MATRIXSYNTH: Search results for Hard Sync

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Showing posts sorted by date for query Hard Sync. Sort by relevance Show all posts

Thursday, April 16, 2026

New Blukač Fractalist - Sound Samples Ep. 1


video upload by Blukač Instruments

"In this sketch, we demonstrate how a pair of Fractalists is working together in a timbral progression.

The left one is responsible for the bass sound, where, with each iteration, the waveform is unfolded, becoming more and more complex and rich in harmonics.

It is also modulated a bit with a built-in LFO patched into the WARP input to add some movement.

The right one produces a percussive part. The actual base frequency is very low, and with a standard oscillator, there will be no sound or only a rumble. Here is a different story. As the generated waveform is very complex and contains a lot of harmonics, they become audible as rhythmic patterns.

With each iteration, this effect is more prominent. WARP is not modulated to have this specific pattern to be fixed, but if you were to change it, there are a lot of different patterns to look for. In future episodes, we will explore this in more detail.

Audio is intentionally captured raw, without any filters, VCAs, or effects."



via Perfect Circuit

Fractalist from Blukac is a unique digital oscillator that creates complex waveforms and rhythmic undulations using fractals, generating captivating sounds that evolve and grow into digital chaos. Start by selecting a core waveform, either triangle or trapezoidal, and expand its fractal dimension with the Iter control to create iterations on this shape, adding harmonics to the sound that bloom in digital bliss. Through all these fractal transformations, Fractalist's output maintains its periodicity, with a Frequency control that can be used to shift in octaves, semitones, or fine-tuned between notes. At low frequencies, Fractalist becomes an oddball rhythm machine, churning its mathematical movements in unique patterns according to the waveshape created through fractal expansion.

Select your desired degree of digital artifacting with the Alias switch, inviting or omitting the unique sounds of system failure as your harmonics grow beyond the bounds of Fractalist's digital structure, folding frequencies back on themselves for inharmonic results. The onboard Warp control can be used to further modulate the timbre of your sound, alongside dedicated inputs for frequency modulation and hard Sync. Finally, a saturating boost is available to add heat to the cold digital output, while a friendly adjustable LFO provides an onboard source for modulating Fractalist's bevy of CV inputs. With its unique synthesis engine and plentiful opportunities for creative patching in a broader Eurorack environment, Blukac's Fractalist is sure to expand your sound palette, and perhaps, your mind.

Wednesday, April 15, 2026

Dreadbox Murmux Sound Bank | Demo 1 (patches 1 – 25) | Synth Universe


video upload by Synth Universe

"In this video I demo patches 1 - 25 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient.

Buy the sound bank here: https://synthuniverse.sellfy.store"

Timestamps

00:00 Bright analog keys
00:42 Deep wobbly pad
01:39 One VCO key
02:08 PWM strings
02:52 Vintage resonance
03:30 Ambient filters
04:12 Analog echoes
04:46 Sync brass swell
05:25 Poly glide lead
06:02 Eastern chimes
06:32 PW cello pad
06:59 Flanging pad
07:52 Double filter keys
08:24 Pitch mod poly
08:56 Resonant triangle sweep
09:33 Deep scape
10:22 Soft squares
10:58 One VCO bass
11:28 Analog pulse
12:28 PW pluck
12:57 Polysphere
13:30 Reverse pad
14:21 Modulated plucks
14:49 Murmux strings
15:23 Rich sweep


"Sound bank notes

In my opinion, the Murmux Adept is a modern classic among synthesizers. It oozes quality and depth with a vintage analog sound and a strong personality. The oscillators, filters and analog stereo bucket brigade delay (BBD) interact to create a rich palette of timbres, with an inclination towards dark ambient textures.

It excels at ambient pads, textures and atmospheres so I have exploited this in many of my patches. I have also created more conventional sounds such as strings and brass which sing with power and majesty – rivalling those of the Sequential Prophet 5. Lead sounds are another strength of the Murmux, so you will find many within the bank ranging from pure triangles and sines through to aggressive and expressive saws.

Although the Murmux looks like a very simple synth - lacking complex features like a modulation matrix, in fact it is possible to create many layers of modulation simultaneously. You can for instance, assign velocity (how hard you press the keys) to modulate envelope times while also morphing between waveforms in both oscillators and using aftertouch to control filter cutoff and resonance. In this sound bank I have used modulation comprehensively and all patches have parameters assigned to the mod wheel as well as aftertouch and/ or velocity to maximise the expressiveness of the sounds.

The delay is a big feature of this synth so I have used it a lot, although you will also find traditional analog synth patches with no effects at all. The BBD resonator and ensemble modes are powerful, yet I have tended to use them for subtle modulation to thicken sounds or to create gentle flanging.

No AI was used in the creation of this video.

All musical ideas in this video are my own and are copyright to me."

Sunday, April 05, 2026

New module! Dual Retro Vco


video upload by Radical Frequencies Modular

"Listen the new Radical Frequencies Dual Retro VCO playing an arpeggio , showing all waveforms and making Pulse with modulation and Hard Sync between the vcos . It goes through the RF Mixer and then to Diode Dream Vcf as it suits this oscillator perfectly! #eurorack #modularsynth #radicalfrequenciesmodular #dualretrovco #drvco #diodedreamvcf #analogsynth"



"Handmade Dual VCO of discrete core capable of internal FM cross modulations - Hard sync and Ring Modulator

• Analog discrete saw core oscillators with Saw, Pulse, Triangle and Ring Modulation wave outputs.The sound is warm and fat, emphasizing odd harmonics for this big retro sound. My purpose here is to approach the sound of classic synths from 70s, that we all loved.
• The SAW wave produces rich bass frequencies, sweet mids and smooth highs but overall, it is still well balanced across the full frequency range. The Triangle wave is almost perfect in shape with no buzzy hum sound. The pulse wave can produce that chorus-like phasing effect, when using an LFO to modulate the PWM input and does so in a very unique way, as it changes the phase of the signal as well.
• Two identical VCOs : VCO ALPHA and VCO BETA, with the ability of hard sync as each VCO syncs internally with the other. Using the attenuator knob for SYNC, you can go from zero to soft sync(11-12 o’clock) to hard sync when the knob is fully CW. For syncing you just need to turn CW, the sync knob of the VCO you want to be the slave. Don’t open both the sync knobs at the same time unless you want to make some weird sounds.
• There are external sync inputs for each VCO as well. External oscillators can be used as masters, just feed the output of the oscillator of your preference, into the sync input or either ALPHA or BETA. Just remember to feed a saw or a square wave, into the SYNC input. This is very important in order to sync the oscillator. A ramp wave it will not sync at all! (The RF DPVCO for example is a ramp out VCO and if you want to use it as master you must invert the signal first.)
• Both ALPHA and BETA track 5 octaves accurately, tempco resistors are attached to the tuning ICs CA3046 on both VCOs.
Separate voltage regulators for each oscillator can achieve the best sounding results without drift or bleed pitch, between VCOs.
• Both VCOs go from a relative fast LFO range with the coarse tuning knob fully CCW, up to high frequency oscillation.
• Octave Switches of 3 positions: 1 octave down - , zero , 1 octave up +, are available and make patching, fast and intuitive.
• There are internal normalisations for exponential as well as linear FM and both have independent EXP FM and LIN FM, attenuators.
• You can select the wave for the internal FM buss via the front panel switches .Options are Triangle and SAW. The internal FM wave, is independent per VCO as well.
• There are also internal normalisations for PWM, where each VCO modulates the pulse width, of the other and both use the triangle waveform.
• There is a PW offset, per VCO - negative phase pulse width at CCW to + positive phase at CW and 50-50 duty cycle square wave, in the middle of the knob.
• Ring Modulation section is a separate feature where X and Y inputs are internally connected with the VCOs as well. It has 2 inputs, X and Ψ and one out, RM. The inputs are internally connected to the internal FM buss switch of triangle - saw selector.
VCO ALPHA is internally connected into Ψ input and VCO BETA, into X input. You can feed the RM inputs any wave you desire from other VCOs as well .
• An external patch cable breaks the normalisation of all internal connections, via input jacks. (EXP FM, LIN FM, PWM, SYNC, X Ψ)

• Important note about tuning : The vcos need at least 30 minutes warm up before using it for good tracking. Also when you have to tune the vcos it’s better the octave switches to be in the middle position and all the fm and sync knobs must be closed (CCW)

• Large range of sounds with countless sweet spots - ultra stable tuning for FM sounds by using the FM and SYNC knobs simultaneously - fat basses, classic leads and drones. Feed the DRVCO into a good filter and you will enjoy it as it was meant to be! The VCF that I suggest is the RF Diode Dream VCF as it is a ladder filter and suits it perfectly! Of course any other filter of your taste can be used with great results."

Wednesday, March 25, 2026

OBERHEIM OB-X8 POLYPHONIC ANALOGUE SYNTHESISER (DESKTOP)

Note: links to listings are affiliate links for which the site may be compensated.


via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Oberheim OB-X8 (Desktop) in very good condition. It comes with original packaging and power cable.

Manufacturer's description
NEW functionality now available with OB-X8 OS v2.0 featuring:

Instant binaural mode pans individual voices hard left and right for true stereo operation
Simultaneously selectable waveshapes for each oscillator extends timbral variety
New 4-Pole low pass filter type with fuller bass at high resonance
New VCO 1 and 2 level LFO modulation destinations for independent timbral mixing
Arpeggiator clock sync now has selectable note division values for expanded rhythmic control
Twice the Split and Double memory locations, including program storage directly in the new banks for 512 more stored sounds
Separate MIDI channels for lower/upper split bi-timbral operation
Poly chain for up to 32 voices with 4 connected instruments
MPE for new levels of expressiveness

Friday, March 20, 2026

Bad Gear - You GET what you PAY for


video upload by AudioPilz

Chapters:
00:00 Intro tune
00:26 Overview Moog Sirin
00:55 Structure
01:18 The Moog Taurus Heritage
01:41 Hard Sync, Note Sync
02:02 VCO 2 Beat
02:13 Ladder Filter
02:36 Envelopes, LFO
03:11 How to Fake PWM?
03:50 Differences to Minitaur
04:07 Why is it so expensive?
04:38 H*te Screen
05:04 Jam 1 ( Nordic Techno )
05:54 Jam 2 ( Drum'n'Bass )
07:04 Finale ( Melodic Downtempo Techno )
07:34 VERDICT

With the Moog Sirin.

Thursday, March 19, 2026

Deep dive into the PCO aka Precision Oscillator by Serge Modular


video upload by Stazma

"Today we check out the one of the most (seemingly) simple building block of the Serge Modular: the PCO aka Precision Oscillator.

This module does have some tricks up it's sleeve and is not as simple as it seem especialy, when it comes to it's sync behaviour, but overall it's a great sounding analog oscillator that is well... very precise hahaha.

This makes it ideal in this dual configuration to be used as a classic "carrier" / "modulator" configuration with itself and with other modules.

Have fun!"

00:00 Intro
2:32 Overview
04:38 Linear FM
06:08 Dynamic FM
08:02 Exponential FM
10:34 Hard Sync
14:46 Soft Sync
18:14 Friend with Ring
20:16 Friend with the Wave Multiplier
25:44 End talk

Friday, February 27, 2026

Ensoniq ESQ-1 Analog/Digital Polyphonic Synthesizer Workstation w/ Cartridge SN ESQ-35724-D

Note: links to listings are affiliate links for which the site may be compensated.


via this eBay listing

"This listing is for a vintage 1980's Ensoniq ESQ-1 Analog/Digital Polyphonic Synthesizer Workstation that comes with an Ensoniq Sequencer Expander Cartridge and power cord. This synthesizer is in good physical and working condition. The winning bidder will receive exactly what is pictured.

The Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but is actually an early music workstation. Although its voice generation is typically subtrative in much the same fashion as most analog synthesizer that preceded it, its oscillators are neither voltage nor digitally controlled, but true digital oscillators, provided by a custom Ensoniq wavetable chip. The signal path includes analog resonant low-pass filters and an analog amplifier.

Tuesday, February 17, 2026

Discovery Pro 8.16: New Oscillator Engine Sound Demo


video upload by discoDSP

"Explore the latest updates in Discovery Pro 8.16, featuring a superior oscillator engine, Polyphonic Aftertouch with MPE-ready routing, and the innovative Adaptive Filter Slope for dynamic, expressive sound design.

🎛️ What's New in 8.16:
Superior Oscillator Engine
Brand new analog modeled engine with warm character and richer harmonic content, especially in the bass range
Improved hard sync and FM synthesis with real-time discontinuity correction
Classic per-bank global switch to retain the traditional engine

Adaptive Filter Slope
Innovative dynamic filter character that responds to your playing style
Note and velocity matrix switching for expressive filter behavior
Accessible via filter presets popup for streamlined workflow

Polyphonic Aftertouch
Per-voice pressure routing for individual note expression control
MPE-ready for modern expressive controllers

Additional Updates
Consolidated oscillator menu with clarified phase labels
LCD status display for CPU protection state
Improved menu organization
Arpeggiator fixes

🔗 Links:
Download/Update: https://www.discodsp.com/discoverypro/"

Sunday, February 15, 2026

Knif BBD / Modcan videos pt 2 via Drew Neumann


video upload by GSF AGENCY

"'So I set up this simple patch…'
🎧🎧

While the patch would take a while to describe in great detail, here are the main points. All of the audio in the clip is coming from the Modcan processed through the Knif BBD in realtime. The Moog Subsequent 37 is sending arpeggiated notes, modulation, and pitch wheel to the STG Continuo, which is converting that to control voltage (plus internal LFO) and gate for the modular. The pitch CV is then routed to a Wiard Mini Wave, which imposes various quantized key modes and scales on the pitch. The gate signal is routed to various envelopes, LFO resets, and the Milton Sequencer (upper right) to clock everything together and keep it in sync. Milton is handling several duties including pulse width offsets for the oscillators, CV offsets for the filters, Wiard Mini Wave 2s wavetable select, and trigger outputs for the rhythmic parts. The "voice" is 3 oscillators (one of which is processed through the second Wiard Mini Wave for wavetables) through the Moog 904a filter, 2 more oscillators going to 2 Arp 4075 filters panned hard left and right, 2 oscillators plus ring modulator and spring reverb acting at the "cymbal," white noise and Dark Star Chaos triggered by Milton for additional percussion effects. The Knif BBD is tap-tempo synced to the Moog Subsequent 37's arpeggio clock. From there, everything is messing around with the Knif BBD controls, selecting notes on the Moog, and noodling around on the Modcan's front panel controls.

Drew Neumann, Droomusic ASCAP copyright 2026

@knifaudio

#analog #delay"

Wednesday, February 11, 2026

Three New Synths — The M0SS Family Kickstarter Launch


video uploads by Ultrapalace

Playlist:

1. We Made Three New Synths — The M0SS Family Kickstarter Launch
2. M0SS-201 Demo: Wave Folder Bass
3. M0SS-201 Demo: Krell Patch
4. M0SS-416 Demo: Presets
5. M0SS-416 Demo: Brian Eno's Tambura patch
6. M0SS-309 Demo: Mellow Horns and FX

"The M0SS-201, M0SS-309 and M0SS-416 are 3 new members of the M0SS line of synthesizers from UltraPalace, expanding on the flagship M0SS-101 released in 2025.

This line of instruments packs the power of an advanced synth in to a tiny, rugged enclosure, and offers a unique user interface, designed to be intuitive, hands-on, and fun. Press a button to select a parameter in the synthesis engine, and turn the encoder to modify its value.

Coloured LEDs positioned across the face will pulse and toggle to show the signal flow, indicate settings, and show the current parameters magnitude.

These synths feature USB MIDI Host, as well as 1/8" MIDI, so you can connect any MIDI controller, and map knobs or faders to any parameter using MIDI learn, allowing you to transform your inexpensive MIDI controller into a powerful and fascinating vintage-style synth, or to integrate the synth into your existing MIDI setup.

https://www.ultrapalace.com/"

On Kickstarter here: https://www.kickstarter.com/projects/...



"The M0SS-201 is a west coast synth, which takes some inspiration from the Buchla Easel. This modern monosynth is packed with features that will inspire experimentation into advanced synthesis. It is capable of an incredibly broad spectrum of sounds, and diving in, you might find yourself wondering if the sounds you are creating have ever been heard before by human ears, and the answer may well be no!"

Knif BBD / Modcan videos via Drew Neumann


video upload by GSF AGENCY

"'So I set up this simple patch...' 🎧

While the patch would take a while to describe in great detail, here are the main points. All of the audio in the clip is coming from the Modcan processed through the Knif BBD in realtime. The Moog Subsequent 37 is sending arpeggiated notes, modulation, and pitch wheel to the STG Continuo, which is converting that to control voltage (plus internal LFO) and gate for the modular. The pitch CV is then routed to a Wiard Mini Wave, which imposes various quantized key modes and scales on the pitch. The gate signal is routed to various envelopes, LFO resets, and the Milton Sequencer (upper right) to clock everything together and keep it in sync. Milton is handling several duties including pulse width offsets for the oscillators, CV offsets for the filters, Wiard Mini Wave 2s wavetable select, and trigger outputs for the rhythmic parts. The "voice" is 3 oscillators (one of which is processed through the second Wiard Mini Wave for wavetables) through the Moog 904a filter, 2 more oscillators going to 2 Arp 4075 filters panned hard left and right, 2 oscillators plus ring modulator and spring reverb acting at the "cymbal," white noise and Dark Star Chaos triggered by Milton for additional percussion effects. The Knif BBD is tap-tempo synced to the Moog Subsequent 37's arpeggio clock. From there, everything is messing around with the Knif BBD controls, selecting notes on the Moog, and noodling around on the Modcan's front panel controls.

Drew Neumann, Droomusic ASCAP copyright 2026"

Tuesday, February 10, 2026

X1L3 - ALLEYKAT - DEV - GOATED - 8580sid - all parameters brought to the front


video upload by X1L3

"Quick control voltage+gate read / register write test before moving on. And a quick look at the module front panel...

Apart from ring/sync on voice A, which i have no room for on the module design, all parameters of the 3 voices of the chip are now broken out to the user interface.

Voice A juggles the tune and drum work. Voice B is hard synced to voice 1 for the gnarly 'pro1' sound. Noise is strobed over pwm on voice 1 for the 'snare' hits.

ALL SYSTEMS GO - As 80s Williams arcade games would have said 🔥🔥🔥

There are likely a few minor bugs in the code that i'll spot as the module comes to life. But all that remains to be coded is the hooking up of some shift registers to get control of the 28 leds.

Given that this is technically a single voice demo. I'm fairly confident this machine will be capable of sounding quite authentic to the Commodore 64 and the world that moved on when it's complete and has some nice compositions made for it 🙂

GOATED ! ! !

⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿
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⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣀⣀⣹⣆⣙⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿ ⣿ ⣿
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⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⣿⣿⠶⣤⣀⠈⠙⠳⣾⣿⣿⣿⣿⣿⣿⣿⣿ ⣿ ⣿
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⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⣿⡅⠀⣿⣿⣿⣧⠀⠀⢠⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿
⣿⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣴⣿⣿⣿⣿⣾⣿⣿⣿⣿⣄⢠⣼⣿⣿⣿⣿⣿⣿⣿⣿
⣿⣤⣤⣤⣤⣤⣤⣤⣤⣴⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿⣿"

X1L3 - ALLEYKAT - DEV - GOATED - 8580sid - oscilloscope view

video upload by X1L3

Tuesday, February 03, 2026

EMW WCS-X Oscillator Demo – Wavetables, LFOs, AD Generators, PWM modulation & Sync


video upload by EMW Synthesizers

"This video demonstrates the oscillator section of the WCS-X synthesizer, focusing on its waveforms, LFOs, PWM/Wave shaping modulation, Vintage effect character, and Hard Sync behavior.
All sounds are generated directly by the WCS-X. The demo highlights the raw tonal character of the oscillators as well as their response to modulation and oscillator interaction."

Wednesday, January 28, 2026

SEQUENTIAL FOURM ♫ 75 Custom Sounds ► COMPLETE SYNTH COLLECTION


video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 COMPLETE SYNTH COLLECTION: https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

Sequential FOURM – Complete Synth Collection is a comprehensive and versatile patch bank designed to unlock the full sonic potential of the Sequential FOURM.
This soundset includes 75 carefully crafted presets, covering a wide palette of Leads, Basses, Pads, Plucks, Synths and FX, making it perfectly suited for Soul, Funk, Pop, Electronic music and many other modern and classic sch preset is optimized for musicality, expressiveness and instant usability, whether you are producing in the studio or performing live. From warm analog-inspired basses and funky leads to atmospheric pads and futuristic FX, this collection gives you a complete toolkit for professional productions.

The bank can be easily loaded via SysEx editors such as Bome SendSX (Windows) or compatible SysEx software for other platforms.

Preset Breakdown
75 Presets Total
39 Synths, Pads & FX
20 Leads
16 Basses

Synths, Pads & FX Highlights
Hard Synth, Simple Pluck, Reso Poly, Cosmic Poly, Vintage Horns, Bright Brass, Big Strings, OB-X Pad, Galaxy Pad, FM Pad, Crystals, Night Sky, Falling Stars, Outer Space, Digital Noise, Rotating Sphere, Repeater and many more.

Lead Highlights
Lost In Space, Fusion Lead, Jamiroquai Lead, Express Lead, Electro Lead, Cosmic Lead, Rock Machine, Nasty Lead, Sync Lead and other expressive solo sounds.

Bass Highlights
Phat Bass, Funky Bass, Precision Bass, Reso Bass, Deeper Underground, Thriller, Black or White, Prodigy and iconic groove-oriented bass patches.

Every preset is designed to sit well in a mix, respond naturally to playing dynamics and enhance your productions with character and depth."

Sunday, January 18, 2026

Testing a new prototype Vco by making a psytrance track


video upload by Radical Frequencies Modular

"Testing the prototype of the upcoming Radical Frequencies Retro VCO, by making a new collaboration track with @martian_arts_official , where every sound (including the bassline), is made with the Retro VCO, recorded through various Radical Frequencies VCFs. Kick is Kick 3, drums are samples. This is the single VCO prototype but a dual VCO is planned as well with some added features. A new hard sync is added for phase re-triggered bass lines and solid tuning in FM modulation lead lines.
#radicalfrequenciesmodular #eurorack #diodedreamvcf #retrovco #psytrance #electronicmusic #analogsynth #synthesizer #modularsynth"

Friday, January 16, 2026

Viscount LEGEND ‘70s MODULAR STAGE PIANO w/ SYNTH-8, FM SYNTH, & Additional Modules


video uploads by Viscount International

Playlist:

1. Introducing Legend '70s MKII | Viscount
2. Introducing FM Synth Module | Viscount Legend '70s MKII
3. A.Piano Module 2G + FM Synth Module #1 | Viscount Legend '70s MKII
4. Legend 70's MKII | A. Piano 2G Module
5. FM Synth Module Sounds Demo | Viscount Legend '70s MKII
6. A. Piano Module 2G | Legend '70s MKII
7. A.Piano Module 2G + FM Synth Module #2 | Viscount Legend '70s MKII



via Viscount

LEGEND ‘70s introduces, for the first time, the concept of MODULAR STAGE PIANO. According to your needs, you can now choose the right combination of sound generating modules with dedicated knobs and buttons. Currently the modules ELECTRIC PIANO, ACOUSTIC PIANO, CLAVI and SOUND COLLECTION are available, while many others will be available in the future, within the “ALWAYS GROWING” family. Moreover to the standard PROGRAM and EFFECTS modules an optional EXTERNAL module is available to making the instrument flexible and very powerful. The design of LEGEND ‘70s Hammer Action Keyboard perfectly matches the instrument’s sound generators. The 3 contact sensors, under each key, are able to detect the corresponding movement with the highest precision.

For the more demanding musician the LEGEND ‘70s Artist-W also offers a graded hammer arrangement where their weight becomes lighter as you climb up the keyboard.

In addition, as with the traditional acoustic grand piano, the Legend Artist-W keyboard is enhanced with real wood piano keys. These keys are made of carefully selected and seasoned wood to eliminate any defect or deformation and provide maximum uniformity and stability over time.

SYNTH-8

"A real polyphonic synthesizer with character.

Synth-8 is a two-oscillators eight-voices synthesizer with a faithful reproduction of a classic American multimode analog filter with saturation, 12dB and 24dB roll off and gritty resonance. The synth architecture is easy to understand and operate but has unique features: classical waveforms with wave shaping and detuned doubling of the oscillators with “Fat” modes, dedicated envelope for the noise, Ring Mod, Hard Sync for all oscillator modes, velocity controls for filters and envelopes. Finally, the Unison modes allow stacking up to 8 voices: with “Fat” oscillators this makes a total of 32 detuned oscillators at once! The module panel provides quick access to user’s preferred parameters by four assignable knobs. These can be also used to tweak many other parameters arranged in rows that can be navigated through dedicated buttons.

The Legend ’70s Editor has a whole screen to control the synthesizer in real-time and make the editing of new patches simple as having a real panel in your hands. The synthesizer comes with lots of pre-sets that can be selected and tweaked and stored in the Legend ’70s programs.

Last but not least, the Synth-8 module also offers a dedicated arpeggiator section, capable of cyclically playing the notes in the desired order, and 4×16 sequences that can be assigned to the generation parameters."

Thursday, January 15, 2026

SWITCHTRIX ELECTRONICS SYNTHE 'A' PLUS/EMS SYNTHI A


video upload by SWITCHTRIX ELECTRONICS

"Introducing our first new model of 2026,the SYNTHE 'A' Plus.

As well as the additional features found on our standard SYNTHE 'A' such as

Audio/Low frequency and variable CV depth for all oscillators
Variable sync depth for oscillator 2
Gate and calibrated 1 volt/octave interface for all oscillators and filter
Variable cv depth for filter with CV unslew
Trapezoid short-normal-long times with output inversion
CV control of Osc 1,2 & 3 shape,filter response and reverb mix via matrix column M
Features our custom designed 16×16 analogue switch matrix with direct switch data entry.99 patch memories.
Built into a road worthy Explorer hard case.Black,green or orange

The plus version has the following additions.

Oscillator 1 sine output can be switched to sub 1 oct square and ramp output to sub 2 octave square.
Oscillator 3 pulse output can be switched to a ramp output or random voltage with noise as its source.
Triangle output can be switched to a square output or sample & hold with the envelope shaper as source.
Meter column can be routed to input ch 1 or 2 for variable inversion.
Ch 1 has variable slew.
Output channel 2 cv invert for stereo effects.

Price is £5299.In stock for quick despatch.

For more info contact mail@switchtrix.co.uk

Thanks for looking."

Monday, January 12, 2026

S8jfou Peeps Music Box

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

You can find demos here.

"Inspired by the legendary Buchla Music Easel. Built by a guy who lives in a wooden cabin in the mountains! Here's his website () It's not really modular or patchable but there are some switches which are based on some of this guy's favourite patches on the Music Easel.

Features

2 Oscillators: First the Mod-Osc is a triangle-wave just a bit sinefolded. Second the Complex-Osc is a sine-wave with a powerful Wavefolder. Mod-Osc can modulate the

Complex-Osc and switch between FM & AM with depth for both. Both Oscillators can be Hard sync for FM synthesis. The Mod-Osc Pitch is bipolar & can go really low to act like an LFO. The Complex Pitch is unipolar. Both have Finetune for AM and not-synced FM harmonic research or perfectly tuning them together.

• 1 LFO Can be sine-wave or random sample&hold. Can act to the pitch of each oscillators & as the clock master for the sequencer.

•2 Lowpass gate One for the Mod Osc & second one for the Complex osc.

2 Lowpass filter One for the mod Osc & second one for the Complex osc.

• 1 Attack Applied to both Osc.

4 Step sequencer Can be set to each Osc & to the Wavefolder. Can run up or up&down. All step can be switched off.

• 2 Channel mixer One channel per oscillators.

• 1 Reverb With mix & time.

•1 Touch sensitive keyboard 13 keys with octave switch up & down which can act on each oscillators.

• 3 Touch plates With their own adjustable pitch.

• 1 Arpeggiator In order mode. Can be sustained, even on several switched octaves. Can be sync to the sequencer or have his own clock"

Sunday, January 04, 2026

Trilling Introduces Passaggio Digitally Generated VCO Eurorack Module



via Trilling where you'll find a demo.

"A digitally generated VCO featuring:

Dynamic 2D waveform control, providing continuous access to all core wave shapes and extended variations. Controllable via front-panel controls and bipolar CV inputs with built-in attenuverters.

Unique alternating cycle-length patterns, creating clean yet harmonically rich distortion by varying individual cycle lengths while keeping the overall period stable.

Standard 1 V/oct pitch input, an adjustable fine-tuning section, and a true hard-sync input for precise, musically stable synchronization.

Optional MIDI input via a dedicated extension module (coming soon)."

Tuesday, December 23, 2025

Schlappy Minutes - 2025 Compilation


video upload by SCHLAPPI ENGINEERING and Stazma

"As advertised...
All the Schlappy Minutes of the year, for you here in one place.
Have fun!!

More infos on all modules at:
https://schlappiengineering.com

Time stamps to all the patches:
00:00 Intro
00:35 Nibbler Chiptune Arp
01:38 Angle Grinder Pings
02:37 BTFLD Noise Generator
03:37 BTFLD Burst Generator
04:37 Angle Grinder 808 Style Kick+
05:38 Three Body Chords
06:34 Drume Machine Destruction
07:34 Stereo Sine & Co-Sine
08:35 Stereo Saw & Co-Saw
09:32 BTFLD CV to Gates
10:30 Boundary Layer Triple Envelope Follower
11:35 Boundary Layer Multi Modulation
12:41 Boundary Layer Transient Generator
13:45 Boundary Layer Cascading Envelopes
14:50 Three Body DX7 Style Algo FM
17:49 Nibbler Reset & Sub
18:42 Drone Part.1
19:41 Drone Part.2
20:43 Bound as Velocity
21:43 BTFLD Parallel Fuzz
22:39 Nibbler Chiptune Scratch
23:42 Boundary Layer Gate Delay
24:58 Band Reject Filter
26:27 Three Body Hard Sync
28:08 No Sine Phase Mod (stay till the end)

#eurorack #modularsynth #modularsynthesizer"
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