"Here is a short sound demo featuring two new modules from Touellskuarn: an overdrive and a preamp. The overdrive has two different clipping circuits that can produce sounds ranging from subtle to complete distortion.
The second module is a preamp that can be used to process guitars, synths, or bass in a modular setup. This ultra-clean preamp also has an attached filter and is intended for processing signals with effects or filters in the modular setup."
0:00 Distres Kontroll C78
0:16 Distres Kontroll 808
0:38 Distres Kontroll Sinus into Distortion
0:56 Distres Kontroll MFB Tanzbär
01:31 Distres Kontroll Fors.FM Dyad
01:57 Distres Kontroll Doepfer A-111-6
02:24 Te Zo Koant mk2
02:44 Te Zo Koant mk2 Guitar
03:11 Both Modules + Bass
The Distres Kontroll is a versatile Eurorack overdrive designed to take your audio from subtle saturation to aggressive distortion. Built around a special Opamp, it combines a voltage-controllable gain stage, a tone-shaping filter, and two distinct clipping flavours.
6HP / Black aluminium panel
Jacks : Input, Output, CV Gain Input, CV Filter Input
Anukari 1.1 Brings Strings, Tubes, Breath, and Over 1,000 New Sounds to the 3D Physics Synthesizer
The first major update since launch is built almost entirely from user requests, and it's free for every existing owner
PRESCOTT, Ariz., Nov. 10, 2026 -- Anukari, the synthesizer that makes sound from a real-time 3D physics simulation, today released version 1.1, its first major update since leaving beta in June. Where Anukari 1.0 let musicians build instruments from masses, springs, and mallets, 1.1 adds resonating strings, bars, plates, membranes, tubes, bells, a mouthpiece that lets players blow into their creations like a wind instrument, more than 1,000 new factory presets, and dozens of other additions. The update is free for everyone who already owns Anukari.
Almost everything in the release started as a request from someone playing Anukari. Resonators were the most-asked-for feature by far.
“After 1.0, I read every message people sent me, and the same ideas kept coming up,” says Evan Mezeske, Anukari’s founder and creator. “Version 1.1 is basically that list. Resonators were at the top of it, but nearly every feature in this release exists because a user asked for it.”
Resonators are virtual objects that ring like real ones do: a string that can be plucked or bowed, a metal bar, a plate, a drum membrane, a tube, a bell. Each one can be struck, rubbed, or blown, and each can be wired into the mass-and-spring contraptions Anukari users were already building. So, a bouncing weight can drum on a plate, or a swinging structure can vibrate a string.
“The palette of sounds in Anukari just got dramatically bigger,” says Mezeske. “Between the resonators and the mouthpiece, there are so many kinds of sounds and crazy ideas you can explore now that simply weren’t possible before. And because resonators connect to the mass-spring systems people already know how to build, it isn’t additive, it’s multiplicative. Every old idea suddenly has a hundred new versions.”
The new mouthpiece exciter brings breath into the picture, letting players drive tubes and other resonators with air, the way a player’s breath drives a clarinet or a trumpet. New spring types let objects collide and bounce off one another or hold rigid shapes, which opens the door to things like wind chimes, rattles, and clattering machines. The bow, mallet, and plectrum all gained new, much richer physical models as well.
Mezeske’s own favorite addition is the Modulosphere, a sphere that can float through the scene and change whatever it touches. “Anukari has this whole 3D space, and the Modulosphere is the perfect expression of that,” he says. “It’s a way of shaping sound that only makes sense in three dimensions. It really takes advantage of Anukari’s virtual 3D world in a unique way.”
Big ideas in Anukari can mean big structures, and building them by hand can be painstaking. Version 1.1 adds tools that generate whole shapes and duplicate pieces in patterns. It also lets musicians bring their own AI assistant. Anukari has no AI built in, but anyone who already uses an AI assistant on their computer, such as Claude or ChatGPT, can now connect it to Anukari, describe the contraption they have in mind, let the assistant build it, and then see and hear the result in a fraction of the time.
“Some of the most fun things to make in Anukari are huge and complicated, and that can be incredibly involved,” Mezeske says. “If you already use an AI assistant, you can now point it at Anukari, describe whatever you’ve dreamt up, and hear how it sounds much sooner. There’s no AI inside Anukari; it just gives your assistant the controls. It’s a tool for exploring crazy ideas faster. And if you’re not a fan of AI, I completely respect that. You don’t need to use it. The new pattern duplication is super powerful on its own.”
To show off the new possibilities, 1.1 ships with more than 1,000 new factory presets across four new banks, including a collection of orchestral instruments built entirely from physics, along with a redesigned preset browser with search, filters, and favorites to make them easy to find. Playing has improved too, with legato and glide, editable envelope and velocity curves, and steady, incremental reductions in CPU use.
Since 1.0, Anukari has also arrived on Linux, fully supported alongside macOS and Windows, and gained gravity and turbulence controls that let structures fall, sway, and drift.
Anukari 1.1 is available now from anukari.com as a VST3, AU, AAX, and LV2 plugin, and as a standalone app for macOS, Windows, and Linux. It is a free update for all existing owners. To celebrate the release alongside Black Friday, Anukari is 50% off through December 4. The free 7-day demo has also been reopened for everyone, including people who already used up their trial on an earlier version, so anyone curious about what’s changed can try it again.
"Could the $35 M5Stack Cardputer be the next FM-1? With open-source firmware, this tiny computer can become an experimental music machine capable of generating rich ambient drones. Diviner is one such firmware, a Daedric / Lain-core skinned companion firmware for the M5Stack Cardputer ADV, booted by the Launcher. Sixteen "rites" across four domains — sound, sight, the wired, and wards — in one blood-and-ember aesthetic, with a hand-rasterised Daedric glyph font.
The Cardputer-Adv is a card-sized, versatile programmable platform powered by the Stamp-S3A module with ESP32-S3FN8 core processor. With its 1.14" LCD display and an intuitive 56-key keyboard, the Cardputer-Adv offers easy interaction and seamless command entry for a wide range of applications.
Advanced Audio Features
Equipped with high-quality audio components, the Cardputer-Adv includes an ES8311 codec, a precision MEMS microphone with a superior signal-to-noise ratio, an NS4150B amplifier circuit, and a 1W speaker output. For enhanced audio flexibility, it also features a 3.5mm headphone jack for external audio devices.
------------------------------------------------------------------------------------
00:00 - Intro
00:01 - M5Stack Cardputer Adv Stamp-S3A with ESP32-S3FN8 3.31" x 2.13" x 0.78"
00:06 - M5Launcher Application Launcher
00:12 - Diviner Firmware A Daedric / Lain-core Companion
00:16 - 5 audio/video related "rites" (16 in total)
00:21 - DRONE Generative drone box
00:28 - 5 drifting voices, resonant LP, wind, bells, dark delay
00:55 - Toggle wind level boost (N)
01:37 - Toggle bell level boost (B)
02:00 - Scale modes (1-6)
02:26 - Root note (A-K)
02:59 - Octave down/up (Z, X)
03:26 - Light and drift (Arrow Keys)
03:35 - Toggle hold/flow (Space)
05:49 - SEQ Groovebox with kick/snare/hat/acid
06:04 - BEAT C expression bytebeat livecoder
06:17 - WIRED Ambient digital visualizations
06:52 - VISIONS Ambient organic visualizations"
Jarrod from Heisenberg told us about the OFAI Music Workstation and a handmade wooden MIDI controller.
The workstation is a custom small Linux-based unit with audio outputs and MIDI. It runs open-source software from the Zynthian platform, with additional presets made by Jarrod. The hardware is a a custom development by the team, and it supports MIDI synths, plug-ins and multi-timbral sequencing.
The wooden controller works as a generic control surface and is not for sale, more just as a DIY project by Jarrod. Parameters are assigned with MIDI Learn, so knobs and buttons can control selected synth or effect parameters. In the demo, a USB MIDI cable connects the controller to the workstation. The system can run drums, hi-hats and riffs on separate tracks, and selecting a track gives access to further parameters. A MIDI latch function holds notes while parameters are adjusted.
The OFAI Workstation is sold in China for 3,700 RMB. The wooden controller is handmade and is not for sale.
More Info: https://zynthian.org
2. 30k - Nyoka - Magnetic Field Noise Generator - Beijing Modular 26
Yang from 30K told us about their NYOKA Magnetic Field Noise Generator, a small experimental sound device that turns electromagnetic interference into audio control signals.
The unit senses magnetic field signals and uses them to modulate an internal oscillator. It can also be played by touch, with fingers routing signals to different points in the circuit. The device includes multiple switches for changing operating modes, selecting oscillator or inductor output, choosing where the magnetic field signal routes, and altering routing inside the oscillator.
The unit runs from USB-C power and outputs audio via a 3.5mm TRS jack. It responds strongly to nearby power sources, with different electrical equipment producing different responses. Yang also mentioned that it works well with external reverb and delay.
The device is available for 229 RMB.
He also showed a magnetic field amplifier with 1000x gain and a small Meow Box synthesizer that produces cat sounds - I mean, why not?
3. 203 Systems - Mystrix 2 MPE Grid, Cardenza - tiny hackable music computer- Beijing Modular 26
Nengzhuo Cai from 203 Systems had some pretty cool units to show, first up is about Mystrix 2, a wireless MPE grid controller, and two compact music devices. Mystrix 2 is the latest generation and runs its own OS, so applications can be installed directly on the hardware without a computer.
Mystrix 2 acts as a MIDI and control-data source. It includes MPE keyboard apps, chord, arpeggiator, scale and custom scale tools, split-screen operation, an eight-track sequencer, clip mode and a mixer. The sequencer supports 16 patterns with 16 steps. It has three full-feature USB-C ports for charging, computer connection or accessory boxes, plus CV and MIDI adapters. A hidden side touch slider supports functions such as strumming.
Next up is *Cardenza, *a $20 open-source ESP32 S3 music computer with Wi-Fi, Bluetooth 5, microphone, SD card, app installation and web coding support. You can run your own programs on it, and even browse the web (assuming you can code your own browser!)
Then the NULLperator is a tiny eight-track tracker with audio I/O, TRS MIDI I/O, microphone, speaker and battery. Mystrix 2 is expected for Kickstarter at around $500, while NULLperator is expected around $300, with free iOS and Android apps available.
More Info:
https://203.io/ |--------|
4. SPI1: Mini Multi-function Game-style Modules - Beijing Modular 26
We spoke to Lei and the team behind *SPI1*, a compact modular music workstation built around a “micro universe” concept. They explained that the project uses a game-like interface for creating music, with visual design, touch controls and interchangeable hardware modules forming part of the workflow.
SPI1 features a square-format touch bar with 12 control keys. Projects can start from blank templates or preset styles, and the system supports user-made templates. The team plans to release an SDK for third-party development, covering modules and internal software.
The instrument includes a DSP synth system where timbres are organised as “plants”, with scale selection, generative music modes and four-channel pattern recording. A map-style interface contains sound machines, including chord and wave-based devices. External interaction comes through probes for wind, magnetic signals, audio signals and other inputs.
The modular hardware includes interfaces such as joystick, DJ turntable, drum pad, fader and marble-based controllers. An audio sequencer module can trigger external devices and lights. SPI1 is currently a prototype, with a Kickstarter planned for spring next year. Pricing has not yet been confirmed.
Ģirts from Erica Synths gave us a look at the Graphic Sequencer a new Eurorack module currently in production.
The Graphic Sequencer is a compact hub for sequencing and modulation. It has 10 steps (with a planned 16-step expander) plus CV and gate outputs and three modulation outputs. Those outputs support envelopes, delay-based envelope types, user-drawn multistage envelopes, LFOs, random walk, Euclidean sequencing and chord CV duties across multiple oscillators.
Magic mode changes an existing sequence in real time, with controls for note variation, octaves, density, gates and slides. Returning from that mode clears the edit buffer.
The Euclidean section works with an 8-channel expander, and hits can be added manually with the encoder.
The module is expected in about a month, priced around €300.
6. Theresyn - Beijing Modular 26
We spoke to Nori about Theresyn, a handmade fully analogue theremin synthesizer. He explained that it uses the familiar theremin approach, with the left hand controlling amplitude and the right hand controlling pitch, but adds extra control and acoustic elements.
Xin then demo'd the pressure-sensitive touch pad, which controls oscillator amplitude and can also trigger an ADSR envelope. Theresyn has two oscillators, with mixing between the theremin voice and an internal oscillator. Antenna tracking can be set to none, partial or full, allowing one oscillator to act as a drone or follow the pitch hand.
The synth also includes selectable waveforms, filter modes including low-pass, resonance, pitch-to-filter tracking and amplitude modulation of the cutoff. Its speaker system includes a front loudspeaker and rear resonating strings, with a pickup for the string output. There is no pitch quantizer, and pitch remains continuous. The pitch range can be tuned to the player's body capacitance.
Theresyn is handmade, available to order from the website, and the full version with bag costs €3,000.
We spoke to the team behind Puff V3 about the Puff breath controller project, which began in 2024. They explained that the current wired V2 has the same core functions as the planned V3, while the V3 moves to wireless operation.
Puff converts breath into control voltage for modular systems and synthesizers. It can control pitch, cutoff, resonance and other modulation destinations, depending on the patch. The system supports up to four CV outputs and one MIDI output. USB-C connects to a computer or laptop for MIDI, so it can control software and hardware at the same time.
The controller is held in the mouth, leaving both hands free for instruments such as guitar or piano. The team also discussed a future mouth ring or bite control for sustain-style input. The prototype is built, with release planned for June next year, and the project launches on Kickstarter.
"Imagine being able to sequence different effects blocks as you wish. Imagine being able to send to a delay only on steps 5 and 9. Imagine being able to slew between effects slowly. Imagine if these effects blocks had LFO's for parameters to modulate them automatically. Imagine if you could choose from 34 effects blocks of different types. Imagine if you could quickly randomize everything to spit out a new sound. Imagine if you could change opamps, diodes, capacitors, and component age without a screwdriver and popping open something vintage.
Imagine no more!
Here's OCTAL. An 8-block sequence-able effects rack that lets you lightly touch or completely mangle your audio input into something fresh. An effects playground, if you will. Chain things in any order, then re-order them freely, just to hear how it sounds. Cascade blocks into each other, stacking sounds that build and grow. Or simply hit the EZ button and let it choose for you. Then sequence all that for certain steps only. Assign LFO's to automatically swell, dip, crunch, or delay sounds so that its just how you like it. Or, do that all at once, times 8.
"Imagine sending audio to a delay only on steps 5 and 9. Imagine slewing a filter between steps. OCTAL is eight effect boxes in series with a 16-step sequencer underneath: pick what's in each box, then program which boxes switch on at each step and where their knobs sit. Every box is its own little pedal, with its own paint, lettering, and wear.
OPEN-1 is an idea for an open, entry-level synth: a 37-key instrument that becomes a new machine every time you pick a firmware from the SD card. In this concept video it runs a simulated HYP-1, in time with a real HYP-1 live take.
IDEAS PHASE: OPEN-1 is not a product yet. Nothing is for sale, the renders are concept art, and every spec and price below is a target, not a promise. I'm sharing it early to find out what you'd want from it.
TARGET SPECS
480 MHz Cortex-M7 (STM32H750), open toolchain (the FM-1 runs at 240 MHz)
32 MB of working memory for long delays, loops and samples (the FM-1 has about 432 KB)
16 MB of firmware flash plus a microSD library: keep several firmwares installed, swap from the menu
24-bit stereo audio in AND out, so it can be an effects box too
MIDI in and out (3.5 mm TRS), USB-C device and USB-C host
37 RGB-lit silicone keys, 8 velocity pads, 8 endless encoders, a thumbstick and 2 spring levers
4" 480×320 IPS screen, built-in speaker, headphone out, 3000 mAh battery
Wired only, no Bluetooth: lower latency, simpler to build
Target price: under $200
OPEN BY DESIGN
An open SDK and a browser emulator, so developers can build firmware before the hardware ships
A firmware jam before launch, with a community-voted firmware pack preloaded on every unit
Launch firmware ported from the FM-1 family: HYP-1, LOF-1, ECO-1 and GRAV-1
The racks are ridiculously high now and I think we’ve finally reached our limit. We’ve pretty much got everything Metasonix and Zerosum Inertia have made, and we don’t really need more tube modules. But all of the sudden we started selling again on Reverb, so we got a used Bard Frequency Vault on Modwiggler. I was curious how it compares to the Metasonix RK8 Filterwall. This particular Frequency Vault is wired to a tiny power module and an external power supply to heat the tubes, so we’re able to run it off of a 4ms power supply, along with the 2050 module and the TX-1 clone, which also have external power supplies for the tubes. This video is the first test of the module, with the 2050 audio output running into the main audio input on the Frequency Vault and one of the stereo outputs on the Frequency Vault running to the TX-1 clone."
"Two Bunkers. One circuit. Neither of them willing to be quiet.
A walkthrough of the Stereo Bunker Archeology from Djupviks Elektronik. Each channel's envelope follower is wired across to the other side's filter and feedback, so the two halves push each other around until the whole thing plays itself. It's grainy, unstable and occasionally rude, which is exactly what you want from a broken reverb.
Want the Paul Virilio backstory and how the reverb and static circuits work? Watch my Bunker Archeology MkII video first:
Stereo Bunker Archeology is now available in limited quantities. You can purchase your copy through Hause of Hylin (Australia), Green Mod (USA), or directly from Djupviks Elektronik’s Bandcamp page today, Friday, October 2, for Bandcamp Friday.
Zero-input mixer. DIY noise artist's playground.
A digital no-input mixer: four channels, two effect returns that are full mixer channels in their own right, db-cell running as the board's own noise floor, and a live patch bay — everything you hear starts as the board's own hiss going round a feedback loop until it finds a mode. CASCADE feeds each channel into the next, wrapping channel four back to channel one; CHEAP/SOLID decides how hard the shared power rail sags and lets every channel modulate every other one through it.
ZEROBOY plugin GUI
Four mixer channels, each with seven selectable circuit topologies and Mackie-style 3-band EQ, plus a CASCADE that feeds straight into the next channel — channel four wraps back to channel one
Reverb and delay aren't send effects — they're two more full mixer channels with their own gain, EQ, and aux sends, already wired into a two-node feedback loop with each other
"Modular Town — a synthesizer town, drawn by hand.
Modular Town is a single Amorph instrument: a hand-drawn village you scroll through, where every knob, step-sequencer and jack is mounted on a building facade wired by hand, just like real hardware.
🏭 Filter (Cutoff/Resonance) on the factoryVCO1 / VCO2 on the vending machinesDetune and Attack/Decay/Release tucked into the houses🥁 A 16-step drum machine (Drums Volume, Accent, Drive) running through its own sequencer🍜 Ramen Bass Shop, a mono bass synth with its own 16-step piano roll, playable live or sequenced. A day/night cycle you flip from a shop sign. Delay (Time/Feedback/Mix) on a canal-side wall. A full patch panel route LFO, ENV and random modulation across the whole village with real cables✨ Reverb, aged-paper texture and film grain for a sketchbook feel"
Note 1:43 in the video. Patternflow can be used as a controller via OSC.
"Patternflow is an open-source LED synthesizer — a 128×64 HUB75E matrix driven by an ESP32-S3, with four knobs wired straight into the pattern math. Turn a knob, and the pattern bends with your hand.
Everything is open source: STL files, Blender sources, PCB gerbers, and firmware. The full build runs around $100 depending on where you order parts.
— What's in the video —
0:00 This is Patternflow
0:08 How it works
0:26 Build your own (~$100)
1:04 Make patterns in your browser
1:42 OSC — a pocket-size VJ rig
2:03 Why it's open source
Patternflow began with Nam June Paik's Participation TV (1963), the first work where the audience could touch the image. I wanted to go one step further — so I built an instrument where you make the image yourself.
"Ellitone Osage Modular Synthesizer System (EOMSS) system #000. This was the final prototype system built before official production began. Usually, I do not keep my prototype units around for very long. I see the destruction of prototypes as an essential part of progress, a sacrifice to the forces of forward momentum. However, this system was good enough that it deserved to survive. This system is 98% identical to the production units that followed. The ONLY real difference between this system and the later production units is the USB connection style. This system has a hard-wired USB connection that runs out of the bottom of the case. The USB connector on the back of the case itself is NOT connected here. Also, on the back of the case there is a defunct 5-pin din MIDI connector that also is not connected. Other than these minor technical differences, this system is in perfect working order and sounds truly fantastic in every way. The pcb circuity in this system is all through-hole hand assembled and includes hand-matched transistor pairs in the expo-converters. It tracks very well across 5 octaves. It has been very fun getting this system ready for sale and hearing it roar again. This modular system is something special, I know that someone out there will appreciate this opportunity to acquire something truly out of the ordinary. -ellis"
"Fusebox X is an analogue monosynth with 3 note poly capabilities"
Priced £1,799.00
Update: additional pics and details added.
Filtopia will be a limited edition synth - we are only building 200 units.
Stereo analogue monosynth - with a 5 Multi-Mode filter Filterbank - to give glorious and unique filter sweeps!
USP - THE FILTER BANK Filtopia’s key USP is a bank of 5 analogue filters wired in parallel. Glorious multi-band filter sweeps are possible. With some tweaking you can also get vowel types sounds.
5 filters doesn’t mean just 5 filters, by having offset filter-cutoff frequencies, with some high resonance levels, can mimic the way the human voice works. Something that can’t be done with a single filter.
Aside from the uniqueness of a multi-channel filter bank for filtering, Filtopia is fully loaded with VCOs, LFOs, EGs, etc.
Filterbank - 5 analogue multi-mode filters - superb multi-filter sweeps, and even vowel sounds!
3 VCOs - can be routed to some or many of the filters as dictated by the front panel.
FM-1 Features: ● Built-in speaker: No external speakers needed, turn on and play instantly, your stage anytime, anywhere. ● Built-in arpeggio: Rich rhythmic layers, giving you endless possibilities for musical performance. ● Built-in sequencer: Supports saving 16 preset sequences. ● Built-in 6-band integrated effects chain. ● Built-in rechargeable lithium battery with power indicator: Ready to use anytime, anywhere – on the street, in a cafe, or in your bedroom. ● Built-in 145-parameter FM tone editing system: Supports importing original DX7 SysEx tone files, and batch loading of single tones and entire tone sets. ● Built-in sound source: This device features a built-in sound source (FM synthesizer engine) that emulates the classic Yamaha DX-7 FM synthesizer, fully replicating 6 operators and 32 algorithms. ● BT audio function: Wirelessly stream backing tracks from your mobile phone to the FM-1 for improvisation using the built-in speakers or headphones. ● 27-key silicone keyboard, covering two octaves, offering a supple touch and rapid rebound for a comfortable playing experience. ● 1.54-inch color display screen, providing real-time display of tone, parameters, and spectrum information. ● Backlit silicone buttons for silent operation and sensitive feedback. ● 7 sets of 360-degree rotary encoders for precise and intuitive control. ● 12 function keys for one-touch access to core functions. ● OCT± octave/transposition switch, covering the full range even on narrow keys. ● 3.5mm headphone jack with automatic speaker mute when headphones are plugged in, ensuring undisturbed creative work and immersive monitoring of every detail of the tone. ● 3.5mm MIDI input jack for supporting external MIDI device control. ● USB-C interface: USB Audio + USB MIDI composite device, automatically recognized upon connection to a computer.
user video:
M‑VAVE FM‑1 Review & Sound Demo – Fun Pocket FM Synth
"How does this under‑$70 FM synthesizer perform? Check out this video for a full feature walkthrough, sound demos, and my honest thoughts.
I first spotted the M‑VAVE FM‑1 at this year's Guangzhou Musical Instrument Fair, and picked one up shortly after for about 300 RMB (around $60). The packaging is minimal, the unit itself is compact (16×9 cm), yet it packs everything you'd need. Connectivity is surprisingly generous, with both wired and wireless MIDI and audio support – really well‑equipped for its size.
Inside, you get a 6‑operator FM engine, essentially a recreation of a classic 1980s Japanese synth. It comes with 128 preset sounds, plus an effects chain, a 16‑step sequencer, an arpeggiator, and deeper editing tools. Pair it with an external MIDI keyboard and the playability expands even further.
Are there minor software quirks? Sure. But at this price, they're hardly worth mentioning. Compared to other portable sound gadgets in its class, the FM‑1 is just plain fun. And for the money, the build quality and feature set far exceeded my expectations."
"So after seeing Author and Punisher live earlier this year, I felt inspired to build my own drone machine.
These controllers consists of a 2lbs aluminum rod attached to a optical rotary encoder, while sitting atop thrust ball bearings. This encoder is then wired to an Ardunio Uno R3 measuring the RPM value along with it's rotational direction. I then used that data to control a synth patch I made in Max Msp 9 using the abl.drift and abl.roar objects along with two DMX controlled light panels using the Beam max package.
__________________________________________________________________________
You can find more at:
zackberwick.com
https://causticclouds.bandcamp.com/"
"Bought this 27 years ago from the keyboardist, Gary Hull, who played keyboard on 2 Montrose albums and also toured with him 1990-94. Gary also modified this Oberheim Four voice for Montrose to add sequencer functions. This Oberheim has 4 great sounding late 70's SEM Units and 2 later model Sequencer modules that are quantized, and output 4 channels to the 4 SEMs. A remote keyboard controlled by the Keyboard Module allows spilts and 4 note polyphony and many options for control. A programmed Expressionist MIDI to CV interface is included so the four voice is also controllable polyphonically over MIDI. -- The Four SEMs have been calibrated tuned and checked for complete noise free operation in 2026. The keyboard has been leveled and bushings replaced and plays perfectly. In 2026 the power module and output module were restored by Synth Smith, an analog repair specialist with over 30 years working on analog synths. I did not change much from what Montrose had done to this synthesizer. He was well known for his customization skills. I did add VCF controls and pots for all the SEMs so you can control from remote LFO's. The Programmer has never been connected in the Oberheim since I have owned it. In 2026 the Programmer battery was replaced and testing revealed it does work, but is not wired, and wiring it would be a lot of new wiring.
INCLUDES: Oberheim FVS-1 in Custom Metal Case 27.5 wide, 23.75 High, 5 deep(inches) 49 Key Keyboard in Custom Metal Case 2 keyboard cables, power cable, Manual and Notes MIDI to CV Rack Convertor Expressionist Programmed ($650 refund if not needed) Hard Shell Pro Road Case for Main Unit
SHIPPING: Only for Sale in North America due to size and weight $500 Flat Fee for Shipping 3 Boxes, refund if less Shipped Freight fully insured with tracking Freight company will schedule delivery to your house Box 1 - Main Unit 68 pounds 33 X 30 X 13 (Inches) — 2 smaller boxes Shipped Fed Ex Ground Box 2 - Keyboard 19 pounds 36 X 16 X 8 Box 3 - 18 pounds MIDI to CV, Manuals, Cables, Misc. 24 X 17 X 8"
"The good folks behind Expert Sleepers hired me to make a video showing the Disting NT doing something interesting - but what that was, was up to me. I figured the NT should be able to power an entire small live system, replacing a boatload of modules in one. And I thought about how James Holden blends computers & analogue filters in his work. And so I built a live system that does just that. Here's it working, how it works, the challenges I had, and the solutions. NOTE: YOU CAN DOWNLOAD THIS DISTING NT PATCH BELOW FOR FREE"
"A pre-owned Bastl Instruments Microgranny Monolith in very good condition. It comes with original packaging and accessories.
Manufacturer's description
Granny’s back with a brand new lid: our classic desktop granular sampler gets a facelift, bringing her into the modern age with enough usability upgrades to last another lifetime, rehomed in sleek black PCB-material to help it look the part amongst the latest in the Bastl range.
The Microgranny 2.0 that you know and love is still there under the facelift: lo-fi sound full of character packed into a hands-on monophonic desktop sampler that is a joy to experiment with. Plug in your microSD card loaded with 8-bit samples, or record them live through the in-built mic or line input, and jump into play with 6 samples right under your fingers, or instantly recall up to 60 saved presets.
Playability is paramount
The two-tier menu lets you dart between editing grain size or warping the playback speed, and the new-look tactile knobs grant better control than the previous model. The hazy plastic case is gone, and the PCB case’s sharper text makes the modes under the new and improved buttons more enticing – delve into Randomized mode, Legato playback, or the Instant Loop function to extend the virtually limitless possibilities of the surface controls yet further.
MIDI Control? Yep: play specific grains with keys, control the CC values remotely, even clock-sync loops and grains. Take your Granny for a walk in the park with the battery power, or run it through a wired 9V supply."
