Arturia Introduces Mix DRUMS | Transformative drum processor

video upload by Arturia

Tutorial | Mix DRUMS - Overview

video upload by Arturia

"Join Yetundey as she gives a deep dive into Mix DRUMS, our transformative drum processor developed with producer Emre Ramazanoglu. From subtle transient shaping to gritty elevation, learn how to harness its intuitive controls and make every hit land harder while preserving peak levels.

Discover Mix DRUMS → https://bit.ly/3ZWppzh

_CHAPTERS
00:00 Intro
01:24 Presets Demo
02:45 Overview
03:15 Input Ceiling
03:57 Low End Processing
05:53 Mid/High End Processing
08:14 Space Section
11:20 Output Stage, EQ & Noise
13:21 Tips & Tricks

Mix DRUMS is an intuitive plugin designed to increase the impact and perceptual loudness of your drums, while preserving peak levels. Developed with mixing engineer Emre Ramazanoglu, it streamlines complex drum processing workflows into a single, efficient tool - allowing you to achieve powerful drums in seconds."

Track Breakdown | Mix DRUMS

video upload by Arturia

"Be guided by Rose as she takes you through Raven Bush’s dynamic drum work, which has been enhanced with Mix DRUMS. Discover how each kit, from dusty breaks to punchy 909s, was sculpted with tape drive, distortion, and reverb to elevate the energy and emotion across the track."

Arturia Mix Drums - NEW PLUGIN DEMO

video upload by MATTHS

"Mix Drums is a modern audio effect that delivers present, impactful drums without the complexity. Designed for producers, it offers characterful tones and enhanced presence - fast, so you can stay creative and focused. Co-developed with acclaimed producer and mixer Emre Ramazanoglu (Brian Eno, Lily Allen, David Holmes), Mix Drums blends phase-coherent parallel processing, distortion and tone shaping, transient control, and more — all in an intuitive, flexible plugin.

Taking the complexity and stress out of your drum BUS processing and delivering impeccable sonic results with unparalleled flexibility….you’re going to love this one 😊"

Arturia Mix Drums - NEW PLUGIN Patch Flip

video upload by MATTHS

https://www.matthsmatthsmatths.com

Acid Bassline : Future Retro Revolution, Roland TR-606.

video upload by David Noise

"Step 1:
Make a bassline using live recording on digitone so you can funk better than step programming, don’t forget slides and accents.
Step 2:
Make 4 bars of breakbeat on 606.
Step 3:
Use some reverb and little chorus."

https://future-retro.com

Future Retro revolution. (Tb-303 clone).

video upload by David Noise

"The famous TB-303..

CLICK FOR MORE »

Roland TR-707 , Oberheim Matrix 1000, Digitech Polara.

video upload by David Noise

"Roland TR-707 con un poco de reverb del digitech polara (una joyita de la cual hablare después...)
y el oberheim siendo controlado por el Digitone, con un toque de mod wheel que pareciera como un glitch en el VHS de mi cabeza...."

"Roland TR-707 with a bit of Digitech Polara reverb (a gem I'll talk about later...)
and the Oberheim controlled by the Digitone, with a touch of mod wheel that seems like a glitch on the VHS in my head..."

Unusual Synth Modulations #1: Pitch Slope, Hybrid Bezier Wavetables, Pigments 6, and Current Events

video upload by Keith Crosley

"We're back... and we're talking about unusual synthesizer modulations! In this edition of our "talky synthesizer content" show, we're talky-talky-talking new wavetables (the "Hybez" or hybrid Bezier) wavetables in KRC Mathwaves, the encroaching specter of fascism, David Lynch, some cool YouTube channels, the new modal synth/physical modeling capabilities of Arturia Pigments 6 (which I bought... highly recommended at just $99 right now), and some weird (advanced? unusual? forgotten?) synth modulations that we might call "pitch slope" modulations. So, set your pitch slope "up-and-to-the-right", grab your Bezier curve, and get ready for a modulations-a-go-go episode of your favorite talky synthesizer content show!

LINKS!:

KRC Mathwaves full collection -- 160,000+ wavetables, including new multi/poly inspired wavetables and the "Varieties of Noise" sample library -- usually $29, can be yours for just $20 using code SANDRA at checkout or by following this link: https://www.wavetables.lol/l/wavetabl...

All proceeds go to my sister and her family as she recovers from her accident.

GoFundMe for my sister and her family: https://www.gofundme.com/f/help-jim-a...

KRC Mathwaves free wavetables sampler (1600+ wavetables, absolutely FREE): https://www.wavetables.lol/l/free?lay..."

Buchla, Make Noise, & A History of Spectral Animation in Synthesizers

video upload by Sarah Belle Reid

"A historical and technical deep dive into the synthesizer designs and ideas that influenced the development of the Make Noise x Soundhack Spectraphon, featuring excerpts from an interview with Tom Erbe.

Spectraphon is an oscillator for Eurorack modular systems that allows you to analyze and resynthesize sonic characteristics of OTHER sounds, using those characteristics to create unique waveforms and timbres…with the ability to continuously transform them into something new. It’s Erbe’s unique take on the concept of a harmonic oscillator—inspired by some of instrument designer Donald Buchla’s work from the 1970s and 1980s.

Erbe and Make Noise specifically name three Buchla instruments as important inspirations: the Model 259 Programmable Complex Waveform Generator, the Model 296 Programmable Spectral Processor, and the Touché, a hybrid keyboard instrument developed in collaboration between Don Buchla and David Rosenboom.

This video unpacks each of these instruments in turn, examining how their innovative approaches to timbre control and spectral manipulation influenced Spectraphon’s design.

Special thanks to Tom Erbe for sharing his insights on Spectraphon’s development and its relationship to these historic Buchla instruments, and to the Buchla Archives for providing images.

Buchla Touché footage made possible by the Buchla Archives—check out Buchla Archives website: https://www.buchlaarchives.com/

Watch my Spectraphon Overview + Exploration video:" [posted here]

EMS Synthi AKS & Extras

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Rare transition example that has been used but very well looked after - supplied serviced and ready for use. Recent extensive servicing and modifications by Europe's premier EMS tech to create what we consider to be the ultimate Synthi AKS. All features are fully working and expertly calibrated. Includes many extras and upgrades (see description for full details). This is the AKS to buy if you want the maximum possible sonic options...

EMS Synthi AKS for sale in perfect working order - highly modified to be the ultimate AKS with an even greater range of sonic possiblities over a standard Synthi.

It comes complete with the following accessories:

CLICK FOR MORE »

Recreating Pink Floyd's 'On the Run' with Synthi AKS | Tribute

video upload by Andy Whitmore

"Welcome to an in-depth musical journey where we recreate the iconic sounds of Pink Floyd's 'On the Run' from their best-selling album, 'Dark Side of the Moon.' Using the legendary EMS Synthi AKS, we bring to life every synth part that made this track a groundbreaking piece of music history.
🎹 Recreated Parts:

0:00 - Sample of video
0:25 - Intro
0:42 - The main VCS3 synth sequence
1:07 - Introduce Resonance Melody
2:04 - Different waveforms
2:28 - Dramatic gated white noise sounds
3:01 - Gated Noise plus Resonance
3:18 - Noise plus Main sequence line
4:05 - Spring Reverb
5:35 - Summary
5:49 - Bass drone at the song beginning
6:05 - Noise FX
6:28 - Bass Attack
7:18 - Full 'On the Run' sequence

On the album cover, the Synthi AKS is wrongly credited as the VCS3, which is essentially the same synth—the difference lies in the box and the name.

📖 History of 'On the Run': 'On the Run' is a progressive instrumental track created by Roger Waters and David Gilmour. Known for its pioneering use of synthesizers, it's a testament to the innovative spirit of Pink Floyd. The track plays a crucial role in the album’s concept, evoking themes of travel and existential anxiety.

🔦 History of the Synthi AKS: The EMS Synthi AKS is a compact, portable synthesizer, first released in 1972. Famous for its distinctive sounds, it was used extensively throughout the 1970s by various artists. It’s known for its patch pin matrix and portability, making it a favorite for musicians looking for both creativity and convenience in their synthesizers."

ARP ODYSSEY MKIII (1978) - Demo & Review

video upload by Andy Whitmore

"ARP ODYSSEY MKIII (1978) - Demo & Review

The ARP Odyssey was created as a direct competitor to the Mini Moog, addressing the demand for a smaller, more affordable synthesizer. ARP produced several versions between 1972 and 1978, and in 2015, they collaborated with Korg to faithfully recreate a re-issue with David Friend, the original designer.
The Odyssey stands out as one of the first duophonic synthesizers, with all functions controlled by sliders and switches on the front panel. The ARP Odyssey Mk III, featured in this video, was introduced in 1978. It boasts a redesigned chassis with an orange-on-black color scheme, consistent with other contemporary ARP instruments. The Mk III version includes ARP's new four-pole "4075" filter and features both unbalanced XLR and 1/4" outputs.
Often seen as a streamlined version of the ARP 2600, the Odyssey includes additional features like a high-pass filter and oscillator synchronization. It produces some of the best sync-lead sounds you'll ever hear from a synthesizer! The Odyssey is a true classic, both in design and sound.
The ARP Odyssey is highly versatile, offering numerous features:
• 2 oscillators (with VCO 2 doubling as a second LFO)
• VCO synchronization
• 2 filters (resonant low-pass and non-resonant high-pass)
• Ring modulator
• Sample & hold
• Noise generator (white and pink noise)
• 1 LFO
• 2 envelopes (ADSR and AR)

CLICK FOR MORE »

INTRODUCING THE OBERHEIM TEO-5

video upload by Oberheim Official

"Step up to the legendary warmth and brilliance of classic Oberheim, reborn in the compact, powerful TEO-5. Dive into authentic analog tones, push boundaries with modern modulations and effects, and create like Thomas Elroy Oberheim always dreamed. TEO-5 is more than a synth, it's your sonic legacy, waiting to be written.

Music by Peter Dyer
All sounds from TEO-5

Learn more at
https://oberheim.com/products/teo-5/"

TEO-5 Synthesizer Unboxing & Demo Feat. Tom Oberheim

video upload by Doctor Mix

"Today, I unbox and demo the incredible Oberheim TEO-5 synthesizer. In the video I also discuss TEO-5 with the man himself Tom Oberheim who graciously gave me an intimate introduction to his latest and greatest synthesizer. 🚀"

J3PO reviews the new Oberheim TEO-5 synthesizer

video upload by J3PO

"Today, Oberheim Electronics has just announced the release of their new synthesizer: TEO-5 -- a five-voice analog synthesizer. In this video, Julian "J3PO" Pollack reviews the synth and performs numerous sound examples.

00:00 Introduction
01:04 Sound Examples & Discussion
26:38 Conclusion / Final Thoughts"

OBERHEIM TEO-5 Review // Filter & TZFM explored // Pros & cons vs Take 5 & Oberheim synths

video upload by loopop

"Get access to my exclusive In-Complete Book of Electronic Music Ideas, Tips and Tricks, on my Patreon: / loopop"

TIMELINE:
0:00 Intro
1:10 Overview
3:10 Build & keys
4:05 Low split mode
4:30 I/O
5:05 Oscillators
7:30 Sub & noise
7:55 Sync
8:20 Thru Zero FM
11:20 Misc osc
11:45 Filter
14:05 Overdrive
14:45 Effects
19:55 Unison
20:25 Chord mode
20:35 Envelopes
22:30 LFOs
24:10 Mod matrix
27:10 Vintage
28:05 Arp
29:25 Sequencer
30:50 SoundTower
31:55 Pros & cons
37:45 Preset sounds

Oberheim TEO-5 INHALT Synth Demo

video upload by INHALTVIDEO

"Following up from my work on the beta development and sound design on the Oberheim OB-X8, I was pleasantly surprised to find that the next Oberheim synth would be the TEO-5. Unpacking the beta unit revealed a beautiful and cleverly designed 5 voice analog synth that simply sounds amazing.

The size of the TEO-5 is absolutely perfect for world wide gigging and the sound is a sort of best of Oberheim with a modern twist. That modern twist doesn't exclusively come from the excellent FX processor on board, but also from the interesting modulation options and ranges. While you can push the synth into harmonic and saturated zones, it still, like all Oberheims remains one large sweet spot.

Don't be fooled by the smaller size and voice count, there is nothing small about the sound and capability of the TEO-5. Not to be missed.

Please note this recording is of a beta development unit running an early firmware. The sounds featured here are the patches I made for the shipping factory bank that comes with the synth straight from Oberheim.

Recorded at Infinite Power Studios, Los Angeles. All patches by Matia Simovich/INHALT. Video edited by Grover Greenberg."

SUPERBOOTH 2024: Oberheim - TEO-5

video upload by sonicstate

"At Superbooth 2024 we met up with David Gibbons from Oberheim who introduced us to the new TEO-5 synthesizer. Named after Tom Oberheim with an exclusive reveal of Tom's middle name, the TEO-5 has a SEM filter, two oscillators and a sub giving that classic Oberheim sound, but with lots of features to bring its capabilities right up to date.

Chris Calcutt then stepped up, and gave us a demo of the sound of this synth. TEO-5 gives us 19 mod slots with tons of destinations, both a mono and a poly LFO, two envelopes and a capable twin FX section. Uniquely there is a cross-mod section with thru-zero capabilities, which allows FM modulation that stays in tune up and down the keyboard.

With a similar form factor to the Take 5, the TEO-5 has a 3 and a half octave Fatar keyboard with aftertouch, and is designed to give the Oberheim sound in a more portable and affordable package

TEO-5 Available: July 2024. Price: 1,499 USD

https://oberheim.com/"

Oberheim TEO-5 Demo from Superbooth 2024

video upload by Starsky Carr

"A Quick Look any the new Oberheim TEO-5 - named after Tom Edison Oberheim - there was a leak a few weeks back but it's here in the flesh.. and nice it is too.

Its got the same form factor as there Sequential Take 5. The big addition is obviously the Oberheim filter, and a through zero FM - so it looks like it has the new SSI chip.

Anyway.. just a Quick Look.. enjoy:)"

And the press release with pics:

Introducing the New Oberheim TEO-5 Polyphonic Synthesizer

TEO-5: The Legendary Oberheim Sound Reborn in a Compact Powerhouse

San Francisco, CA – [May 16, 2024] – Oberheim, the venerable brand synonymous with the golden age of synthesizers, proudly announces the TEO-5 polysynth. This powerful instrument features the visionary craftsmanship of Thomas Elroy Oberheim (TEO), offering a perfect blend of classic analog warmth and modern versatility for today's musicians.

“I’m so proud to be able to make a synth like this... compact and affordable, the Oberheim sound for 2024,” says Tom Oberheim, the company’s founder. TEO-5 is designed to make the classic Oberheim tone palette widely accessible, encapsulating decades of analog engineering experience in a forward-thinking and innovative musical instrument.

The TEO-5 boasts a five-voice architecture with genuine analog VCOs and VCFs, capturing the distinctive warmth and depth that defined countless hit records. But TEO-5 isn't just a tribute to the past. Additions like through-zero FM, which adds a contemporary twist to its oscillator X-Mod feature, allow for the exploration of entirely new sonic textures. And the legendary Oberheim SEM filter returns, offering the versatility of morphing between low- pass, notch, and high-pass configurations, along with a switchable band-pass mode for extensive tonal shaping.
Beyond its core synthesis architecture, TEO-5 features a comprehensive modulation matrix, opening a world of possibilities for sculpting and transforming sounds. Digital effects processors provide classic chorus, delay, reverb, and more, alongside faithful recreations of the revered Oberheim Ring Mod and Phasor effects. A 64-step polyphonic sequencer and multimode arpeggiator further fuel creative exploration, while a premium Fatar keybed ensures a responsive and inspiring playing experience.

“There was a huge surge of interest when Oberheim returned in 2022 with the historically inspired OB-X8,” said David Gibbons, CEO of Oberheim. “But Tom and the design team were keen to show that the magic of Oberheim can be within reach for everyone, and can bring a distinctive modern flavor. TEO-5 is an exciting addition to the Oberheim legacy.”
Whether you're a seasoned professional seeking a powerful new sonic tool or a budding artist embarking on your analog adventure, TEO-5 is your gateway to unparalleled musical exploration.

CLICK FOR MORE »

Tiptop Buchla Performance

video upload by Todd Barton

"My performance for the Modular World Tiptop Buchla Spotlight this past Sunday. [video below]

One of many amazing performances featuring the range of Tiptop Buchla modules. This performance features all the currently available modules including the external preamp input of the 207t mixer with my shakuhachi. Enjoy!

My Patreon: / synthtodd"

Ep43 - Spotlight: TIPTOP/BUCHLA

video upload by Modular World

"BUCHLA FOR THE PEOPLE!
Gur Milstein (TipTop), is working with Buchla under the consultation of Todd Barton to reissue the legendary 200 system from the early 70's. The best part--the modules are affordable.
I know Don Buchla would be very proud to see the kind of legacy that he has left behind if it means that more people could afford to touch his creations.

Modular World will always stand with stories about people, and the passions that push them to stand out. Gur Milstein (TipTop) told me that working with Don's old schematics to recreate these designs has been the greatest honor of his professional life. Yes.

Grab your popcorn and have a seat. With 18 performances and two amazing interviews, this is going to be good."

CLICK FOR MORE »

BAF 2024: Catalyst Audio - MIG Modules

video upload by sonicstate

"At Buchla and Friends 2024, Sonic State had the opportunity to speak with David from Catalyst Audio about their latest release, the MIG series vacuum tube modules. This series includes a VCO, mixer, VCF, VCA, and a noise source, all designed around new old stock tubes from Soviet fighter jets in the 80s. David explained that the collaboration between Buchla and Friends and ElectroSurf led to the development of these modules, with ElectroSurf handling the tube circuits and David working on the layout and production. The MIG series modules feature unique waveform shaping capabilities due to the use of two tubes, allowing for audio rate switching and balance adjustments. The VCO, mixer, filter, and VCA all offer distinct tonal changes and features that can be overdriven for added versatility. The noise module provides a wide range of sound possibilities, from pitched variations to white noise textures. Currently, they have about 1,500 tubes in stock, making these modules a limited edition item. However, the tubes are perfect for Eurorack systems as they consume low power, making them compatible with standard power supplies. The final price is yet to be determined, but it is expected to be around $400.

https://www.catalystaudio.com/"

FEEDBACK by Ultraviolet Light

This one is in via Todd Barton who co-curated the release.

"Cassette label Ultraviolet Light is ecstatic to announce Feedback, a compilation of new works from Todd Barton, Dan Deacon, Dani Dobkin, Robert Aiki Aubrey Lowe, Doug Lynner, Toshimaru Nakamura, Sarah Belle Reid, Ryan Gaston, Jimmy Joe Roche, and Keith Fullerton Whitman. Each track utilizes some form of acoustic feedback, no-input mixing or recursive patching techniques as the central compositional principle.

Closed circuit and acoustic feedback have been prominent features within experimental electronic compositions for well over 50 years. In 1968 Steve Reich made extensive use of audio Feedback in his work “Pendulum Music”. David Tudor and Alvin Lucier incorporated feedback systems in many iconic compositions. Much of John Cage's interest and questions of noise and its relation to music could be seen as an extension of concepts explored when artists introduce feedback into their performances and recording. Arguably the most prolific and influential artist who integrated feedback into her compositions is the French composer Éliane Radigue.

Feedback is released as a 300-copy limited edition cassette with 4-color risograph printed artwork by Never Brush my Teeth. A digital download card is included with each cassette. 60% of the digital sales of the album will be donated to Earth Justice annually.

Curated by Todd Barton and Jimmy Joe Roche.

Available here on Bandcamp: https://ultravioletlight.bandcamp.com/album/feedback"

Moog Sanctuary (MemoryMoog+) SN 3136

Note: Auction links are affiliate links for which the site may be compensated.

via ISLA Instruments Reverb

Note auction links are affiliate links. See the site's privacy policy for more info.

Video in the listing previously posted here.

"The Moog 'Sanctuary', of which only 100 units were ever made was the brainchild of David Van Koevering. Moog Music brought Van Koevering in to guide their marketing efforts when the company had developed a stronger national presence. David worked with local church groups to find a unique marketing outlet for a custom-named set of Moog instruments (the Sanctuary and Joyful Noise designs,) re-branded versions of Moog instruments designed and programmed to appeal to more traditional church markets.

This was recently serviced (November '22) by 'SynthPro' Jareth Lackey. (invoice for works carried out included) and also now includes a modern, bespoke internal powersupply from 'Synthtaste' for added reliability.

Everything works as it should, pots and switches are all behaving perfectly.

The cabinetry is in stunning condition, it really is a synth to behold.

A short video is attached which Jareth recorded after repairs were carried out."

CLICK FOR MORE »

STREGALAND - a synth short film inspired by David Lynch

video upload by Malwida

"Diving into the weird soundscapes of the Make Noise Strega with the help of the Gieskes Oscillatoscope and the Make Noise 0-CTRL. Credits to @CinematicLaboratory and @GxAce for inspiring me to shoot more "cinematic" videos. The wonderfully weird Oscillatoscope is built by @gijs and available at https://gieskes.nl/shop/"

Synthesizers.com Composition Contest Videos

Use the player controls on bottom to skip around.
You can find descriptions for each video below. You can find additional Synthesizers.com contest posts here.

Playlist:

1. O Z Hall: Zebra Synth

Dive into the enthralling world of synthesizers and witness O Z Hall's outstanding entry, "Zebra Synth", in the Synthesizers.com Composition Contest. Crafted with unparalleled precision and technique, this remarkable composition combines an array of captivating sounds that will take you on a breathtaking sonic journey.

Hall masterfully utilizes three distinctive patches in "Zebra Synth" to create an immersive soundscape. The first patch features a drone made using a Q106A oscillator, which is meticulously processed by a wave folder. Another oscillator, intertwined with linear FM from the wavefolder output, results in a fascinating "clang tone" that is beautifully amplified by a digital reverb.

In the second patch, a sequenced voice is artfully produced by employing two re-paneled Q106 oscillators. One output is channeled into the input of the linear FM, which subsequently provides intriguing timbral variations. The Q119A sequencer's 3rd row masterfully controls a Ratchet effect, adding even further depth to the composition. An expertly-applied digital delay effect enriches the output of this patch.

Lastly, the lead voice is ingeniously designed using the Q169 Dual Oscillator with Pulse Width modulation. O Z Hall skillfully manipulates the 24db/oct low pass filter in real-time to deliver an electrifying performance. The extended digital delay effect ties the entire sonic experience together.
O Z Hall's "Zebra Synth" draws its arsenal of modular synthesis tools from the Synthesizers.com catalog, including Q106, Q106A, Q119A, Q171, Q148, Q127, Q169, Q168, Q167, Q114, Q174, and Q175A modules. The creative process has been meticulously executed, showcasing how these modules can be combined to engineer a rich and dynamic sound adventure.

CLICK FOR MORE »

Oberheim Introduces OB-X8 Desktop Analog Synth Module

You might remember Oberheim mentioning they had something new coming to this year's Superbooth.

Here it is. The OB-X8 Desktop Module. Be sure to click the pics for the full size shots.

Press release follows:

Oberheim Announces OB-X8 Desktop Analog Synth Module Fits Perfectly into Your Studio, Your Music, Your Life

San Francisco, CA — Oberheim today announced the much-anticipated desktop version of their highly acclaimed OB-X8 eight-voice analog synthesizer, which faithfully recreates sounds from the classic Oberheim OB-X, OB-Xa and OB-8 synthesizers of the eighties. And now all its presets, synthesis features, and sound editing controls are available in a compact package that fits everyone’s creative space.

“The original OB synths were jam-packed with components and took up a lot of space. There was no way you could contemplate getting even a four-voice version of that sound out of a desktop or rack-mount unit,” mused Tom Oberheim. “Well, here we are in 2023: eight voices of our amazing OB-X8 three-in-one synthesizer now comes in a size that fits your studio.”

The new OB-X8 desktop version does not include the 61-note Fatar keyboard and expression levers found in the original, but don’t let that stop you from experiencing all the sonic power of these monster synths in a footprint that’s compact enough for studios of any size, and convenient enough to take on the road.

Just like the keyboard version, the desktop OB-X8 boasts an identical sound engine, featuring an all-analog signal path with discrete VCOs, VCAs, and filters. And it still manages to provide the same knob-per-function front panel sound designing experience, with immediate access to virtually all the synth’s parameters.

“Bringing back the Oberheim brand has been a joy,” said David Gibbons, CEO. “And since the introduction of the OB-X8 keyboard in May 2022, we’ve heard an overwhelming desire for a desktop module version catering to those whose free studio space doesn’t quite match their enthusiasm for unique synth sounds.”

In the hands of such luminaries as Prince, Van Halen, and Herbie Hancock, Oberheim synths were more than just instruments, they provided the soundtrack of an era. Now a whole new generation of artists are discovering their voices through OB-X8. “When I was shown the new OB-X8, I was immediately impressed with the forensic level of detail that went into its design and the respect for its lineage,” said Trent Reznor, the creative force behind Nine Inch Nails, and an Academy Award-winning composer. “I’m excited more people will be able to experience this classic instrument.”

OB-X8 desktop module weighs approximately 9 lbs. 9 oz. (4.34 kg) and measures 22.00” L x 8.50” W x 4” H (55.88 cm x 21.59 cm x 10.16 cm).

The OB-X8 desktop module is available for pre-order now, with a US MAP price of $3,499. Shipping worldwide in June.

For more information about the OB-X8 desktop module, visit us at:

https://oberheim.com/

CLICK FOR MORE »

Sequential Circuits Prophet 5 Rev 3.3

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Sequential Circuits Prophet 5 is one of the first fully programmable polyphonic analog synthesizers of the 80s. The Rev 3.3 is considered the most reliable of the Prophet 5 versions and has 120 memory patches, five voice polyphony, two oscillators per voice, and a white noise generator. The unique analog sound of the Prophet 5 is ageless. It can be adapted to MIDI or used stand alone.

Cosmetically- In my opinion, it is in very good cosmetic condition, so please check out the photos and judge for yourself. The original walnut cabinet has been cleaned and looks good. All of the original badges are present, and all of the knob caps are original, with some wear.

Internally- This keyboard has recently been completely refurbished by David Trouse (great keyboard tech in the Bay Area), after being in storage for 25 years. It was fully disassembled and cleaned, all potentiometers and switches have been cleaned. It has a new battery, the keyboard was completely rebuilt, leveled, and balanced (new guides, bus-bar polished, j-wires cleaned, keyboard re-lubed), it's been fully calibrated, and it has had the original factory sounds uploaded. It plays great!

This keyboard is completely original. MIDI adapter kits are available at Wine Country Sequential for $379."

CLICK FOR MORE »

The Universal Symphony

video upload by MAKEN0ISE

"The act of listening is itself the generation of music, to paraphrase Pierre Schaeffer. All the parts are always there, and our ear generates the score.

Discussed in this video:

Kri Samadhi, “Serge MOTS 7-25-21”: https://krisamadhi.bandcamp.com/track...

Pierre Schaeffer, "Treatise on Musical Objects": https://www.ucpress.edu/book/97805202...

Strega Patch Corner Noise Patch: https://makenoisemusic.com/content/ma...

David Dunn, “Angels & Insects”: https://daviddunn.bandcamp.com/album/...

http://www.makenoisemusic.com"

EMS Founder Peter Zinovieff Has Passed Away

Update: Image of Peter Zinovieff (previously in via Brian Kehew).

"Circa 1975: A photo from the Frankfurt Music Fair

Peter Zinovieff in the EMS synthesizer booth.

They are featuring the rare SYNTHI P model, just announced on the left side and stand. Underneath the board listing EMS musical artists is a SYNTHI HI-FLI effects unit is barely seen. Another unusual/prototype model is next to the Hi-Fli."


Peter Zinovieff and Electronic Music Studios video upload by JeffreyPlaide


Peter Zinovieff: Synth Pioneer video upload by Sound On Sound magazine Jul 21, 2016


Peter Zinovieff talks about modern musical interfaces video upload by Expressive E Jan 6, 2016


Peter Zinovieff feature uploaded by Erica Synths on Nov 23, 2020. This was the latest video to feature Peter Zinovieff that I am aware of.


Peter Zinovieff interview 2015 video upload by 香港電子音樂社 Hong Kong Electronic Music Society Jun 30, 2015


Dr Peter Zinovieff intro & performance excerpt - Deliaphonic 2017 video upload by Deliaphonic Aug 29, 2018

And a few perspectives from others:

Bright Sparks Behind The Scenes - The Brits video by GForce Software published Feb 16, 2021

Cosmic Tape Music Club Podcast hosted by The Galaxy Electric - E1 Peter Zinovieff

video by The Galaxy Electric published Jan 27, 2021

Peter Zinovieff Electronic Calendar

video by Mark Jenkins published Dec 9, 2019 - Electronic Calendar available through this post.

You can find a history of posts mentioning Peter Zinovieff here.

via The Guardian

"Peter Zinovieff, a hugely influential figure in British music whose early synthesisers helped to change the sound of pop, has died aged 88. He had suffered a fall at home earlier this month.

With its marketing slogan 'think of a sound – now make it', his company Electronic Music Studios (EMS) was one of the first to bring synthesisers out of studios and to the public. With products such as the portable VCS3 and Synthi A, EMS customers – including David Bowie, Kraftwerk, the Who, Tangerine Dream and Pink Floyd – were often taught to use the instruments by Zinovieff.

In 1967 he collaborated with Paul McCartney on Carnival of Light, a performance of a 14-minute avant garde composition created between Beatles sessions for Penny Lane that has never been released.

He was also a respected composer of his own work, including early experiments with AI composition and sampling – he claimed to have invented the latter technique." You can read the full post here.

via Wikipedia:

"Peter Zinovieff (26 January 1933 – 23 June 2021) was a British engineer and composer, whose EMS company made the VCS3 synthesizer in the late 1960s. The synthesizer was used by many early progressive rock bands such as Pink Floyd[3] and White Noise, and Krautrock groups[4] as well as more pop-oriented artists, including Todd Rundgren and David Bowie. In later life he worked primarily as a composer of electronic music.

Zinovieff was born on 26 January 1933;[5] his parents, Leo Zinovieff and Sofka, née Princess Sophia Dolgorouky, were both Russian aristocrats, who met in London after their families had emigrated to escape the Russian Revolution and soon divorced.[6] During World War II he and his brother Ian lived with their grandparents in Guildford and then with their father in Sussex. He attended Guildford Royal Grammar School, Gordonstoun School and Oxford University, where he earned a doctorate in geology.[7][8]

Zinovieff's work followed research at Bell Labs by Max Mathews and Jean-Claude Risset, and an MIT thesis (1963) by David Alan Luce.[9] In 1966–67, Zinovieff, Delia Derbyshire and Brian Hodgson ran Unit Delta Plus, an organisation to create and promote electronic music. It was based in the studio Zinovieff had built, in a shed at his house in Putney. (The house is near the Thames, and the studio was later partially destroyed by a flood).[10][11] EMS grew out of MUSYS, which was a performance controller operating as an analogue-digital hybrid.[12] It was a synthesiser system which Zinovieff developed with the help of David Cockerell and Peter Grogono, and used two DEC PDP-8 minicomputers and a piano keyboard.[13] Unit Delta Plus ran a concert of electronic music at the Watermill Theatre in 1966, with a light show. In early 1967 they performed in concerts at The Roundhouse, at which the Carnival of Light was also played; they split up later in 1967.[11] Paul McCartney had visited the studio, but Zinovieff had little interest in popular music.[14]

In 1968, part of the studio was recreated at Connaught Hall, for a performance of pieces by Justin Connolly and David Lumsdaine.[15] At the IFIP congress that year, the composition ZASP by Zinovieff with Alan Sutcliffe took second prize in a contest, behind a piece by Iannis Xenakis.[16]

In 1969, Zinovieff sought financing through an ad in The Times but received only one response, £50 on the mistaken premise it was the price of a synthesiser. Instead he formed EMS with Cockerell and Tristram Cary.[17] At the end of the 1960s, EMS Ltd. was one of four companies offering commercial synthesizers, the others being ARP, Buchla, and Moog.[18] In the 1970s Zinovieff became interested in the video synthesizer developed by Robert Monkhouse, and EMS produced it as the Spectron.[19]

Jon Lord of Deep Purple described Zinovieff as "a mad professor type": "I was ushered into his workshop and he was in there talking to a computer, trying to get it to answer back".[20] Trevor Pinch and Frank Trocco, in their history of the synthesizer revolution, see him rather as aristocratically averse to "trade".[21]

Zinovieff wrote the libretto for Harrison Birtwistle's opera The Mask of Orpheus,[22] and also the words for Nenia: The Death of Orpheus (1970).[23] The section Tristan's Folly in Tristan (1975) by Hans Werner Henze included a tape by Zinovieff."

Update:

Peter Zinovieff: A Tribute by CatSynth TV

video upload by CatSynth TV

"We look back at the life and work of Peter Zinovieff, who passed away last week at the age of 88. His work at Electronic Music Studios (EMS) was a major influence on musicians of the 1970s and beyond. At EMS, he co-created the well-known and coveted VCS3 and Synthi series. But he was also a composer in his own right, working on pioneering electronic music in the 1960s and returning to active composition in the 2010s with several collaborations with artists in other media and exploring massive sound spatialization.

Additional background music provided via the Arturia Synthi V as a tribute."

You can find additional posts featuring Peter Zinovieff here.