Progressive House | Korg Opsix | Hydrasynth | GS Music e7 | Sub37 | TeknoBaby | Operation666 |

video upload by TeknoBaby

"Just bought a Korg Opsix and getting some great distorted tones from it already. Works well with the Hydrasynth."

Money, power and ... synths? - what synthesizers can tell us about geopolitics

video upload by Floyd Steinberg

Missed in South America: GS Music - Argentina, EMW - Brazil, and AtomoSynth - Peru. AnalogFX in Netherlands. Meng Qi is worth a DIY stand out mention for China as well as Aforack in Uganda, Africa. There's no way to list every manufacturer, but if he missed a country/region feel free to comment (feel free to comment regardless of course). It's an interesting video and a useful reminder of where manufacturers are based.

"If a country can support one or even more synthesizer manufacturers, that tells us a lot about its place in the world. I have some numbers to back this up, look at some of those synthesizer-producing countries and then make some predictions on their future trajectory.

Table of contents:

00:00 introduction
00:50 the idea (explained with the UK)
02:43 the synthesizer world map walkthrough (west to east)
03:01 United States of America
04:21 France
04:56 United Kingdom
06:27 Germany
07:50 Italy
09:08 Scandinavia (i.e. Sweden)
10:07 Eastern Europe
11:18 Ukraine
12:18 Russia
13:19 China
15:11 Australia and New Zealand
16:37 Japan
18:40 The DIY scene
19:34 conclusion - where are the countries headed to?
20:32 my personal thoughts
21:29 bye - please subscribe (and if you like this style of video, please tell me in the comments)

B-Roll footage from pexels.com

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Why Does This Synth Have Only One Oscillator? | Superbooth 2026

video upload by Music Journey with Paul

https://www.gsmusic.com/synth-store

Chapters:
00:00 Introduction
00:59 Matt Johnson performing on Bree6
01:20 Bree6 - is one oscillator enough?
04:50 e7 presentation - the flagship synth
10:47 From hobby to family business
12:03 The only polysynths from Lating America
12:24 Finding a gap in the market
13:02 From idea to first customer
14:11 Argentina gave us Lionel Messi & GS Music

"GS Music is one of the most interesting boutique synthesizer companies I discovered at Superbooth 2026.

I spoke with Guido Salaya, the founder and lead engineer of GS Music, about how a small family business from Argentina grew into a company designing and manufacturing analog polyphonic synthesizers.

Their main instruments include the 7-voice GS Music e7 and the 6-voice Bree6, available as a desktop and keyboard version. At Superbooth 2026, GS Music also showed the new Bree6 Four Octave Edition - a 49-key, 4-octave version of their analog polysynth.

Featuring fantastic performance of ‪@MattJohnsonskeyspace‬ to show capabilities of Bree6.

In this interview we discuss:
why he built a synth with only one oscillator,
the philosophy behind keeping instruments simple,
how GS Music started as a hobby,
why they chose to build analog polyphonic synthesizers,
how product ideas become finished synthesizers,
the challenges of manufacturing hardware in Argentina,
what makes GS Music different from larger synth manufacturers.

If you enjoy boutique synthesizers and hearing the stories behind the people who build them, I think you’ll enjoy this conversation."

Voidcontrol MIDI Releases e7 Unofficial Editor: DAW Integration for the GS Music e7

e7 Unofficial Editor - VST3 Demo video upload by Voidcontrol MIDI

"VST3 editor for the GS e7. Real DAW automation, easily build multitimbral patches, patch library, A/B snapshots, morph, and resizable UI. Windows 10/11. Available at voidcontrolmidi.com."

Press release follows:


Voidcontrol MIDI has released the e7 Unofficial Editor, a Windows VST3 plugin that lets you control and automate the GS Music e7 from within a DAW, just like a software instrument.

The e7 is a remarkable analog polysynth with a passionate community and a genuinely unique sound, but editing it properly from a DAW has often meant menu diving on the hardware. This editor was designed to make that seamless. All 88 of the e7's parameters are on screen, laid out to mirror the front panel, with real DAW automation on every control rather than just MIDI learn.

Features include:

Full parameter control: every one of the e7's 88 parameters on one screen, with authentic readouts for oscillator tune, tempo-synced LFO rates, and waveform shapes.

Real DAW automation lanes for every parameter.

A patch librarian: browse, audition, load, rename, import and export single presets, whole banks, or full instrument backups as standard .syx files.

Multi-mode support: edit 4-part multitimbral patches with per-part level, MIDI channel, voice allocation, and key/velocity zones.

A/B snapshots with an automatable morph slider.

Two-way hardware sync: pull the synth's current edit buffer into the editor in one click, with the editor recalling its state on project load.

Init and a musical randomizer for fresh starting points.

A resizable interface with onboard help.

A standalone version is also included for use without a DAW, working as a pure hardware controller that needs no audio interface.

The editor has been tested in Ableton Live, Bitwig, Cubase, Reaper, and Studio One, with USB and 5-pin DIN MIDI, MPE support, and a one-click All Notes Off panic.

"The e7 sounds incredible. I just wanted to see all of it at once, especially the multitimbral side," said Dave of Voidcontrol MIDI.

Voidcontrol MIDI is a small US-based developer making editors for boutique and classic hardware synths. The e7 Unofficial Editor is its third release, after editors for the Roland SE-02 and Oberheim OB-6. A macOS version is under consideration.

The e7 Unofficial Editor is available now at voidcontrolmidi.com for an introductory $30 USD through July 7, 2026, after which it returns to its regular price of $40 USD.

The e7 Unofficial Editor is a third-party tool and is not affiliated with or endorsed by GS Music. "e7" is a trademark of its respective owner.

BOOcast #44 - Feat. Interview with Guido Salaya of GS Music

video upload by Battery Operated Orchestra

Note the video is set to start with the interview. You can use the player controls once started to go back or forward.

Timeline:
00:00:00 Countdown
00:30:00 Hello - On tonight's show
00:31:58 Titles
00:32:23 Industry News
00:41:33 Slave to the Algorithm
01:08:17 GS Music Bree 6
01:27:33 Your Comments
01:45:10 BOOster Rollcall
01:48:08 Album Release Timeline
01:50:26 Goodbye - Video From The Vaults - Lost In Static

Sean R McKee - Illumatone Forest - Lumatone Performance

video upload by Sean McKee

"Music video for an instrumental song featuring the Lumatone Isomorphic Keyboard, Michael Barton Art custom 'Leo' bass, Strandberg guitar. Synth sounds from GS Music e7 [all the solo synth sounds], Hydrasynth Deluxe, sound effects with Erae Touch 2. All parts played by Sean R McKee.

All the videos I’ve seen of Lumatone were performed solo, with most exploring microtonality. I wanted to put Lumatone in a 'band' setting with a traditional Western tuning."

Live Progressive House using Akai APC64 | Hydrasynth | GS Music e7 | Moog Sub 37 | TeknoBaby |

video upload by TeknoBaby

"Using Ableton Live software called Meridian to sequence all the synths. Great for creating Poly Rhythms. The main riff is done using the mutant feature on the Hydrasynth."

GS Music Bree 6 keyboard sound samples

video upload by Brian Schaft

"Several patch samples of the new GS Music Bree 6 keyboard. Raw sound, no outboard effects."

Osmose CE lleva la EXPRESIVIDAD del Osmose a tus plugins

video upload by Hispasonic

GS Music Bree6 on the desk.

"Tomasz Bura, artista de Expressive E, nos presenta en SuperBooth 2026 el Osmose CE: la versión sin motor de síntesis del aclamado Osmose, ahora disponible en 49 y 61 teclas, pensada para llevar toda su expresividad a cualquier DAW, plugin o sintetizador externo.

El Osmose CE conserva exactamente el mismo keybed expresivo del Osmose original, capaz de detectar presión, inclinación, vibrato natural, gestos de pitch y un note-off expresivo que permite moldear cada nota como si se tocara un instrumento acústico.

Lo que verás en la demo:

🎹 Control MPE total: cada tecla responde de forma independiente a la dinámica y al movimiento lateral.
🎵 Pitch bend por tecla: efectos vocales, de violín o de instrumento acústico imposibles en un teclado convencional.
🎛️ Polifonía expresiva: puedes mantener cuatro notas y modular solo una de ellas.
✨ Press Glide: un gesto exclusivo que permite deslizar entre notas usando presión.
🎼 MPE Arpeggiator: patrones donde cada nota mantiene su independencia expresiva.
🔊 Ctrl-e incluido: un ecosistema de sonido expresivo con más de 900 presets que combina motores propios de Expressive E con instrumentos de desarrolladores externos, todos diseñados para reaccionar orgánicamente al teclado sin mapeos previos.
🎚️ Aporta expresividad incluso a plugins y sintetizadores que no soportan MPE.

Tomasz lo utiliza en directo, en estudio, como compositor para cine y publicidad, para música de relajación y como músico de jazz. En sus palabras, este instrumento ha cambiado por completo su lenguaje musical.

Disponible ya en tiendas a 999 € (49 teclas) y 1.199 € (61 teclas)."

Googlish:

CLICK FOR MORE »

GS Music Synthesizers - Bree6 Keyboard | SUPERBOOTH 26

video upload by Bonedo Synthesizers

https://www.gsmusic.com/synth-store

GS Music - Bree6

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional NOISEBUG Listings

CLICK FOR MORE »

The GS Music Bree 6 Keyboard Synthesizer: Super cute and super fat!!!

video upload by Matt Johnson’s Keyspace

See dealers on the right as well as https://www.gsmusic.com/synth-store for availability and price.

"The Bree 6 will surprise you with its massive sound! I would take this over a vintage Juno anyday!"

Matt Johnson GS Music demos

And one from Starsky Carr:

Analog Done Right // GS Music Bree 6 Keyboard

video upload by Starsky Carr

"In this in-depth demo and review, we explore the GS MUSIC Bree 6 keyboard — a 6-voice VCO-based analog synthesizer with a fully analog signal path, built-in chorus, delay, arpeggiator, and sequencer. If you love that vintage-meets-modern sound, this one might surprise you.

From raw oscillator tones to lush stereo pads and punchy basses, I break down what makes this synth special — including its unique double/triple arpeggiator modes, MPE compatibility, and rich, characterful sound that sits somewhere between classic Roland-style synths and something entirely new.

If you’re into synths like the Roland Jupiter-8 or Roland Juno-106, this is one you’ll want to hear.

🔍 What’s Covered
Sound demo (full track made entirely on the Bree 6)
Oscillator section: saw, pulse, sub oscillator
24dB analog low-pass filter with resonance & key tracking
Dual ADSR envelopes & fast modulation
Voice modes: poly, mono, unison & stereo spread
Built-in chorus & analog-style delay
Unique arpeggiator (double & triple note modes)
Sequencer workflow & performance features
MPE support & expressive control

🎛️ This isn’t just another vintage clone. The Bree 6 blends:

Raw VCO tone with modern reliability
Hands-on workflow (minimal menu diving)
A distinct character that feels alive and immediate
A surprising amount of depth for a single-oscillator synth
🎧 Who Is This For?
Analog synth lovers
Producers looking for fat, mix-ready tones
Fans of classic Roland-style sound with modern features
Anyone wanting a hands-on, inspiring instrument"


via GS Music

The day has arrived

We’re proud to present the Bree6 Keyboard, our first synthesizer with an integrated keyboard, designed and produced in Argentina for the world. 💙

Built on a six-voice analog architecture, it delivers a powerful and expressive sound engine capable of everything from solid basses and leads to rich, evolving pads. Now expanded with a built-in sequencer and advanced arpeggiator, it becomes a complete performance and composition tool.

With its one-knob-per-function interface, semi-weighted keybed with velocity and aftertouch, and fully analog signal path, the Bree6 Keyboard is designed for immediate, hands-on control—no menu diving.
Immediate Control. No Menu Diving.

The Bree6 Keyboard version is designed to deliver an immediate and intuitive hands-on experience, eliminating the need for deep menu navigation. Its interface follows a one-knob-per-function philosophy, providing direct access to all key parameters for fast and precise sound shaping.

CLICK FOR MORE »

Off Program

video upload by Valhalla Vegas

GS Music e7 & Conductive Labs NDLR V2. Anyone ID the box on the right?

Rui Da Silva, Cassandra - Touch Me (Manna Remix) | TeknoBaby Live Remake | Sub37 | e7 | Hydrasynth

video upload by TeknoBaby

"This is IMO the best remix of my favorite House track. Manna did an amazing job, giving it that modern Melodic Techno production. Most of the synth sounds are from the GS Music e7 with lots of osc sync. I just got the Hydrasynth a few days ago so am only using it with a pad preset for now. Bass is Sub37 as usual. And I bought some crappy disco lights off Amazon lol."

GS Music e7 Synthesizer Fun plus FX

video upload by James Dyson

"GS Music e7 Synthesizer Fun
Cubase Ping Pong Delay
Valhalla Supermassive Reverb"

Melodic Techno | TeknoBaby | Giza | GS Music e7 | Moog Sub37

video upload by

"Can get some gnarly modern sounds from the e7. It has a very bright sounds and is well suited to Melodic Techno, especially those stuttering pitch bending sounds that are so popular at the moment."

Melodic Techno | GS Music e7 Multitimbral Synth | TeknoBaby |

video upload by TeknoBaby

"The e7 is playing three separate sounds on different midi channels. All then go through the Zen Delay."

GS Music e7 Demos by David Lippold

video uploads by David Lippold

Polyend Synth - "GRAIN Scape" Soundset

video upload by LFOstore

"Welcome to Polyend Synth 'GRAIN Scape' sound pack!

BUY: https://kav-sound-explorer.sellfy.sto...

'GRAIN Scape' is a pack created for Polyend Synth engine GRAIN Synth.

Engine GRAIN is a granular synthesizer which scans the audio file and
generates small grains of audio which can be manipulated and
tuned in the engine. Great for creating rich textures and ambient backdrop
pads and sounds.

'GRAIN Scape' sound pack contents: 10 Synth Scenes, 52 Polyend Synth Presets, 50 Samples.

Tailored for granular texture , cinematic, electronic, and experimental music production.

Whether you’re building immersive soundscapes or adding subtle movement to your compositions, these sounds will bring depth and emotion to your work.

•Designed for cinematic, atmospheric, and electronic use
•Includes granular texture and ambient backdrop pads and sounds.
•Works seamlessly in professional and experimental contexts

Includes:

Synth Scenes & Synth Presets files, samples, and detailed loading instructions.

For quick searching, new Synth Scenes and Synth Presets are marked with (Gs) and new Samples with (S) in front of the name.

Ready to use: All sounds are presented as demo versions (without adding external effects or post-processing to the demo tracks) with 1 Synth Preset, allowing users to evaluate their potential in the Polyend Synth effects section.

by: A.Kav"

Analog beauty: GS Music e7 #synthesizer

video upload by Pete Midi

"The GS Music e7 is one of the best sounding analog polysynths I ever heard. The variable stereo spread and the two sub oscillators can provide ultimate wideness & fatness that is hard to find anywhere else."