entirely on hardware.

It had been a while since I had a bunch of synths on the table all at once. This one took a few different approaches before I got it. In particular, I spent a lot of time trying to find the right sequencer. I thought this would be a semi-generative piece, and tried a couple of hardware sequencers to that effect, but ultimately I found myself wanting more control. With much more time spent playing piano these days, maybe my days of generative sequencers are slowing down?

So in the end, with only a day before I was heading out of town, I decided to compose a piece in my DAW instead. And you know what? It was the right choice. Sometimes working in the box is the better way to go.

The other obstacle was my arpeggio synth. At first I had the MSW810, which is a sort-of SH-101 clone. But ultimately it was either too bright or too dull, and I couldn't get the envelopes right. I put the Mother 32 on the table and was immediately struck with how beautiful and perfect the sound of this synth is. It's such a beauty for arpeggios, and struck that perfect balance for filter and envelope, brightness and darkness. I just love the Mother 32.

Ultimately this came out sounding like a remix of the theme song for an 8-bit video game, which makes sense since that music fostered my love of synths.

Thanks for listening.

Sequential Prophet Rev2 module into Kinotone Ribbons - Pad
Moog Minitaur into Strymon BigSky - Bass
Black Corporation Deckard's Dream into Walrus Slöer - Melody
Moog Mother 32 into Meris Polymoon - Arpeggio

Performed and recorded live, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

Bill Wolfer - Working with Stevie Wonder

video upload by Anthony Marinelli Music

Discover the enchanting tale of Bill Wolfer, a young dreamer from Cheyenne, Wyoming, whose ambition led him to create a master plan: relocating to Los Angeles, securing a job at Guitar Center, and orchestrating the perfect sequence of events that ultimately launched his thriving music career alongside two legendary icons - Stevie Wonder and Michael Jackson.

In this captivating video, Bill not only marvels at the awe-inspiring genius of Stevie as a songwriter, singer, and keyboardist but also graciously opens up about the deep emotional connection and joyful camaraderie he shared with Stevie firsthand. It's a heartwarming journey that showcases not just musical prowess but also the power of friendship and passion in shaping a magical career.

00:00 Introduction
00:36 Stevie Wonder's Early Career
01:40 Berry Gordy Years
02:38 The Guitar Center Plan for a Music Career
04:14 The Star Parade at Guitar Center
05:26 Meeting Ronnie Foster
06:42 Discovering the ARP Sequencer
09:12 Stevie Wonder Hears Bill's Music and Calls Him
09:57 Working on Journey Through the Secret Life of Plants with Stevie
11:50 Touring with Stevie
13:20 Bill's Beautiful Friendship with Stevie
16:19 All-Nighter Recording Sessions with Stevie
17:20 Driving with Stevie...and the Rolls Royce
20:42 Stevie's Sense of Humor, Incredible Singing & Musicianship
23:52 Meeting Chick Corea
26:07 Stevie, Chick and Herbie Hancock
26:57 Logo (AMM theme music)

https://www.anthonymarinellimusic.com

Building a Buchla 248 MARF with Stages, Stages, Stages and Marbles

video upload by Cinematic Laboratory

"Sorry about that title. The MARF is short for the Multiple ARbitrary Function generator, a huge Buchla design carrying the model number 248, and is part of the 200 series. It's not easy to compare it with anything, but you could see it as a 16 step 0-CTRL, a Rossum Control Forge and maybe even the 250e circular Dual Arbitrary Function generator (DARF) like Frap Tools USTA. I contacted Todd Barton (thanks so much!) to be able to study a few MARF images. The sliders made me think of Mutable Stages, and the control section reminded me of Marbles. While getting lost on the way, I finally got a patch that sounded similar: 'music that sounds like dancing butterflies'.
The recipe involves variable timing, notes, a quantizer, and a transpose. You may also need a trigger or gate when a segment runs or finishes. There's a lot to explore here, and I don't think you can find a MARF in a single eurorack solution. I tried to approximate it, but I also needed Maths to do envelopes and gate extraction. It took a while to make this video and I wasn't sure about the results until the very end. Then suddenly, it worked.

You'll need a lot of stuff to do it, but there may be smaller solutions. I'll revisit this idea when my Control Forge arrives and I'll be able to combine USTA with the CF.

This is a complex video so I hope it will make a bit of sense. It would have been better to figure all this out and then make a video. But you'd be missing the fun of exploration. There are plenty of useful examples of how 'factory' Stages can be used, but I installed the Qiemem firmware for max flexibility. In the end I only used its 'random segment' feature in this video, but it doesn't play a role in the MARF patch. You can do this with factory Stages but it still requires a chain of 2 or 3. You can use any sequencer with a clock input for this. A DFAM will also help you to cover the time/level sequence.

Installation requires playing a .WAV into the module which can be bit of a drag. I recommend using a eurorack sample player like the BitBox for a high success ratio. Using a phone, PC or pad can be a nightmare. Also, I am not sure if the firmware works on a clone, please comment if you tried it.
https://github.com/qiemem/eurorack/re...

I am still trying to wrap my head around it. Even though Stages and Marbles are now discontinued, they're easy to find as fully functional clones. With Eurorack, we have the 'power' to build our own synths, or get inspired by designs which are still amazing and modern after +50 years. I hope it inspires you too."

Rob Clouth's Vocal Controlled Synthesis

Tech Talk 01: Rob Clouth - Electronic Music Production Process, Workflow and Creativity
video upload by MATTHS

Intro around 4 minutues in followed by a quick demo.

"I'm joined in this episode by: Rob Clouth

As a multidisciplinary artist working in the fields of electronic music, computational sonics and new media, Rob Clouth's motivations include searching for raw emotion amongst intricate musical structures, developing experimental audio software solutions and, in the broadest sense, rethinking the ways in how we interact with music and technology.

His latest work has seen him develop new software for both studio and live production that reacts to his voice!

WEBSITE - https://www.robclouth.com"

https://www.matthsmatthsmatths.com

Well Refined Cyberpunk Blade Runner Sci fi Music (Korg Minilogue XD Ambient)

video upload by PARKER

"As the many ideas for my 100th video swept around my head, in the end it just made sense for me to return to my synth roots in order to celebrate just how far I've come as a synthesist, composer, and improviser of music.

This, the Blade Runner style saw waves sound is where it all began for me. Both as a synth player and as a YouTuber. Way back when I first started filming with my XD you can see my cover of the Blade Runner 'Main Theme' by Vangelis. This video is an improvisation using a Blade Runner style patch that I made fresh and you can hear just how much thicker, refined, and better created it is through my few years of experience. Clearly my knowledge in this time has only gotten bigger and what better way to celebrate this than by showing how far I've come since the original video."

Blade Runner Main Theme - Korg Minilogue XD Cover

video upload by PARKER

"All sounds Korg Minilogue XD..."

Roland GP-6 Piano and GAIA 2 Synthesizer - All Playing, No Talking with Scott Tibbs

video upload by Kraft Music

"Find exclusive Roland GP-6 deals at Kraft Music:
https://www.kraftmusic.com/brands/rol...

Check out the GAIA 2 at Kraft Music for exclusive bundles:
https://kraftmusic.com/collections/ro...

Scott Tibbs visits The Gallery at Kraft Music and gives an improvised performance using the Roland GP-6 digital piano and GAIA 2 synthesizer.

The Roland GP-6 offers premium GP features in a luxurious baby grand cabinet that brings a sense of sophistication to every space. Elegant curves and finely crafted details deliver the unmistakable presence of a fine acoustic grand, while Roland's Piano Reality design approach and the advanced technologies inside deliver the touch, tone, and sound projection to match. You also get a world of modern benefits that flow with today's lifestyles, including low-maintenance operation, onboard learning tools, Bluetooth connectivity, and much more. The companion Roland Piano App seamlessly extends the GP-6 experience with remote operation from your smartphone or tablet, offering the ability to control GP-6 features, explore lessons, and more.

Kraft Music is dedicated to providing you with the best possible Roland premium digital piano shopping experience. We're here to guide you each step of the way, from research to delivery, with our friendly service. Free product support is included with purchase to ensure that you understand the features and setup of your new piano.

Looking for a custom Roland GP-6 digital grand piano package for your home, house of worship, or other venue? Please contact us – our knowledgeable Sales Advisors are happy to assist with finding the bundle solution that's right for you!"

Introducing the Fauxhundred

The FAUX HUNDRED

Details from the brochure:

IN THE HANDS; WHO MAKES THE RULES? HIERARCHICAL PERCEPTIONS GRASPING ELUSIONS OF CONTROL WITH THE LIGHTEST TOUCH ON SENSITIVE PROBLEMS, MIDAS IS HANDLING - HANDLING POSSIBILITIES.

SYSTEMS OF KNOWLEDGE OVERLAP, REVEALING ZONES OF CONFUSION, THE SOURCE ABSURDITY MANIFESTS TO SUGGEST REVISITATION: TO CONTEMPLATE CERTAIN ANGLES OF REPROGRAMMING THE METAORGANISM.

TO CLOSE A KEY IS TO RELEASE THE QUESTION, EXPLORING OTHER CORNERS OF PYCSHOTELEMETRY: MEASURING KNOWN STEPS - INSERTING REPEATING INGREDIENTS - YET FACILITATION THE DEVELOPMENT OF NEW RANGES, LOCATIONAL DYNAMICS IN UNMAPPED ENCOMPASSING DIMENSIONS, AND VITAL - ALMOST IMPERCEPTIBLE - DIFFERENCES TO THE ORIGINAL MEDIA.

THE OBSERVER MAY ABANDON THEIR ROLE TO INSTEAD DEFINE THEIR EXPERIENCE; THUS, DESPITE INDUCTIVE DUST INDICATIVE OF ONE MILLION REPETITIONS, THE NEXT INSTANTIATION YIELDS SOMETHING GREATER THAN ITS SUM.

WAHT IS REAL?
FAUG GOLD IN THE HANDS?
SIXTEEN RECTANGLES NEATLY ARRANGE TEN-STAGE CURVES BY SIX MOON'S PHASE FOUR TIMES. ONCE UNDER LEAD LAMPS, THE EXTINGUISHED LIGHT BREACHES AN OLD WINDOW AND THE SCOPE NOW FRAMES THE NEIGHBORING FIELD, WHERE THE RAM RETRIEVES A MEMORY OF THE BREAKING POINTS.

SO UNREAL: AN INDEX OF CONTINUOUS IMPLICATIONS THAT THE DEFINITION OF THE EDGE IS STILL SUBJECT TO VARIATION, N-DIMENSIONAL TRAJECTORIES TRACING AXES STILL UNKNOWN.

TECHNIQUES ARE EMPLOYED, FROM WHICH UNUSUAL LINKS AND PROCESSES JUMP FUTURE ELEMENTS AN EXAMINATION OF STRUCTURE; INDIVIDUAL MUSIC; INDIVIDUAL LANGUAGE. IN TIME, EMERGENT NONLINEARITIES MERGE TO DEFINE THE USER PROGRAM: A NEW SENSE OF PERCEPTUAL MECHANICS; A SPECIAL RELATIONSHIP TO YOUR OWN EXTERNAL FEEDBACK SYSTEM; A DEPARTURE OR CONTRAST.

TO MATURE IN EXISTENCE, TO FLOWER IN PERCEPTION, EVALUATE RELATIONSHIPS, REDUCE LOGICAL ASSUMPTIONS, SKIP THE NEXT ACTION, AND CHECK THE SUM.

STOP; DON'T LOOK UP; TRANSFER OPERATIONS, SCORE MANIPULATIONS, AND UNFOLD THE OTHER PLANS.

ANOTHER ITERATION, THE TASK'S NEW BRANCH, NOW EMERGING: ADDRESS THE SEQUENCE - THE DEFAULT PERCEPTUAL HIERARCHY PROCESSION, SUCCESSION, AND CHANGE.

WHAT IS REAL?

FAUX GOLD IN THE HANDS.

- Except from Faux Gold