Echograin Tranzwave 2 Software Synthesizer Inspired by the Ensoniq Fizmo

video uploads by Echograin


video upload by AMAZONA Music Mag



via Echograin

Introducing Tranzwave, a powerful wavetable Synthesizer, inspired by an unsung hero from the late 90’s: The Ensoniq Fizmo.

The flexible modulation engine, coupled with creative editing and randomization features, simplifies the creation of new, innovative sounds. Tranzwave brings all the wavetables from the Fizmo into the modern age for new creative explorations. With its user-friendly interface, Tranzwave provides complete control over wavetable and effect controls, making the creation of new sounds both fun and easy.

Tranzwave – A Tribute to Fizmo’s DNA

In the late 1990s Ensoniq pioneered “Transwaves”, a unique form of wavetable synthesis notably featured in their Fizmo synthesizer. Unlike earlier forms of wavetable synthesis, which could sometimes produce more static or stepped sounds, Ensoniq’s technology facilitated fluid transitions between different waveforms within a wavetable.
This innovation led to the creation of evolving, dynamic soundscapes. Ensoniq’s approach allowed for a more seamless and organic morphing of sounds, enabling musicians to craft rich, textured audio experiences that changed over time. This method offered a fresh and novel way to explore sonic possibilities, distinguishing it from the more digital and discrete transitions of previous wavetable synthesizers like the PPG Wave. Although the Ensoniq Fizmo, which utilized Transwaves, did not achieve widespread fame, its distinctive approach to wavetable synthesis marked a significant development in the evolution of electronic sound and influenced modern synthesis techniques.

Tranzwave brings this older, unique wavetable concept, known as Transwaves, into the modern era of music production. By sampling each frame of these Transwaves, Tranzwave offers a rich and dynamic sonic palette that captures the essence of these early digital synthesizers. It’s akin to having a vast library of colors and shades at your disposal, offering endless possibilities for creating new and innovative sounds.

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collapsing society /// dfam & mousse

video upload by Somnambule

"Hi folks!
'Collapsing Society' — a world in decline, yet hope remains. May we rise above ignorance and power games, to remember what truly matters — respect for life, in all its forms. Please put your headphones on and enjoy the beats of the two analoge machines… Peace&Love to all folks!🖖👽"

Roland Alpha Juno & MKS 50 Presets

video upload by Sonic Freaks

"Presets are available here: https://www.sonicfreaks.com/shop/alph...

We proudly present our unique set of presets for the Roland Alpha Juno and MKS50 synthesizer series. We've gone to great lengths to create highly usable sounds for this unique synth. The sounds are ideal for (melodic) techno and house, electro, synth pop, ambient, EDM, and other forms of (electronic) music. Check out our demo to get a feel for the sounds.

We've paid close attention to the playability and expressiveness of the presets. Most presets are velocity-sensitive or use aftertouch to control the filter. Ideal for dance music.

The presets are 100% compatible with all models of the Roland Alpha Juno series, including the Alpha Juno 1 (JU-1), Alpha Juno 2 (JU-2), the Roland Synth Plus 10 (HS-10), Roland Synth Plus 80 (HS-80), the MKS-50, and the TAL TAL-Pha Plugin. For the Roland MKS-50, we've included an additional sysex file in which the tone names are copied to the patches. We did this because the MKS-50 has a slightly different architecture than the Alpha Juno series.

If you are interested in my music you can find my latest album 'Silicon Seas' here:
https://diffusereality.bandcamp.com/"

X1L3 - ARMALYTE - 8580 SID - 3 voice test

video upload by X1L3

"Progress on the SID chip module i've been working on in my spare time.
8580 SID in circuit.

Took a bit of trial and error making the different write routines needed to do the shared register kinds of things with the filter and stuff. But it's moved on from a single voice proof of concept to an almost fully functioning SID module now.

If you were there when the C64 was a thing, you'll know how good this thing is becoming at pretending to be the chip inside the C64 based on this tune that i knocked up quickly for it. It is pretty much doing what a SID can do in a C64. A nostalgic sound. Especially towards the end where the chip chord trills come in.

The test tune shows the different wave forms and how they sound. It confirms that the absolute ton of continuous data coming in isn't a problem. It shows the ultra fast voice multiplexing to do things like the mellow snare sound after the first four bars, and the not so fast switching in tonal variations later on. It also tells me that the click generated by using the sustain register as a voice volume control is a trivial flaw that can't even be heard here.

Tuning is a bit shabby as i don't have a precision Vref on the breaboard. It's close enough slumming it with the running hot 5v regulator for a proof of concept demo though."

Album with Make Noise only - Fracture #10 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
💽 I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch."

TMP-3-05 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:17 Introduction
01:25 Switched On 80s
12:54 Little Black Boxes
15:48 Commercial Break
17:26 Patching Today
26:07 Synthesiser Club
29:19 Video Lab
33:44 Outro

"////////////////////////////////////////////////////////

Episode five of the third series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses them in his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

CLICK FOR MORE »

Album with Make Noise only - Fracture #08 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.

💽 I recorded a 10-track album using only three Make Noise devices and VST effects. All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp:



The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"

Lofi Ambient w/ Double Looper and Sequenced DC Motor drone sound : Silent fall 2025-09-12 by atnr

video upload by atnr

"A piece created with ‪@KOMAelektronik‬ Field Kit, ‪@SequentialLLC‬ Prophet-10, and tape loops. Lo-fi ambient where the drone sound of a motor’s vibration—picked up with a guitar pickup—forms the foundation, while piano recordings on tape intertwine through two loopers.

A DC motor is connected to the Field Kit, with its rotation speed controlled via CV from the ‪@KORG_INC‬ SQ-1 to create pitch. The motor’s vibration is picked up with a guitar pickup and used as a drone sound, processed with reverb through ‪@ChaseBlissAudio‬ MOOD MKII.

The Prophet-10 is processed through LOSSY for a slightly lo-fi texture, with added reverb.

The ‪@WeAreRewind1‬ tape player contains an endless cassette with a three-minute piano performance recorded on it. While playing it back, loops are created and performed simultaneously using two loopers: the AKAI U400 and MICROCOSM."

Album with Make Noise only - Fracture #07 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.

💽 I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"

OBSO | Circle Cynths

video uploads by Circle Cynths

"The debut instrument from Circle Cynths, OBSO. A dreamlike interface delivering instant inspiration, featuring nostalgic synths, pads, basses, bells, and strings, all sampled using obsolete technology.

Learn more at: www.circlecynths.com"



"OBSO is an inspiring catalog of sounds coaxed directly from various forms of obsolete media and extant technology. We celebrate the undulating inconsistencies of bygone days, lovingly filtered through the oxide and worn machinery of VCRs, cassette-decks and other consumer products from the 80s and 90s.

Our dreamlike but intuitive interface is intended to spark instant emotion. Specifically designed to sound good no matter where the knobs are, the five visceral control circles nevertheless offer a huge depth of range within a single patch. Nostalgic synths, creamy pads, lush basses, shimmering bells, burnished brass, scintillating strings, and more glow with the patina of fine age.

Individual sounds sink into a mix like they always existed, but you'll find they can easily stand alone without the need for layering or manipulation outside of the instrument. From film and game scoring to lush pop records, these tactile soundscapes add a dose of warm nostalgia to nearly any production.

Simple Interface
Sculpt your sound with an intuitive interface that features massive depth of control, giving you endless ways to shape and refine your tone.

Presets & Tags
120 unique patches. Bells, Brass, Strings, Keys, Pads & More. Find the perfect sound for your track with our built in tag searching system."

Album with Make Noise only - Fracture #06 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.

💽 I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"

Album with Make Noise only - Fracture #05 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
💽 I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"

Knobcon Number Thirteen Coming September 5-7, 2025

Just a heads up, Knobcon Number Thirteen is set for the weekend of September 5-7, 2025, just three and a half weeks out from now. You can find full details on the event at https://www.knobcon.com. If you are an exhibitor interested in a booth or table, you can still sign up for one here.

"What is Knobcon?
Knobcon is a one-of-a-kind synthesizer convention now in its thirteenth year. Complete with performances, workshops and vendors, Knobcon allows for a fully immersive experience. Attendees can get their hands on an incredible amount of equipment, learn from industry professionals and talk directly with designers of some of today's most innovative synthesizer products.

Held just outside Chicago, Ill., at the Hyatt Regency Schaumburg, the entire event takes place under one roof. Enthusiasts travel from all parts of the world to attend this yearly event. Direct access to all major forms of transportation make this an easy destination for those traveling.

Who should attend?
If you are interested in electronic-based or experimental music and the tools used to create it, this is the place for you. The diversity and passion of those at knobcon make it enjoyable for all experience levels."

IM TZ Dual VCO demos

video upload by Todd Barton

"This and other great modules are available at https://www.infinitemachinery.com/

Also, there will be a booth at Knobcon next month https://www.knobcon.com/"

"The TZ Dual VCO is two full featured VCOs on in a single 16HP module. Both VCOs output sine, square, saw, triangle and PWM wave forms. Each VCO also has thru-zero and expotential FM input. The type of FM is selectable using a toggle switch. An important feature of TZ Dual VCO is the FM input for each VCO can be control by a VCA input. A potentiometer adjusts the overall maximum of the FM input while the VCA provides an amplitude envelope.

Each VCO has the following inputs:

1V/Oct
PWM CV
FM signal
FM signal VCA
Each VCO has the following wave form outputs:

Sine
Square
Saw
Triangle
PWM
Each VCO has these adjustment knobs:

Coarse
Fine
PWM
FM amount
The upper VCO can be synced with the square wave of the lower VCO. A three position toggle switch is used to select hard sync (up), soft sync (down), or no sync (center).

Current requirements - 130mA +12V, 130mA -12V"

Future Retro Vectra Prototype with Black/Gold Faceplate SN 0001

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"One of only 2 known Vectras with an early Black/Gold faceplate which was never put into production. No Black Gold keyboards were ever made as far as I know. These were prototypes. This unit is fully working with all mods and upgrades including a firmware upgrade to version 2. Includes box, packing, manuals, and Universal power supply. The other known unit has purple heartwood endcaps and ALSO features a 001 serial number. These are the only units like this known to exist. Will be double boxed for safe delivery worldwide.

The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It’s the best of both worlds… The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO’s, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analog circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analog filter, VCA, and final output, as these provide the best sonic qualities."

CLICK FOR MORE »

This Rare 90s FX unit turns anything into surreal ambience

video upload by Thought-Forms

"Nobody talks about the Roland RSP-550, but they should. It rivals the Ensoniq DP/4, slaps the Alesis Quadraverb around, and can be had for under $400. Let me show you why I love this 1U rack mount effects unit from 1991...the perfect dedicated FX unit to run synths & sound effects through. Dream like delays, phasers, and modulated effects"

@0:00 WTF is the RSP-550?
@0:55 How it works
@2:50 TF-Sonic Portal (Multi 3)
@2:59 Rich St. Chorus (Stereo Chorus)
@3:32 TF-Space Echo (Mod. Dly/Rev)
@4:44 TF-Shimmer (Mod. Reverb)
@5:11 TF-Space EP (Space Chorus)
@5:33 TF-Alien Harmony (Quad Pitch Shifter)
@5:47 TF-Hydro (Multi 4)
@6:08 TF- Dub Spaced 2 (Mod. Dly/Rev)
@6:31 TF-Dub Spaced (Mod. Dly/Rev)
@6:56 TF-Ambi Star (Mod. Dly/Rev)
@8:23 TF-Cosmic Swirl (Multi 3)
@9:00 TF-Ghost Verb (Mod. Reverb)
@9:43 TF-Space EP (Space Chorus)
@10:04 TF-Dub Spaced 2 (Mod. Dly/Rev)
@10:35 Shimmer Space (Mod. Reverb)
@11:04 Black Hole (Mod. Reverb)
@11:38 TF-Deep Phase (Multi Phaser)
@11:57 TF-Liquid (Multi Phaser)
@12:18 TF-Ping Pong (Tempo Delay)
@12:52 TF-Space Echo 2 (Tempo Delay)
@13:13 Why the Delays rule. 120% Feedback!!!
@13:36 Control Assign for real-time modulation
@15:00 Closing Thoughts

TMP-3-04 Vintage Synth TV Series from Benge

video upload by Memetune Studio

Additional episodes

00:00 Opening Titles
00:17 Introduction
01:25 Switched On 80s
13:08 Synthesiser Club
15:58 Little Black Boxes
20:05 Commercial Break
23:45 Patching Today
35:08 Video Lab
40:29 Outro

////////////////////////////////////////////////////////

Episode four of the third series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses them in his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

SWITCHED ON 80s - This third series takes an in-depth look into six classic 80s synthesisers, selected because of their interesting and unique attributes

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three, concentrating on 'families' of synths

LITTLE BLACK BOXES - A further look at some classic rack mount studio gear of the 80s and 90s

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch, this time using Cybersynthesis techniques to bring an element of surprise to the patches

VIDEO LAB - A look at old video equipment and how to create experimental visuals, concentrating on a specific device in each episode

////////////////////////////////////////////////////////

In THIS episode:

SWITCHED ON 80s - A detailed presentation on the Oberheim Xpander hybrid polysynth from 1984

SYNTHESISER CLUB - The Emu Strut - featuring the Emulator 2, the Drumulator, the Proteus/2 and the mighty Emu Modular 2000

LITTLE BLACK BOXES - A look at the highly underrated Yamaha TX16W and its companion reverb unit, the REV7

COMMERCIAL BREAK - Some adverts for Memetune-related goodies, including the Memetune Annual 2024, the range of Memetune merchandise and Benge's FORMS series of single-synth albums

PATCHING TODAY - on the incredible ARP 2500, which I bought exactly 20 years ago this month

VIDEO LAB - In this episode we take a closer look at the Grass Valley Indigo AV Mixer, which is the central hub of the Video Lab, and provides many more ways of getting that genuinely vintage look to the Memetune video productions, in particular using its memory recall system which allows you to program complex time-based actions

////////////////////////////////////////////////////////

LINKS:

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com

////////////////////////////////////////////////////////

The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2025"

PMS Performance Music Systems SYNTAR

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Don't miss the demo in the listing, previously posted here.

"This is the very rare 1980 Performance Music Systems (PMS) SYNTAR. The SYNTAR licensed the Electronic Music Systems EML designs made famous in the ElectroComp EML 101 and arranged them as a two oscillator synth with a multimode filter, Sample/Track & Hold, LFO, two EGs: ADSR and AD. All of the pots are sealed Type-J and some of them use the unique center 0 style for mixing in LFO or ENV. The oscillator wave forms are selected using a pot rather than a switch, which allows for a full range of shapes and you can go through low pass, bypass and highpass modes in the same linear fashion.

Sonically the SYNTAR is its own beast though most similar to the EML ElectroComp 101 and capable of growly moog style bass and leads with colorful resonant filter sweeps to very subtle pure tones thanks to how wave forms are variably dialed. The two printed pages are excerpts keyboard magazine's analog synthesizers features some details and pictures of the SYNTAR being shown at NAMM.

The left hand controls feature 9 wood blocks that control pots to allow for:

pitch up, pitch down
pitch modulation
sustain
filter up, filter down
filter modulation
amplitude modulation
nose. [sic]

Portamento control can be set to be directional and has a linear or exponential glide.

The power was rebuilt and includes a few modifications for CV and GATE out so that the SYNTAR could be used to drive modular analogue synthesizer. The Pratt-Reed keyboard has new bushings.

The original ATA flight case and a one off custom vinyl gig bag are included as well as a 50' and a 25' cable and stack of original patch sheets. The cable handles power, audio, external audio in, CV and gate so that you only plug in the 10 pin milspec cable to the SYNTAR.

The flightcase foam is collapsing, but fortunately the velvet covering is intact over it. The flight case is solid. This synth is now 45 years old with components from the mid 1970s. The original type-J sealed pots are all working, but are scratchy."

CLICK FOR MORE »

MEMLNaut - Total sound control with machine learning

video uploads by MEML

A 2025 MIDI INNOVATION AWARD entry

"Bring your sounds to life with the MEMLNaut, the first neural symbiotic controller for synths and effects: discover new sounds instantly, live, with any rig."

Learn more about the MEMLNaut and Musically Embodied Machine Learning: https://musicallyembodiedml.github.io/

Some info saved for the site archives:

"MEMLNaut is a musical instrument and research platform for exploration of musically embodied machine learning. It can process and generate sound, it’s extensible with a wide range of IO and interfaces, and it can optimise and run machine learning models on it’s dual core microcontroller chip.

MEMLNAut is open source, you can find all the Kicad files on our github"

"MEML is funded by the UK Arts and Humanities Research Council. It is an investigation into the musically expressive potential of machine learning (ML) when embodied within physical musical instruments. It proposes ‘tuneable ML’, a novel approach to exploring the musicality of ML models, when they can be adjusted, personalised and remade, using the instrument as the interface.

ML has been highly successful in allowing us to build novel creative tools for musicians. For example, generative models that bring new approaches to sound design, or models that allow musicians to build complex, nuanced mappings with musical gestures. These instruments offer new forms of creative expression, because they are configurable in intuitive ways using data that can be created by musicians. They can also offer new modes of control, with techniques such as latent space manipulation. Currently, to train a ML model, standard practice is to collect data (e.g sound or sensor data), create and pre-test the model within a data science environment, before testing it with the instrument. This distributed approach creates a disconnection between the instrument and the machine learning processes. With ML embodied within an instrument, musicians will be able to take a more creative and intuitive approach to making and tuning models, that will also be more inclusive to those without expertise in ML. Musicians can get the most value from ML if the whole process of machine learning is accessible; there are many creative possibilities in the training and tuning of models, so it’s valuable if the musician can have access to the curation of data, curation of models, and to methods for ongoing retuning of models over their lifetime.

We have reached the point where ML technology will run on lightweight embedded hardware at rates sufficient for audio and sensor processing. This opens up innumerable additions to our electronic, digital, and hybrid augmented acoustic instruments. Our instruments will contain lightweight embedded computers with ML models that shape key elements of the instruments behaviour, for example sound modification or gesture processing, responding to sensory input player and/or environment. This project will demonstrate how Tuneable ML creates novel musical possibilities, as it allows to create self-contained instruments, that can evolve independently from the complex data science tools conventionally used for ML.

The project asks how instruments can be designed to make effective and musical use of embedded ML processes, and questions the implications for instrument designers and musicians when tunable processes are a fundamental driver of an instrument’s musical feel and musical behaviour."

Make Noise Modular Jam - Fracture #01 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.

💽 I recorded a 10-track album using only three Make Noise devices and VST effects. All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with? I’d really appreciate any feedback. Enjoy listening!"