Cherry Audio Introduces Virtual CR-78 Drum Machine

video upload by Cherry Audio

Introduction to Cherry Audio's CR-78 Drum Machine

video upload by Cherry Audio

"'I’ve had absolutely tons and tons of fun with this particular plug-in. I didn’t think I was going to enjoy it as much as I have. I’m not making it up. This is the most fun I’ve had with any plug-in I’ve ever played.'

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the new features of this tremendous virtual drum machine.

Get CR-78 today at https://cherryaudio.com/products/cr-78 for only $49!

Cherry Audio's CR-78 accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

For more details on how to get the most out of CR-78, try the free demo and check out the User Guide at https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
01:14 - Overview - The Panels
02:50 - The Main Panel: Factory Preset Buttons and Variations
05:10 - Other Variation Options
09:55 - "Pop Quiz 1!"
12:34 - Programming Patterns
16:58 - Programming Songs
18:59 - "Pop Quiz 2!"
21:46 - Voice Edit Panel
26:26 - "Pop Quiz 3!"
27:15 - DAW Tools and Drag-Export
29:08 - Multi-Outs DAW Option
31:08 - Mixer/Effects Panel
33:18 - Melodic Tones
35:28 - "Pop Quiz Final!"
37:41 - Final Thoughts
40:20 - Outro Track"

Cherry Audio CR 78: A demo and tutorial of a class rhythm machine
video upload by CatSynth TV

"We take a detailed look at the new CR-78 from Cherry Audio, a recreation of the legendary Roland CR-78 "CompuRhythm". With its distinctive analog drum sounds and ability to program one's own rhythms in addition to the 34 presets, the CR-78 made the jump from the top shelf of home electric organs to mainstream pop music in the late 1970s and early 1980s, and set the stage for Roland's later drum machine line. Cherry Audio's version faithfully reproduces the sounds and rhythms of the original, along with some new features to expand it's possibilities an integrate into modern digital studios.


00:00 Introduction
00:23 History of the CR-78
00:57 Overview and preset rhythms
05:11 Additional rhythm controls (fade, cancel, variation, swing)
10:52 Mixer panel
12:35 Voice Edit panel (modify drum sounds)
15:19 Creating user patterns
19:54 Song mode
22:00 Effects
26:17 Factory Presets
30:20 Conclusion"

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via Cherry Audio

CR-78 -- Cherry Audio's first virtual drum machine -- accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

In 1978, following the success of their AceTone electronic rhythm products, Roland introduced a not-so-little box that made a massive impact. Coming from a legacy of preset-based devices intended to sit atop an organ, the CompuRhythm CR-78 was entirely new: the first programmable, microprocessor-controlled, analog beatbox.

With its colorful buttons for pattern presets, distinctive analog tones, and basic pattern programming, the CR-78 was the first drum machine as we know it. Pro musicians such as Blondie, Ultravox, Phil Collins and Genesis, Orchestral Manoeuvres in the Dark, Roxy Music, The Cars, Hall and Oates, and many others immediately embraced and immortalized this revolutionary gear.

Waiting for this Moment

For years, musicians have requested a virtual drum machine such as this, and in Cherry Audio fashion, we've delivered it with so much more.

Cherry Audio's CR-78 is a visionary virtual drum machine that re-envisions the original by meticulously recreating and extending its distinctive sounds and beats with new programmability features, and adds over 250 additional presets that take it from mild to wild.

Pattern creation has been simplified with X0X-style 16- or 24-step sequencing, copy-and-paste, and real-time entry using trigger, keyboard, or MIDI device. CR-78 also includes an expansive song mode for chaining up to 99 patterns. All of the original variations for fills, accents, voice cancel, and fades are present, along with new swing and velocity options.

Cherry Audio's CR-78 can be played standalone and includes versatile plug-in options loaded with such DAW-friendly features as auto-sync, drag-and-drop MIDI export, individual outs, and complete automation.

Unlike sample-based instruments, Cherry Audio has emulated the original's tones through modeled synthesis, and a Voice Edit panel allows extensive instrument parameter editing, enabling a range of sonic and melodic possibilities far surpassing the original.

The innovative Effects/Mixer panel delivers discrete level, pan, mute/solo; studio-quality effects, including overdrive, flanger, delay, gated reverb with effects send buttons; and a master compressor and a six-band graphic EQ.

In short, Cherry Audio's CR-78 goes deep inside the box to provide the ultimate outside-of-the-box experience.

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the features of this tremendous virtual drum machine."

Gary Numan - Are 'Friends' Electric ? (1979)

YouTube via orestes988.
"Gary Numan performs Are Friends Electric from the Replica album. 1979."
Note Billy Currie of Ultravox and Visage on ARP Odyssey. Video also features the MOOG Polymoog and Minimoog and I'm guessing a Yamaha CS80.

BTW, I couldn't find the original video for Are Friends Electric, only the following clip. If anyone can find it, let me know.

GARY NUMAN- INTERVIEW 1979

YouTube via spaceboots5. "Countdown special on the artists of the the 70's"

and an interesting interview on Gary's other hobby:

Leo Sayer Interviews Gary Numan, October 1983

YouTube via smileyartproductions.
"Interview with Gary Numan from the Leo Sayer Show in 1983 in which Gary discusses his love of flying."

Electric Independence: John Foxx

via motherboard.tv
"We went to visit John Foxx deep in the darkest depths of Shoreditch, East London, at the studio of his latest collaborator, Benge. The studio isn’t far from where Foxx’s infamous “The Garden” studio once laid (on top of multiple Roman graves no less) and it’s also the location where the duo cut Interplay, the latest album by John Foxx and the Maths.

The notoriously quiet man sat down with Jordan to wax nostalgic about Foxx’s time in Ultravox, synths (obviously) dub techniques, drinking and eccentric sex. Finally, John was kind enough to demonstrate his infamous drum machine and play us some of the patches from his highly influential first album, Metamatic."

You might recognize Benge from several posts here on MATRIXSYNTH. He runs It's Full of Stars and currently works with John Foxx.

Ultravox's String Synths were the Yamaha SS30 Not the Solina

My mistake. See the update in this post.

PPG EVU Expansion Voice Unit

via this auction

"This is the "brains" of a PPG Wave 2.3: Classic vintage 8 voice wavetable synth; digital oscillators for complex waveforms; warmed up with rich analog filters [8x Curtis SSM 2044 VCF chips], designed by Wolfgang Palm, used by famously by David Bowie, The Fixx, Trevor Horn, Jean Michel Jarre, Art of Noise, Rush, Depeche Mode, Gary Numan, Robert Palmer, Psychadelic Furs, Talk Talk, The Cars, Ultravox, Steve Winwood, Rush, Stevie Nicks, Thomas Dolby, Pet Shop Boys, Mike and the Mechanics, and Stevie Wonder.

If you already have a PPG Wave with an active PPG Bus, the unit will work directly, but won't work with MIDI until you or a technician complete

When complete, you can sample with the Waveterm-A, edit the sounds via MIDI over sysex and dump wavetables back and forth from computer to EVU and Waveterm-A.

However the buyer should know:

This unit predates MIDI [was built between 1982-1984] and will require a technician to complete the build we started for the MIDI to EVU converter, as planned here: http://www.hermannseib.com/english/synths/ppg/midiretro.htm

All of the parts, veroboard circuit, and new OS ROMs are included.
Sale includes the following:

(1) PPG EVU Expansion Voice Unit: 4u rack module with 8 independent outs, volume & pan controls; PPG Bus I/O, Tape SYNC I/O and Pedal input
(1) Current Virtual Music 8.3 PPG OS ROMs mounted on veroboard circuit & processor board €80.00 Value -- Allows PPG to respond to SYSEX control for remote editing of sounds
http://www.virtual-music.at/webseiten_e/zubehoer/ppg.htm#83
(1) Old PPG 3.0 ROMs

THIS ITEM IS 30 YEARS OLD, WELL MAINTAINED OVER TIME, BUT IS SOLD *AS IS* AND SELLER WILL NOT ACCEPT ANY RETURNS ON ITEM.
ITEM WILL BE INSURED FOR FINAL SALE AMOUNT AND WILL NOT BE DEDUCTED FOR CUSTOMS, VAT, OR TAX PURPOSES.

LINKS:
http://theppgs.com/
http://www.ppg.synth.net/
http://www.hermannseib.com/english/synths/ppg/
http://till-kopper.de/ppg-wave2_3_V8-3.html
PPG Product Information
MPN: PPG EVU Expansion Voice Unit
Type: wavetable synthesizer rack module
Power Supply: 220V

From SynthMuseum.com
http://www.synthmuseum.com/ppg/ppgevu01.html"

Inside a PPG EVU. Also see: PPG PPG Waveterm A + EVU Expansion Voice Unit for Sale

CLICK FOR MORE »

Abbey Road Institute: The Moog session - The synth that shaped musical history

Streamed live on Dec 1, 2017 Abbey Road Institute

"On the 1st of December we are featuring another historic instrument that shaped musical history: The MiniMoog!

How did it become such an icon?
What makes it so special?
And why does it sound so massive?!

We got you covered. Tune in on the 1st of December.

Shaping musical history:
The Minimoog was designed in response to the use of synthesizers in rock/pop music.
Jazz composer Sun Ra was the first to use a prototype of the Minimoog in his music and Keith Emerson (musician and composer) was the first musician touring with a Minimoog, demonstrating some amazing pitch-bending techniques for the first time with many keyboard players following his example afterwards. Just like the Hammond organ (as shown in our previous event) the Moog became a serious competitor to the electric guitar, making guitarist looking for eleven on their volume control as the only way to compete. Because of its fantastic and cosmic sound, it soon was embraced by the gods of the new progressive rock with bands like Yes and Emerson Lake & Palmer.

As keyboardist of Yes, Rick Wakeman said the instrument 'absolutely changed the face of music.'

Besides progressive rock, Jazz legends like Chick Corea and Herbie Hancock added the Minimoog to their arsenal, delivering devastating jazz solos and Bob Marley introduced the Minimoog when the band first played in the UK on the BBC.

After taking the progressive rock and jazz world by storm, it made its way back towards the synthesizer’s roots, in electronic pop and experimental music. One of the most well-know band using the Minimoog for this purpose was Kraftwerk on their albums Autobahn and The Man-Machine. Shortly after that, the characteristic sound of the Minimoog became an important part of the synth-pop era and inspired an entire generation of electronic musicians like Brian Eno and Ultravox.

Since then the Minimoog transformed the music landscape of every musical genre, from the R&B/Soul of Earth Wind & Fire and the most successful recorded album of all time, Thriller from Michael Jackson, till the West-Coast sound of Dr. Dré and the industrial music of Trent Reznor.

But a major transition occurred when electronic music was slightly forced back into the underground and analog synthesizer started shaping the sound of House Music, Techno and all other genres of electronic music. This is where the Minimoog found a new homebase in the hands of producers and bands like Carl Craig, 808-state, Portishead and many more leading to the iconic sound in today’s electronic music and the production of new Moog synthesizers and soundalikes.

The original Minimoog is a true classic. But what makes the sound so special?
On the 1st of December, MarcoAntonio Spaventi (music producers, mastering engineer, analog synth evangelist and Abbey Road Institute lecturer) will give a Masterclass about the Minimoog and it’s unique sound at Abbey Road Institute Amsterdam. In order to share his love for the Moog, this masterclass will be live streamed through Facebook Live.

MarcoAntonio will talk about the differences between the original Minimoog Model D and the Minimoog Voyager, the unique features of both instruments and the technical aspects that makes it sound so special. But most important, you can hear them live including a jam with an hardware sequencer at the end of the session!

Next to the above mentioned synths, we will have a variety of other Moogs to explore the different sounds and flavours of Robert Moog’s legacy. With one very special model…

The Memorymoog!
Many say the Memorymoog is like having 6 Minimoogs stacked in one machine! While thats not entirely true it does sound like no other poly synth with a very specific and massive character. Just like the Minimoog, the Memorymoog gets his monumental sound due to certain imperfections of the instrument. A perfect example of finding perfection in imperfection! MarcoAntonio will explain you all about the different features that makes this synth so unique."

Synth Talk with Richard Burgess of Landscape

LANDSCAPE: 'European Man'

Uploaded on Jan 19, 2008
Landscape's 'European Man', featuring Barbie Wilde.

Pea Hicks who runs Optigan.com and the MC-8 blog, has a great post up on Richard Burgess and the use of the Roland MC-8 Micro-Composer.  The following are a couple of excerpts and videos for reference.  Along with synth talk there are some interesting historical bits on the time including the origin of the New Romantic label and scene.  Richard Burgess worked with Rusty Egan who in turn was in Visage, a band consisting of him Billy Currie and Midge Ure of Ultravox, John McGeoch of Magazine, Siouxsie &  PIL (Johnny Rotten of The Sex Pistols), and others.  Lot's of cross collaboration at the time.  If interested you can start with Visage on wikipedia and click through the names.  The post-punk New Romantic followed by New Wave movement brought synthesis to many.  In Pea Hicks' interview you'll find a great audio snip with some geeky synth talk on setting values for the MC-8 - this is in an actual track.

"Pea: I’m sure to you it probably seems like a head-scratcher why anyone in this day and age would voluntarily subject himself to the hassles of dealing with ancient sync dilemmas, but for me that’s part of the fun and also it’s a way of working that inevitably produces some idiosyncratic results that you wouldn’t get by doing things the “easy way.” I’m definitely after that metronomic Human League type groove.

Richard: I think the machine definitely influences the result so I don’t see it as odd to want to use the MC8. I have thought about it myself.The same thing applies to analogue sequencers. Like I said, we synched the MC8 to the CR78 by programming a square wave to come out of the mulitplex outputs and then we adjusted the level through a console until it ran the CR78. Most of those old drum machines run on simple square waves with no flags. Getting them to run in the same time is less of a problem than getting them to start at the right time. I used the MC8 in preference to later machines because of the timing. I found early Cubase to be shaky (it’s fine now) and SMPTE Track from Hybrid Arts was very sensitive to processor load. I always liked the timing of the Linn 9000 and I still have mine. I don’t know about the DMX but the 808 should lock tight – it’s only one machine later than the CR78 if I recall correctly."

And on Shock's Angel Face:

"Richard: Oh yes, that was all me. Rusty Egan brought the group and the song and I programmed everything in my home studio and recorded it at Mayfair Studios in South Moulton St. with John Hudson engineering. It was the System 100Ms with the 10x gate modification on the bass line for sure. I did all their recordings and I wrote the rest of the songs with various members and Rusty."

Shock - ANGEL FACE - Shock

ROLAND CR-78 RHYTHM DRUM MACHINE

images via this auction

I never noticed the sliders on the SH-32 are similar until now.

Auction description via wikipedia:
"The Roland CompuRhythm CR-78 is a drum machine launched in 1978.
Although primitive by today's standards, the CR-78 represented an important advance in drum machine technology at the time. The wood effect cabinet and preset rhythms of the CR-78 such as Waltz, Bossa Nova and Rhumba suggest that it was seen by its designers as primarily an accompaniment for an electric organ, but the CR-78 became one of the favorite instruments of New Wave and electronic musicians in the late 1970s and early 1980s. Songs that make prominent use of the Roland CR-78 include Heart of Glass by Blondie and In the Air Tonight by Phil Collins. [2]

The machine and its controls
The CR-78 used analog drum voices, which sounded very little like real percussion instruments, but they instead had their own distinctive sounds. The unit also incorporated an early Intel microprocessor to provide digital control of its functions.[3]

Previous Roland drum machines had offered only a selection of preset rhythms. The CR-78's key new feature was that in addition to offering 34 preset rhythms, it provided four programmable memory locations for storing patterns created by the user. These could be created by using step programming with the WS-1 box, which was available as an optional extra. [4]

CLICK FOR MORE »

Composer Jeff Danna talks about Korg MS-20 and Kaoss Pads

Published on May 2, 2014 Korg·452 videos

Ultravox's Sleepwalk gets a mention.

"Emmy-nominated and Juno winning film and television composer Jeff Danna has composed music for a diverse range of films including The Boondock Saints, Resident Evil: Apocalypse, The Imaginarium of Doctor Parnassus and many more. He also has done work for television series, Continuum. In this video he talks about owning an MS-20 and integrating Kaoss Pads into his work.

For more on Jeff head over to http://www.jeffdanna.com.

Like/Follow us:
https://www.facebook.com/korgusa
https://www.twitter.com/korgusa
http://instagram.com/korgofficial"

Follow-up to The IT Crowd's Matt Berry Talks About the MS-20 Mini.

Ultravox's Warren Cann Review of the Linn LM-1 Drum Computer

via noyzelab

Back to 1986 - PSB & Jarre with old samplers and synths

Published on Sep 21, 2018 Espen Kraft

"This track is a mix of three favorite synthpop tracks. 'Paninaro' and 'Domino Dancing' by the Pet Shop Boys and 'Zoolookologie' by Jean Michel Jarre. It has the tempo of Paninaro and the vocal oohs inspired by Domino Dancing.
The signature 'voice' sample in my track is created by myself by sampling a friends voice on another track of mine and processing it heavily and sampling it back into the Emax.
Most of the sounds in this track is samplers and most, if not all the samples are my own work, including the thunder in the beginning and other effects.

The track is called "Americana" and in reality this was the nickname of a girl I once knew. Way back and back I was....

https://open.spotify.com/album/2fsq51...
https://soundcloud.com/espenkraft

Btw, this track has been 15 years in the making.

I use DistroKid for all my releases onto streaming services.
Try out Distrokid yourself and get a 7% discount off your first year by using this link:
http://distrokid.com/vip/espenkraft

Growing up I listened to so much synth-pop and it's only natural that my own tracks takes inspiration from many of the acts I loved back then. I still love them and listen to them!

CLICK FOR MORE »

Synth Britannia Airs This Friday

via Electronic Battle. For those of you in the UK, Synth Britannia airs this Friday night at nine o'clock, on BBC Four. Mark your calendars as unless something new comes up between now and then, this will be the only post. For the rest of us, here's a trailer [previously posted].


YouTube via Synthasy2000
" In the late Seventies small pockets of electronic artists such as The Human League, Cabaret Voltaire and Throbbing Gristle were inspired by Kraftwerk and J G Ballard to dream of the sound of the future against the backdrop of bleak, high-rise Britain.

Gary Numan's 1979 appearance on Top Of The Pops heralded the invention of synthpop, which would provide the soundtrack as Britain entered a new, ruthless era in the Eighties.

Depeche Mode, four lads from Basildon, came to embody the new sound, while post-punk bands such as Ultravox, Soft Cell, Orchestral Manoeuvres In The Dark and Yazoo took the synth from the pages of the NME and onto the front cover of Smash Hits.

By 1983 the Pet Shop Boys and New Order were pointing to where the future of electronic music lay in dance.

Contributors to Synth Britannia include Philip Oakey, Vince Clarke, Martin Gore, Bernard Sumner, Gary Numan and Neil Tennant."

GForce Oberheim OB-X Mini Demos

video upload by GForce Software

"GForce’s Oberheim OB-X is the world’s first officially endorsed emulation of this famous 80s synth. Yet it sounds modern and lends itself superbly to Electronica, EDM, Drum and Bass, Ambient, Rock, Prog Rock, Hip Hop and more. The original synth was used by immense artists and groups such as Japan, Ultravox, BBC Radiophonic Workshop, Chick Corea, Herbie Hancock, Depeche Mode, Queen, Larry Dunn, Youth, Chris Franke, Styx and many more. GForce’s OB-X preserves the sound everybody loves and has been upgraded to offer new sonic possibilities."

GForce Intros RE STRINGS for Reason w/ Billy Currie Interview & Freeman String Symphonizer Overview

Published on Apr 11, 2017 GForce Software

"RE-STRINGS is our Rack Extension version of the award winning VSM and contains a selection of its most popular and iconic String Ensembles including: ARP Quadra, Crumar Multiman, Elka Rhapsody, Eminent 310, Freeman String Symphonizer, Godwin String Orchestra, Hohner K4, Junost 21, Korg Lambda, Korg PE2000, Logan String Melody II, Mellotron Violins, Moog Opus III, Roland VP330, ARP Solina, Technics KN200, Yamaha CE-25 & Yamaha SS-30.

With it's dual layer capability, it's possible to load the classic string ensemble sounds from years gone by or create your own hybrid ensembles.

Legal Notice
All musical instrument manufacturer and product names are trademarks of their respective owners and in no way associated or affiliated with GForce Software Ltd. The trademarks of other manufacturers are used solely to identify the products of those manufacturers whose sounds and technical data were studied for this instrument. All names of instrument inventors have been included for illustrative and educational purposes only and do not suggest any affiliation or endorsement of GForce Software Ltd."

Billy Currie talks String Synths, VSM & RE-STRINGS

Published on Apr 11, 2017 GForce Software

"During the process of creating patches for RE-STRINGS Rack Extension, we talked with Billy Currie about his use of String Ensemble keyboards over the years and how the Elka Rhapsody and Yamaha SS-30 contributed to some of Ultravox's classic tracks.

Billy also talks about how valuable the VSM and RE-STRINGS libraries are to him and how they've been used in his latest album, Doppel."

Freeman String Symphonizer

Published on Apr 11, 2017 GForce Software

"A brief walkthrough of the Freeman String Symphonizer, invented by Ken Freeman, sounds from which are in both VSM and RE-STRINGS.

The Further Adventures of K.FREEMAN and his Incredible Machine of a Thousand Strings courtesy of I Monster - BRIGHT SPARKS album. www.imonstermusic.com

Ken Freeman footage courtesy of BRIGHT SPARKS Documentary
http://brightsparks.movie"

via Propellerhead

"50% OFF Release Offer! 2 weeks.

The modern, polyphonic string synthesiser was invented in 1970 by Ken Freeman, a British keyboard player and engineer who discovered that if you layered two notes then detuned and slightly modulated one a pleasant ‘chorused’ sound resulted. Over the next 10+ years Ken’s initial discovery spawned an industry that saw the manufacture of more than one hundred ‘string machines’ and multi-keyboards.

Although viewed by some as a one-trick-pony or a poor man’s polysynth, string machines had so much character they’ve graced tracks by artists as diverse as; Lonnie Liston Smith, Air, Pink Floyd, The Cure, Parliament, Herbie Hancock, Camel, Joy Division, Jean-Michel Jarre, Thomas Dolby, Tonto’s Expanding Head Band, Genesis, Toni Tone Tony and countless others.

Product details
Based on our award winning Virtual String Machine (VSM), RE-STRINGS comprises 67 individual sample sets from a plethora of classic analogue string ensembles including the ultra rare (and first) Freeman String Symphonizer, the highly coveted Solina, the eminently desirable Eminent 310, the highly-lauded Logan String Ensemble, plus several other classic (and not so classic) string machines.

Each sample set spans 49 notes (4 octaves), each individually sampled and looped, plus RE-STRINGS contains a 700+ patch library created by respected patch designers including legendary string machine user and keyboard maestro, Billy Currie.

With Dual Layer capabilities - each layer comprising of a Lowpass, Bandpass & Highpass Resonant Filter Section, Two Envelope Generators, Pitch or Filter LFO, Dynamic control including filter aftertouch - if you want to create your own hitherto unrealised hybrid combinations of classic and evocative string ensembles, it’s a cinch. Finally, global vintage style Ensemble & Phaser effects are provided, allowing you to hone your sound to evocative, retro, string ensemble perfection.

RE-STRINGS includes string tones from the following classic instruments ARP Quadra (1978) Crumar Multiman (1975) Elka Rhapsody (1975) Eminent 310 (1972) Freeman String Symphonizer (1973) Godwin Model 749 String Concert (1980) Hohner K4 (1977) Junost 21 (c 1986) Korg Lambda (1979) Korg PE2000 (1976) Logan String Melody II (1977) Mellotron (1963) Moog Opus III (1980) Roland VP330 (1979) Solina String Ensemble (1974) Technics KN200 (1982) Yamaha CE-25 (1983) Yamaha SS30 (1977)"

Midnight Drive | Roland JX-8P | Synthesizer

Espen Kraft
Published on Jul 29, 2016

"Listen at Soundcloud:
http://soundcloud.com/espenkraft/midn...
Listen at Spotify:
https://open.spotify.com/album/0PCiw7...

Listen to more of my music at: http://www.espenkraft.com

The track is dominated by the Roland JX-8P analogue synthesizer from the mid 80'ies- About 70% of the sounds on this track is from it. The sweeping synths is the Roland Juno 2 and the drums is provided by the Roland TR-626. The arpeggiated sound in the beginning is the Roland Juno 6. It's arpeggiator is synced to MIDI clock.machine.
The main solo comes from the Novation MiniNova.

Stock footage provided by http://www.beachfrontbroll.com/ under CC.
additional stock footage provided by https://videos.pexels.com under CC.
All other footage done by me with the Sony A6000.

My tracks pay homage to all synth.pop acts of the 80'ies like Howard Jones, Depeche Mode, Pet Shop Boys, New Order, Thompson Twins, Tears for Fears, Ultravox, OMD, Euryhmics, Duran Duran, Giorgio Moroder, Jean Michel Jarre, Jan Hammer, A-ha and many more.

A use mostly old gear on my tracks and among them Roland Juno 6, Alpha Juno 2, D550 and JX-8P. Korg DW-8000. Roland TR-626 drum machine. Yamaha DX7 and TX802 and drum machine RX11. I use the Novation Mininova as a vocoder on all my tracks. Effects are usually handled by Strymon and TC electronics. Sampling is done on my E-MU ESI-4000 and I mostly use that for drums."

Ultravox-New Romantics Top 10

YouTube via chrisf242. Follow-up to this post.
Synths scattered throughout.

SEARCH /Broadcasting Tijuana Electronic Music to outer space

YouTube via pepemogt.

"Manglano-Ovalle transformed the bullfight ring of Tijuana located at the border in to a Radio telescope searching for "aliens". He suspended an antenna above the building and a receiving dish below, Live Electronic Music was brodcasted in the building, on the web, FM radio and into space. This project makes reference to the social situation of Mexican "Aliens".

In the video Pepe Mogt(Latinsizer, Fussible, Nortec), Ramon Bostich(nortec Collective) and Leslie(Dream addictive) were making music with digital and analog sequencers and synths(Arp Odyssey, Oberheim), the audio out of this machines was sent to Manglano-Ovalle Transmiter in real time in to outer space.

info about synths used:
The ARP Odyssey was and still is a very popular synth because it is a powerful lightweight version of the awesome ARP 2600. It was also ARP's response to the Minimoog and the Odyssey became the most popular synth ARP ever sold! The Odyssey is a 2-oscillator analog synth (with duophonic capability) which sounds really nice; the Minimoog has 3 oscillators and is considered fatter. The Odyssey comes well equipped with all the tweakable features you'd expect: resonant low pass filter, ADSR envelopes, sine or square wave LFO and even a sample-and-hold function. It also added a few new features such as a highpass filter in series with the lowpass, oscillator sync capability and pulse width modulation. It is a very professional and expressive machine that can create nice analog basses, interesting leads and great effects and sweeping sounds or noises!

There were many versions of the Odyssey over the years, each a little different. Pictured above is the Odyssey I (Model 2800). These original white-faced Odysseys used a tinny 2-pole VCF filter design (Model 4023) similar to old Oberheim SEM modules. They also used a rotary knob for pitch bending. These models were produced between 1972-74. Odysseys have been used by ABBA, Bomb The Bass, Ultravox, Gary Numan, LTJ Bukem, Air, Tangerine Dream, 808 State, Apollo 440, Nine Inch Nails, Astral Projection, Chick Corea, George Duke, Josef Zawinul, John Foxx, Vangelis, Elton John, Latinsizer, Jethro Tull, Fussible, Nortec Collective, Jimmy Edgar, DEVO, R.E.M. and Herbie Hancock

TR-808
The TR-808 is a classic drum machine that used analog synthesis to create its sounds. The sounds have a very thin and pure quality and aren't grungy like it's successor the TR-909. In fact, the 808 has become the signature beatbox used in most R&B and hip-hop as well as a lot of dance and techno music. Booming bass kicks, crispy snares and that annoying cowbell sound made famous during the 80's are all part of the 808 and its famous sound.

Its 16 drum sounds include the famous boomy low kick, snappy snares, low/mid/hi toms, low/mid/hi congas, rimshot, claves, hand clap, maracas, cowbell, cymbal, open hihat, closed hihat and accent. All of the sounds can be edited and/or tuned and have individual outputs. Unfortunately it is not MIDI equipped but it does use Roland's DIN Sync.

The TR-808 was OK in its time. It just didn't sound like real drums. When the Linn Drum machines appeared, the 808 seemed doomed. But its unique sound and analog allure have found it a long-lasting home in many forms of music. Clearly the 808 has been one of the more important and famous drum machines in the history of music, spawning imitators (ReBirth, DrumStation) and band names (808 State). Famous users include Orbital, Uberzone, Download, Aphex Twin, 808 State, BT, Bomb The Bass, Sense Datum, The Prodigy, Josh Wink, Faithless, Skinny Puppy, Bushflange, Jimi Tenor, A Guy Called Gerald, Eat Static, Dr. Dre, Jimmy Edgar, Nortec Collective, Freddy Fresh, Richie Hawtin, Jean Michel Jarre, Cocteau Twins, Bostich, Marvin Gaye, Latinsizer, Luke Vibert, Ice Cube and Puff Daddy."

Roland S-10 old school sampling tutorial/workflow - Free samples download

Published on Aug 20, 2017 Espen Kraft

"Performance of the track 'Ocean Drive - Main theme' 17:47

Todays episode is a review and demo of one of my all time favourite samplers, the budget (of its time) sampler Roland S-10. It has "only" 4.4 secs of total sampling time and it holds only max 4 sounds in its memory at a time. Each of the ABCD slots/banks can hold 1.1 sec of sampling time.

Despite all its limitations it has remarkable many features and a killer arpeggiator as well and the sound on this is incredible, especially at the low end. The 12 bit 30KHz converters give this sampler a low end grit that really is very musical and provides perfect counterpoint to more modern sounds. Its big brother, the S-50 has the same sound and even more sampling time.

The S-10 was one of my first samplers so it holds a special place in my heart and I had lots of fun with it back in the day and even did gigs with it of course as it WAS a pro sampler in its day despite its shortcomings in the memory department.

S-10 manager software can be downloaded here:
http://s10manager.corlinks.nl/#C

A set of my own original samples for the S-10, not obtainable anywhere else on the net can be found here:

https://www.dropbox.com/s/0i7oybeovyi...

Please give me credits if you use those in any commercial way, thanks!

The track "Ocean Drive - Main theme" is recorded with only the S-10 sampler and all the sounds come directly off the S-10. It has been multitracked as the S-10 can only hold 4 sounds in its memory at a time as described above and in the video.

The song can be downloaded through Bandcamp.
https://espenkraft.bandcamp.com/

My tracks pay homage to all synth.pop acts of the 80'ies like Howard Jones, Depeche Mode, Pet Shop Boys, New Order, Thompson Twins, Tears for Fears, Ultravox, OMD, Euryhmics, Duran Duran, Giorgio Moroder, Jean Michel Jarre, Jan Hammer, A-ha and many more.

A use mostly old gear on my tracks and among them Roland Juno 6, Alpha Juno 2, D550 and JX-8P. Korg DW-8000. Roland TR-626 drum machine. Yamaha DX7 and TX802 and drum machine RX11. I use the Novation Mininova as a vocoder on all my tracks. Effects are usually handled by Strymon and TC electronics. Sampling is done on my E-MU ESI-4000, Akai S1000 and Roland S-10."

Alan R. Pearlman Foundation Interview with Billy Currie

video upload by Alan R. Pearlman Foundation

"Join d'ARP as she interviews Billy Currie, multi-instrumentalist and keyboard/string player for Ultravox about the early days of using ARP Odysseys."

https://alanrpearlmanfoundation.org/

Programmed sounds for Roland V Synth & V Synth XT

JMPSynth

"A demo of programmed and modified sounds from the Roland V Synth & V Synth XT. Mainly pads and effects that hopefully demonstrate how unique this instrument is.

Basic names for reference:

0:20 - JP String
0:50 - Cavin
1:08 - Dream
1:35 - Vocoder
2:05 - Wailing
2:30 - Frequency Lead
2:52 - JP String 2
3:17 - Moto Fade
3:41 - JP Padding
4:19 - Madness
4:36 - Wave
4:58 - Quiet Pad
5:29 - Glass Pad
6:08 - JP LMPray
6:47 - Effect
7:07 - JP Padding 2
7:44 - Narnia
8:15 - M Circle
8:32 - Ultravox
8:56 - JMJ Lead

jmp701@sky.com"