What Is Originality Made Of?

video upload by Synthux Academy

TIMESTAMPS
00:00 Introduction
01:28 Picasso & T.S Eliot
02:45 Steve Reich & Tape Phasing
03:15 Hainbach Tape Phasing
04:59 Phasing using 4MS DLD Module
08:23 Sound on Sound on 4MS DLD Module
14:46 Conclusions

Joranalogue x Hainbach Collide 4 | Making music with a Quadrature Spectral Computer

video upload by Tom Churchill

"Collide 4 was one of the most talked-about modules of 2024. It’s a collaboration between Joranalogue and the musician and YouTuber Hainbach, and it’s inspired by the lock-in amplifiers used in vintage nuclear test equipment. In this video, I build some patches to show how I’ve been using Collide 4 both a sound source and as a processor for external signals. There are some ‘softer’ musical applications alongside some grittier stuff."

Fala Versio | Versio Platform | Episode 13

video upload by Cinematic Laboratory

"Noise Engineering has just released three new firmwares for the Versio, Legio and Alia platforms. As always, they're amazing and they're free downloads for any of those platforms. Fala Versio is a formant filter that's super easy to use. It will add a lot of vocal expression to your patch. On mild settings you can create choir-like sounds, on more extreme settings it will talk. In short, it's just amazing.

This is a simple video, which was a warm bath after my last Leibniz video. I'll be using MakeNoise Strega, Bruxa, Serge Medusa and the Broken Loquelic as my sound sources which create an excellent mood for the time between XMAS and the happy new year. I did not make any 'best wishes' or 'best of 2024' video this year because I couldn't finish it in time. I also realized that my 'best of 2024' are never going to be my all time favorites (except the new Serge Medusa and Instruo Dail).

Obviously I wish you all the best and I am hoping you'll have a great time patching the modular during the holiday season - and beyond. I'll probably post something before the end of the year.

Serge has been a personal discovery in 2024, so instead of getting the latest modules, I went back to 70's tech and it's a dream come true. I also love Bruxa a lot. Objectively the Joranalogue x Hainbach Collide 4 is a major achievement in eurorack, and it's impossible to ignore DivKid's colllab-contributions to the eurorack landscape, including the Droid patch.

I still need to figure out my DivSkip. XAOC Berlin is a must-have in the Leibniz niche, but on it's own it's just a very basic VCO. Another favorite is Oneiroi and it's cool to see that Black Maths is on the bestseller list, proving the old stuff doesn't get old. The new Buchla/TTA modules are also dreams that came true and it's great to finally have an orginal 259 . I didn't have time to dive into the new Qu-Bit StarDust looper, but I bet it will be worth checking out if you want to escape monophony."

A Small Wall of Test Equipment: My Modular Setup For 2025

video upload by HAINBACH

"I have made so many Eurorack modular setups in the past, none of them stuck around as an instrument. For 2025 I want to create one that enables me to perform my test equipment music live, relying heavily on the ‪@joranalogue‬ Collide 4."

00:00 The Problem I am Trying to Solve
01:33 Module Overview
06:35 Patching
13:35 Exploring Phase Output
16:21 Sound Examples
19:45 Adding Tape Loops
20:57 Final Thoughts

When Worlds Collide | Why I don't need a lock-in amp | COLLIDE 4 Ep. 03

video upload by Cinematic Laboratory

Cinematic+Laboratory+COLLIDE+4

"I didn't realize my episode 01 was about three weeks ago. It felt like three months or more. As you may know, this channel is not sponsored and I usually do my research before I buy a module. So far, it didn't work out well and since I am planning to clean-up my collection in 2025, it ended up on my 'may need to go' list.

Don't get me wrong, I think it deserves the 2024 eurorack design award. It's just me not getting along very well. It's advertised as a lock-in amp, but its main purpose is kind of useless in electronic music. So it's meant to be creatively 'abused' and 'repurposed'. Please note I am not trying to use it as a lock-in amp, I am exploring new creative ways to use it.

Instead of making sure your delicate faint source doesn't clip, you'd go for 30 dB gain compensation, turn up the resonance and then gain the filter some more. It's designed to isolate a faint sinewave hiding in a wall of noise and extract phase and amplitude. But why should we even want to do that? And then there's a simple ringmod, a relatively simple sine VCO with TZFM support and some logic. It can't process stereo signals because it will cancel out your center information.

Since I have a huge collection of modules, I always wondered about making my own 'recipe' with a separate amp, filter, frequency shifter, ring mod and quadrature VCO. I think I came a long way this time, only enforcing the idea that the C4 is 'obsolete' in my collection. So even though it's an excellent module, you'll need to double check if you can build one with separates. It wouldn't be a lock-in amp, but I truly believe I don't need one in its designated role and I will explain why.

If you do not agree, PLEASE don't just dislike this video, but share your tips and patching tricks, so the community will be able to learn how to appreciate it - including myself.

And then I hooked up the C4 with my improvised version, and a wonderful world of magic opened up. It was so good that I decided to keep the C4 after all, and follow that path. So it's an all over-the-place personal struggle video, but I think it's real and honest. We all end up struggling from time to time. However, my number 1 rule is 'when you feel a module sounds bad, you're not patching it right'. It's not always true, but it encourages me to try things.

Hainbach is a master in restoring life to old 'crap' we'd throw away as trash, and I love his work. But I am not Hainbach and he's not included in the box. I can only stumble in his footsteps. Fortunately, I can just be myself and do my own thing. Just like there's nobody like YOU either."

COLLIDE 4 | Episode 04 | Post-Collision Course

video upload by Cinematic Laboratory

"I felt I had to make this episode before anything else. In episode 03 I posed the question whether or not I'd need a 'lock-in amp' in eurorack. I got myself into kind of a rut after making two episodes, wondering if I made the right decision to get one. And if this happens, I need to openly reflect on that because there's something to learn from it. If it happens to me, it will definitely happen to you too, because I make these mistakes for a living.

By all means I never meant to say 'do we need a C4'. It depends on your own journey. It turns out Hainbach needs four. Blush Response definitely loved every single HP of it. For his genre and style, the C4 immediately delivers. Truckloads of it.

I was hoping to open a discussion and learn from others, but I've also seen signs of the wasp-nest cancel-culture. I've seen comments I had to delete and I permanently muted some. I do not allow any insults to me, my fellow youtubers and beloved manufacturers. To anyone. But I am too old to get angry about it, or take the insults personally. I learn from personal opinions, I learn from revising my own conclusions, and I always rectify a few episodes later, sharing any new insights. This is a good example.

I kind of promised if there would ever be an episode 04, it would be about a C8, a dual COLLIDE 4. I'll need to work some more on that, but the lab now has two. I had to pay for both of them myself, so there's no 'paid promotion' of any kind. There were no discounts. This is also why it's so much fun to run this channel. I try to be honest, but I can't be objective. I don't ever want you to buy two because I did. I want you to know what you're getting yourself into. The COLLIDE 4 is an open platform. It has no intended use except the scientific measurements of cyclic waveforms in noise. What you get out of it is what you dialed and patched in.

Thanks for your patience and resilience, and be nice to each other."

Sonic Artefacts Introduces the Sonic Chessboard DIY Kit: Compose like John Cage!

video upload by Sonic Artefacts

"Play chess and compose music, at the same time! This Sonic Chessboard is a passive Optical Octophonic Audio Panner / light sensitive "chessboard", based on the design by Lowell Cross for John Cage's and Marcel Duchamps' musical chess performance Reunion (1968). It routes 16 audio signals via the 64 light dependent resistors to 8 separate audio outputs. Cover the squares on the board with chess pieces or your hands to make sounds roll through a room and add to the spatial distribution of all the different inputs. Best to be played with a strong bright light mounted on the ceiling above the chessboard.

Limited edition DIY Kit, available at: https://sonicartefacts.com/product/so... & https://patch-point.com/collections/s...

The materials were originally made in small series for Wouter Jaspers' installative sound performance "Indeterminate Structures (2023). Big thanks to ‪@Hainbach‬ for playing chess with me and ‪@Sonoscopia‬ for the original sound installation and of course to the great folks of ‪@patchpoint4043‬ for hosting us!"

Press release follows:

Berlin, Germany – Sonic Artefacts is excited to announce the release of the Sonic Chessboard, a unique DIY musical instrument that merges the worlds of chess and sound. Inspired by Lowell Cross’ design for John Cage’s Reunion (1968), the Sonic Chessboard offers a captivating way to create spatial sound experiences.

The Sonic Chessboard is a passive Optical Octophonic Audio Panner that routes 16 audio signals via 64 light-dependent resistors embedded in the squares to 8 separate audio outputs, changing the volume when a chess piece gets moved from one square to another. By strategically placing chess pieces on the board, users can control the volume and flow of sound, creating dynamic and immersive soundscapes.

CLICK FOR MORE »

Orchestra In A Microsecond: Ciat-Lonbarde Clicker

video upload by HAINBACH

"Jan St.Werner of Mouse on Mars and Peter Blasser of Ciat-Lonbarde worked together on a very unusual synthesizer. Rather than creating lush textures, it is meant to excite and play acoustic spaces. Clicker compresses and expands a rich spectrum derived from 'Ringlers', a new take on Rob Hordijks 'Rungler'. Originally made for an exhibition it is now a standalone instrument. The whole concept intrigued me deeply, and as a fan of both their work I invited both of them to my studio for a chat. If found the resulting conversation so interesting I decided not to edit it down too much, only taking out the odd interruption. So strap in for an hour of deep synth, music and art nerdery."

Smashing Sounds With Nuclear Maths: HAINBACH's new Plugin Audiothing Arguments

video upload by HAINBACH

"Arguments, my new plugin with AudioThing is a vintage style test tone generator, a wild processor and a unique combiner of signals. From gentle analog shaping to old school oscillation to absolute signal annihilation, it is a true sound design toolkit Its core idea comes from multiplication modules in the Nuclear Instrumentation format NIM BIN. I have used these for a long to time turn simple signals into heavy beats and basses. With Arguments you can combine any two signals and lock them in a dance for headroom. Or you can use the integrated tone generator for lush 1960s sounding waveforms and pseudo-random noise. Or do both at same time. Arguments is meant to inspire you in your search for the sounds in between.

GET ARGUMENTS: https://www.audiothing.net/effects/ar..."



"Arguments is a vintage-style test equipment plugin for tone generation and dual audio processing. It takes two signals and smashes them together using math derived from analog nuclear research processors. The results are dynamic, often unpredictable but always unique. Since each part of Arguments can run independently, it also works as a sonically rich test tone generator, as a complex distortion unit, or as a multimode filter. Arguments open nature rewards exploration, the presets are a mere suggestion for you to jump off from.

At its core Arguments is an analog computing-based combiner and integrator of signals, re-tuned from science to musical use. These instruments were used in analog nuclear instrumentation modular racks (NIM BIN) to allow for quick calculations without employing a dedicated computer. Arguments takes two signals A and B (B is either external via side-chain or from the internal generator) and puts them together using the argument block. The result is then put through a function block that processes it. This creates a wide range of tones, from simple boosting to high-passed industrial grit, from rhythmic modulations to raw textures. A multi-mode filter stage then allows for exact shaping and modulation. We employed analog modeling at every stage to make Arguments sound not like a calculator but like the rare vintage units that inspired it. " Arguments is available for macOS, Windows, and Linux (VST, VST3, AU, AAX, CLAP, 64-bit only), and also as AUv3 and Standalone on the App Store for iOS and iPadOS.

PATTERN GENERATOR PG303 by DATAPRODUCTS of NEW ENGLAND

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Data Products of New England PG303 Teletype Pattern Generator

8 ch pattern generator with variable character sequence length

If you think of some of the earliest electronic rhythms ever made, you can’t avoid mentioning morse code. The Data Products PG303 is designed to send these patterns for telephone/radio testing, and is one of the strangest rhythm machines I know. It is probably half broken and gave me a nasty shock or two as I wired the power wrong, but it is always inspiring. On the album, this drives most of the rhythm, and in the library you can hear it also at higher Baud rates oscillating.

- HAINBACH ...from the "Landfill Totem" collection

does it music?? yes!

Not for the faint of heart, the PG303 has an ability to create the strangest gate sequence and fuse morse code and musical logic... ping filters or make a strange clock source!! This unit works on pure intuition!! no operation manual, just turn it on and make the slowest of trigs to audio frequency screams and spastic pulses!"

CLICK FOR MORE »

Collide 4 | Quadrature Spectral Computer | by Joranalogue and Hainbach

video upload by Cinematic Laboratory

"A few months ago, Hainbach recycled the full circle of 1950's being pioneered by people like Mort Subotnick and then miniaturized by people like Don Buchla in the 1960's, then rediscovered by people like Hainbach (and many others I am not familiar with) in the 2020's and then miniaturized into 20 HP by Joran from Jorananalogue in 2024. Hello COLLIDE 4, what took you so long?

I've been intrigued with Hainbach's journey into the vintage and classic scrapheaps of sound but the risk of shock, the smell, weight and size of all this gear made it easy to resist or even explore. I absolutely loved his Totem project making the best drones I ever heard. But this particular rabbit hole was easy to resist. 20 HP is not.

The COLLIDE 4 brings a lot of unfamiliar concepts to the table of sound design, like a Lock-in Amp, a Hilbert Transform Network and a Quadrature VCO. Just when you thought you were getting the hang of eurorack, again you realize you know nothing. It also features a filter, an envelope follower and a phase/frequency shifter. It's all originally designed to detect and possibly isolate little sounds in a soup of very faint noise, so the first thing people do is to crank it up and wonder if it can make normal music. Yes it can, and it saturates like nothing else. Just don't buy it BECAUSE you want to make normal music.

My favorite use case is to explore very faint sounds, like the raw output from a Piezo, an electric guitar or a sensitive electromagnetic sniffer. Theres a whole new world out there for you to discover."

The Psychedelic Sound of Magnetic Tape Flanging

video upload by HAINBACH

"When my friend ‪@AlexBallMusic‬ made a video on the Eventide Instaflanger, he only had a drawing of tape machines to show of how flanging came about. I have a bunch of matching machines, so I decided to give it a shot. The sonic results were a pleasant surprise."

Featuring the Synton Fenix & Moog Muse.

Hohner Electronium NG 60s tube monosynth

Note: Auction links are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"***In the shape of an accordion (and the bellows act as volume control) but actually a dedicated tube monosynth.*** This amazing instrument (probably from the early 60s, but originally designed in the 50s) has been recently serviced and should be in good working order. Imported about 11 years ago from Japan, where it looks like it had sat in a shop unsold for decades. To get an idea of its potential, check out Hainbach's great video: https://www.youtube.com/watch?v=h08NFqon0es .

It's also in stunningly good cosmetic condition - even the case (very modernistic for the 60s) is beautiful. It comes with its essential original Hohner power supply - now converted to operating at 240V with a UK plug. The original Japanese transformer is included if you want to revert to a lower voltage (with proper tech support!)."

CLICK FOR MORE »

They Requested KRAFTWERK DAS MODEL Live - So We Played it, Hainbach/Look mum no computer

video upload by LOOK MUM NO COMPUTER

"People said Das model would be good! so we practiced it for the show and @hainbach sung it! at MACHINA BRISTONIKA"

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

CLICK FOR MORE »

HAINBACH & JORANALOGUE Introduce COLLIDE 4 - The Sonic Power Of Nuclear Test Equipment

video upload by HAINBACH

"I teamed up with Belgian Eurorack module manufacturer Joranalogue to solve one of the biggest problem I had with my wall of test equipment: I could use it in the studio, but not play it live. It is just too heavy and fragile, being about 50 years. So that part of my music remained unperformed. With our new module Collide 4 I and everyone else can now take the wonderful textures and sonic possibilities of nuclear research equipment on the road.

It is based on a lock-in amplifier, a tool made to sniff out tiny fluctuations of a frequency in vast amount of noise. But Joran took the concept further and added a frequency shifter. It is module with vast possibilities, and I can only give you a small overview and intro in this video. Check out Collide 4 at your trusted modular dealer in person now."

User videos:



Playlist:
1. FANTASTIC FILTH from COLLIDE 4 (Joranalogue & Hainbach) // my first patch + your questions! - DivKid
2. Joranalogue Audio Design X HAINBACH / COLLIDE 4 / first experiments / a lot of 'aha' moments - BRiES
3. Joranalogue Audio Design x Hainbach / COLLIDE 4 / dissonance and drones / JUST SOUND SERIES (1/4)
4. Joranalogue Audio Design x Hainbach / COLLIDE 4 / music and melodies / JUST SOUND SERIES (2/4)
5. Joranalogue Audio Design x Hainbach / COLLIDE 4 / slew, ringmod, cv / JUST SOUND SERIES (3/4)
6. Joranalogue Audio Design x Hainbach / COLLIDE 4 / audio processing / JUST SOUND SERIES (4/4)



The origins of electronic music are found within the early works of a small group of forward-thinking mid-century composers, harnessing electronic test gear to create strange new sounds. Building upon this heritage, today everything comes full circle again through Collide 4.

The first hardware release to be co-developed by acclaimed musician and YouTube sensation Hainbach, Collide 4 builds upon the lock-in amplifier concept, and brings it into the Eurorack world. These atomic age physics research instruments are known for their raw power when used in musical applications. Now, any synthesist can experience this for themselves, at a fraction of the size and weight of a vintage unit, and with full voltage control.

The result is a wholly new kind of analogue synth voice and audio processor, with capabilities far beyond what the avant-garde pioneers could have imagined. Collide 4 is an expression of Hainbach's extensive experience in exploring the deepest musical realms contained within vintage test equipment, and the Joranalogue philosophy of electronic instrument design.

Honouring its innovative dual-phase architecture, this new kind of musical generator and processor has been christened the ‘quadrature spectral computer’. The sound? Quite simply: it's smashing!

Modern, fully analogue Eurorack format re-imagining of the lock-in amplifier concept, expanded to new heights.
Pingable variable bandwidth filter with self-oscillation capability.
Pre- and post-filter gain stages, for a total of up to 130 dB of amplification!
Through-zero sine/cosine quadrature oscillator.
Hilbert transform network for frequency shifter use.
Dual ring modulators with output lowpass filters.
Extensive output section, including magnitude and phase analogue computing outputs.
Unique X/Y quadrature topology, ideal for stereo use.
Handsome (and useful) signal level/overload LED indicator.
CV control over everything, with temperature compensation and excellent volt/octave pitch tracking.
20 HP, 30 mm deep. Over 600 components, yet a fraction of the weight and size of a vintage Model 124A lock-in amplifier unit.
Impedance-compensated outputs with dual-colour LEDs.
Trim potentiometers accessible from the front panel.
Precision-milled 2 mm anodised aluminium front panel with high-resolution, non-erasable graphics.
Bullet-proof design: polarised power header and MOSFET protection circuit.
Includes 16-to-10-pin Eurorack power ribbon cable.
Premium mounting hardware: black screws, black nylon washers and matching hex key.
Supplied with fold-out signal flow and front panel diagram.
High-quality components and assembly; designed and made in Belgium.

Check with dealers on the right for availability.

Hainbach - Breve (Seil Records 061, 2024)

video upload by HAINBACH

"Breve is Hainbach’s eighth release on Seil Records. It is an album that manifests the Berlin based artist’s love for vintage electronic gear like few others - and creates a world of dense soundscapes like only Hainbach can built them. At the core of Breve lies the Ondioline, a tube based key instrument from the 1930s that is considered to be the ancestor of todays synthesizers. Paired with a handful of other analog synths and recorded in single takes straight to tape,

Breve is raw and beautiful; intense, yet calming.
You can feel the heat generated by the equipment, the hands-on approach and the pure enjoyment of living in each sonic moment throughout the album. The 10 tracks that make up Hainbach’s new album range from intimate to vast, from fragile to walls of sound. Often rhythmic, always free. Cherishing each fleeting sound that is captured by the tape machine.

The result is an album that celebrates pure analog sound. Best enjoyed on vinyl, cassette or on stage. Breveis released on September 17th, 2024 via Seil Records on Vinyl, Cassette Tape and Digital (Downloads are free/name-your-price for the first two weeks) via Bandcamp. Streaming platforms will follow on in October."

LISTEN TO My Music: https://hainbach.bandcamp.com

This French Analog Synth Was Lightyears Ahead

video upload by HAINBACH

"Wiggling your fingers on a keyboard for vibrato is something many a musician does intuitively, alas with little effect. For decades this important way to make an instrument sing has seemingly been relegated to modulation and pitch wheels, with few exceptions in the recent years. This makes for a rather indirect play style, lacking the natural expression of bending a string. It is little known that already in the year 1939 in a sanatorium in France, the inventor Georges Jenny created an instrument that would allow vibrato on a keyboard directly. This is the story and sound of the Ondioline, an instrument I love so much I recorded an entire album with it.

Get my album BREVE on digital/tape/vinyl: https://hainbach.bandcamp.com/album/b...
In the UK: https://bleep.com/release/470674-hain..."

See teh Ondioline label below for more.

Ahead Of Its Time: Publison DHM89B2 (1978)

video upload by HAINBACH

"The French Publison DHM89B2 with its FB2000 keyboard controller is a stunning instrument for its time. Released first in 1978 (keyboard in 1980) it quickly made its way into the electronic music studios of the experimental avantgarde, such as INA GRM and SWR Experimentalstudio. For the time it offered incredible fidelity of pitch-shifting and sampling, surpassing the more famous Fairlight with ease. Pop stars like Prince used it extensively, and it became the go to vocal doubler / harmonizer for many years. This particular unit belonged to Manuel Göttsching (E2-E4) and resides now at the Akademie der Künste Berlin. Robert Henke (Monolake) and Dave Hilowitz joined me there to explore it."

See the Publison label below for additional posts.

AMS 3 - Socialist East Germany's Massive Modular

video upload by HAINBACH

"Synthesizers had it hard in Socialist East-Germany - Socialist Realism was for a long time the prevailing art form. An instrument that creates unreal sounds was not endorsed by the SED leadership. Only in the waning years of the GDR (or DDR as it is called in German) that changed, with the Vermona Synthesizer coming out in 1982. The first officially sanctioned modular synthesizer, the Audiotronic AMS3 featured in this video was built between 1986 and 1988 for the Electro-Acoustic Studio of the Akademie der Künste.

Music, Soundpack and thanks: / hainbach"

You can find the Subharchord here: An Avant-Garde Synthesizer From 1960s East Germany

Reco-Synth Mutuca FM All Analog Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Demo in the listing by Hainbach previously posted here.

"This is one of one. These Mutuca FM analog synths from Arthur Joly are no longer in production (and likely never will be again) and this one was custom made for me with a yellow backplate instead of the traditional blue. Its a beautiful color (Marigold?).

Arthur Joly of Reco-Synth hails from Brazil and has been making boutique, 100% analog synths for many years (). It's been an honor to have this piece of synth history.

The tactile nature of the red button keyboard is a treat and I found it encouraged me to approach composition in a pleasantly novel way. Or run MIDI in from a Keystep and the sky's the limit. The output isn't too hot so it paired wonderfully with my pedalboard.

Serial Number: 23"

CLICK FOR MORE »