Update: accidentally had a bad link above. It's fixed.
"Very powerful analog synthesizer, with four filter cartridges and the Selector,
the rack module allowing all four cartridges to be ready for use instead of
plugging them one at the time on the rear of the synth module. OS 2.0, the best
working of all. Cosmetic condition is near mint. Functionally it's flawless, it
works like a swiss watch."
SEASON GREETING TO EVERYONE IN THE MODULAR COMMUNITY FROM THREETOM MODULAR! I HOPE YOU HAVE THE MOST EXCELLENT HOLIDAYS AND I WISH YOU THE BEST FOR THE NEW YEAR! :D
* Voice 1 (Bass): A mix of a triangle wave and a square sub coming from Klavis Twin Waves MkII into Steve's MS-22. Low pass cutoff is modulated by the Klavis Quadigy envelope generator.
* Voice 2 (Lead): A supersaw coming from Klavis Twin Waves MkII going into Steve's MS-22. Low pass cutoff frequency is modulated by the TipTop Z8000 sequencer, asynchronously clocked by the Doepfer A-145-4 quad LFO.
* Voice 3 (Pad): Acidrain Chainsaw into a stereo pair of Steve's MS-22 filters. The Chainsaw's waveshape is slowly modulated by the Doepfer A-145-4 quad LFO.
* Voice 4 (Bells/counterpoint): 4MS Ensemble Oscillator, manually tweaked throughout the sequence.
All voices go through the ZlobVnicursal VCA, into the Befaco Hexmix and Hexpander combo. The Hexpander sends an effects mix into the Happy Nerding FXaid for reverb (which is then mixed back in through the Hexpanders effect return).
This performance was sequenced by Ableton Live and the Endorphin.es Shuttle control (outside of the shot), based on the midi file 'A Christmas Carol Suite' by Richard Ian (you can find it here: http://midkar.com/holidays/christmas/... )"
"Took the Navibus to see the city's Christmas Lights in Madrid. Filmed the various holiday lights and Madrid city streets such as Gran Via and Cibeles. Celebrate the bright colors and city architecture on display. Wishing you all joyful Season's Greetings.
#christmaslights #madrid #fujixt4
This Fuji video test was shot from the top floor of the Navibus, using the Fuji XT4 camera paired with a Fujinon XF 23mm f2 lens. The video format settings for the original footage were Eterna film simulation, 4K 50p with a bitrate of 200 Mbps in Long GOP compression.
The video from the Fujifilm X-T4 was then edited and color graded in Final Cut Pro where certain clips were also additionally stabilized in software. This was in addition to IBIS on the Fuji camera which was set to active (but without boost or camera DIS).
"Inspired by Tim Shoebridge, I built this little box featuring a Doepfer LFO and 2 SEM type filters, essentially building the filter that is in the Sequential OB-6 out of modules, then running stuff through it. The Prophet Rev2 seemed like a great choice to use with it. I Call this the 'slightly poorer man's Oberheim.' Check out my other video where I run my Peak through this same filter. Cool sounds ensue."
Novation Peak with Oberheim-Style stereo SEM filter
"Inspired by Tim Shoebridge, I built this variable SEM filter to run my Peak through, along with some other synths in the future. I think it sounds great! Thanks to Patchwerks in Seattle for helping out with the modules and case!
Modules used are two Doepfer A-106-5 SEM filters and one Doepfer A-145-1 LFO."
00:00 - The template
00:49 - Audio and Midi
02:43 - The patch
03:37 - Adding to the patch
06:03 - Important menu option
10:15 - Useful shortcuts
16:41 - Navigation
"Demo of the new modules :
- Time expansion will get you Logic'd and Bernoulli gate'd clocks from Time Diktat
- Torn Artery is a dual function generator with only one trigger and a crossfader (Use it to go from a complex waveform to a sine to emulate filter behaviour)
Thanks a lot and don't forget you con support me via Bandcamp
I'll try to upload a new update more complete soon"
"The second dawless jam at the new Nick's Klimenko studio!
The core of the dawless setup is Novation Bass Station 2 + Uno Drum - great pair for analog Groove!
Used Synthesizers:
System-1
System-8
Uno Drum
Bass Station 2
Minibrute2
DeepMind
"Welcome to the soundset for a semi-modular system Moog Sound Studio: DFAM + Mother-32. It is a collection of 50 patches that include basses, drums/percussion, leads, plucks, textures, FXs. There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, melodic and inharmonic tones, straight and polymetric patterns. 🔮 Get the soundset: https://bit.ly/3x756yg
Highlights:
✅ high level of interconnection of the synths ✅ thoroughly set parameters ✅ detailed notes for patches full of tips and tricks ✅ audio examples in 3 versions: DFAM only, M-32 only, both together ✅ to recreate these patches you need up to 12 patch cords ✅ one of my hardest work ever, I spent up to 2 hours for each patch ✅ FREE BONUS: 150 samples with Scale and BPM (70-128 BPM), Wav 24/44100
The main point of the soundset is the high level of interconnection, not just syncing the two synths with independent timbres (individual presets for DFAM and Mother-32 are also available on my website). In this patchbook the timbres of the synths are soldered and can’t exist separately: 🔸 they modulate each other with LFO and Envelopes 🔸 a sequence from one synth change parameters on the other one gates and triggers interaction breaks predictable patterns 🔸 audio signals from VCOs may be used as modulation sources to create harmonies/intervals or crazy experimental inharmonic tones 🔸 or they may be used just as audio sources that go to the other synth to be processed with its (different) filter and envelope and get the «second life».
At the same time, they play different and clear roles, it’s not a sound mess, but two synths working in close cooperation.
