Korg Mono/Poly Analog Synthesizer w/ MIDI SN 372300

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via this auction

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Loopy Masterpiece: Inputs, Outputs, Effects

Published on Nov 25, 2014 ATastyPixel

"A look at my many attempts to figure out audio routing in Loopy Masterpiece.

I mentioned Sebastian Dittmann - he's @dittsn on Twitter

http://masterpieceedition.tumblr.com"

Loopy Masterpiece is in the works. You can find Loopy HD on iTunes here: Loopy HD - A Tasty Pixel.

All part of this video series:

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Elektron Rytm + Strom, A4 + Future Retro Zillion

Published on Nov 5, 2014 Crabfugium

"Here's a bit of fun with generated sequences on the Elektrons. All tracks on the Rytm were created using the Euclidean pattern generator in the Strom iPad app. I set up 16 patterns, generated a kick and snare on each pattern, then moved on to the closed hat for each pattern, etc. I did plenty of tweaking by sliding tracks around in time and whatnot, but I don't think that I manually entered any of the trigs. There was quite a bit of Strom randomization happening when I created the kit, too. I didn't use any samples, though.

The Analog Four stuff started out as two patterns with a snare on track 2, a liquidy-sounding percussive thing on track 3, and some bass synth stuff on track 4. Track 1 was never unmuted during this video. I copied those two alternating patterns out to fill a bank of 16 patterns and chained them up. Then I set Future Retro's Zillion loose on the synth track, recording one live pass through all 16 patterns and letting it overwrite anything that got in it's way. I was pretty surprised when it worked out this well. There are no parameter locks used on either machine yet, except for whatever was already embedded in the two pre-existing A4 patterns.

The folding aluminum frame is an EIT-1, made by Company Of Quail. It's a seriously solid piece of machinery- very highly recommended if you're looking for a 2-tier Elektron stand.

https://sites.google.com/site/company..."

Frequency Stepper 555 Timer Based Analog Sythesizer [How the Atari Punk Console Works]

Published on Nov 25, 2014 WaveShapePlay

"Above is a video about the 555 based "Frequency Stepper" it is called this because of the sounds it produces can have a sequential stepping up or down effect depending on your manipulation of the potentiometers. Check out my other 555 timer based videos for more info or ideas:

Atari Punk Console:

https://www.youtube.com/watch?v=UJHXD...


Getting Started with the 555 timer synth:

https://www.youtube.com/watch?v=WRD_n..."

More Info on TheWarp ARP 2600 Clone

Details added to this post.

Pin Electronics & Ramcur The HORNET bark test 3

Published on Nov 25, 2014 Pin Electronics & Ramcur

http://www.hornet-modular.de

George Harrison's Vintage LINNDRUM LM-2 Drum Machine Up for Auction?

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via this auction

Pic of the inside below.

"All original, ledgendary vintage 1982 LinnDrum LM-2 Drum Machine in wonderful, like new condition! Unless you have a time machine to go back and buy one brand new in 1982, I guarantee you will not find one in better condition! Take a look at the pictures..even the hinges at the back etc...all like new :) It could pass as new-old stock!

It also has an amazing history as it was owned from new by George Harrison, yes that guy from the Beatles! :)

Fully serviced and operationally perfect, no bad buttons or scratchy pots etc. New Ni-Cad memory battery fitted. So all ready to go!

Comes with rare original manual, power lead, all original sounds, and in a custom-fitted full flightcase. The full package!

Latest 3.1 software fitted.

Sounds utterly incredible! Used on countless numbers of hit records and now coming back again in very a big way!"

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STUNNING Vintage MOOG *The Source* SN 2145

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ARP 2600 2601 Synthesizer with 3620 Keyboard SN 0927

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via this auction

"This 2600 is in excellent working order, when i purchased it there was normal issues due to age and there was a microphone plug installed between the keyboard and console so i had it repaired by Wes Taggert of analogics is geneva ohio... This 2600 has the unpotted modules that earlier 2600's had. Arp did not want other synthesizer manufacturers to steal their technology so they put an epoxy in the modules which meant to repair the synth the epoxy had to be removed which adds time to the repair and could even damage the module. Repairs made to this 2600 were all tantalum caps in the console and keyboard were replaced, if these old caps decide to blow it could do major damage to the synth making repairs very costly. The power supply was rebuilt, and all slides and switches were cleaned. There was a problem with the VCA triggering which was also repaired in the console. This 2600 was fully calibrated. The keyboard has all bushings replaced and was cleaned and works smooth, all the keys are aligned nicely. The added microphone cable was removed and all wiring set back to factory. With the power supply and tantalum caps being replaced and repaired you will not have to worry about something major blowing and causing expensive repairs in the future."

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ALM Pamelas Workout Eurorack Modular Clock Generator with Original Packaging

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via this auction

Cool packaging.

"Technical information taken from ALM:

'pamela's workout' is a compact programmable clock source for your eurorack modular synthesizer system. it provides 8 highly editable trigger outputs, all correlated to a direct and voltage controlled bpm based clock.

pamela's workout grew out of a need to flexibly synchronize various clocked modules and external devices but do so in flexible and feature-full manner as to also enable more creative and playful rhythmic usage.

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Yamaha CS-40m Analog Synthesizer | HQ AUDIO DEMO | CUSTOM PATCHES

Published on Nov 25, 2014 Parker Tichko

"What does a Yamaha CS-40m sound like?

Here is a collection of custom patches that I programmed into my Yamaha CS-40m analog synthesizer. The demo includes basses, leads, sound effects, and more. I recorded these patches dry into Ableton Live without any internal or external effects processing. All parts were played by myself."

Ladik S-180 S-182 O-111 Q-010 F-510 L-110 C-510

Published on Nov 25, 2014 RuprechtM

S-180 sequencer
S-182 Cv outs (for S-180)
O-111 VCO4
Q-010 quantizer
F-510 Synare VCF
L-110 LFO
C-510 env+vca

Ciat-lonbarde Eurorack DENUM and SWOOP 1

Published on Nov 25, 2014 opsysbug

"Pretty lights."

New ARP 2600 Clone In the Works - TheWarp Analogue Synthesizer

"TheWarp is a modern reinterpretation of the legendary ARP 2600 semimodular synthesizer produced by ARP Intruments from 1970 to 1981."

Website to come at http://www.thewarpsynth.com/

Update: "TheWarp is a modern reinterpretation of the legendary ARP 2600 semimodular synthesizer produced by ARP Intruments from 1970 to 1981. It is based on the original schematics and interely built with analogue components in traditional THT mounting and soldering process. Redesigned to fit within the standard 19" rack size, the actual instrument retains the graphic design, the size of the sections and feel of the original. Series productions will start in January 2015, the sale price will be CHF 3'400 (equals approx. 3'600 US $ / 2800 Euro depending on the exchange rate).

TheWarp is the result of a teamwork between Neil Otupacca, electronic engineer and former keyboardist of the swiss rock band Gotthard, well known in the swiss Prog-scene for his skills on the Minimoog and the Hammond organ, and Roberto (Bob) Raineri-Seith, electronic music composer, vintage synth collector and "analogue synthesizer guru" since 1984 atcontrolvoltage.org . Neil was responsible for the whole technical work, Bob supervised the project, acted as a consultant and is now responsible for marketing and sales. Both were assisted by Claudio Alge, proud owner of two ARP 2600 and a model 1613 sequencer since the mid-70s, who acted as an experienced advisor and by the graphic designer Shanti Maffioli, who redesigned the front panel. All four live in the same area in southern Switzerland and have long relations, so the contact was easy and constant throughout the entire developing and testing phase of the instrument.

TheWarp's main features and what's different compared to the original instrument:

• Traditional electronic components mounting and soldering technique (THT) as in the original instrument

• Same electronic parts as in the original, with only a few modern equivalents for discontinued or obsolete components. Notably, we replaced all LM301 with the newer TL071, TL072 and TL074 op amps.

• The entire electronic is now mounted on a single PCB, thus avoiding a lot of wiring between the different sections. The PCB is mounted directly to the front panel by means of the jacks and switches without additional "mounting holes"

• The PCB is a 4-layer design; the top and bottom layers use completely solid areas of copper pour connected to ground. The metallic chassis with the sliders is also connected to the ground for better shielding against electrical interferences.

• The original design, exact size of the sections, aesthetic appeal and feel were retained but adapted to the 19" format.

• The most complete oscillator design (VCO 2 on the original 2600) was adopted for all 3 VCO's

• The VCF is based on the first design, aka the 2012 submodule (I think they meant 4012, right?)

• No Voltage Processors, Envelope Follower and Preamplifier? Yes, to fit the new instrument within the 19" format we had to sacrifice some functions; we've choosen to retain only the Ring Modulator and the S&H instead of functions that we considered less important and not directly related to the specific timbre of the original instrument.

• No spring reverb and no speakers? Yes again, for the same reasons. On-board speakers also add weight, and a reverb unit can be added separately to the audio chain if needed. To match the original reverb on the ARP 2600 we recommend an analogue tank spring reverb from Accutronics

• As an important improvement, TheWarp features multi-turn trimmers for easy and precise adjustment. All the trimmers for fine adjustement of the oscillators and the filter are located on the rear of the panel and easily accessible

• Gate and Trig work within the range from 5V to 15V instead of the fixed 10V of the original instrument

• Can TheWarp be considered as a clone of the ARP 2600? Concerning the electronics, definitely yes except only the sections and functions mentioned above.

TheWarp is 19" wide, 12 U high (480 x 520 mm) and 13 cm (approx. 5 inch) deep.

Detailed infos about the instrument will be published soon here and on a specific website, stay tuned ;-)"

Silo Study

Silo Study from Peter Speer on Vimeo.

"Inspired by the work of John Butcher
(http://www.johnbutcher.org.uk/Site_Specific.html)

www.diode-ring.com"

RF Nomad Shortwave Radio Eurorack Module Demo

Published on Nov 25, 2014 mylarmelodies

"Being a demo of the considerably bonkers shortwave radio eurorack module that is the Evaton Technologies RF Nomad. LOADS of additional information below!

http://www.evatontechnologies.com/rf-...

GETTING MORE STATIONS ON RF NOMAD

"Get your antenna as high up as possible, and away from metal as much as possible. If you can clip a longer wire onto the end of it, to make the antenna longer, that will help too. I sometimes put a long wire on mine, and tape the wire up to the ceiling.

If you just can't pick up any signals with it, the tuning range is adjustable internally via tweaking the L5 inductor slug with a non-conductive screwdriver. If you are brave, power up your modular, with the Nomad hanging out of the case so you can get to the L5 inductor with a screwdriver. (Be careful not to let the module short against anything!) Set the Tuning knob to the center position, then tweak L5 until you hear stuff. Don't apply much force, and be aware that you can only turn the slug about 1 full rotation. Also, once you've done this, it's going to take a few hours (yes hours) for the tuning to quit drifting, because you've mechanically disturbed the inductor and it takes a while for it to stop creeping from the mechanical stress.

THE STORY BEHIND THE MODULE

The RF Nomad started out as a germ of an idea between myself and my friend, DSP guru Michael Mecca of Pittsburgh Digital -- we frequently meet for lunch to discuss all things synth. About a year or so ago, he mentioned how much fun he used to have as a kid, playing with his dad's shortwave radio, making crazy squealy noises, listening to the haunting sounds that come over the airwaves. I said I had the same experience as a kid, too. Wouldn't it be cool to make a module that lets you bring that experience into the modular world?

I actually had plenty of experience with radio circuits, and a rudimentary design for a shortwave receiver with voltage-controlled tuning immediately sprang to mind.

Most off the shelf shortwave receivers are AM (amplitude modulation) receivers, which suppress the carrier signal. From my ham radio experience, though, I know that if you listen to shortwave frequencies with a sideband decoder instead of an AM decoder, you hear the carrier signal as well as the audio signal, which I feel is far more interesting as a sound source for a synth than just the plain audio alone. It's the bit that gives you those searing heterodyne squeals.

So, it was decided to go with a "direct-conversion" receiver design, which receives both sidebands. Normally, one doesn't think of a direct conversion receiver when trying to design a modern receiver, because they are very crude. But, in the case of the RF Nomad, crude is exactly what we want! It's gives more squeals, more hiss, more heterodynes, more brutal nasty sonic goodness!

You can alter the tuning with the CV input, like it's a remote control for the tuning knob. Apply an LFO, and the tuning slowly increases and decreases. Attach it to a sequencer, and you can cycle thru stations, or just cycle thru different pitches of squealy heterodynes. Hook it to an envelope generator and get on-demand heterodyne swoops. Hook it to an audio-rate LFO, and now you get freaky FM effects. Really cool if you happen to be receiving a strong broadcast station.

The Nomad tunes roughly 9.6 to 10.0 MHz, which is most active late afternoon to early evening, though YMMV. If you can't get a strong station, you can try extending the antenna (just clip another length of wire onto the end of the supplied antenna). Or, find some old electronics, and drape the antenna over it. Stuff from the 80s/90s era -- Commodore 64's, PC AT's, game consoles, etc. The EMI generated by these devices makes for some interesting sonic material.

If you do want to simply "listen" to shortwave on the Nomad, you'll want a bandpass filter after it. The output is 100% UN-filtered, to allow you to have plenty of material to feed your favorite filters with.

The output of the Nomad can be fed back into it's CV input for some self-modulation fun. Patch the output to a multiple, and then feed one signal from the multiple back into the CV input.

Because the Nomad is a direct-conversion receiver, warts and all, one of those warts is that it is somewhat drifty with temperature. I've done about as much as I can to reduce the driftiness, but you will notice that over several minutes it will wander around a little bit. I felt this was an acceptable trade-off, as the true talent of the Nomad is how well it responds to a quickly changing CV input to generate quirky sounds.

I think that covers the basics. It's pretty versatile for a module that only has one input."

Numerology 4 -- sequence + modulate

Numerology 4 -- sequence + modulate from Five12 on Vimeo.

"This release video for Numerology 4.0 features several demo tracks included with the download."


"Nine Things To Know About Numerology 4....

1. Numerology is a Step Sequencer.

At it's core, Numerology is all about building musical phrases by starting with simple patterns of repeating notes, and then manipulating the pattern with a set of easily applied transformations. Pattern rate, length, direction, inversion, start & end points, skipped steps, probabilistic jumps and mutes, these can all be triggered at anytime, and are all setup to be usable while performing.

2. Numerology is many Step Sequencers.

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A slightly weird Modular Synth Jam (w/ Eurorack, MicroBrute, Volca Beats) #TTNM

Published on Nov 25, 2014 The Tuesday Night Machines

"Jamming anonymously...

Audio gear used:
- Eurorack Modular Synthesizer (with Malekko Wiard Anti-Oscillator, Intellijel Dixie, Koma Kommander, Klangbau Köln Wavetable VCO, Erica Polivoks VCF, etc. see: http://www.modulargrid.net/e/racks/vi...)
- Arturia MicroBrute (analog synthesizer)
- Korg Volca Beats (drum machine)
- Zoom R16 (recording & mastering)"

V2 Customized Roland SH-32 Synth

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via this auction

"Customized Roland SH-32 Analog Modelling Synthesizer with 808, 909, CR78 drums. PIMPED-out and a real stunner! Gorgeous monochromatic scheme, wooden sides, Moog style knobs and colour coded sliders."

SH-5 / SH-3 color motif in blueish tint vs. green.

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Stack of Waldorf

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via this auction

This is a follow-up to this post. The Pulse has been added to the stack. The auction is for the following: "Waldorf Microwave 1 rev A 3389 + Pulse + MB-15 Midi Bay + Syntecno Teebee T303"

See the previous post for a list of Waldorf sound sets.

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AtomoSynth MochikaXL and RM1x by Autobahn303

Published on Nov 25, 2014 atomolab

"Demo of the AtomoSynth MochikaXL and RMX1 [RM1x] by Autobahn303
thanks to MAx Salas!!"

AtomoSynth on eBay | Yamaha RM1Xs on eBay

Roland Jupiter-4 "Novemberblues"

(c) 2014 vintage synthesizer demo track by RetroSound
all sounds: Roland Jupiter-4 Analog Synthesizer (1978)
drums: Roland TR-808 (1982)
recording: multi-track without Midi
fx: delay and reverb

Fog, an original, live ambient track Korg Volca Keys, Bass, RK100s Keytar

Published on Nov 25, 2014 Tony Horgan

"Played live without a computer using the gear's onboard sequencers. ... Korg RK-100s Keytar, Volca Keys, Volca Bass and Arturia MicroBrute. It was so misty this morning, the camera lens fogged up. The Roland TR-8 is not strictly necessary here - it's just setting the tempo and starting the Keys. The tempo is 130bpm. Delay effects are from a Zoom 1201 and Korg KaossPad Quad."

coco sensul touch

Published on Nov 25, 2014 koze pz

"Hokema basic without skin.
A piezo disc is fit underneath and a few screws for touch."

ppg wave 2.3 synthersizer

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via this auction

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ARP Odyssey Mk III

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via this auction

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vxxy dcm8 chiptune drum machine synthesizer

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via this auction

"the power is in the DAC bit crush and the 2 track sequencer... sounds very c64, mssiah and gameboy lsdj."

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SNAZZY FX: SNAZZY FX AND MOOG! telephone game and Rogue

Published on Nov 25, 2014 snazelle

"Got any analog synth with gate/cv in ??
Get a one row euro system and breath new life into any basic synth.

In this video we take the TRIGGER/GATE output (we are using auto trig switch of MOOG but the wires would be the same for using the keys instead)

That trigger drives the SNAZZY FX TELEPHONE Game which works as a cv ( pitch) sequencer. We are feeding the telephone game the Y signal output of the Snazzy FX Chaos Brother ( which is in turn "controlled" by the MOOG rogue cv output jack) this feeds into the telephone game which sends each voltage into five cells ...passing it down and adding feedback till it is a completely new theme....

This is then sent back into the Moog via the SUM OUT ( in this video) and plugged into the CV IN of the MOOG"

Make Noise Richter Wogglebug

Published on Nov 25, 2014 MAKEN0ISE

"The Wogglebug is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 266 'Source of Uncertainty.'

New features in the Richter Wogglebug:

- A much more stable clock output with the widest frequency range yet seen on a Wogglebug. The clock now goes up to about 200Hz, allowing the Control Voltage and Gate OUTputs to be heard directly as different flavors of analog and digital noise.
- In previous Wogglebugs, the clock had been locked to the internal Sample and Hold Circuit. Now, with the Richter Wogglebug, the clock can be freed by the independent External Clock INput or the Disturb Button. Regardless of what is happening at these control points, the Internal Clock OUTput will continue to run at the specified rate, keeping it open for use as a Master Clock at all times.
- The Disturb Button allows the Sample and Hold Circuit to be clocked manually: press to sample, release to hold. When the Wogglebug is running fast, this can slow it down. When running slow or not at all, this kicks it in the ass and delivers the next set of random values.
- The Smooth VCO is a brand new waveform, Sharktooth.
- The Influence input has a greater effect on all parts of the Wogglebug's psyche than the previous Ring Mod input.
- The Burst output is more active and ALL portions of the Wogglebug are more responsive to control and touch.

http://www.makenoisemusic.com/woggleb..."

MASCHINE 2.2 - a new melodic dimension

Published on Nov 25, 2014 Native Instruments

Maschines on eBay

"The MASCHINE 2.2 update delivers completely new ways to create melodies and harmonies - revolutionize your workflow. More info: http://www.native-instruments.com/mas...

The MASCHINE 2.2 update adds a new melodic dimension to your productions with a new scale and chord engine, a fully-functional arpeggiator, and more. If you use MASCHINE STUDIO, it unlocks the touch-sensitive knobs. And this update also delivers full KOMPLETE KONTROL S-Series keyboard integration, turning MASCHINE and KOMPLETE into an unstoppable production duo.

MASCHINE 2.2 unlocks MASCHINE STUDIO’s touch-sensitive knobs. For example, when browsing, touching a knob automatically takes you to the tag cloud on the hardware display. Depending on which control knob you touch, you’ll see all available options and functions in a pop-up list. For instance, routing options for sounds and groups. Absolutely no menu diving – a turbocharged workflow.

MASCHINE 2.2 extends Keyboard Mode with a new scale and chord engine – fully integrated into the MASCHINE workflow. Simply select your scale and start playing melodies on MASCHINE’s 16 ultra-sensitive pads that are always in key. Engage Chord Mode and play chords directly into your compositions.

MASCHINE 2.2 extends Note Repeat into a fully-functional arpeggiator. Play any number of notes and let MASCHINE turn them into a melodic pattern. Use the arpeggiator in combination with Scale and Chord Modes and get polyphonic performances from just one key – always in tune. What’s more, the output of the arpeggiator is recorded into the Pattern Editor – perfect for post-performance editing.

MASCHINE 2.2 gives you full keyboard functionality within the MASCHINE environment. Press browse on your KOMPLETE KONTROL keyboard and the KOMPLETE Browser pops up on your computer screen, letting you select and load a sound directly into a sound slot in MASCHINE. Watch scales, chords, and arpeggios light up across KOMPLETE KONTROL’s Light Guide™, see the color of your sounds in MASCHINE directly on the keyboards, and get perfectly-mapped parameters instantly with Native Map™.

The beat goes on with the MASCHINE 2.1 software update. Discover the new Grit kick engine, shaker performer mode, group MIDI export, and more. This update is entirely free for anyone using the MASCHINE 2 software."

Flame 4 Vox Permutation

Published on Nov 25, 2014 Ebotronix

Flame 4 Vox, Beta Test 23 (V 0.97)
Buchla System #1
Moog Prodigy Bass, B Murf, CP251,MP 201,VX351
Kenton Pro 2000,Pro Solo mk 2
Rane SM 26
Rocktron Rack Interface
Soldano SP77 Tube Preamp
Yamaha KX 25, MCS 2
Mackie "the mixer"
Hameg Dual Trace Oscilloscope HM 312-8
FX: Akai MCF 42, Boss VF-1, Lexicon MPX 100, PCM80/90
Ultrabeat drum
vid # 1186

KARMA Motif Software v3.2 Released - Adds Support for Yamaha S70/S90 XS

"Westfield, NJ, Nov 24, 2014 - Karma-Lab has released KARMA Motif Software Version 3.2, a major update that adds support for the Yamaha S70 XS and S90 XS. A free update for any current owners, version 3.2 adds the following new features and improvements:

- supports 6 Yamaha instruments: adds support for the S70/S90 XS to the already supported Motif XF, Motif XS, MOXF, MOX and Rack-XS
- supports Mac OSX 10.4.11 through 10.10 Yosemite, Universal
- supports Windows XP through Windows 8.1, 32 and 64-bit
- new "Auto-Fill" feature - automatically trigger a fill with each scene change
- new keyboard shortcuts for Scene Advance (Next, Previous, Startup)
- new menu command and keyboard shortcut for Clear Solos
- updated and revised Tutorials and Help File
- other new features, enhancements, and improvements

KARMA Motif brings developer Stephen Kay's award-winning and patented KARMA algorithmic music technology to a number of Yamaha synthesizers in a Mac/PC software package, giving them extensive new interactive groove generation, arpeggiation and arranger-like capabilities.

The software includes the ability to use the keyboard's DAW Remote Mode to control all of KARMA's functions directly from the keyboard, while KARMA sends parameter information and values directly to the keyboard's display (on supported models). This allows you to control KARMA from the keyboard without looking at the computer, and makes it feel like the KARMA software is built-in to the keyboard.

KARMA Motif uses the keyboard's Song/Multi/Mixing mode, where each of the included KARMA Performances is a complete, 16 part multi-track six-module KARMA algorithmic music groove, with a left hand and right hand zone for controlling KARMA and soloing on top of it, and eight fully voiced and completely different scenes. The keyboard's arps are also additionally integrated in each Performance as additional elements that can be added via KARMA's Intelligent Chord Trigger Transposition features. And since you are already in Song Mode, you're just one step away from recording your KARMA-fied musical performances into the internal sequencer - or you can route the output to any DAW for external sequencing. Furthermore, a KARMA Performance can call up any Voice, Performance, Song, Pattern, or Master slot when loading, so that KARMA can be used in any of the supported model's modes.

KARMA Motif is available directly from Karma-Lab for US $199. A 13 minute Video Introduction [posted here] on the Motif XF is available demonstrating many of KARMA's interactive performance capabilities, which operate the same on all supported models. More information, including links to documentation, tutorials and user forums, can be found at karma-lab.com/karma-motif

About Karma-Lab

Founded in 1994 and based in Westfield, NJ, Karma-Lab is a provider of software for music and sound creation. The company has developed the KARMA features, software and sounds for a wide variety of Korg keyboards including the Korg Karma, Triton, OASYS, M3, M50 and Kronos, and its award-winning KARMA technology is covered by 9 US Patents. Karma-Lab has also recently released software and sounds for a number of Yamaha products including the Motif XF and XS series, the MOXF and MOX series, the S70/S90 XS series, and the Motif Rack-XS. KARMA technology is used worldwide by tens of thousands of users, for applications including audio production, song-writing, film/TV soundtracks, live stage sound, club remixes, computer game sound, and multimedia applications. Find out more at karma-lab.com"

dsi pro 2 sounds day 9

Published on Nov 24, 2014 Cray

"Dave Smith Instruments amazing Pro 2. I have been using synths since 1988, owned all the greats and the Pro 2 is an instant classic!"

Dave Smith Pro 2s on eBay

Pic of The DSP Ju-X Mini Monophonic Juno-106 Based Synth

Details in this post.