Showing posts sorted by date for query Learning Modular. Sort by relevance Show all posts
Showing posts sorted by date for query Learning Modular. Sort by relevance Show all posts
Friday, December 27, 2024
Modular meets Oberheim | TEO-5, MCO MKII, Zagrzeb, Bitbox Micro, Sealegs
video upload by Ondřej Píša
"When I went to Superbooth 2024 in Berlin and tried TEO-5 by #oberheim there, I immediately knew that this is the synth I wish to have and wish to combine with my modular system. This is the very first try I played both together.
I am not a keyboard player, no musical background, just learning on my own and enjoying the sound so please bare with me :). Also this is the very first try to put both instruments together.
TEO-5 setup: this is my own patch I set when I was chasing for Yamaha CS-80 sound. It is not quite like that. I love this patch anyway. Both oscillators are combinations of square and sawtooth waves, bit of filter detuning, voice spread panning. Also it is runs through #meris Mercury X pedal for larger reverb (preset #1 Two Worlds)
Modular setup:
Drums are samples on #1010music Bitbox Micro, triggered by #intellijeldesigns Steppy
Voice: ALM Busy Circuits MCO MKII (Digiwave engine), Wave B modulated by Pam's Pro Workout (sine wave, heavily attenuated). It is run through #xaocdevices Zagrzeb LPF into #intellijeldesigns Sealegs for delay + reverb. It is sequenced by #xaocdevices Moskwa II with probability for step play, ratcheting and also I use #intellijeldesigns Planar 2 into #intellijeldesigns Triplatt for attenuation into #intellijeldesigns Scales into #xaocdevices Ostankino's Transpose occasionally to transpose the sequence."
Saturday, December 21, 2024
Vector Deep Dive : Hybrid Systems
video upload by Five12 Inc.
"For our next Deep Dive, we will be talking about integrating Vector and modular gear with DAWs, Plugins and such. Our special guest this time is Lightbath." And Chris Meyer of Learning Modular Synthesis.
http://www.five12.com
Saturday, November 16, 2024
Introducing Ocean Swift Wavetable Creator - Craft Custom Wavetables for Any Synth!
video upload by Ocean Swift / Faxi Nadu
Follow-up to this post. The editor is now available at https://oceanswift.net/product/wavetable-creator/
Ocean Swift - Wavetable Creator | Overview and Demonstration
video upload by Ocean Swift / Faxi Nadu
Press Release follows:
Create, Customize, and Export Wavetables Like Never Before!
Save 40% - just €25 (normal €40) , until January 10, 2025
Ocean Swift is excited to announce the launch of the Wavetable Creator, a powerful tool that empowers everyone to create custom wavetables for high-end synthesizers, modular environments, and audio production tools.
The Problem:
Today's wavetable synths, modules, and apps often require wavetables with specific frame sizes and cycle counts, making cross synth compatibility difficult. No existing app or wavetable pack guarantees seamless compatibility across all platforms.
The Solution:
Ocean Swift’s Wavetable Creator – a powerful tool to design morphing wavetables that work anywhere! From Serum to Eurorack, this tool lets you craft wavetables with innovative crossfade, morphing, and blending techniques, and robust compatibility export options. Whether you're producing music, designing game audio, or developing synth plugins, this app is built to unleash your creativity with an easy intuitive interface.
Pricing and Availability
The Ocean Swift Wavetable Creator is available now at a regular price of €40. As a special introductory offer, you can purchase it at €25, a limited-time price valid through the Black Friday, Christmas, and Winter Holiday season until January 10, 2025. Don’t miss this opportunity to enhance your sound design toolkit at an unbeatable price, with a unique product!
Grab the Wavetable Creator here: https://oceanswift.net/product/wavetable-creator/
Friday, November 15, 2024
Solar 42F Jam with Hydrasynth and Waldorf Iridium via External Input
video upload by Longstride
"This is not an amazing ambient music jam I'm afraid, this is just some guy, playing his Solar 42 for fun. I ran my Waldorf Iridium into the Solar via the External Input jack to try it out. The Waldorf was playing an arp sequence with the latch set so it was repeating. Then I played the Solar 42F with the external input coming through and I later overdubbed some Hydra-synth for a bit of variety. I'm not modular patch pro, very much still learning my way by experimentation."
Dubby "this is the ultimate music tool" by Componental // DivKid Discussion Machina Bristronica 2024
video upload by DivKid
You might remember Dubby from this set of Machina Bristronica videos.
"Back at Superbooth I was pleasantly surprised to see a quadrophonic dub delay called Dubby, learning that it could work in quad, dual stereo, 4x mono or a whole range of flexible FX routings sounded great. Fast forward to Machina Bristronica for the DivKid Discussion (on the DivKid stage!) I had the pleasure of sitting down for a conversation and demo of Dubby with Rasmus from Componental. Here's that discussion.
Dubby is currently live on Kickstarter at the time of publishing with around a week to go. If you'd like to support it (it's well over funding, so it's happening already) here it is // https://www.kickstarter.com/projects/..."
"Dubby is a powerful, standalone device designed to simplify the creative process and put you in full control of your sound - whether you're just starting out or you're an experienced musician. With no computer needed, just plug-and-play.
Perfect for singers, producers, instrumentalists, and modular synth enthusiasts alike, Dubby fits seamlessly into your workflow. Its intuitive, hands-on controls make it fun to explore new sounds, from quadraphonic effects to custom synths. Whether you're jamming at home, recording in the studio, or performing live, Dubby gives you the freedom to personalise your music-making experience, allowing you to map and control every parameter your way.
And with Dubby’s open platform, you can even customise both the hardware and software, unlocking endless possibilities for creativity and exploration.
Immediate Immersion and Flow: Dubby works out of the box and is set up to be a fun and engaging music device, either as an audio effect, synthesizer, or music tool.
Endless Possibilities: Upload new audio effects and synthesisers directly from the Dubby App Store, accessible through a web browser, making Dubby a versatile addition to any setup.
Tactile Interface: Designed with musicians in mind, Dubby features an intuitive hardware interface with select controls for seamless interaction during live performances or studio sessions.
Fully Stand-Alone Functionality: Dubby can run advanced real-time audio algorithms, freeing you from the computer. Take your favourite effects, synths, and tools out of the box!
Quadrophonic Sound: Experience immersive, high-fidelity audio with Dubby's quadrophonic capabilities.
Customisable and Programmable: Tailor Dubby to your specific needs by swapping side panels to your liking. Choose between faders, buttons, and expression / footswitch jacks. With programming in popular languages like Max/MSP Gen~, Pure Data (coming), and C++, you can modify existing algorithms or create entirely new ones."
he calls it: delayf**ker - Power Glitch - Sonic State Demo at Machina Bristonica
video upload by Componental
"The delayf**ker is a performance effect that pushes digital echo to its limits, with real-time manipulations getting ‘stuck’ in the feedback loop for dynamic sound-on-sound edits. It delivers rich, glitchy audio textures, ranging from Karplus-Strong and micro-looping to traditional echo and chorus. With control over delay time, feedback, and buffer freezing, you can experiment on the edge of stability for unique sonic outputs. Despite its experimental nature, it's highly versatile, offering sounds from subtle to chaotic, for live or studio use."
Early Bird Price: €456
Friday, November 01, 2024
Shakmat Modular Workshop at SchneidersLaden
video upload by SchneidersLaden
"On September 26th, Shakmat Modular hosted an exclusive workshop at SchneidersLaden’s former showroom in Kreuzberg. Known for their innovative, performance-oriented Eurorack modules, Shakmat founder François Gaspard demonstrated unique patching techniques and musical workflows, offering deep insights into their design process.
After the presentation, the evening transitioned into an informal gathering with drinks, allowing attendees to connect with fellow enthusiasts and the creators themselves. A perfect blend of learning, creativity, and community at one of the last workshops in the beloved Kottbusser Tor showroom!"
Wednesday, October 23, 2024
Elektron Introduces New Elektron Digitone II
An Introduction video upload by Elektron
"Machine By Machine"
Introducing Digitone II
video upload by Elektron
"We are delighted to announce the release of Digitone II. Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights. Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machine - Wavetone, Swarmer, FM Tone and FM Drum - or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.
Pricing on elektron.se is 999 USD/1049 EUR." Check with dealers on the right for availability.
Digitone II — At A Glance
video upload by Elektron
"Digitone II is a 16 track, 16 voice polyphonic synth capable of unleashing dimensions of exciting sonic possibilities, all framed in a modular workflow. There are multiple forms of digital synthesis to explore, offering deep sound-sculpting satisfaction. Here, Hissquiet and Jeremiah Chiu take turns guiding your eyes and ears around the awesome new features and exceptional sounds on offer.
Digitone II is available to purchase from the Elektron website or from retailers carrying the Elektron range of products. Pricing on elektron.se is 999 USD/1049 EUR."
Check with dealers on the right for availability.
User videos (use the player controls to skip around):
Playlist:
Digitone II - a look into a Preset Pattern - tubesockor
Elektron Digitone II (it is fun + can get really weird). - Sarah Belle Reid
Review: DIGITONE II vs OG Digitone // Everything new in Elektron's Digitone 2 // Detailed tutorial - loopop
DIGITONE 2 - First Track! - True Cuckoo
Details:


16 track polyphonic digital synthesizer
Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Digitone II unleashes layers of exciting sonic possibilities. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights.
Transcend tonal realms
Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machines or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron Sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.
Machine by machine
Synth machines are your route to generating sound with Digitone II. There are four synth machines to play with, each with their own character and every single one stuffed with tweakability.
Dive into Wavetone, a fresh take on the classic 2-oscillator synthesizer. Morph between oscillator shapes, add phase distortion and oscillator modulation, or define with precision the flavor of your noise. Take the buzz to the next level with Swarmer. A super saw-in-origin cluster offering lots of waveform control across the swarm. Pick your shape, combine detune and noise modulation controls, and reach rich, complex textures. FM Tone is the original Digitone FM synthesis engine, and still capable of twisting your sound in all manner of delicious directions. Unleash FM Drum, with heaps of percussive flexibility and fine-tuning on offer to craft your own smacks and booms, and everything in between. And despite the name, capable of melodic magic too.
Saturday, October 12, 2024
New Buchla 700FM Format Modular
video uploads by Gm Xe
This one is in via Soviet Space Child.
"Hi, I have been a buchla fan for a long time, and I have always been curious about buchla 700. I immediately bought the id 700 when it was available, which is really a great app. However, I like hardware instruments with intuitive operation. Thanks to my good friend kweiwen, who wrote the initial code for me, I opened this mysterious instrument. After half a year of learning and development, I finally completed this module. Although there are still some improvements to be made, I am very happy, the sound is really good, I try to make myself comfortable with it, so the design is based on personal habits.
The main program is written in max/msp, using daisyseed to implement gen ~ code burning. buchla700 is a very complex instrument, although it cannot be perfectly reproduced, I think half of the core content is there."
Playlist:
1. 700VOiCE Buchal format Walk through new Updated version introduction
Previous devlopement:
2. I made an fm module similar to buchla 700
3. Play note#1 new buchla format modular demo
4. 700_FM_Voice_Note4
5. 700voice upgrade test demo 1
6. 700 buchla format modular note#5


Additional details via Mod Wiggler
"I apologize for the delay; the new images and information are still being prepared. The images feature three modules: on the left, the 3U modules include the 700 expansion and 700 voice, while the 1U module on the right is an effects module that will be introduced separately later. Thank you for your patience!
In the realm of synthesizers, the nearly forgotten classic Buchla 700 is celebrated for its unique sound design. We are thrilled to introduce our tribute module, showcasing a distinctive 700 FM Voice module powered by re-optimized algorithms. With its intuitive interface, you can dive in effortlessly, whether you’re crafting intricate soundscapes or vibrant melodies. This module is designed to inspire creativity and unlock endless possibilities.
This module is a monophonic sound source featuring four variable waveform oscillators and six specialized algorithmic index amplifiers, creating complex modulation patterns with twelve algorithms. Each oscillator and index group can be individually controlled via CV inputs, with dedicated CV attenuation for each. It provides a dual-path mix output for Group A/B, enabling CV morphing, along with a separate output for channel B. Both A and B channels offer independent wave shapes and drift modulation. Each oscillator supports wave morphing between sine, saw, and square waveforms, with the option to expand using an additional 12 control knobs. Two OLED displays showcase configuration algorithm graphics and a dual-channel oscilloscope. The DA output is 48 kHz/24-bit, with finely tuned oscillator algorithms. Outputs are carefully calibrated through analog amplification circuits, fully compatible with Buchla-format CV modulation, and support 1.2 V/oct and MIDI input.
Thursday, October 03, 2024
PATCH BETTER! with Dual Slopes & Function Generators // with ARC from NANO Modules
video upload by DivKid
"Join me for this video packed to the brim with patches that you can apply to LOTS of modules (some of which you may already have) on the use and importance of slopes and function generators. Learning how to use them and the range of things they can do allows them be the backbone of a modular system that will bend into your ideas and provide way more than the simple interface may suggest.
This is also a demo of the new 'ARC' from NANO Modules. A dual slope/function generator with added bipolar VCAs and logic that as you'll see in the video and timing index below - is highly capable of many things!"
via NANO Modules


Each channel can function as an Envelope generator (AD/ASR), an Audio & Low-frequency oscillator (VCO/LFO), a Slew limiter, and a Waveform Modulator (VCA/Polarizer), with specific trigger and signal inputs.
Envelope Generator AD/ASR
Use the Rise and Fall controls to create simple AD envelopes for punchy and percussive sounds.
For ASR envelopes, turn on the Sustain switch! The envelope will rise to the peak and hold there while the Gate is active.
Audio & Low Frequency Oscillator
ARC features RISE & FALL frequency adjusts and a SPEED switch with three positions (slow, mid, fast) to cover all possible needs.
Turn on the LOOP switch to convert the function generator into an oscillator.
ARC can generate a huge range of frequencies, from 10 minutes cycle to 1000Hz for producing both audio-rate signals for pitched sounds and ultra slow waveforms for modulation purposes. Slew Limiter & Waveform Modulation
Slew Limiter. Smooth out abrupt changes in CV & audio signals to create filtering and portamento effects.
Waveform Modulation. Adjust Rise and Fall shapes to create logarithmic, linear, or exponential shapes over your input signal.
VCA & Signal Inversion (POL)
The VCA/POL adjusts the volume of the signal, acting as a traditional VCA for dynamic level control. Additionally, the POL function modifies the polarity, enabling both positive and negative modulation for more complex sound shaping.
The OFFSET function can add or subtract a voltage from -5 to 5V to match the required signal range.
Logic Section
ARC includes a X > Y gate logic output, which compares the two function signals and outputs a gate when X is greater than Y.
Additionally, the module provides the SUM of X and Y functions, as well as OR and AND logic functions."
Wednesday, October 02, 2024
USE YOUR BREATH AS A MODULATION SOURCE | ADDAC System - ADDAC310 Pressure to CV
video upload by DANIELE
"This is ADDAC310 by ADDAC System, a creative and fun approach to modulation which lets you use your breath to interact with your modular synth!"
0:00 Intro
0:13 Melodica pipe and sensor
0:35 The demo starts
0:45 Attack and decay
1:03 Gain
1:21 Offset
1:45 Response
2:08 Hold
2:32 Inverted CV outputs
3:09 Gate outputs and threshold
3:22 Gate output follow modes
3:42 Gate output hold modes
4:03 Patch example"
"This module expands our line of expressive controls, it follows the heritage of wind/breath controllers with one major diference: the pipe has no air escape creating pressure inside the tube controlled by the user’s mouth. For a seasoned woodwind or brass musician this working principle may sound unorthodox, however this way pressure can be controlled for longer without the need to breath in or learning circular breathing techniques. It’s relatively easy to control the pressure in your mouth while still breathing through the nose.
The module is provided with a standard melodica pipe which connects to an air filter (providing a receptacle for condensation to form and isolate the sensor) and lastly connects to the module frontpanel.
The signal captured by the sensor is then sent to two independent sections with exactly the same functions as seen in the signal flow diagram below.
As an example the two sections can be used with diferent settings to independently control the VCA and VCF of any standard analog voice patch.
PIPE
We’re using a standard Melodica pipe into an air filter that will keep condensation away from the sensor. The air filter is then connected to the frontpanel sensor input using a silicone tube.
SENSOR CALIBRATION
[RESPONSE] is the main control to calibrate the pressure curve, the knob goes from exponential to logarithmic with linear at 12 o’clock. Exponential will be more reactive to high pressures, logarithmic to lower pressures.
HOLD FUNCTION
This feature allows to hold the current voltage value with the hold is engaged (button led on), the state can be changed either by the push button in a latching manner (push to change state) or via the gate input in a momentary manner (hold on while gate is on)
EXTRA PIPE
Extra Pipes are available for 15€"
Saturday, June 29, 2024
Chris Meyer’s Alias Zone: Nightfall, Kyiv (Moogseum version)
video upload by Chris Meyer: Learning Modular + Alias Zone
"This version of Nightfall: Kyiv was performed at Citizen Vinyl in Asheville, North Carolina as part of a fundraising event for the Moogseum (https://moogseum.org/). It includes samples of the Moogseum’s vintage modular Moog synthesizer as part of the bass line.
Chris Meyer: 'Pandora’s Box' plus vintage Moog modular synthesizers, Ableton Live, Korg Wavestation, Frozen Plain Terracotta, Luftrum Bioscape, Soundiron Circle Bells, Synapse Audio Dune 3
Maks Histibe: field recordings of the war in Ukraine (courtesy of Soundiron/Swords to Ploughshares)
Cory Friesenhan & She Who Shall Not Be Named: vocal atmospheres (courtesy of Black Octopus Sound)
Special thanks to Daniel Liston Keller for the live video switching.
The idea for this piece came when Maks Histibe of Mask Movement (https://maskmovement.com/) in Kyiv, Ukraine contacted me. As part of the invasion of Ukraine, their power grid is often knocked offline, and he was looking to raise money for solar panels and batteries to keep his studio operating. To do this, he created a series of field recordings of the war and life during wartime in Ukraine, and crafted them into a virtual instrument called Swords to Ploughshares.
I gladly purchased it, and used it as the basis for this song, which flows from the realities of life during wartime to attempting to lead a normal, happy life…only for the war to intrude, and drag people back in. A version of this song will appear on my summer 2024 release: Finite Space (https://aliaszone.bandcamp.com/album/...."
Thursday, June 13, 2024
Erica Synths & Moritz Klein Introduce EDU DIY LABOR prototyping station
video upload by Moritz Klein
"Disclaimer: I actually created Labor together with my friends at Erica Synths and Dr. Shalom D. Ruben, who's a teaching professor for engineering at the University of Colorado. Either way, it's an awesome entry point for anyone looking to get started in circuit design. (Or a great help if you've already disappeared down the rabbit hole.)"
Chapters
00:00 Feature Overview & Bundle Versions
01:32 Prototyping with Labor
03:23 Expansion Modules & Outro"
"Get started in circuit design with MKI x ES Labor! Developed in collaboration with Dr. Shalom D. Ruben teaching professor for engineering at the University of Colorado Labor is a fully-featured circuit design playground and a powerful electronics learning tool all in one. Created with the aim of serving as a universal learning tool for electronics engineering Labor enables users to delve into various aspects of electronics design from fundamental concepts to advanced techniques. Whether you're a beginner exploring the basics or an experienced engineer honing your skills Labor provides a versatile platform for experimentation and learning. Create your own filters oscillators envelopes sequencers – and whatever else you can come up with. Or use it to learn the basics by following along with our series of educational DIY kits.
Features
a built in dual power supply producing eurorack-compatible voltages, with built-in over current protection for safe experimenting
a modular interfacing section with 16 slots for potentiometers, jacks & switches
a pulse/triangle/sine oscillator (audio & LFO range)
a multi mode envelope generator controlled by a premium push button
a buffered variable control voltage source
an output amplifier with variable gain
a dedicated headphone output and a line-level output for recording, processing and analyzing the signal
an expansion slot for installing specialized prototyping tools
a protective lid to cover a breadboard.
EDU DIY Labor Basic Kit includes:
LABOR
Power Supply Unit
jumper cables
array of interfacing elements like potentiometers, jack sockets, switches
EDU DIY Labor Full Kit includes:
LABOR
Power Supply Unit
jumper cables
array of interfacing elements like potentiometers, jack sockets, switches
commonly used components (resistors, capacitors, chips, transistors) to start building circuits straight away
We – Erica Synths and Moritz Klein – have developed a series of educational DIY kits under the brand name mki x es.EDU with one specific goal in mind: to teach people with little-to-no prior experience how to design analog synthesizer circuits from scratch. What you’ll find in the box is not simply meant to be soldered together and then disappear in your rack. Instead, we want to take you through the circuit design process step by step, explaining every choice we’ve made and how it impacts the finished module.
NB! All kits in these series are simple and come with extensive user manuals which can be downloaded separately, therefore we will not provide customer support in case your DIY build fails to function or similar."
Sunday, May 19, 2024
Xtensions | Shared System 'X' tutorials episode 05 | New Arrivals
video upload by Cinematic Laboratory
"In my Shared System X series, I am exploring custom layouts for the MakeNoise multiverse. Since most modules offer basic features (modulation, basic waveforms, ringmod) they can also be useful for learning modular techniques. I already made a 'first patch' video for the new Channel Saver and PrssPnt modules, but they can have a different purpose in every new patch, so I wanted to use the 'new arrivals' with various modules like Morphagene and Mimeophon. They are extensions to the collection you already have, and this collection will immediately extend its capabilities with millions of new options. But I'll also revisit the DXG because it has a kind of 'weird' signal path I did not fully understand.
Here are the topics for today's tutorial:
00:00 Introduction
00:10 Dynamic gates
01:52 Complex LFO's
04:06 Mimeophon meets PrsSPNT
07:38 DXG insert/return
09:03 Waveforging (making twisted waveforms)"
Thursday, April 18, 2024
Myth - an overview of Dawesome's Flagship Synth
video upload by Waveform
00:00 Intro & Description
01:48 User Guide & Tutorials
02:13 The Iris
02:59 Transformers
04:00 Modulation
04:22 Signal Flow
04:40 OSC Modules
05:40 Filter Modules
06:34 Resonator
08:01 BTTFM
09:12 FX Modules
10:07 Glurp!
10:20 ARP +
10:45 Summing Up
https://www.tracktion.com/products/myth
DAWESOME MUSIC videos in order published: video uploads by DAWESOME MUSIC
Playlist:
MYTH
MYTH - demo track
MYTH - BRACE YOURSELF FOR A SHOCK
Mare Tranquillitatis - track made with MYTH
MYTH - Preset Demo
A Living Beast



Re-synthesis
In classical synthesis, oscillator waves are mostly static and you add filters and modulators to "program" all the variations to make the sound organic and interesting. MYTH offers a paradigm shift: drag and drop audio and it will be re-synthesised as an IRIS. The inherent variations and richness of the sample can now be exploited with the TRANSFORMER dials. Of course - you can also add classical LFOs, envelopes or filters as much as you want. Just...you will rarely feel the need!
Look Mum, no Cables
Modular systems are so powerful, but also complex and easily confusing. MYTH has modules, but no cables: like in a pedal board the modules are simply chained from left to right. Insanely powerful and unbeatably simple!
Weird and Wonderful
You can use MYTH as a virtual analog subtractive synth, create shimmering metallics, add colourful acoustic resonances, create glittering grain clouds ... or do all at the same time. From fragrant pads to striking kicks - MYTH can do any sound with ease. And if you prefer to ride a wild horse: there are things like ORBIT, GLURP or ATARI PUNK - weird and wonderful new stuff.
The Fastest Workflow in the West
Let's be honest: sound design can be tedious, and we all love tweaking presets! MYTH goes one step further with a randomisation system on steroids: for example you can freeze sections to keep them unchanged. Or you "breed" new presets from a selection of parent presets. Or you take a sample and then browse through presets to put them over your sample like a dress. It's incredibly easy, fast and fun!
Full Specs
Advanced organic re-synthesis based on machine learning.
More than 700+ presets created by more than 10 sound designers and artists.
Intuitive modular system.
Trainable resonators (by dropping a sample).
Virtual analog filters.
Creative midi effects.
Full MPE support.
Build-in tutorial system.
Powerful and innovative randomisation system.
Intuitive modulation system.
Supports MTS-ESP for microtonality.
Saturday, February 24, 2024
Rare ARP 2600 Blue Marvin Discovery w/ Ryan Hawkins & Rob Rosen
video upload by Anthony Marinelli Music
Also see Rare ARP 2600 Blue Marvin Jam (w/ Cameron Graves)
"Join Ryan Hawkins and me for an in-depth look at an extremely rare ARP 2600 called the "Blue Marvin". It was the first ARP 2600 prototype created in 1971 before the later gray faced Tonus versions of the instrument were made for sale to the public. There are a lot of quirky physical aspects to this beauty since it was never really completed for final production, but in spite of that, it sounds magnificent! In particular, there is a type of harmonic distortion that it delivers only to be found on the original R.A. Moog modular synths from the late 1960's through the early 1970's.
You'll also hear the back story about how it was found in a post office, changed hands and then how it was restored by Ryan. We'll explore the front panel by comparing it to the first production Tonus model and also give you a Hands-on demonstration of the compelling sounds that it delivers. All music in this video is composed and performed by Ryan.
00:00 Intro
00:08 Music Interlude 1
00:19 The Story: Finding the Blue Marvin
06:11 Rob Rosen @RosenSound replaces the power jack
07:36 About the original modules (rectangular vs later square versions)
08:25 Under he Hood with Rob Rosen
10:21 Music Interlude 2
10:31 "Blue Marvin": 2600 vs Tonus 2600 Differences
16:36 Music Interlude 3
17:10 Missing Items compared to later models
22:40 Who was "Marvin"
23:05 @AlexBallMusic Story of "Blue Marvin"
24:16 13-note chromatic scale
25:12 Keyboard Differences - "Blue Marvin" Keyboard vs ARP 3620 Keyboard
26:31 Face Differences - "Blue Marvin" 2600 Face vs Tonus 2600 Face
27:16 Making Sounds on the "Blue Marvin"
27:36 Incredible Harmonic Distortion on the "Blue Meanie" 2600
30:03 Ryan's Favorite Sounds on the "Blue Meanie 2600
31:12 Sample and Hold with a sine wave
31:45 "Blue Marvin" - Reverb
33:25 "Blue Marvin - The Way it's Built
34:33 Plugging in a Microphone
35:40 ARP 2600 Layout Designed for Learning
36:52 "Blue Marvin" at Synthplex
38:03 About Ryan Hawkins
38:21 Conclusion
39:17 End Credits Music by Ryan Hawkins
45:20 AMM Logo"
Friday, February 02, 2024
Exploring the 1st Buchla 100 Modular Synthesizer
video upload by Sarah Belle Reid
"This video is a historical, technical, and musical deep dive into the Buchla 100 Series Modular System at the Mills College Center for Contemporary Music. This instrument was the first voltage controllable modular synthesizer built by Don Buchla—it was delivered to the San Francisco Tape Music Center in the mid-1960s.
In this video we’ll start with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, we’ll unpack everything that’s inside the instrument module by module. Finally, I’ll share some of the quirks of this particular instrument, and lots of patch examples to illustrate its unique voice and character.
As I was getting to know this instrument, I tried to keep in mind the circumstances surrounding its development—the people who contributed to it, the time in which it emerged, and the state of electronic music at the time of its invention. These thoughts greatly inspired my approach to working with the instrument and are present throughout this video.
It’s a rare opportunity to be able to work with a historical instrument like this one. I have always been super inspired by Buchla’s work in general, but like many people have had few opportunities to work with his original instruments. Instead, much of my experience has been through newer instruments inspired by his designs. Being able to work closely with this instrument was an incredibly inspiring and clarifying experience that allowed me to gain a deeper understanding of Buchla’s own creative and technical development, as well as the multitude of music, modern modules, and instruments that have been inspired by his work.
Special thank you to Mills College for letting us spend a week in the electronic music studio working with the Buchla 100; to The Buchla Archives and Ryan Gaston for helping to put this video together; and also to all of the amazing folks in my Patreon community for your support in helping to bring educational projects like this one to life!
Learn more / join the waitlist for Learning Sound and Synthesis, my online modular synthesis and sound design class: https://www.soundandsynthesis.com
Join my Patreon community for behind-the-scenes content, unreleased music, and extended tutorials: sarahbellereid
Thank you to:
Mills College Center for Contemporary Music https://www.performingarts.mills.edu
The Buchla Archives https://www.buchlaarchives.com
Ryan Gaston (co-producing + filming) https://gastonsounds.com
Hainbach (tape slicing footage)
TIMESTAMPS:
00:00 Historical Overview: Buchla 100 + the San Francisco Tape Music Center
7:38 Mills Buchla 100 System Overview
14:27 Timbre in the Mills Buchla 100
18:29 Chaos in the Mills Buchla 100
21:52 Voltage Control Quirks
25:00 Sequencing Tactics: Triggered Segments
30:40 Sequencing Tactics: Extended Sequences
32:06 More Patches + Sounds
32:36 Ring Modulated Reverb Patch
34:40 Keyboard Chaos Patch
36:55 Gated Voice Patch
38:29 Wonky Drum Machine Patch
38:57 Triggered Gestures Patch
39:14 Transposed FM Sequence Patch
39:48 Bell Tones Patch
40:27 Touch Controlled Ratchet Patch
41:00 Sequenced Melodic Patch
Sarah Belle Reid is a performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation.
www.sarahbellereid.com"


"In the Spring of 2024, Reid spent a week at the Center for Contemporary Music at Mills College, where she worked closely with their original Buchla 100 modular synthesizer system. This specific instrument’s historical significance can’t be overstated. It was the very first voltage controllable modular synthesizer that the now-famous artist, inventor, and electronic musical instrument designer Donald Buchla built in the mid 1960s—indeed, one of the very first modular synthesizers altogether. In its time, this specific system has been used by countless inspiring and influential musicians, such as Pauline Oliveros, Morton Subotnick, Suzanne Ciani, Warner Jepson, and others.
The video begins with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, Reid unpacks everything that’s inside the instrument module by module, with sound demos and examples. Finally, she shares some of the unique quirks of the Mills Buchla 100 instrument, and patch examples of how the instrument can be used to create a wide range of music and sounds."
Tuesday, January 23, 2024
Panharmonium | by Rossum Electro-Music
video upload by Cinematic Laboratory
"Spectral processors are hot these days thanks to the Spectraphon and the mighty 296T. It's easy to skip the Rossum Panharmonium and I got many questions like 'how does it compare...' So I checked a few Chris Meyers Learning Modular videos and many I don't remember. What I heard was pure magic. It's been quite an investment again, especially with the Morpheus.
This is a 'first patch' video so there's not much explaining and too much exploring. I simply don't have the time for a deep dive during #jamuary2024 but it's a perfect opportunity to share the experience of learning by tweaking knobs. I started recording/shooting around noon today, and I am happy I can post it before midnight so it's a genuine Day 23. I may have to shoot something simple tomorrow. Or maybe I'll do the dreaded Strega multi sample that will break reality in two."
Sunday, January 21, 2024
KORG Reveals Upcoming PS-3300 FS
Update: I'm hearing the PS-3300 will be available in late 2024, built-to-order, for an etimated price of $13,000.
KORG is bringing out a full-size reissue of the PS-3300. Details follow.

The PS-3300 FS reissue marks a new milestone in synth history, and the latest achievement by the same Korg engineering team that brought back iconic machines such as the MS-20, ARP ODYSSEY, miniKORG 700 FS and ARP 2600.
“Bringing back to life these legendary machines is not only a process of reproducing circuits and sounds, but also of learning and embracing the essence of the philosophy and development of synthesizers.
Through this project I was able to relive the history of Korg and a critical moment in the evolution of our synthesizers. This was an extremely valuable experience that provided an opportunity for Korg's philosophy and technology to be carried on to future generations.”
- Yoshihito Yamada, Chief Engineer of Korg Analog Synthesizers
Key features
49 keys / 49 voice analog polyphony (the original model had 48 keys / voices)
3 Layers: The PS-3300 consists of three synthesizer units (PSU-3301) and a mixer & utility section (PSU-3302)
Three independent oscillators, plus multiple filters, envelopes and amplifiers for every note on its keyboard, for a total of 147 synth voices of raw analog power
Microtuning knob x12 on each PSU-3301 unit
New panel memory function (16 programs per bank and 16 banks = 256 slots)
Modernised for contemporary music use with the inclusion of USB / MIDI jacks, and a dedicated librarian app for easy preset management
Semi-modular
3-Band Resonator: Three frequency bands can be emphasised, a feature unique to the PS-3300 (original was a Cadmium sulfide circuit, but it was replaced with modern components for safety and to comply with regulations)
Keyboard unit (PS-3010) included
You can find an audio demo on KORG's website here.
Friday, December 22, 2023
What is The Vanilla Synthesizer? It's Ready, That's What
via the STG Soundlabs/muSonics Electronic Newsletter:

Is it The Vanilla Synthesizer or the muSonics TVS?
I started working on this project a year and a half ago.
Originally my thought process was to make a new American format synthesiser that could be sold as modules, kits, and bare boards. I was concerned about the future of the format, and I felt a new line of basic modules and infrastructure at a variety of price points was important. I still do.
STG Soundlabs was a failure because I made things that ultimately the eurorack market simply did not want. Yes, I sold some, and will continue to maintain the line as best as I can, but it's very hard to find photos of eurorack installations with STG Soundlabs modules in them, but rare to find a nice big man-sized synthesiser without my modules in it.
Another thing I wanted to do was teach myself how to do my own engineering. It didn't start that way, but it became that way. I'd been a hardware product developer since 2005 but never actually laid out a circuit board. That is no longer true, and I've done things beyond this project that I haven't even talked about.
Wednesday, December 20, 2023
A synth design masterclass by SOMA SYNTHS Vlad Kreimer.
video upload by mylarmelodies
"In this talk, Soma's Vlad Kreimer explains the unique difference behind 'organismic' synths like the Lyra-8 or Terra vs. everything else. He also explains how other synth brands could be more organismic - and why they may want to be. I believe ideas in this can inspire synth designers as well as anyone designing modular patches..."
This was delivered at Machina Bristronica 2023, check out the event and attend the next event in 2024 here:
▶︎ https://ra.co/events/1788966
CHAPTERS
00:00 Opening thoughts
1:50 What is 'Romantic' Engineering?
5:28 The need for imperfections
9:46 Static digital oscillator
10:22 ...vs analog oscillator
12:30 ...vs a violin.
15:47 Musician vs The Sound They Want
22:15 The secret of Lyra-8
25:12 Triggering Emotional Resonance
27:39 What is an Organismic synth?
31:08 Organismic: The Visual Analogy
32:31 Linear Synth vs Organismic
36:10 Vlad's Challenge to Synth Brands
37:19 Q&A: Macro controls vs Organismic
40:23 Q&A: What synths does Vlad admire?
41:47 Q&A: What is TOO MUCH 'organismic'?
43:02 Q&A: How do you know when a synth is done?
45:16 Q&A: Can we truly perform synths that aren't organismic?
48:19 Q&A: Beyond touch, what other ways can we control synths?
50:29 Q&A: Will people commit to learning to play instruments?
51:47 Q&A: Vlad's Dream: The brain-to-music interface!
53:10 Q&A: What is the Soma design 'difference'?
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH