Elektron Digitakt II first short jam

video upload by Bobo Meijer

"First thing on the brand new Digitakt II and I have to say I wasn’t so sure the upgrades would be worth it but now I definitely know they are worth it and more… love this thing already!"

BlueARP DM firmware update v2.5.3 and editor app update (revised)

video upload by graywolf2004ru

"This firmware update brings new features to BlueARP DM: drum sequencer mode, chain variations and several GUI and workflow improvements.
BlueARP DM is a programmable 8-channel pattern arpeggiator, details here:
https://omg-instruments.com/wp/?page_... Explaining BlueARP DM v2.5.3 Firmware update. Download link:
https://omg-instruments.com/wp/?page_... BlueARP DM's are made by hand in small quantities, they can be ordered here (usually with a waiting time of 1-2 months)

PS. I didn't like the previous version of this video - I was too tired when I recorded it (after 2 days of coding and testing almost non-stop), so I re-recorded it and this one - I like it better,

0:00 Introduction
0:42 New P1. BASICS page
1:37 Other page changes
2:13 Editing values (new ways)
5:08 XOX / Grid editing mode
5:55 Chain variations
7:00 Drum sequencer mode
11:33 Arp 'latch+sustain' mode
13:55 Editor application
16:36 Final words"

Introducing Digitakt II

video upload by Elektron

Pics & details previously posted here.

"We are delighted to announce the release of Digitakt II - Send yourself to another sampling dimension, weaving splinters of sound in stereo, ripped from the moment and brought to your fingertips for marvelous audio manipulation and beat arraying. Preserve or distort reality as you so desire with 16 tracks ready for stereo or mono samples, or MIDI. Choose from several swappable filters for each track and utilize a wide assortment of effects and modulation, pull on massive processing power, and enough memory for a lifetime of samples. And with further tasty features like a Euclidean sequence generator, an extended 128 step sequencer, kits, trig modes, an extensive sample library, and a modular workflow to play with, your sonic-montage sculpting potential will know no beat-making bounds.

Digitakt II is available to purchase from the Elektron website or from retailers carrying the Elektron range of products. Pricing on elektron.se is 999 USD/1049 EUR."

Digitakt II — At A Glance

video upload by Elektron

"Digitakt II offers endless drum collage with 16 audio tracks all ready for stereo or mono samples or MIDI, swappable filters, 3 LFOs per track, a 128-step sequencer, expanded memory and power, and so much more. Here, Risa T talks through a bunch of the awesome features on offer, and takes us all on some sweet sonic escapades."

Review: DIGITAKT II vs OG Digitakt // Everything new in Digitakt 2 // Detailed tutorial

video upload by loopop

Timeline below.

Digitakt 2 - Beginner's MEGA TUTORIAL

video upload by True Cuckoo

Timeline further below.

CLICK FOR MORE »

Elektron Digitakt 2 Incoming

Update: new pics and details added below.

Update2: Official announcement with videos here.

This one is making the rounds. The big reveal may be coming tomorrow per the screenshot further below, sent my way via Soviet Space Child. .

Details:

"With Digitakt II, you can weave splinters of sound in stereo, ripped from the moment and brought to your fingertips for marvelous audio manipulation and beat arraying. Enjoy easy to use sample-crafting and spectacular sequencing. Preserve or distort reality as you so desire with 16 tracks ready for stereo or mono samples, or MIDI and all kinds of modular adaptability.

Key Features

• Digital drum computer & stereo sampler
• 16 audio tracks all ready for stereo or mono samples, or MIDI
• Swappable filters: 1 Base-width filter and then 1 from Multi-mode, Low pass 4, Comb, EQ, or Legacy LP/HP
• 3 assignable LFOs per track
• Delay, reverb, chorus, bit reduction, sample reduction, and overdrive per track
• Updated modular workflow
• Euclidean sequence generator
• 128-step Elektron sequencer
• Expanded memory and power
• 4 × Trig modes
• Song Mode create, edit & play full compositions with ease"

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What is sampler? | introduction of SnapBeat, the simple lo-fi sampler

video upload by SnapBeat official

"Hi, this video explains about what is a sampler for electric music newbie like me. You can think of SnapBeat as merely eight voice recorders by which you can record any sounds and playback the sounds with the eight pads. SnapBeat is a device called sampler in electric music field. And SnapBeat can be any music instruments such as a piano or drums by sampling these instruments sounds.

For newbies who are interested in DIY music production, I think sampler is good choice because you don't have to many expensive instruments other than it. Now you can find tons of sounds on Youtube or Spotify. So, You can sample any sounds from these various music sources.

You can buy SnapBeat on Tindie.
https://www.tindie.com/products/hiro_..."

Forge TME VHIKK X - First look

video upload by John Schussler

"I have a VHIKK v1, and it's a fantastic drone/texture module. When Forge TME announced the VHIKK X I immediately joined the wait list.

Here's my vid on the original: [posted here]

The wait is over, and it has just arrived. Here's my first play with it.

Like the original, it has so much interactivity that you don't really have to modulate it with anything externally. But of course it gets even more lively when you do.

Here's a general overview of the sounds you get with minimal effort.

Other than a bit of reverb, this is all VHIKK X."

Building a Buchla 248 MARF with Stages, Stages, Stages and Marbles

video upload by Cinematic Laboratory

"Sorry about that title. The MARF is short for the Multiple ARbitrary Function generator, a huge Buchla design carrying the model number 248, and is part of the 200 series. It's not easy to compare it with anything, but you could see it as a 16 step 0-CTRL, a Rossum Control Forge and maybe even the 250e circular Dual Arbitrary Function generator (DARF) like Frap Tools USTA. I contacted Todd Barton (thanks so much!) to be able to study a few MARF images. The sliders made me think of Mutable Stages, and the control section reminded me of Marbles. While getting lost on the way, I finally got a patch that sounded similar: 'music that sounds like dancing butterflies'.
The recipe involves variable timing, notes, a quantizer, and a transpose. You may also need a trigger or gate when a segment runs or finishes. There's a lot to explore here, and I don't think you can find a MARF in a single eurorack solution. I tried to approximate it, but I also needed Maths to do envelopes and gate extraction. It took a while to make this video and I wasn't sure about the results until the very end. Then suddenly, it worked.

You'll need a lot of stuff to do it, but there may be smaller solutions. I'll revisit this idea when my Control Forge arrives and I'll be able to combine USTA with the CF.

This is a complex video so I hope it will make a bit of sense. It would have been better to figure all this out and then make a video. But you'd be missing the fun of exploration. There are plenty of useful examples of how 'factory' Stages can be used, but I installed the Qiemem firmware for max flexibility. In the end I only used its 'random segment' feature in this video, but it doesn't play a role in the MARF patch. You can do this with factory Stages but it still requires a chain of 2 or 3. You can use any sequencer with a clock input for this. A DFAM will also help you to cover the time/level sequence.

Installation requires playing a .WAV into the module which can be bit of a drag. I recommend using a eurorack sample player like the BitBox for a high success ratio. Using a phone, PC or pad can be a nightmare. Also, I am not sure if the firmware works on a clone, please comment if you tried it.
https://github.com/qiemem/eurorack/re...

I am still trying to wrap my head around it. Even though Stages and Marbles are now discontinued, they're easy to find as fully functional clones. With Eurorack, we have the 'power' to build our own synths, or get inspired by designs which are still amazing and modern after +50 years. I hope it inspires you too."

Oberheim OB-X 61-Key 8-Voice Synthesizer SN 802701 w/ MIDI & Custom Side Panels

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

This SN was previously posted here with custom knobs back in 2019.

"OBERHEIM OBX 8 VOICE s/n 802701 , Encore MIDI 120 programs, custom cherry wood cheeks, flight case. Production 1979/1980. The first and the best Oberheim polysynth.
FUNCTIONALITY
This synth has been fully restored by Rosensound, one of the best in the business.Vintage Oberheim synths have a reputation for being inherently unreliable, which is not really accurate. The electrical design flaws and common stress/failure points on these synths are well known. Provided they are properly restored and upgraded by a competent technician they are quite reliable. I've had this one since 2021. It's given me no trouble. It tunes and scales so accurately that sometimes it's quite nice to play before hitting autotune. All key bushings are new of course, so it's nice to play.
All functions working as normal. If you own one of these, expect to periodically open it up to clean J-wires on the old pratt-read keyboard. This is not technically difficult and there are resources available on the internet. Nothing this old will run without periodic maintenance.
COSMETICSSee photos. I have tried to show every unflattering mark on the front panel, there aren't many but the buyer should be able to see what they're getting. Bottom panel has light paint scratches consistent with a 1979 synth, but no metal gouges or whacks.Overall I think the front panel is clean, very nice IMO.

By the way, I have the original cheeks which burst at the side (a common issue as they used cheap plywood with a solid wood veneer) - they're not hideous by any means, I just prefer the cherry ones. If the buyer wants the original cheeks I can include them too, but be aware they'll not fit in the case, so separate shipping costs will be incurre"

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Make Noise Function demo

video upload by Stazma

"Today I'll show some (there's more!) things the Function can do. It can do like it's half a Maths even if it is a bit less... it's also a bit more. I had one a while back and took the plunge on that superb looking new black panel version. First because I had some space for it in my Make Noise system and also because you can always use another function generator in a modular system., especialy when it is as flexible as this one.

So I'll show you around some of the MANY things this module can do, and also show you some "advanced pro tips" with it. You can try all these patch with your own function generator if you don't have this one.

Have fun!"

PATCH EXPERIMENT / a few ways to create random gates that are on the grid

video upload by Joranalogue Audio Design

"I always call them 'random gates' in my videos - but what I'm in almost all cases mean are just clocks with a probability setting of less than 100%. There's specialized modules that do the work for you, but with some clever patching you can create them yourself from some kind of clock and a chaotic or random voltage.

In this video I explore how to use ORBIT 3 and the AND logic output of COMPARE 2 to create on grid randomness. I have a go at using STEP 8 for the same goal as well.

PS: in some cases you can use a vca as a boolean logic AND gate, so if you don't have a COMPARE 2 you should still be able to figure out how to use the first technique in the video."

CR78 Drum Machine Sample Pack Demo by DDA

video upload by DinDrum Audio

"Demo for the DinDrum Audio Sample Pack 'CR78 - Drum Loops & Hits'
Demo made with Loops and Kits from this Pack.
Available at https://dindrum.com

Most people know the CR-78 (Released in 1978) as the first mass production user-programmable drum machine,
(first programable Drum Machine was actually the EKO ComputeRhythm with only 15-25 made*)
but many do not realise that the CR78 was the first drum machine to offer external synchronisation options, both external clock in and trigger clock out. This made it a solid time keeper, allowing tight integration with other electronic instruments in the electronic music studio.

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A Zen-Bro romance told in resonant screams

video upload by Richard DeHove

"I have a bad habit of cranking the resonance on any machine I touch. It's so ingrained I did it at a friend's studio a little while back on an unfamiliar synth - and after a brief shriek decaying to an air-moving whomp I thanked the gods that the volume was set so low. I've used so many Polivoks-style filters in recent times I'm used to cranking the resonance with impunity.

Which brings me to the delicate love story between the Erica Synths Zen delay and the Behringer Pro-800. My trusty Rev2 is for sale and in its place I bought the Pro-800. Why trade down you may ask? Truth is I'm not a big poly player. The more polyphony you use the more simple the sound needs to be, in which case I wanted a simple yet knobby poly, and that's the Pro-800. Added bonus: no onboard effects. So when the Pro-800 arrived this week I teamed it with the Zen delay immediately.

So the romance is revealed: A brand new Pro-800 teamed with the Zen delay. The 800 is switched on for the first time, the resonance is cranked, the Zen's input drive and overdrive is engaged and almost immediately this gloriously jagged, gritty, and unpredictable darkness pours out.

Five minutes of first-time noodlings is a bit much I admit. And I was going to say all this over the top of the video but that felt wrong, like ads in a funeral service. So instead here it is. It is literally the first time I ever powered it on, to the point where I didn't even know how to save the sound or know whether I'm in tune, on the upside I pretty sure moved every knob and switch so if you want to replicate the sound, there it is.

Even so the 800's resonance is not fully cranked, I had to back off a little just to retain the ability to hold an actual melody.

Whether the 800 is good for anything else, who knows - I haven't got past this sound yet and I must look up how to save it. What's clear though is that the 800's filter teams beautifully with some heavy drive. I can feel more teamings in the air - perhaps another stereo 'Roger That' outing?

One final thing worth mentioning: the Zen delay cost significantly more than the Pro-800. Makes you wonder where your synth dollar is best spent.

Lots of downloads for supporters on Patreon: / richarddehove
Many thanks to my kind patrons who keep this channel ad-free My website: https://richarddehove.com/"

Yamaha RS7000 and Nord Drum 2 IDM

video upload by MIDERA

"I don't even know where to begin. The horrible video quality (I know what I did wrong), the boring music, the clipping... I guess the list could go on. But you know, if I didn't just post it, I never would. There's nothing special here, so don't stick around for too long.

RS7000 sequencing, pads, piano, drums.
Nord Drum 2 drums."

Oberheim OB-X8 SN 01768 w/ Blue Stripe Overlay

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"I am a music hobbyist, a bassist in fact, and this synth belongs in the hands of a professional keyboard player or producer ... or anyone with more talent than me. I'm sure someday soon I'll regret selling it. But frankly though, I bought it because I couldn't wait for the Behringer UB-Xa any longer. But now that I have the UB, which in no way sounds as beautiful as the OB-X8, I'm selling the OB.

Now that I have the two to compare, the most immediate difference is the build quality of the OB so completely outshines the UB. Next is the tone. The lows and especially the lo-mids are tight and clear on the OB. The UB is a bit boomy or mushy in comparison with a tendency to overdrive without adjustment on the board. The OB also has more preset storage, 128 more locations. However, given my lack of skills, musical and financial needs, I've got to sell the OB. My loss is your benefit."

See this previous post for build quality on the UB-Xa.

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Old School Vibes! 💙 Breakbeat Jam!

video upload by Electronisounds Audio

"I specifically did not use any VOCAL SAMPLES in this jam as that is kind of my trademark style - to always have a vocal sample that gives the jam or track some kind of "identity" (in my opinion). I don't do a lot of Breakbeat Genre jams, so we'll see if they can still guess it's me! Hahaha

Whatever kind of music you are making - KEEP IT UP, Friends!
Don't stop making *YOUR MUSIC*!!

---

▼CONNECT with me / SUPPORT creativity and good content▼
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters"

PPG 1002 - Analog Synthesizer (Pro Serviced + Swan Flightcase)

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"PPG Synthesizer 1002 for sale pro-serviced and comes with swan flightcase.

Had this for almost 6 years and serviced recently by Stefan Hubner who has a deep understanding of PPG systems.

Some things to observe, one underside key broken but doesn't affect play..these are originals. Jacks for CV, Gate and filter modulation have been added and adjusted to 1V/oct. Jacks added in Service. 'The mains wiring has been re-done according to current safety expectations (not to say standards) including a 'pig tail' cable with an IEC male plug for easier connection. CV and Gate were never standard on the 1002 so the ones having it were all more or less hacks, especially when it comes to oscillator CV. One would expect 1V/octave with 0 volts at a defined note usually. For the 1002 without my modification this means you set the potentiometer on the back that usually came with CV in to track 1V per octave but then had to add an offset of something around 2 volts to reach the lowest C. My approach disconnects the keyboard instead of adding some external voltage somewhere and simulates exactly what the keyboard delivers starting at 0 volts for the lowest C. The connection is being made by a relay actuated by the contacts in the CV jack. By simulating the keyboard, all panel functions remain active on the external CV (glide, tune, modulation) Trigger/Gate is a voltage input (V-Trig) working from 5V up. The filter input only modulates the filter setting and is not intended to make the filter track, for this purpose you should rather use the panel knob that attaches the cutoff control to the keyboard CV.'"

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Steelphon S900 // Mellotron M400

video upload by foleytronics fx repair

"This is a demo of Tom’s Steelphon that got whooped by UPS - broken circuit boards, broken MDF case, no output. We took the case to be reproduced by Kent Meloy of Tunguska Guitars and in the meantime went to town on the electronics. There isn’t a schematic available anywhere, but after getting the rails back and the keyboard CV working, there was still no output. I isolated it to the filter board and realized the VCF is a Moog copy, component-for-component, so I used a Minimoog schematic to help troubleshoot the problem.

The Mellotron is mine and has undergone quite a bit of work. New pinch rollers, new motor control board, rebuilt the PSU, and fabbed a new key as one was missing."

Shuffle Trip 🔀 (Elektron Digitone + Particle + Deco // Korg Drumlogue // Sequential Take 5)

video upload by 2-Minute Warning

"This track starts with a PAD sound sequenced and played by the Elektron Digitone (Polyphonic Digital Synthesizer). I then enable the Doubletracker effect (on the Strymon Deco 2 tape simulation pedal) and unmute 2 other tracks on the Digitone, playing a LEAD and CHIMES sounds.

Enters the Korg Drumlogue (analog and digital drum machine) with some DRUMS (I used only one drum pattern where I made use of STEP probability to add some variations to the pattern).

And finally the BASS line played by the Sequential Take 5, sequenced by one MIDI track of the Digitone. In order to create this beefy dirty BASS sound, I use the onboard OVERDRIVE and DISTORTION effect of the synth! 😎🤘 The BASS line is also playing in triplets to add an odd groove to the track (it wasn't so easy to program on the Digitone MIDI track as I needed to shift each notes off the grid manually 😅).

Hope you'll enjoy!"

Two Roland MKS-80 Super Jupiters w/ MPG-80 Programmer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"This is an analogue dream machine: TWO Roland MKS-80 Super Jupiter rackmounts (each basically a rackmounted, 8-voice Jupiter) plus the MPG-80 programmer to control them via knobs and sliders. One MKS-80 is already a dream synth; two together becomes really quite stunning.

For example: split or layer sounds on your keyboard while retaining full 8-voice polyphony. Combine completely different sounds, focusing one on weight and depth and the other on air and high-end, for textures a single MKS-80 can't reproduce. Pan the two machines across the stereo field and spread their soundscapes as wide as you like – again, impossible on just one unit.

And, perhaps most powerfully, with the MPG-80 attached to the first MKS-80, and a MIDI cable running between both units, you can program both simultaneously – which lets you create the same patch on both machines, and then further tweak, edit or detune it on just one of them for an absolutely MONSTROUS depth of sound.

This set-up is insane. If you turn on Unison mode, you are stacking 32 analogue VCOs at once! (I've tried this and it sounds gorgeous...)

Programming is super easy on the MPG: you can dial up all the analogue classic sounds in no time at all. PWM pads, sync leads, pulse basses, big thick brass and string patches... it's all here, plus (with the high-pass filter) plenty of ethereal washes, bell tones and all kinds of cool stuff. Having two units working together makes for instant and very powerful detuning, lending natural chorus whenever you want it.

WHAT REV?

One unit is a Rev4 (serial #501xxx) and the other is a Rev5 (serial #563xxx). There are subtle sonic differences between the two, which makes combining them even more effective :-)

CONDITION

Both MKS-80s and the MPG are in excellent cosmetic shape from the front, but have different amounts of wear on the main chassis. The Rev4 unit is in great cosmetic shape all over, but the Rev5 has significant scratches on the top and sides (but not on its front) – this is detailed in the final six photos. The MPG is excellent all over. Do check the photos for yourself: of course, none of the body wear is visible when the unit is racked. There are some very small scuffs on the front fascias. All units work perfectly, with the MPG talking to the MKSs seamlessly and all front-panel operations working without a hitch.

The original non-backlit LCD displays (impossible to read in low light) have been replaced on both units with vintage amber OLED displays, which match the onboard LEDs and make seeing what you're doing a lot easier! The 10th photo shows the units in low light so you can see how they look..."

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Weird Jam on the Teenage Engineering EP-133 K.O. II

video upload by Genshi Media Group

"::| TO HEAR THE FULL RANGE OF FREQUENCIES AND STEREO EFFECTS, A GOOD PAIR OF HEADPHONES IS HIGHLY RECOMMENDED |::

Just a weird little jam I did on the Teenage Engineering EP-133 K.O. II Sampler Composer using my own samples I made from banging on things around the house..."

Teenage Engineering EP-133 K.O. II First Test // Sampling Session

video upload by Genshi Media Group

"I love this thing! It's so easy to sample things from around the house with the built-in microphone. The little improvised jam at the end is pretty sloppy as I didn't know where I was going with it, but hopefully this video shows how easy it is to put together something on-the-fly!

That said, the 'Teenage Engineering EP-133 K.O. II 64 MB Sampler Composer' is one of the worst names for an instrument ever..."