MATRIXSYNTH: Search results for Wired Heart


Showing posts sorted by relevance for query Wired Heart. Sort by date Show all posts
Showing posts sorted by relevance for query Wired Heart. Sort by date Show all posts

Wednesday, September 20, 2017

"Wired Heart" Synth Gadget by Tubbutec.de, Phirol and Hyboid (Astro Chicken Records)


Published on Sep 20, 2017 Hyboid a.k.a. Astro Chicken

Available at: https://hyboid.bandcamp.com/album/wired-at-heart

"Wired Heart features six sensors that can detect touch and humidity. Each of the sensors control the pitch of an oscillator – press harder or have sweaty hands to get a higher pitch. Each sensor serves a different function, and it is best to explore the Wired Heart Sound universe by trial and error."


via Tubbutec

"Wired Heart features six sensors that can detect touch and humidity. Each of the sensors control the pitch of an oscillator – press harder or have sweaty hands to get a higher pitch. Each sensor serves a different function, and it is best to explore the Wired Heart Sound universe by trial and error. However if you want to know what is happening, you can find some explanation below.

INTERMODULATION
If this still sounds boring to you, wait what happens when you touch several pads at once. The oscillators will begin to further cross modulate each other by the current flowing through your hands and a whole new world of awesome sounds opens up.

EXPERIMENT!
There are many more ways the heart can react to you: Try wiping it with a wet cloth, put a banana on it and see what happens, or simply blow on it – the humidity in your breath will make the oscillators sing as if you were just breathing new life into six punch-drunk sirens.

Sunday, December 17, 2023

Stereo synth for 40 bucks: a wired heart for scary drones


video upload by Pete Midi

"Be warned: the Wired Heart is not for everyone. It’s not a musical instrument that lets you play Xmas songs. It’s rather a special kind of drone synth that you may use for the score of your next horror movie or just as a rich stereo source for your next sampling session. But if you think this could also be a visually appealing gift, be careful and watch this video first! Otherwise, one day you might say or sing “Last Christmas I gave you my heart, but the very next day you gave it away …”

00:00 Intro
01:01 Specs
02:16 Extensions
03:09 Comparison
04:32 Demo: Without FX
05:25 With reverb (NTS-1)
07:20 With grains (lemondrop)

Tubbutec Wired Heart

Monday, May 13, 2019

Superbooth 2019 - Day 3 | Novation, Tubbutec, IK Multimedia


Published on May 13, 2019 JustMusic

"On day 3 of Superbooth we checked out the new Novation Summit, listened to the playful Tubbutec Wired Heart and created some beats using IK Multimedias UNO Drum.

Novation Summit - 0:00
Tubbutec Wired Heart - 5:37
IK Multimedia UNO Drum - 7:06"

Saturday, May 11, 2019

Tubbutec Wired Heart - Superbooth 19


Published on May 11, 2019 AMAZONA Music Mag

Tubbutec Wired Heart

Tuesday, June 18, 2019

Wind controlled modular synth


Published on Jun 18, 2019 tubbutec

"Toying with the Wired Heart synth. Photoresistors are installed and react to changing light. Fed into eurorack modular."

Wired Heart

Thursday, September 21, 2017

Wired Heart Demo


Published on Sep 21, 2017 tubbutec

"Wired Heart" Synth Gadget by Tubbutec.de, Phirol and Hyboid (Astro Chicken Records)

See this post for details.

Monday, May 27, 2024

Seofon Introduction: What Sounds Can It Create?


video upload by Sonic Seed

"Mad Kid Empire's first synth: Seofon - After a year of design and production, the Seofon is finally here.

It produces a sound that sounds like a water droplet, or perhaps the next moment it will be generating a noise as intense as sawing wood.

Seofon

At the heart of the Seofon is a noise generating circuit consisting of seven groups of nodes in the centre, with direct outputs as noise, which are self-wired to form self-oscillations, or can be interfered with by inputting signals to the nodes to generate fixed frequency rhythms.

[Pre-order] https://sonic-seed.com/products/seofon"



"Mad Kid Empire's first synth: Seofon - After a year of design and production, the Seofon is finally here.

It produces a sound that sounds like a water droplet, or perhaps the next moment it will be generating a noise as intense as sawing wood.

At the heart of Seofon is an organic noise generation circuit consisting of seven nodes in the centre, which outputs noise directly and generates rhythms by feeding signals to the nodes to interfere with them. Seofon itself provides three sets of pulse oscillators to adjust the pulse width of each set, and positive and negative phase outputs. Different sound events are generated by extracting information from the nodes into the filter. All sounds originate from the interference and extraction of noise signals from the seven sets of nodes. The synthesiser package and circuitry was designed by Mad Kids Empire synthesiser designer xamynot; the painted artwork on the back of the synthesiser was drawn from artist Yu Zhi.

Seofon

At the heart of the Seofon is a noise generating circuit consisting of seven groups of nodes in the centre, with direct outputs as noise, which are self-wired to form self-oscillations, or can be interfered with by inputting signals to the nodes to generate fixed frequency rhythms.

Seofon itself provides three sets of pulse oscillators, each of which can be adjusted for pulse width, and a forward and reverse phase output. Different sound events are generated by extracting information from the nodes into the filter.
All sound comes from interfering with and extracting noise signals from the seven sets of nodes.

The contacts make it possible for Seofon to be virtuosic, by touching different contacts in combination to quickly generate instant sound events, which generate a series of linked influences like a butterfly effect.

The Seofon lit version is without metal contacts and comes with stereo outputs.
Seofon standard version is with metal contacts, two left and right mono channels and one stereo output."

Saturday, May 28, 2011

TR-707 Classic House Tracks (vol 1) - Harlem Nights Music


YouTube Uploaded by harlemnightsmusic on May 28, 2011

"This time, tributing early house tracks of 1986-1987 era, based on the Roland TR707 drummachine.. As always, all tracks selected and recreated by ear. None of the original tracks were sampled.

All TR-707 & additional TR-727 and TR-808 beats were rebuilt on a Korg Electribe SX sampler (no stock sounds). Basses and some synth parts were loosely remade with my analog synths (see below).

Tracklist:
Rick Astley - Never gonna give you up (707, 727)
Michael McDonald - Sweet Freedom (707, 727)
Taylor Dayne - Tell it to my Heart (house mix) (707, 808)
Mr Fingers (Larry Heard) - Washing Machine
Rick & Lisa - When you gonna (707, 808)
Jungle Wonz - The Jungle
Wired - To the Beat of the Drum (707, 808)
Marshall Jefferson - Move your Body
Phuture - Your only Friend
Joe Smooth - Promised Land (707, 727)

Similar beats are for sale @ www.zenhiser.com/1980 series.

Synthesizers used:
Sequential Prophet VS (pads), Moog Source (most basses), Roland Juno 60 (Mr Fingers, Wired, Phuture), Roland S10 sampler (M1 piano), Korg Polysix (Promised Land), Yamaha DX200 (When you gonna), SCI Pro One (Wired bass)

Enjoy
HN"

Sunday, December 09, 2012

I Dream of Wires showcase - MUTEK 2012


I Dream of Wires showcase - MUTEK 2012: IDOW reporting for Wired.com from I Dream Of Wires on Vimeo.

As part of the annual MUTEK Festival in Montreal Canada, the I Dream of Wires team curated an evening of cutting-edge, modular synthesizer based performances. The event took place on Saturday June 2, 2012 at the Montreal Satosphere (part of the Society for Arts and Technology), a spectacular 360 degree multi-media performance space with live performances, all incorporating modular synthesizers, by Sealey/Greenspan/Lanza (Orphx/Junior Boys), Keith Fullerton Whitman (Kranky/Editions Mego), Clark (Warp Records), and Container (Spectrum Spools).

This video piece was originally posted as an exclusive feature at Wired.com. See the accompanying write-up + interview with IDOW director Robert Fantinatto, below.

http://orphx.com
http://juniorboys.net
http://www.keithfullertonwhitman.com
http://warp.net/records/clark
http://www.ijustlivehere.org/container

http://idreamofwires.org
http://www.facebook.com/idreamofwiresdocumentary

http://mutek.org
https://www.facebook.com/MUTEK

http://www.sat.qc.ca
http://www.facebook.com/SATmontreal

New Doc I Dream of Wires Celebrates Modular Synths, Retro Gear
By Geeta Dayal
06.13.12

I Dream of Wires, an upcoming documentary about modular synthesizers, celebrates analog hardware in all its wild, messy glory. More than 100 prominent musicians, including Trent Reznor, cEvin Key, Gary Numan, Carl Craig and Morton Subotnick are in the process of being interviewed for the ambitious feature-length film, which is set to be finished in the fall.

Colorful masses of patch cables, rows of knobs and faders, and electronic sounds abound in the exclusive clip above, shot this month at the legendary MUTEK Festival in Montreal. In addition to interviews with several musicians, including Keith Fullerton Whitman, Container and Clark, the 15-minute clip shows intriguing glimpses of the synths in action, in a massive multimedia dome housing 157 speakers called the Satosphere.

The “dedicated and obsessive subculture” of modular synth fanatics across the world formed the inspiration for I Dream of Wires, said director Robert Fantinatto in an e-mail exchange with Wired. “Years ago, I made a small documentary film about the urban-exploration subculture called Echoes of Forgotten Places…. I felt that this whole world of modular synths could make an interesting little film.”

The project soon grew massively in size and ambition. Fantinatto joined forces with Jason Amm, better known as the electronic musician Solvent. With Amm as producer of the film, Fantinatto was able to reach a large number of well-known musicians.

“The trip to see Trent Reznor was probably the most nerve-wracking,” said Fantinatto. “He lives way up on the top of a mountain in Beverly Hills and it [was] quite intimidating leading up to the interview, but Trent was supercool and had us all at ease very quickly.”

But the most jaw-dropping array of modular synth gear that Fantinatto and Amm uncovered didn’t belong to Reznor or any of the other stars they profiled. The best collection, hands down, belonged to a clinical psychologist in Los Angeles.

“He had the most extensive collection of gear I’ve ever seen,” said Fantinatto. “A huge studio with every modular synth ever made, literally every single one ever!”

Fantinatto said he met many modular synth collectors who have “devoted a significant chunk of their lives [to] buying, building and collecting these machines that sometimes take over their homes and their lives.”

“The mystery behind what motivates this irrational obsession is at the heart of the film,” Fantinatto said. “In the end, it is a longing for something authentic — something that has been lost in a virtualized world.”

Wednesday, July 08, 2020

Patch Notes: Ennio Morricone Tribute


TheEndorphines

"Ennio Morricone tribute patch based on the Good, Bad & Ugly soundtrack.
In this patch we are using Furthrrrrr generator with exponential FM to add inconsistent pitch drift in order to make the sound more realistic and human."

---

As many of you likely know, film composer Ennio Morricone passed away on July 6. He didn't work primarily with synths but he did incorporate them. He actually composed the soundtrack for The Thing using synths as a tribute in a sense to John Carpenter. From The Vinyl Factory:

"This is an unusual release in the soundtrack back-catalogue in it being a rare instance where John Carpenter chose not to score one of his own films, and where Morricone experiments with synth-tones in his composition, seemingly in acknowledgement of Carpenter’s style.
There’s a lot of muddied details that surround it, but as the story goes Carpenter was disappointed with what his musical hero (he got married to the music of Morricone) presented and embellished what appeared in the cinema with some of his own fills, leaving out a great deal of what Morricone had prepared. The LP however, includes tracks selected by Morricone and trumps his other works for horror in suspense and execution. Nominated for a razzie. Go figure."

I read that Ennio Morricone believed a synth shouldn't be used to recreate real world instruments, but rather as it's own instrument. via Wired:

"To create that original score for Tarantino, Morricone largely turns to tools unavailable in 1964, like synthesizers, which drive the tense, gloomy eight-minute overture. (Morricone’s compositions for The Thing, used in The Hateful Eight, were some of his first work with synths in the early 1980s.)

The experimenting composer isn’t above technological advances, but he’s quick to warn young composers of the dangers of seductive technology. “Electronic instruments have to be used to justify something that doesn’t exist, not to replace for instance an orchestra,” he says. “If you use the synth just to recreate the sound of an existing musical instrument, it is wrong. But if you use the synth to create sound that doesn’t exist, that’s a very wise way to use it.”

So technology can be a cautious step forward in music composition, as long as you don’t use it as a crutch. “If the composer—or the so-called composer—becomes a kind of slave of technology, if he uses technology in a toxic way, this is not progress,” he says. As Morricone sees it, technology’s role in music is “a moral stance, not only a technical stance.” A broader variety of possible sounds can benefit a soundtrack, of course, but the ease of synthetic sounds is not worth the loss of the authentic and everyday. Use technology to add a human whistle or the real tick of a watch, but don’t replace them with false facsimiles. As he describes it, in composing, “everything must start from your soul, from your heart, even when you use technology.” In his score for The Hateful Eight, Morricone is, in part, reusing music composed for a thriller in 1982 for a Western in 2015—but 70 years after his first Western, he insists he’s still experimenting, from the heart."

P.S. Thanks to gridsleep for requesting a post on Ennio Morricone and TheEndorphines for the video. I was hoping something to pay proper tribute would come in and it did.

Friday, April 05, 2013

Synth Rorschach #19: Hubble Space Telescope Control System

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

What do you see?

"NASA ARTIFACT VPI Vehicle Power Interface Rack & Console Hubble Space Telescope

Being offered is one of the most important pieces of hardware associated with the Hubble Space Telescope that will ever be offered for public sale.

This is the Vehicle Power Interface (VPI) Equipment Rack and 2 Person Control Console for the Hubble Space Telescope.

It was the heart and soul of the HST during it's testing phase at the Space Telescope Assembly/Verification Facility and the Thermal Vacuum Chamber Facility at the Goddard Flight Center.

The VPI Console provided power to the HST and performed tests to it's batteries and solar panels as it was undergoing final testing before it's planned launch in September of 1986

There are two log of operation books that come with the VPI, chronicling it's history from it's first entry of "initial power on" 6/7/84, through it's Validation Test on 6, June 1986, to it's final entry date of 3/19/90, just a few weeks before STS 31 launched on 4/24/1990 to deploy the most famous telescope in world history!!!

The more prominent features of the VPI Equipment Rack are:

Six (6) HP 6012B DC Power Supplies,
Two (2) Lambda Power Supplies
Two (2) Battery Loads
Two (2) Remote and Command Monitor Modules
One (1) Vehicle Power Control Module
One (1) Vehicle Power Conditioning Module
One (1) Vehicle Battery Control & Monitor Module
One (1) Vehicle Power Conditioning Solar Array Input Module
One (1) AC Power Distribution Module
One (1) Clear-Com Intercom System Remote Station

Everything is housed in a very substantial 3 rack metal cabinet with lockable 3 door access in the back.

Cabinet is completely hand wired, as only NASA can do, it's a thing of beauty!

All pieces of equipment have wire seals that have not been tampered with

There are three large Heat Vent Stacks with internal fans on the top of the cabinet.

This rack is large, and has quite an impressive Presentation!

Overall size is 79" wide by 48" deep by 82" tall

Weight of the VPI Console is 2750 lbs.

The more prominent features of the Dual Control Console are as follows:

PSSP Simulator Panel
HUBBLE PSSP Simulator Panel
(2) Ball CRT Monitors
(2) ADDS Keyboards
T-O Control Panel
Telemetry and Command Panel
Auxiliary Monitor Panel
NorthStar Computer
Battery Trickle Charge Panel
(2) ADDS Panels

Control Console measures 7' long and weighs about 800 lbs.

This was a multi-million dollar piece of sophisticated electronic equipment with a remarkable place in history.

It is an Investment Quality NASA Hubble Space Telescope Artifact!"

Rorschach: I'm seeing Fairlight racks, Roland MSQ-700 buttons, Movement MCS Percussion Computer, EMS meets ARP 2500, & Akai samplers.



I'm thinking this one belongs in Bernee's Aliens Project SynxsS studio.

Tuesday, February 12, 2013

Schulmerich Americana Carillon Electronic Bell, Chime Instrument for Auction

Note: Auction links are affiliate links for which the site may be compensated.
Published on Feb 11, 2013 AntiquityMusicLLC·13 videos

Stone Mountain Park Carillon-Mabel Sansing Sharp Carillonneur

Uploaded on Apr 4, 2010 stevethrasher·156 videos

"For over three decades carillonneur, Mabel Sansing Sharp has treated audiences to spectacular performances of the songs "Clare Delune", "Chattanooga Choo Choo", "Amazing Grace" and "Georgia" along with many other songs and hymns. A very special thank you to Ms. Mabel for all of the wonderful memories!

For those of you not familiar with the Stone Mountain Carillon, the instrument was built by Schulmerich Carillons in Sellersville, PA for the Coco-Cola Pavilion 1964 World's Fair in New York.
The 732-bell carillon is located lakeside in the heart of beautiful Stone Mountain Park, Georgia. This amazing bell tower structure provides daily concerts to those young and old for reflection and inspiration. The carillon is the heaviest of all musical instruments and probably one of the most interesting by design."


via this auction

This one spotted by Evan of Antiquity Music, makers of The Wheel Harp. It appears to be electronic based as you can see from the pics.

"For your consideration is an extremely rare Schumerich Americana carillon, one of Schulmerich's flagship carillons from the 1960s. Most of these carillons have been destroyed or salvaged for their amplifier parts, and finding one of these very nice models is extremely unusual. Buying a new digital Schulmerich carillon costs over $35,000 today, but these analog carillons have an even more beautiful, breathtaking sound. This particular carillon came from Weber State University in Utah, and cost over $25,000 in the early 1960s, which equates to over $180,000 in today's dollars.

We have fully restored this carillon's wiring, adding connectors (DB25, XLR, RCA etc.), so that the carillon can easily be moved around (all Schulmerich Americana carillons were originally hard-wired on-site when installed, so when removed, over 400 individual cables had to be cut, making restoration extremely costly and time-consuming). This required soldering over 800 individual cables!!!!! The restoration work on this carillon has cost us over $4000 in technicians' time.

Tuesday, November 12, 2024

PATTERN GENERATOR PG303 by DATAPRODUCTS of NEW ENGLAND

Note: Auction links are affiliate links for which the site may be compensated.


via this listing

"Data Products of New England PG303 Teletype Pattern Generator

8 ch pattern generator with variable character sequence length

If you think of some of the earliest electronic rhythms ever made, you can’t avoid mentioning morse code. The Data Products PG303 is designed to send these patterns for telephone/radio testing, and is one of the strangest rhythm machines I know. It is probably half broken and gave me a nasty shock or two as I wired the power wrong, but it is always inspiring. On the album, this drives most of the rhythm, and in the library you can hear it also at higher Baud rates oscillating.

- HAINBACH ...from the "Landfill Totem" collection

does it music?? yes!

Not for the faint of heart, the PG303 has an ability to create the strangest gate sequence and fuse morse code and musical logic... ping filters or make a strange clock source!! This unit works on pure intuition!! no operation manual, just turn it on and make the slowest of trigs to audio frequency screams and spastic pulses!"

Saturday, July 17, 2010

9090 Roland TR-909 DIY Rack Clone

via this auction
"An Electronics Project With A Difference. Build Your Own tr-909!

If you've ever wished for the warmth and flexibility of an original analogue drum machine like the TR-909 and you're also handy with a soldering iron, then a real alternative could be to put one together yourself. The 9090 project starter kit contains what you need to get started. This is a project suited for more experienced electronics enthusiasts and requires a small number of obsolete components.

The 9090 Project is an authentic sounding, rack-mounted, MIDI controlled copy of the TR-909, that you build yourself. The starter kit being offered for sale in this listing contains the bare printed circuit boards and a small number of special components. The majority of the electronic components are to be obtained separately from your own preferred electronic components supplier.

The advantage of using these boards is that the hard work has already been done: well thought-out, compact and extensively tested board layout design makes them an absolute pleasure to build, and the end result looks fantastic. These PCBs contain zero errors, therefore fitting all of the components and doing all of the wiring correctly can often result in something that works pretty much straight away..."

Descriptions for the following six circuit board pics in order:

One: "Board One - Contains power circuit, noise sources, bass drum, snare, low and mid-toms"

Two "This image shows all of the parts you get together: Three PCBs, PIC microcontroller and three PROMs"

Three: "Board Two - Contains power circuit, noise sources, bass drum, snare, low and mid-toms"

Four: "Four chips supplied: PIC Microcontroller contains embedded software for the MIDI interface, and three PROMs contain data for the hi-hats and cymbal sounds."

Five: "Board Three - Output sockets / audio mixer"

Six: "High quality silkscreen makes assembly easy."

"Features

□ Includes all analogue sound circuits from the original machine, and it sounds identical. Even better, in fact - because some of the sounds have more flexibility. The Bass Drum, for example, has a number of new additional control knobs that enable it to make a fantastic range of kicks. Take a listen to the Sound Samples on the right (mp3 format).

□ It does not have a sequencer of any form, but it has an excellent full MIDI interface. The PIC microcontroller that comes supplied with the boards is pre-programmed with embedded software that forms the heart of the MIDI interface (decodes the MIDI messages and translates them to trigger and velocity signals for each drum circuit). The drum sounds are velocity sensitive. How the drum sounds are mapped across the keyboard scale can be reconfigured via System Exclusive messages. LED indicates MIDI activity.

□ A 'bonus feature' is a Sync24 output, which enables you to sync something like a TB303 or MC202 to the MIDI clock via the 9090.

□ The boards are intended to be built into a 19” rack enclosure or a sloping-top box (or whatever you choose) to form a MIDI controlled 909 clone. It's entirely your call on what shape and size yours is going to be! You can also choose to only build some of the drum circuits if you don't need all of the drum sounds.

I kept most of the sound circuits pretty much as they were in their original form, and the project includes all of the sounds found on the original machine. Some of the sounds have been enhanced to expand their capability far beyond those in the original machine, the Bass Drum being a good example: it now has seven potentiometers instead of four, and sounds absolutely awesome. I think many people built their 9090s just for this sound alone. Some original components that have become long obsolete have been replaced by easily obtainable substitutes, without affecting the timbre of the drum sound in any way.

All of the sound circuits are built onto the two main large boards that are seen in the picture. The third long, narrow board is used to mount the rear output sockets onto (featuring individual and stereo summary outputs). I used two main boards instead of one because it means that you can stack the two boards if you want to build the project into a relatively small enclosure, and they’re just easier to work with. The boards also contain the MIDI interface, output mix amplifier, power regulation circuitry and even a handy DIN Sync output so that you can use the 9090 to synchronise your TB303 or MC202 to MIDI clock. The completed boards just need potentiometers and output sockets wired to them, power supply and MIDI input, and away you go – a fantastic analogue drum machine you built yourself."

Further details and samples at the auction and here.

Update: some audio vids via MB909 in the comments here.

Wednesday, November 24, 2010

9090 - Build Your Own Roland TR-909 Rack Clone

via this auction
"An Electronics Project With A Difference. Build Your Own tr-909!

If you've ever wished for the warmth and flexibility of an original analogue drum machine like the TR-909 and you're also handy with a soldering iron, then a real alternative could be to put one together yourself. The 9090 project starter kit contains what you need to get started. This is a project suited for more experienced electronics enthusiasts and requires a small number of obsolete components.

The 9090 Project is an authentic sounding, rack-mounted, MIDI controlled copy of the TR-909, that you build yourself. The starter kit being offered for sale in this listing contains the bare printed circuit boards and a small number of special components. The majority of the electronic components are to be obtained separately from your own preferred electronic components supplier.

"The advantage of using these boards is that the hard work has already been done: well thought-out, compact and extensively tested board layout design makes them an absolute pleasure to build, and the end result looks fantastic. These PCBs contain zero errors, therefore fitting all of the components and doing all of the wiring correctly can often result in something that works pretty much straight away."

Features

□ Includes all analogue sound circuits from the original machine, and it sounds identical. Even better, in fact - because some of the sounds have more flexibility. The Bass Drum, for example, has a number of new additional control knobs that enable it to make a fantastic range of kicks. Take a listen to the Sound Samples on the right (mp3 format).

□ It does not have a sequencer of any form, but it has an excellent full MIDI interface. The PIC microcontroller that comes supplied with the boards is pre-programmed with embedded software that forms the heart of the MIDI interface (decodes the MIDI messages and translates them to trigger and velocity signals for each drum circuit). The drum sounds are velocity sensitive. How the drum sounds are mapped across the keyboard scale can be reconfigured via System Exclusive messages. LED indicates MIDI activity.

□ A 'bonus feature' is a Sync24 output, which enables you to sync something like a TB303 or MC202 to the MIDI clock via the 9090.

□ The boards are intended to be built into a 19” rack enclosure or a sloping-top box (or whatever you choose) to form a MIDI controlled 909 clone. It's entirely your call on what shape and size yours is going to be! You can also choose to only build some of the drum circuits if you don't need all of the drum sounds.

I kept most of the sound circuits pretty much as they were in their original form, and the project includes all of the sounds found on the original machine. Some of the sounds have been enhanced to expand their capability far beyond those in the original machine, the Bass Drum being a good example: it now has seven potentiometers instead of four, and sounds absolutely awesome. I think many people built their 9090s just for this sound alone. Some original components that have become long obsolete have been replaced by easily obtainable substitutes, without affecting the timbre of the drum sound in any way.

All of the sound circuits are built onto the two main large boards that are seen in the picture. The third long, narrow board is used to mount the rear output sockets onto (featuring individual and stereo summary outputs). I used two main boards instead of one because it means that you can stack the two boards if you want to build the project into a relatively small enclosure, and they’re just easier to work with. The boards also contain the MIDI interface, output mix amplifier, power regulation circuitry and even a handy DIN Sync output so that you can use the 9090 to synchronise your TB303 or MC202 to MIDI clock. The completed boards just need potentiometers and output sockets wired to them, power supply and MIDI input, and away you go – a fantastic analogue drum machine you built yourself."

Samples, manuals and more: http://www.introspectiv.eclipse.co.uk/
Also see the 9090 label below for all posts here.

Thursday, November 14, 2013

Moogfest 2014 Presenters Include Makers Roger Linn, Dave Smith, Tom Oberheim, Don Buchla, Forest Mims & More

"Moogfest 2014 Announces Daytime Presenters Including Futurists, Musicians, Scientists, Authors, Filmmakers, and Pioneers of Electronic Music Instrument Design

Phase 1 tickets start at $199 for 5-Day General Admission, and $499 for 5-Day VIP Admission while supplies last through December 19 when Phase 2 GA tickets go up to $299. All prices exclusive of applicable fees.

ASHEVILLE, NC – November 14, 2013 – Moogfest is a five-day festival dedicated to the synthesis of technology, art and music. Since its inception in 2004, Moogfest has been a magnet for artists, engineers, and enthusiasts of Bob Moog. With an experimental lineup of daytime conference programming featuring cultural, artistic and technological luminaries and punctuated by a diverse line up of landmark nightly performances, Moogfest honors the creativity and inventiveness of Dr. Robert Moog and pays tribute to the legacy of the analog synthesizer. This is no ordinary festival.

Tuesday, June 08, 2021

Studio Electronics Eurorack Modules

Note: Auction links are affiliate links for which the site may be compensated.


via NOISEBUG Reverb

Note auction links are affiliate links. See the site's privacy policy for more info.

"What's nice about our OSCILLATION stunner (according to Tim) "is that the waveforms are DC-coupled [components connected directly together without any coupling capacitors], so they keep their shape even at sub-Hz speeds. The outputs are also buffered, so the amplitude is independent of the load they are driving. The waveform levels on some modern eurorack OSCs are often all different, and they vary depending if they go into the mixer or directly to the filter!" Coupling the circuitry without capacitors in-line gives the go-ahead for the full spectrum of frequencies to do their thing, and ensures near identical response over the years—audiophile, transistor-protecting signal path stuff here. You should see these beauts on the scope: a Class-A ballet of balance and proportion, only drawing modest current, rather evenly from plus and minus."

Thursday, January 27, 2011

eChucK Standards Document - New Format Hardware Synths

"There’s a new type of music synthesizer on the horizon. It’s simple, elegant, inexpensive, and can take many physical forms. Born out of a desire to make electronic models of software music programs, the e in eChucK is for electronic. The ChucK part refers to my particular favorite music programming language, but that is not important here. What is important is the standard, linked below... [here]

OK, OK, what IS it then? Well, imagine a modular synthesizer with the case and front panels removed. You’ve got a bunch of circuit boards with wires hanging off of them scattered about on a desktop. Now make each board small and simple by reducing it’s design to minimal form. Now the circuit boards are really small and the wires just changed into 22 ga. solid hookup wire. You rearrange the boards onto a panel or in free space, supporting their light weight with the stiff wire, and make your own free-form synth sculpture. Rewire to your heart’s content to make the music that you want. That’s the idea behind eChucK.

To summarize, eChucK is a standard of tiny simplified synth boards wired freely with various miniaturization tricks like thumbwheel pots and micro switches, mini screw terminals for pcb i/o, and plain old wire for hookup."

Full details here: https://reinventor.wordpress.com/2011/01/28/echuck-standards-document/

via Les aka Inventor

See the EChuck label below for some previous posts.

Tuesday, December 16, 2014

Introducing the Nodular Desktop Synthesizer - Two Sided Analog Monophonic Semi-Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Update: the maker/brand name for this synth is ndlr.synths. I created a new channel label for them. We have a new synthesizer manufacturer in town.  See second "Update" at the bottom of this post for additional notes on the design.

via the auction:
"Up for sale: one monophonic analog synthesizer. I've been making analog synthesizers for about 15 years now, but this is the first I am offering up for sale to the 'general public'. I am hoping to make a business out of selling this particular model, and you could be my very first customer.

The pictures show the same unit that is up for sale. The cabinet is made from 3/4" natural cherry boards, except for the base, which is made of 3/4" MDF. Both instrument panels are made of 1/8" thick anodized aluminum. The panels have been mechanically engraved and the engravings filled with chemically hardened black enamel paint. The whole unit measures about 18" wide by 18" deep by 12" tall. It weighs about 40 pounds. This is a very well made unit, with sturdy instrument panels that'll last a lifetime.

This synthesizer has its own +15/+10/GND/-10/-15 volt power supply and will only run on 120VAC 60Hz. It consumes about 45 watts of power at full bore.

All the modules in this synthesizer have been designed to work together seamlessly, and all use the same standards: 1 volt per octave, 10 volt peak-to-peak signal voltages, and 5 volt peak-to-peak gate, trigger, and control voltages. All patches are made among the modules via banana jacks. And a few different ways of interfacing to external modules or instruments are offered via 1/4" phone jacks.

A description of the different modules follows:

(1) ring modulator

(1) white and pink noise and random voltage source

(1) sample/track & hold

(1) voltage comparator

(2) low frequency oscillators (LFOs):

(1) headphone amplifier

Both offer voltage controlled frequency, variable offset and symmetry, and sinusoidal, triangular, and pulse wave outputs. By adjusting the speed knob, the frequency can be changed from about 20Hz down to really, really, slow. This range can be extended through voltage control.

(3) voltage controlled oscillators (VCOs):

All three offer 1 volt per octave frequency control, voltage controlled pulse width modulation, ac-coupled linear frequency control, hard sync, and sine, triangle, sawtooth, and pulse wave outputs. They'll track to within .2% over at least 8 octaves with basically negligible temperature drift once the enclosure is warmed up. And they'll operate from below audio to above audio frequencies.

In addition, the first VCO offers a frequency range switch and fine tuning.

Friday, November 30, 2007

Serge Modular (A2) 6 MODULES


images via this auction

"1- PRECISSION VOLTAGE CONTROL OSCILLATOR
2- NEW TIMBRAL OSCILLATOR
3- TRIPLE WAVESHAPER
4- DUAL AUDIO MIXER
5- UNIVERSAL EQUAL POWER AUDIO PROCESSOR (ONE KNOB IS BENT)
6- DUAL PHASER (THREE KNOBS ARE BENT BUT THIS CAN BE FIXED)

Nearly all voltage control functions of the SERGE modules are accurately log-linear. This means that a control voltage will be directly proportional to the logarithm of the effect it produces, whether the effect is a change in amplitude, duration, or frequency. Log-linearity is essential because we perceive differences in these parameters as a function of the ratio of the change, rather than as a function of the difference. We hear an octave (a ratio of 2 to 1 between two frequencies) whether the frequencies are 200 and 100 Hz or 2000 and 1000 Hz.

All Timing and Frequency Ranges Are Wide Range
The minimum range of any module in the SERGE system is at least 10,000 to 1, from the highest to the lowest frequency, or from the longest to the shortest duration. In many modules the ratio is typically 100,000 to one, and in some cases exceeds 1,000,000 to 1.

Input Processing At VC Inputs
This allows a voltage to be scaled at an input with regards to both the depth or intensity of its effect as well as its direction. The response of the module to a control voltage can be set at the processing input, reducing the need for intermediate processors and inverters.

Calibrated Inputs
Experience has shown that it is also desirable to have pre-scaled control voltage inputs at 1 volt per octave, especially when using keyboards or computer controls. All SERGE oscillators, filters, and envelope generators have both calibrated and processing type inputs

These modules are at the heart of the versatility of the SERGE synthesizer. Examples can be seen in such modules as the Smooth & Stepped Function Generator, the Dual Universal Slope Generator, and the Universal Equal-Power Audio Processor

A Unique Packaging System
The SERGE synthesizer owes much of its versatility, portability, and affordability to the way it is packaged. Nearly any configuration of modules can be grouped together into one or more standard Panel/Racks. All holes are pre-punched to accommodate the entire line of SERGE modules. Jacks, switches, and other components are mounted onto the front Panel, and then the printed circuit boards are fitted into the Rack assembly behind the Panel. Since the Rack and its printed circuit boards open away from the Panel like a page in a book, both the initial assembly and its subsequent inspection are simplified.

Compatibility With Other Equipment
SERGE systems are electrically compatible with other synthesizers and audio equipment. When required, interfacing can usually be handled at each module's processing input. Adapters for other types of patchcords can be easily installed on the Panel

Ease of Incorporating Custom Mode/s
This is another benefit of the Panel/Rack package. Custom circuits can be installed into the Panel without drilling a single hole. Using standard Vectorboard, circuits can be fitted into the Rack and wired to front panel components. Custom faceplate graphics are easily applied without any special materials. The end result is a custom module integrated into the SERGE synthesizer with minimum effort."
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