rustles in the leaves

video upload by tworoundrobins

"the cards were picked

usual subject - the subject of the book is the main inspiration
abstract thought - allows only the most esoteric equipment you own
the canyon - the piece of this session is primarily rhythmic, therefore it should emphasise its percussive nature

hope you like it"

https://tworoundrobins.bandcamp.com

Introducing Boundary Layer by Schlappi Engineering

video upload by SCHLAPPI ENGINEERING

"Boundary Layer is a triple cycling slew acting as a powerhouse of modulation, audio mayhem, and obscure modular tricks."

00:00 Intro Montage
00:26 Introduction
00:43 Control Overview
01:50 Stereo Drone Patch
04:54 Three Percussive Envelopes
07:50 Envelope, Portamento, and Modulator
10:45 Outro jams

Check with dealers on the right for availability.

8 Patches with Boundary Layer by Schlappi Engineering

video upload by Stazma

"New Schlappi Engineering module alert!!!!
Welcome the Boudary Layer, a triple cycling slew acting as a powerhouse of modulation, audio mayhem, and obscure modular tricks in the tradition of Serge DUSG, the Make Noise Maths, our own Boundary, and others while also bringing a few new things to the table.

I'll show you some of my favorite patches with it, most can apply to other similar modules so it might interesting to anyone.

Have fun!"

Schlappi Engineering BOUNDARY LAYER / triple function generator / extensive playthrough

video upload by BRiES

"BOUNDARY LAYER by ‪@SCHLAPPIENGINEERING‬ is an apex triple function generator for eurorack. It has all the tricks up its sleeves and (as usual) is just a joy to work with due to it's well thought out interface and versatile feature set.
In this video I tried getting across how damn useful function generators are, how BOUNDARY LAYER works and how much fun it is to make patches with the module.
I hope you enjoy the video."

0:00 intro
0:40 feature overview
41:22 patch examples
1:00:15 closing thoughts



Boundary Layer is a triple cycling slew acting as a powerhouse of modulation, audio
mayhem, and obscure modular tricks. Each of the channels can act individually as:
-a modulation oscillator
-voltage controlled slew (including portamento)
-AR/AD envelope (decay or release determined by choice of input).

All three channels are tied together by three global inputs, as well as three outputs which select the MAX, MID, and MIN of all three voltages. Using different combinations at audio rate allows for patch programmable stereo drone synth capabilities.

Features

3 separate channels
3 global inputs
3 combined outputs MAX/MID/MIN
Oscillates from low LFO rate (a minute?) to audio rate (>10kHz with exponential feedback)
A CV input switchable between RISE/FALL/BOTH
Bound input for simultaneous control over cycling rate and amplitude
TRIG input for AD envelopes
SLEW input for AR envelopes and portamento or filtering
EOC ouput header switchable between EOR and EOF
16 HP
Skiff friendly 32mm depth (including cable)
current draw: +12V 170mA, -12V 100mA

Check with dealers on the right for availability.

Cascade 05 | Synthesizer Ambient with Novation Summit

video upload by Moon Kyoo

"Two weeks in Korea felt like 5 days, leaving with some good memories 🏊 Here's my last jam of the trip, ambient as usual with a bit of late-night vibes.

Everything here was recorded live with the Novation Summit, with a sub layer added by pitching the original recordings down an octave."

Adamsynths Warthog Update & Q&A

via Adamsynths

"Earlier this year at Superbooth, Adamsynths unveiled the Warthog: our total recall analog modular synthesizer.

We had tons of interest and loads of great questions from you — and now we’d love to answer some of the most common ones right here.

Is the Warthog a pre-assembled desktop synth, or a fully modular one I can customize?

Great question! The Warthog is a true plug-and-play analog modular synth. You can choose the modules you want, arrange them how you like, and build a setup that suits your workflow perfectly.

Can I use modules from other manufacturers in the Warthog?

Absolutely. The Warthog case supports standard Eurorack power. Just keep in mind: the RECALL feature only works with official Warthog modules.

Can I put Warthog modules into my existing Eurorack case?

Yes, you can — BUT. Because of the RECALL feature, the Warthog uses a different power and communication system than the usual 16-pin ribbon cable found in most Eurorack setups. That said, we’ll make sure all Warthog modules (and any necessary accessories) are also available separately, without the case.

Can I use Warthog modules together with my current modular system?

Of course! The Warthog fully follows Eurorack standards for all signal connections. It uses the same V/OCT control, and its GATE, TRIG, SYNC inputs and outputs are 5V compatible. Just a reminder: RECALL functionality only works with Warthog modules.

Why are some outputs on the CENTRAL UNIT labeled “D” for digital?

We know this caused a bit of confusion at Superbooth 25. Here’s the deal: all CV outputs are fully analog and operate in ranges like -5V to +5V or 0V to +10V. The “D” outputs — short for “digital” — are used for GATE, TRIG, SYNC, START/STOP, or RESET signals. We call them digital simply because they have two states: ON or OFF, i.e., 0 or 1.

When will we get more detailed info about the Warthog’s specs?

We are working on it! The full technical documentation will be available on our website soon. We will notify you in a newsletter as soon as it is available.

And the big one — when can I pre-order the Warthog and how much will it cost?

Right now, our team is working hard to finalize pricing and prepare for production. There’s still some groundwork to cover, but we’re doing our best every day to get the Warthog into your hands as soon as possible. Hopefully, we’ll be able to share more very soon."

06.17.2025 Man Machine for fun

video upload by batchas

"Music as therapy...
As usual I'm recording directly to one stereo track and I noticed while watching the video that the Minimoog is too loud (still I love its sound!) and the 808 bass drum a bit too low, but as I currently want to spend as less time as possible on the same project, I won't record another take and I'll move on to something different.

Sounds: Mos-Lab 2500, muSonics Minimoog, Roland Juno 60, Waldorf Q, Waldorf Pulse +, Oberheim Matrix 1000, Roland TR-808, Ace Tone Rhythm Ace.
Effect: Eventide H9, Hologram Microcosm, Audiothingies Doctor A."

06.17.2025 Man Machine for fun [The instruments I used]

video upload by batchas

Torso S-4 | Pure inspiration (walkthrough)

video upload by Jay Hosking

"A walkthrough of how I'm making songs on the Torso S-4.

00:00 - Song
02:24 - Intro, tape machine
04:38 - Granular
07:36 - Resonator
11:45 - Drive, noise, colour
13:11 - Delay and reverb
15:32 - Drums and performance effects
19:18 - The magic of TEMP
19:56 - Pitched drums
22:43 - Making a pad
27:24 - Fourth track
28:56 - Performing with four tracks
31:14 - Concluding thoughts, USB multitrack out

I bought the Torso S-4 last month, thinking it would be an interesting device for playing with granular ideas with a few loops. As soon as I started playing with it, it was clear I had underestimated just how much more the S-4 is, and how inspiring it is. In fact, I basically never use it as a granular device!

This is probably the single most inspiring piece of hardware I've tried since I discovered the Octatrack. It transforms sounds, it is incredible for performing, and it has that perfect feedback loop between musician and instrument. In just a couple of weeks, I've recorded a whole album with it, which I'll release soon.

This is a walkthrough of how I'm making full songs on the S-4. In reality, four tracks is not quite enough for me to be making full songs, and in the final performances I add extra layers. But as a device to create new sounds, glue tracks together, sketch out a song arrangement, and perform some interesting parameter changes, the S-4 is nothing short of an epiphany for me.

Note that I'm using the 2.0 firmware beta, which is largely the same as the recently released 2.0 firmware. I'm well aware of the internet conversation on the previous firmware of the device, of hardware buttons not having any function and triggering a "coming soon" message, etc. I'm also aware of some quality/build concerns from some S-4 owners. I don't want to discredit any of those complaints, and I'm sure they are valid; but I can only tell you about my individual experience, which was largely flawless aside from a few bugs along the way.

Please also note that this isn't my usual sort of video, but rather one I originally recorded for my Patreon community. I'm having such a good time with the S-4, though, that I really wanted to share it more broadly. I hope you find it useful.

I look forward to sharing the album soon!

https://jayhosking.bandcamp.com"

CANON: NEW EURORACK MODULE by LARIX ELEKTRO

video upload by LARIX ELEKTRO

LARIX ELEKTRO CANON, Eurorack module OVERVIEW

video upload by LARIX ELEKTRO

"New Eurorack module:
Add a musical canon into your setup !
Clocked delay for CV and GATE.

Delay events from 1 to 16 steps.
LOOP mode.

Of course, as usual, with CV and trigger controle of all parameters.

Module available now, here: www.larix-elektro.com"

"WHAT'S THAT THING ?
The CANON, is, as its name suggests, a module to create a canon effect (!) between 2 voices.

Wikipédia: Canon_(music)
A theme that is repeated and imitated and built upon by other instruments with a time delay, creating a layered effect.

In the modular world, it's Simply a delay for CV and GATE.
But unlike an audio delay (that records audio at 'audio rate') the CANON records data only according to a clock signal.
With the CANON module, you can delay until 16 steps.

The CANON can delay one GATE and one CV
(+1 CV with an extension).
Of course with CV controle of the number of steps. With the unique knob: Nb Steps.

To be more playable, there are two more functions:
Reset (RST), to clear the memory, that can be useful to not let the sequence running if you don't want that.
Enable (EN). In this case, the input is ignored. The module will works like a small sequence memory of 16 steps.
The Nb Steps knobs will controle the duration of the loop.

To resume, The module needs a Clock signal (CLK)
A CV and a GATE input.
And you will have the same things as the input, shifted !
Then a Reset button + Jack to clear the memory. (RST)
And a Enable button + Jack to freeze the memory. (EN)

With an external module, like the Mult., you can delay one more CV.

Typical use:
Building musical canon.
Save and play with the sequence in the memory.
creative re-construction of sequence."

Arpoloop - A Totally Fun and Unique Analog Rhythm Box

video upload by NOISEBUG

"Arpoloop is a full analog synthesizer with a built-in full analog rhythm and melody composer. Since there is no microprocessor nor digital memory it can not be programmed in the usual way instead it can be set and guided to play a line whose parameters are user definable with virtually infinite combinations."

https://www.noisebug.net/

Novation Summit | Sub-37 - Synsation

video upload by eM

"Here we have a few split patches sharing together, the infamous simple and sublime and the FX pulse, midi controlling the Sub-37 above. I wanted to play again since it's been a while, I was happy to find this blend. Playing the usual rudiments. Enjoy :-)"

Flim for fun (remixed by Jean Métro)

video upload by batchas

"As usual can't beat the amazing original by Aphex Twin and it's not the goal anyway, cause I'm doing these session as therapy. No-brainer and fun.
One unique take und tschüss! Peace.
Mos-Lab 2500, muSonics Minimoog, Roland Juno 60, TR-808, Waldorf Q, Oberheim Matrix 1000.
Effect: Audiothingies Doctor A."

AYTracker by MIDI IN

video upload by MIDI IN

"I've spent a lot of hours this week on this project instead of the usual lucky dip. Here's what I've done so far using my AY tracker terminal-based software for RC2014 computers. I'm very pleased with it.

7-blade helicopter photo by Sgt. Seth Starr - DVIDS.net, Public Domain, https://commons.wikimedia.org/w/index..."

MiMa's cover of Harold Faltermeyer - Fletch Theme

video upload by mima85

"Here's my cover of the main theme of Fletch, composed by Harold Faltermeyer. All done from scratch, complete music track before and video parts after and finally merged them together, as per my usual style.

Like I did for some others of my videos, I took a little creative license and I added some notes to the bass line in the chorus. But besides that I stuck to the original arrangement, trying to replicate the sounds as much as possible."

SKIES: Where the Sound Has No Ceiling

video upload by Behringer

"Ready to break through creative boundaries?
SKIES is not just a granular effects module — it's your new go-to tool for turning any sound into a living, breathing sonic landscape.
🎧 From shimmering textures and ambient clouds to glitchy chaos and otherworldly tones — SKIES reacts in real time to your modular signals, unlocking a whole new dimension of sound design.
🚀 Why SKIES?
• Ultra-expressive granular processing, stereo or mono
• Adjustable audio resolution: from 8-bit grit to 16-bit clarity
• Front-panel USB-C for easy updates
• Dual inputs/outputs for maximum patching flexibility
• Sleek, intuitive layout built for performance
✨ Perfect for sound designers, live performers, ambient artists, and anyone ready to explore what lies beyond the usual synth experience.
🎬 Watch the video. Hear the future.
🎶 SKIES is here — and the sky is no longer the limit."

05.27.2025 Supernature for fun (Long version) - Take 1

video upload by batchas

Take 2 here

"I hesitated to make this one public because of all 'thumb down' enthusiasts, but no matter how, music is my therapy and it won't stop me having fun with my machines, without any stylistic boundaries.
Pretty sure I'll record one more take of this one, cause it's far to be perfect and it's a lot of fun to play. I was 14 in 1977 when the Cerrone 'Supernature' video clip came on TV. We had never seen something like this on french TV back then and as a kid I was pretty much impressed.
As usual, one take, no editing, recorded directly to stereo out.
The MIDI tracks play muSonics Minimoog, Roland Juno 60, TR-808, Waldorf Q, Waldorf Pulse+, Oberheim Matrix 1000 and one plugin, the Mellotron. Effect = Audiothingies Doctor A.
It's quite a long version cause I did loop the last measure and could not stop playing!"

Testing patch, from DivKid, from Rob Hordijks FAKE Reverb with Ring Modulation.

video upload by LARIX ELEKTRO

"‪@DivKid‬ 's releasing a very interesting video (as usual).
from an idea of Rob Hordijks.
I let you seeing all the explanations here:[below]

So, why not testing it by myself ?
At first, I'll using my Random*Source / SERGE modules.
And stupidly, I was forgetting that my DUAL UNDULA OSCILLATOR has all functions to test the idea ! So I'm testing the idea with it.
And after that, I'm digressing around the stereo possibilities of my module and the MS (mid/side) option.

Ok, I didn't have a lot of time (busy after SuperBooth...) so it's a bit "from scratch"... Hope you will enjoy it :)"

How to FAKE Reverb with Ring Modulation // Rob Hordijks ‘Poor Mans Delays’ [BETTER BLEEPS]

video upload by DivKid

"So here's a bit of story and the first BETTER BLEEPS video in a long time!

With Chris from Moog sharing Rob Hordijk's trick to emulate reverb wth Ring Modulation in the recent Superbooth video, that of course sparked questions. So strap in with a brew for a time travel trip back to 2017 where Rob Hordijk gave a tutorial with his "poor mans delay" technique and stay tuned for going through the technique and method with us in the video. Grab the free PDF and VCV Rack patch for further material on the technique. Links below.

This is applicable to many modules and bits of gear, to that point after the main demo with Manic (DivKid & Apollo View) I go through it with 4 more modules (Instruo VinCA, cLFO from AtoV, Ouija from Nekyia and A*B+C by Befaco)."

Leploop {LEP} - Arpoloop [DEMO UNIT]

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

Additional NOISEBUG Listings

"This unit was placed inside a glass case on our showroom floor for display/demo. Full warranty included.

Arpoloop is a full analog synthesizer with a built-in full analog rhythm and melody composer. Since there is no microprocessor nor digital memory it can not be programmed in the usual way instead it can be set and guided to play a line whose parameters are user definable with virtually infinite combinations. Power supply included."

BlaknBlu Oscar Tria Stereo VCO Review

video upload by Molten Music Technology

"The triple featured Oscar Tria offers regular waveforms, swarming oscillations and polyphonic chord modes within a Eurorack, CV-controlled context. The stereo format offers some lovely detuning and there's some superb morphing between the waveforms. It's built on a digital platform but has a very analogue sound and workflow. Let's get into it."

Index:
Sound demo - 0:00
Intro - 4:57
Overview - 9:34
Green Mode - VCO - 12:29
Yellow Mode - Swarm - 24:32
Orange Mode - Chord - 33:45
FM - 42:16
Noodling - 46:27
Running it in Mono - 51:37
Conclusions - 56:42

"Oscar Tria packs a lot of VCO into 10HP. There are three main modes described below.

Green Mode:
A ‘traditional’ stereo oscillator. In Green Mode you get the usual three waveforms – saw, triangle and square (with variable pulse width, of course) but you can continuously vary the waveform between the three. For instance, by turning the waveform knob to be just to the saw side of triangle, you get a sound very much like the Minimoog’s ‘shark tooth’.
Green mode also gives you a square wave sub oscillator – one octave below the main oscillators – and a sub sub, two octaves below.
Oscar Tria is stereo, of course, so you can detune one oscillator for a rich stereo image – or sum the two outputs to mono and you have two oscillators with two subs, for a BIG sound.
Green mode also features through zero FM, and hard sync.

Yellow Mode:
Super-saw! And super-square! And super-triangle! With a sub (of course). Yellow mode allows you to control the number of oscillators making up the super-whatever, from one (not really super) to 24! Again, being stereo you get up to 12 oscillators in one channel and 12 in the other. Add the sub for a HUGE sound.

Orange Mode:
This is a chord engine, with 20 selectable chords. There are controls to select which chord you want and how many notes are played (over two octaves). CV control allows you to set pitch and chord independently, so you can set up a polyphonic sequence, for instance. Again, the output is stereo with detune control of one output."

Befaco Goodness at Superbooth 2025

via Befaco

Dear friends,

Superbooth is coming. Oh man, indeed its coming!!! We are ultra excited (even more than usual) to be in Berlin this week, share a couple of million beers with you all and show you what is cooking at Befaco labs!

Oneiroi Pods. We just released the Oneiroi Pod packs and will take a few configurations with us. Microphones, external gear and MIDI control are the few possibilities we will explore with the demo pods we are bringing! If you did not checked how extremely gorgeous they look, click here.
New 1U modules are coming! We are deeply involved in this lil' sexy mini-format and plan to keep releasing more and more modules to fill the gaps in those 7U cases that are out there in the wild!

We have a couple of pedal integration modules: Pedal Pow and Pedal S/R: A power supply for pedals and a send return interface. As well as a Phono pre amp to connect your vinyl player!

Price and release date to be determined. But we aim for cheap range at the end of summer! Check pictures here!

We are located in the forest, among friends and with plenty of space to share a drink and chat. Pass by to say hello and check things out!!

All the very best and hope to see you soon!

Manu!

CLICK FOR MORE »

Modor DR-2: A solo jam @180bpm

video upload by Richard DeHove

"Some drum machines are built for real-time tweaking, others you program and hit 'play' while you tweak something else. The Perkons drum machine is a real-time tweaker; the LXR-02 is more a playback machine. Where does the DR-2 sit? It certainly has enough knobs and if you can remember some of the (many) shortcuts then there's lots of available functions on the front panel. Then there's the six little knobs above the faders that can be assigned to any parameter per voice. Yet I've never come up with a parameter that I can't immediately access by the front panel anyway so I've never used them.

Here I'm doing pretty basic stuff. There's a single four-bar pattern and two drumkits. I swap between kits, mute various voices and change the overall bar length. It's also very easy to change the step length per voice (just hold down the voice letter and press the step number) but I didn't want to get too tricky since you can't just reload the pattern to reset the length. The pitch drifting synth sounds come from the portamento amount.

In terms of functionality it all works very smoothly. The only thing I find troublesome is that any drumkit or pattern above the first 16 can only be accessed by holding down the 17-32 button and then pressing the step number. That makes fast changes outside the first 16 patterns and kits much more prone to error. It would be much more logical imo if just selecting the number grouping (eg 17-32) meant that's what you automatically get.

If it all sounds a little gritty to you then good! I used plenty of distortion on most of the voices and even applied some compressor which can be quite vicious and I'm not even sure how to turn it off once it's on!

As usual there's absolutely no other processing than what you see. No compression, EQ or any other DAW effect.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Crumar Spirit SN 00050

Note: Auction links are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

"Beautiful and super rare Crumar Spirit, designed by Bob Moog in the early 80’s, only around 100 pieces produced. This unit works at 117V from factory, if you use it in Europe you should buy a voltage converter (around 50€ for a good one on Amazon) The working condition are very good, I never had a single problem with this synth from when I bought it, obviously you should consider that it’s a 40+ years old instrument and sometimes could need some knobs cleaning and standard maintenance. The aesthetic condition are very good for its age, as usual there are different signs of use here and there, please take a look at the pictures and don’t hesitate to ask for more, I’ve tried to point every cosmetic defect in my photos. After several bad experiences with customs, I will only ship to EU, UK and Switzerland. - NO SECOND CHANCE ON SUNDAY FOR THIS ITEM -"

CLICK FOR MORE »