1. Glou-Glou "Bien Jolie !"
2. Glou-Glou "Bien Jolie !" Introducing
3. Glou-Glou "Bien Jolie !" - Controlled Randomness
4. Glou-Glou "Bien Jolie !" - Mineapolis Beat
5. Glou-Glou Bien Jolie ! - Sound Only / No Talk by Stazma
6. Explaining and testing Bien Jolie ! by Glou-Glou by Stazma
7. Glou Glou's Bien Jolie! as an insert with Tonverk. So many tones. by keinseier
Details:
9V DC 200mA PSU (not included)
Relay-bypass available via external footswitch (no built-in bypass switch)
Passive expression pedal input for direct performance control of parameters
"Listen the new Radical Frequencies Dual Retro VCO playing an arpeggio , showing all waveforms and making Pulse with modulation and Hard Sync between the vcos . It goes through the RF Mixer and then to Diode Dream Vcf as it suits this oscillator perfectly! #eurorack #modularsynth #radicalfrequenciesmodular #dualretrovco #drvco #diodedreamvcf #analogsynth"
"Handmade Dual VCO of discrete core capable of internal FM cross modulations - Hard sync and Ring Modulator
• Analog discrete saw core oscillators with Saw, Pulse, Triangle and Ring Modulation wave outputs.The sound is warm and fat, emphasizing odd harmonics for this big retro sound. My purpose here is to approach the sound of classic synths from 70s, that we all loved. • The SAW wave produces rich bass frequencies, sweet mids and smooth highs but overall, it is still well balanced across the full frequency range. The Triangle wave is almost perfect in shape with no buzzy hum sound. The pulse wave can produce that chorus-like phasing effect, when using an LFO to modulate the PWM input and does so in a very unique way, as it changes the phase of the signal as well. • Two identical VCOs : VCO ALPHA and VCO BETA, with the ability of hard sync as each VCO syncs internally with the other. Using the attenuator knob for SYNC, you can go from zero to soft sync(11-12 o’clock) to hard sync when the knob is fully CW. For syncing you just need to turn CW, the sync knob of the VCO you want to be the slave. Don’t open both the sync knobs at the same time unless you want to make some weird sounds. • There are external sync inputs for each VCO as well. External oscillators can be used as masters, just feed the output of the oscillator of your preference, into the sync input or either ALPHA or BETA. Just remember to feed a saw or a square wave, into the SYNC input. This is very important in order to sync the oscillator. A ramp wave it will not sync at all! (The RF DPVCO for example is a ramp out VCO and if you want to use it as master you must invert the signal first.) • Both ALPHA and BETA track 5 octaves accurately, tempco resistors are attached to the tuning ICs CA3046 on both VCOs. Separate voltage regulators for each oscillator can achieve the best sounding results without drift or bleed pitch, between VCOs. • Both VCOs go from a relative fast LFO range with the coarse tuning knob fully CCW, up to high frequency oscillation. • Octave Switches of 3 positions: 1 octave down - , zero , 1 octave up +, are available and make patching, fast and intuitive. • There are internal normalisations for exponential as well as linear FM and both have independent EXP FM and LIN FM, attenuators. • You can select the wave for the internal FM buss via the front panel switches .Options are Triangle and SAW. The internal FM wave, is independent per VCO as well. • There are also internal normalisations for PWM, where each VCO modulates the pulse width, of the other and both use the triangle waveform. • There is a PW offset, per VCO - negative phase pulse width at CCW to + positive phase at CW and 50-50 duty cycle square wave, in the middle of the knob. • Ring Modulation section is a separate feature where X and Y inputs are internally connected with the VCOs as well. It has 2 inputs, X and Ψ and one out, RM. The inputs are internally connected to the internal FM buss switch of triangle - saw selector. VCO ALPHA is internally connected into Ψ input and VCO BETA, into X input. You can feed the RM inputs any wave you desire from other VCOs as well . • An external patch cable breaks the normalisation of all internal connections, via input jacks. (EXP FM, LIN FM, PWM, SYNC, X Ψ)
• Important note about tuning : The vcos need at least 30 minutes warm up before using it for good tracking. Also when you have to tune the vcos it’s better the octave switches to be in the middle position and all the fm and sync knobs must be closed (CCW)
• Large range of sounds with countless sweet spots - ultra stable tuning for FM sounds by using the FM and SYNC knobs simultaneously - fat basses, classic leads and drones. Feed the DRVCO into a good filter and you will enjoy it as it was meant to be! The VCF that I suggest is the RF Diode Dream VCF as it is a ladder filter and suits it perfectly! Of course any other filter of your taste can be used with great results."
"This video shows some original JX-8P factory sounds. It compares the plug-in with the hardware device (revision 2 / OS v3.1). For the test, we imported the factory presets with sysex. A MIDI sequence is played alternately between the plugin and the hardware. Sometimes it clicks when the output switches and…
The demo was recorded in one take without any modifications or cuts. Don't expect identical results. DCO, LFO, and Chorus phases are freely running on both devices. The cutoff frequencies vary slightly for each voice."
0:00 Intro
0:24 1. The Oscillator Section.
03:20 2. The Filter Section.
05:28 3. The Modulation Options.
09:20 4. Individual Voice Tuning.
10:36 5. The Effects.
"TAL-J8X is an instrument plug-in that emulates the sound of the analog 80's synthesizer with additional features that add a fresh touch to this synth.
Emulation of the 80's hardware synthesizer (rev 2 / OS 3.1). Modern filter mode that allows self-oscillation. Create and play chords. Arpeggiator with different modes. High Quality EQ, Delay and Reverb FX. Aftertouch and MPE support. Microtuning support (tun file import and MTS Client). Original factory banks included. More than 600 presets by Electric Himalaya, Saif Sameer, Sound Author, Empty Vessel, VIC-20, TAL, Heat Audio, FMR and others. Individual tuning for every voice converts the synths DCO into a VCO. Reads Sysex files and Sysex MIDI from the hardware device (tone data from JX-8P, JX-10, MKS-70). Can also control a hardware device. If enabled, it sends Sysex through the plug-in MIDI output (only possible when supported by the DAW)."
Note the above is a playlist for the the Anti Rave Frosty Edition. The listing below is for the Slopes Edition. Not sure how or if they differ. This appears to be the first post to feature Twin Tropiques.
"Fully Analog Patchable Synth with Aligator clips included.....Very unique sound and is perfect for Noise, Odd Glitchy sounds....All all the available patch opportunities, you can get some really sync'd Percussive Rhythms...Nice squishy Textures and lot's of Clocks, Gates, Noise, Logic, Dividers...it really is packed with features...You can also interact with other Eurorack Gear.
Specs below.......
2 VCO's (pulse and triangle outputs
Unique capacitor switching low pass filter capable of a wide range of sounds
- percussive pinging, metallic sounds, additive and comb synthesis, lush and mellow to harsh and abrasive mayhem
-3 XOR gates which can generate logic outputs from pulse inputs or can be used to ring modulate pulse waves
-pseudo random chaos generator inspired by the famous rungler module by Rob Hordijk, has clock and data inputs and chaos output, great as a sound source or for modulations + 4 circuit bending touch sensitive patch points)
-The circuit bent patch points allow a range of WTF type of non linear and unpredictable modulation, depending on how and where you patch them
-2 slope generators with voltage control on attack and release, end of cycle pulse output, and trigger, hold, and loop inputs
-2 waveshapers with 2 voltage control inputs each, for overdriving and mangling internal or external signals
1. GTE (Gestural Time Extractor) | Make Noise
2. GTE module overview
3. Channel Index Translation with GTE
Press release follows:
Make Noise is very excited to announce the latest module for the New Universal Synthesizer System, the Gestural Time Extractor (GTE)!
The Gestural Time Extractor (GTE) is an analog pulse extractor and Channel Index Translator for the New Universal Synthesizer System or any Eurorack modular system.
From the motion of the signal at the Span input, GTE derives up to eight individual channel pulses, as well as a GTE pulse stream representing the speed of motion of the input signal, and two gate outputs representing activity at the even and odd channels.
The Space parameter determines the threshold proximity of the channels to each other and thereby also the sensitivity and reactivity of the GTE and other outputs.
When the Clock input is in use, the GTE’s output channel will only change upon reception of a trigger or gate, allowing for changes to easily be synchronized with other existing events in the system.
With all controls set to starter min-max positions, the GTE also operates as a Channel Index Translator for PoliMATHS and other New Universal Synthesizer System modules that generate Channel Index signals, allowing the accurate derivation of individual channel gates from activity at the respective channels of the source module.
The GTE can be used to generate repeatable and controllable rhythm and timing information from any analog synthesizer signal, whether arbitrary or targeted, and is also useful for individual voice timing signal generation within a multi-voice N.U.S.S. system.
Extract rhythms, clocks and pulse streams from any control voltage source Opens up the patch programmability of the N.U.S.S. Synchronize GTE to any clock source with the Clock input Use GTE to synchronize any event in your system with Activations from PoliMATHS and MultiWAVE - regardless of Span mode Compact and powerful analog module Pairs well with MATHS, PoliMATHS or Jumbler
Width: 8 hp Max Depth (incl. power cable): 29 mm Power: 25 mA @+12V 2 mA @-12V MSRP: $179
Here's to you my 'No talking demo' of this FREE emulation of the Ensoniq SD-1 developed by Sojus Records, which brings back to life this iconic synthesizers!
This VST3 plugin is a faithful, hardware-level emulation of one of the most unique digital synthesizers of the early ’90s.
Originally released in 1990, the Ensoniq SD-1 comes from a lineage of evolving Transwave wavetable synthesizers, following the ESQ-1, SQ-80, and VFX series. It combines additive-style waveform layering with powerful modulation, placing it alongside classics like the PPG Wave and Waldorf Microwave in the world of hybrid digital synthesis.
This "MAME-based" VST3 plugin brings the SD-1/32 to life inside your DAW for the first time. Despite being a proof-of-concept, it is already fully functional and incredibly deep.
The demo showcases some of the presets created directly from the engine – from lush pads and evolving textures to digital timbres and analog-style patches. Each patch can layer up to 6 waveforms from the original ROM, shaped by dual multi-mode filters, complex envelopes, LFOs, and an extensive modulation matrix. The built-in effects processor adds classic reverb, chorus, flanging, and delay.
Key features of the plugin include: • Full VST3 support (Windows & macOS, Intel + ARM) • Complete MIDI implementation including polyphonic aftertouch • Full VST automation (all controls) • Import of original VFX / VFX-SD / SD-1 SysEx files • Resizable GUI with multiple panel layouts • Support for original disk images and cartridges • Optional multi-output routing (main + aux) • Built-in sequencer support (with original OS disk) • And much more...
⚠️ Important: This plugin requires original Ensoniq SD-1 ROM files (not included for copyright reasons). Please check the documentation for setup instructions.
⚠️ Note: Due to the nature of the emulation, CPU usage can be high and only one instance can run per DAW session.
This project is an exciting step toward preserving and reimagining classic digital synthesizers in modern workflows. If you’re into vintage gear, wavetable synthesis, or rare digital textures, this is definitely worth exploring.
Click the auction link on top when you get there for additional listings.
"This is a unique opportunity to buy a monster synth, that is also a piece of synth pop history. Two cabinets plus the original keyboard, all lids, interconnection cables and original manual included. The first cabinet is a Roland System-700 Lab is one of the rarest and most sought-after modular synthesizers ever built. Introduced in 1976 as part of Roland’s legendary System-700 series, the Lab version was designed as a compact, self-contained modular laboratory for advanced sound design, research, and education — but with the same discrete analog circuitry, massive sound, and build quality as the full studio system.
This one was owned by Bill Vorn, keyboardist of the synth-pop band Rational Youth, used in the following albums dated 1981 to 1983 : Rational Youth, Saturdays in Silesia, City of Night and I want to see the light, as reported in the certification signed by Bill Vorn himself, provided in the item. The second one is another original SYS 700 one, connected and internally cabled to the main one by means of the original cable, with the super rare modules that you see in the picture: an additional, multimode filter, the great output module and… a professionally custom module with a perfect ARP 2600 VCF clone… plus other stuff.
All the best Sys 700 modules, featuring the iconic vintage Roland tone — warm and incredibly dynamic — and offers an extraordinary range of sonic possibilities thanks to its flexible patch architecture. Perfect for collectors, professional studios, or synth enthusiasts looking for a centerpiece instrument with historical and musical significance. The system sports a comprehensive modular architecture with 3 oscillators, 2 filters, 2 VCAs, 6 envelopes (!), mixer, phaser, spring reverb (HUGE) and …utilities.
Legendary System-700 sound — powerful basses, evolving textures, experimental tones. What to say more? Fully functional and in very good cosmetic condition with minor signs of use. You will never find another in such condition. Last call…"
"KONSTRUKT-8 is an expressive live performance instrument and sound design tool – plus a hands-on deep dive into electronic circuit design. Each of its eight DIY modules comes with a detailed build guide and can be explored on a breadboard first, letting you trace every circuit design decision before assembling the final instrument.
Timeline:
00:01 - Patch 1 / Electro beat with BBD on the send
01:58 - Patch 2 / Wonky beat with FM drum triggering the Hi-Hats
03:57 - Patch 3 / Classic Untz Untz beat
06:01 - Patch 4 / Raw beat, with Feedback bass
07:55 - Patch 5 / Jam together with DIY Synth System"
KONSTRUKT-8 is an expressive live performance instrument and sound design tool – plus a hands-on deep dive into electronic circuit design. Each of its eight DIY modules comes with a detailed build guide and can be explored on a breadboard first, letting you trace every circuit design decision before assembling the final instrument.
KONSTRUKT-8 includes four fully analog drum voices:
• Snare Drum. A burst of filtered transistor noise layered over a tuned resonator creates a crisp snap.
• Hi-Hat. Six dissonant square-wave oscillators are mixed, filtered, and overdriven to create metallic percussion.
• FM Drum. Two interacting oscillators form a versatile percussion voice capable of kicks, toms, bells, and cymbal-like sounds.
A four-channel drum sequencer lets you tap in rhythms that loop automatically. Under the hood, shift registers store the pattern as a circular sequence of binary data.
All voices feed into a four-channel mixer with per-channel FX sends and a master insert, allowing you to shape the entire beat with external effects or the built-in distortion and compressor.
Two effects modules complete the system: an analog bucket-brigade delay (BBD) with flanger and delay modes, plus a diode-based compressor with sidechain capability.
The Fragmenter is a HDMI based circuit bent video FX processor / glitch colorizer.
The unit features 40 circuit bends on 16 potentiometers and 4 arcade buttons. The 4 arcade buttons each have a corresponding latching toggle switch and a knob to fade between two different circuit bents per button. The 16 potentiometers all fade between two FX and are off in the 12 o'clock position.
This thing is great at adding gritty digital texture to video. Feed it low resolution video sources and it goes wild picking up mpeg artefacts and making them stand out.
The setup for this unit is incredibly simple with a HDMI input and output it is fit for todays world of live and studio video without the need for any finicky adapters. There is also a VGA input that is great for connecting directly to one of my analog VGA glitch processors.
The unit is setup to output a 60fps 1080p signal and will take in virtually any resolution input signal and scale it up to 1080p.
When all FX are set to off it passes a completely unaffected, pixel perfect image."
"The ARP 2600/3620 Duophonic Keyboard is a vintage original semi-modular analog synth produced by ARP. With 49 keys and a semi-modular design, this synthesizer offers a unique blend of analog sound and modular functionality. It features input/output ports including CV out, trig in, CV in, gate out, gate in, and trig out, allowing for versatile connectivity with other musical equipment. The ARP 2600 also boasts pedal inputs, faders, built-in effects, and speakers, making it a versatile and powerful tool for creating a wide range of sounds and music compositions. Made in the United States, this classic synthesizer is still highly sought after by musicians and producers looking to add its distinctive sound to their work."
Introducing two new Xaoc Devices products: Kamieniec II and its Allpass Expansion sidekick. Kamieniec II is an updated and extended revision of Kamieniec - our analog module inspired by a range of classic phaser effect units from the 1970s. We aimed to preserve the classic sound while making Kamieniec versatile enough to shine with any modular sound source. The newly released module shares the basic specifications with its predecessor: 4 and 6-stage outputs, built in triangle LFO (with a separate output in the true modular spirit), manual resonance control (up to extremely high values), and spicy feedback routing modes. On the other hand, Kamieniec II is a truly new beast with redesigned circuitry and new features, such as voltage control over resonance, a third feedback mode, and an LFO reset input. We have retained the chaining feature and we are glad to say Kamieniec II is fully compatible with the original Kamieniec, so you can easily mix and match both generations of the module should you develop a craving for more stages.
Want even more stages without sacrificing precious HP in your case? We've got you covered. Enter the Allpass Expansion - an optional circuit board installed at the back of Kamieniec II. It adds up to 16 sweepable stages for a total of 22 (!), making Kamieniec II one of the most multidimensional and versatile analog phasers available in Eurorack.
"Musical exploration of new eurorack filter by Crazy Chicken Modular - SHRIMPY."
Shrimpy is a fully analog multimode voltage-controlled filter with three simultaneous audio outputs: low-pass, band-pass, and high-pass. It was designed with a strong focus on character rather than neutrality.
The resonance is voiced to emphasize midrange frequencies, giving the filter a present, expressive tone that cuts through a mix. At higher settings, it becomes vivid and assertive without collapsing into thinness.
At the heart of Shrimpy lies an unusual distortion chain integrated directly into the filter core. This distortion adds a pleasant crunch, enriching the sound. When pushed further, it can turn glitchy and rustling, introducing rough textures and unstable edges that make the filter feel alive. It should be noted that the distortion sound characteristics will depend on the Shrimpy settings and the input signal, since distortion occurs in the filter core itself, rather than at its input or output.
All parameters are fully voltage-controllable:
Cutoff frequency (with and without attenuator)
Resonance
Distortion amount
This makes Shrimpy a flexible yet opinionated sound processing tool, well suited for experimental patches, aggressive basses, textured leads, drones, and evolving soundscapes."
"The E-MU EMU MP-7 Command Station Synth Drum-Machine Groovebox is a high-quality keyboard synthesizer designed for musicians and producers. This analog unit features a sequencer, USB compatibility, and a variety of input/output ports including USB out, MIDI (DIN) in, and MIDI (DIN) out. With its sleek design and powerful features, this E-MU MP-7 model from the United States is perfect for creating dynamic and professional music compositions.
This is a 3-IN-ONE.
It comes with MROM1, XROM1 and PROM1 (MP7, XL7 and Proteus 2500).
Excellent cosmetic condition,
Perfect working condition.
Including manual and original desk lamp."
Iridium Desktop MK2 is a new generation of the highly acclaimed Iridium Desktop synthesizer introduced in 2020 by Waldorf Music, and since then used by countless artists and sound designers. After six years the time has come to advance the sonic success story even further.
Based on the legendary multi-engine design of the Quantum & Iridium product line, the MK2 innovates even further, thus fitting perfectly into Waldorf’s forward-looking synthesizer design philosophy.
The MK2 features a new and fresh design, and an improved CPU board with more RAM and flash storage allowing for more sample storage and opening a whole new world of synthesis capabilities.
Per-Note-Parameter-Locks
(ft. Aphex Twin)
Only on the MK2 you can enjoy a very special feature called Per-Note-Parameter-Locks which is the result of a collaboration with legendary Aphex Twin, a long-term Iridium Desktop user.
With this feature, each of the 128 notes can be assigned up to 16 individual parameter variations by simply holding a note and turning knobs. This system allows each note to have a different set of parameters. You can even change the synthesis mode of oscillators for each note or change effect parameters. It feels like adding a whole new dimension to your music. Per-Note-Parameter-Locks are saved with each patch and can be inspected and edited on a dedicated page.
Seeds – The Sixth Synthesis Sense
The added RAM further allows a new sixth synthesis method for each of the three oscillators. Inspired by wavetable synthesis, in which each wavetable represents a timbral journey, Waldorf has found a way to base these timbral journeys not only on static waveforms, but also to dynamically synthesize each waypoint from sub-oscillators we called “Seeds”. These can be controlled and recombined using techniques like ring modulation and frequency modulation, and enriched with noise and other non-pitched material. While we provide, similarly to wavetables, a set of predefined timbral journeys, you can also edit and create your own.
Protein’s “Flavour” Knob
The new knob called “Flavour” adds sonic liveliness using our new concept of micro-variations in timing, timbre, pitch, and a whole set of additional parameters we recently introduced with the Protein synthesizer.
More Memory, Layers & Sound
With the increased memory capacity, you can change the multi-timbral layer count from 2 to 4. In addition to layered and split modes, the new MK2 also features more advanced multi-timbral modes, such as round-robin and random-robin. These additions bring greater timbral richness and variety, letting you build deep and complex sonic landscapes. A dream come true for all sound designers, sonic explorers and cinematic artists!
Iridium & Quantum Update 4.0
A general update of the Iridium and Quantum operating system will be available soon.
Version 4.0 provides some of the new features for all existing Quantum and Iridium models like the Mutator patch randomizer introduced in the Microwave plugin, a new polyphonic arpeggiator, new microtonal features saved in patches and other features.
Connectivity Stereo Audio Out: 2x TS jacks Stereo Audio In: 2x TS jacks Headphones TRS output with level control DIN MIDI In, Out & Thru USB Type B (device) for MIDI connection to computer USB Type A (host) for storage media and MIDI devices MIDI 2.0 compatible MicroSD slot 4 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix Analog clock In & Out with clock divider settings Analog gate and start inputs Kensington® compatible lock
Check with dealers on the right on pricing and availability.
"This is your official introduction to the Neutral Labs Luna - a new lunetta-style “groovebox” desktop & eurorack compatible synth. It’s patch programmable, letting you both create tones and rhythms from 5 oscillators (2 with step sequencers inside), logic and pattern generators, all at the same time. Three 'LPG's take the raw tones and let you gate and filter them. 13 effects in 2 blocks effect and shape sounds further.
Enormous thanks to Martin at Neutral Labs for commissioning me to make a vid of this. The world needs more shift registers. Note: I used my own red Tiptop Audio Stackcables in the video, but the desktop module comes with 12 braided patch cables."
Neutral Labs Luna – the first serious Lunetta synthesizer
"Join us for an exploration of what Lunetta Synthesizers are, what the new Luna from Neutral Labs is and why you should care.
The short answer is that it’s an interesting series of raw digital building blocks from a sonic sculptor (Stanley Lunetta) with lots of modern quality of life features that allow you to approach timbre as rhythm, rhythm as timbre then round that out with low pass gates and FX.
More info at https://neutral-labs.com"
*TIMING INDEX // CHAPTERS*
INTRO 00:00 Hello & previews 02:13 What is a Lunetta synthesizer? 02:54 What is Luna? 04:07 Luna feature run down 06:14 How this video is a bit different
PATCHES & SOUNDS 07:05 Comb filter drones for dark industrial soundtracks 07:55 Hypnotic drones & dual oscillator lead lines 11:20 Bouncing bass & low end swells 11:55 New rhythms from AND & XOR logic 16:05 Fireside crackles & sputtering motorbike engines 16:35 Characterful lo fi LPGs & FX for modular synth voices 19:04 Ambient gritty echoes for happy synth blips 19:29 Shift register rhythms - gate delayed musical canons for your rhythms 23:25 Metallic bass hits & interactive rhythms 23:56 Modulation ‘hooks’ from binary counter clock dividing 26:39 Experimental expressive noise wrangling 27:05 Binary counter sub octaves & external modulation of filter FX 29:12 Alien critters clashing into ambient space 29:48 Monstrous sounds from multiplexing 33:13 Metallic synthesis & bell like tones & swells 33:49 Metallic synthesis for cymbals + dynamic LPG modulation
"Logic, Unbound. Meet Luna. The first serious Lunetta synthesizer.
Look beyond clean waveforms and predictable polyphony. Luna will take you back to a time when digital didn’t mean perfect. It meant raw. Inspired by the subterranean DIY culture of the 70s and 80s, Luna is a love letter to the Lunetta machines of old: Living, breathing organisms built from CMOS logic chips. But where those machines were fragile experiments, Luna is a weaponized instrument of sonic confusion.
The Nervous System Exposed. True to the Neutral Labs philosophy, we don’t believe in hiding the magic behind an opaque face plate. Luna features exposed CMOS inputs and outputs right on the front panel. You're not just patching cables, you are rewiring the brain of the synthesizer itself. Combine signals, bend logic, and physically intervene in the computation to create sounds that shouldn't exist.
Rhythm is Timbre. Timbre is Rhythm. In the world of Luna, there is no difference between a sequencer and an oscillator. The same digital pulse that drives a bass line can be accelerated into a screeching lead or folded into a metallic drone.
5 oscillators provide the raw material. A chaotic array of logic blocks (XOR, NOT, AND, shift registers, counters, multiplexer) will chew up those signals and spit out complex, evolving mathematical noise.
Taming the Digital Mess. Raw logic can be harsh. To turn this binary chaos into music, Luna feeds its digital soul through 3 organic low-pass gates. These analog circuits impart a natural decay and percussive punch to the madness, transforming mathematical errors into bongos, plucks, and thumping basslines.
Drench it in Atmosphere. Once you’ve constructed your signal, destroy it again. Luna comes equipped with a suite of effects — distortion, delay, reverb, chorus, bitcrusher, phaser and more — to smear your logic into a wash of ambient bliss or gritty industrial texture.
5 oscillators logic gates (2 XOR, 2 NOT, 2 AND) 5 logic blocks (5-step ring counter,4-bit binary counter, 2 shift registers, 4-channel multiplexer) 3 touchpads that generate logic signals 3 channels for audio manipulation (low-pass gates with adjustable decay and switchable trigger mode, gain, tilt EQ) 13 audio effects that can be freely assigned to 2 effect slots running in series (drive, delay, reverb, 6 filter types, bitcrusher, phaser, chorus, comb filter) CV control for effects and 2 oscillators MIDI control over 2 oscillators, all 3 low-pass gates, and 3 logic outputs (MIDI TRS A socket) 2 sequencers with up to 64 steps, syncable to clock or MIDI audio output is headphone compatible available as a desktop synth or 42 HP Eurorack module (desktop version comes with a 12-pack of black/gold braided patch cables) See more videos and photos on Instagram.
Note: For sustainability reasons, the desktop version does not come with a USB power supply, just a USB-A to USB-C cable. You will need a 5V supply, such as a phone charger, power bank or laptop.
Note: The desktop version has a Eurorack power header and can be placed into a Eurorack. The desktop case however has 5V USB power and no Eurorack rails, you cannot use it as a 42 HP rack without modifications."
"This listing is for a vintage 1980's Ensoniq ESQ-1 Analog/Digital Polyphonic Synthesizer Workstation that comes with an Ensoniq Sequencer Expander Cartridge and power cord. This synthesizer is in good physical and working condition. The winning bidder will receive exactly what is pictured.
The Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but is actually an early music workstation. Although its voice generation is typically subtrative in much the same fashion as most analog synthesizer that preceded it, its oscillators are neither voltage nor digitally controlled, but true digital oscillators, provided by a custom Ensoniq wavetable chip. The signal path includes analog resonant low-pass filters and an analog amplifier.
"The Discombobulator - a Noisebug-designed Tangible Waves system in the AE Modular format, a great entry to the format and an even better addition to an existing AE Modular rig.
"RITMOBOX - is a compact, analog drum synthesizer inspired by the drum machines/synthesizers of the 70s-80s with a built-in 8-step sequencer and MIDI.
It has 37 controls, 3 switches and 14 buttons with which you can have a wide control over the sound parameters, sequencer and MIDI. It has individual audio outputs for each of the five sounds and a mix output.
Each unit is carefully hand assembled in Moscow/Russia using discrete through-hole components and OTA chips.
Hand numbered: #002 Build date 2020
Main features:
Fully analog, discrete components;
5 individual sound channels: CH, OH, 3 separate Generators (G1, G2, G3) each with its own oscillator, individual pulse (“kick”), noise, LFO and other modulations;
37 knobs/controls for different sound shaping options;
8-step analog sequencer with ability to program 16 steps;
Note there are two versions, a synth version and accordian: http://juzisound.com. The original was in a rectangular box format as seen in previous posts here. Spotted this newer model via the listing below.
Next generation of sampler device, again specialized for playing ethno music. If you play that kind of music, this device is really the right one for you!
Model 3 is successor of Sampler 2, but the technology is much more advanced. Sampler 3 have 8 independent Uppers (synth version), read samples from Micro SD card with maximum possible speed, have SD card auto refresh function, and have best in the world 32 bit DAC for perfect audio quality. The same hardware is used with 2 independent software versions: One for use with any Synth, and second for use with MIDI accordions.
For more information, see specification and comparison table between all samplers.
