"In this video, we'll be diving deep into Doppler, a new Eurorack module from Jasmine & Olive Trees that can turn any sound source into a drum! Doppler also has an amazing new mechanism for changing firmware by simply placing an overlay panel on top of the module."
00:00 Meet Doppler
01:13 Patch previews
01:56 Automatic firmware switching
04:28 Module overview
06:18 Noise output
07:09 Kick drum sounds
09:16 Mod control
09:40 Chord mode
11:14 Doppler mode
12:13 FM mode
13:53 LPG (low pass gate) mode
14:57 Snare drum sounds
15:24 Hi-hat sounds
15:39 FM tom sounds
16:13 Chaotic textures
16:36 Full beat with Traffic
20:07 Glitchy percussion
22:49 Different transient sources
26:16 Speech sample as body input
29:44 Chord progression
32:52 Doppler jam
Includes Door, Rubin and Lichen overlays for free, the firmware is automatically swapped when placing an overlay on top of the modul.
Any sound source becomes percussion.
Feed an oscillator, a sample, or any audio signal into Doppler. It shapes it into a kick, a snare, a hi-hat, a percussion, or something else.
It morphs anything into everything. The best friend for Traffic & Prio.
All the processing moves across a continuous spectrum: from a clean signal, to a pitch envelope, into FM modulation for complex percussive textures.
Built on top of our J&OT DSP platform. Future family firmwares can be swapped for free using a simple USB cable and our J&OT web tool, no extra hardware required.
Highlights
Doppler kick engine: delay-line pitch sweep, five depths from –1 to –3 octaves
Harmonic FM: modulator tracks the spectral peak of your input, plus cross-mod chaos at the top
13 chord voicings: major, minor, sus, 6ths, 7ths, 9ths, 11ths via four pitch-shifted taps
Two inputs: Body (main signal) and Trans (transient channel with auto-tuned band-pass)
VCA / LPG modes: toggle via long-press, saved to memory
Independent noise output: dust oscillator whose density tracks input character
CV: on Attack, Decay, Mod, Amount
Smart Attack: noise decay to the left, or long swell to the right, all on one knob
SynthFest France 2026 was held April 17–19. You can find coverage via the SynthFest France label.
"► Thank You 101 Music | 3IS Education | A2D Sounds | ACE | Age Music Belgium | Akai Pro | Alex Nadzharov | Algae | Ambient Memory | Anasounds | Artists & Relationships | Arturia | ASM | Audeze | B4 Distribution | Baloran | Down the Patches | BEATSURFING | Benoit Widemann | BF Synth | BLEASS | Bitwig Studio | Bjooks | Bll Instruments | Charlotte Dubois | Calm | CIYLab | Heart of Sound | Collision Devices | CSFI | cyma form | DAWless Tools | Drift DJ | EmbodMe | Enjoy Electronics | Entropy & Sons | Eowave | Ewen d'Aviau | Euterpe | Expressive E | Erica Synth | FCPro Audio | France MAO | Frap Tools | Fred's Lab | Fulgur Synthesizer | Forge-TME | Glou-Glou | Haken Audio | Hainbach | Heritage Synthetizers | Hell Modular | HLABS | ITEMM | Ingmar Koch | JC Digital | Diary | Kaona | Kiviak Instruments | Kodamo | KORG | KA pro | KR magazine | L1V3 | Lagoon | The Voice Of The Luthier | Larix-Electro | Leaf Audio | Liquid Sky | Macbeth | MidiBen | Morphor | Musical Entropy | Mvk Synth | Nanopolis | North | Novation | NRSynth | Oberheim | Orbiton | Ohmforce | Paulee Alex Bow | PWM | ph-modular | Polytek | PPG | Pural Modular Synthesizer | Project Home Studio | Pylobolus | RBaudio | Ryme music | Travel Piano | Sequential | SACEM | SACEM University | Schneidersladen | Sonicware | Sp3ctra_ | SSL | Studiologic | Synclavier Music | Silence | SyntTesla | SynthAnatomy | SynthFood | SyntheGrall | SynthR | Synthstrom Audible | Teenage Engineering | Theater of the Fleuriaye | Thingstone | Theresyn | Things | Tom Geffray | Tony T-Steel | TouellSkouarn | UNAC | City of Carquefou | Vintage Synths & CO | Wee Noise Makers | Yamaha | Waldorf Music | Wavesequencer | Woodbrass | Usynth.
► Directed by Maxime Bichon, pictured by Maxime Bichon, Thibaut Charbonnier, with the participation of Gaspard Rouaud, Eva Buffa, Eva Bone Leloup, Penelope Galtier.
► Music ATOEM - Erase Mode, Deep Forest - Ghostly Disco, Dogs & Cables - Shallow Brains, Charlotte Dubois - The Electric Hands, Hainbach - Live from SynthFest 2026 - All rights reserved.
► Acknowledgments to Pierre-Jean Tardiveau / Syntesla and Hans Zimmer.
► Special thanks to all the benefactors, the technical team of the La Fleuriaye de Carquefou Convention Center and the visitors."
"In this special episode recorded on location at Superbooth 2026 in Berlin, Tom and Luke discuss some of the new gear they checked out at the show, including the Buchla Ziggy, Make Noise Plexiphon, Xaoc Devices Budapeszt, Body Synths Laboratory, and Befaco/Mylar Melodies Random8, to name just a tiny handful. Apologies to anyone we left out - there’s simply too much to cover in a single episode!
Get in touch with questions, feedback and suggestions via signalflow@signalsounds.com
The Make Noise Soundhack Plexiphon is a stereo, modeless spatial texturizer which allows for continuously morphing between reverberations and multi-tap echoes, the widest range of possible results being neither reverb nor echo, and all results highlighting and amplifying character previously hidden in the source material being processed.
The Plexus control simultaneously modulates the number of feedback paths in the algorithm, and their entanglement together. The Size of the paths determines the temporal relation between them, operating like a “delay time,” or a “room size,” at either extreme of Plexus.
Diffuse and Color offer softening/sharpening/darkening/brightening effects over time.
Couple and Skew are stereo operations: Couple determines to what degree the left and right sides are isolated or intermingled (from “dual mono” to fully interlaced stereo), while Skew offers simultaneous inverse or tandem control of the left and right paths on the Plexus, Size, and Color parameters.
The Send gate input (normalled high, or patchable) determines whether and when the input signal will be fed into the Plexus.
"Nekyia Circuits’ Ceremony is a dual filter and resonator based on Rob Hordijk’s Twin Peak design, which can morph from a single lowpass filter to a twin bandpass. It has bags of character, whether you’re filtering your oscillators or using it as a unique voice of its own. Nekyia Circuits hired me to create some patches to show what Ceremony can do, and in this video I break down various ways to use it."
Chapters:
00:00 Intro & patch previews
02:03 Controls overview
03:16 Lowpass mode
05:25 Twin bandpass mode
12:27 Wind FX and noise drones
15:06 Adding harmonics to sines
19:17 Synthesising hi-hats and percussion
24:05 Pinging & FM for techno loops
26:44 Adding character to digital chords
Chapters:
00:00 Intro
03:37 News roundup
07:13 Favourite sequencers
23:21 Under-the-radar modules
32:32 Current trends in Eurorack
"In this episode, Tom and Luke discuss their favourite sequencers, share some favourite under-the-radar brands and modules, and chat about some of the current trends in Eurorack, from multi-algorithmic digital powerhouses to manufacturer-specific ecosystems.
Thanks to everyone who commented on episode one! You can get in touch with questions, feedback and suggestions via signalflow@signalsounds.com
"Rings by Mutable Instruments is one of the few modules on my 'Never Sell' list. It will always be fun, always sound good, and always have new sounds to discover, and that is the sign of a very well designed module. Join me for 20 minutes of sound and discovery!
Please consider supporting my channel by checking out my patreon: / theunperson
#rings #mutableinstruments #eurorack
0:00 - Intro
1:35 - Overview
3:16 - Drone
7:23 - FM Synthesis!
11:51 - External Audio In
15:02 - Hidden Mode Overview
16:48 - Final Jam!"
"We say... A pre-owned Oberheim OB-X8 (Desktop) in very good condition. It comes with original packaging and power cable.
Manufacturer's description NEW functionality now available with OB-X8 OS v2.0 featuring:
Instant binaural mode pans individual voices hard left and right for true stereo operation Simultaneously selectable waveshapes for each oscillator extends timbral variety New 4-Pole low pass filter type with fuller bass at high resonance New VCO 1 and 2 level LFO modulation destinations for independent timbral mixing Arpeggiator clock sync now has selectable note division values for expanded rhythmic control Twice the Split and Double memory locations, including program storage directly in the new banks for 512 more stored sounds Separate MIDI channels for lower/upper split bi-timbral operation Poly chain for up to 32 voices with 4 connected instruments MPE for new levels of expressiveness
These are my first "ten minutes" (okay, the video turned out a few minutes longer 😉) with the Modern Sounds Pluto semimodular synthesizer. 🎧Headphones recommended for the full sonic experience.
In this small setup Pluto is accompanied by three pedals, the Strymon El Capistan v1, the Chase Bliss/Goodhertz Lossy and the Eventide Space in ModEchoVerb algorithm, all in stereo. Pluto, this tiny little box, is such a fascinating and inspiring instrument. You can get a million and more of sounds out of it. I love how the filter of Lossy changes the overall mood of the sounds.
All sounds and video footage by The Pedalboard Orchestra.
(Disclaimer: This is a non sponsored video. All equipment is self-purchased.)
Video in the listing for another mod previously posted here.
"One-of-a-kind modified Yamaha RX 17 1987 12-bit programmable drum machine featuring two ROM modulation patch bays, a joystick for performance control of four pre-set effects (which may also be combined on the diagonal axes) and pitch control. These modifications generate an array of bit crushed, flanging, glitching, distorted, delayed, tonal effects, flams and digital noise. Five patch cables included- these can be 'stacked' for even deeper audio manipulation. The unit functions as normal when the patch bay is not in use. Only one available.
13 pads: tom 1/conga 1, tom 2/ conga 2, hi hat open/bongo high, ride/agogo high, cowbell/whistle, timbale high/ cuica high, bass drum/ tambourine, snare/rim shot, tom 3/conga low, hi hat closed/ bongo low, crash/agogo low, clap/shaker, timbale low/cuica low.
Accent, level, pan for each sound.
User Patterns: 999.
User Songs: 10.
Tempo Range: 40 - 240 BPM.
MIDI in/ out.
ROM Size: 26 PCM waveforms at 12-bit resolution.
Screen: 16x2 character display.
Weight: 1.5 kg."
"The Take 5 Poly Chain OS update is free to download! Link two units together for a massive 10-voice polysynth, explore 10 new arpeggiator modes like Spiral and Leapfrog, and experience Whiplash arp timing for dynamic rhythmic transformations. Plus, dive into fresh sound design possibilities with selectable violet noise for shimmering, airy textures. This update is all about bigger chords, deeper creativity, and inspiring new sonic landscapes! It's your Take 5 to the power of 10.
Synth sounds and drums exclusively by Take 5. Music composed by Peter Dyer.
"Elevate your TEO-5 with the new Poly Chain OS update! Link two TEOs together for a lush 10-voice Oberheim experience, explore 10 inspiring arpeggiator modes like Spiral and Leapfrog, and add rhythmic drama with Whiplash arp timing. Plus, expand your sound palette with violet noise for shimmering and airy textures. Step up to bigger chords, deeper creativity, and fresh sonic possibilities!
"First look at the brand new firmware update for the Oberheim TEO-5 & Sequential Take 5. This update adds Polychain, new arp modes, noise options, and more — giving these synths a serious upgrade. In this video I’ll walk through what’s new and demo some of the new sounds in action."
Press releases follow:
Sequential Announces Free OS Update for Take 5 Synthesizer — Adds Poly Chain and More
OS Update introduces 10-voice Poly Chain, new arpeggiator patterns, Whiplash arp timing mode, and violet noise.
San Francisco, CA — November 6, 2025— Sequential today announced a major OS update for its popular Take 5 polyphonic synthesizer, delivering powerful new features that expand its creative capabilities. This update is free for all Take 5 owners and is available now from the Sequential website.
The centerpiece of the update is Poly Chain, which allows two Take 5s to be linked for a fully integrated 10-voice instrument. This means players can perform bigger chords and more complex arrangements without worrying about voice stealing. All front-panel controls are mirrored from one unit to the other for seamless sound tweaking, as if they were a single, expanded synth.
The arpeggiator gets a serious creative boost with 10 new play modes designed to inspire fresh rhythmic and melodic ideas. Modes like Spiral and Leapfrog introduce surprising new musical elements, creating parts that feel alive. These patterns go beyond simple up-and- down motion, using virtual “playheads” to weave intricate note paths, adding new flavor to your compositions.
Another standout feature is Whiplash, a new timing mode that keeps each arpeggiator cycle the same length regardless of how many notes you hold. The result? Notes bunch together or spread apart dynamically, producing rhythmic tension and release that stays in-step with the overall bar-length of your composition.
Finally, the update also adds violet noise, which emphasizes high frequencies while reducing low-end content. This opens up new possibilities for sound design, from smooth and shimmering textures to airy percussive layers.
"Musicians love the sound of Take 5, and we get asked regularly for ways to expand the polyphony," said David Gibbons, CEO of Sequential.
"This new software makes it possible to use it as a massive 10-voice synth — while also adding some fun and creative new capabilities."
The Sequential Take 5 combines classic Prophet-5 tone with a compact, portable design and an intuitive layout that feels great to play. With five voices of polyphony (and now ten with a desktop module companion), authentic analog oscillators, the iconic Prophet-5 filter, and deep modulation options, it’s the perfect gateway to Sequential’s legendary sound.
Oberheim Releases Free OS Update for TEO-5 Synthesizer — Adds Poly Chain and More
OS Update introduces 10-voice Poly Chain, new arpeggiator patterns, Whiplash arp timing mode, and violet noise.
San Francisco, CA — November 6, 2025— Oberheim today announced a free OS update for its acclaimed TEO-5 synthesizer, adding powerful new features that make the instrument even more versatile and inspiring. The update is now available for download from Oberheim's website.
The highlight of the update is Poly Chain, enabling two TEO-5 units to be linked for a fully synchronized 10-voice Oberheim experience. This allows for complex chords and lush textures without compromise, and all panel controls are mirrored across both units for consistent sound and performance.
Additionally, the arpeggiator now includes 10 new play modes that go far beyond traditional patterns. Modes like Spiral and Leapfrog introduce new rhythm and melody, creating parts that twist, turn, and evolve in ways that spark creativity.
Also new is Whiplash, a timing mode that keeps each arpeggiator cycle the same length no matter how many keys you hold. This means the note values shift dynamically, producing rhythmic tension and release that stays in-step with the overall bar-length of your composition.
To round out the update, violet noise joins the sonic palette. With its emphasis on high frequencies and reduced low-end content, violet noise is ideal for creating smooth shimmering textures, airy effects, and unique percussive elements.
"TEO-5 was designed to bring the classic Oberheim sound to more players," said Tom Oberheim. "This update pushes that vision further — adding features that make it even more useful and inspiring."
TEO-5 combines authentic Oberheim tone with modern creative tools. With true analog oscillators, the legendary SEM filter, linear through-zero FM, and a deep modulation matrix, TEO-5 offers a vast sonic palette in a compact, performance-ready design. Take the next step with TEO-5 and download the Poly Chain OS Update today.
"In this video, Patterning : Drum Machine developer Ben Kamen demonstrates using Patterning 3 as a MIDI sequencer to control a Eurorack modular synthesizer and builds drum and percussive sounds from the ground up. Starting from basic kick and tom patches, learn how to shape hi-hats with noise sources, add punch with pitch envelopes, and introduce melodic variations using MIDI.
If you love modular synth sound design, this one’s for you.
⸻
⏱️ Timestamps:
00:00 — Introduction: Using Patterning 3 with Modular Synths 00:35 — Oscillator + VCA Basics 00:50 — The Tiptop Low Pass Gate Setup 01:02 — Envelopes and Volume Control (Quadra) 01:12 — Making Drum and Tom Sounds 01:26 — Creating Hi-Hat Sounds with Noise Sources 06:57 — Adding Punch with Pitch Envelopes 07:20 — Shaping Kick Drum Dynamics 07:37 — Experimenting with Attack and Decay 08:04 — Modulating Hi-Hat Envelopes for Variation 09:10 — Exploring Plonk and Cowbell Sounds 10:41 — Randomized Melodies from MIDI Pitch Data 11:38 — Building a Complete Modular Pattern 12:28 — Wrapping Up and Final Jam"
"The Mutable Challenge is a tribute to the late, great Mutable Instruments, the most innovative of all Eurorack makers, who ended their journey in 2022. In this challenge, participants start with a rack entirely filled with Mutable Instruments modules and have one hour to create anything they like—be it a tune, a riff, a sound effect, or even pure noise—to showcase the unique and creative potential of these iconic modules. With official Mutable patch cables and just two other pieces of gear allowed—an Arturia KeyStep 37 and a Cre8audio Assembler mixer—participants are free to let the Mutable magic unfold.
*utility cables kindly provided by Synthcables.com
Big thanks to Tom Kirton for Yarns and to MonoJack from BeepBoop for the kind loan of Edges"
The Gaz Williams' Mutable Challenge/Tribute - Row 01
"Let's just all celebrate Mutable Instruments. I met Gaz Williams @GazWilliams on Dutch Modular Fest (2025) a week ago. I couldn't do the test myself, but I was really inspired by his inititative. Mutable is probably the most influential brand in Eurorack and beyond. You can easily find clones that suit your budget, and nearly all modules are available in VCV. If you feel like patching along, I will share a few tips and tricks (trips) and hopefully help you find a few new happy accidents.
"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.
"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).
Part 2, covering the remaining features and exploring factory presets, will be released soon.
00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"
Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.
Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
Crumar Spirit includes over 430 sensational presets in 12 categories
Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.
A "Little Synth" Designed by Legends
Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.
Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.
"NINA's multi track sequencer firmware 2.1 is out now, NINA is no longer just a synthesizer — Unlock a standalone groovebox for beatmakers, producers, performers and sound designers. A groovebox for dynamic and expressive performance anywhere - studio or stage. Great for generating quick new ideas or work some amazing complexity into your music. This is all powered by NINA's raw analog oscillators, ladder filter and wavetable oscillator. Not forgetting the revolutionary motorized knobs that snap to life for hands-on, tactile interactive control, now you can feel your sound. Whether you’re crafting beats or complex melodic patterns, this next-gen groovebox workflow unlocks a completely new way to create.
All sounds and patterns in this video were created solely using NINA.
Key Features of the Multi-Track Sequencer: • 4-Tracks—up to 64 steps with independent length per track, for polyrhythmic sequencing. • Per-step Automation—front panel parameters can be locked per step. • Polyphonic Sequencing — up to 12 voices available spread across 4 tracks. • 64 Noise types — percussive hits, metallic textures, buzzes and digital percussion. • Motorized Automation— you can see the front panel move, turn automation on/off. • Time-based features —shuffle, micro-timing, clock multiplication, variable gate lengths, and probability. • Perform patterns—recall and chain up to 16 patterns. • Internal Storage for more than 4,000 patterns. • Save a pattern with all sound and sequencer data in save into a single file. • Standalone operation— no other gear required. Of course NINA works well with other gear too! • New features include: timing quantization, clear notes and clear steps.
Thanks to all the artists who contributed to this video, follow them here: 00:42 The Unperson @TheUnperson 01:28 Oora @OoraMusic 01:57 Tom Hall / tomhallsonics 02:33 Honeysmack / _honeysmack_ 03:23 Tomo in der Muhlen / tomo.raw 03:59 Jonti / jontidanimals
This sample pack is built for those who push the boundaries of bass music.
Designed with a deep commitment to textural detail and aggressive sonic character, it blends digital precision with raw analog energy.
From acid-drenched 303 lines to modular basses that bend perception, this is a toolkit for producers who are not afraid of intensity, noise, or nuance.
Over 1,100 loops and 150 one-shots are included, covering: Acid 303s, FM basses, OTT-processed synths, and modular rigs Granular textures from Morphagene and Syntrx setups Electric and acoustic hybrid drum kits, cowbells, snares, and toms Rare instruments like JX-8P, JD-800. Drones, pulses, glitches, pads, and noise-infused layers All sounds are royalty-free and crafted for high-resolution use in contemporary electronic production. Perfect for genres like deconstructed club, experimental trap, post-dubstep, leftfield bass, or anything that lives between established categories.
This is not a static pack. Buyers receive free lifetime updates with new content added regularly. Recent additions have already expanded the pack for previous customers. If you're new to this series, now is the best time to jump in.
Every file is curated for producers who value tone, risk, and originality. If you're chasing the sound of the future, it's waiting here."
"The TEO-5 desktop module delivers the same signature sounds and synthesis features as its acclaimed keyboard counterpart. With genuine analog oscillators, the Oberheim SEM™ filter, and an intuitive knob-based interface, it fits seamlessly into your setup, offering powerful, hands-on control in an even more compact size.
Compact Creativity: Redefine Your Studio with the TEO-5 desktop
San Francisco, CA – [July 1, 2025] – Oberheim is proud to announce the release of the TEO-5 desktop module, a compact yet powerful addition to their venerated line of synthesizers. Designed for musicians and producers who want the iconic Oberheim sound in a space-saving format, the TEO-5 desktop module delivers all the same signature sounds and synthesis features as its sibling, the acclaimed TEO-5 keyboard.
TEO-5 boasts genuine analog oscillators and the legendary SEM™ multimode filter, allowing users to recreate the classic Oberheim sounds that have shaped decades of music. With extensive modulations, including linear, through-zero FM, and modern effects, the TEO-5 desktop module offers new sonic frontiers to explore.
The intuitive knob-based experience of its keyboard counterpart is also carried over into the TEO-5 desktop module. And all synthesis features are still easily accessible from the top panel, allowing users to make the real-time adjustments needed to fine-tune their sound with ease. This hands-on approach ensures that musicians can quickly dial in the perfect Oberheim tone for their music.
Ideal for synthesists with limited studio space, the TEO-5 desktop module provides all the exceptional presets and sonic control of the keyboard version in a footprint that's less than half the size. This compact design allows the TEO-5 desktop module to fit seamlessly into any creative workflow, making it a versatile addition to any setup.
“The meaning of the word ‘module’ has changed quite a bit since I first designed my Synthesizer Expansion Module or SEM back in 1974,” said Tom Oberheim. “But even back then, musicians appreciated getting tons of great sounds in a compact package. The TEO-5 keyboard has already gone farther and wider than SEM, and I’m excited to see this desktop module version introduce even more people to the magic.”
The TEO-5 desktop module is available now, with a US MAP price of $1,399.
"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.
808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.
808 kick is based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.
909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."
"Introducing new kick drum module with famous 909 and 808 base kick drums based on on original discrete transistor circuits. 808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown Opamps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.
"In the latest instalment of my "If You Want A Short, Splashy, Gotcha Video This Isn't For You" series I noodle about in lengthy detail with sounds on the Modor DR-2. The idea here isn't a quick showcase of wondrous sounds, it's to give you a genuine feel for what it's like to use the DR-2. That means transiting through hundreds of gradations and flavors of a sound. No doubt sometimes you'll hear your preferred sound pass by as I adjust a parameter too far or wind back something too hard. Watching this back I can see points at which I should have stopped but instead kept tweaking. The filtered clap for example sounded pretty good after about 10 seconds but I kept flogging it death :D But that's the essence of this video - as the old saying goes it's the journey not the destination.
A quick note on the audio track: The Modor's buttons are very loud and clicky. It gives them a satisfying sureness in the studio but means they're quite intrusive on video. I did my best to EQ them out, gate them out, and manually mute them when possible. The result in headphones may sound slightly choppy (and somewhat mangled my voice) but I wanted to make sure you could hear the Modor's sounds properly rather than being mixed with room noise and button clicks.
I hope here I've got across the fact that the DR-2 is beautifully crafted to deliver a massive range of customizable sound. It's easy to dial in the basics of an excellent sound, and then have the controls you need to zoom in on what you want. The main problem is when to stop noodling.
Despite the length of this video I only touched on a tiny fraction of the Modor's sounds. If you're interested in hearing more, or any particular types of sound, please let me know.
Finally, Mr Modor if you're reading this: Please make an all-black version with second-layer subtext on the knobs.
