This one was sent in via an anonymous reader. It's apparently from a Sweetwater catalog.
The text reads:
"NEW!
Meet the TR-1000:
Roland's Legacy Rhythms Reborn
Blueprinted with unprecedented potential, the Roland TR-1000 Rhythm Creator marries historic heat, analog presence, and digital precision into a polychromic powerhouse built on the masterfully re-created circuits of the legendary TR-808 and TR-909 drum machines. Its hybrid architecture houses a trio of synth engines, bringing a prismatic palette of FM, PCM, and VA possibilities to the TR-1000's analog foundations, with ACB modeling supplying the coveted circuit-bent sonics of the 8X and 9X models. Over 2,500 onboard sounds join a wealth of digital and analog effects while the suite of classic-to-contemporary connectivity effortlessly integrates the TR-1000 into any arrangement. Add in cutting-edge Morphing performance controls, next-gen TR-REC sequencing. true-stereo re/sampling, and an unbridled array of sonic contouring tools, and you've only scratch the surface of the TR-1000's kaleidoscopic capabilities — vintage heart, modern soul. and endless exploration waiting to be discovered by you."
If legit, I'm curious how it will compare the the TR-8S. Note the change in design aesthetic. Reminds me of the GAIA with a touch of Elektron gear. Note the Morph slider on the bottom right and display on the top right.
Update: the first user videos added below. Note: this post is pinned on top, see below for new posts going up throughout the day.]
"Fourm 4-voice analog synth with polyphonic aftertouch
Fourm is a compact analog synthesizer that invites you to play, shape, and perform with unprecedented expression. With its legendary Sequential tone, hands-on modulation, and uniquely responsive Tactive™ keybed, Fourm is a creative partner helping to bring your musical ideas to life.
Synth sounds and drums exclusively by Fourm. Composed by Peter Dyer."
See the dealers on the right of the site for availabily.
User videos:
Playlist:
1. The new Sequential Fourm in 60 seconds! #analogsynth #synth - Available at Signal Sounds 2. Sequential FOURM -- J3PO demo & overview
3. Sequential Fourm Analog Synth INHALT Demo & Discussion
4. Sequential FOURM Review — Classic synth sounds in a small package! - BoBeats
5. Introducing the Sequential Fourm Synth | First Look & Demo - Gear4music Synths & Tech
6. Sequential Fourm: Poly aftertouch, stacked waves, expressive arps – First look and sound demo - MusicRadar Tech
7. Sequential Fourm Performances & Overview - Sweetwater Soundcheck
8. SEQUENTIAL FOURM: the synth we’ve ALL been waiting for? - Projet Home Studio
Press release and pics follow:
Sequential Introduces Fourm: A Four-Voice Analog Synth with Polyphonic Aftertouch
A New Fourm of Expression
San Francisco, CA — September 23, 2025 — Sequential has announced the release of its most affordable, synthesizer to date. Fourm is a compact, 100% analog instrument that redefines expressive electronic performance. With its warm, organic tone, hands-on modulation routing, and a uniquely responsive polyphonic aftertouch keyboard, Fourm is ready to bring your musical ideas to life.
At its core, Fourm delivers four analog voices of genuine Sequential sound, derived from the legendary Prophet-5 — complete with dual oscillators, a classic 4-pole lowpass filter, and envelope curves modeled after the 1978 original. The result is unmistakable Sequential warmth and punch, now with overdriven feedback for a performance-ready edge.
For the first time in 40 years, Sequential has returned to polyphonic aftertouch. The team developed the new Tactive™ slim-keys poly AT keybed to work in concert with Fourm’s analog synthesis engine. Every element was co-designed and precisely calibrated to unlock new levels of expression, enabling a deeper connection to our signature sound that no off-the-shelf keybed could deliver. The result is a more expressive bond between player and instrument, energizing new modes of creativity.
“Wowww holy smokes: this thing sounds and feels amazing,” said Bryn Bliska, (keyboards for Chappell Roan, Maggie Rogers, Jacob Collier). “The polyphonic aftertouch is seriously so fun… Sequential nailed it.”
“We’re so excited to bring this innovative all-analog keyboard into the world,” said David Gibbons, Sequential CEO. “At a price-point that most people expect to pay for a monophonic synth, we think this product will invite legions of musicians who have longed for the magic of polyphonic analog sounds to start their journey of discovery with Sequential.”
Notably inspired by the Pro~One, Fourm’s top-panel modulation matrix puts deep sound design at your fingertips—no menu diving required. Modulation sources and destinations are clearly labeled, connections are made with a button press, and color-coded indicators make even complex routings easy to manage.
With its compact footprint, professional-grade build, and a sound engine rooted in Sequential’s most iconic instruments, Fourm is a powerful new voice in analog synthesis.
About Sequential Sequential has been at the forefront of synthesizer innovation since 1974, creating instruments that inspire musicians and shape the sound of modern music. With a legacy built on the iconic Prophet synthesizers, Sequential continues to push the boundaries of sound design with cutting-edge technology and exceptional craftsmanship.
I first learned about Roger a few years ago while making a film called “The History of Sampling in Music” [below]. While I didn’t know anything about Roger at the time, I was astounded to learn that he had created both the LinnDrum and the MPC, which shaped the punchy robotic drums of 80s pop music and the grungy experimental grooves of 90s hip-hop respectively. I did a quick bit of research about him for my video, but didn’t really dig much deeper than that… However, a few months ago I decided to rewatch my old project, which reignited my interest in Roger’s story and gave me the idea for this video.
Like my previous project, I’d initially planned to write a script and do a voice-over, but after discovering the assortment of recorded interviews that Roger has already appeared in, I realised that I could just chop them up and have Roger tell his own story. I thought 'hey that sounds pretty cool, how hard could it be?'
Well, let’s just say I’m probably never going to do something like this again. I did enjoy making this and I am proud of it, but if I had just done a voice-over not only would it have been easier to make, but I also could’ve included a lot information without it feeling incredibly clunky. The initial cut was about 26 minutes, but I cut out loads of stuff for the sake of pacing and trying to stick to narrative beats. Roger is a fascinating guy with a lot of great anecdotes though, so if you enjoyed this video then I highly recommend you seek out some of the podcasts/interviews he’s done over the years.
I planned on making all the music for this film myself, but decided it would be better to use music that relates to Roger in some way (for example, he co-wrote 'Promises' by Eric Clapton and 'Quittin’ Time' by Mary Chapin Carpenter, and first used the LM-1 Drum Computer on the Leon Russell album 'Life & Love' which featured the track 'One More Love Song'.) I salvaged one of these demo tracks for the credits, but you can listen it and a few more scrapped tracks here:
Since you’ve read this far, here’s a few bonus Roger facts that got cut out of the video:
The LM-1 was featured on the best selling album of all time - 'Thriller' by Micheal Jackson, as well as other early 80s hits like 'Maneater' by Hall & Oates, 'Valerie' by Steve Winwood, and for some reason - the original 1983 Thomas the Tank Engine theme song.
Roger hired his friend, a professional session drummer called Art Wood, to record most of the sounds on the LM-1. They set up the kit in Roger’s closet, recording each of the drums one at a time… then called it a day. Given the popularity of the songs featuring these recordings - Art Wood is technically one of most prominently featured drummers of all time.
And here's two bonus facts about this video:
The title 'The King of Drum Machines' is a quote from the father of MIDI - Dave Smith, when he spoke about Roger and the Tempest drum machine (which they built together) on a Sweetwater panel in 2015. [below]
This video was released on Roger’s 70th birthday.
I hope you enjoy it!"
The History of Sampling in Music (2022)
"Join Mitch Gallagher as he moderates 'The Inventors of Synth' panel discussion at Gearfest '15. Featuring industry icons Dave Smith, Tom Oberheim, and Roger Linn discussing their thoughts on the past, present, and future of analog synthesizers and controllers.
Legendary synth designer and Grammy-winner Dave Smith was the founder of Sequential Circuits in the mid-'70s. His Prophet-5, the world's first fully programmable polyphonic synth, was the first musical instrument with an embedded microprocessor. Dave is also known as the driving force behind the development of the MIDI specification. He has continued to innovate, and recently unveiled his latest synth creation, the Sequential Prophet-6.
A pioneer of the synth and MIDI world, Tom Oberheim co-designed the Synthesizer Expansion Module (SEM), a device that allowed musicians to simultaneously combine live playing and sequenced playback - a concept that pre-dated the MIDI revolution. In 1981, he, along with Roland's Ikutaro Kakehashi and Sequential's Dave Smith, developed the MIDI spec, which changed the course of modern music. Tom recently re-released his famed Two Voice synth.
Technical Grammy award-winner Roger Linn invented the LM-1 Drum Computer (the first sample-based drum machine) in 1979. He later designed the Akai MPC60, which combined a sampling drum machine with a real-time MIDI sequencer. His guitar effects unit, AdrenaLinn, has been used on hit recordings by John Mayer and Red Hot Chili Peppers. In 2014 he released the LinnStrument, an expressive MIDI performance controller."
"The Oberheim TEO-5 compact polyphonic analog synthesizer is your new must-have synth for on-the-go sonic exploration. Watch as Daniel Fisher showcases the wide range of sounds this synth can produce and goes over some of the features that Oberheim included with this product."
00:00 — Intro Synth Sound Samples
00:44 — TEO-5 Synth Features and Specs
01:47 — Outro
"The Erebus 3 is an analogue synthesizer with duophonic capabilities that’s packed with three oscillators with auto-tuning, a triple ring modulation section, a modulation section with LFO and ADSR envelope generator, as well as a 12dB resonating multimode filter.
With the onboard 35 point patch bay, music makers will find the flexibility of being able to integrate their Erebus 3 with other modular systems – in addition to routing internal modules. Other features include an analogue clock generator, patchable sample and hold, as well as a built-in lo-fi echo."
"Here's a single Colossus #synthesizer sequence captured via mobile. This was a demo sequence we used at Sweetwater during the AS visit and presentation. It was quickly taken apart via participants' hands, which is part of the fun of #Colossus and modular in general! Too cool not to share. :)
We have several configurations of the Colossus synth. Drop a line or visit the website for more information:
"Dave Smith’s synthesizer legacy was immediately cemented with the debut of the Prophet-5 in 1978. Nearly half a century later, Sequential continues Smith’s innovative spirit with the Trigon-6, initially released as a 49-key polyphonic analog synthesizer and now available as a synth module. It boasts the entire span of sonic capabilities that can be found in its full-size sibling, sans the keyboard. Packing power and portability into a mobility-minded module, this take on the immensely versatile Trigon-6 is a premium case study in what makes a solid synth module and why you should be using them in your setup. Daniel Fisher takes the helm to show you just what a bona fide module can do. Check it out!"
Be sure to see the dealers on the right for availability.
"Nearly 50 years of heritage design and analog expertise have been distilled into the superlative circuitry of Sequential’s groundbreaking new polyphonic 6-voice synthesizer: the Trigon-6. Historic synthesis is masterfully blended with modern sonic possibilities to create a forward-looking instrument that won’t compromise on vintage character. Join Sweetwater’s premier synthesist, Daniel Fisher, to explore this polyphonic powerhouse. Check it out!"
Remember to see the dealers on the right for availability and deals as well.
"Daniel Fisher, Sweetwater’s wizard of weird, created 'Weirder Stuffs' with nine stereo tracks using only the Oberheim OB-X8 polyphonic analog synthesizer; no additional effects were used. Check it out!"
0:00 – "Weirder Stuffs" Video
0:34 – Intro
0:45 – Individual OB-X8 Parts
2:20 – Thanks for Watching!
2:30 – Reverse "Weirder Stuffs" Video
"A complete rundown of Page McConnell's 2022 Phish keyboard rig. #Phish #Keyboards #synthesizer Special Thanks to Page's keyboard tech Eddie Piotrowski.
Directed by Trey Kerr.
Additional Thanks:
Warneck Research Wurlitzer Electronics Tim Warneck
Retrolinear Inc. Mike Suchodolski Karl Frick Amanda Fitser Mike Frank
"Dreadbox sought to channel Olympic levels of low-end thunder with this heavy-duty analog bass synthesizer. Living up to its namesake, Hades is brimming with distinctive, dark sonics, faithfully reproducing the specs of its predecessor (with a few quality-of-life improvements). With a single VCO, Hades is outfitted with a suite of sonic sculpting tools and 11 CV patch points to be easily integrated into almost any system. Moreover, the synth can be easily removed from its housing to be placed directly into a Eurorack configuration, if you’ve got the 42HP to spare. Armed with two sub-octaves, PWM-accompanied waveforms, and a characteristic distortion, Sweetwater’s sound hounds concur: Hades is the perfect bass synth to kick your low end into high gear."
Modbap Modular makes colorful Eurorack entrance at Brooklyn SYNTH+PEDAL EXPO with HUE debuting as AUDIO COLOR PROCESSOR
LOS ANGELES, CA, USA: following hot in the footsteps of Trinity, the fourth entry in its expanding Eurorack product lineup as a three-channel DIGITAL DRUM SYNTH ARRAY (as introduced at Knobcon Number Ten, a one-of-a-kind synthesizer convention held just outside of Chicago, IL, USA at the Hyatt Regency Schaumburg, September 9-11), black-owned Eurorack modular synthesis and electronic musical instrument manufacturer Modbap Modular is proud to debut HUE as its latest Eurorack entry — this time being billed as an AUDIO COLOR PROCESSOR, packing a chain of five effects (each imparting a particular coloration, tone, distortion, and/or texture to the source audio) into a 6HP- width module, making drums bang with more magnitude and melodies morph into lush lo-fi tones — at Brooklyn SYNTH+PEDAL EXPO, a free-to-the-public pop-up event of synths and guitar effect pedals, at 718 Studios, Brooklyn, NYC, USA, October 8-9…
“HUE was originally designed as the effects section for Trinity; the thought was to create an effects section that would simulate the classic, lush boom- bap and lo-fi vibes that we’ve come to love.” So says Modbap Modular founder/owner/designer Corry Banks, before continuing: “I want to bring those nostalgic textures that make things bang a bit harder and feel a bit grittier and more soulful into a single Eurorack module. HUE pairs very well with drum sources, such as Trinity, or melodic sources, such as Osiris, to further cultivate ‘that sound’. Saying that, HUE, in moderation, makes things sound more beautiful, but it can become brolic when pushed to its limits.”
Maximum (musical) muscle notwithstanding, HUE’s goal is to simply color its user’s sound — hence highlighting that the aim of its name is true, thanks to the COLOR PROCESSOR wording written across the top of its slimline front panel. Its initial concept was born out of a debate about the techniques and processes used to make drum machines sound so big, bold, and delicious. It is worth bearing in mind here, then, that the sounds that tug at the heartstrings of boom-bap, lo-fi, and, subsequently, Modbap — meaning the fusion of modular synthesis and boom-bap (or, indeed, any form of hip-hop) — are those demonstrating great texture, lush degradation, soft distortion, and big bold strokes of color.
Classic beloved drum machines were often processed with outboard gear; recorded to tape; pressed to vinyl; played over big, booming sound systems; sampled; resampled, and so on. It is no surprise, therefore, that those are the sounds that become nostalgic and reminiscent of all that the black-owned Eurorack modular synthesis and electronic musical instrument manufacturer adores about classic lo-fi boom-bap production, with HUE representing its attempt at bringing that vibe into Eurorack as a 6HP-width module.
Acting as a COLOR PROCESSOR, HUE’s effects chain signal path is as follows: DRIVE, FILTER, TAPE (saturation), LO-FI, and COMP (compressor), with the panel layout allowing for the DJ-style FILTER knob to sit in first position for ease of tweaking — LP (low-pass) when turned to the left through to HP (high- pass) when turned to the right. Digging deeper, DRIVE boosts and lightly distorts the signal, while SHIFT+DRIVE adjusts the DRIVE tone; the TAPE effect is intended to impart cassette tape saturation, while SHIFT+TAPE adjusts the intensity; LO-FI adjusts bit depth, while SHIFT+LO-FI adjusts sample rate; and, lastly, the one-knob COMP mini-pot serves as the final glue in the signal path that brings everything together. There are also DRIVE CV, FILTER CV, TAPE CV, and LO-FI CV inputs, as well as mono INPUT and OUT connections, collectively opening up a wealth of creative possibilities. Put it this way: when throwing creative modulation at it, HUE is truly a textural beast.
But best of all, HUE puts the power to shape and transform its user’s sound at their fingertips — perfect for beefing up drums while equally as magical when working on melodic content, which is exactly why it pairs so well with Trinity (https://www.modbap.com/products/trinity), the fourth entry in Modbap Modular’s expanding Eurorack product lineup as a three-channel DIGITAL DRUM SYNTH ARRAY, and Osiris (https://www.modbap.com/products/osiris), a sensational-sounding BI-FIDELITYTM WAVETABLE OSC (oscillator) module for Eurorack (introduced to widespread critical acclaim at last year’s Knobcon Number Nine). Needless to say, HUE — like its Eurorack siblings — exemplifies Modbap Modular’s musical mantra: Made for Eurorack, dope enough for boom-bap!
Expected to ship in late-October 2022, HUE is available to preorder at an MSRP (Manufacturer’s Suggested Retail Price) of $299.00 USD via San Clemente, CA, USA-based distributor Electro Distro’s growing global network of dealers (https://www.electro-distro.com/dealers) — including Sweetwater (https://www.sweetwater.com), the USA’s number one eCommerce provider of music instruments and pro audio gear — or directly via its dedicated webpage (which includes more in-depth information) here: https://www.modbap.com/products/hue
Note: links to listings are affiliate links for which the site may be compensated.
video upload by Musiker Lanze
"So...hier kommen m,al 10 ausgewählte Sound-Demos des "Yammex". Es handelt sich hierbei um einen Expander vom Klaus Dzida www.v3sound.com der speziell für Yamaha Tyros, Genos und PSR Keyboards gedacht ist."
Googlish:
"So...here comes m,al 10 selected sound demos of the 'Yammex'. This is an expander from Klaus Dzida www.v3sound.com which is specially designed for Yamaha Tyros, Genos and PSR keyboards."
"I bought this from Sweetwater a couple of years ago to expand the voices of my Yamaha Genos. It has many excellent pianos, EPs, horns, organs, etc that complemented and in some cases IMO sounded better than the voices on my Genos. There are several on line videos that demo the voices. Now I no longer need the V3 module (since I use my Genos with a Legends 70s piano).
This expansion sound module works with any keyboard that can send midi messages. The advantage of using it with a Yamaha arranger is you can load the voice names into your keyboard, but it doesn't use significant storage in the arranger since the sounds are all stored on the module."
Interesting seeing the Buchla used in this context. Be sure to check with dealers on the right for availability as well.
"In this video, Sweetwater‘s Jake Jenkins runs the Buchla Easel Command through its paces, which takes the 208c module and places it into an updated desktop synth featuring full MIDI/DAW compatibility. As a result, it mixes the exploratory ethos of Buchla design with the streamlined form factor of a desktop synth that doesn‘t depend on the complexities and space of a whole modular system. The Easel Command allows for tonal operation well beyond the limitations of 12-tone equal temperament, with a near-unlimited number of possibilities through control voltage regulation of nearly all parameters. This analog, mono synth uses a simple pair of oscillators, additive FM signals, and wave shaping to construct its base sounds, molded and manipulated into an infinite pantheon of sonic possibility."
"This is a tenth anniversary edition all-analog signal Moog synth with maple cabinet and blue LEDs (Sweetwater edition 33 of 37), designed by Bob Moog to follow up the Minimoog D. It's been kept in a smoke-free studio, very lightly used and never gigged. The CV expander requires an expansion card to be installed inside the synth (and that has been done already). Also comes with an official Voyager dust cover. Working & in excellent condition."
"We are excited to announce that The NAMM Show, the annual 'family reunion' of the global music, sound, and entertainment technology industry, will reconvene in Anaheim, California at the Anaheim Convention Center on June 3–5, 2022.
Previously scheduled for January 20—23, the new dates will offer global industry leaders, buyers, sellers, music educators, artists, media, and music makers the opportunity to reconnect and renew their businesses while taking greater advantage of reimagined indoor and outdoor events, activations, professional development sessions, an expanded digital reach and more at the crossroads of business opportunity."
"A little bit of the Islands from my current Eurorack setup, filmed while on vacation this past July.
This video features the Telharmonic using all three outputs, with pitch comming from the Turing Machine quantized by O&C, and gates from Rene. Drums are a combination of BitBox samples sequenced from the Euclidean module and additional sounds from Plonk which is sequenced from Muxlicer. Master clocks from Pamela’s, and reverb from the Z-DSP. The Telharmonic’s Flux input is modulated by an offset slow S&H from my Teensy-based LFO module. Audio directly into and video from Zoom Q8 video camera.
Well, it has been a long dry spell! I’m finally doing some exploring and recording again (too much work, no time to play), and this is one from during my vacation in July. My system as seen in this video has kind of reached a stable point with my getting a Telharmonic (had to get one before they were gone, I got Sweetwater’s last one), a Blinds, Muxlicer, Plonk, Z-DSP, A-106-5 SEM filter and a few utilities. I also finally got a Matriarch, which I’ll feature in another video soon."
Digital Drum Machine with 6 Drum Voices, 16-step Sequencer, Pattern Chaining, FX Section, 4 Mono Outputs, and USB/MIDI Connectivity
Revamped Cult Classic Desktop Drum Synth and Sequencer
Boutique synthmakers Sonic Potions and Erica Synths have teamed up to bring you the Sonic Potions x Erica Synths LXR-02 Digital Drum Synth. A revamped version of Sonic Potions' renowned DIY kit, the LXR-02 is a highly flexible desktop drum machine, which goes far beyond the TR-style drum machines from which it draws its inspiration. Featuring six drum voices (which are optimized for specific drum sounds), a host of modulators, a robust FX section, and a performance-oriented interface, the LXR-02 is an inspiring piece of kit that has enraptured Sweetwater’s synth enthusiasts. With its high-quality 16-bit/44kHz audio, the LXR-02 has a shockingly huge sound. And, its powerful 16-step sequencer provides eight subdivisions per step, for a massive 128 steps per track at 32PPQ resolution. The LXR-02 facilitates sonic exploration, and you can store custom kits on the provided SD card. What’s more, a unique morphing feature allows you to seamlessly crossfade between presets — perfect for spicing up compositions! And while the LXR-02’s Digital Drum Synth features run deep, it’s amazingly intuitive. You’ll be cranking out killer sequences in no time!
