Showing posts sorted by date for query D-05. Sort by relevance Show all posts
Showing posts sorted by date for query D-05. Sort by relevance Show all posts
Friday, September 05, 2025
Tone Science Module No.10 The Final Patch (DiN:TS10)
"Now available as a double CD with an 8-page booklet & download
Tone Science sub-label, from DiN records, concludes it’s exploration of the world of modular synth music.
Since the first volume in the Tone Science series was released in 2018, seventy-two musicians in total have joined in with this celebration of the musical possibilities of modular synthesis. These artists have been from a huge range of backgrounds but have all shared the unifying purpose of showcasing the incredible variety of sonic possibilities these instruments can offer.
Tone Science sub-label, from DiN records, concludes its exploration of the world of modular synth music.
Since the first volume in the Tone Science series was released in 2018, seventy-two musicians in total have joined in with this celebration of the musical possibilities of modular synthesis. These artists have been from a huge range of backgrounds but have all shared the unifying purpose of showcasing the incredible variety of sonic possibilities these instruments can offer.
The intervening seven years have seen the modular synth world expanding at an exponential rate and whilst one wouldn’t go so far as to say these synths are mainstream, they are certainly far more prevalent than in the past. It’s especially gratifying to see so many musicians now either play solo sets with them or to include them in their onstage arsenal.
Thus we come to this, the final instalment in the Tone Science series. Nothing lasts forever and certainly stopping at this nice round number of ten seems like a good way to not only end the series but to release the Final Patch, a real celebration of what has gone before and perhaps to hint at what is possible for the future. A beautifully packaged double CD featuring twenty artists who have appeared on previous iterations of the series, it really is a who’s who of modular synth musicians. The release is accompanied by an eight-page booklet with an essay by Neil Mason and some final words from the guiding force behind the whole project, Ian Boddy, label boss at DiN. And as Boddy so succinctly puts it in his liner notes, “for me, despite the technological nature of the equipment, the emotional quality of the music is the single most important factor”. The Final Patch certainly delivers on that ethos.
Thursday, August 28, 2025
Behringer UB-Xa: 64 Arp Presets Vintage & Modern. Sound Demo
video upload by Anton Anru
"π Analog Flow is a collection of 64 arp presets for the Behringer UB-Xa analog synthesizer. The bank covers a wide range of arpeggio timbres: warm, deep, dreamy, soft, noisy, bright, dark, distorted, cold, metallic. You can also disable the arpeggio mode and get a collection of diverse plucks.
Since the UB-Xa is a recreation of a vintage classic, this collection embraces its retro character—highlighting detuning, subtle noise, and analog warmth to evoke the sonic aesthetics of the 70s and 80s.
The patches are infused with nostalgic charm and are perfect for adding that vintage soul to your tracks.
π¦ Get these patches: https://antonanru.sellfy.store/p/ub-x...
πΌ One of the unique features of the UB-Xa is its Atrophy profiles—emulations of various stages of vintage wear and drift. All presets and audio demos were created using the default Profile 1, but you're encouraged to explore them with other profiles to discover variations in brightness, tuning, and stereo width. This adds another layer of expression and depth to the sounds.
π Each preset is performance-ready, with velocity sensitivity and ModWheel assignments mapped for expressive control. The ModWheel introduces additional modulations — such as brightness or movement — offering creative flexibility for both studio production and live performance.
π§Ώ The soundset is universal, the arpeggios are suitable for all genres of electronic music, including Techno, House, Trance, Lounge, Downtempo, Synthwave, Retrowave, Pop, Indie, IDM, Drum'n'Bass, Breakbeat, Electro, Ambient, Synth-Pop and others.
Wednesday, August 27, 2025
Tangible Waves CD40106 Oscillator BRAEDBOARD Build and JAM
video uploads by TailBiterz Synthesizers
1. CD40106 Oscillator BRAEDBOARD Build and JAM 1|πΆππΉ | #synthesizer #electronicmusic #diysynth
I got a BRAEDBOARD (not a typo) breadboard module for an AE modular synth a while ago. I've only just managed to install it. So I thought I'd try some example circuits out from the AE modular Wiki, just to see if it works ok, and also before I go onto something more complex.2. CD40106 FM Oscillator 2 |πΆππΉ | #synthesizer #electronicmusic #diysynth
00:00 Intro to the BRAEDBOARD.
01:19 Fitting the module into the synthesizer.
03:55 Building the CD40106 oscillator.
04:46 Trying out with the basic oscillator.
05:56 Adding a filter to it. Altering cutoff and resonance.
06:57 Sequencing the filter cutoff.
08:35 The rest of the jam.
Building a rough CD4106 FM oscillator on a breadboard and making some horrible sounds with it......
Also running it through a sequenced filter and adding some lofi drums.
Sunday, August 24, 2025
Album with Make Noise only - Fracture #05 Live Performance
video upload by Anton Anru
"π Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
π½ I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.
The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...
The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.
π I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/
π Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.
π I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"
Thursday, August 14, 2025
Roland S-1 | Synth Sound Design
video uploads by Mark Young
Playlist:
1. Roland S-1 | Synth Sound Design Basics Tutorial | Master the S-1: Ep. 1
Playlist:
1. Roland S-1 | Synth Sound Design Basics Tutorial | Master the S-1: Ep. 1
This is the first video in my series on mastering the Roland S-1. In this episode, I cover the essential sound design features of this powerful little synth. Future videos will dive into advanced sound design, creative jamming techniques, sequencer tricks, and anything else you’d like to see.2. Roland S-1 | Advanced Sound Design Tutorial | Master the S-1: Ep. 2
The S-1 has a hidden super power: Custom Waveforms. Using the oscillator draw function you can input your own custom waveforms to create new sounds you wouldn't expect from a mini-SH-101 clone. I have a few that I use all the time and I wanted to share them with you. I hope you enjoy!3. Roland S-1 | Sequencing Tutorial | Master the S-1: Ep. 3
The Roland S-1 sequencer isn't the most advanced, but it offers a surprising amount of utility for its small size. For me, the S-1's sequencer is a quick and effective way to capture ideas and jam, in ways that even more advanced synths and grooveboxes don't always inspire. I get a lot of enjoyment from punching in patterns on the S-1 and using the tips and tricks I show in this video to create tracks and explore new ideas through jamming.4. Roland S-1 | Voice Modes Tutorial (Poly, Chord, Unison, Mono) | Master the S-1: Ep. 4
If you'd like to support me and receive extra patches, patch reference sheets, and more, please visit patreon.com/Mark_Young
00:00 Intro
00:14 Pattern Length & Speed
00:56 Note Entry
02:39 Functions
04:43 Step Level Settings
07:15 Note Level Settings
08:25 Automation/P-locks/Motion recording
09:50 Non-sequencer sequencing
12:14 Outro
The Roland S-1 has four voice modes which can be used for different sound design purposes. I received a lot of requests to make a video on the chord mode functionality, so I figured I would expand it out and cover all of the different S-1 Voice Modes. I'll dive into each one mode and give some ideas for how to use them, with emphasis on chord mode. Let me know if you have any questions!
00:00 Demo of Voice Modes
01:10 Intro
01:54 Polyphonic Mode
05:25 Monophonic Mode
06:40 Unison Mode
09:30 Chord Mode
For extra content, early releases, full written out patches, and more please check out: patreon.com/Mark_Young
Saturday, August 09, 2025
Plasma Voice: A single sound played like a "normal" synth
video upload by Richard DeHove
"The Plasma Voice module loves being modulated, But how about just playing it as a standard synth voice? Here I twiddle at length with just one of the 49 core sounds. This is bass sound number 2, but it happily scales up and down the octaves. One thing I like about the Plasma is that you don't need to tune it. As much as I liked all my old analog Eurorack oscillators, I absolutely hated tuning them. Often I wouldn't bother, then I'd come up with something good and realize it wasn't going to fit with anything else until I stopped everything, broke the spell, and went back and tuned them :/
Playing a Plasma voice with no modulation isn't what you'd probably often do. It's setup for easy and crazy amounts of realtime change. OTOH it's interesting as a synth voice to play with a range of unfamiliar parameters. Since there's no ADSRs or other standard controls you tend to go in different directions.
Ten minutes of this might be overkill, but as my daughter always says (with a laugh): "Your channel is so niche", so I'm unfazed. It actually felt quite brief to me although the Nightverb was essential to smooth things out.
And watch your ears at the 4 minute mark. There's no compression, limiting or other volume modifications on the audio and the sound gets rather piercing.
0:00 Dry sound
0:54 With reverb
3:32 Jackhammer
4:02 O Lord My Ears
4:45 So low
5:30 Smoothie
6:05 Prod
6:57 Sustainers
8:15 Octaves
9:56 Wet
10:49 Square
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"
Friday, August 08, 2025
Prophecy Vol 3 - Sequential Prophet 5 & 10 - Patches 21 to 40 (of 80)
video upload by GEOSynths
"Out Monday 11th August.
I'm back with another 80 Patches for the amazing Prophet 5 & 10 which are compatible with the latest Firmware (V2.06) and this Video demonstrates Patches 21 to 40, both Dry and with FX Presets (Included)
There's a wide range of Sounds from Pads to Strings, Bass to Lead, Polysynths to Bells and a whole lot more. All 80 Patches will be demonstrated over 4 Videos and you can hear them Dry at first, then with FX, which are included in the Download.
I've made FX Presets to go along with all 80 Patches, so you can reproduce everything you hear in the video. There are 2 Free Plug-ins which are available for both Mac and PC.
1 - Blue Cat Audio Chorus - https://www.bluecataudio.com
2. Valhalla Supermassive - https://valhalladsp.com
All you need to do is insert the Blue Cat Chorus, then Supermassive and match up the Patch Numbers...That's it.
00:00 - 21. Stage Keys GEO
00:50 - 22. Steam Roller GEO
01:43 - 23. Lead Chain GEO
02:20 - 24. Big Organ GEO
03:09 - 25. Super Sax GEO
04:06 - 26. So Warm GEO
05:28 - 27. Snake Bytes GEO
06:09 - 28. Phat Poly GEO
07:07 - 29. Growler GEO
07:45 - 30. Pulsation GEO
09:00 - 31. Wetland GEO
09:46 - 32. Wavetables GEO
10:35 - 33. Low Wave GEO
11:13 - 34. D Lead GEO
11:45 - 35. Brass Band GEO
12:33 - 36. Wide Frets GEO
13:30 - 37. Ripples GEO
14:37 - 38. Rich Poly GEO
15:26 - 39. Dark Star GEO
17:14 - 40. Super Stab GEO"
Saturday, July 26, 2025
Luke Million Studio Tour Update July 2025
video upload by Luke Million
"Following the Studio Tour Video I made last November, here is an update with recent acquisitions and changes to my workflow in my Studio.
Some highlights are the Moog Messenger, Arturia DrumBrute Impact 1984 Edition, Synido TempoPAD C16, Aly James Lab Vprom 3.0, Beyerdynamic DT1990 Pro, Modartt Pianoteq 8 and some Franklin Audio Devices.
The biggest change is in my 2nd Studio where the B Team is kept. I have connected those synths to a Franklin Audio SS-6 Switchable Input Stereo DI which then sends audio to my Universal Audio Volt 476 interface connected to a Macbook Pro Laptop.
You can view the original Studio Tour Video here -"
LABELS/MORE:
ARP,
Arturia,
BOSS,
Doepfer,
EHX,
Interviews,
Korg,
MOOG,
Native Instruments,
Oberheim,
Roland,
Simmons,
Solina,
Stylophone,
Yamaha
Thursday, July 17, 2025
Behringer UB-Xa: 64 Vintage Atmospheric Presets. Sound Demo
video upload by Anton Anru
π Retro Tides is a collection of 64 atmospheric presets for the Behringer UB-Xa analog synthesizer. It includes: 13 Pads, 13 Synths, 17 Keys, 8 Strings, and 13 Textures.
Since the UB-Xa is a recreation of a vintage classic, this collection embraces its retro character—highlighting detuning, subtle noise, and analog warmth to evoke the sonic aesthetics of the 70s and 80s.
π¦ Get these patches: https://antonanru.sellfy.store/p/ub-x...
The presets are infused with nostalgic charm and are perfect for adding that vintage soul to your tracks.
πΌ One of the unique features of the UB-Xa is its Atrophy profiles—emulations of various stages of vintage wear and drift. All presets and audio demos were created using the default Profile 1, but you're encouraged to explore them with other profiles to discover variations in brightness, tuning, and stereo width. This adds another layer of expression and depth to the sounds.
π Retro Tides offers a wide sonic palette, from dreamy pads and mellow keys to lush strings and expressive textures. Whether you're producing synthwave, ambient, cinematic, downtempo, or retro-inspired electronic music, these presets will help you capture a timeless analog feel.
π Each preset is performance-ready, with velocity sensitivity and ModWheel assignments mapped for expressive control. The ModWheel introduces additional modulations — such as brightness or movement — offering creative flexibility for both studio production and live performance.
Friday, June 20, 2025
An AUTHENTIC 90s Dance Music Setup
video upload by AudioPilz
"Hey everybody, this video is a dream come true as we are going to do something I’ve been wanting to do since I was a broke teenager back in the day: build an Original 90s Dance Music Production Setup including synths, drum machine, recording gear and sequencer.
All the equipment we will be using for making music today was brought to the market before the year 2000 and while you might be longing for the workflows of these seemingly simpler times - be careful what you wish for.
00:00 Introduction
00:33 Why 90s EDM Setups were revolutionary
01:14 THE SYNTHS - Novation Bass Station Rack (1995)
01:46 Doepfer MS-404 (1994) - The Eurorack Predecessor
02:05 Roland JV-1080 (1994) - The ROMpler
02:30 Jomox Airbase 99 (1999) - The Drum Machine
03:09 Roland JX8P (1985) - The Keyboard
03:36 THE SEQUENCER - Alesis MMT-8 (1987)
04:22 THE MIXER - Mackie CR-1604 VLZ (1996)
05:01 THE EFFECTS - Alesis 3630 , Roland Space Echo RE-201 ,...
05:38 THE RECORDER - Fostex D-10 DAT Recorder (1993)
06:12 Your favorite 90s Dance Record might be a DAWless Jam ( Trance Jam )
06:55 THE MULTITRACK RECORDER - Alesis ADAT XT (1996)
07:18 Syncing ADATs to a Sequencer - JLC dataSYNC2 (1997)
07:49 Sample CD Big Beat Jam
08:21 Outro"
Monday, May 26, 2025
Roland Zen Core - True Trance Sounds V3 (Supersaw Edition)
video upload by NatLife Sounds
"Buy Product: https://natlifesounds.com/product/tru...
True Trance Sounds V3 (Supersaw Edition) is a powerful soundbank with 32 supersaw presets for Roland Zen-Core. It covers all modern variations of the iconic supersaw sound. These presets are perfect for creating energetic and dynamic trance tracks with rich, layered tones.
This pack is a must-have for fans of classic and contemporary Roland Supersaw sounds. It expands your creative possibilities with Zen-Core hardware."
"Compatible Roland Zen-Core instruments include:
Thursday, May 08, 2025
Moog Monosynth Madness: Messenger vs. Moog Classics
video upload by Reverb
"How does the new Messenger monosynth compare against all-time classics like the Minimoog Model D and source or modern classic like the SubPhatty, Mother-32, and more? Let's find out.
See all of our Superbooth 2025 coverage here.
00:00 - Intro
01:05 - Round 1
06:36 - Round 2
09:02 - Round 3
13:02 - Round 4
16:23 - Round 5
19:31 - Round 6
22:46 - FINAL ROUND
26:12 - Outro"
Monday, May 05, 2025
Polyend Synth 1.3 - New Synths + New Features
video upload by Polyend
Download 1.3 Firmware - https://polyend.com/downloads/synth-d...
Introducing DWA: All New Polyend Synth Engine
video upload by Polyend
"Download the firmware update, patches, and samples here - https://polyend.com/downloads/synth-d..."
Polyend Synth - NEW v1.3 UPDATE - New DWA Synth Engine!
video upload by Oscillator Sink
"The Polyend Synth just got a nice firmware update (v1.3) which incorporates a bunch of MIDI refinements, some new grid modes which open up new performance options and most importantly the new DWA engine which is a fun, dual sample based engine with a comb filter that can be approached in loads of interesting ways.
Transparency Notice: Polyend sent me Synth when it was first released for free in order for me to make a release video. I have not been otherwise paid for any follow-up content made about Synth, although I was given early access to beta versions of the firmware.
Chapters:
00:00 Intro
01:33 Layered Grids for Layered Sounds
04:34 DWA Engine - Intro
05:51 DWA Engine - Setting Expectations
08:07 DWA Engine - Controls
12:16 DWA Engine - Play Modes and Looping
16:20 DWA Engine - Crossfade
17:34 DWA Engine - Single Cycle Synthesis
20:39 DWA Engine - Comb Filter
23:58 Breaking down the lovely piano patch
28:06 DWA Engine - Old Skool Time Stretching
31:59 DWA Engine - Getting crazy with the comb filter
34:20 DWA Engine - Velocity and Aftertouch
37:05 Outro"
Polyend Synth
video upload by Luca Longobardi
"Had the pleasure of trying the new Polyend Synth firmware 1.3 ahead of release. The new DWA engine opens up a world of textures — fragile loops, glitchy fragments, resonant feedbacks, all waiting to be shaped. It’s a reminder of how beautifully unpredictable sound can be."
Nonlinear Circuits Product - What's It Like Building a Nonlinear Circuits Product?
video upload by mtodead
"I built a Nonlinear Circuits Product. The background music was made featuring the Product. I completed this build in just under four hours.
00:00 Intro to the kit
00:35 Price breakdown (USD)
01:05 LM13700 IC
01:55 Two capacitors
02:42 TL074 IC
03:20 Zener and Schottky diodes
03:58 Transistors
04:20 TL072 ICs
04:39 Resistors & capacitors
08:43 LL4148 diodes
09:26 Resistors & capacitors cont'd
11:02 Power pin header
11:56 Potentiometers
12:28 Mini-jacks and front panel
13:12 Soldering hardware
13:48 Continuity test
13:56 Test
18:58 Location lugs & knobs
20:03 Outro"
From Patch to Sound: Logue SDK Custom Oscillators with Pure Data
video upload by boochow
"Pure Data ➡ https://puredata.info/
Pure Data to Logue SDK converter ➡ https://app.boochow.com/pd2logue/
Example patches ➡ https://blog.boochow.com/logue/pure-d...
plugdata is another good choice for pure data editor ➡ https://plugdata.org
hvcc can run in your Python environment ➡ https://github.com/Wasted-Audio/hvcc +
https://github.com/boochow/hvcc_logue...
00:00 Intro
01:00 Launch Pure Data and Make a New Patch
03:05 Export as User Oscillator
04:52 Make the Pitch Follow the Keyboard
05:52 Draw Your Own Waveform
10:18 Advanced Tip — Using tabosc4~
12:38 Final Tips"
Saturday, May 03, 2025
Ricky Tinez on the Bastl Wave Bard & FX Wizard
video upload by Ricky Tinez
"I was pleasantly surprised by the Wave Bard, but more so from the FX Wizard! Using these two together, you can get some awesome sounds out of them. It's so weird not having a sequencer, but once I submitted and gave in I had a blast."
Check with dealers on the right for availability.
00:00 What am i supposed to do with these?
00:47 WAVE BARD "Sequencing" haha
03:30 How to change the "notes" of samples
05:07 Fine Tuning a patch idea
06:05 Using the FX WIZARD
07:50 The Freezer Effect
08:55 This Beat is SO sick
09:33 The "Panner" effect is not what you'd expect
12:03 The Pitcher Effect
13:04 The Replayer Effects
14:58 The Shifter Effect Might be my favorite
Sunday, April 27, 2025
A very fat little generative synth: Wirehead Basilisk explained
video upload by mylarmelodies
"This is a demo/tutorial of an affordable hybrid analog & digital generative acid groovebox synth called the @wireheadinstruments Basilisk. It's available as DIY or off the shelf, and shown here clocked to a modular drum machine and various other desktop boxes!"
CHAPTERS
00:00 What's the Basilisk all about?
00:48 How the oscillator works
01:30 How the filter works
02:14 How modulation works
03:44 How the Envelope works
04:25 Recap & Pitch Envelope Jam
05:44 Generative Melody Sequencing
07:04 Sequencer Controls & Algorithms
08:20 Acid Jam
09:05 Changing Sequence Length
10:04 Call & Response Acid Jam
12:07 Parameter Locking Explained
15:04 Fifthsy Acid Jam with LFO'd filter
17:52 Acid Reverb Goosebumps Outro
Saturday, April 19, 2025
Sonicware CyDrums Full Tutorial - Wavetable Drum Synthesizer and Drum Machine
video upload by ChrisLody
"Full Disclosure: I occasionally take on freelance work at Sonicware on an hourly rate producing synth & sample sound design, beta testing, checking English text and videos like this.
0:00 Teaser
0:30 Intro
1:41 About this tutorial
2:15 Powering on, playing patterns, volume control, func button, system menu
3:13 Front panel overview, master volume, select tracks silently, menu buttons, external source
6:34 Common screen elements
7:21 Memory structure
8:11 Project 1, selecting and loading patterns, queuing patterns, switching patterns immediately
9:12 Performing preset patterns, mute button, global mute, mute modes, mixer, global mix, tempo menu, reload BPM, global BPM, reload pattern, stutter sequence mode, random sequence mode, dice function
13:48 Performance mode, varispeed, all release, all length, revert, all stutter
Saturday, April 12, 2025
Ultra-rare Waldeck 70s US Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this VEMIA listing
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.
Pics of the inside below.
"One of the rarest synths ever - this one is serial number 7 out of about 10 that were built. They were designed in the late 70s by Steven Waldeck, professor at the Art Institute of Chicago. Although there are so few of them there is a good deal of information gathered at the excellent matrixsynth site: https://www.matrixsynth.com/2016/05/more-info-on-vintage-waldeck.html?m=1
We had this example imported from the USA with the aim of having Dani at Hideaway do her magic - but sadly she has too many other projects on the go, and could give no idea of how many hours it would take - and how economically viable it would be. She did check it for electrical safety: 'If it was a 240V piece I'd say it would need some serious attention to detail and most definitely grounded - at 120V, I would say at the very least it should be checked over properly and some addition of sleeving/insulating sheet of the mains wiring on the transformer, fuse and switch terminals.'
Bear that in mind along with Mark Verbos' honest appraisal of another example from the matrixsynth page, and consider it a fascinating project, inspired by the VCS3 but definitely not a VCS3. Good for sound effects and weirdness, but not accurately pitched notes.
Dani's general verdict as it stands: 'This was clearly intended to be aimed more at making sound effects than to be used as a well calibrated and stable musical instrument - the whole thing is extremely drifty with very narrow usable control ranges on the oscillators - there is a fair amount that doesn't work but I still had some fun making some sort of recording with it to mark the occasion.' https://soundcloud.com/hideaway-studio/1978-waldeck-on-the-waldeck/s-2j3HAUd60BE (corrected URL!)"
via this VEMIA listing
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.
Pics of the inside below.

Monday, April 07, 2025
Moog Minimoog Model D | The archetype for a reason
video upload by Jay Hosking
"Please support my work on Patreon: / jayhosking
Exploring the classic.
00:00 - Intro
00:50 - One oscillator, then two, then three
03:58 - Ghost lead
04:24 - Triangle beauty
05:14 - High fifth bass
05:58 - Noise and glide
08:33 - Oscillator 3 drone 1
09:45 - Oscillator 3 drone 2
10:25 - Oscillator 3 drone 3
13:00 - Subdued single square
13:58 - Fifth arp with key tracking
15:31 - LFO finale
This is an exploration of the Moog Minimoog Model D, no goals other than to have fun. The Walrus SlΓΆer adds reverb and sounds beautiful. There was no additional processing to the sound. And what a beautiful sound it is.
The Minimoog Model D is one of the two main instruments that started my love of synths in the first place. I've long wanted one, and the reissue's wood looked especially beautiful, but I had to wait until I saw it at the right price. That happened last week, and here we are.
Yes, I know there are clones, and I know those clones can sound very very good. I'm not telling you that this is somehow magically better; it probably isn't. But I can tell you it feels like an instrument, it's beautiful to the touch, it has a heft to it, and the wood makes it feel like an installation piece or furniture or something that occupies physical space in the environment. I feel like I'm sharing the room with it, a creative environment, and that's a harder thing to quantify.
Some full songs will be coming with it at some point. How could they not? It's just incredible.
Thanks for listening."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH