Click here for shots via
this auction. These shots are about as good as it gets. Be sure to see them full size. There is also a nice shot of the x0xb0x in the set.
"Here's another one of those items where if you have come across the auction, you probably know what it is. Well, just in case you don't, this is one of the exceedingly rare Sequentix P3 hardware MIDI sequencers. According to Colin Fraser, the amazing man behind the Sequentix P3, there are only, at most, 247 of these sequencers in the world, with that number assuming that every single one sold as a kit was actually assembled. The real number of completed, functional P3 sequencers is probably far lower than this. It's very, very rare that one shows up on eBay, especially one as well-cared for and unused as this. This may be one of the nicest P3s left.
To quote from Sequentix's About P3 page:
The P3 Sequencer is an 8 track, hardware MIDI sequencer, with a user interface comprised of knobs, keys and LEDs. A sixteen character by two line PLED display provides confirmation of pattern data and access to advanced features and configuration options.
P3 allows real-time control of track mutes and simple pattern or pattern chain selection across multiple tracks, plus analogue-style editing of patterns. Each of its 384 patterns has independent values for note, velocity, tie, gate, length, gate delay, and a combination of up to four MIDI controllers, extra notes, or 'auxiliary events', per step.
P3's unique auxiliary events allow the creation of dynamically self-modifying patterns. They can grab values from other tracks, randomise steps, alter track and global settings, and much more. There are three modulation 'accumulators' per track, that can be used as LFOs, perform arpeggiation effects or enable complex pattern progressions.
Furthermore, you can assign front panel knobs to modify or mask these events in real-time, allowing you to create interactive patterns that change predictably as you adjust the knobs - varying in complexity, controlling levels of randomness, even 'morphing' from one pattern to another.
A Force-to-scale option provides preset and user-defined scales to keep everything in key (but defeat-able per pattern step if required), and a configurable 'change mode' allows patterns with different lengths and/or time-bases to free-run, or be synced to a global bar.
What's even better about this P3 is that it comes fitted with Sequentix's just-released (and essentially sold out) add-on for the P3, the P3 MemX Memory Expansion Board. Normally under the v4 firmware there are 24 bars of pattern storage for each of the 16 banks (384 bars total). With the MemX board installed there are 224 bars for each bank, bringing the total to 3584 bars! This is more than nine times the storage of most other Sequentix P3s. The P3 MemX was only available directly from Colin, but because because this P3 comes with the MemX installed, you don't have to worry about finding one, opening up the P3, and installing it yourself. It's already done! I will also include the memory chip which was removed in order to install the MemX, for... well... just in case you can find a use for it."
via Steve.
Title link takes you to the set. 
Title link takes you there. Be sure to track back to the root of sequencer.de for more.
"Here's another one of those items where if you have come across the auction, you probably know what it is. Well, just in case you don't, this is one of the exceedingly rare Sequentix P3 hardware MIDI sequencers. According to Colin Fraser, the amazing man behind the Sequentix P3, there are only, at most, 247 of these sequencers in the world, with that number assuming that every single one sold as a kit was actually assembled. The real number of completed, functional P3 sequencers is probably far lower than this. It's very, very rare that one shows up on eBay, especially one as well-cared for and unused as this. This may be one of the nicest P3s left.
via this auction.
You know you want it.
Used by - Pink Floyd, Electric Light Orchestra, Yngwie Malmsteen, Geddy Lee and Alex 
Filter - low-pass
Title link takes you to shots via this auction.
waveforms. VCO1 can be synced to VCO2. Both oscillators are set with a frequency knob that is notched in semi-tones, with a separate fine tune knob for VCO2. Portamento is adjusted by a single knob. The sound then passes through a pair of Curtis 3372 chips. Each 3372 contains a VCF, a VCA, and a separate volume control for mixing. The VCF is a resonant 24dB/octave filter, with its own ADSR and knob for frequency. The frequency knob is quantized into steps, not allowing you to change it smoothly. Key follow can be set to full, half or off. The LFO can modulate the oscillators (both at the same time), the filter frequency, and the pulse width on the oscillator.
Title link takes you to shots via this auction.
Title link takes you to shots via this auction.
(basically six fuzz units, one for each string) all which go thru an ultra-fat analog filter. You can combine the VCOs with the Hexa-Fuzz for some seriously sick sounds. There are also two separate pitch pedals which take the synth out of the standard tuning and lets you tune the VCOs to a 3rd, 5th, octave up or down. You can also program the rise and fall time of the pitch change. There is a very cool envelope mod pedal which creates those Mutron envolope follower sounds. An inverted envelope is available as well. There is a built-in compressor which fattens things up even more.
Below: Programmable Envelope Generator 240
You might remember this one from this post. Title link takes you to the full gallery on Aliens Project. The PPG is on the top left of the shot.
Title link takes you to the full listings on canecutters. Look for the links MT1_0987, and MT2_0987 in the first post. Fortunately this one looks like it will be a sticky post. Sent my way via Navs.
via altemark on my facebook wall. 
Title link takes you to the Global website with everything finally up - videos, mp3s, interviews and more.
possibilities of the Tenori-on. The big disappointment is the onboard sounds are just a rompler selection and don't appear editable. But the RM1x is this way, great sequencer with boring sounds. I always thought of it as a sketchpad where I would replace all the sounds with my own once I worked out the song. The Tenori-ON looks the same way.
Title link takes you to a couple more shots including a couple of the Minimoog sent my way via Seth.
"Morton Subotnick, to make it short, is an icon of electronic music. Subotnick's "Silver Apples of the Moon" was commissioned by Nonesuch Records in 1967 and represented the first electronic work written with a specific record release in mind. Back then, Subotnick was one of the protagonists of the Buchla Modular Synthesizer and his use of the instrument was a deciding break in the tradition of focussing primarily on tape manipulations - epecially after "Silver Apples of the Moon" turned out be a huge critical and commercial success."
via this auction.
flickr by GeschnittenBrot.
Title link takes you to more pics of the event. Be sure to see the previous posts and of course sequencer.de who was at the event.
via swissdoc on the Waldorf forum:
