"Cycles & Spots created and experimental digital , bright sounding wavetable synthesizer, useful in many genres. It can sound harsh to soft, melodic to disharmonic & produces melodies to soundscapes. It's based on creating rhythm from loops and sound from 2 mixable oscillators each with its own sequencer and lots of modulation options. 127 loops for the rhythmic are included (Drag & Drop possible) and the synth comes with 50 presets.
Pack Details:
1 Instrument / Ensemble For Reaktor feat:
Synced Sample Player With 127 Loops
Envelope Follower (Amplitude)
2 Wavetable Oscillators
2 Sequencers
2 Saturators
Tremolo
Reverb
"The With Mixer is a companion expander for the ALM Stem Ripper, adding a full-featured 8-channel stereo mixer with per-channel level and gain control, stereo panning, dual stereo aux sends, and mute and solo controls.
An easy-to-use graphical interface provides visual monitoring of all eight input channels and the stereo mix output, along with quick, precise control of all mix parameters. Mix parameters can also be controlled via CV or an external MIDI controller connected to the powered USB host port, providing hands-on control and making the With Mixer well suited to live performance. Complete mixer setups can be saved and recalled, while the display also shows the Stem Ripper's recording status and elapsed time. Together, the 'Stem Ripper With Mixer' pair provides a modern multitrack stereo digital mixing and recording setup to your Eurorack system in just 14HP."
Chapters:
0:00 - Intro
0:53 - Mix Setup
1:35 - Channel Parameters
4:07 - Aux Send 1 and 2
6:34 - CV Inputs
7:22 - CV Attenuation and Offset
7:57 - MIDI Controller Setup
10:52 - Global Mix Setting
11:26 - Outro
Capture and control your Eurorack mix like never before with the With Mixer from ALM Busy Circuits, a feature-packed expander for the ALM Stem Ripper that turns the recorder into a robust mixing set-up. While Stem Ripper offers a powerful, high-fidelity way to record multitrack audio in a Eurorack system, the With Mixer takes this functionality even further, incorporating all eight channels of Stem Ripper into a sleek and slim digital mixer for studio tracking and performance control alike. For each channel, the With Mixer enables level and gain control, stereo panning, two sets of stereo auxiliary sends for incorporating effects, as well as mute and solo controls. This vast feature set is available to any sized system, thanks to the incredibly hp-efficient 14hp space required by the full two module set-up. This compact size far outpaces the specs of virtually any other mixer in Eurorack, all while still being a multitrack recorder!
Adjust settings and keep an eye on both levels and recording time with the graphical interface, while hands on control is just as close at hand thanks to the powered USB host port, perfect for attaching your favorite MIDI controller for live mix control. Three CV inputs are available as well, which can be freely assigned to mix parameters to get signals moving with CV. By connecting a compatible AXON expander, you can add even more CV inputs for up to seven independent CV controls. In addition to saving settings between power cycles, With Mixer allows you to save and recall eight full mixes, making it a breeze to program live sets and perform with confidence. Whether you already enjoy the multitrack capabilities of Stem Ripper or are looking at the pair together, With Mixer from ALM is an expander that brings an incredible amount of new functionality to any system, providing an all-in-one mixing and recording workstation for any modular musician.
With Mixer Features
Digital mixer expander for ALM Stem Ripper Mixes all eight channels of Stem Ripper with stereo output Per-channel level / gain control, panning, dual stereo auxiliary sends, and mute / solo controls Final mix is recorded to Stem Ripper alongside eight individual stems 3x assignable CV inputs USB host connection enables control with your favorite MIDI controller Graphical interface for visualizing and adjusting mix and recording parameters Save and recall 8 complete mixer set-ups Connect an Axon expander for additional CV inputs Product Details
"X-Wave is a crossover-synched signal switcher for the Eurorack modular system. It's simple to use (no knobs in sight), but it's also very powerful!
X-Wave has two Signal Inputs (conveniently named SIGNAL 1 IN and SIGNAL 2 IN). It has only one OUT, though, so it is forced to choose between the two signals you give it. To do this, it listens to SIGNAL 1 and decides if SIGNAL 1 is positive (as indicated by the little +).
If SIGNAL 1 is positive, it sends only itself to the OUT jack.
However, if SIGNAL 1 is negative, only SIGNAL 2 is sent to the OUT jack (as indicated, again, by the little -).
So, if you feed two different waveforms from a VCO into SIGNAL 1 and 2 IN (pulse on 1 and saw on 2 work very well together, for example), the result will be a wave shape that cycles between half of each waveform you provided. If you use a pulse for SIGNAL 1, you can also create wavetable-like effects by varying the pulse width of your pulse wave on your VCO.
There are two other functions on the X-Wave that greatly expand its capabilities:
You can connect a third signal to the + DETECT IN jack as an external control of the switching action. This will make X-Wave stop listening to SIGNAL 1, and listen only to the 3rd signal This is very useful for using a pulse wave with PWM to "scroll" between two other waveforms from the same VCO, inserting sub oscillators to toggle between full cycles of SIGNALS 1 and 2, hocketing effects via use of a sequencer or gate divider, non-synched interleaving and switching effects, and voltage-controlled A/B switching or muting.
You can also invert the polarity of SIGNAL 2 using the provided toggle switch. This can be used to correct unfavorable polarity alignments between SIGNALS 1 and 2 or can also be used to turn X-Wave into a full wave rectifier or external-voltage-controlled inverter if you plug the same signal into both SIGNAL IN jacks.
X-Wave can pass signals down to 0hz (DC) so it can also be used to process LFOs, Envelopes, CV Sequences, and 1V/Octave signals. It probably has other uses I haven't thought of!
X-Wave is 4HP and uses Burr Brown op amps for the main signal path alongside other high quality Texas Instruments ICs for other duties. X-Wave is not a bi-directional switch, so please be aware that the IN and OUT jack labels should be followed when patching. X-Wave uses a high impedance of 1M (10x the typical 100k) for all inputs, so multiple units can be connected via stacking cables/passive splitters (up to 10 inputs can be paralleled while still maintaining traditional Eurorack input impedance standards)."
"Outbox 8 adds eight outputs for configurable audio and CV, meaning you can turn your compatible Elektron machine into an octopus of connectivity. Add external effects. Separate your tracks out to a mixer or wherever. Control and sequence your modular gear or any other CV-equipped devices. And though Outbox 8 is predominantly made with your Elektron units in mind, it can do the same with a bunch more class-compliant gear too. Break out your sound and control, whatever the moment calls for."
Outbox 8 is a versatile eight-channel audio/CV breakout box and USB host/device designed to expand your connectivity, with creative possibilities to boot. It adds eight fully configurable physical outputs to a compatible connected device, letting you send audio and CV in any combination its capabilities allow. Route your sound and control wherever the moment calls for.
Send audio
Outbox 8 enables you to route individual tracks for external processing, mixing, or performance – creating a flexible bridge between your Elektron workflow and the wider world of sound and control.
"Today I wanted to take a bit of time to explain my deep love for the Dirtywave M8 Tracker while going over the patch notes for the new OS that was released last week. The new OS brings a slew of upgrades to the device in both sound and presentation. Let's check it out and make some tunes."
"Updated version of Divine CMOS. Wonderful module for harmonically rich sounds or use as a complex CV patter and gate generator. Thought the LEDs were superbright purple but turned out to be a mild light blue."
"This module has been thru a few cycles. The original idea for the design is from an article in Electronotes EN#98 by Lester Ludwig, spectacularly titled ‘A Square-wave Frequency-division Sub-octave Cross-product Module, it’s relationship with Lie algebra, and other related processes’ or more simply known as The Cross Product Module.
The frequencies of two VCO signals are separately divided by /2, /4, /8 & /16 ratios. The corresponding divisions are ANDed together and the results, along with all the raw divided frequencies are mixed together in various ways. You end up with a very harmonically thick, animated sound.
I did a full bloat CMOS (Ludwig’s design was TTL) version for a 4U panel back in 2008 or so, but changed the AND gates to XOR gates for a more ring-modulated effect. Then a minimal, slimmed down eurorack version, called Divine CMOS. This just used the XOR’d signal and outputted a signal determined by the pots.
After some requests for an expanded version, I re-visited the design.
Thank you to Victory Nguyen for performing, Justin Benjamin for the good camera work (all bad camera work should be attributed to me), and Greg Dixon for some of the excellent sound design demos."
"Run a burn in test! Enjoy 10 minutes of the uninterrupted test - an important step in the QA process. This runs for a minimum of five hours per board.
Proper eurorack LED ring pot feedback.
And all 3060 of these LEDs pictured passed :)
Music credit to @adamwonak on IG - "abstract" from 202606 on Bandcamp now."
ECHOA STEREO DUAL DELAY AND REVERB PROCESSOR
Four delay lines total — two per stereo channel. Morph delay into reverb from first principles, from clean digital delay to smeared, textured reflections. Route the four lines in series, parallel, isolation, or spectrally. Presets, parameter lock on every pot, character engines, and more.
TIME Delay time from 1 ms to 16 seconds, up to four taps per delay line, configurable for your sound design. Feedback up to and past unity, and a dry/wet mix per channel. Freeze delay buffers, set tempo with tap on the line buttons, or patch a clock and lock each line to a musical division. Linear or logarithmic time taper options: a full featured, clean delay line.
SPACE Bend echoes into reverb. Diffusion sweeps a four-stage Schroeder all-pass network from discrete repeats to a wash. Bloom grows short, fixed loops into long modulated plate and hall tails. Damping is bipolar from noon — counter-clockwise darkens the tail, clockwise thins and brightens it.
ENGINE Degrade each line's voice across with four engines — digital, BBD, tape, vinyl. Saturation, bandwidth limiting, compander, wow and flutter, hiss, crackle, digital glitches. Depth scales from bit-pristine bypass, to a gentle touch of character, to destruction.
CONFIGURABLE FOR PERFORMANCE ROUTING Parallel, series, mono, or spectral delay-line topologies.
CV MAPPING Per-CV destination, with attenuverters on every input.
"Six observed entities share the same communication protocol, yet exhibit entirely different behaviors. The same signal manifests as a different physical reality within each: some proliferate like concrete, forming vast resonant structures; others retain an untamed, primordial roar; others persist as translucent organisms of granules, metal, rubber, and glass, sustained through endless cycles of fracture and reassembly.
The windows are not control panels, but communication terminals. What you see are not parameters, but cross-sections left behind as another consciousness passes through the medium. No label can faithfully translate them. Each algorithm is another point of contact with a different lifeform.
Or perhaps they have simply chosen to borrow our world as a place to be heard.
—
Designed by Laboratory 0
Available soon on laboratory0.gumroad.com
macOS only, with a potential iPad app in the future."
"Shift is a frequency shifter for KORG prologue, minilogue xd, NTS-1, NTS-1 mkII, NTS-3 and microKORG2. It features two distinct models: a frequency shifter and a ring modulator. The frequency shifter model shifts each frequency partial in the input signal’s spectrum upwards or downwards by an equal amount in Hz, changing the original ratios between all frequency partials; this makes the sound more and more atonal, un-pitched. The ring modulator model uses a 2× oversampled sine oscillator as a multiplier of the input signal, producing a new spectrum with all frequency partials shifted both upwards and downwards; this algorithm makes the sound even more atonal and metallic, bell-like.
HIGHLIGHTS
Studio-grade DSP algorithms, calibrated specifically for KORG’s hardware platform.
Individually chosen mapping for every plugin parameter, providing a very natural feel.
Built-in lag filters for noise-free, ultra-smooth parameter adjustment.
Tested and optimized for maximum performance and stability on each individual device type."
"In this Layers video, I pair up the Time Shadows and the Three Stems, two mysterious pedals that pair up to bring some of the crunchiest repeats I've ever heard."
"Shroud Of Turing firmware v1.2.7 is out — and it's a big one.
Four new features that make the module significantly more
performable. Here's a full walkthrough of everything that's new.
FREE firmware update at flatsixmodular.com/firmware
Full v1.2.7 manual also available there
───────────────────────────────────── WHAT'S NEW IN v1.2.7 ───────────────────────────────────── → Portamento / Slew — hold Shift and dial the pot to set your glide amount on the fly. Saves with your state.
→ Single Note Scale Removal — long hold any note to remove it from your quantization scale without clearing everything else.
→ Voltage Window Shift — hold Shift + Octave Up/Down to slide your output window up or down in 1V steps, without changing its size.
→ 5 Machine State Save Slots — save and recall your complete patch (pattern, length, range, scale, slew, rotation) to any of 5 slots via the black keys. Survives power cycles.
"meet our friend, collaborator and artist Oda Fiasco Bravo (@carnavaletmascarade).
for this live session in our workshop, the Digitakt is sending 4 different midi sequences to RND synth (acting as 4 parallel synths), while also playing pre-recorded samples of it.
the model:cycles is sending a midi clock to both the RND synth and the Digitakt while playing its own patterns.
this allows for a lot of layering and complex melodies, as well as additional fx."
"TEIA Synthesizers DriftLog is a dual-channel random voltage generator that transforms chaos into playable modulation. Generate, loop, lock and sculpt evolving CV with controllable slope, shape, probability and clock-synced randomness!"
0:00 Intro
0:30 Waves A and B
0:45 Clock and range switch
1:43 Shift button
1:58 Probability
2:18 Swing
2:41 Level
3:01 Offset B
3:31 Slope
3:52 Slope switch
4:09 Shape knob and switch
5:39 Loop, start and length
6:16 Reset
6:49 Lock
7:23 Logic A and B
7:57 Save
8:16 First patch
9:45 Second patch
10:50 Third patch"
"The DriftLog from Teia Synthesizers is a dual-channel random voltage generator designed to generate, capture, and reshape random voltages in real time. he two channels—A and B—produce independent voltages, but share a set of shaping controls, namely Slope for morphing between stepped and smooth voltages and Shape for sculpting the curvature of the voltages. There's also a 3-position switch that changes the range of the Shape control from Arc to Peak, Exponential rise to exponential fall, and Bezier ease in to ease out. Each channel can be switched into Loop mode, which allows it to record and replay a selectable portion of its random history using dedicated Start and Length controls.
━━━━━ SYNTH ENGINES ━━━━━ • FM Kick — 2-operator FM bass drum with ratio, body shaping & compressor • FM Snare — phase-modulated FM snare with warped oscillator mixing • Monophonic per-track voice allocation with click-free retrigger crossfades
━━━━━ PROJECT SYSTEM ━━━━━ • Save, Load, Save As, Delete, and New via binary .ds8p project format • Cursor-based naming editor with on-screen popup keyboard • Unsaved change detection with 3-option confirmation dialogs • Toast notifications for every project operation
━━━━━ PATTERN GENERATOR ━━━━━ • 8 seed types: Manual, All On/Off, Alternate, Every N, Euclidean, Random, Presets • Per-slot velocity + trigger overrides with configurable block length • Inline pattern preview and Merge/Replace apply modes
━━━━━ TRANSPORT & SEQUENCER ━━━━━ • Step Edit — auto-advance 0/1/2/4/8 steps after placing triggers • Pattern length cycles through 1, 2, or 4 pages (16/32/64 steps) • Beat-start emphasis dots, page change toasts, CPU overload indicator
━━━━━ STEP AUTOMATION ━━━━━ • Precision mode (hold SQUARE for fine D-pad stepping) • Parameter filter — show only automated params per page • Consistent analog stick acceleration across all parameters • Send 1 / Send 2 automation now fully functional
DS8 Drumstream is still in active development. This is v0.2, so expect bugs, rough edges, and frequent changes.
"I was gonna call this "Lords of O'Brien No. 1", as a tribute to the greatest ambient guitar Youtuber, @chordsoforion But I opted for a less facetious and more utilitarian name. That way I can shamelessly shove the highlighted gear list in the title.
I got a TC Electronic Flashback Triple Delay recently and holy crap, instant inspiration. A bit of fiddling with the Toneprint editor and I had my 3 stacked delays for the main simulated Frippertronics tape loop. Then I said, well hell, I already have a TC Flashback II, might as well Toneprint a Frippertronics tape loop delay in that box too. So the OB-6 gets the Flashback II, and the guitar gets the Flashback Triple. I made a 4 step polyphonic sequence for the OB-6. The little Roland DP-2 switch cycles through each step. The Tonex hosts a capture of my own Peavey 6505 amp, clean channel with pre-gain at 6. There's a little (ok a lot) of Strymon Cloudburst at the end for the final chef's kiss.
Too much gear and too many parallel signal chains to list, but deep breath here we go...
Guitar: Ibanez M80M (8-string), IK Multimedia Tonex, Guptech Honker overdrive, Morley Little Alligator volume pedal, TRex Replicator tape delay eurorack module (somehow works fine at instrument level), Two Notes Torpedo Captor M+ with Ownhammer 412 Rect Balanced Cab IR, TC Electronic Flashback Triple Delay (delay 2 is the tape loop), Strymon Cloudburst Reverb
Synth: Oberheim OB-6, TC Electronic Flashback 2 (tape loop), Audiothingies Doctor A (stereo delay and reverb)
Guitar Synth: Boss SY-300, Strymon Cloudburst Reverb (plugin)
MIDI Mod for iOS adds random delay time shifts to the TRex Replicator via a Kenton MIDI to CV box.
Recorded live, first take! (can't f'ing believe it)
No post processing other than a little bit of the Strymon Cloudburst plugin for the final "glue"
"I think it's the first time I made a tutorial without actually using the module. I made two 'Building a MARF' videos where I'd use regular modules like Metropolix, Rene and Stages to mimic the workflow and it already had great music. My channel is educational and I love to make videos like this to learn the module instead of showing it off.
The 248T 'MARF' is a Multiple Arbitrary Function Generator, which translates to a freeform modular composer for melody, expression, and extremely complex movement over time. It's hard to find all that in a single module, so maybe this explains why the 248 is a panel.
If you don't aspire to own a budget Buchla from TTA, your closest equivalent is a Maths with Rene V2. If you have those, try to patch it up like a MARF and be amazed. Simply use cycles as clocks and use any X, Y or C channel for time intervals (to change cycle speeds). In my humble opinion, you shouldn't buy a 5K modular for making 16 step sawtooth sequences. It's about happy accidents and they don't happen if you stay on the path like a responsible musician."
"The New V1.2 Time Slice firmware unleashes some super cool new features including Polyphonic sample playback, Autoslice + Slice marker editing, Morphagene Reels support, and some funky quantised trigger input and output options amongst others . . .
"In this video, Enrica and Roland from Making Sound Machines play a melodic techno track, performing live with the built-in polyphonic arpeggiator and the sound modulation in Plinky 12 Chords.
Plinky 12 receives a MIDI clock signal from the Elektron Model:Samples, synchronizing tempo and transport between both devices. Model:Samples is a fantastic all-digital drum machine and provides the beats you hear in this clip. All synth sounds are produced with Plinky 12's internal synth engine.
Plinky 12's sequencer advances through a harmonic progression, while Roland performs on the touch surface, editing the polyphonic arpeggio. As the track progresses, he taps the touch surface to add or delete notes in the arp pattern.
Enrica operates the model cycles, bringing in layers of drums, while Roland manipulates the XY pad on Plinky 12, modulating the synth and effects setting. This allows them to build and adjust the arrangement on the fly.
This track was composed for a live set at Club Synth, an event our friends Stijn and Priscilla from This is Not Rocket Science are hosting and organizing quarterly at Ruigoord near Amsterdam. Thank you for inviting us and putting in the hard work to create such a lovely event!"
