Void & Vista: FOLDS

video upload by VOID & VISTA

Void & Vista: FOLDS Playthrough (No Talking)

video upload by VOID & VISTA

"A tour of some of the sounds available in Void & Vista's new vocal sound design instrument, FOLDS."

Void & Vista: FOLDS - Walkthrough

video upload by VOID & VISTA

Press release follows:

VOID & VISTA announces availability of FOLDS as intimate yet expansive boutique VI for Native Instruments’ KONTAKT platform and NKS-compatible devices

“I’m fascinated by the human voice, so anything that lets me use it in ways I’ve not heard before is a must; FOLDS can either sit amongst real voices, generating a unique and complex — yet subtle — character, or it can drive a piece up front with its own very performable and programmable settings.”
- GRAMMY-, BMI-, and World Soundtrack Awards-winning film composer David Arnold (Casino Royale, Godzilla, Independence Day), 2024

LONDON, UK: cutting-edge contemporary music-orientated virtual instrument creator VOID & VISTA is proud to announce availability of FOLDS — formulated as an intimate yet expansive boutique virtual instrument for Native Instruments’ KONTAKT platform and NKS-compatible devices, based upon the human voice and its creator’s award-winning sound design engine — as of March 28…

Creatively combining expressive, characterful, and unique sampling with powerful sound design features and an inspiring UI (User Interface) to offer 32 sound sources anchored around expressive vocal articulations and textures, both real and imagined, FOLDS is ideally suited to contemporary media composers, production music writers, and sound designers alike. And thanks to the variety of emotive textures that it offers, electronic music producers and artists across multiple genres can clearly expand their toolbox, too.

That being said, then, FOLDS’ bespoke collection of carefully curated male and female vocalist articulations incorporate soft and hard arrhythmic expressions; weaving and wavering vowels; broken reversed hums; evocative vocalisations designed for bass; sound effects; and more.

For FOLDS also features an inspiring collection of effect sounds, such as reverse granulations, as well as re-synthesised, deconstructed, and synthetically processed sounds using Eurorack modular, effect pedals, and tape machine manipulations. Sampled synth waveforms taken from a collection of analogue hardware are also featured.

FOLDS’ 32 sound sources can be layered, sculpted, and effected using a deep, two-layer sound design engine that includes multimode filters; dual motion LFOs (Low Frequency Oscillators); six envelopes; customisable LOFI effect; three-stage parallel CHARACTER effects (with presets and user impulse response import); and dedicated REVERB and DELAY in the SPACE section. Such sound design power is available to all via an inspiring and intuitive UI with over 150 controls — including access to a custom MIDI (Musical Instrument Digital Interface) mapping page and dedicated send effects — designed to keep users focused on making music.

Moreover, FOLDS comes complete with a vast collection of over 300 preset snapshots organised locally for ease of use; all have pre-assigned mod wheel and/or aftertouch modulation mappings for jaw-dropping sound manipulation and adding musical expression... evidenced by award-winning film composer David Arnold’s understandably uncurbed enthusiasm!

FOLDS is initially available to purchase for 20% off with the FOLDSLAUNCH20 discount code that is valid until May 8, 2024 — rising thereafter to its regular price of £129.00 GBP — as a KONTAKT PLAYER- and NKS-compatible AAX-, AU-, and VST-formatted virtual instrument plug-in featuring 4.5 GB of samples that is compatible with all major DAWs (Digital Audio Workstations) running on macOS 11 or above — natively compatible with Apple Silicon — and Windows 10/11 directly from the dedicated product webpage here: https://www.voidandvista.com/products/folds

Fornax Void Oberheim Xpander Tracks

Playlist:
Fornax Void - Silts Mājas | Oberheim Xpander recorded on Tascam Portastudio
Fornax Void - Affinity | Oberheim Xpander recorded on Tascam Portastudio 414 MKII
Fornax Void - Infinity | Oberheim Xpander recorded on Tascam Portastudio 414 MKII
Fornax Void - Server Room Love Letters | Oberheim Xpander 6-Voice Multipatch (Live to Tape)
Fornax Void - Oberheim Taxi / Shanghai Xpander | Oberheim Xpander recorded to VHS
Fornax Void - Ancient Data Tapes | 2015 | Oberheim Xpander on Tascam Portastudio
Voidnet Online Service Provider | Xpander, Poly 800, DX21, Minibrute, Rocket, C64 (live)
Xpander + C64 + Minibrute + DX21 + Rocket + Poly 800 + Reface CS + FB-01 + TR-505

VOID // Live @ Erica Synths Garage

Published on Aug 2, 2017 Erica Synths

"VOID performs live creating sound with Doepfer A100 basic system with added Erica Synths and Doepfer modules, Korg SQ-1 sequencer and Zoom ms70cdr effects pedal. Visuals are created beforehand using Pure Data and then modified with an analogue synthesizer and other low-resolution video devices. Live performance was played on VDMX.

VOID is a project of Reinis Naļivaiko (sound) and Artūrs Kalvāns (video), it’s an experimental audiovisual performance duo born in Liepāja back in 2012. Their sound comprises both dark and deeply atmospheric soundscapes and rhythmic noise compositions, aiming to create a diverse emotion gamma to the audience. In the creation process VOID uses field recordings & sound synthesis and their performances are always improvised. The visual aspect of the project is driven not by particular aesthetic principles but rather defined by methods used in the picture creation, such as manipulations with the signal through mixing it with other video sources, interfering with the video chain and digitizing of an analogue signal. The frame sequence and composition is controlled by the sound, and the visual rhythm either illustrates or breaks the sonic one. Works of VOID are influenced by the GAS project of Wolfgang Voigt, Pan Sonic & Delia Derbyshire."

Opal - rhythm machine & drum synthesizer

video upload by Fors

"Opal is an instrument made for intricate pattern creation. With parameter locks, probability, conditionals, ratcheting, independent track length, time division and traversal, it’s a breeze to program exciting patterns.
Opal comes with four distinct, highly malleable, synthesizers and two sequenceable effects. While the synths are tailored for creating drum sounds, it’s up to you to choose where, or if, the line between percussion and melody is drawn.

As always, every single sound and effect in this video is made with Opal."



via Opal

To sum it up

Step-sequencer with:

Parameter locks
Probability
Step logic
Ratcheting
Per-track length
Per-track direction
Per-track time division
Five tracks with:

Gem FM Synthesizer
Mass Modal Synthesizer
Dust Pulsar Noise Synthesizer
Slate Granular Sample Player
Void Reverb & Flux Sampler

+ Modulation

Gem
Gem is an FM synthesizer capable of a wide variety of sounds, from deep and heavy bassdrums to glistening lead melodies. At its core, Gem consists of 2- Operator sinewave-based phase modulation (commonly referred to as FM) that has been fine-tuned to sound rich and punchy.

With bipolar modulation and feedback, it's possible make a vast range of different waveshapes- including common analog shapes such as square, triangle or sawtooth. It's a highly malleable form of synthesis that has been boiled down to its essentials, with an emphasis on the sheer quality of execution.

Mass
Mass is a modal synthesizer, which is a type of physical modeling synthesis that employs a bank of bandpass filter to generate its sound. Typically, physical modeling is used to mimic real-world sounds, but with Mass the essence of the synthesis method is used to make all sorts of wildly synthetic sounds, often with an otherworldly quality due to its physically-inspired origins.

The sounds possible with Mass ranges from semi-realistic percussion, bells, textures, noises, strange phase-y melodic sounds to clean and precise timbres reminiscent of additive synthesis.

Dust
Dust is a noise generator that is based around the concept of Pulsar synthesis, which is a method adjacent to Granular synthesis. The sound is composed of very short particles of sounds that creates a texture when played fast and/or dense.

Dust combines concepts from all kinds of different types of synthesis methods to create anything from pure white noise to perfectly soft spectral washes. By layering multiple oscillators Dust can also generate classic electronic metal sounds which is very useful for making hi-hats and cymbals.

Slate
Slate is a sample playback engine equipped with a granular mode that can wildly transform any sample. At its core is a high quality sample playback engine with edge smoothing (click-less playback and looping), single cycle waveform support and a flexible loop mode.

The granular mode let’s you go deeper in sound design by playing back small particles in a pattern that essentially reconstructs the original sound, but with the possibility to dramatically change the speed and pitch independently

Void & Flux
The FX (effects) track hosts two different effect engines: Void and Flux.

Void is a reverb that has been fine-tuned to sound great with a wide variety of input sounds, with an emphasis on delivering good transient response. With in-depth EQ:ing of the input and reverb signal, it’s possible to greatly shape the overall tone of the effect.

Flux is an automatic sampler that continuously records the output of all the other tracks and divides it into 16 slices that can be played back by the FX track. Think of it like an always-recording tape loop that you can use to repeat or transform sections of your pattern by playing different snippets as single shot samples.

Modulation
Each engine has a dedicated modulation page with four different modulation sources that can be routed to any parameter via a modulation matrix. The different sources are Vel - velocity received from the sequencer steps (or a MIDI note), A dedicated LFO and Envelope per track, and a random value (Rand) that is received on each trigger of a step or MIDI note.

Fornax Void - Super Aliasing | Roland D-05 + Eventide Space + Tascam Portastudio | 90s Cyberspace

video by Fornax Void

"Recorded on Tape using: Roland D-05, Eventide Space, Tascam Portastudio 414 mkII"

Fornax Void - Borlando Loom | Roland JV-2080 Ambient Soundscape

video by Fornax Void

"Get the full uncompressed WAV album: https://fornaxvoid.bandcamp.com/"

Sur-Audio Lab VOID and COS

"Sur-Audio lab is a new 3rd party developer for the SoniCore Scope system located in Athens, Greece. We are concentrated in synthesizer designs that take advantage of the unique architecture and the pristine sound quality of the Scope platform.

To begin we proudly presents you 2 synthesizers: VOID and COS.
We think that both extends the sound programming capabilities and functions of the Scope system.

VOID combines a classic analog shell with some extensive shaping plus onboard effects. It includes Flexor® technology so the creation of new age timbres is really one step away.

Be sure to check the 11x35 matrix which allows total control of every aspect of sound properties. There is also an advanced clock sync modulation mode for sample accurate modulations from your sequencer."

"COS
Do you know "morph" technology? Do you want to control every pot of the front panel with 4 parallel modulators? (velocity, aftertouch, modulation, key note)
Well that's COS !

An advanced analog hybrid (sync, FM, Phase Mod, Ring Mod, 12 filters to choose from) with polyphonic morph function. Just assign your desired morphs and the creation of rythmic controllable sounds is a matter of seconds!"

Samples:
http://www.soniccore.com/audio/cos_plus_void_preview_theme.mp3
http://www.soniccore.com/audio/cos_seq_collect_1.mp3
http://www.soniccore.com/audio/void_collect_1.mp3

They should both look pretty familiar. : ) There is no mention to their counterparts so I wonder what the connection is if any. Spec via their press release via HC (Note the Waldorf OSC):

VOID features:
* Voices: 16 max (depends on the DSP's and patch complexity)
* Sound generators: 2 main oscillator featuring 6 wave types and 2 modes each to choose from: Pulse Sync - Pulse width, Saw sync - saw, Waldorf oscillator, sine sync – sine shaped, noise filtered - noise comb filtered, 2 sines added, 2 sines fm 'ed.
* Oscillator modulation section: Filter FM, Warp shaping, a distorted Ring modulation type, Frequency modulation, Phase Modulation, Ring Modulation. Envelope generators: 2 ADSR envelopes
* LFO's|: 3 multi-wave lfo's with rate, delay, amount, fade-in, fade-out, 6 waves to choose (sin-square-saw up-saw down-triangle-random), key-retrigger, offset, phase, plus special clock sync modulation
* Filters: LP 12-24db/octave, HP 12-24db/octave, BP 12-24db/octave, Band Regect, Juno filter (12db LP followed by 12db HP), LP Vintage 24db, Lowpass/bandpass parallel config, Lowpass/highpass parallel config, Highpass/Lowpass in series config, 2 bandpass in series, a Comb filter followed by a Flip n' Clip shaper, a Comb filter
* Filter saturation: Soft Sat, Bit reduction, Sample rate decimator, 6db lowpass, 6db highpass, Warp shaper, Squish shaper
* Effects: Delay, Reverb, Flanger, Chorus
* Distortion: Fat Sat, Distortion, S/r reduction, 6db Lowpass, 6db Highpass, Warp shaper, Squish shaper
* Others: Audio input for Lfo sync purposes with pre-recorded Ramps for sample
* accurate Lfo synced modulations,Envelope follower input Modulation: an 11x35 matrix with 18 parralel modulations plus a 5x7 modulation era.
* Programs: 194 presets in different categories
* Requirements: SonicCore (Creamware) Scope platform hardware and software. *
* Pentium 3-4 for optimal use. Creamware Modular 2 software

COS features:
* Voices: 16 max (depends on the DSP's)
* Sound generators: 2 main oscillator featuring 6 wave types and 2 modes each to choose from: Triangle sync- Tri shaped, Pulse Sync - Pulse width, Saw sync - saw, sine, sync - sine shaped, noise filtered - noise comb filtered, 2sines added, 2sines fm 'ed.
* Morph function: Every pot (totally 50 pots) of the front panel can be modulated in a polyphonic manner and different amounts with four controllers. Available controllers are Velocity (with curve modifier), Keyboard note (with key modifier), Aftertouch, Modulation wheel.
* Oscillator modulation section: Modulation modes include: Filter FM, Osc distortion, a distorted ring modulation type, Frequency modulation, Phase Modulation, Ring Modulation.
* Envelope generators: 2 ADSR and an AD envelope
* LFO's: 2 multi-wave Lfo's with rate, 6 waves to choose (sin-square-saw up-saw down-triangle-random), key-retrigger, offset
* Filters: LP 12-24db/octave, HP 12-24db/octave, BP 12-24db/octave, a 12db filter followed by 12 highpass filter,a Comb filter, an experimental config with a Bandpass filter followed by a shaper, a Lowpass filter followed by a tube simulation, an LP filter followed by a sample rate decimator, an experimental config with a Lowpass filter followed by a shaper, an LP and a BP filter in parallel, 2 bandpass filter in parallel, a lowpass filter and a highpass filter added together
* Part specific options: Key range assignment, Velocity modifier, Keyboard modifier, Aftertouch modifier
* Programs: 1 bank *250 presets

More pics at the bottom of this page.

Kurtz Mindfields Live at SynthFest 2017 - teaser - "The Dreaming Void"

Published on Sep 7, 2017 KurtzMindfields

A bit of synth spotting in this one, with Minimoog Model D on leads.

"Extract from the 40 minutes concert: 'The Dreaming Void' album in live at the Synthfest 2017. Berlin School return !
Captation et Réalisation by Guillaume Diard
Sample titles :
- Earth Albedo 0.37
- Mahjong Constellations
- Aletheia Part 2
Thanks to Patch Work Music, Moog France, Christophe Duquesne, Nany Sound, Philippe Brodu (Algam), Olivier Briand, Bertrand Loreau, Alain Parrain, David Perbal, Delphine Cerisier, Jean-Michel Maurin ....
The Dreaming Void coffret (2 Vinyls + CD) available at:
https://asso-pwm.fr/shop/kurtz-mindfi... (october 2017)

Gearfest UK 2023: Void and Vista Strands

video upload by sonicstate

"We spoke to Tom from Void and Vista at Gear Fest 2023, where he introduced their Strands Kontakt instrument. Strands is a unique Kontact-based instrument that features 32 sound sources over two layers, blending real instrument articulations with effects-driven textures.

It has a full effects engine, dual filters with switchable modes, two LFOs with cross-modulation, voice stacking with detuning and width, a dedicated lo-fi section, and a three-stage effects chain.

Tom emphasized the character and atmospheric nature of Strands, highlighting its strengths in pads, atmospheres, textures, and bass sounds.

The library is designed to provide a variety of organic and unconventional sounds, utilizing close-mic techniques and a range of sound manipulation techniques. Strands is available for purchase directly from Void and Vista's website for £129, and the company has plans for future releases.

For more information:
https://voidandvista.com/"

Fornax Void Minibrute Sample Pack Preview

video by Fornax Void

"Preview of upcoming free Minibrute sample pack.

More Fornax Void stuff: http://www.fornaxvoid.com/"

Void & Vista: FRAMES

video upload by VOID & VISTA

Press release follows:

LONDON, UK: VOID & VISTA is proud to announce availability of FRAMES as its latest bold virtual instrument for contemporary music creation — crafted for Native Instruments’ KONTAKT platform, pairing characterful, expressive, and unique sampling with powerful sound design features and an inspiring interface rendering it ideal for media composers, production music writers, and (obviously) sound designers, as well as also expanding the toolbox of artists and producers across multiple genres thanks to its variety of emotive sounds and textures — as of April 23…

Being built around 40 sound sources made from capturing unique, unrepeatable sonic moments, FRAMES readily represents a bespoke collection of specially curated samples created using prepared instruments, resonated sound objects, and aleatoric performances using experimental techniques. These are all recorded at 96kHz using specialist microphones to capture sound beyond the range of human hearing, ready to pitch down and explore.

Such sound sources are split into five categories: INSTRUMENTS — traditional instruments captured using extended techniques and aleatoric performances; OBJECTS — uniquely prepared objects and instruments played in experimental ways; EFFECTED — heavily effected, processed sounds, and resonated objects; TEXTURES — tonal, textural, and found sounds that are perfect for blending; and WAVES — sampled synth waveforms taken from an analogue hardware collection.

Above and beyond that, the new ZONE SHIFT feature vastly expands the timbres of each sound source, enabling immediate dynamic exploration of the movement and detail found within them. Thanks to shifting samples from different registers, sounds can shift from slow and muted to frantic and urgent with each key press.

But better still, those 40 sound sources can be layered, sculpted, and effected using the deep two-layer sound design engine, featuring multimode FILTERS; two MOTION LFOs (Low Frequency Oscillators) — LFO 1 and LFO 2; six envelopes; LOFI effects; an ENSEMBLE page for blending additional voices; parallel CHARACTER insert effects; and dedicated SPACE send effects. And all of this sound design power is available from an inspiring and intuitive interface, designed to keep users focused on making music.

Music-making or otherwise, users ultimately benefit from FRAMES coming complete with a colossal collection of preset snapshots organised logically for ease of use, with pre-assigned mod wheel modulation mappings for jaw-dropping sound manipulation.

FRAMES is initially available to purchase at a 20%-discounted price until June 4, 2025 — rising thereafter to its regular price of £129.00 GBP — as a KONTAKT PLAYER-compatible/NKS (NATIVE KONTROL STANDARD®)-ready AAX-, AU-, and VST-formatted virtual instrument plug-in featuring 16 GB of samples that works with all major DAWs (Digital Audio Workstations) running on macOS 12 or above — natively compatible with Apple Silicon — and Windows 10/11 directly from the dedicated product webpage here: https://www.voidandvista.com/products/frames

To function, FRAMES needs Native Instruments KONTAKT 7.10 or higher via the Native Access 2 administration tool for music creation software available from here: https://www.native-instruments.com/en/specials/native-access-2/

Void Modular Graviton VCO Demo

Published on Aug 15, 2019 Sean Pendleton

"VOID Modular Graviton VCO Demo by Pressurewave

A swiss army knife of a VCO in 8hp. Triangle, sine, saw, pulse, /2 suboctave square, /4 suboctave square, white noise, pink noise. The noise is normalized to the FM attenuverter, so you can do anything from 'a little dirty' to 'tuned noise'. It's 3340 based, so it's very stable, but enough extras to give it some personality."

via Void Modular on Etsy

CLICK FOR MORE »

The Void: Instead of going out i recorded some very cheesy music this year.

Published on Dec 31, 2018 The Void

"Have a cheesy new year!"

🧙‍♂️ BORLANDO LOOM ✨ Cyberpunk ◢◤ Dreampunk Ambient Soundscape ✨ Roland JV-2080 ✨ Atari 1040STE ✨

video by Fornax Void

This one was spotted and sent in via Soviet Space Child. 8 hr live stream further below.

"🌐 https://links.fornaxvoid.com ✨ 𝗕𝗢𝗥𝗟𝗔𝗡𝗗𝗢 𝗟𝗢𝗢𝗠 🧙‍♂️ 𝗶𝘀 𝗯𝗮𝗰𝗸! Three years after it’s initial release, I made a music video for this track, containing the final album audio master. ℹ️ ❯❯❯

◤

This video was recorded 2021-JAN-23 and 2021-JAN-27. I fed the MIDI data (or what was left of it) of my 2018 track BORLANDO LOOM into Cubase Lite - a free version of Cubase 1.0.

Cubase Lite (running on the Atari 1040STE) sends the MIDI data to three Roland JV-2080 synthesizer modules in stack mode. Obviously one JV-2080 would be enough to play back this track. But since I currently got three of those things in the studio, I thought more blinking lights and more screens look cooler in a video.

The JV units then send the MIDI into an Akai S1000, which again is only in the video because the MIDI monitor modes on that thing look interesting. The S1000 sends the MIDI to my old MacBook running Snoize MIDI Monitor, which is displayed on the EIZO CRT screen.

The Amiga 1081 CRT monitor shows either a VHS version of the original 2018 Borlando Loom Blender animation or NesFX (the MIDI visualizer on the Wayfar MidiNES). Audio in the video is not live, but from the album master.

◤

BORLANDO LOOM is a cyberpunk ambient soundscape recorded between 2018-APR-12 and 2018-APR-14, using a Roland JV-2080 synthesizer module. Mastered in 2019 and released in it’s final form on 02/02/2020 as part of Cyberspace Database 1.0.

◤

Cyberspace Database is the result of a 5 years long exploration of Cyberpunk Ambient themes. A journey through the timbres of classic digital and analog synthesizers and samplers with focus on defining the pillars of the SemiconductorWave genre.

Cyberspace Database is available as big box physical release and 24 bit download on Bandcamp as well as on most streaming services."

🌃 Cyberpunk Ambient BGM Livestream: Reaktor Generative Patch → JV-2080 → S1000 → Morpheus → YM3812

video by Fornax Void

Title: Lilienfeld Electron Emission
Audio Setup: NI Reaktor → JV-2080 → Akai S1000 → E-Mu Morpheus → REA YM3812 (OPL2)
Additional Hardware: API 500VPR, Elysia Skulpter 500, Radial JDI Duplex, Soundcraft EFX8, Apogee Duet 2.
24bit WAV offline rendition download: https://patreon.com/posts/46961577
◤
Streaming Setup: Leitz Wetzlar Super-Angulon-R 1:4/21 → Blackmagic Production Camera 4K → SDI to HDMI converter → AverMedia Live Gamer Portable → OBS

Waldorf Microwave Patch Creation (Live stream)

video by Fornax Void

https://www.fornaxvoid.com/
Patch Editor: https://www.monstrummedia.com/product...

🌲 Waldorf Microwave, E-mu Morpheus, JV-2080, WaveStation A/D, Akai S1000 (Ambient Synth Sketch)
video by Fornax Void

"🌲 Happy Holidays to all of you! I'm currently rebuilding my synth setup and getting things ready for 2021. Here is a little sketch I made, utilizing the recently acquired Waldorf Microwave. Two layers of Microwave, one layer of E-Mu Morpheus, two layers of Roland JV-2080, one layer of Korg WaveStation and one layer of Akai S1000 playing a sample sourced from the JV-2080."

Bubbles on Monome 100h with SkyMonome API and accelerometer

YouTube via pjskyman — April 25, 2010 — "Another demo of the SkyMonome API I developped especially for my needs (http://skymonome.org ). An ADXL203 accelerometer permits the "fall" of the bubbles. This Monome 100h is in construction. It will be a quad 40h in a plexiglas package.
Music : an unpublished track of PJ Skyman ( http://www.pjskyman.fr )
Code used to do this :
Monome monome=new Monome("Monome",MonomeSize.MONOME_256,"localhost","/40h",8000,8080);
/*the following variable is declared as a class member in order to be accessed by the two next listeners*/
inertiaMirroredFrameWindow=new InertiaMirroredFrameWindow(new PictureFrame(ImageIO.read(new File("C:\\...bmp")),false));
monome.addComponent(new FrameGroup("Bubbles",0,0,16,16,inertiaMirroredFrameWindow));
Analog analogX=new Analog("X-axis",0);
analogX.addAnalogListener(new AnalogListener()
{
public void analogMoved(AnalogEvent analogEvent)
{
inertiaMirroredFrameWindow.setXIncrement((analogEvent.getValue()-.5f)*25f);
}
});
monome.addComponent(analogX);
Analog analogY=new Analog("Y-axis",1);
analogY.addAnalogListener(new AnalogListener()
{
public void analogMoved(AnalogEvent analogEvent)
{
inertiaMirroredFrameWindow.setYIncrement((-analogEvent.getValue()+.5f)*25f);
}
});
monome.addComponent(analogY);
monome.refresh();"

Pitch Black and Phallen - Filling The Void

Published on Aug 19, 2016 Pitch Black & Phallen

Some nice synth spotting in this one including a rare Dewanatron Swarmatron, DSI OB-6, Analogue Solutions Telemark-k, and more.

"A collaborative Process between two artist's Pitch Black and Phallen. Here you will find full performances and steady releases both alike from the Duo. This is also the launch to the first collaborative process "Filling the Void". Keeping an out for whats next from the two by subscribing and following on Instagram for weekly updates. IG- @Pitch.black and @Phallen

DP - Anna Franquesa Solano
Editor - Travis Bleen"

VOID Modular Gravitational Waves Demo

Sean Pendleton

"A demo of the Gravitational Waves dual VCO -

VCO 1 and 2 saws and VCO 1s sub are mixed Timo’s SSM2044 and them direct to output. I think I wrongly called that a Fonitronik Module, but it’s actually based on Foniks implementation.

Envelopes are provided by the VOID Modular Dual ADSR"

KOMA Elektronik mods the new KORG volca beats!

Published on Aug 13, 2013 KOMA Elektronik·42 videos

"Lately there have been some posts and videos on the internet about the MIDI Out mod on all KORG volca's, so we decided to not cover that mod and to dive into the area that has not been discovered yet: the CV Inputs, Separate Audio Outputs and some other fun features! DIY! (or die?)

Like this? Like that! http://www.facebook.com/KOMAelektronik

For more information about the modifications, visit:
http://www.koma-elektronik.com/koma-e...

For more information on the KORG volca's, visit:
http://korg.com/volcaseries

Before you start modding about, please notice the following:

DISCLAIMER!

WHEN YOU MOD YOUR VOLCA'S YOU VOID YOUR WARRANTY. Both KORG and KOMA Elektronik will NOT mod your unit for you and are NOT able to give any support for modifications gone wrong! The modifications we published have been tested extensively and work a 100%. When you are a beginner when it comes to modding devices, please do NOT try to execute these mods or make sure you are helped by a advanced engineer! Oh yeah, did we say already you definitely void your warranty?"

KORG Volcas on eBay

The Aching Void - M-Audio Venom Demo by Khoral

via Cafe 80

"Another improvisation on the Venom.
Some nasty high frequencies here and there : that's one nicely unpredictable instrument!
As for the previous track, all Venom, no external drums."

The Aching Void by khoral

Void and Followed

Via Justin: "So rather than make music for myself, alone i thought I'd be a little less of an introvert and share some of my sessions. I'm going to record a track a day for the next few days. Here are the two first ones. The tracks are performed live and improvised, not to be taken too seriously :)..

Using matrix 6r, mfb synth 2, juno 60, tr 909 and the tr 606. MSQ 700 sequencer also used with the juno, akai AX-73 makes an appearance as a midi controller in the first 2 videos."

Void

YouTube via liquidjustin
"Live, improvised, minimal progressive house, using analog synthesizers and analog drum machines."

Followed