Soft Synths, Warped Drums, and Lo-Fi Tape Textures | Wave and Cradle 2026-02-01 by atnr

video upload by atnr

"This piece was created using ‪@SONICWARE‬ AmbientØ, ‪@teenageengineering‬ OP-1 field, and tape loops. Soft synth tones drenched in reverb blend with warped drum patterns and lo-fi tape textures, forming an ambient electronica composition.

On AmbientØ, harmonic sequences and single-note patterns are played, with additional synth parts performed live. Built-in reverb is applied, followed by further reverb processing via ‪@strymon‬ blueSky on the output.

The OP-1 field loops sampled drum sounds using the ENDLESS sequencer.

A ‪@WeAreRewind1‬ cassette player plays a tape loop containing a recorded piano performance. The sound is recorded through ‪@HologramElectronics‬ MICROCOSM, with reversed layers added using the PHRASE LOOPER."

Abstract Loops and Shifting Rhythms | Which time is this 2026-01-29 by atnr

video upload by atnr

"This piece was created using the ‪@teenageengineering‬ EP-133 K.O.II, OP-1 field, and tape loops. Within repeating harmonies, abstract textures emerge as drums and tape loops continuously change through effects.

The EP-133 K.O.II and OP-1 field are synchronized via USB. On the EP-133, a simple drum pattern is played and shaped using Punch-in FX.

The OP-1 field plays the bassline and harmonies, with the sound processed through ‪@ChaseBlissAudio‬ MOOD MKII using delay and reverb.

A piano performance is recorded onto a tape loop and played back. The sound is heavily processed through LOST+FOUND, transforming it into an unrecognizable texture rather than a conventional piano tone.

Additional layers are created using VST instruments within a DAW."

Simple Synth-Pop Crossover Session | Nobi 2026-01-19 by atnr

video upload by atnr

"This piece was created using ‪@KORG_INC‬ microKORG S, ‪@teenageengineering‬ OP- field, and NTS-1, forming a simple synth-pop crossover track.

On the microKORG S, melodies are performed while switching between different patches. The output is processed with reverb via ‪@strymon‬ blueSky.

The rhythm is handled by the OP-1 field, while the bass is played by the ‪@KORG_INC‬ NTS-1. Both are triggered via MIDI sent from Ableton Live.

Although it does not appear in the video, the Nord Lead is used to play harmonic parts, with reverb applied through ‪@gfisys‬ Specular Tempus."

Random 42-Step Phrases and Dissolving Layers | Monolithic System 2026-01-13 by atnr

video upload by atnr

"It is a minimal music work in which a randomly played 42-step phrase repeats, layers of sound gradually accumulate, and finally dissolve toward the end.

On the OP-1 field, a 42-step phrase is entered into the ENDLESS sequencer and played back with random variation. During the performance, the timbral envelope and filter effects are adjusted in real time.

On the Novation Circuit, a simple synth phrase is looped while filter and sound parameters are manipulated. The output is routed through ‪@ChaseBlissAudio‬ LOSSY, adding reverb and shaping the sound into a lo-fi texture. At certain moments, synth pads are also played live using the Circuit’s pads.

Toward the end of the track, the delay feedback on the OP-1 field is increased while deep reverb from the ‪@strymon‬ blueSky is applied, allowing the piece to fade out gradually."

Ambient Jazz with Delayed Synths and Electric Piano | Detection 2026-01-09 by atnr

video upload by atnr

"It is an ambient jazz composition where delay-processed synthesizer tones are layered with electric piano textures.

On the Music Easel, delay and micro-loop textures are generated using the ‪@ChaseBlissAudio‬ MOOD MKII. Additional tape-style character is added with LOST+FOUND using the GEN LITE effect, along with a subtle layer of reverb.

The CP-88 performs an electric piano tone, processed with its built-in delay and deep reverb applied via the ‪@strymon‬ blueSky.

On the OP-1 field, synth pads are played with the internal reverb set to a deeper level, blending softly into the overall soundscape."

Ambient Synths over Processed Field Recordings | Appreciation 2026-01-02 by atnr

video upload by atnr

"This piece was created using the ‪@SequentialLLC‬ Prophet-10 and the ‪@teenageengineering‬ OP-1 field. It is an ambient composition where noise-tinged synth performances are layered over processed field recordings captured in Kowloon Park, Hong Kong.

On the Prophet-10, a digital delay is applied using the ‪@strymon‬ TIMELINE, followed by a deep room reverb from the blueSky.

On the OP-1 field, field recordings made in Kowloon Park are imported and shaped with filtering. The sound is then processed through the ‪@ChaseBlissAudio‬ MOOD MKII, adding delay while generating micro-loop textures that blend into the background."

Echoing Kalimba and Electric Piano Loops | Your Right 2026-01-01 by atnr

video upload by atnr

"This piece was created using the ‪@teenageengineering‬ OP-1 field, COLOUR PALETTE, and EP-133 K.O.II.
It is a minimal music composition built from echoing kalimba tones, looping electric piano harmonies, and sustained string textures.

On the EP-133 K.O.II, data noise samples are played and further processed using Punch-in FX and the ‪@KORG_INC‬ NTS-3 looper, adding additional layers of transformation.

The LOTTIE CANTO COLOUR PALETTE applies delay using its built-in effects, then passes through the MOOD MKII, where additional delay is added and micro-loop textures are generated.

On the OP-1 field, a 20-step electric piano harmony is looped using the ENDLESS sequencer.
The timbre is shaped with the filter, and reverb is applied using the ‪@strymon‬ blueSky, creating a spacious and cohesive soundscape."

Game Boy Phrases and RX17 Beats in Synth-Pop | Pi 2025-12-30 by atnr

video upload by atnr

"It is a synth-pop track where RX17 beats are layered with melodic phrases from the Game Boy and phaser-processed electric piano sounds from the OP-1 field.

The Game Boy plays sequences created in LSDj, routed through the ‪@KORG_INC‬ NTS-3 looper.

On the OP-1 field, an electric piano sound is played via the sampler. The sequence is triggered by MIDI sent from Ableton.

The RX17 is also sequenced via MIDI from Ableton, with a light touch of reverb applied using the ‪@strymon‬ blueSky."

Minimal Synthwave with Flowing Melodies | Passing Train 2025-12-28 by atnr

video upload by atnr

"This piece was created using the ‪@KORG_INC‬ MS-20 and the ‪@teenageengineering‬ OP-1 field.
It is a minimal synthwave composition where steady harmonies are accompanied by an expansive, flowing synth melody.

On the MS-20, delay is applied using the ‪@strymon‬ TIMELINE, followed by reverb from the blueSky.
While performing, the filter cutoff and frequency modulation are adjusted in real time to shape the evolving tone.

On the OP-1 field, a single chord is looped using the ENDLESS sequencer, and the performance is transposed live from the keyboard.
The OP-1 field is connected to the ‪@ChaseBlissAudio‬ MOOD MKII, where reverb and micro-loop processing are used to create lingering, atmospheric tails."

OP-1 Field Firmware 1.5 Explained: Multi-Channel USB Audio, Amp Synth & Tape Updates

video upload by Noisegate

"Teenage Engineering have dropped a huge firmware update for the OP-1 Field, and it might be the most important one yet. In this video, we take a hands-on look at firmware 1.5, covering multi-channel USB audio, the new Amp input synth, count-in recording for tape, tape and drum crossfades, and other workflow improvements.

We also show how the OP-1 Field now works as a 10-channel USB audio interface, including routing individual tape tracks into a DAW or a USB-compliant mixer like the TX-6. If you are already using the OP-1 Field, or thinking about adding one to your setup, this update seriously changes what the instrument can do."

00:00 Firmware 1.5 Overview
00:26 Why This Update Matters
00:58 Multi-Channel USB Audio
01:16 OP-1 Field + TX-6 Setup
02:03 Enabling Multi-Channel USB Mode
03:33 Routing Tracks on the TX-6
03:46 OP-1 Field as a 10-Channel Audio Interface
05:26 New “Amp” Input Synth
05:50 Processing External Instruments
07:42 Using OP-1 Field as an Effects Processor
07:59 Count-In Recording for Tape
09:37 Tape and Drum Crossfades
09:47 Quality of Life Improvements
10:02 Final Thoughts on Firmware 1.5

Meet Teenage Engineering's Carlo, Miki, Ivana, Gisela, Olga, Leila, Bogdan, and Hatshepsut

Note: links to listings are affiliate links for which the site may be compensated.
Bad Gear - TE Choir video upload by AudioPilz

Note this video is from two years ago, but I never managed to feature it or these devices on the site until now as they aren't really synths. These come to you curtesy of a supporting member who has them listed on Reverb here.

"Chapters:
00:00 Intro tune
01:09 Overview Bad Gear - TE Choir
01:28 Presentation of the Dolls (feel free to skip)
02:10 Standalone Mode, Control via Bluetooth Midi / OP-1 Field
02:39 How does it work?
03:19 Start/Stop a Song
03:39 Midi Control, Articulation
04:16 Limitations, Bugs, Issues, Latency
04:49 How it ACTUALLY works in practice
05:01 What else??? (Github, Pricing, Thanks)
05:30 Hate
05:54 Jam 1 (Sleepy Anime Music)
06:45 Jam 2 (Classic Bad Gear Jam)
07:07 Finale (Art House)
07:37 Verdict"

And a short one from HAINBACH:

Teenage Engineering Choir Unboxing And Sound
video upload by HAINBACH



via these listings

Be sure to check out the seller's other listings.

Each singer/member has its own vocal tone and is in very good condition and the electronic modules all work.

Holiday Songs

"Shchedryk" (Carol of the Bells)
"Deck the Halls"
"Sankta Lucia"
"O Come, All Ye Faithful"
"O Tannenbaum" (O Christmas Tree)
"Silent Night"
"Prelude" (a short introductory piece)
"Auld Lang Syne" (also available in their downloads)


All preloaded songs - more can be played live with BLE MIDI

silent night – franz xaver gruber, joseph mohr, j f young*
o tannenbaum – trad., ernst anschütz*
o come, all ye faithful – john reading, frederick oakeley*
sankta lucia – trad. via teodoro cottrau, sigrid elmblad*
deck the halls – charles wood, thomas oliphant
shchedryk (carol of the bells) – mykola leontovych
auld lang syne – trad. via robert burns
love me, and the world is mine – ernest ball, dave reed jr.
i never knew – tom pitts, raymond egan, roy marsh
sverige – wilhelm stenhammar
dear old girl – theodore morse, henry buck
gute nacht – robert schumann, friedrich rückert
sweet adeline – harry armstrong, richard gerard husch
warm-up exercise: signore – trad.
in all my dreams, i dream of you – al piantadosi, joe m
den blomstertid nu kommer – trad., israel kolmodin
i've been working on the railroad – trad.
now is the month of maying – thomas morley
gaudeamus igitur – trad.
warm-up exercise: zing-a-mama – trad.
the darktown strutters' ball – shelton brooks
an die freude – ludwig van beethoven
en sommarafton – adolf fredrik lindblad
tourdion – pierre attaingnant, césar geoffray
goodbye my coney island baby – les applegate
o haupt voll blut und wunden – johann sebastian bach

Pictured: Carlo & Miki

CLICK FOR MORE »

Kowloon Park Field Recordings & Prophet-10 Ambient | Park and Birds 2025-11-30 by atnr

video upload by atnr

"This piece was created using field recordings from Kowloon Park in Hong Kong, along with the ‪@SequentialLLC‬ Prophet-10 and ‪@teenageengineering‬ OP-1 field.
It is an ambient electronica work where synthesizer harmonies resonate over a backdrop of birdsong.

On the Prophet-10, synth pads are performed and processed with reverb using the blueSky.

The OP-1 field is routed through ‪@ChaseBlissAudio‬ LOST+FOUND and ‪@strymon‬ NIGHTSKY, adding tape-style effects and reverb, followed by an additional layer of reverb and filtering from the NIGHTSKY.

The park ambience was recorded at Kowloon Park on November 26, 2025, using a TASCAM Portacapture X8."

Granular Kalimba Clouds & Piano Resonance | No Products 2025-11-28 by atnr

video upload by atnr

"This piece was created using the YAMAHA CBX-K1XG and the ‪@teenageengineering‬ OP-1 field.
It is an experimental ambient composition where granular-processed kalimba forms dense clouds of sound that blend with resonant piano tones.

The piano tones played on the CBX-K1XG are processed through the ‪@strymon‬ NIGHTSKY, adding a deep and spacious reverb.

On the OP-1 field, sustained tones with pitch-shifted textures are produced through the ‪@ChaseBlissAudio‬ MOOD MKII, while the filter is opened and closed to create evolving movement in the sound."

RX-17 Looped Beats, Glitched Teto Vocals & Piano Layers | Parabolic Path 2025-11-24 by atnr

video upload by atnr

"The ‪@YamahaSynthsOfficial‬ RX-17 is connected to the ‪@KORG_INC‬ NTS-3, where its beats are shaped and altered using the looper while they play.

On the ‪@teenageengineering‬ OP-1 field, sampled vocals of Kasane Teto are processed through the ‪@ChaseBlissAudio‬ MOOD MKII, adding glitch textures as the phrases loop.

The piano parts are performed on the MOTIF-RACK ES, then recorded and edited to create the final melodic layers."

EP-133 K.O.II Textures & OP-1 field Synth Loops | Flatness 2025-11-21 by atnr

video upload by atnr

"This piece was created using the ‪@teenageengineering‬ EP-133 K.O.II and the OP-1 field.
It is a minimal electronica track where repeating electric-piano tones gradually shift in color and eventually converge into a single unified sound.

The EP-133 K.O.II is processed through both the ‪@ChaseBlissAudio‬ MOOD MKII and LOST+FOUND.
On the MOOD MKII, reverb is applied while the CLOCK is adjusted to create pitch shifting, and the TAPE effect is manipulated to produce micro-loops.
On LOST+FOUND, the IMPULSE SYNTHESIZER generates synth textures based on the electric-piano tone, while the PINGING PHASER adds a resonant, shifting movement.

On the OP-1 field, synth sounds sampled from the Moog One are played with filtering applied.
Additional reverb is added using the master effect to deepen the atmosphere."

Cut-up Drums & Synth Layers with Prophet-10 and OP-1 field | Solver 2025-11-20 by atnr

video upload by atnr

"This piece was created using the ‪@SequentialLLC‬ Prophet-10, ‪@teenageengineering‬ OP-1 field, and YAMAHA MOTIF-RACK ES.

It features cut-up drum patterns layered with synth harmonies and melodic lines.

On the Prophet-10, synth pads are performed and processed with reverb using the blueSky.

On the OP-1 field, recorded drum performances are sampled, rearranged, and played back as reconstructed patterns. The sequence is controlled via MIDI from Ableton Live. Used effects include the ‪@ChaseBlissAudio‬ MOOD MKII and the ‪@strymon‬ NIGHTSKY.

The bassline is generated using Omnisphere.

Melodies and additional parts are performed on the MOTIF-RACK ES, completing the arrangement."

Filtered Synths, Tape Loop Noise & Dub Techno Atmosphere | Onset 2025-11-13 by atnr

video upload by atnr

"This piece was created using the ‪@NovationTV‬ Circuit, ‪@teenageengineering‬ OP-1 field, and a tape loop. It blends filtered synths, delayed drum patterns, and field recordings into a dub-techno soundscape.

On the OP-1 field, vocal samples are used to create chord tones that are looped with the ENDLESS sequencer. The filter is opened and closed at various points to alter the timbre. Reverb is added through the ‪@strymon‬ NIGHTSKY, where the HIGHCUT filter is also adjusted to shape the tone.

A cassette player ‪@WeAreRewind1‬ holds a one-minute endless tape containing field recordings captured in a park. These sounds are processed with ‪@ChaseBlissAudio‬ MOOD MKII and LOSSY, adding micro-loops, reverb, filtering, and textures between noise and ambience.

The Circuit plays the rhythm pattern. Its built-in filter is manipulated during performance, and additional delay is applied using the ‪@strymon‬ TIMELINE.

My Latest Album
https://artists.landr.com/lofi_to_hifi"

OP-1 Field, Wingie2, Prophet-10 & Piano Ambient Resonance | Critical Part 2025-11-12 by atnr

video upload by atnr

"This piece was created using the ‪@teenageengineering‬ OP-1 field, ‪@MengQiMusic‬ Wingie2, ‪@SequentialLLC‬ Prophet-10, and piano. It features piano performances layered over randomly repeating glockenspiel samples enhanced by resonant tones from the Wingie, creating a delicate ambient atmosphere.

On the OP-1 field, glockenspiel sounds are sampled and sequenced using the ENDLESS sequencer. The output is routed through the Wingie2, which adds resonance and harmonic richness.

The ‪@YamahaSynthsOfficial‬ CP-88 piano continuously plays a repeating chord progression, providing a stable foundation for the piece.

The Prophet-10 performs soft synth tones with a slow attack, processed through the ‪@strymon‬ blueSky for reverb, adding depth and texture to the overall sound."

80s YAMAHA Rhythm Machine RX17 & Kasane Teto sampled OP-1 field | Resolve 2025-11-11 by atnr

video upload by atnr

"This piece was created using the ‪@teenageengineering‬ OP-1 field, ‪@NordKeyboards‬ Nord Lead, ‪@YamahaSynthsOfficial‬ RX17, MU15, and MOTIF-RACK ES. It combines rhythm machine beats, melodies made from sampled vocals of 重音テト Kasane Teto SV, and live bass performance.

On the OP-1 field, the sampler contains Kasane Teto’s voice, which is used to create melodic phrases. At certain points, looping is applied through the NTS-3, and the signal is processed with the ‪@ChaseBlissAudio‬ MOOD MKII.

The RX17 rhythm machine is recorded with an ALESIS 3630 compressor applied.

On the MU15, synth sounds are performed using its built-in keyboard, with reverb added via the blueSky.

The Nord Lead plays melodic parts in the middle section of the piece, processed through the ‪@gfisys‬ Specular Tempus for delay.

The bass is recorded through a SANSAMP Bass Driver DI, routed directly into the audio interface for a clean yet warm tone."

Ambient Music with Prophet-10 x Nord Lead Pelle Mode x OP-1 field | Isthmus 2025-11-03 by atnr

video upload by atnr

"This piece was created using ‪@SequentialLLC‬ Prophet-10, ‪@NordKeyboards‬ Nord Lead, and ‪@teenageengineering‬ OP-1 field. Set against the sound of flowing water, it features the distorted tones of the Nord Lead’s Pelle mode and softly resonating harmonies, forming a tranquil ambient composition.

The Prophet-10 is connected to the ‪@strymon‬ blueSky, adding rich reverb to its sound.

The Nord Lead is played in Pelle mode, producing a warm, distorted tone. Its output passes through the ‪@strymon‬ NIGHTSKY for reverb and filtering, and then through the ‪@ChaseBlissAudio‬ GENERATION LOSS MKII, which adds a subtle tape effect.

On the OP-1 field, environmental sounds containing water ambience are played continuously using the HOLD sequencer. The playback position is adjusted to vary the texture of the loop throughout the piece."