Bad Gear - OverPriced-1

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. In light of recent events we are going to talk about OP-1 Field.

While other manufacturers either “pass on savings from process optimization” or relentlessly jack up prices once people are actually buying their music making toys, our favorite interior design company/copyright agency/nepo baby cult just flexed their monstrous marketing muscle and - did both at the same time.

Chapters:
00:00 Intro tune
00:50 Overview Teenage Engineering OP1
01:09 Choose your Price ( $ 1399 or $ 9999 )
01:45 Teenage Engineering OP-1 vs. OP-1 Field
02:13 The Synth
02:36 Drum Sampler / Drum Synth
02:45 How to play the OP-1 Field ( Sequencers )
03:30 LFO
03:37 Tape Machines , Upgrade to 32 Bit Stereo
04:14 New Reverb
04:20 Mixer, Master FX, Output Options ( Radio Transmitter , Bluetooth )
04:51 Build Quality , Thanks
05:03 Hate Screen
05:28 Jam 1 ( PostModern Jam )
06:25 Jam 2 ( Analog Drums Jam )
07:35 Finale ( LoFi 2-Step )
08:05 Verdict"

Akai VX600 Synthesizer Demo [no talking]

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2025

This is a six voice analog Akai VX600 synthesizer. Two oscillators per voice, and it takes minimum 30 minutes to stabilize tuning enough to play. Even so, it also wants 3 or 4 auto-tune sessions. Basses, pads, leads, arpeggios. Please enjoy. While this demo features my original patches, alas - there's no way to backup patches to computer or share them w/ others in that way. It only accepts Roland style Memory Cards. Be sure to check out my patches for other synths available at https://gstormelectro.gumroad.com/

Recorded direct via EPM6 mixer to GO-Mixer Pro-X interface to iPhone, no added effects.
The synth output is very hot, so any clipping you hear was overloading the input at the mixer."

G-Storm Electro:
REVERB https://reverb.com/shop/gstormelectro
MUSIC https://gstormelectro.bandcamp.com/
BLOG http://gstormelectronica.blogspot.com/
LISTEN/DOWNLOAD http://soundcloud.com/gstormelectro

Amiteque AR-110 Analog Drum Synth

video upload by Molten Music Technology

"Sound demo of the Amiteque AR-110 in a sort of song context... well it's one pattern going round and round that I fiddle with a little bit. The important thing is whether the drums sound any good to you."

Amiteque AR-110 Analog Drum Synthesizer Review

video upload by Molten Music Technology

video uploads by Amiteque Electronics

The AR-110 is a compact analog drum synthesizer with classic Roland-like sounds, separate outputs, and volume controls for each instrument. Its ease of use and affordability make it a great addition to both amateur and professional studios.

Compact & Affordable
Ideal for low-budget studios while providing high-quality sound for professionals.

5 Separate Outputs
Process each instrument separately on an external console or record individually.

Adjustable Levels
Fine-tune single instrument volumes and master output for perfect balance.

True 6-Note Polyphony
Bass drum, snare drum, hi-hats, cymbals, and claps—play them all at once.

Power & MIDI Indicators
Visual feedback ensures easy monitoring of power and MIDI activity.

Plug & Play
No complex settings—just connect and start playing instantly.

Technical Specifications
Sound Engine
Bass and Snare
Self Oscillating Circuit
HH, Cymbal and Claps
QR Noise Generator
Contour Envelope
5x VCA
Polyphony
6 Voices
Connectivity and Control
Audio Outputs
6x 1/8” Jack, 2 Vpp max
Level Control
5x Individual and Main
MIDI IN
DIN 5 pin, Channel #10
Power
9~12 VDC, Center (+)

Currently seeking funding on Kickstarter.

John Bowen Solaris SN 00113

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"It's a monster! ..yes, it's digital.. but, when you hear a 96kHz synth.. you quickly realize.. if there IS to be a digital synth.. then 96k is where it should be.. at that frame rate.. it's not 'steppy' and a lot smoother than the 'others', IMO. I'm the only owner of this 'lonely heart'. Bought it new, back when Awave was in a tiny arcade next to South Yarra station. It was the only synth that's ever 'tricked' me.. I thought it was analog 'something'. It just sounded too 'pure'.. so, I had to have it.. unfortunately, I haven't used it as much as it deserves.

This Solaris has resided in my smoke free studio since it was purchased new. Never toured, original PSU and manual (not that the manual is much use to anyone anymore.. that is.. with the advent of the newly developed V2 OS). For those that don't know, John was instrumental working alongside the late great Dr Robert Moog, in fact, he was there, in the early 70s, working alongside Dr Bob on the original MiniMoog.. fast forward a few years.. and there he was working alongside the late great Dave Smith @ Sequential Circuits. John worked on the Prophet 5, the VS and the Sequential Sampler, the Prophet 2000.

This was shortly before Yamaha acquired Sequential and retrenched the staff, yep.. that old chestnut.. and John went on to work at Korg where he was behind the WaveStation (basically he took his knowledge of the Korg VS and threw it into the WaveStation, as some might already be aware of). So, with all that history under his belt.. when it was time for John, whom I refer to as 'synth god', John started development on the Solaris.The Solaris is the culmination of all his passed work and synth experience, despite the panel often likened to the Oberheim Matrix 12, John had implemented Filters, Wave shapes, Step Sequencers, and not to forget 'Wave Sequencing' that've appeared in all his passed projects on those aforementioned classic synths, that he worked closely on with 'other' synth gods such as Dave Smith and Dr Bob Moog.

So, you could say.. the Solaris is what a 21st century synth-classic 'ought' to be. And, ultimately, that's why I wanted it, but.. I'm afraid, as good as it is.. it's more synth than I've ever needed...x10! It would be much more suited towards professional sound designers than someone who messes around with Samplers more often that not. Therefore, I'll let it go to another enthusiast.. other esteemed 'registered' owners in the Solaris forum are Hans Zimmer, Harry Gregson-Williams, JJ Abrams, Jean-Michel Jarre, Matt Johnson, Ty Unwin to name a few.

In a nutshell, if had a paragraph to sum it up.. it's like a Matrix-12 integrated with a WaveStation and then there's CEM, SSM, Moog and Prophet 5 'mimicked' filters and oscillator shapes... basically, loads of features and 'flavors' from every 'beast synth' before it.

Main features:
10 Voice Polyphony
4 Oscillators
4 Filters
6 Envelope Generators
4 LFO's (+1 for Vibrato)
16 Step Sequencer
Arpeggiator
8 analog outputs (4 stereo)
Digital (ADAT) Output
MIDI over DIN & USB
15 kg / 33 Lbs
Comes with the original Australian 240v external PSU"

CLICK FOR MORE »

Vermona ER9 DDR analog drum machine / ER-9 DRM SN 140456

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Very cool looking and sounding analog rhythm box with individual volumes for each drum sound for balancing or completely eliminating individual sounds.

Nice and organic and not unlike the Elka Drummer One, especially the maracas sounds like the Drummer One hi-hat, scroll for a video made with the very unit on offer. [video previously posted here]

The Vermona ER9 was serviced and is in excellent condition with minor wear and it was modified with an RCA audio output connector in the back instead of the outdated DIN connector."

CLICK FOR MORE »

Classic Beats & Expanded Modular Approaches with Analog 808 Drums // OCTA from NANO MODULES

video upload by DivKid

"Here we have OCTA from NANO Modules. A set of 4 classic analog drum circuits, authentically taken from the Roland TR-808. We have the kick, snare and both closed & open hi hats. There's added controls, modular volume/drive per track and added section of compression, EQ and side chain envelope following. In this video I take them through classic 808 beats and sounds, expand them with modular mixing and we even turn it into one big pitch tracking (despite lack of pitch CV) bass oscillator ... I don't think anyone will be expecting the doom-laden ambient soundscapes from 808 drums. As always give these patches and ideas a go with your drum modules and enjoy OCTA!"

CLICK FOR MORE »

Radical Frequencies dawless jam 145bpm

video upload by Radical Frequencies Modular

"Patch: The bass is the alpha pulse waveform from Dpvco into Diode Dream Vcf. Listen at the last 20 seconds of the video where I open the Alpha pwm pot (the beta vco triangle is internally connected as the PW modulator of alpha vco) and the opening of the filter cutoff for producing this fat warm analog pwm bass !
The goa style melody lead comes from admvco saw through the Scota Vcf !
All drums are from different sources mostly analog and I mix them through the RF audio cv mixer using the transistor output."

Arcaico Murena Stereo filter, vca mixer #synthesizer #eurorack #modularsynth

video upload by Arcaico Instruments

"Arcaico Murena is a feature-rich analog module designed to deliver a distinctive, unpredictable, and versatile sound. With a width of 26 HP and a depth of 38 mm, the Murena is a concentration of functionality in a compact space.

A 6-channel mixer, each equipped with a distortion VCA, attenuverter and switches to select the internal routing destination. The channels are divided into two groups of 3, allowing flexible stereo management. Each VCA can be controlled either manually via the panel or via bipolarized CVs, offering extensive modulation possibilities.
Each group of 3 channels terminates in a multi-mode filter , capable of generating extremely aggressive sounds. After the filter, the signal can be routed to a distortion or directly to the mix. This configuration allows the two groups to be treated as a stereo pair or to use A-B crossfade modulation for dynamic transitions.
Every parameter of the Murena is manageable either from the panel or via CV, offering complete and creative control. The ability to patch the module to itself allows endless sonic combinations to be explored, making each use unique and unpredictable.

6-channel MIXER/VCA with CV attenuverter, cv and switch for routing (3-channel stereo mixer or 6-channel mono mixer or a combination of both)

Independent mono output of all 6 channels (clean)

2 multi-mode VCFs (LP/BP/HP) at 12db/oct with CV attenuverter, independent clean outputs, indepentent distorted outputs, fade output and 1V/Oct control (tuned up to 5 octaves)

OVEDRIVE with cv control on each filter

Stereo/mono/dual mono output and mono A+B output controllable via cv

Left and right OUTPUTS controllable via cv"

Layered Tensions: 10 Cables

video upload by Maknouchi

"Improvised modular synth performance using Serge Easel system, TKB touch keyboard sequencer, and the Crocodile module. Exploring generative patches, analog textures, ambient noise, and chaotic control voltages.

A 10-cable patch introducing instability to the envelope via pitch CV and comparator output. Layered through looping, the structure reveals Serge’s nuanced volatility—uncertainty and motion coexisting within minimal constraints.

Here is a list of the gear I used for this video :
Random*Source Serge
empress effects Zoia"

Akai S612 MIDI Digital Sampler + MD280 disk unit + 6 disks + rare 1.3 firmware

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"The first sampler from AKAI - 1985

4khz to 22khz frequency sampling (1 sec. to 8 sec.)

6 voices polyphony

Analog lowpass filter

In good cosmetic condition, with many light traces of rust on the cover, but all other parts are free form rust or humidity traces. Inside is perfectly clean.

Everything works perfect.

This unit have the rare custom Firmware 1.3 from Florian Anwander allowing multi slices, velocity to filter and amp + more.

Some of these features need to be loaded from disk at start, but this disk is missing.

However, the velocity functions are available

The sampler have also been modified with 6 individual outputs. It allows to output each slice to individual output, but also to pan each of the 6 voices individually.

The MD280 disk unit have a new belt and head cleaned

It comes with 6 rare QDD 2.8 inch sample disks, including original AKAI library disks.

Works on 220-240 AC"

CLICK FOR MORE »

New GRP A10 Flagship Synthesizer Incoming

These in via John L Rice.

Left: front panel layout.

Below: PDF with full details. Click on each pic to zoom in.

Update: "The Grp A10 will cost €10,000* plus VAT and will be available at the end of 2026."

CLICK FOR MORE »

A Magic Pulsewave Introduces the OBLIQUENCER

video upload by A Magic Pulsewave

Update: New video:

OBLIQUE DUB JAM

video upload by A Magic Pulsewave

"OBLIQUENCER sequencing three+ synth voices in dubspace."




OBLIQUENCER is a melodic and rhythmic sequencer which uses basic pattern building blocks to create musical sequences. It outputs three channels of tuned analog control voltage, and three channels of analog gate signals. Unlike typical sequencers, the user does not enter sequences note-by-note. Instead, the user sets pattern behaviors and routes the resulting patterns internally to melodic and rhythmic parameters, thereby generating musical phrases or compositions. OBLIQUENCER is capable of creating traditionally musical sequences, as well as more unusual, asynchronous, and poly-rhythmic, patterns. OBLIQUENCER may even uncover for the user, a direct understanding of the mathematical nature of the melodic patterns humans emotionally enjoy. Two external inputs can be routed to clock, gate, or trigger any of the internal sub-modules. all internal patching and routing is achieved via pin matrices, with a total of more than 150 patch points. Tuning is entirely variable, and each control voltage output is capable of covering more than a 5 octave modulation range, at one volt per octave.

OBLIQUENCER comes with 40 patch pins and is housed in a handmade wooden enclosure.

OBLIQUENCER SUBMODULES:

(2) CLOCK LFOS- Create continuous square clock at user-defined rate.
(2) "DECADE RINGS" - 2 to 10 step gate sequencers
(2) "RIPPLE GATE SEQUENCERS" - clock dividers with the ability to mix each division /2 through /4096 into a gate signal.
(1) "RIPPLE MELODY SEQUENCER" - 3 bit CV pattern generator using mixed clock dividers to generate CV note pattern sequences. Continuously tunable 0-5V.
(1) MELODY BIT INVERSION MATRIX - Allows patching of other modules into the melody sequencer to alter or generate melodic patterns.
(2) "HARMONY REGISTERS" - Generate accompaniment automatically based on pattern data from the Ripple Melody Sequencer and trigger inputs. Each has independent CV tuning and output.
(3) GATE OUTPUT MATRICES - Allow routing of internal modules to trigger/gate external modules.
(2) EXTERNAL INPUTS - Gate/clock/trigger inputs to allow external control of the internal modules.
(1) AMP LINK - For connecting to AMP "Expandoor" and "Wave Expander" expansion modules. Outputs the three gate outputs, the three melody control bits, and the central clock signal on a network cable.

OBLIQUENCER SPECIFICATIONS:

DIMENSIONS: 10" X 10" X 2.5"
DC INPUT 15V DC 1A 2.1MM CENTER POSITIVE
GATE/CLOCK INPUTS: 3.5MM, 3.5 TO 12V PEAK 0 - 10,000HZ POSITIVE EDGE TRIGGERED
GATE OUTPUTS: 3.5MM 10.5V DC PEAK UNIPOLAR
CV OUTPUTS: 3.5MM 0 - 5V CONTINUOUS, UNIPOLAR

www.melodyoracle.com

Meet the M0SS 101 Synthesizer by Andrew John March

M0SS 101 DEMO video upload by Andrew March

"A quick demonstration on how to build a patch with the M0SS-101 synthesizer."

From the creator of WVR, the the M0SS 101 virtual analog monosynth is currently seeking funding on Kickstarter.

"M0SS-101 is a virtual analog monosynth built for a pure, hands-on subtractive synthesis, packed into a compact, rugged guitar pedal enclosure.

With 26 buttons and a single encoder, M0SS-101 gives you intuitive access to a deep 42-parameter virtual analog synthesis engine. Press a button to select a parameter, turn the encoder to modify it, and monitor your signal flow via the LED system.

Using a MIDI controller, you can map any parameter via simple MIDI learn, making it easy to integrate into your setup. Up to 17 presets can be saved and recalled for quick access to your favourite sounds.

The 26 RGB LEDs use colour and brightness to represent signal flow, modulation paths, settings and selections. A separate row of 11 LEDs at the bottom gives you instant visual feedback on the currently selected parameter. I aim to offer an affordable, compact, and versatile instrument, without sacrificing features, ergonomics, or most importantly, fun. I hope you'll enjoy playing this synth as much as I have :'-)"

CLICK FOR MORE »

Oberheim OB-12 49-Key 12-Voice Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"One of those synths that looks as beautiful as it sounds! Super unique, an underrated gem from its time, it features

12-voice polyphony with 4-part multitimbrality, utilizing virtual analog subtractive synthesis.

Two oscillators per voice offering sawtooth, triangle, and square/pulse waveforms, along with noise and ring modulation capabilities.

Dual 12dB multimode filters per voice (low-pass, high-pass, band-pass), configurable in series, parallel, or split modes.

Two LFOs per voice, three envelope generators (including complex DADBSR and ADD types).

49-key velocity-sensitive keyboard with aftertouch, pitch and modulation wheels, and a ribbon controller.

Onboard overdrive, chorus, delay, reverb, and a switchable graphic/parametric EQ.

Features a motion recorder, morphing capabilities, arpeggiator, and a phrase recorder. Includes MIDI In/Out/Thru, S/PDIF digital output, and multiple analog outputs."

Boom Chick & Assembler by Pittsburgh Modular & Cre8Audio | Superbooth 2025

video upload by Thomann Synthesizers

"At Superbooth 2025, Cre8audio and Pittsburgh Modular unveiled two new analog devices: the Boom Chick drum machine and the Assembler mixer, both designed for standalone use and Eurorack integration.

The Boom Chick is a five-voice analog drum machine featuring kick, snare, hi-hat, and two versatile percussion voices capable of FM synthesis and wave shaping. Its six-track sequencer offers step and live modes, polyrhythms, Euclidean pattern generation, and performance tools like swing, humanize, and probability. Connectivity includes individual trigger inputs and outputs, MIDI I/O, clock sync, and reset, with output levels suitable for Eurorack systems. 

The Assembler is a 10-channel analog mixer with six mono and two stereo inputs, each equipped with preamps offering up to 20x gain, soft compression, and signal contouring. It features three post-fader aux sends with corresponding returns, a dedicated headphone cue output, and compatibility with both line-level and Eurorack signals. The mixer can function as a standalone desktop unit or be mounted in a 40HP Eurorack space.

Both devices are expected to be available in mid-May 2025."

Check with dealers on the right for availability.

Doepfer Dark Link w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Includes original box, manual, PSU, and USB cable

Dark Link is a Midi/USB-to-CV/Gate interface to control vintage monophonic synthesizers via Midi or USB. It has available 4 analog control voltage outputs (CV1...4) and one Gate output."

Storm Summoner by Kabaragoya | The Controller That Makes Your Pedals Come Alive

video upload by Jonathan Knightsnare

"At Superbooth 2025, I had the pleasure of meeting Pete, the inventive mind behind Kabaragoya, and exploring his groundbreaking creation: the Storm Summoner. This touch-based MIDI controller is designed to revolutionize how musicians interact with their effects pedals, offering expressive command over presets, modulation, and timing.

Key Features:

8-Zone Capacitive Touch Wheel: Provides intuitive control over various parameters, allowing for dynamic expression during performances.

Four Assignable Buttons: Customize these buttons to cycle through values, trigger patterns, or generate random settings with each tap.

Proximity and Ambient Light Sensors: Assign these sensors to control parameters, adding a new dimension of responsiveness to your setup.

Expression Pedal Jack: Integrate traditional foot control for added versatility.

3.5mm CV/Analog Clock Sync Input: Seamlessly sync with modular systems or other gear.

USB MIDI and ¼" TRS MIDI Output: Connect to any pedal supporting MIDI, regardless of Type A/B polarity—no additional MIDI box required.

Tripod Mounting: Attach the Storm Summoner to a microphone stand, drum rack, or lighting board for optimal positioning.

Open-Source Firmware: Easily update the device via drag-and-drop over USB and contribute to its development on GitHub.

CLICK FOR MORE »

Sounds from Superbooth 2025: WMD Skorpion

video upload by Perfect Circuit

"We're on the ground in Berlin at the year's biggest synth event. Stay up to date with all the latest gear news, announcements, and preorder info on our Superbooth coverage hub."

WMD's Skorpion is a next-generation analog wavefolder module that redefines how timbre can be manipulated and modulated in the modular environment. Featuring eight cascading fold stages controlled by a powerful vector core, Skorpion introduces a dynamic system of thresholds and voltage targets, allowing users to morph basic waveforms into harmonically rich, evolving shapes. Its hands-on slider interface offers intuitive control over folding behavior, modulation depths, and macro animation, while the hybrid analog-digital architecture ensures both sonic depth and interface precision. Whether you're after subtle saturation or full-spectrum harmonic chaos, Skorpion provides a versatile platform for creative signal transformation.

Beyond its core wavefolding capabilities, Skorpion offers a wide array of modulation tools including a dedicated macro envelope, internal LFOs, CV routing, and stereo widening functions. Unique features like target Order, Sync modes, and symmetrical/asymmetrical modulation application give users the power to craft entirely original textures with fine-tuned control. Designed to be both exploratory and exacting, Skorpion delivers a deep synthesis experience for sound designers, live performers, and modular enthusiasts alike.

SKORPION FEATURES
8-stage analog wavefolder with threshold and target voltage control
Hands-on slider interface with macro animation and modulation layers
Internal modulation sources: macro envelope, threshold LFOs, CV modulators
SYNC and TARGET ORDER modes for advanced waveform manipulation
Stereo WIDE output with second vector core and delay-based processing
Hybrid analog-digital design using high-speed CMOS circuitry
Extensive CV I/O including rectified, differential, and gate outputs

New OCTOLFO, Multipass, & Resonator Eurorack Modules From Tiptop Audio

Also see Buchla & Tiptop Audio 248t and 230t Incoming for new details. As always, check with dealers on the right for availability.

Details on the OCTOLFO, Multipass, & Resonator follow.

OCTOLFO – Eight-Voice Voltage-Controlled LFOs

For all Eurorack users, here comes your mega LFO. And for those of you who have already joined us on our journey into polyphonic patching heaven, this is the one you've been waiting for. The Octolfo consists of eight fully independent LFOs with plenty of controls, lots of waveforms, and the ability to load your own waveshapes. Clock-sync it or let it free-run. Use one-shot cycles of waveforms to create unique envelopes, and reset LFO cycles from your notes. All eight LFOs are available simultaneously on regular jacks and Polytip jacks—both outputs and CV control inputs. CV is mappable to parameters, and the entire setup can be saved as a “preset.” This module brings polyphonic modulation into our new world of polyphonic patching.

Multipass – Eight-Voice Multimode Filter

Please welcome the second filter in our polyphonic series: the Multipass. This one carefully recreates the rare OB-X filter design (not the later CEM-based OB-Xa), delivering the sound of the ’80s and early techno.

It features extended signal levels on inputs and outputs for an even broader tone range. LP, BP, and HP modes are poly-voltage controlled and simultaneously available per voice through Polytip, and via a mixed output jack. Each filter mode has manual gain control via dedicated faders. Frequency control is polyphonic and can be over-modulated by a mono signal with adjustable scaling. With all its poly mod inputs, this filter goes far beyond its classic roots.

Where and how much?

The first batch is ready, and we expect to begin shipping to shops soon. Price will be in the $500–$600 range.

Resonator

An extended design based on the analog resonator from the 1975 Polymoog synthesizer. This classic beauty works with everything from drums to polyphonic audio, adding lush resonating swirls.

There are three resonators, each with a selectable band. Each has voltage control for every parameter, nine CV inputs in total. Multiple gain stages (master input, resonator gain, and mix output) allow fine control and help manage clipping. Emphasis CV range boundaries prevent runaway self-oscillation. A true-bypass switch makes it easy to compare processed and dry signals—perfect for leaving it patched in and engaging only when needed.

Where and how much?

The first batch is ready, and we expect to start shipping soon. Price will be about $245.

Groove Synthesis: 3rd Wave 8M - SUPERBOOTH2025

video upload by Bonedo Synthesizers



"The most accessible way to the 3rd Wave sound

You’ve discovered the synth industry’s best-kept secret: the 3rd Wave 8M — bringing Groove Synthesis’ award-winning wavetable technology to more studios, stages, and creative spaces than ever before. This isn’t a watered-down version. This is 8 voices and 2 parts of pure, uncompromised 3rd Wave DNA in a more accessible, compact package. Same premium sound engine. Same analog filters. Same innovative synthesis. Just more accessible to more producers and musicians.

ACCESS ALL AREAS

The performance-oriented control set featuring a generous 7” display with six encoders gives you the confidence to create the sounds you’ve always envisioned.

COMPLETE SYNTHESIS TOOLKIT

Choose from wavetable synthesis, analog-style synthesis, FM, and sampling for each of the three oscillators to create rich and expansive soundscapes.

• 8 Voices of full 3rd Wave sound engine with complete patch compatibility
• Bi-timbral operation with two independent parts
• Premium analog filters and output stages—identical to our flagship models
• Multiple synthesis types: wavetable, analog-style, FM, and sampling
• Streamlined interface with larger, more intuitive display
• Compact desktop format that fits your creative space

CLASSIC LEGACY – MODERN SOUND

While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and warm, organic analog filters.

It boasts not only a punchy, Dave Rossum-designed 2140 analog low-pass filter with variable saturation, but a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Run both filters in series for harmonically complex textures."

Update: and the press release:

ORINDA, CA – May 8, 2025 – Groove Synthesis, the innovative synthesizer company known for its award-winning 3rd Wave 24-voice advanced wavetable synthesizers, today announced the 3rd Wave 8M – a compact desktop synthesizer that brings the distinctive Groove Synthesis sound to a more accessible price point, without compromising on sound quality or core features.

Building on the success of the flagship 24-voice 3rd Wave models 24K and 24M, the new 8M features 8 voices of polyphony and bi-timbral operation in a streamlined desktop format. Priced at $1,999 USD, the 8M delivers the same premium sound quality and cutting-edge synthesis capabilities that have made Groove Synthesis a favorite among producers, composers, and performers worldwide.

"We created the 8M to bring the distinct 3rd Wave sonic character and sound design capabilities to more musicians and producers," said Bob Coover, co-founder of Groove Synthesis. "This isn't a watered-down version of our flagship 24-voice models. The signal processing chain, analog electronics, and the sound are the same as on the 24. The 8M just makes the 3rd Wave experience accessible to musicians, sound designers, and producers who don't need the full scale system.”

The 3rd Wave 8M maintains complete patch compatibility with the 24-voice 3rd Wave models, allowing users to seamlessly integrate the 8M into existing setups or upgrade to larger models in the future. The streamlined user interface focuses on performance-oriented controls while utilizing a larger, more intuitive display for deep sound design capabilities.

Key features of the 3rd Wave 8M include:

● 8-Voice Polyphony: Full 3rd Wave sound engine with 8 voices and three oscillators per voice
● Complete Synthesis Toolset: Wavetable synthesis, analog-style synthesis, FM, and sampling
● Bi-timbral: Two independent parts for layering and splitting
● Complete Patch Compatibility: Seamless integration with 24-voice 3rd Wave models
● 8 Analog Filters and Output Stage: The same premium analog filters and output circuit design as flagship 24-voice models, 24K and 24M
● Streamlined Interface: Performance-oriented, expressive control set with larger display
● Multiple Outputs: 4 balanced outputs for flexible studio integration
● Compact Design: Smaller footprint ideal for desktop or touring setups

"As a bunch of synth enthusiasts ourselves, we know that the sound is everything," said Andrew Silverman, co-founder of Groove Synthesis. "The 8M has the full DNA of our flagship models. We've carefully considered what matters most to musicians and sound designers, preserving the elements that define our sound while creating a more accessible entry point to the 3rd Wave sonic universe.”

The 3rd Wave 8M continues the Groove Synthesis tradition of combining vintage inspiration with modern capabilities. While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and warm, organic analog filters. The intuitive, performance-focused interface avoids menu diving for a natural control flow, preserving and adapting the vital parts of the keyboard’s controls in a compact format.