MAKING A DIY MODULAR DRUM MACHINE

video uploads by LAURI’S DIY CHANNEL TV

Playlist:
1 MAKING A DRUM MACHINE EP 0 / overview of the project + free sample pack!

Hey hey hey!

This is the introduction to a series of videos about my analog modular drum machine. I’m going to start posting videos about the individual modules so make sure to subscribe to the channel if you're interested in stuff like this! Sorry this first video has a lot of talking but there’s a bunch of sound demos at 7:53

The drum machine is powered with a regular 12V DC power supply, but all the circuits should be working from maybe 5V to at least 15V.

2. CD40106 MASTER CLOCK / making a drum machine EP 1

This is the first module in a series of modules for an analog modular drum machine! It's a simple clock oscillator and you can use the circuit as an audio rate oscillator as well.

Here's a link to the schematic and a zip file with the gerber files for the PCB: https://www.dropbox.com/scl/fo/4rxf1a...

Download some free samples from the drum machine here: https://www.dropbox.com/scl/fo/1qnq4t...

Thank you PCBWay for the circuit boards! If you want to order your own boards and you haven’t used their services before, you can get a 5$ welcome coupon with this referral link: https://pcbway.com/g/4TImAO Thank you goodbye! ❤️"

3. PATCHABLE DRUM SEQUENCER / making a drum machine EP 2

Heyyyy

This is my patchable CD4017 gate sequencer for the modular drum machine. The patching is kind of a weird workflow for a drum sequencer, but it IS fun and inspires you to program different sequences from your usual drum sequencers.

Here's a link to the schematic and a zip file with the gerber files for the PCB: https://www.dropbox.com/scl/fo/vrmmjw...

4. CMOS COWBELL / making a drum machine EP 3

Hello y'all!

This is my modular drum machines simple cowbell module! It's based on Elliot Williams' circuits from his Logic Noise articles.

Link to the schematic: https://www.dropbox.com/scl/fi/fd2hyt...

And here's a link to Williams' article about cowbells and cymbals: https://hackaday.com/2015/04/10/logic...

Roland JUNIOR 106 Mini Juno 106 w/ KIWI 106 Mod

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"This is all kinds of Juno! Its a Juno 106 at heart, upgraded to a totally pro level with the KIWI 106 mod.. done professionally. AND its been modified to be a JUNIOR 106.. cropped and so cool. Very portable and very amazing.

I bought this recently and fell in love with it. I have not had time to dive into all the KIWI parameters but so far the Arpeggiator, Sequencer, MONO / POLY modes are fantastic! It can sync its LFO's, SEQ and ARP to internal and external clock which is a game changer for sure!

It should be noted that the voice chips were pro repaired from the usual issues they can have. ALL voices, filters, KEYS, buttons and slider work great.

BUT, there are a couple things to note.. The headphone jack does not work and while the bender works great with pitch and filter, i could not get the 'push' mod to work.. might be a KIWI programming thing? I dunno, like i said, i bought this recently and have not truly gotten into ALL the Kiwi possibilities.

SO.. why am i selling the best Juno i have ever played? I just picked up a restored Sequential PROPHET 10.. no, not the new one, the O.G.!!!!!! Its massive in every way and quenches my analog thirst."

CLICK FOR MORE »

New Deluge Community Firmware 1.1 Features! Mutable Reverb, Performance View, New Arp, Paste Gently

video upload by Bay Mud

"Here's look at just a handful of my most-used features from the recently released 1.1 (Beethoven) community firmware for the Synthstrom Deluge.

As usual, the firmware can be found here:
https://synthstromaudible.github.io/D...

Here's the Changelog to show what's been added in 1.1:
https://github.com/SynthstromAudible/...

And here are the comprehensive instructions for all community features so far:
https://github.com/SynthstromAudible/...

00:00 - Intro
01:15 - Save Pad Brightness
03:39 - Paste Gently
05:40 - Mutable Reverb
08:41 - New Custom Arpeggiator
13:18 - High CPU Usage Indicator
18:24 - Compressors On Everything!
21:19 - Bi-Polar Gold Knobs (more compressor stuff after though)
25:01 - VU Meter
27:22 - Performance Mode

Do me a favour and check out my music if you have a moment:
https://linktr.ee/baymud

Support me on Bandcamp so I can someday get an OLED Deluge (kidding, mostly):
https://baymud.bandcamp.com"

G-Storm Electro Introduces GODSPEar | Oxford OSCar Eurorack Filter Translation

[Demo #1] video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2024

Today I am introducing GODSPEar, my homage to the Oxford OSCar filter in Eurorack format. GODSPEar is the only filter used in these audio recordings. Detailed explanation of the module and patch examples will be in a forthcoming Demo #2. Audio recorded direct to Tascam DR-05, some additional compression and normalization used in the making of this audio.

Check my Reverb store for GODSPEar and other module availability
http://reverb.com/shop/gstormelectro">http://reverb.com/shop/gstormelectro

These audio demos from this video can be heard on their entirety on my Soundcloud page. http://soundcloud.com/gstormelectro"



via Reverb

"As Oscar translates from Celtic to God’s Spear, now GODSPEar is my translation Oxford OSCar Synthesizer filter for the Eurorack format. GODSPEar has a special look and sound that pays special homage to OSCar designer Chris Huggett’s creation. The Oxford OSCar would inherit some of the funky DNA from EDP WASP as it was discontinued at the time. Hailed as Europe’s answer to the Minimoog, sets itself apart from Bob’s hardware with some curious technical wizardry all its own.

The OSCar, and now with my GODSPEar filter were already interesting to start. It is actually TWO FILTERS each w/ 2-Pole cutoff slope. The cutoff frequencies of the two filters can diverge from each other by an adjustable SEPARATION control. The “Q” resonance control behaves as one would expect when no SEPARATION is used. But in BANDPASS mode, with higher Q settings as well as SEPARATION impart vocal formant sounds.

Divorced of any CPU control prowess as it was implemented on the original. GODSPEar filter control has been designed from the ground up to work well w/ the Euro standard. And to meet the stringent requirements that discerning modular synth enthusiasts have come to expect. Yet retains the original core topology, a full analog signal path, NOS NJM13600 OTAs, as well as V/Oct filter tracking. Logic assisted Filter MODE selection button toggle. Two external CV inputs for control of Frequency. And now the additional features of CV control over Q, and yes CV control of Separation.

Beware - CV control over Separation is serious business.These signals were only meant to diverge in one direction. Sending the cutoff frequencies in the other directions yield vanishing Bandpass audio and unintended consequences for Low/HighPass modes. Thus on GODSPEar, I’ve added an active Full Wave Rectifier circuit to govern the Separation CV input as gate-keeper and peace maker. Go ahead and send your bi-polar LFO signals etc. Just know in doing so, any negative voltage components will be flipped over to the positive realm. You’re welcome.

FREQUENCY | the initial Cutoff Frequency of the filter

Q | the depth of the peak frequency resonant feedback.Res will self-oscillate without an input signal present.

Q CV | Modulate the Q Resonance w/ any polar/bi-polar mod signal. This signal is summed against the Initial Q amount knob.

IN 1 & IN 2 | Mix together 2 different audio signals, each w/ their own mix pot.

Freq CV | Modulate the Cutoff Frequency w/ any polar/bi-polar signal. At 12 o’clock, the pot has no modulation. In the Counter-Clockwise direction it can invert the incoming control signal.

KB | Modulate the Cutoff Frequency w/ a V/oct signal or any other polar/bi-polar mod. Self-oscillation resonance will loosely track v/oct when KB is set to 100%, allowing the self-oscillation Q sinewave to be played in a musical fashion.

TYPE | Toggle switch for choosing the filter MODE: Lowpass, Bandpass, Highpass.

SEPARATION | Initial amount that diverges the frequency cutoff spread between the two filters.

SEP CV | Control Voltage Input with attenuator knob for modulating the Initial Separation amount. Input CV Signal is passed through a Full Wave Rectifier so that Separation behaves in a prescribed manner as expected, thereby preserving audio integrity.

OUT | the mono audio output jack.

Spearhead your own analog filter trajectory by racking up something a bit outside the usual fare. GODSPEar is made in limited quantities, not mass produced – so don’t wait and get yours whenever available. Includes a 10-pin to 16-pin Eurorack ribbon connector. Rack screws are not included as it’s presumptuous that one fastener spec suits everybody. Fasteners are possibly available upon request if you let me know your specs I’ll see what I can do. I highly recommend After Later Audio Rack Screws sold separately here on Reverb."

Sequential Circuits Six-Trak with Stereoping controller

video uploads by batchas

Use the player controls to skip around. Some great demos in the 2nd video.

"I made a one hour session yesterday to check the Six-Trak that I am selling with the Stereoping controller and recorded 12 videos, trying different settings.
As usual after trying a machine I didn’t play for so long, I think I should keep it cause it sounds so
I checked and cleaned everything, though I have no space anymore to keep this.
It’s a shame having instruments and not playing them. That’s why I’m letting go on several machines I do never use."

Your Sounds in the OAM Time Machine // COMMUNITY PROJECT

video upload by DivKid

Follow-up to this post.

"For the upcoming fulsome demo of the OAM Time Machine we’re opening up the patch cables to include your sounds and music patched into the Time Machine multi tap delay module. I’ll be making the demo as usual but with added musical and sonic interludes with YOUR AUDIO. Letting you hear the module on your work while also adding a wider range of examples to the video with full credit to those that send in their files.

*WANT TO JOIN US FOR THE FUTURE VIDEO?* Information on how to get involved here - https://www.patreon.com/posts/107607017 . NOTE you need to be a Patreon supporter to take part, join for as little as $1 a month and gain access to the community and plenty more."

Introducing SONICWARE LIVEN Ambient - Immersive Ambient Generator Synthesizer

video uploads by SONICWARE

https://sonicware.jp/pages/liven-ambient

Playlist:
1. LIVEN Ambient Ø (Official PV)
2. How to make ambient music with LIVEN Ambient Ø
3. Layering tones with LIVEN Ambient Ø



Press release follows:

Soundscape Synthesizer LIVEN Ambient Ø Immersive Ambient Generator

4 layers of tone and texture̶Drone, Pad, Atmos, and Noise̶merge to generate resonance and transformation.

Blendwave Modulation Synthesis

Newly developed synth-engine with 6 structures, designed to create undulating and fluctuating tones.

Noise and Space

The Noise layer processes 8-second stereo sampling loops with noise blending and pitch modulation.

Extensive Effects Section

9 types of lush Reverb with shimmer, plus 6 types of effects including Tape Delay and Master Chorus.

Sequencer on Each Layer

Records performances, notes probabilities, and evolving tonal changes.

Immersive Ambient Generator
Ambient Ø (zero) is incredibly easy to use. Start by playing a tone from one layer using the note hold function. While listening closely, simply tweak the knobs to modify the tone and add other layers to shape a pleasing sound.

Blendwave Modulation Synthesis
We conducted extensive research into creating undulating and fluctuating tones for Ambient Ø, resulting in the development of a new wavetable-based synthesis.
Blendwave Modulation Synthesis combines 6 unique structures with 32 WAVEs featuring complex harmonic transitions, making it easy to create powerful low drones, lush pads, and transparent pizzicatos, perfect for ambient music.

4 knobs / 8 parameters offer a wide range of tone creation.

A WAVE contains 128 harmonic tables, allowing for diverse tonal changes such as moving from basic waveforms to complex harmonics. The WAVE is
represented by a yin-yang icon, with the yin representing moves in the reverse direction through the tables during modulation.

6 Structures
Each structure has a different number of oscillators and modulation circuits. ATMOS 1 applies ring modulation, while ATMOS 2 applies FM modulation.

Noise and Space
The Noise layer includes 8 specially selected nature sounds, offering noise blending, pitch adjustment and modulation to infuse unique spatial characteristics.
Additionally, it allows for up to 8 seconds of stereo sampling from the line input, letting you create personalized textures.

Extensive Effects Section
Ambient Ø is equipped with 9 types of lush reverb, each offering unique spatial dimensions and brightness settings. You can individually adjust the reverb send and shimmer send (for layering octaves) for each layer.

In addition to the reverb, the Ambient Ø offers
an effect unit with Tape Delay, Reverse Delay, and 4 master effects; Overdrive, Bit/Rate Crush, Tilt EQ, and Stereo Chorus.

Sequencer on Each Layer
You can not only layer the four tones, but each layer also includes a sequencer that allows you to record keyboard performances.
Furthermore, you can record changes in numerous parameters, including level, pan, and filter movement over time.


16 Ambient Sound Pattern Palettes, crafted by expert sound designers
No need to start from scratch. Choose a palette that fits your mood, start playing tones, tweak the knobs, and layer them following your heart. Thus, your inner thoughts and emotions will be crafted into sound.

Play On The Go: Portable, Built-in speaker, and Battery-powered
Leave your usual workspace and try using Ambient Ø in your living room or outdoors. As its evolving sounds mixes with the surrounding environmental noises, you are likely to experience genuine Ambient Music.

https://sonicware.jp/pages/liven-ambient

CLICK FOR MORE »

Walkabout at the Synthesized event, Cambridge

video upload by MIDI IN

"I wasn't able to do the usual musical Sunday video this week, I was at the Synthesized event at the Centre for Computing History in Cambridge.
Tony the organiser had caught everyone for interviews which will be on the museum's own channel here: (link when available)
So I just picked a quiet moment for a walkabout to show the variety of musical technology on display."

Also see Synthesized Festival 2023 - Cambridge Centre For Computing History & Making Drums For Modular Synth

Midicake Arp and The One Finger Jam (no talk)

video upload by Richard DeHove

"Something's wrong if you're making music but not having fun. It should all be fun. But writing good, coherent, interesting and long patterns is difficult (for me) and often liable not to be much fun. The usual path is to make a good 16-step pattern, copy it, add some variations, and bump to 32 steps. Then what about little fills and other bits? Now you're talking about "song mode" and other mathematical duties.

So the idea here was: Let's use the Arp to create long patterns, then hit record on the DB-01 and just feed in the result. I did try that and it worked a treat. But as an alternative you can just manually "play" the entire thing on the Arp - which is what I did here.

It took a bit of practice to get the timing right and I wouldn't want to be playing the entire "song" to a live audience with one finger unless there were a few other things running to cover in case of a mistake. Of course in the studio no one can hear you scream after five errors in a row.

Live-playing the DB-01s like this you lose various programmable goodness like the pitch envelopes, filter mod and accents; but on the flipside you can use portamento on the sequence (although I didn't here) and can use the Arp to set and vary the gate lengths. For example the top DB-01 is playing the high blippy theme on the Arp channel 3 and the longer three-note bass prod on channel 4. It can seemingly produce two sounds almost simultaneously because channel 3 has a short gate and high octave, while channel 4 has a long gate and low octave.

When you think about it that is pretty amazing work for an arpeggiator! It's like instant program change on a synth with no programs.

In this piece all the music is coming from the two DB-01s, with a drum track added afterwards in the DAW. I chopped it up a little to make a 90-second jam (instead of the 8-minute director's cut) but it is essentially live-played. There are no DAW effects, no extra layers or EQ.

After all this intricate fun it seems to me that calling the Midicake Arp an "arp" is monstrously understated. I see it more like your synths are big dumb blue-ribbon bovines standing around in a field and the Arp is a supercharged border collie begging to chase them through a Marine bootcamp obstacle course. Make those machines sweat! They cost enough.

Lots of downloads for supporters on Patreon: / richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Patching with Frap Tools and Nekyia Circuits eurorack modules

video upload by Stazma

"Today I'll build a 104hp skiff with 'West Coast' oriented modules by Frap Tools and Nekyia Circuits and make a few patches with it.

Sorry for the video quality, not sure what happened when filming but the light is weird (I mean more than usual hahaha).

Have fun!"

00:00 Intro
01:45 Building the system
10:09 Patch 1 West Coast Voice
13:58 Patch 2 Buchla bongo
18:09 Patch 3 Classic Mono Voice
20:05 Patch 4 Filter Pings
22:39 Patch 5 Both Coast Voice
26:55 End Talk & Jam

Ultra Analog: GRP A2 - Carlo Mezzanotte

video upload by carlomezz

"(testo italiano in basso)
Here's some tweaking on the GRP A2, an Italian high-end analog synth module with a great sound. VCO1 can produce the usual waves, plus 'sharktooth' (a triangle/saw hybrid), and a saw/square hybrid with PWM; VCO2 has an all-analog version of the 'supersaw' concept, that can also be applied to triangle and 'sharktooth' waves.
The filter is a two-pole multimode with lowpass, bandpass, highpass and notch - plus a lowpass/highpass in parallel stereo.
The A2 offers flexible modulation routings via a series of selector knobs, without the use of patch cords.
The signal path is totally analog, including the LFOs, envelopes and S&H.
I couldn't resist adding a *very* slight bit of ambient effect. No other processing was used.
Many thanks to Paolo Groppioni, the A2 designer, for entrusting me with the instrument to review.

Un po' di azione sul GRP A2, un modulo di sintetizzatore analogico italiano di alto livello. Il VCO1 può produrre le forme d'onda usuali, più la 'sharktooth' (un ibrido fra triangolare e dente di sega), e una combinazione di dente di sega e quadra che può essere modulata in simmetria; il VCO2 ha una versione tutta analogica del concetto della 'supersaw', che può essere applicato anche alla triangolare e alla 'sharktooth'.
Il filtro è un multimodo a due poli con passa-basso, passa-banda, passa-alto e respingi-banda; è presente anche un passa-basso + passa-alto in parallelo, con separazione stereo.
Il percorso del segnale è interamente analogico, inclusi gli inviluppi, gli LFO e il Sample & Hold.
Non ho resistito ad aggiungere una *piccolissima* dose di effetto ambientale; nessun'altra modifica è stata applicata.
Un grande ringraziamento a Paolo Groppioni, il progettista dell'A2, per avermi affidato lo strumento.
SOTTOTITOLI DEL VIDEO IN ITALIANO DISPONIBILI. Potete attivarli cliccando su 'Impostazioni' (il simbolo della rotella, in basso a destra nel video), e scegliendo 'Italiano'."

Parker - Wall of Sound: A Study of Post-rock and Analogue Synthesizer

video upload by In The Woods

"A full performance of the new opening track from the upcoming album 'Structure: A Study of Post Rock and Ambient Synthesizer'

Two styles of music that beautifully compliment each other through waves of ambience, sequences, and reverb. Parker's lengthy discography has always bridged the gap between Post Rock and Electronica. Exploring styles such as Retrowave, Ambient, and Minimalism. This next record will take a more traditional electronic approach with the usual pulsating sequencers, analogue soundscapes, and Post Rock guitar."

https://jparkersound.bandcamp.com/music

7 kits and 7 patterns for the Modor DR-2 (no talk)

video upload by Richard DeHove

"A series of example patterns and kits using various techniques on the Modor DR-2. This is pure DR-2 with no other effects or processing. I tried to cover a range of styles showing off some of the sonic powers of this excellent drum synth.

Most of these are very dynamic with strong transients. I considered adding a compressor or limiter on the output in the DAW, but (as usual) thought it best to leave them completely raw.

Please let me know if you have any specific requests for particular sounds or kits and I'll do my best to cover them in the next demo.

0:00 March
0:32 Snappy
1:02 Reverb
1:44 Rock
2:14 Heartbeat
2:55 Poker
3:26 Tapdance

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

MP Controller: Game Changer? Demo with Dawesome Myth & GForce DMX

video upload by Pete Midi

"MP Controller, a very special MIDI device is currently about to turn my usual workflow upside down. I know, the term is often overused at the moment, but for me this controller is definitely a game changer, because it makes software plugins actually feel like real hardware. Here is my first experience report:

0:00 Intro
1:27 Myth
2:24 DMX
3:44 Jam

Gear: MP MIDI Controller, Mac Airbook M1 with Ableton Live and Dawesome Myth & GForce DMX plugins."

See the MP MIDI label below for more.

The "slot machine" method of random writing with the DB-01

video upload by Richard DeHove

"Slot machines (AKA pokies and speilautomat) supposedly get a lot of their appeal through the fast cycle of anticipation and reward. And if you don't get the reward you wanted then you can instantly run the cycle again. Wins are reinforced by pretty lights and little tunes.

Well, that sounds a lot like small-chunk randomization with the DB-01: Quick randomizations of a few steps and with instant rewards. Except you won't be broke at the end.

I'm always trying to find fun ways to write patterns and this method is, imo, one of the best. Although it's specific to the DB-01 you could just as easily take a MIDI-Out feed and power other machines.

I also think it's very interesting to see the actual process people use to write patterns. If you've got a favorite method please share it in the comments.

0:00 The idea
0:49 Full random?
1:24 The usual way
2:29 Little chunks
4:55 More chunks
7:50 16-steps
8:52 Example 2
15:01 Example 3

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Crust of Bastl Instruments - 6 Minutes of Madness (No talk video)

video upload by Audiorial

"I received Crust and give it a try without reading the manual. the usual reviewtorial should be up soon."

CHAIR Analogue Waveguide Resonator - Gesprächskonzert SUPERBOOTH24

video upload by Superbooth Berlin

"In 1971, the congenial mathematician, quantum physicist and room acoustics expert Michael Gerzon published an article about a reverberation device. The device in question used a matrix operation to rotate two signals inside each other. He concludes in his article that it would be impossible to build the device using existing technology.

In this conversation concert, we present Gerzon's device, re-imagined as a resonator. Its complex analogue circuitry is based on two bucket-brigade delays and an analogue rotary operation. Thanks to this circuitry, our new Eurorack module produces rich harmonic and inharmonic spectra, creating physical and vivid sounds with astonishing depth and detail. For the first time, efficient physical modelling synthesis is possible in an analogue signal path, going beyond the usual harmonic string sounds and opening up fascinating new soundscapes. The Resonator offers a wealth of parameters, yet remains intuitively playable, inspiring audiences and performers alike."

Roland JD-800 soundscape - A journey into the sun

video upload by MIDERA

"Ok - so the plan. The plan is to sell the Roland Jupiter 6 to get the Super Gemini. Well, wait, so I played the JP6 and realized that - wow, it's pretty unique and awesome. Ok, scratch that. New plan. The plan is to sell the JD-800 and pick up a Super 6. Yeah - that's the plan. Wait...

The JD-800 can go places literally no other synthesizer can go. The JD-990? Yeah, that can go there and further, but I don't think it can go there at the same speed. It's like using your hands to press on the gas pedal of a Turbo-charged car,. Sure, it's got the power behind it, but it lacks the thing that makes it enjoyable.

So now I'm left with... well, who knows. A mess. Like usual. But you know - it's a fun mess compared to what I dealt with last year."

Oberheim Matrix-12 Synthesizer Keyboard SN P91301

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Tone Tweakers Listings

"Like nearly all the high end vintage analog synths we sell, this item has been METICULOUSLY disassembled, cleaned inside and out, FULLY serviced by professionals who’ve been servicing and selling vintage synths for more than the last 3 decades, and systematically tested multiple times over a long period to ensure it’s working exactly as it should. No BS. No ebay surprises. We’re perfectionists and don’t cut corners. Although this instrument came to us in relatively good shape, we want our items to be better than the rest and invested *many* hours of tech time plus parts costs to fully overhaul this unit so it would be clean, working like new again and as reliable as possible for its next owner. This was a serious investment of time, love, and money, and was definitely worth the effort and is of course reflected in the higher than usual price. If you’re looking for a great sounding example of this model that works just like it should without needing to invest hundreds or thousands of dollars in tech fees and waiting from weeks to years, this one should make you very happy.


Our tech did the following work to this unit to make it better than the rest / promote longevity:

Power supply capacitors replaced.
Battery replaced.
Patches reloaded.
Cleaned all switch contacts.
Cleaned unit inside and out.
Installed new encoders to prevent the usual glitchiness one often experiences with original 40 year old encoders (changed ceramic caps in circuit for compatibility).
Cleaned key contacts and PCB.
Cleaned sensor.
Replaced pitch and mod lever potentiometers with new ones since the originals are often problematic these days.
Multiple systematic burn in tests to ensure stability.

OS ROM 1.1, voice 1.6.

Selling fees here are over $1000, and professional servicing by perfectionists and future-proofing is costly."

CLICK FOR MORE »

UDO Teases New Product for Superbooth

via UDO

"We’re excited to once again be at @superbooth_berlin next week! For the lucky ones who are going to be attending, come and see us at the usual booth (bungalow 🏡 ) B005."

This one is in via Soviet Space Child.