flickr by mtritter.click here for the full size shot.
Doepfer on grass.
EVERYTHING SYNTH
"The Moog is played by Kenny Ascher, arrangements are done by Alan Foust and Norman Dolph produced & tuned.
via REwire: "This is a demo/song using the New Plan-B Model 11 Evil Twin Bandpass Filter. I used the Prototype version and the final will be the same but a bit wider. I ran just one or two oscs, drums and some vocals all through the filter (with a bit of Reverb and Delay in my DAW). It has a 6db and 12db output that I frequently panned left and right for stereo effects. This is a Bandpass Filter that uses Vactrols (4 inside) and has controls for Frequency, Bandwidth and Resonance with CV of F and BW. When the Bandwidth is narrowed down, the resonance gets extremely crunchy and it seems to self oscillate in an erratic nature that makes it sound like all hell is going to break loose. It has a switch that patches in a second feedback mode for even more distortion, hence the "Evil Twin" reference. In my demo, I patched all sorts of LFO's, ENVs, Filter FM and hand control to twist every patch through the ringer. Can't say I've heard anything like this that wasn't coming out of a vacuum tube!"
"Liquid is a through-zero flanger, and excels in adding vintage vibe to your recordings. From a subtle ADT effect on vocals or electric piano on up to massive "Jet" style 2-buss flanging, Liquid will bring the classic sound of real tape machine flanging to your modern DAW.
Title link takes you to shots via this auction.
flickr by dar303.
Title link takes you to the sad news on the Elektron website.
Via Scott:
breadboard. The guy built the thing on perfboard - one board! It's a Model 2, which differs a bit from the electro-music Klee Sequencer PCB project, but the difference is pretty minor. His thread is here.
It's a lot of reading, though =0). Earlier this summer, Andy Sharp, Tom Fenn and I cooked up a scheme to produce PCBs of the project and sell them at a small profit, which we're donating to the electro-music forum for operating expenses, and to go towards a new server (a bit late on that one, judging from the recent crash there).
I've got a fairly complete (but not totally complete) draft of the Klee theory here:
http://electro-music.com/forum/download.php?id=8646
It's from this thread:
http://electro-music.com/forum/viewtopic.php?t=19278The doc explains what the Klee is and does and how it differs from a "normal" sequencer. It's a draft with a couple of minor typos, and I haven't yet gotten into the last part of the functionality - the interval switch."
Roland System 100s racked like a modular.
"Introduction
"Software editor for Access Music synthesizer Virus A, B, C, Classic, Rack XL
There are a couple of posts up on the Zebranalogic blog discussing some of what they are working on. First is Digital Audio Techniques. "In our research of audio development, we are working with some digital techniques for digital systems. Like the Direct Digital Synthesis (DDS) technique. With this one we can simulate analog waveform with a dsp processor. The result is pretty good and depends of the number of digital samples. The output is ploted in a GLCD (Graphic LCD ). The frequency of the wavform is variable by software with a knob..."
via Scott Sites on electro-music.com:
Title link takes you to shots via this auction.
Title link takes you to more info on how to patch the EMS Synthi AKS for Pink Floyd's classic "On The Run" on EMS SYNTHI.
Title link takes you to a pdf on the making of the genoQs Octopus. It is also linked to on the genoQs documentation page. It was presented at the electro-music.com European Modular Event 2007.
Title link takes you to a post on the KORG Wavestation on a Spanish synth blog, Celiar Structures. You can find a Google translated version in English here. This is a good follow up to this post on the Yamaha TG-33.