Moog Sonic Six Vintage Duophonic Analog Synthesizer

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via this auction

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'Sonic X-Voice' - Human Vocal Patch from our Klaus Schulze Tribute video with Sonic XV Eurorack VCF

video upload by AJH Synth Official

"This Patch of The Week shows how the vocal sound was created that featured in the Klaus Schulze tribute video. It uses the Sonic XV Diode Transistor Ladder Filter for both it's band pass filter, and it's built-in wave folder. Patch sheet at the end of video, plus a download link for a PDF version with notes further down the page. Musical Tribute to Klaus Schulze: https://youtu.be/VA-Io4jVKbA

The Sonic XV is a surprisingly flexible multimode VCF - it can do the kind of aggressive, screaming resonance chaos that you'd expect from some of the famous diode filter-wielding synths of the past, but it's also particularly good at softer, delicate sounds, and having a well-featured wave folder on board gives it a much wider scope for tone-shaping. This, coupled with it's fast response, and simultaneous band pass, 6dB and 24dB low pass outputs, makes it a great choice for fast melodic sequences and percussion sounds. It's character is significantly different than that of the Minimoog-based Transistor Ladder Filter, and compliments it nicely, even if only used for it's wave folder to feed other VCF's. Sonic Wave Folder & Sequencer: https://youtu.be/pJUb-ZEddqQ

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires

Patch sheet with notes: https://kvisit.com/8AE/x_8G

Patch notes:
--------------------
Green dots show approximate pot and switch positions. Pots and switches that do not have green dots are not used in this patch, and should be left at their zero or off positions.
DH-ADSR: As we are using the inverted output here, it will constantly be sending a +8V signal to the LIN-CV of the VCO (therefore raising it's frequency/pitch) until it receives a gate signal, at which point it will follow the envelope settings, starting from an output of 0V. This is why the VCO will need re-tuning to match other instruments used, but preferably after you are happy with the amount of envelope to pitch influence you have dialled in. Dual LFO: The Tap Tempo VC-LFO module could also be used here in the same way, as it also has a built-in VCA (level control). Sonic XV: Small differences in wave folder settings can make a big difference to the sound, so it'll probably require some fine-tweaking to get the ideal timbre. I have added some resonance in this version, as it can help to simulate the tone of a human voice, but this is of course subjective - all voices are different. Band pass is definitely the best filter type to use, as it can remove both high and low frequencies that would be beyond those produced by a human voice. Modules used from left to right: DH-ADSR Envelope, Dual LFO + VCA, Vintage Transistor Core VCO, Sonic XV Diode Filter, Contour Generators, Discrete Cascaded VCA."

Inside an Oberheim OB-SX

Click here for more shots via this auction.

The OB-SX is a preset analog polysynth with limited programmability. I always wondered if it was closer to the OB-X or OB-Xa. According to the owner's manual notes below it has the same circuitry as the OB-X.

Update via the comments: "The OB-SX manual says its the same as the "Xa" not "X"! Looking at it right now..." Note: check out the update towards the end of this post as well.

"From the Owner's Manual:
'The Oberhiem OB-SX brings polyphonic synthesis to the discerning keyboardist at an affordable price. It's as simple to use as the popular "string machines" with the versatility of sounds achievable only with a variable synthesizer. The OB-SX is a real synthesizer utilizing the same circuitry as the celebrated OB-X. User programmability is unnecessary since the 'SX' is programmable with 24 sounds including those sounds most used and requested, such as: strings, brass, clavinet, organ, electric piano, bass, flute, and synthesizer solo. Other great sounds, many unique to the 'X' family, are also included. Each program can be modified to ones' own personal taste by adjusting the front panel controls (since they are constantly in edit mode). The programs (sounds) are permanently stored on a plug-in computer memory chip. Should 24 programs not be enough, an additional 24 are available for a nominal charge*. A switch on the back panel is provided to switch from each group. Custom chips can be used by sending an OB-X cassette tape to Oberheim (first 24 programs can be used). The key ingredient to the OB-SX is: although it's as simple to operate as your typical string machine, you can update your sounds by changing program chips.'"

Update:
"Strangely enough, the original sales flyer for the OB-SX (printed around the summer of 1980 I presume) claims it utilizes the same circuitry as the OB-X.

Read for yourselves here (the white text on black background): link

Maybe the SX was originally meant to utilize the same circuitry as the OB-X but that in the end Oberheim chose to base it on Curtis chips seeing as the OB-Xa was soon to replace the OB-X at the start of 1981.

The first OB-SX's (mk I) started to ship in the late summer/fall of 1980 so it did predate the OB-Xa. I'm not sure when the first mk II's shipped though...possibly in the spring/summer of 1981!?

Btw, does anyone here have the 2nd (or 3rd) edition of the service manual for the OB-SX (mk II)? It should be mentioned in there when the mk II first appeared.

Micke"

Update via PeteM in the comments:
"I'm a little late here, but also have a 56 Preset, Blue striped, genuine 5 Voice OB-SX, despite all references stating that the OB-SX only came in 4 or 6 voice configurations.

IMHO it is probably best to think of the OB-SX as a hybrid between the OB-X and OB-Xa, as it shares features with both. I did wonder if the OB-SX was a proof of concept for changing the production techniques from the discreet circuitry of the OB-X, to the more reliable Curtis Chip based voice card circuitry of the OB-Xa. Personally, I consider the OB-Xa as an advanced continuation of the OB-X model, rather than its replacement.

My Owner's Manual First Edition August 1980 states:

"The 0B-SX has been developed using much of the same circuitry as the Oberheim OB-X in order to get true polyphonic synthesizer sounds. This gives you the sound of an 0B-X along with the ease of operation of a pre-set synthesizer."

Owners with later User Manuals can also verify that their manuals refer to the "OB-Xa" instead of the "OB-X", so both camps are correct. This would suggest that the OB-Xa was the next evolutionary step of OB-X project.

As others have already stated, the OB-SX has the Voice Architecture of the OB-X, but using a manufacturing process relying on Curtis chip based voice cards like the OB-Xa. Some of the sounds in the first 24 presets bear testimony to the Cross Mod of the OB-X, yet it generally sounds more like an OB-Xa in 12dB/Oct mode. The sonic similarities between the OB-SX and OB-Xa are largely due to the CEM3340 Oscillators, CEM3320 Filter and CEM3310 Envelope Generators that were common to both machines.

The main differences in voice architecture between the OB-SX and OB-Xa are that the OB-SX uses Oscillator Cross Modulation like the OB-X, whereas the OB-Xa uses Filter Envelope to modulate the Oscillators instead. The OB-SX voice card only has a single CEM3320 Filter chip in 12dB/Oct mode, whereas the OB-Xa has both a 12dB/Oct and 24dB/Oct filter chip on each voice card.

Kenton can partially MIDI retrofit an OB-SX to recieve only Note On/Off data using an OB-X MIDI kit rather than an OB-Xa kit, which probably creates further debate about which OB family member the OB-SX takes after."

Jam on the Herbs And Stones - Solid Felt stereo filter

video upload by Sonic Circuitry

"Sonic Circuitry is a video series about all things audio, from engineering to mixing, from synths to guitars. Cool new stuff, weird old stuff and vice versa."

Jam with Oxi Coral, Herbs and Stones Solid Felt, Nano Performance Mixer and Shakmat Bard Quartet

video upload by Sonic Circuitry

"Sonic Circuitry is a video series about all things audio, from engineering to mixing, from synths to guitars. Cool new stuff, weird old stuff and vice versa."

Ambient jam with 4ms Sampler & Looping Delay

video upload by Sonic Circuitry

"Sonic Circuitry is a video series about all things audio, from engineering to mixing, from synths to guitars. Cool new stuff, weird old stuff and vice versa."

Jam with ADDAC V112 VC Looper & Granular Processor, Joranalogue Filter 8

video upload by Sonic Circuitry

"Sonic Circuitry is a video series about all things audio, from engineering to mixing, from synths to guitars. Cool new stuff, weird old stuff and vice versa."

Superbooth 2019 Make Pro Audio Networked Controllers

Published on May 10, 2019 sonicstate

Previous posts.

New eurorack module:

"We all love Eurorack for all the infinite possibilities it presents to create new sound machines. However, when you aspire for more voices and more timbres within Eurorack, that usually requires a significant amount of space and budget outlay. That leaves you no viable options, other than to leave your Eurorack and attempt to connect with outboard gear that does not easily integrate. Now – with Dino Park – you gain access to a world of infinite sonic possibilities, while staying within your Eurorack!

Dino Park is not fixed synthesis architecture – it is as flexible as your Eurorack. It can load different “synth models” which feature radically different forms of synthesis – including vintage subtractive, additive, wavetable and FM – providing infinitely expandable and exciting sonic capabilities in every Eurorack.

Now increasing the sonic potential of your Eurorack has never been easier, or more affordable! . For newbies, Dino Park offers an easy, cost effective and gratifying way to start off their rack journey with a big sound foundation. For Eurorack veterans, Dino Park can close a lot of gaps and enrich any Eurorack performance. True “ best of” utility in big analog sound with the recall-reliability of digital.

We offer three Dino Park kits for the Eurorack"

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History of the Moog Sonic 6 on Sound on Sound

"The pioneering Sonic 6 has a complex and intriguing background, featuring not only the synth industry's most famous name, Bob Moog, but also that of an unsung hero called Gene Zumcheck -- a shadowy figure now, but one whose contribution to synthesis deserves acknowledgement....

At this point, let's spare a thought for Gene Zumcheck. Having (allegedly) fallen out with Bob Moog once before, he again found himself working alongside the man, and soon left the company. Once Zumcheck had departed for the second time, Moog decided to take the Sonic V and turn it into a Moog product. To do so, he made just one significant change; he returned to one of the rejected 1969 drawings for the Minimoog (one that never made it, even as a prototype), and installed the Sonic V's circuitry and keyboard into this. He then added a pitch-bend wheel and glissando control. The result was the Moog Sonic 6."

read the full article on Sound on Sound.
via Dave Manley on the SDIY list.

How your synth would sound in the post-apocalypse [Fairfield Circuitry Roger That]

video upload by Jameson Nathan Jones

"Fairfield Circuitry sent me their new pedal, Roger That to check out, and it's really......something. After the initial shock and urge to burry it in my backyard wore off, I started to think of actual ways I could tame it. The results were surprising (hint: a Moog Matriarch always helps).

FREE Basics of Synthesis Workshop:
https://bit.ly/SubtraciveSynthWorkshop

0:00 - initial excitement/surprise
0:50 - oh ok
1:48 - feature explanation and raw sounds
6:37 - today's setup
8:48 - taming it with Matriarch
10:38 - arps with bad reception
12:57 - stereo filter sweeps with bad reception
13:53 - pad swells with....well, you know"

Fairfield Circuitry Roger That

video upload by Matt Lowery

"An exploration of Fairfield Circuitry's newest release: Roger That. Roger That is a crazy little modulator/demodulator pedal that can be subtle or can tear a hole in the fabric of the universe.

HEALTH DISCLAIMER: This demo gets pretty loud and will expose you to some intense upper-spectrum audio. Please listen at a safe and reasonable volume and take breaks if needed."

See the dealers on the right for availability.

"Fully embracing sputtery and bizarre artifacts, Fairfield Circuitry's Roger That is a distortion pedal inspired by FM radio transmitters and receivers—and all of the noise that comes along with them. The core of Roger That is a simple JFET preamp, but by then including an FM modulator and demodulator circuit, the pedal becomes an interactive sonic playground with a wide range of sounds to be uncovered in every corner. The basic controls include Dry and Wet levels, Drive for the preamp circuit, and a Tune control for dialing in the FM character. Roger That is highly responsive to audio input, so different sources will yield very different results. For more variety you can explore Shift to destablize the tracking of Tune, select between two different Tuning ranges via the R switch, or apply a bandpass filter with F. Tune also features a CV input to be externally controlled by modular synthesizers or other control voltage sources. Get into the noisier side of life with Fairfield's Roger That.

ROGER THAT FEATURES

Distortion pedal inspired by FM radio
Dry and Wet signal level controls
Drive for JFET preamp
Tune control sweeps through frequencies of internal FM modulator/demodulator scheme
Shift modifies the accuracy of tuning
Extended Tune range available via R switch
Voice filter applied with F—bandpass filter from 300Hz-3kHz
CV input for Tune"

Vintage MOOG Sonic Six Synthesizer & Service Manual

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Here is some Specs from Moog:
To start, it is duo-phonic, utilizing two analog oscillators with three basic waveforms each plus tuning, modulation and scaling controls. There are two independent LFO generators with advanced control options not seen on other Moog synths (for instance, an X/Y knob is used to mix and balance the LFO outputs). Also on-board is a Ring Modulator (that can modulate either Osc. B or external audio) and pink/white noise generators.

Moog synthesizers are known for their filters, and the Sonic Six strays from the usual Moog in this area as well. While it is known that ARP stole a filter design from Moog for use in some of their 2600 and Odyssey models, leading to lawsuits between Moog and ARP, according to Mark Vail in "Vintage Synthesizers," the Sonic Six actually used some circuitry in its filters which were stolen from an ARP design, although ARP never sued Moog over it. However, later models of the Sonic Six were eventually fitted with a more traditional Moog designed filter. In either case, the filter is a low-pass 24dB/oct which offers the usual controls and is capable of self-oscillation. The VCA, however, has a rather limited set of controls - attack and decay plus a sustain on/off switch."

Caught In Joy's Moog One Presets Pack Vol. 1

video upload by Caught In Joy

"The Moog One is often considered a "king of polysynths" due to several factors that make it highly regarded among synthesizer enthusiasts, it clearly stands out due to its unparalleled sound quality, achieved through the use of analog circuitry and high-quality components. Its three discrete analog VCOs per voice, along with powerful filters and modulation options, enable a vast sonic potential, allowing musicians to create rich, expressive sounds across a wide range of genres. Its versatility and depth make it a highly coveted instrument among professional musicians and sound designers.

Moog One to me is a real king of the unique sonic landscapes. Through my sound design choices and experimentation, I created presets that explore new sonic territories, revisit the old ones and push the boundaries of what the Moog One can do. By combining different synthesis techniques, modulation routings, and unconventional settings, you can uncover unique and captivating sounds that are not typically found in factory presets.

I hope these distinctive sonic landscapes will make your feel special and will inspire you to compose more music.

Here are 59 custom presets and patches for the Moog One (many of the patches consist of more than one layer/timbral, so there's actually way more than 59)."

CLICK FOR MORE »

MOOG MuSonics Sonic V 1972 vintage synthesizer demo

Published on May 26, 2017 OFR

"It took me some time to appreciate how amazing this synth really was. I had a Sonic Six for a long time, which has the same basic circuitry, but I never quite got it sounding as good. The only demos I could find show very basic and minimal synth sounds.

However, the Sonic V has amazing routing options, making it more like a modular system than almost anything around that time. With only 2 oscillators and a non-Moog filter, it certainly does not sound like the Minimoog. Yet it does SO much more, that I prefer the Sonic V now. It has so much range and possibility. You can leave it running on endless self-generating soundscapes..."

New Moog Matriarch Revealed

Published on Apr 24, 2019 Moog Music Inc

"Matriarch: Place / Time / Memory illuminates the interconnectedness between one’s sense of place, our perceptions of sound organized in time, and the impressions they leave behind.

Exploring the Moog Matriarch synthesizer from their personal home studios, multi-instrumentalist Lisa Bella Donna, Ghostly Intl. electronic producer Max Ravitz (Patricia), Anthem / Call of Duty / Assassins Creed composer Sarah Schachner and Paris Strother of Grammy-nominated R&B duo We Are KING, express 4 unique sonic perspectives on the new instrument within the context of their own creative environments."

Update:I'm not seeing the White Noise Generator, Spring Reverb, or Linear FM that are featured on the Grandmother. Interesting if this is indeed the case, and good news for those that invested in a Grandmother. Some quick diffs compared to the Grandmother:

49 velocity sensitive keys with aftertouch vs 32 velocity minus aftertouch
4 oscillators vs 2
2 filters vs 1
Dual VCA
Second simple LFO
Analog Delay
3 bipolar attenuators with ring mod vs 1
2x4 mults vs. 1x4
Mono, duo, & 4 note paraphonic vs Mono
256 step sequencer adds 4 note per step & 12 stored patterns vs 3
90 patch points (for the added modules) vs 41

And again, the Matriarch appears to be missing the White Noise Generator, Spring Reverb, and Linear FM on the Grandmother.

Update2: new hi-res image. It looks like Noise and Linear FM are there.  So we have the Stereo Delay in place of Spring Reverb.

"The Pinnacle of Moog's Semi-Modular Family of Analog Synthesizers.

Moog Matriarch is a patchable 4-note paraphonic analog synthesizer with a built-in Sequencer, Arpeggiator, stereo Ladder Filters, and stereo Analog Delay. Create rich evolving chord patterns immediately with 'no patching required', then tap into an abundance of inspiring textures, new sounds, and an endless supply of happy accidents through Matriarch’s 90 modular patch points. Based on the vintage circuitry of classic Moog synthesizer modules, Matriarch is a catalyst for creative ideas and a medium for multidimensional expression.

Sequence and perform in mono, duo, and 4-note paraphonic modes.

Classic and ping-pong style repeats with lush infinite delay trails.

Create, mangle and explore the endless expanse of sound with 90 modular patch points.

Matriarch is an analog synthesizer with an emphasis on imagination. The pinnacle of Moog’s semi-modular family of synthesizers, Matriarch’s patchable architecture and vintage Moog circuits reward open exploration with endless sonic possibilities and unparalleled analog sound.

Easily create rich harmonic shapes with up to 4 notes of paraphony that can be sequenced, saved, and shifted with Matriarch’s intuitive 256 step sequencer, or stack the analog VCOs to play on a massive 4 oscillator mono synth.
With a deep assortment of synthesis modules based on Bob Moog’s original circuit designs, Matriarch’s 100% analog signal path spans a dynamic sonic vocabulary – from overdriven monophonic bass to gently evolving paraphonic plucks that cycle through waveshapes into a wash of infinite delay trails. Coupling the power of vintage stereo ladder filters, dual Envelope Generators, stereo Analog Delays, and stereo VCAs, Matriarch delivers a multidimensional sound that empowers the sonic exploration of space and time.

Though Matriarch’s semi-modular design requires absolutely no patching, 90 modular patch points are easily accessible throughout the panel via the included 3.5mm patch cables. This powerful electronic instrument is a highly-versatile addition to any stage or studio that can effortlessly transform from a performance keyboard to a fully modular analog synthesizer at a moment’s notice.

In addition to its standalone function, Matriarch is also an ideal processor of external sound sources and a powerful keyboard front-end for expanding a DFAM, Mother-32, Grandmother, or Eurorack modular system.

**Matriarch Semi-Modular Analog Synthesizer begins shipping in Summer of 2019."

CLICK FOR MORE »

Roland TR-707 Comes to the TR-8

AIRA — Developing the 7X7-TR8 Drum Machine Expansion


Roland Airas on eBay

AIRA — 7X7-TR8 Drum Machine Expansion demo

Published on Dec 11, 2014 RolandChannel

"In the mid-1980s, Roland released the now-famous TR-707 and TR-727 Rhythm Composers. Loved deeply by groove-minded musicians the world over, these machines have been the beating heart of a wide range of styles including synth pop, acid house, techno, industrial, electro and experimental. Now the sound of these classic rhythm machines, with every nuance accounted for, can be injected into your TR-8, taking the whole experience to an entirely new level. Every sound of the TR-707 and TR-727 Rhythm Composers, faithfully reproduced using the original PCM wave data and detailed models of the original circuitry. Analog Circuit Behavior captures the unmistakable sound of the original units – a result of lo-fi sampling and the behavior of the analog envelope and VCA circuitry design. Newly modified TR-909 kick and snare sounds with enhanced attack characteristics. Five new TR-808 sounds including Noise Toms, Noise Clap and Finger Snaps. Unique flam and accent behaviors of the TR-909 and TR-707, with adjustable flam intensity and two levels of accent. Upgrades the TR-8 to have all the sounds and articulations of four iconic TR drum machines, plus all new sounds, in one performance-ready instrument.


Adding the 7X7 Drum Machine Expansion takes the experience of playing a TR-8 to a whole new level. All 30 original TR-707 and TR-727 sounds – each with Tune and Decay controls – open up a whole world of sonic possibilities. Aside from the original TR-707 and TR-727 sounds, the 7X7 expansion includes new, never-before-heard sounds inspired by the original TR engineers. New TR-808 “noise” sounds and finger snaps bring ever more tonal variety and newly modified TR-909 kick and snare sounds take the classic combo into new territory with enhanced attack characteristics.


Once expanded with the 7X7, your TR-8 can have all the sounds of a TR-707, 727, 808, 909 and more – newly color-coded by kit for easy selection. And the eight stage flam of the TR-909 and versatile accent behavior of the TR-707 dramatically enhance how you can manipulate the feel of a groove. Any step can have a weak or strong hit, a weak or strong accent, an adjustable flam, step based effects and side chain. All the sounds and behaviors of four iconic TR drum machines, plus the TR-8’s own dynamic swing, rolls, playable faders, and across-the-board tune and decay controls make the TR-8 the most advanced Roland drum machine we’ve ever built.​


more information about 7X7-TR8 :
http://www.roland.com/products/en/7X7...
http://www.roland.com/aira/"

Roland Airas on eBay

"A LITTLE HISTORY

The TR-707’s predecessor, the TR-909, was developed as an analog-digital hybrid rather than a fully digital device. As memory chips and digital-to-analog converters were very expensive at the time, there was concern that an all-digital design would make the product unaffordable for too many musicians. Also, while PCM sound generation could produce more realistic drum sounds, it offered little in the way of tone editing.

After the TR-909’s release however, digital PCM became the trend for synthesizers and drum machines. We embraced this trend with the TR-707 and TR-727, but expensive memory and lack of high-precision D/A converters resulted in a 25kHz, 8-bit (or 6-bit for some tones) sample playback engine that was primitive by today’s standards. Though the TR-707 and TR-727 were developed primarily for rhythm programming and did not give users the ability to edit their sounds, they were ultimately appreciated for their characteristic lo-fi punch and continue to be sought after to this day.

CAPTURING THE ORIGINALS

Even though the TR-707 and TR-727 were primarily digital devices, it would not have been possible to perfectly replicate their sound using samples. Due to the low bit-rates of the original units, quantization noise became a problem, particularly during the sound’s decay. To reduce quantization noise, a clever design was employed where PCM sound was produced using non-decaying waveforms and decay was then introduced in the analog circuitry after being converted. Also, at the time these units were developed, deviations in the clock that triggered the PCM caused differences in pitch, and deviations in the analog circuitry downstream of the D/A converter caused variances in decay characteristics.

To replicate these sounds for the TR-8, we started with the original PCM wave data found on the classic machines. We then used our ACB process to completely model the PCM output stage, carefully including all of its quirks and instabilities. Modeling the analog envelope and amplifier stages that came after the D/A converter allowed us to implement the “Tune” and “Decay” parameters that are available on the TR-8, but not present on the original units.

A SEVEN IN YOUR EIGHT…AND THEN SOME

Adding the 7X7 Drum Machine Expansion takes the experience of playing a TR-8 to a whole new level. All 30 original TR-707 and TR-727 sounds—each with Tune and Decay controls—open up a whole world of sonic possibilities. Aside from the original TR-707 and TR-727 sounds, the 7X7 expansion includes four new, never-before-heard sounds inspired by the original TR engineers. New TR-808 “noise” sounds and finger snaps bring ever more tonal variety and newly modified TR-909 kick and snare sounds take the classic combo into new territory with enhanced attack characteristics.

Once expanded with the 7X7, your TR-8 can have all the sounds of a TR-707, 727, 808, 909 and more—newly color-coded by kit for easy selection. And the eight stage flam of the TR-909 and versatile accent behavior of the TR-707 dramatically enhance how you can manipulate the feel of a groove. Any step can have a weak or strong hit, a weak or strong accent, an adjustable flam, step based effects and side chain. All the sounds and behaviors of four iconic TR drum machines, plus the TR-8’s own dynamic swing, rolls, playable faders, and across-the-board tune and decay controls make the TR-8 the most advanced Roland drum machine we’ve ever built."

New BOSS RE-202 & RE-2 Space Echos | The Next Generation of Space Echo

video upload by BOSSchannel

"The legendary Roland RE-201 Space Echo experience returns in an advanced delay pedal with modern features.

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and our latest innovations, the RE-202 faithfully delivers the authentic sound and behavior of the Space Echo, like never before. Built by the company that designed the original, this advanced pedal captures the RE-201’s magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colorful preamp circuit. And to take things even further, we’ve expanded the vintage Space Echo experience with lots of new features tuned for today’s music.

➤ The Space Echo story:
https://www.boss.info/global/promos/s..."

BOSS RE-2 Space Echo | Authentic Space Echo in a Compact Pedal

Details on the RE-202 via Roland:

A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and our latest innovations, the RE-202 faithfully delivers the authentic sound and behavior of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201’s magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colorful preamp circuit. And to take things even further, we’ve expanded the vintage Space Echo experience with lots of new features tuned for today’s music.

Standard Features

Authentically recreates the sound and behavior of the legendary Roland RE-201 Space Echo
Classic multi-head tape echo sound with expanded delay time
Original three-head configuration plus additional tape head for 12 unique echo combinations
Independent stereo reverb section with original spring reverb type plus hall, plate, room, and ambience
Saturation control for adding magnetic tape compression and preamp coloration
Wow & Flutter control for introducing varying levels of natural tape modulation
Choose between new and aged tape conditions
Selectable input modes for optimum performance with instruments and line-level gear
Warp and Twist effects with footswitch control
Select between the unprocessed analog dry signal or the modeled sound of the original Space Echo preamp
Four onboard memories plus the current panel settings
Save and select 127 memories via external MIDI program change
Tap tempo and carryover functions
True stereo input and output
Expandable control via external footswitches, an expression pedal, or MIDI
Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today’s CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colors the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that’s subtle and continually evolving.

CLICK FOR MORE »

BugBrand BoardWeevil Goes Blue for 2012

"The BoardWeevil returns after a year away - streamlined and with powerful additions. Welcome back this classic BugBrand device - a truly portable synth/sonic-world! These will be in regular production through 2012.
The BWeevil is built around a sonic-heart of three simple Square-Wave Oscillators which are combined via two quasi Ring-Modulators. This is followed up by a powerful Resonant Filter - a State-Variable version with manual blending between Low-pass & High-pass responses and variable modulation via the first Oscillator. This filter can produce some lovely pinging sounds when run at full resonance with low-frequency oscillation settings.

Two key circuit-bend techniques are applied to this core to bring the machine to vivid life. Firstly there is the Power Starve control for the Osc/RingMod generators, which sends them into crazy-mode. Then there are a total of 18 touch-points which allow you to directly interface with the circuitry, creating new routes of electronic flow (these all now feature current limiting resistors for added circuitry protection).

There are two independent outputs onboard - each has its own level control and they give distinctly different sonic results. The MiniAmp/Speaker (which I very nearly omitted from the design.. foolish me!) allows Weeviling on-the-move, while the transformer-isolated 1/4" Jack Output allows for more regular studio usage.

One new step from the previous BWeevil is that the circuit is now built around Surface Mount components (SMD) - these are all mounted to the underside of the circuit board, allowing for a clean & compact layout up top. From the beginning of 2012, all units are 'part-produced' - the SMD parts are auto-inserted & soldered by machine and we then hand-finish the building here in Bristol with all the extra hardware (switches, pots, etc). The first 40 units, the Yellow version BWeevil2011, were entirely hand-built.

Power is, as always, battery only - use a standard PP3 9V cell (a basic one is supplied with the machine). For further details about the BoardWeevil, read the instruction sheet images linked above.

BWeevils come in a hand-stamped cardboard box with foam inserts, printed instruction sheet, PP3 battery and 1 year parts guarantee. The machine measures approx. 4 x 6 inches."

"Other plans for 2012:
- no immediate PT Delay plans but I am working on a new 'mini' version - no release date as yet
- aiming for a handful of further standalone devices, taking on board Modular developments and new production processes
- in essence, nothing definite on the horizon as yet, but I think you all have an idea how I tend to move."

Introducing drumlogue, the first hybrid drum machine from Korg

video upload by Korg

Update: two new user videos by Honeysmack and Marcus Schmahl added below.

"Combining the rich power of analog with the flexibility of digital, drumlogue provides the ultimate analog sound for your beats.

Featuring newly developed analog circuitry, drumlogue builds a solid foundation for your track; it also helps you stand out with an elevated harmonic richness and thick low end.

Important parameters for each part have dedicated controls on the front panel for quick and intuitive changes – without diving into menus. For even more creative potential, each part has a wealth of further parameters accessible through a powerful onboard editing suite. Even mixing is simple, with dedicated volume controls for the analogue and digital parts.

The track you hear in this video is by Dean Forrest"

Korg Drumlogue: New Hybrid Drum Machine - First Look- Just Sounds video upload by Korg Australia


New Korg Hybrid Drum Machine Drumlogue - Honeysmack's first encounter video upload by Honeysmack



"Get ready for a super nerd session, no talking just me tinkering with the Korg drumlogue for the very first time. Korg Australia were kind enough to give me a play with a sneak preview pre-production model of the drumlogue. Unfortunately I had no manual at the time, so please excuse me in advance. Hopefully this video provides some context to its sound. I feel this will be a winner for Korg, well done! Great sound, neat size, this could be a monster of a machine.

All the sounds and effects in this video are from the drumlogue, there are no external sounds or effects. Simple stereo output from the drum machine. No other drum machines were hurt in the making of this video.

0:00 Does this suit me? Oh what does this do?
2:23 Omph omph omph, ah I see, me likey the kick drum
5:59 Electro ratchets - why not take your time and build a track
9:30 Start with speed carnivale - exploring more latin percussion then I try to break the machine!"

Korg drumlogue drum machine & synthesizer demo - no talking - video upload by Marcus Schmahl

00:00 building drum sounds & a pattern
06:13 switching through preset patterns & sounds

Korg Drumlogue Sound Demo (no talking) video upload by Bonedo Synthesizers


Korg Drumlogue Sound Demo No Talking - no external effects or processing video upload by Limbic Bits


Korg DRUMLOGUE Review // Top Pros & Cons and All 64 Factory Patterns // Full Tutorial video upload by loopop


TIMELINE:
0:00 Intro
1:20 Overview
6:15 Connectivity
7:15 Sample parts
11:40 Analog parts
14:25 Multi engine
15:05 VPM
17:15 Noise
17:55 Nano
21:30 Sequencing
22:10 Live rec
22:50 Motion rec
24:45 Step seq
25:10 Groove
26:10 Probability
27:10 Ratchets
28:00 Ties
28:30 Motion seq
30:20 Shift buttons
31:00 Polymeters
31:35 Send FX
33:35 Master FX
34:45 Sidechain
36:25 Loop
37:10 Select
38:25 Randomize
39:00 Chains
39:35 Audio in and out
41:50 Misc settings
43:45 Pros & cons
49:10 All 64 patterns



Details and pics:

A paradigm shift in drum machines.

drumlogue marks a paradigm shift in drum machines. It offers the raw power and rich sounds of Analog, the flexibility of Digital voices, and drumlogue’s SDK for fully customizable User Custom Synthesizers.

On top of that, its heavy-duty, dynamic sequencer, customizable effects, and intuitive controls will make drumlogue a must-have in your studio to create music for any genre or style.

It’s time to take your beats and entire musical process to a whole new creative level with incredible sounds, effects, customization, and sequencing. Let drumlogue support your craft on your musical journey!

Raw Analog Power

drumlogue was conceived to provide the ultimate analog sound for your beats, and delivers fantastically; featuring completely newly developed analog circuits by legendary Korg analog synth team engineer Junichi Ikeuchi (ARP 2600 M, MS-20 mini, ARP Odyssey…) , the depth and richness of its sound is on a whole new level.

These new analog circuits - (Bass Drum, Snare Drum, Low Tom and High Tom) - will not just provide a solid foundation for your track, but make it stand out with an elevated harmonic richness and a thick low end.

Blending simplicity and ease of use, the most important controls for each of these parts have dedicated knobs on the front panel that can be tweaked at any time without any menu diving necessary, so you can quickly and intuitively fine tune your sound on the fly.
For further sound exploration, each part provides many more parameters accessible through the powerful onboard sound editing system.

Last but not least, each part on drumlogue - analog or digital - has a dedicated volume knob that will make your mixing process incredibly smooth and easy.

Digital Flexibility

As the perfect partner for its analog section, drumlogue provides 7 digital parts; 6 sample based and 1 synthesis based (Multi-Engine). The sample based parts can play any of the preloaded PCM banks on drumlogue. You can also import your own User Samples to its memory, making drumlogue an extremely versatile machine with virtually limitless sonic possibilities.

To start with, the 64 preloaded drum kits of drumlogue will provide you with a wide variety of sounds spanning several genres so you can easily kick-start your tracks.

For additional sounds, samples can easily be easily loaded into the drumlogue just by connecting your drumlogue to your computer via USB and simply drag-dropping your samples onto the main memory.

Multi-Engine and logue SDK

The popular Multi Engine from prologue and minilogue xd is now more powerful than ever. In addition to the Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine features a new User Custom slot that can play full-fledged synth voices that provide vast sonic possibilities, never before heard on a drum machine.

Custom Synths

drumlogue’s synth voices are not simply static waveforms. Custom synths can be built to not only generate sound, even implementing built in filters, LFOs, MIDI controlled polyphony or other parameters is now possible The only restriction for third party developers is their creativity (and CPU usage!), giving you unbound sound exploration.

Exclusive Sinevibes Synth Plugin “Nano”

Korg has collaborated with popular logueSDK plugin developer “Sinevibes” to include a brand new synth plugin “Nano” as a factory preset on drumlogue. This exclusive plugin explores the power behind the expanded Multi Engine and will give all drumlogue users a taste of this new platform.

“Nano” is a full-fledged virtual analog synth with a wide array of features and plenty of customizable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Leads, basses, percussive sounds or cinematic effects, you decide how to use this incredible sonic potential!

A True Sequencing Powerhouse

drumlogue harnesses all of its sonic power to an extremely powerful internal sequencer that is flexible and easy to use.

Tired of the same old beats? drumlogue's heavy duty 64 step sequencer makes it easy and intuitive to create complex rhythm patterns and polyrhythms that elevate your music creation process with innovative features such as per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more.

Thanks to its clear OLED display, it is also very easy to visually follow and edit your sequences.

drumlogue is both great in the studio and playing live. With its Chain mode, creating long and interesting patterns is straightforward and clearly displayed. In Loop mode you can switch between several variations to play your sequence in new and interesting ways. The Motion and Accent recording functions are intuitive and fast and if you want to try new things on your track, the Randomization function is there to help you. These functions and many more on the drumlogue will support and spice up your live performances!

Effects and customization

drumlogue includes several high-quality effects across three categories that can be used simultaneously: Delay, Reverb and Master effects.

The send amounts for delay and reverb effects can be set independently for each part, and multiple return points are available.
The master effects allow you to add that final polish to your sound and bring it all together. Master effects can be bypassed on a per-part basis, making it possible to send the effect to specific audio parts. A sidechain bus is also available to master effects which can make use of it.

CLICK FOR MORE »

Moog Re-Introduces the Werkstatt-01 & CV Expander for $199

Moog Music Inc

"In this exploration of sound design and composition using the Werkstatt-01 analog synthesizer, Asheville-based electronic music producer and Moog Product Specialist Max Ravitz combines eight Werkstatt-01 synthesizers in a dynamic performance in the Moog Sound Lab.

Each of the eight Werkstatt-01 instruments provides a different element in the song ranging from booming kick drums to metallic hi-hats, and deep basses to wavering leads—many of which are based on the sounds found in the Werkstatt-01 Exploration Patchbook, which contains a variety of inspiring patches also designed by Ravitz. All eight Werkstatt-01 synthesizers in this performance are sequenced by the Winter Modular Eloquencer, with a touch of delay and reverb provided by the OTO Machines BIM and BAM to add dimension to the mix."

See the dealers on the right for availibility.

User videos:



Playlist:
1. Moog Werkstatt Overview and Demo by Patchwerks Seattle, available here: http://bit.ly/pw-werkstatt
2. A $199 Moog?! Moog Werkstatt-01 Analog Synth Demo & Build - Reverb
3. TOO Much Werk?? The Moog Werkstatt-01 & CV Expander - Noir Et Blanc Vie
4. Building + Playing Moog Werkstatt-01 + CV Expander Analog Synthesizer Kit - Lightbath
5. Moog Werkstatt-01 (From Build to ACID) - Red Means Recording
6. Moog Werkstatt-01 & CV Expander reissue 2020 build and review - Molten Music Technology

via Moog Music:

"Re-Introducing Werkstatt-01

Werkstatt-01 is a patchable and compact analog synthesizer. A gateway to the expansive world of analog synthesis, the instrument is a must-have for anyone interested in exploring classic Moog sound and circuitry through the unique, hands-on experience of a DIY synthesizer project. This affordable, easy-to-assemble kit requires no prior electronics experience and is a perfect afternoon (or Christmas morning) project.

The straightforward simplicity of Werkstatt-01’s design makes it an ideal jumping-off point to discover a limitless new world of analog sound design, and the included 3.5mm CV Expander makes it a no-brainer for everyone wishing to integrate the iconic Moog sound into their music. The 9" by 6" musical machine may be small, but the raw power and spectrum of the sound it produces is immense.

From Musical Exploration to Experimental Education

First introduced at Moogfest 2014 as part of the event’s Engineering Workshop, the Werkstatt-01 analog synthesizer has been admired as an essential introductory synth, a powerful standalone instrument, and an enhancement to any integrated electronic music ecosystem. Based on classic Moog circuitry, Werkstatt-01 was created to provide a hands-on understanding of how analog synthesizers work and encourage experimentation with sound through patching and interconnectivity.

The research and design that went into Werkstatt-01’s circuits, and the demand for more semi-modular exploratory analog instruments after its initial release, ultimately led to the development of some of today’s most expressive sound design machines: Mother-32, DFAM, Grandmother, Matriarch, and Subharmonicon.

More than a musical instrument, Werkstatt-01 has also served as an interactive educational tool in STEM curricula. The compact, versatile synthesizer has been the heart of the Georgia Tech Hackathon, a weekend-long competition that takes place each February at the Atlanta university’s Center for Music Technology, for six years and counting. The 2021 Georgia Tech Hackathon will be held virtually; see details here.

The easily mod-able analog synth kit has also proven to be a perfect learning ground for DIY modifications and the science of sound. This page of our website features a series of instructional videos to walk you through how to expand your instrument through breadboarding and arduino integration.

Classic Moog Sound & Circuitry

Werkstatt-01’s 100% analog circuits deliver the classic soul and futuristic sound Moog synthesizers are known for. Featuring a full-range analog oscillator with selectable waveforms for powerful sound and the legendary Moog Ladder Filter for precision harmonic sculpting, this instrument covers a vast expanse of sonic territory. Adding movement and modulation is as simple as engaging Werkstatt-01’s analog LFO circuit to simulate the motion of gently breathing waves, or crank up the LFO speed and summon cosmic laser beams. A two-stage analog envelope generator with sustain gives you control to shape dynamics, dialing in everything from lush electronic string swells to punchy basslines and organic percussion hits—and everything in between.

The included CV Expander allows you to enter the endless realms of modular synthesis, where new connections can be made and original sounds are unlocked. Patching inputs and outputs together from the 12 jacks of the 3.5mm patch bay will reconfigure Werkstatt-01’s circuits to create new signal paths and empower new sonic explorations. The included CV Expander also makes it easy to connect Werkstatt-01 to other Moog semi-modular synthesizers, Eurorack systems, or drum machines, enhancing any configuration with powerful analog sound."

See the dealers on the right for availibility.

West- and East-coast synthesis combined | Majella Audio IMPLEXUS

video by Sonic Circuitry

"I added a little bit of Soundtoys EchoBoy and Little Plate to give the sounds a little context. The sequencer is the Arturia Keystep and the synth is going directly into my RME Fireface UC DI. For more clips, check out my instagram @soniccircuitry"

Ambient Live Looping #11 | Majella Audio IMPLEXUS, TC Electronic Ditto

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