Matrix Vol 2 - Oberheim TEO-5 - Patches by GEOSynths Now Available

"Out Now - https://www.geosynths.com/teo-5

Matrix Vol 2 contains 128 Patches covering Pads & Strings, Bass & Leads, Poly & Arps and whole lot more.

This Video demonstrates Patches 65 to 96. There will be 2 more Videos and when the 4th is uploaded, they will be available for purchase."

CLICK FOR MORE »

Introducing the Pittsburgh Modular Lifeforms SV-2

video upload by Pittsburgh Modular Synthesizers

Pics and details via Perfect Circuit.

[You can find additional demos by Starsky Carr, BoBeats, and Molten Music Technology further below.]

Pittsburgh Modular Lifeforms SV-2
Lifeforms SV-2 from Pittsburgh Modular is a duophonic analog semi-modular keyboard synthesizer that honors classic East Coast subtractive architecture while packing a punch of flavorful twists afforded by modern technology. A full-blown revamp of the SV-1, it features updates to nearly every aspect of the instrument: new oscillator core, classic PGH filters updated with new character modes and overdrive stages, new spring reverb, new response curves and range modes on the ADSR envelopes, a custom 37-key keyboard with pitch-bend and mod wheels, and a redesigned interface with eighty-four patch points along the top. Moreover, a 24hp Eurorack expansion bay with three power headers sits alongside them, so external modules of your choosing can be dropped into the signal path at any point.

CLICK FOR MORE »

Bard Synths: Oscar

video uploads by Noir Synthétique

Playlist:

1. Bard Synths: Oscar (dry)
2. Bard Synths: Oscar --- SEOK Drips (filter)
3. Bard Synthesizers: Oscar --- SEOK: Drips, TouellSkouarn: Kemmeskan
4. Bard Synthesizers: Oscar --- TouellSkouarn: Amplaer Red Eletrek
5. Bard Synthesizers: Oscar --- Bard Synthgesizers: Vacuform (frq mod)
6. Bard Synthesizers: Oscar --- Bard Synthesizers: Vacuform (Ping)
7. Bard Synthesizers: Oscar --- Bard Synthesizers: Vacuform (Ping)



"Oscar is unique take on an oscillator, providing the very best of both semiconductor and thermionic worlds, namely - good pitch tracking and distinctive vacuum tube / transformer sound. Nothing you have heard before.

The oscillator in its sawtooth core is equipped with Thyratron tube (TG1B). Sync threshold can be controlled with the MOD AMT dial.

Second tube (6F12P) is utilized in a novel waveshaper for Soft Pulse (Triangle-like) and Hard Pulse (square-wave like) waveforms - with the transformer feedback. Waveform shape and harmonic content is frequency dependent. This topology gives the user choice of 6 waveforms, in which 4 of them can be voltage-controlled.

Features
◯ Vacuum tube oscillator module utilizing 6F12P(6Ф12П) and TG1B(ТГ1B) tubes in high voltage operation

◯ Fine and coarse pitch tuning

◯ Voltage-controlled pulse shape

◯ Two V/oct inputs plus one FM Input

◯ Hard sync (variable threshold)

◯ Two waveform outputs

◯ Transformer-based pulse shaper

◯ Pitch tracking: +-8 cents accuracy across 6 octaves

◯ Pitch range: 16Hz - 14kHz"

CLICK FOR MORE »

XpandrLink, a native Mac/Windows editor and DAW plugin for Xpander/Matrix-12 (beta)

This one came in on the xpantastic Oberheim Matrix-12 and Xpander list. Details from the creator follow:

"I'm Jake, a Matrix-12 & Xpander owner and synth repair tech. For the past few months I've been building something that has gotten a lot of use in my studio: XpandrLink, a from-scratch C++/JUCE editor for these synths built using XplorerEditor's protocol and design as reference, with standalone, AU, and VST3 builds for both macOS and Windows. I've been really enjoying having this tool for my own purposes and wanted to share it with the community if anyone else might also find it useful.

First, the part that matters most to me. Like many of you, I've used XplorerEditor for years. It's a big reason these synths are still practical to own and play, and this project only exists because of the groundwork it laid. I started down this road after reading a note more than a year ago in the XplorerEditor README: the developer had no time to add new features but welcomed forks and PRs, and recommended a long-term JUCE port for a more modern cross-platform foundation.

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Dreadbox Artemis Review — Raw Tones, V1.2 Update & Nymphes Comparison

video upload by Starsky Carr

"A full demo of the the Dreadbox Artemis V1.2 firmware plus a comparison with the Dreadbox Nymphes I demo demo every new Firmware V1.2 feature (mod matrix, MPE/CC74, BBD Resonator, BBD Playground, updated reverbs), and answer the big question: is it worth the upgrade?

You'll hear a 7-minute uninterrupted sound journey — from a bare 2-oscillator patch, through filter sweeps, stereo spread and lush Sinevibes effects, then all the way back down to the raw tone. I've hidden some classic samples in there too... can you spot them all? Drop your guesses in the comments 👇

Plus: PWM and sawtooth A/B tests against the Nymphes, the new no-oscillator mode (play the filter as a sine wave!), the drive circuit, every distortion algorithm, and a filthy acid bassline in mono mode to prove it's not just a well-behaved polysynth.

▶ WHAT IS THE ARTEMIS?
Dreadbox's flagship 6-voice analog polysynth: 2 VCOs per voice plus sub, hard sync, thru-zero FM, filter FM, resonant 12/24dB low-pass + high-pass filters, 2 ADSRs, 2 LFOs per voice, stereo voice spread, polyphonic sequencer, and 4 stunning Sinevibes effects (distortion, modulation, delay, reverb) — all modulatable within the patch."

CLICK FOR MORE »

Arturia x Perfect Circuit Polybrute 12 Sound Design Demo + Masterclass

video upload by Perfect Circuit

"On May 16th, 2026, we hosted the Arturia team in our Burbank, CA showroom for a special presentation by Matt Piper, professor of synthesis at the Los Angeles College of Music. In the video, Matt explores the formidable capabilities of Arturia's Polybrute 12, covering everything from its core signal flow and expressive controls to in-depth sound design and patch creation.

00:00 Intro
00:34 Polybrute 12 Overview
02:16 FullTouch Demonstration
04:25 Poly Aftertouch Demonstration
05:27 FullTouch Demo Part 2
07:55 Modulation Matrix
09:24 Morphée Controller Demo
10:50 Morph Knob Demo
13:55 Morph Edit Options
15:02 Knob-per-function Layout
16:48 Sequencer/Arp Patch Playthrough
18:47 Panel Recall
20:09 VCO Section Intro
20:39 Ladder Filter Intro
21:57 VCO1 Demo
23:47 Metalizer Demo (Wavefolding)
26:27 Ladder Filter Self-Oscillation
27:35 Steiner Filter Demo
29:14 Brute Factor Demo
31:06 Parallel Filtering
33:28 Sub Oscillator
34:06 FM VCO 2 - VCO 1
35:34 Oscillator Sync (Hard Sync)
36:38 Filter FM (VCO 2 - Steiner Filter)
38:12 Noise FM - Ladder Filter
40:25 Parallel Filter Metallic Percussion Patch
41:39 The Most Realistic Accordion Patch
43:32 Party Drop

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
Perfect Circuit is an independent electronic instrument shop with an online store at https://www.perfectcircuit.com/ and a Burbank, California showroom at 2405 Empire Ave. We're open seven days a week, 12-8 PM, and our entire inventory is available to try out in person. Get your hands on the most excellent analog and digital synthesizers, effect pedals, Eurorack modular synths, drum machines, recording gear, and more!

Learn about electronic music, techniques, and gear on our blog, Signal: https://www.perfectcircuit.com/signal"

Behringer JT-2 Demo: 15 Patches for Ambient and Techno

video upload by Limbic Bits

0:00 Quick Overview
1:43 Afterlife Lead
2:28 Dark Wave Bass
3:17 IDM Triangled Lead
4:18 Noisy Arp Cross Mod
5:51 Electro Pulse (short envelopes)
6:51 EBM Bass
7:46 Console Pulse Lead
8:05 Paraphonic Magic
9:34 Killah Bass
9:48 Indie-Cade
10:39 7th Pad
11:36 Psy Alert (FX)
12:06 Kick Bass
12:19 Sonar Noise
13:12 Bubbles
14:20 Paraphonic Outro

____

"Behringer JT-2: My 2 Cents
With all the available 'heavily-inspired-but-not-clones' from Behringer, I’m starting to wonder when the company will introduce original synths again. Anyhow... This time, I’m taking a closer look at the Behringer JT-2, a paraphonic synth inspired by Roland’s Jupiter-8. It comes in similar colours but certainly doesn’t carry over the visual aesthetics of the '80s flagship synth. That’s not necessarily a bad thing, as Behringer can keep costs down by using one chassis for a plethora of different models. At a budget-friendly price point, you get a lot of synth in a unit that doesn’t take up too much valuable studio real estate, either. But first things first...

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Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter

video uploads by Unusable Engineering

Note this is the first post to feature Unusable Engineering. You'll find additional plugins by them below.

Playlist:

1. Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter - Walk Through
2. Curves & Membranes - Sound Demo and Patch Ideas - No Talking
3. Curves & Membranes | Synthesizer Patch Creation & Sound Design Walkthrough
4. Curves & Membranes v1.1.0 | New Features and Sound Examples
5. Curves & Membranes Filter Walkthrough | Understanding the Membranes
6. Unusable Engineering Jam | Curves & Membranes in a Different Context
7. Unusable Engineering Update | Curves & Membranes Features and Grain Discharge
8. Unusable Engineering Breakfast Jam | Curves & Membranes + Full Bundle

"Curves & Membranes is a focused mono synth built around a shapeable Bézier oscillator, two visual modulation systems, and a membrane-based filter. In this full walkthrough I go through the core ideas behind the instrument, how the oscillator works, how the preset morphing and orbital modulators create movement, and how the membrane filter shapes the sound.

The goal with Curves & Membranes was not to make a do-everything synth, but to build something more specific: a synth where sound, shape, and motion are tightly connected, and where the structure stays easy to understand while still allowing a lot of character and timbral movement.


More info: https://www.unusable.net/"

And a playlist of addtional plug-ins by Unusable Engineering:



Playlist:

1. Synaptic Resonance | Neural Vocoder Walkthrough

Synaptic Resonance is a neural vocoder-style effect where incoming audio, or an optional sidechain, excites a two-dimensional neural simulation. That simulation is then read back somewhere else and used to animate a bank of forty steep resonant band-pass filters.

In this walkthrough I go through the basic idea behind the plugin, show how the Stim Plane and Read Plane shape the behavior, and explain how the neural controls affect the way the model reacts, spreads, remembers, recovers, and settles.

The core idea is fairly simple: the input excites the model, and the output is affected by reading the model. That is what gives the plugin its character. It can behave like a vocoder, a resonant filter instrument, or something more unstable and alive depending on how it is set up.

CLICK FOR MORE »

Modulaire Maritime Essaim Quick demo/review

video upload by Meska (Meska)

"quick demo/review of Essaim by modulaire maritime, 2hp VCO build around the SSI 2130 with TZFM/PM capability

Thank you for watching. My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with. You can stream my albums and EPs at https://statikwave.bandcamp.com/. If you'd like to support the channel​ consider buying music from bandcamp ;) Contact/booking: meskastatik@gmail.com"

via Modulaire Maritime

https://www.modulaire-maritime.com/product-page/essaim-ѳ Voltage Controlled Oscillator

Provides:
'Thru-Zero' Frequency Modulation / Phase Modulation (selectable)
'SSaw' Wave (Swarm - SuperSaw) /Ramp Wave (selectable)
Sine Wave
Triangle Wave
Hard Sync
Tracks 1V/Octave thru 8 Octaves
Temperature stabilisation

CLICK FOR MORE »

ESP32-S3 PolySynth - Work in progress

video upload by Bad Dog Designs

"This is a fully functioning Polysynth using an ESP32-S3 to model the audio in real time, from an initial single Sine wavetable calculated on power up. The control panels for the oscillators and common controls all use CAN bus to communicate parameter changes to the audio engine - rather than wiring up a lot of IO, it just sends a message like 'Change oscillator 3 to Sawtooth'

Basic spec so far:

6 oscillators in 3 pairs that have Sine / Triangle / Saw / Pulse / Noise and Chaos waveforms. There are then independent wave folding modifiers and Sample and hold modifiers. Each oscillator pair can also be hard sync'd to it's partner for mono use, or FM modulated.

Common controls have ADRS envelope control, High / Low / Band pass filter with Envelope and tracking control. Ring modulator and Play mode selector for Unison / Duo / Poly. 2 re-triggerable LFO's with delay.

Currently working on the routing section that will allow pretty well anything to modulate anything else stored as separate routes - up to 12 routes can be applied at once. Then patch storage and recall, and hopefully some nice analogue FX at the end.

In the clip, all the audio is straight out the back of the DAC with no processing or FX."

New Blukač Fractalist - Sound Samples Ep. 1

video upload by Blukač Instruments

"In this sketch, we demonstrate how a pair of Fractalists is working together in a timbral progression.

The left one is responsible for the bass sound, where, with each iteration, the waveform is unfolded, becoming more and more complex and rich in harmonics.

It is also modulated a bit with a built-in LFO patched into the WARP input to add some movement.

The right one produces a percussive part. The actual base frequency is very low, and with a standard oscillator, there will be no sound or only a rumble. Here is a different story. As the generated waveform is very complex and contains a lot of harmonics, they become audible as rhythmic patterns.

With each iteration, this effect is more prominent. WARP is not modulated to have this specific pattern to be fixed, but if you were to change it, there are a lot of different patterns to look for. In future episodes, we will explore this in more detail.

Audio is intentionally captured raw, without any filters, VCAs, or effects."



via Perfect Circuit

Fractalist from Blukac is a unique digital oscillator that creates complex waveforms and rhythmic undulations using fractals, generating captivating sounds that evolve and grow into digital chaos. Start by selecting a core waveform, either triangle or trapezoidal, and expand its fractal dimension with the Iter control to create iterations on this shape, adding harmonics to the sound that bloom in digital bliss. Through all these fractal transformations, Fractalist's output maintains its periodicity, with a Frequency control that can be used to shift in octaves, semitones, or fine-tuned between notes. At low frequencies, Fractalist becomes an oddball rhythm machine, churning its mathematical movements in unique patterns according to the waveshape created through fractal expansion.

Select your desired degree of digital artifacting with the Alias switch, inviting or omitting the unique sounds of system failure as your harmonics grow beyond the bounds of Fractalist's digital structure, folding frequencies back on themselves for inharmonic results. The onboard Warp control can be used to further modulate the timbre of your sound, alongside dedicated inputs for frequency modulation and hard Sync. Finally, a saturating boost is available to add heat to the cold digital output, while a friendly adjustable LFO provides an onboard source for modulating Fractalist's bevy of CV inputs. With its unique synthesis engine and plentiful opportunities for creative patching in a broader Eurorack environment, Blukac's Fractalist is sure to expand your sound palette, and perhaps, your mind.

CLICK FOR MORE »

Dreadbox Murmux Sound Bank | Demo 1 (patches 1 – 25) | Synth Universe

video upload by Synth Universe

"In this video I demo patches 1 - 25 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient.

Buy the sound bank here: https://synthuniverse.sellfy.store"

Timestamps

00:00 Bright analog keys
00:42 Deep wobbly pad
01:39 One VCO key
02:08 PWM strings
02:52 Vintage resonance
03:30 Ambient filters
04:12 Analog echoes
04:46 Sync brass swell
05:25 Poly glide lead
06:02 Eastern chimes
06:32 PW cello pad
06:59 Flanging pad
07:52 Double filter keys
08:24 Pitch mod poly
08:56 Resonant triangle sweep
09:33 Deep scape
10:22 Soft squares
10:58 One VCO bass
11:28 Analog pulse
12:28 PW pluck
12:57 Polysphere
13:30 Reverse pad
14:21 Modulated plucks
14:49 Murmux strings
15:23 Rich sweep


"Sound bank notes

In my opinion, the Murmux Adept is a modern classic among synthesizers. It oozes quality and depth with a vintage analog sound and a strong personality. The oscillators, filters and analog stereo bucket brigade delay (BBD) interact to create a rich palette of timbres, with an inclination towards dark ambient textures.

It excels at ambient pads, textures and atmospheres so I have exploited this in many of my patches. I have also created more conventional sounds such as strings and brass which sing with power and majesty – rivalling those of the Sequential Prophet 5. Lead sounds are another strength of the Murmux, so you will find many within the bank ranging from pure triangles and sines through to aggressive and expressive saws.

Although the Murmux looks like a very simple synth - lacking complex features like a modulation matrix, in fact it is possible to create many layers of modulation simultaneously. You can for instance, assign velocity (how hard you press the keys) to modulate envelope times while also morphing between waveforms in both oscillators and using aftertouch to control filter cutoff and resonance. In this sound bank I have used modulation comprehensively and all patches have parameters assigned to the mod wheel as well as aftertouch and/ or velocity to maximise the expressiveness of the sounds.

The delay is a big feature of this synth so I have used it a lot, although you will also find traditional analog synth patches with no effects at all. The BBD resonator and ensemble modes are powerful, yet I have tended to use them for subtle modulation to thicken sounds or to create gentle flanging.

No AI was used in the creation of this video.

All musical ideas in this video are my own and are copyright to me."

New module! Dual Retro Vco

video upload by Radical Frequencies Modular

"Listen the new Radical Frequencies Dual Retro VCO playing an arpeggio , showing all waveforms and making Pulse with modulation and Hard Sync between the vcos . It goes through the RF Mixer and then to Diode Dream Vcf as it suits this oscillator perfectly! #eurorack #modularsynth #radicalfrequenciesmodular #dualretrovco #drvco #diodedreamvcf #analogsynth"

"Handmade Dual VCO of discrete core capable of internal FM cross modulations - Hard sync and Ring Modulator

• Analog discrete saw core oscillators with Saw, Pulse, Triangle and Ring Modulation wave outputs.The sound is warm and fat, emphasizing odd harmonics for this big retro sound. My purpose here is to approach the sound of classic synths from 70s, that we all loved.
• The SAW wave produces rich bass frequencies, sweet mids and smooth highs but overall, it is still well balanced across the full frequency range. The Triangle wave is almost perfect in shape with no buzzy hum sound. The pulse wave can produce that chorus-like phasing effect, when using an LFO to modulate the PWM input and does so in a very unique way, as it changes the phase of the signal as well.
• Two identical VCOs : VCO ALPHA and VCO BETA, with the ability of hard sync as each VCO syncs internally with the other. Using the attenuator knob for SYNC, you can go from zero to soft sync(11-12 o’clock) to hard sync when the knob is fully CW. For syncing you just need to turn CW, the sync knob of the VCO you want to be the slave. Don’t open both the sync knobs at the same time unless you want to make some weird sounds.
• There are external sync inputs for each VCO as well. External oscillators can be used as masters, just feed the output of the oscillator of your preference, into the sync input or either ALPHA or BETA. Just remember to feed a saw or a square wave, into the SYNC input. This is very important in order to sync the oscillator. A ramp wave it will not sync at all! (The RF DPVCO for example is a ramp out VCO and if you want to use it as master you must invert the signal first.)
• Both ALPHA and BETA track 5 octaves accurately, tempco resistors are attached to the tuning ICs CA3046 on both VCOs.
Separate voltage regulators for each oscillator can achieve the best sounding results without drift or bleed pitch, between VCOs.
• Both VCOs go from a relative fast LFO range with the coarse tuning knob fully CCW, up to high frequency oscillation.
• Octave Switches of 3 positions: 1 octave down - , zero , 1 octave up +, are available and make patching, fast and intuitive.
• There are internal normalisations for exponential as well as linear FM and both have independent EXP FM and LIN FM, attenuators.
• You can select the wave for the internal FM buss via the front panel switches .Options are Triangle and SAW. The internal FM wave, is independent per VCO as well.
• There are also internal normalisations for PWM, where each VCO modulates the pulse width, of the other and both use the triangle waveform.
• There is a PW offset, per VCO - negative phase pulse width at CCW to + positive phase at CW and 50-50 duty cycle square wave, in the middle of the knob.
• Ring Modulation section is a separate feature where X and Y inputs are internally connected with the VCOs as well. It has 2 inputs, X and Ψ and one out, RM. The inputs are internally connected to the internal FM buss switch of triangle - saw selector.
VCO ALPHA is internally connected into Ψ input and VCO BETA, into X input. You can feed the RM inputs any wave you desire from other VCOs as well .
• An external patch cable breaks the normalisation of all internal connections, via input jacks. (EXP FM, LIN FM, PWM, SYNC, X Ψ)

• Important note about tuning : The vcos need at least 30 minutes warm up before using it for good tracking. Also when you have to tune the vcos it’s better the octave switches to be in the middle position and all the fm and sync knobs must be closed (CCW)

• Large range of sounds with countless sweet spots - ultra stable tuning for FM sounds by using the FM and SYNC knobs simultaneously - fat basses, classic leads and drones. Feed the DRVCO into a good filter and you will enjoy it as it was meant to be! The VCF that I suggest is the RF Diode Dream VCF as it is a ladder filter and suits it perfectly! Of course any other filter of your taste can be used with great results."

OBERHEIM OB-X8 POLYPHONIC ANALOGUE SYNTHESISER (DESKTOP)

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Oberheim OB-X8 (Desktop) in very good condition. It comes with original packaging and power cable.

Manufacturer's description
NEW functionality now available with OB-X8 OS v2.0 featuring:

Instant binaural mode pans individual voices hard left and right for true stereo operation
Simultaneously selectable waveshapes for each oscillator extends timbral variety
New 4-Pole low pass filter type with fuller bass at high resonance
New VCO 1 and 2 level LFO modulation destinations for independent timbral mixing
Arpeggiator clock sync now has selectable note division values for expanded rhythmic control
Twice the Split and Double memory locations, including program storage directly in the new banks for 512 more stored sounds
Separate MIDI channels for lower/upper split bi-timbral operation
Poly chain for up to 32 voices with 4 connected instruments
MPE for new levels of expressiveness

CLICK FOR MORE »

Bad Gear - You GET what you PAY for

video upload by AudioPilz

Chapters:
00:00 Intro tune
00:26 Overview Moog Sirin
00:55 Structure
01:18 The Moog Taurus Heritage
01:41 Hard Sync, Note Sync
02:02 VCO 2 Beat
02:13 Ladder Filter
02:36 Envelopes, LFO
03:11 How to Fake PWM?
03:50 Differences to Minitaur
04:07 Why is it so expensive?
04:38 H*te Screen
05:04 Jam 1 ( Nordic Techno )
05:54 Jam 2 ( Drum'n'Bass )
07:04 Finale ( Melodic Downtempo Techno )
07:34 VERDICT

With the Moog Sirin.

Deep dive into the PCO aka Precision Oscillator by Serge Modular

video upload by Stazma

"Today we check out the one of the most (seemingly) simple building block of the Serge Modular: the PCO aka Precision Oscillator.

This module does have some tricks up it's sleeve and is not as simple as it seem especialy, when it comes to it's sync behaviour, but overall it's a great sounding analog oscillator that is well... very precise hahaha.

This makes it ideal in this dual configuration to be used as a classic "carrier" / "modulator" configuration with itself and with other modules.

Have fun!"

00:00 Intro
2:32 Overview
04:38 Linear FM
06:08 Dynamic FM
08:02 Exponential FM
10:34 Hard Sync
14:46 Soft Sync
18:14 Friend with Ring
20:16 Friend with the Wave Multiplier
25:44 End talk

Ensoniq ESQ-1 Analog/Digital Polyphonic Synthesizer Workstation w/ Cartridge SN ESQ-35724-D

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"This listing is for a vintage 1980's Ensoniq ESQ-1 Analog/Digital Polyphonic Synthesizer Workstation that comes with an Ensoniq Sequencer Expander Cartridge and power cord. This synthesizer is in good physical and working condition. The winning bidder will receive exactly what is pictured.

The Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but is actually an early music workstation. Although its voice generation is typically subtrative in much the same fashion as most analog synthesizer that preceded it, its oscillators are neither voltage nor digitally controlled, but true digital oscillators, provided by a custom Ensoniq wavetable chip. The signal path includes analog resonant low-pass filters and an analog amplifier.

CLICK FOR MORE »

Discovery Pro 8.16: New Oscillator Engine Sound Demo

video upload by discoDSP

"Explore the latest updates in Discovery Pro 8.16, featuring a superior oscillator engine, Polyphonic Aftertouch with MPE-ready routing, and the innovative Adaptive Filter Slope for dynamic, expressive sound design.

🎛️ What's New in 8.16:
Superior Oscillator Engine
Brand new analog modeled engine with warm character and richer harmonic content, especially in the bass range
Improved hard sync and FM synthesis with real-time discontinuity correction
Classic per-bank global switch to retain the traditional engine

Adaptive Filter Slope
Innovative dynamic filter character that responds to your playing style
Note and velocity matrix switching for expressive filter behavior
Accessible via filter presets popup for streamlined workflow

Polyphonic Aftertouch
Per-voice pressure routing for individual note expression control
MPE-ready for modern expressive controllers

Additional Updates
Consolidated oscillator menu with clarified phase labels
LCD status display for CPU protection state
Improved menu organization
Arpeggiator fixes

🔗 Links:
Download/Update: https://www.discodsp.com/discoverypro/"

Knif BBD / Modcan videos pt 2 via Drew Neumann

video upload by GSF AGENCY

"'So I set up this simple patch…'
🎧🎧

While the patch would take a while to describe in great detail, here are the main points. All of the audio in the clip is coming from the Modcan processed through the Knif BBD in realtime. The Moog Subsequent 37 is sending arpeggiated notes, modulation, and pitch wheel to the STG Continuo, which is converting that to control voltage (plus internal LFO) and gate for the modular. The pitch CV is then routed to a Wiard Mini Wave, which imposes various quantized key modes and scales on the pitch. The gate signal is routed to various envelopes, LFO resets, and the Milton Sequencer (upper right) to clock everything together and keep it in sync. Milton is handling several duties including pulse width offsets for the oscillators, CV offsets for the filters, Wiard Mini Wave 2s wavetable select, and trigger outputs for the rhythmic parts. The "voice" is 3 oscillators (one of which is processed through the second Wiard Mini Wave for wavetables) through the Moog 904a filter, 2 more oscillators going to 2 Arp 4075 filters panned hard left and right, 2 oscillators plus ring modulator and spring reverb acting at the "cymbal," white noise and Dark Star Chaos triggered by Milton for additional percussion effects. The Knif BBD is tap-tempo synced to the Moog Subsequent 37's arpeggio clock. From there, everything is messing around with the Knif BBD controls, selecting notes on the Moog, and noodling around on the Modcan's front panel controls.

Drew Neumann, Droomusic ASCAP copyright 2026

@knifaudio

#analog #delay"

Three New Synths — The M0SS Family Kickstarter Launch

video uploads by Ultrapalace

Playlist:

1. We Made Three New Synths — The M0SS Family Kickstarter Launch
2. M0SS-201 Demo: Wave Folder Bass
3. M0SS-201 Demo: Krell Patch
4. M0SS-416 Demo: Presets
5. M0SS-416 Demo: Brian Eno's Tambura patch
6. M0SS-309 Demo: Mellow Horns and FX

"The M0SS-201, M0SS-309 and M0SS-416 are 3 new members of the M0SS line of synthesizers from UltraPalace, expanding on the flagship M0SS-101 released in 2025.

This line of instruments packs the power of an advanced synth in to a tiny, rugged enclosure, and offers a unique user interface, designed to be intuitive, hands-on, and fun. Press a button to select a parameter in the synthesis engine, and turn the encoder to modify its value.

Coloured LEDs positioned across the face will pulse and toggle to show the signal flow, indicate settings, and show the current parameters magnitude.

These synths feature USB MIDI Host, as well as 1/8" MIDI, so you can connect any MIDI controller, and map knobs or faders to any parameter using MIDI learn, allowing you to transform your inexpensive MIDI controller into a powerful and fascinating vintage-style synth, or to integrate the synth into your existing MIDI setup.

https://www.ultrapalace.com/"

On Kickstarter here: https://www.kickstarter.com/projects/...

"The M0SS-201 is a west coast synth, which takes some inspiration from the Buchla Easel. This modern monosynth is packed with features that will inspire experimentation into advanced synthesis. It is capable of an incredibly broad spectrum of sounds, and diving in, you might find yourself wondering if the sounds you are creating have ever been heard before by human ears, and the answer may well be no!"

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