MATRIXSYNTH: Search results for "noise.io"


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Showing posts sorted by relevance for query "noise.io". Sort by date Show all posts

Wednesday, April 27, 2016

Sonic Potions - Superbooth16 - New Modules From the Maker of the LXR Drum Synth


Published on Apr 27, 2016 DivKidVideo

"It was great to meet Julian from Sonic Potions and I was surprised to see 3 new assembled modules, there was seemingly no whisper of those coming. All three looked and sounded ace! As did the new DIY kit."

New modules from the maker of the LXR Drum Synth:


Mal-2 Erisian noise generator

"Mal-2 is a random signal generator. It has 2 modes of operation to provide you with smooth random goodness.

In the first mode the CHANGE knob morphs from a cubic interpolated (sine like shape) random signal to a random walk function.

In the second mode the CHANGE knob sets the self similarity. On the minimum setting the signal is completely random. On the maximum setting the random sequence is locked to a repeating, identical 8 step sequence. In between the sequence slowly morphs to new shapes over time.

Specs:

6 HP
12 bit CV output
through hole components DIY kit
Random gate output
CV inputs with attenuverter for both knobs
super slow cycles times up to lower audio range"


Moiré Dual phase modulation oscillator

Moiré is a digital dual FM oscillator.

It comes with 2 completely identical oscillator cores that can also be used independently.
Each oscillator is based on a sine core that is fed through different waveshapers to alter the waveform:

a saw shaper (achieved through self modulation)
a rectange shaper (hard clipper with adjustable gain and offset)
a wavefolder with adjustable gain and offset

Further each oscillator can modulate the phase of the other oscillator for yamaha style FM synthesis.

Specs:

28 HP
16 bit / ~80kHz
All parameters CV controllable
...


Manifold Time and Space Machine - Delay & Reverb

"Manifold is a versatile delay and reverb module that provides a great set of different algorithms.

Currently implemented are:

Basic delay without pitch changes during delay time changes
Granular pitch shifting delay
Tape delay with moving tape head and variable tape speed
Granular glitch delay
Multitap delay
Double delay (2 independent delays with separate IOs)
BBD delay
2 Reverb algorithms
Chorus/Ensemble/Flange delay

The delay times can be synced to external clock sources up to audio range (about 4kHz) or the clock can be synced using the tap tempo button. While the delay times are synced, the time knob acts as a clock multiplier and divider. Synced to an external oscillator the delay can be used for karplus strong synthesis.

Most algorithms provide a second audio IO to route the feedback through external modules, including the reverbs.

Instead of a range switch, there is a second knob to adjust the range of the time knob seamlessly from a few milliseconds up to several seconds of delay time.

Specs:

20 HP
16 bit / 48kHz
based on an STM32 ARM CPU with 8Mb of external SRAM"


Malaclypse Fractal Noise Generator

Malaclypse is a sophisticated random signal generator inspired by the Perlin-Noise algorithm. Perlin Noise is used in procedural computer graphics to generate landscapes, so the module is capable of creating signals that resemble the flat grass hills of Ireland as well as the ragged shapes of the Swiss alps and everything in between and above.

At the core of the module is an analogue noise source that can be fed through an interpolator to gradually alter its shape. The modes implemented are:

No interpolation - results in S'n'H like staircase signals
linear interpolation with or without resonance
cubic interpolation
treshold mode - results in vinyl like cracks and pops

Up to 10 octaves of these random signals, each with double the frequency, can be stacked on top of each other with decreasing volume. The volume ratio can be set with the DECAY knob.

The SIMILARITY knob sets the self similarity of the signal. With similarity all cranked up, the same sequence will be repeated over and over again. The more you lower the similarity setting, the more all the values will slowly drift away from their position with each cycle. Great for slow evolving modulation sequences!

The module goes down to about half an hour cycle time between 2 values and reaches full audio rate as well. Thus the module can also be used as an oscillator (similarity all cranked up) or a noise source that provides different colours of noise.

External audio and CV signals can also be manipulated. As soon as you plug in an external signal to the input, the internal random signal generator is replaced with audio samples from the input. Now the FREQUENCY knob acts as a sample rate reducer and the interpolator can still filter and reshape the input signal.

The module is syncable to external clock sources up to audio range. In sync mode the frequency knob acts as a multiplier/divider and the divided/multiplied clock is available on the clock output.

Specs:

Friday, July 31, 2020

Quick Jam: IO Instruments Eurorack Modules


Perfect Circuit

"IO Instruments has some interesting eurorack modules out and some more on the way. We put together this small system with a few of their modules including the Himalia which is a sound source with 5 generators including filtered analog noise, digital noise, a square wave oscillator, sampler with lots of built in drum sounds and a chord generator. IO also has basic modules like the Themisto VCO, Euporie VCF, Pashiphae ring mod, Sinope VCA and Sponde mixer that add clever and useful extra features. All of the IO modules also have colorful knobs and a halftone paint job that makes them look great together.

We added in a Noise Engineering BIA for the kick, Intellijel Quadrax for envelopes and a Malekko Quad VCA for mixing and extra VCAs. Everything is sequenced with the Arturia Keystep Pro.

#PerfectCircuit #Eurorack #Synthesizer"

Friday, March 01, 2013

MINT.io Groovebox for iPad Currently Free

"MINT.io is 'a playground for music creation'.

FREE FOR A LIMITED TIME!

"I highly recommend this product for anyone that loves to create techno, dance, house and dub step music and like apps that are a playground for music creation. It's cheap enough and you get just enough samples and usability to make it worth the price". - Mike / KVR
------------------------------------

MINT.io (Music In No Time) is a scale-based, intelligent Groovebox, aimed at live Techno, House, Dubstep and Breakbeat performances, built under the paradigm of one-screen interface in order to achieve maximum realtime tweak ability.

You don't have to spend ANY time preparing for your jam session. MINT.io is designed to produce original electronic tunes literally in SECONDS after you start the app.

Features pristine audio quality (CrystalClear 5.0 Ultra-Precision Audio Engine) and the amazing ability to randomly generate great-sounding drum and synth patterns. MINT.io is packed with modern sounds and offers many endless hours of instant music-generation fun, even for those who are new to making music.

5 SOUND GENERATORS

+ Oktane: 8-Track Drum machine
+ Menthol: Ultra Bass Synth with B.E.A.S.T. Analog-Modelled LP Filter, Wobble Control, + Slide and Octave
+ Raindrop Vibe Twins: Unique "Pond" Synth with "Freeze" feature
+ Chiller: Automatic Chord Synth with 7 Trancegate patterns and Sidechain Simulation
+ Noise Machine: Comes as an extra Master FX

EVEN MORE SONIC GOODNESS

+ Extra-quality, fast access LP/HP filters on each channel
+ Randomize Drum & Synth tracks by tapping twice on the ABCD buttons
+ Randomize ALL feature
+ Automatic Drum & Synth Pattern Sequencer with Polyrhythm ability

STYLES AND FX

+ 5 Master FX: Glitch, Synced Repeater, VibeGlitch, Noise Machine, BitCrusher
+ Channel FX: Synced Delay & Mega Reverb
+ Realtime adjustable Tempo & Swing
+ 3 Drum Styles for random generation: House, Breakbeat, Dubstep

PACKED WITH SOUNDS

+ 20 Modern Drumkits (House, Breakbeat, Dubstep)
+ 20 Menthol Ultra Bass sounds
+ 32 Fresh Raindrop Vibes sounds
+ 16 Lush Chiller Chord string & pad sounds

TWEAK EVERYTHING

+ 20+ Built-in Scales, Edit/Transpose/Shift Scale
+ Save Menthol Synth presets
+ 4 Drum & Synth slots to save patterns
+ Solo Mode for all channels

========================

Thank you all for the fantastic reviews.

COMINS SOON IN v.1.2: COMBINED CHORD/ARPEGGIATOR"

iTunes:
MINT.io Groovebox - Music In No Time - Amidio Inc.
iOS Devices on eBay - Daily Tech Deals

Wednesday, July 28, 2010

Noise.io XT single oscillator test on iPhone 4


YouTube via AmidioInc | July 28, 2010

"Demonstrating one basic oscillator from the upcoming app Noise.io XT. Some really random parameter changes just to show a bit of the interface."

Sunday, October 26, 2008

Noise.io Factory Presets demo


YouTube via AmidioInc. http://noise.io

Wednesday, July 29, 2009

Future Is Now - track produced entirely on the iPhone


YouTube via AmidioInc
"Amidio has got a secret technology called ioLibrary that allows data sharing between our audio apps and Intua Beatmaker (for sequencing). This way, anyone can create impressive tracks using nothing but the iPhone! http://amidio.com"

Noise.io on iTunes:
Noise.io? Pro Synth

BeatMaker on iTunes:
BeatMaker

Saturday, August 08, 2009

iPhone music - 1 Year of Music Revolution


YouTube via AmidioInc
"This a landmark video for Amidio Inc, since exactly 1 year ago we published our first video of Noise.io iPhone synthesizer (in early beta). Now, 1 year since that, we have created 5 music apps, that can be used together to produce a full-blown track. This video shows you a tiny bit of what's possible. All sounds generated on the iPhone and then sent through an FX processor.

We really think that handheld mobile devices - with the iPhone being the first of them - are the key to the future of music creation and are strongly inclined to continue developing revolutionary music applications.

Apps used: JR Hexatone Pro, Noise.io Pro, Star Guitar Pro, Star Piano Pro, Star Melody
Our website: http://amidio.com"
Amidio on iTunes:
Amidio Inc.

Saturday, February 27, 2016

Cloud Infestation


Published on Feb 27, 2016 S. B. Arweiler

"Ambient soundscape. This recording uses a wide Stereo image, so listening on headphones might be a good idea.

Patch notes (not complete):
Mutable Instruments Braids in WTX4 mode goes through the 4ms SMR which is CV controlled by several envelopes (Intellijel Quadra and Make Noise Maths and Function) and a MusicThing Turing-Machine sequence . Both outs of the SMR go into Mutable Instruments Clouds in granular mode.

Evaton Technologies RF Nomad goes through a Make Noise Optomix which is plucked by a gate from Maths for some noisy percussion. Some additional percussion by Noise Engineering Basimilus Iteratis through a Doepfer A-124 Wasp Filter.

A rain sample played on one MusicThing Radio Music goes through the Pittsburgh Modular Filter and via Doepfer A-138d through the Electro-Harmonix POG2 and then through the Make Noise Erbe-Verb.

The second Radio Music provides some sampled chords in the second part of the recording.

Master clock and lots of triggers by Tiptop Circadian Rhythms; even more triggers by ALM Pamela’s Workout in Euclidean Mode. Several envelopes and LFOs by Make Noise Maths and Function, Intellijel Quadra, and Pittsburgh Bender. Also: Lots more utilities and VCAs, sequencing by Make Noise René, Brains + Pressure Points, and Turing Machine. Some manual modulation via two Pressure Points and Circadian Rhythms.

Gear used:
- Eurorack modular
- Pedals: Electro-Harmonix Cathedral, Electro-Harmonix Deluxe Memory Boy, Electro-Harmonix POG2

http://sba.io/
https://soundcloud.com/monotrome
https://monotrome.bandcamp.com
https://twitter.com/monotrome"

Tuesday, February 19, 2019

4ms Listen Modules & Battery Powered Pod Setup


Published on Feb 19, 2019 4mspedals

"Create a small but ultra flexible system for music production using Pods and Listen modules from 4ms Company.
The Listen IO module is your interface between Eurorack and external gear. Here we use the Listen IO to connect a KORG Volca Beats and Teenage Engineering Pocket Operator into our Eurorack system made of two Pod32's and a Pod20. Two headphone jacks on the Listen IO let you and a friend listen along in stereo.
At the end of the signal chain is a Listen Four, which mixes up to four signals in stereo and outputs to headphones and line level. A bigger version of the Listen Four is the Listen Four Quarters, which has 1/4" (6.35mm) balanced TRS outputs.

The entire setup is being powered directly from a Krisdonia laptop battery using our standard DC barrel cables, and offers hours of continuous low-noise use."


Listen Four

The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Thursday, September 03, 2015

"Engine 40106" – Live modular techno (CB's DIY Modular Synthesizer)


Published on Sep 3, 2015 Chris Beckstrom

"High quality audio available here:
https://chrisbeckstrom.bandcamp.com/t...

I recently built a drum module and repaired a noise module, which inspired me to make some analog techno. I started this project on a whim and never thought I'd get this far! It's time to make some music with the collection of modules I've built.

Performed live (no edits) on my homemade modular synthesizer.

Recorded through an old analog mixer (with a splash of spring reverb) into Ableton Live.

More about this project here:
https://hackaday.io/project/5826-diy-...

and here:
http://cb.hopto.org/cbfishes/2015/05/...

The bass drum circuit and CMOS noise generator circuit (the two main sounds in this track) are more or less straight out of Elliot Williams' Logic Noise series on Hackaday.com. Check it out here:
http://hackaday.com/tag/logic-noise/"

Thursday, July 05, 2012

Roland Jupiter 4 - with IO MIDI & Blue LEDs

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

"Here's quite possibly the best Jupiter synth from the vintage Roland "golden years".
This one has been serviced in early 2012 by a professional tech.
All 4 voice cards re-capped for proper tuning, overhaul cleaning of all parts and connections, calibrated etc.
Service paper work will be included.

This JP4 also has the amazing MIDIpolis IO MIDI Retrofit, installed!
Two boards inside...

1) The Keyboard Assigner, which gives you MIDI control over pitch note, bend, cutoff frequency, volume and portamento.
Also syncs up the (very awesome) arpeggio to MIDI clock. Also 2 LFOs with storable settings.
2) Expanded Patch Programmer, giving you 8x the memory storage for saved sounds (total 64). As well as...
MIDI CC send/receive on all programmable sliders, copy/paste patches, a "Second Page" for added LFOs control + velocity,
Noise level control, Memory dump, and much more.

Needless to say, the added flexibility from the IO MIDI kit allows the JP4 to out-shine many of today's "new" synths.
The sound has always been amazing ... but now the control and usability are up to current standards.
Read all about the details from the online manual:
MIDIpolis: Io Manual and full specs"

Friday, August 13, 2021

“IOLabs Flux 27 - electronic and jazzy” by Friendly Noise


video upload by Friendly Noise

"Modules:
IO Labs Flux, Roland System 500, Strymon Magneto, Noise Engineering Basimilus Iteritas Alter, Native Instruments Plaits, SSF Vortices, ALM Akemie’s Taiko, North Coast Synthesis MKS 007 Leapfrog filter, Mutable Instruments Branches, Intellijel Plonk, WMD Crucible.

Patch notes included in the video. 

Flux is an incredible tool for the creation and manipulation of rhythms. It is made by IO Labs and uses a new method of control named TMS (Temporal Modulation Synthesis)."

Tuesday, August 16, 2016

Strum - Modular Patch


Published on Aug 16, 2016 Richard Devine

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the 'scatter' (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.
The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Download the free track here: bit.ly/1QZqXQR
Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html"

Thursday, January 22, 2009

BeatMaker 1.3.2 update is now available

"This update brings support for importing the Noise.io iPhone Synthesizer sounds directly into BeatMaker, as well as various general improvements."

The interesting note here of course is "integration" of different iPhone apps. I put integration in quotes because you can't run the apps at the same time for active/live integration.


You can find BeatMaker here:
BeatMaker

Thursday, April 15, 2021

“IOLabs Flux 28 - Ambient” by Friendly Noise


video by Friendly Noise

"IO Labs Flux, Roland System 500, Strymon Magneto, Noise Engineering Basimilus Iteritas Alter, Native Instruments Plaits, SSF Vortices, ALM Akemie’s Taiko, North Coast Synthesis MKS 007 Leapfrog filter, Mutable Instruments Branches, Intellijel Plonk, WMD Crucible."

Tuesday, June 15, 2021

“Flux meets Jupiter-4 11 - LFO Modulation” by Friendly Noise


video by Friendly Noise

Friendly Noise Jupiter-4 videos

"This is number 11 of a video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux. There will be a new short video every week.

The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4.

The Roland Jupiter 4 has been rediscovered and established as the most full of character among the Roland polyphonic synths. Although limited in number of voices and straight forward sound architecture, it shines with an unique sonic print which no other synth can emulate. There are lots of great video demos and information on the web, so that no detailed description will be provided here. But it’s important to mention some unique features which will be showed extensively in this video series:

- The Jupiter 4 filter goes into self oscillation. Big guys like Yamaha CS-80, Jupiter 8 or Oberheim OBX-a can’t.
- The LFO is fast enough to get into audio range.
- There is a very noticeable internal saturation when the VCA slider is raised.

Don’t expect nice bass sounds and classic analog leads. The Jupiter 4 is perfect for that, but this has already been done before in many records and internet demos. What you are about to hear is the extreme side of the sound. Be prepared for drones, massive low frequencies, cracking saturation, ultra fast notes and unusual scales. Many sounds will remind you of modular synthesizers, but they were all created by direct recording of the Jupiter 4. :-)

In fact, the VCO is switched off and you will be hearing only the self oscillating filter in almost 80% of the video series. Only in the last videos you will hear the VCO. That means that 80% of the sounds you will hear couldn’t be made with other classic polyphonic synths, unless the filter self oscillates.

Luckily this Jupiter 4 was modded with CV and gate inputs and outputs per voice (and then some). Using this level of control per voice you can use the Jupiter 4 as a vintage monophonic synth, or drive individual voices differently. For example, applying vibrato or slide per voice. In this video series, only three voices were used.

The amazing sound of this Jupiter 4 can break the traditional boundaries specially when driven by the Temporal Modulation Synthesis sequencer Flux, made by IOLabs: https://www.tmsynthesis.com/
Flux is the most advanced tool for rhythm creation ever made. Ever. Trying to explain Flux is few words is not possible. Please look for information on the web. You are also invited to visit my Flux playlist here:"

Friday, September 03, 2021

“Flux meets Jupiter-4 16 - Three VCOs drone” by Friendly Noise


video upload by Friendly Noise

Friendly Noise Jupiter-4 posts

"This is number 16 of a video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux. There will be a new short video about every week.

The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4."

Saturday, July 17, 2021

“Flux meets Jupiter-4 13 - The voice of the Stone” by Friendly Noise


video upload by Friendly Noise

Friendly Noise Jupiter-4 posts

"Video sections:
00:06 Part 1
01:43 Part 2
03:11 Part 3

This is number 13 of a video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux. There will be a new short video every week.

The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4.

The Roland Jupiter 4 has been rediscovered and established as the most full of character among the Roland polyphonic synths. Although limited in number of voices and straight forward sound architecture, it shines with an unique sonic print which no other synth can emulate. There are lots of great video demos and information on the web, so that no detailed description will be provided here. But it’s important to mention some unique features which will be showed extensively in this video series:

- The Jupiter 4 filter goes into self oscillation. Big guys like Yamaha CS-80, Jupiter 8 or Oberheim OBX-a can’t.
- The LFO is fast enough to get into audio range.
- There is a very noticeable internal saturation when the VCA slider is raised.

Don’t expect nice bass sounds and classic analog leads. The Jupiter 4 is perfect for that, but this has already been done before in many records and internet demos. What you are about to hear is the extreme side of the sound. Be prepared for drones, massive low frequencies, cracking saturation, ultra fast notes and unusual scales. Many sounds will remind you of modular synthesizers, but they were all created by direct recording of the Jupiter 4. :-)

In fact, the VCO is switched off and you will be hearing only the self oscillating filter in almost 80% of the video series. Only in the last videos you will hear the VCO. That means that 80% of the sounds you will hear couldn’t be made with other classic polyphonic synths, unless the filter self oscillates.

Luckily this Jupiter 4 was modded with CV and gate inputs and outputs per voice (and then some). Using this level of control per voice you can use the Jupiter 4 as a vintage monophonic synth, or drive individual voices differently. For example, applying vibrato or slide per voice. In this video series, only three voices were used.

The amazing sound of this Jupiter 4 can break the traditional boundaries specially when driven by the Temporal Modulation Synthesis sequencer Flux, made by IOLabs: https://www.tmsynthesis.com/ Flux is the most advanced tool for rhythm creation ever made. Ever. Trying to explain Flux is few words is not possible. Please look for information on the web."

Friday, May 07, 2021

“Flux meets Jupiter-4 10 - Polyrhythms” by Friendly Noise


video by Friendly Noise

"Video sections: 00:06​ Part 1
01:29​ Part 2

Only self resonating filters on this video!!!!

This is number 10 of a new video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux. There will be a new short video every week.

The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4."

Friendly Noise Jupiter-4 posts

Sunday, August 01, 2021

“Flux meets Jupiter-4 15 - Not the major scale” by Friendly Noise


video upload by Friendly Noise

Friendly Noise Jupiter-4 posts

"This is number 15 of a video series combining the best of vintage sound and the best of the modern sequencer technology in eurorack: Roland Jupiter 4 and IO Labs Flux. There will be a new short video about every week.

The Jupiter 4 is always recorded in mono, which makes the internal chorus very subtle. Reverb is added in Cubase to make the sound wider. There is no clipping in the recording chain. If you hear anything close to distortion, it’s all in the sound coming out of the Jupiter 4.

The Roland Jupiter 4 has been rediscovered and established as the most full of character among the Roland polyphonic synths. Although limited in number of voices and straight forward sound architecture, it shines with an unique sonic print which no other synth can emulate. There are lots of great video demos and information on the web, so that no detailed description will be provided here. But it’s important to mention some unique features which will be showed extensively in this video series:

- The Jupiter 4 filter goes into self oscillation. Big guys like Yamaha CS-80, Jupiter 8 or Oberheim OBX-a can’t.
- The LFO is fast enough to get into audio range.
- There is a very noticeable internal saturation when the VCA slider is raised.

Don’t expect nice bass sounds and classic analog leads. The Jupiter 4 is perfect for that, but this has already been done before in many records and internet demos. What you are about to hear is the extreme side of the sound. Be prepared for drones, massive low frequencies, cracking saturation, ultra fast notes and unusual scales. Many sounds will remind you of modular synthesizers, but they were all created by direct recording of the Jupiter 4. :-)

In fact, the VCO is switched off and you will be hearing only the self oscillating filter in almost 80% of the video series. Only in the last videos you will hear the VCO. That means that 80% of the sounds you will hear couldn’t be made with other classic polyphonic synths, unless the filter self oscillates.

Luckily this Jupiter 4 was modded with CV and gate inputs and outputs per voice (and then some). Using this level of control per voice you can use the Jupiter 4 as a vintage monophonic synth, or drive individual voices differently. For example, applying vibrato or slide per voice. In this video series, only three voices were used."
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