"Here we have a fully functioning and serviced Voyetra Eight rev 3.5 (a rev 3 with rev 4 software) It has everything I personally want in a Voyetra. It has the green internal boards, the less buggy rev 4 os, and has been fully serviced by an expert.
This Voyetra has the rev 3 digimod board. So it responds to midi note off/on and velocity from any midi keyboard. It can of course also be controlled from the Voyetra VPK controller or slaved to another Voyetra for a monster sound. The Voyetra rev 3 is fully programmable from the knobs and program pages of the front panel. A copy of the rev 3 teaching manual and rev 4 reference guide is included. The rev 4 reference guide explains each programming page in a way that is easy to absorb. I'd start with this section of the manual. You'll be programming and making your own sounds within ten minutes. The manual is printed on heavy card stock so it will stand up to years of page turning without ripping or wrinkling. The reason the rev 4 seems to be more popular is it allows you to program with external software as opposed to programming from the front panel but what no one ever mentions is there is a very noticeable amount of latency when using modern third party software to program your Voyetra. It's nothing you would be able to use for real time performances. The multi page layout from the front panel becomes second nature after time. If it's good enough for Gillian Gilbert, it's good enough for me. This package includes a third 5 foot midi cable for connecting to the midi in of the Voyetra (not pictured) so you can attach this to your favourite controller.
Cosmetically this unit is in excellent condition. Over the years the filter for the CPU fan will breakdown and allow dust to enter the machine. A new filter has been installed that is thin enough to allow the air to flow freely but thick enough to catch household dust. The housing of these units are made of heavy gauge metal that is then sprayed with a durable textured industrial paint. Voyetra was a small company and the metal housings do have small inconsistencies and spots where they "missed a spot" or left a rough metal edge. This particular unit is in excellent condition with just a few small indentations or scratches in the original paint. The heat sink is in excellent condition WITH NO BENT FINS ETC. The face of the unit looks gorgeous with very little detectable wear. It has the original tear drop knobs that I find aesthetically more appealing. When my tech had this completely disassembled I had him blow out any dust that had accumulated over the years so the inside looks great. Everything functions exactly as it should and all oscillators tune. This will be a very stable and enjoyable unit to create music on for the new owner. The only way to improve upon this unit is to add the rev 4 digimod board, but that's not a feature I personally miss but I'm old, I like hardware. It has the most desirable green boards and it would be easy to mistake this for a rev 4 because it has the rev 4 software. (Six midi pages) A picture of the rev 3 digimod board is included. You certainly won't be able to find a better sounding Voyetra 8 than this one in my opinion. Some argue it is the best sounding of all the 80s analog polysynths."
"New cover (after near five months). Sound design, backingtrack recording from scratch, etc made in an afternoon. (A DX5 was used on the original song, though there is no DX5 in my cover: it's just my nick).
Gear used:
Yamaha DX7 - Bass
Roland JX8P- Filtered Sawtooth pad
Emu Emax 1 - Chords (8P samples)
Emu Emax II - "Hook guitar" (Kurzweil PC1x post processed sound and the Emu Chorus heavily on :-).
Original song composed by Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris, Bernard Sumner.
Performed here live by DX5 Jose Maria Bara."
"You can understand the cosmos, but not yourself; the distance between a person and his inner self is sometimes greater than the distance to the stars.
- Gilbert K. Chesterton"
"I recently got a couple new modules from Bard Synthesizers. The VTG low pass gate is available as part of his normal product lineup, but the ring modulator is a custom build. I'm guessing if you like it you could talk him into building you one as well, but note that it takes a bit longer, what with it being a custom build and all.
Here's a little sampler to get an idea how they sound. Plus some extra from the Erica Synths Fusion Ring Modulator at the end for comparison.
Source VCOs are an Acid Rain Chainsaw and a Befaco Pony VCO.
Envelope from Zadar.
Tall Dog Electronics presents a user-installed kit to turn your Korg keyboard synthesizer into a beautiful desktop synth. We include all the parts and tools necessary to perform this conversion yourself. The process is also fully reversible, so you can return the unit to its original keyboard enclosure if needed.
Our enclosure reduces the footprint of your synth to roughly half its original height and depth by deleting the short keyboard and replacing the plastic case with a machined aluminum body."
"New England Synth Fest, Saturday, April 22, 12pm to 6pm, in Burlington, Mass (at the Microsoft Technology Center, 5 Wayside Road). SIX HOURS of live music, video art, vendors, exhibitors, lectures, a jam room, and a synthesizer petting zoo. FREE admission.
Live music from Christina Shivers, Deftly Demolition, Jade Rose, Metal Tiger, Michael William Gilbert, Repairer of Reputations, Sean Stover, Sherisa Sterling, SHERMVN, s0ak, and Tom Eaton. Live visualization art from Allison Tanenhaus, Anagram, coolpics.biz, Jame Coyne, SunJessie, Vidumami, and more!
Lectures and talks from Piotr Rotkiewicz, Robyn Alman, Alex Bernhardt, Michael Bierylo, Collin Russell, Peter Raffensperger, Luke Stark, Gerry Bassermann, Joe Paradiso, and Randel Osborne (see the website for topics and schedule). There will be a "Jam Room" brought to you by Circuit Happy, using shared CV/MIDI clock on their Missing Link hardware. Exhibitors include Circuit Happy, Cyran Makes Music, Sequential, Source Audio, Superlative, and Tall Dog Electronics, AND MORE.
The Analog Chorus 60 is a perfect clone of the original juno-60 chorus circuit. It uses 2x "xvive mn3009" and the original Panasonic "2x mn3101" chips (rare parts!), original transistors 2SC1815, 2SA1015 and 2SK30A-GR with the exact same circuit.
Instead of the two buttons with only three rate modes, we added a knob to smoothly control the rate of the chorus, depth of the modulation and the stereo width. (the rate of the original modes is clearly printed around the rate knob for easy recreation of the original rates)
We also added ext lfo/cv input to apply other modulation sources and input gain to accommodate any type of instruments (guitars or synthesizers). Housing in a high quality aluminum case with durable UV printing and high quality “Alpha” potentiometers.
"All sounds are dry and straight from the vco, except for the Delta-V VCA."
"A new 100% analog complex oscillator, featuring two independent VCO's. Both voices have a unique signal path and flavour. Complex cross modulations entangle them together, opening up completely new timbral territories.
Features inlude the Thru Zero trinity; Frequency, Phase and Amplitude modulation. Each oscillator also has its own Low Pass Filter, which works great to mellow the harsher tones from complex intermodulations.
Each VCO has great tracking and temperature stability, there is no distinction between a carrier and modulator.
The FM bus modulates the index of each individual voice, with linear and exponential inputs for external sources. There are also inputs for Sync in, with both soft and hard sync.
VCO 1 The left VCO signal chain starts with a shape function, that lets you morph between triangle and saw. This waveform is also available as a separate output.
Next is a sinusoidal wavefolder, which changes its response dramaticaly based on shape of the waveform. The circuit is based on a modified version of a design by Barrie Gilbert from 1977, popularized by Open-Music-Labs (used with permission) This circuit also creates the possibility of Thru Zero Phase Modulation, here the depth is controlled with the third slider. The source is normaled to VCO 2, but external modulation sources can be patched in, and the depth can also be modulated with CV.
Lastly there's a 2-pole Low Pass Filter, before going out the MAIN output. All parameters can be CV controlled, and feature handy attenuators at the inputs.
VCO 2
The first slider is a continuous waveform shaper, that morphs from sine to tri to saw.
This waveform then enters the Thru Zero Amplitude Modulation (Ringmod) section. The slider sets the depth of modulation, with the source normalized to VCO 1. The depth can be CV controlled, and an external source can be patched as well. The result is also available on a separate output, pre wavefolder/filter (VCO 2 sine).
The third slider is a wavefolder, it's based around a novel wavefolding topology, with a unique and more aggressive sound compared to the sinusoidal folder of VCO 1.
The wavefolded signal goes into a 2 pole Low Pass Filter, and out of the MAIN output."
"New Order 'The Perfect Kiss' cover, as featured on the official video version.
Gear used:
Left: Roland JP8000 (triggered live from Pro Tools).
Right: Emu Emax (upper). Roland JX-8P (lower)
Backtrack previously recorded on Pro Tools, track by track, by me using the Kurzweil PC1x massively for Hook's bass sounds and a DX7 for the first "metallic" sequence that goes along the whole song. There is also an unknown frog sampled for the middle section (05:35).
* Composed by Gillian Gilbert, Peter Hook, Stephen Morris, Bernard Sumner.
Performed here by DX5 Jose Maria Bara."
"Here is a Dinsync Gilbert professionally built and calibrated. It has some useful mods too.
Switch to select faster or slower lfo rate. Allows Lfo to get into audio frequencies
Switch to set lfo shape to modulate pwm independent of lfo setting
3 pots to control level of waveform and noise so you can easily mix all waveforms simultaneously (like the sh101)
VCF keyboard tracking amount.
Gilbert is a small format analog monosynth inspired by what we consider to be some of the best era of Roland™ machines from the late 70s/early 80s. It has a nice “rubbery” tone that will be familiar to all acid aficionados and makes a great supporting voice for your RE-303. Gilbert can be thought of in a couple of ways. On one hand you have a fully fledged analog monosynth and on the other hand due to its I/O connections you could think of Gilbert as a eurorack module in a synthesizer format. Of course combinations of both also work, anything is possible. It's pretty much a modular sh101."
"We were asked several times if we could shoot a video for this module, now it's ready - our video for the Middle Path VCO. We combined this excellent VCO with the Leapfrog Filter and a Natural Gate - to get some classic lowpass gate sounds from this massive dual VCO.
North Coast's complex VCO is comfortable on a journey to the East or the West. It contains two triangle-core VCOs, each with four waveforms and standard V/octave control.
As basic VCOs running independently these can be the heart of a traditional subtractive East Coast synthesizer. But the Middle Path's oscillators can also be used together, with or without sync, to drive its unique multi-output Gilbert-style sine shaper. The shaper, which can also take external input, offers wave shaping, distortion, folding, phase modulation including through-zero, and imitation stereo. These effects take the sound into West Coast territory.
A very nice complex/dual VCO with a massive sound and very solid build quality."
"DinSync (Paul Barker) is the DIY synthesizer genius behind the RE-303 replica of the Roland TB-303. The Gilbert is his own design to recreate the sounds the equally famous Roland SH-101. Yes, it sounds just like the originals - AMAZING!
Professionally built and fully calibrated using precision equipment. This is a backup unit that has been in storage. It's only been used twice and has been fully tested and is ready to rock.
Use Gilbert with the sequencer of your choice! Use it with a MIDI sequencer using a MIDI/CV converter (check my other auction: Syntecno Teebee 303 clone with MIDI/CV converter.)
"Today I have the newest PATH VCO module from North Coast Synthesis and a small demo with 10 examples.
There are about 10 examples in a patch and some waves This is a really interesting oscillator on which you will bring out various amazing sounds.🔥😀
North Coast's complex VCO is comfortable on a journey to the East or the West, while providing a stable foundation at home in any Eurorack. The module contains two triangle-core VCOs, each with four waveforms and standard V/octave control. As basic VCOs running independently these can be the heart of a traditional subtractive East Coast synthesizer. But the Middle Path's oscillators can also be used together, with or without sync, to drive its unique multi-output Gilbert-style sine shaper. The shaper, which can also take external input, offers wave shaping, distortion, folding, phase modulation including through-zero, and imitation stereo. These effects take the sound into West Coast territory.
The design emphasis is on harmonious combination of simple principles. The exponential converter uses premium analog multipliers and a transistor array to ensure temperature stability without fiddly adjustments or hard-to-control "tempco" resistors; it should provide consistent tracking, and especially between the two oscillators, without needing to warm up. The triangle cores are intrinsically frequency-accurate without needing extra circuitry to compensate for reset time. The sine shaper includes our own novel quadrature modification which can be used to generate a stereo signal or in combination with other modules to create frequency shift effects. The sync circuit joins the oscillator cores in another way with a selection of soft and firm modes.
You can now find this assembled module or DIY KIT directly here on the official North Coast Synthesis website :
https://northcoastsynthesis.com/"
"** At 03:50 starts the movie OST arrangement **.
I was up to revisite this instrumental cover I've already made twice in the past. As I liked the arrangements for the upcoming Wonder Woman 84 movie OST (Hans Zimmer me thinks?), I decided to play New Order's 'Blue Monday' again, building a backtrack more faithful to the studio version in combination with some of the OST arrangements. [previous versions here]
Gear used:
Roland MRS-2 Promars
Emu Emax II (massively)
Kurzweil PC1x (With its mighty strings)
Roland JP8000.
No sample from the original song were used. (Just Kraftwerk's 'Uranium' choir).
Backtrack previously recorded on Pro Tools. Lead sound: Roland JP8000.
Original song composed by Gillian Gilbert, Peter Hook, Stephen Morris, Bernard Sumner.
Wonder Woman 84 arrangements: Hans Zimmer
Performed here by DX5 Jose Maria Bara."
"On the 40th anniversary of the release of 'Moving Pictures' and in commemoration, MWGilbert has a new release, exclusively on vinyl. The title, 'Voice Ping Strum' is an anagram of 'Moving Pictures'. This new album was composed using a Eurorack modular synthesizer; especially noteworthy in his rig is the full range of Tall Dog Electronics Eurorack modules, which feature prominently on the recording. The only other sound sources used were sampled piano & sampled voices. There are 2 suites, 1 on each side. These have been described as more intricate than ambient, and more ambient than not!
MW Gilbert has been composing and recording actively from the 1970's through the present. In 1979 he released his 1st LP, 'Moving Pictures', with the goal of humanizing electronic music, using wooden flutes, percussion, and voice to complement synthesized sounds and textures. After 7 more albums, in 2018 he released 'Radio Omnibus', with cutting edge electronic music, two acoustic chamber pieces, and featuring Adam Holzman (Miles Davis, Steven Wilson) and Mark Walker (Oregon, Lyle Mays).
MW Gilbert grew up in the US and Belgium. While living in Europe he encountered the music of Varese, Stockhausen, and Pierre Henry, as well as the music of India, Africa, and Japan. After studying electrical engineering at MIT, he continued studies at the Boston School of Electronic Music, and became a teacher there. He graduated with a degree in music from Hampshire College, and then served as the technical director of electronic music studios at Amherst College, Smith College, Hampshire College, and UMass Amherst. He has taught electronic music at Hampshire College, UMass Amherst, & Holyoke Community College.
"Here is a freshly complete Gilbert, a best of inspired by Roland mono synthesizer.
The circuit blocks take inspiration from :-
Curtis CEM3340 oscillator
MC-202 style formfactor
SH-101 style noise oscillator
MC-202 Sub Oscillator
SH09/Jupiter 4 (rev 1) style VCF
SH09 style interface layout
Features include:-
I/O (3.5mm jacks)
1v per octave cv/gate inputs
Raw oscillator outputs (saw, square, triangle, sub)
Hard Sync
Exponential FM
Linear FM
CV over VCF
External input (to mixer/vcf) with envelope follower
Audio output on both 3.5mm and 6.3mm jacks.
I have added mods based on the Isak Mods, these include :-
Increase VCF ENV amount
Increase VCF LFO amount
Increase VCO modulation amount
Increase Vpp at the output
These are not mind bending mods but give a better range for the modulation.
My builds come with the Black Christian Hartig/Kumptronics case, PSU and manual.
From the RE303/Dinsync website :-
'Gilbert is a small format analog monosynth inspired by what we consider to be some of the best era of Roland™ machines from the late 70s/early 80s. It has a nice “rubbery” tone that will be familiar to all acid aficionados and makes a great supporting voice for your RE-303. Gilbert can be thought of in a couple of ways. On one hand you have a fully fledged analog monosynth and on the other hand due to its I/O connections you could think of Gilbert as a eurorack module in a synthesizer format. Of course combinations of both also work, anything is possible.'"
"Warp Records celebrate their 30th anniversary with three-day NTS Radio takeover, including exclusive mixes and giveaways.
For the past 30 years, UK based label Warp Records have been consistently setting the bar in the electronic music world, always pushing the boundaries of the genre and thrilling music fans worldwide.
Founded by Steve Beckett and Rob Mitchell in the back of a record store in Sheffield in 1989, Warp has become the pioneer of its genre with a unique yet reliable catalogue of electronic music. Responsible for bringing to the world the likes of Aphex Twin, Boards of Canada, Squarepusher and Nightmares on Wax, plus loads more, Warp have also more recently ventured into film, art installations and their own online independent record store, Bleep.com.
This weekend, Warp are set to celebrate their 30th anniversary. Partnering with NTS, they’ll bring together their legendary roster with a packed out 100-hour schedule of music, including exclusive mixes, tributes and giveaways.
As part of the celebrations and in honour of the release of our recent Bass Station AFX update, listeners will have the chance to get their hands on a very limited edition Warp Records x Aphex Twin x Novation Bass Station II, 1 of only 5 made. For a chance to win, simply sign up for the WXAXRXP mailing list following the link below [bottom of page here].
We’ve also compiled a selection of our favourite Warp releases spanning the past thirty years. With so many releases, we could have kept this list going on for ages, but here are ten particular highlights from the past three decades chosen by some of the team over at Novation HQ: