specifications
1 spdt relay switch via 3 mini jacks
trigger gate in
cv input for switch voltage to relay
audio out
audio output volume potentiometer
gate schorten switch
gate disable switch
"Using the OpenSoundModule with TouchOSC and Lemur.
The OpenSoundModule is a WiFi OSC to CV /Gate interface for Eurorack modular synthesizers.
See http://www.rebeltech.org/products/ope... for details."
"The Open Sound Module is a WiFi connectivity module. It sets up a wireless network connection directly with your modular synthesizer. The OSM has two CV inputs and two CV outputs, along with two trigger inputs and outputs, for bi-directional wireless communication.
Use the OSM to connect your modular synthesizer to your mobile phone, tablet, laptop, local network or the mighty internet. Use two OSMs to connect together two racks, whether they are in the same room, or even the same continent. Use many to make the biggest modular synthesizer in the world!
The OSM communicates using the OSC protocol. It can connect to your local WiFi network or set up its own access point. The Open Sound Module embeds a small web server, enabling you to control and configure the device with a browser."
"The Sputnik Modular Multi-Touch Keyboard Controller includes 29 keys, up to 4 voices and the following features:
CONTROL PER KEY
1v/oct
'Pressure' CV (measured surface amount)
Gate CV
ARPEGGIATOR
Internal and External sync switch
Up, Down, and Random modes
CV Trigger input
Manual Time control control knob
Hold
MODES
Polyphony Mono/Arp or Poly (2,3,4 voices)
Octave switch for +1, +2
In Mono/Arp mode, CV2 sends CV1+2 semitones, CV3 sends CV1+4 semitones, CV4 sends + 7 semitones
In Mono/Arp mode Gate 1 sends every gate, Gate 2 every 2nd gate, Gate 3 every 3rd gate and Gate 4 every 4th gate and can work like a clock divider
LOCATION SENSOR
Touch sensitive location strip with both CV and Gate outputs
MONO OUTPUTS
CV 1 out
Gate 1 out
Pressure CV out
POLYPHONIC OUTPUTS
2,3,4 voice switch
CV 2-4 outs
Gate 2-4 outs
All Pulses out
Also includes a 5v or 10v switch on the PCB for Pressure and Location
84hp +12V/-12V/+5
MAP: $499"
"Four channel oscilloscope, spectrum analyzer, spectrograph, tuner, dual waveform generator, clock source/div/mult, and more.
Oscilloscope
Tuner
Dual waveform generator
Clock source/div/mult
Spectral display
And more
Powder-coated & silk screened aluminum faceplate
Full color, 2.8” (71mm) display, with crystal clear, scratch resistant window
User upgradable firmware via included microSD card
Input / Output:
4 input jacks (+/-10V), AC or DC coupled via on-screen control
4 buffered through jacks, one for each input channel
2 clock/gate outputs (0 to +5V)
2 wave/CV outputs (-5V to +5V)
MADE IN THE USA
"The Passive Optically-Controlled Attenuator, or P.O.C.A., is designed to give a set of vactrol-based gates in a compact-but-usable module. Its four gates can be set to act as low-pass-gates, or normal optically-controlled attenuators (for a "VCA" type action) via jumpers on the rear of the module. CV is normalled in a downwards fashion, so that control signals input to the top gate can effect the gate at the bottom. This is also true of the audio, but with a gate's output normalled to the next gate's input. This allows for steeper filtering slopes and sharper control. It is recommended, however, that only two gates are used per chain as external buffers may struggle with high impedance inputs. To summarise, the features of the P.O.C.A. VAC1 are:
-Quad optically-controlled attenuator module
-Jumpable LPG or VCA modes
-Normalling provides easy control and signal patching
-2mm thick fibreglass panel
-Sturdy but compact design and construction
-Hand assembled and tested by Finlay Shakespeare at FSS HQ in Bristol
"This is a small improvised demo with the TipTop Z-DSP new cartridges by Christophe Duquesne featuring Eric Mouquet (Deep Forest)
It is a 3 takes improvisation and knob tweaking :
- first take with a Buchla going 100% trhough the Physical Modeling cartridge (waveguides and other physical models)
- second take with a Tempest going 100% through the Grain de Folie cartridge (granular effect)
- third track adds a few additional synth with an OB-Mx
A bit of editing and that's all (no additional effects)
The demo was recorded together by Christophe Duquesne (developper of the cartridge) and Eric Mouquet from Deep Forest (you can support Deep Forest on Pledge at http://www.pledgemusic.com/projects/d...)."
"M669 test , wicked module !
Thank's to Trogo !
M669 sound source only + eventide space , near the end M669+Noise Swash
and one drumloop into the M669
have fun"
Unlike other delays, Chronoblob can sync to an external clock. Patch one to the SYNC input and choose a multiplier/divider for rhythmic delays. Or don't do that and just sweep TIME for traditional, continuously variable delay times. Do you!
Chronoblob's OTA-based analog FDBK circuit is CV-controllable and can be pushed up to and beyond unity for near-infinite decay or harsh saturating feedback. The guts of the feedback loop are made available to you, the discerning modular enthusiast, via the SEND and RETURN jacks. Patch in a lowpass filter for smooth, shadowy echoes, or cop two blobs and get yr pingpong on! Use the equal-power crossfading dry/wet control to dial in your mix.
Chronoblob's mode switch selects its response to delay time changes. Throw the switch up to select resampling mode and get sweeping pitch effects reminiscent of a tape loop or BBD. With the switch down, Chronoblob smoothly crossfades between delay taps for quicker, more subtle changes. Patch in a clock and sequence the TIME CV input in this mode for rhythmic ratcheting delays!
Chronoblob also uniquely features a HOLD switch and gate input to freeze the audio buffer. Punch that shit and modulate TIME for mad stutter and glitch!
Specifications:
Audio: 16bit, 48kHz
Delay: 5ms to 500ms in SHORT mode, 50ms to 2.73s in LONG mode
Power: +12V / 90mA, -12V / 30mA
Width: 10HP
Depth: 30mm (including power connector)"
"First demo with the final proto
Guitar goes into module
Module out to tidal wave and wow and flutter then back into GTR_amp module then out to tube amp ...includes overdrive , discrete transistor input and gain stages , trigger out and proper attenuation and buffering to go back to amp (or just stay in euro and use your regular setup with a nice guitar input with overdrive and trigger out )"
"due to popular demand, Snazzy FX has created a module made just for you GUITARISTS!
THE GTR AMP euro Module!
Allowing you to both Control other modules with your guitar (such as triggering an envelope) And use your guitar as a +/-5v signal, effects like Ring Modulation, Triggered Sweeps, Tremolo, and more can all be patched up when you use the GTR AMP module as your guitars input into the system.
Made to complement a row of SNAZZY FX MODULES (the tidal wave and wow and flutter are both perfect for guitar processing!) as well as work with all other euro modules.
The main advantage of the module is the HIGH GAIN it can produce without turning your guitar into TOTAL MUSH, however it does range from clean to nicely over-driven."
"Jan over at DSP Synthesizers has created an emulation of the classic SP-12 and Drumulator from E-mu Systems and put it on a single chip. His original project is located here
Seeing this made me long for the older 80’s drum machines and I knew it would also be nice if I could get this into my eurorack using the least amount of space(HP) as possible. Well, getting 8 vintage percussion sounds into 10HP works for me!"
"Rare Waves LLC demonstrates a Grendel Drone Commander 2 prototype in Eurorack format.
Drone Commander 2 is a true analog synthesizer with discrete transistor technology. It has 12 knobs for lots of hands on control, and every knob is a push-pull switch that activates tone modification options.
It retains the original Drone Commander filter, and adds a second independently controlled filter for contrast. The second filter is a smooth and clean 4-pole lowpass filter (-24dB/oct VC-LPF). It has an attack-release envelope generator and serves as a lowpass gate, to control the volume and tone.
The LFO section has been completely revised.. its kind of hard to describe, listen instead (please pardon the noodling)
The optional Expander module can be connected to add voltage control. It has 18 patch points including CV/Gate input, Clock in/out, and external audio input. Connecting a MIDI controller and MIDI-CV converter to the Expander gives the Drone Commander 2 its full potential for melodic performance, sequencing, and synchronization.
The video soundtrack was recorded by line-in, with a bit of reverb and delay FX .. Yamaha SPX-1000 and Korg SDD-1200.
A stand-alone version may be in the works also. Thanks for watching!
