HWJ Weekend Challenge- Day of the Dead (WIP)

video upload by SynthAddict

"Maschine+

A variation on the HWJ brief - musical journey through one's life. An odd musical medley of warped music from childhood, a dark variation on the school band, a rock band motif, and a synthy phase - ending in some pipe organ bits signaling the end of life."

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

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"The Deep End" Vol. 1 - 76 Custom Novation Bass Station II Presets by Glo Phase

video upload by Glo Phase

https://www.josephrusnakmusic.com/dow...

"After ten years with this wonder of a synth and a handful of requests I decided it was time to organize my own presets into a collection to make available for download. "The Deep End" is comprised of Basses, Leads, Plucks, Duophonic Keys, as well as a few FX and Drum patches. These are a combination of some of my favorite personal patches I’ve created over the past 10 years as well as some new creations made specifically for this preset pack. I was aiming for some versatility but naturally gravitate toward sounds I personally like, as well as more usable sounds.

Patch list below. Enjoy!"

CLICK FOR MORE »

Superbooth 24 // LAST DAY // PURE IMPRESSIONS with MUSIC // Insights

video upload by LESINDES

"Impressions and amtmosphere, people and synths from Superbooth 24 of the last day of the convention.

00:00 Intro
00:01 Entering
00:52 Bungalowdorf
01:22 UDO
01:44 HAKEN Audio
01:51 BUCHLA
02:31 Back in FEZ
03:57 GDR Modular Synth
04:27 Open Air Stage
04:46 KORG Phase 8
05:11 Finished: Packing Things Up
05:56 Credits
06:16 Going Home"

Superbooth 24 // DAY THREE // SYNTHS PEOPLE ATMOSPHERE // ORIGINAL SOUND // Insights

video upload by LESINDES

You can find DAY ONE here, and DAY TWO here.

"Impressions and amtosphere, people and synths from Superbooth 24 of the last day of the convention."

00:00 Intro
00:01 Entering
00:52 Bungalowdorf
01:22 UDO
01:44 HAKEN Audi
02:14 BUCHLA
02:54 Back in FEZ
04:26 GDR Modular Synth
04:49 Open Air Stage
05:09 KORG Phase 8
05:40 Finished: Packing Things Up
06:22 Credits
06:46 Going Home

Dreadbox Murmux V3 unison bass and pulsewidth test

video upload by Phase of the Day

"Test to see how well the Murmux V3 handles bass and pulsewidth modulation. The triangle wave gives plenty of bass and the pulsewidth rips!"

Dreadbox Murmux v3 Patching

video upload by Phase of the Day

"The start of the vid is my first patch. Using the filter as a sine osc, Fm'ed by noise and the delay set to max for extra lofi. Rest of the vid is just knob twiddling :)

Audio recorded on Audacity using the Elektron Digitakt as my audio interface."

Dreadbox Murmux V3 8 More Patches

video upload by Phase of the Day

"8 more patches on the Dreadbox Murmux V3. A few of these are in unison mode. The first patch was doing something interesting when detuning the Osc's whilst FM'ing the filter with Osc two. The second patch was my, will it Boards of Canada test :)

Recorded using the Elektron Digitakt."

Hans Zimmer 'RadioPhonic' Synth @ Superbooth 24 w/ AJH Synth

video upload by AJH Synth Official

"Hans Zimmer's 'RadioPhonic' Synth from AJH Synth @ Superbooth 24 - This monster MiniMod Eurorack modular system was commissioned by Hans himself, and he was kind enough to allow us to build a limited number of exact replicas which will be individually built to order by AJHSynth. Full details of the system, along with an interview with Hans Zimmer about his use of the MiniMod system, can be found at https://ajhsynth.com.
We will have one such RadioPhonic system on display in our bungalow at Superbooth 24, along with a MinMod Keyz, a 9U full system, and a huge monster case full of AJH modules.
Richard Quirk, and Wayne Taylor (DreamsOfWires/Tomorrow the cure) will also be there representing AJH with Allan J Hall himself. We'd be glad to chat about the modules and demonstrate some in action, so feel free to pop by.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com"

Update: press release and pics follow:

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What is the Pet Rock? (Eurorack temporal rhythm generator module)

video upload by Musical Miscellany

"I recently purchased a Pet Rock. Not the traditional pet rock from the 1970s, but a Eurorack module that creates rhythms based on the phases of the moon. It's a really cool concept created by Jonah Senzel and released at Knobcon 2023.

Intro & Theory - 0:00
Logistics - 1:47
Basic Rhythms & Clock Variances - 2:55
Adding Pitch Sequences - 5:25
Adding Delay - 5:57

You can purchase one here: https://synthcube.com/cart/petrock"

Pet Rock made its first appearance on the site here.

"Pet Rock is a rogue-like rhythm generator which changes daily, with monthly modulations in style.

This 4hp Eurorack module generates a new rhythm every night at midnight that you have 24 hours to use. Pet Rock is like rhythm Wordle - everyone who owns the module gets the exact same rhythm. No internet connected needed.

Pet Rock has 2 independently clockable (gate in, gate out) 'A' and 'B' rhythms each day, so there's flexibility in how you use it/clock it. The ‘A’ and ‘B’ rhythms can be used together as one composite rhythm, split into two separate rhythms, etc.

Rhythm generation parameters change according to the real current moon phase. The overall "Mood" changes with every 30 day moon cycle to help keep things fresh. With each “Mood” change, Pet Rock switches between several custom algorithms to produce distinct styles.

IMPORTANT FINE PRINT:

Pre-orders are non-cancellable; please do not pre-order unless you are certain you want one.

synthCube is supporting Jonah’s manifesto and principle about the economics of the module as a ‘break-even’ proposition."


Introducing Pet Rock (the rogue-like moon based Eurorack Module)

video upload by Jonah Senzel

"more info at my website: petrock.site

(oops moon cycles are 29.5 days, not 31 I tried editing it into the voice over and it sounded really weird so here's your only chance to learn this vital information)"

Instruō Introduces dåpf Dual All-Pass Filter Effects Processor Eurorack Module

via Instruō

"Introducing dåpf, the first dedicated effects processor in the Instruō product line. The Instruō dåpf is a set of two analogue all-pass filters.

You might be asking yourself, “What is the point of a filter that passes everything?” All-pass filters don’t actually attenuate frequency amplitudes directly, but rather alter the phase relationship of frequencies across the spectrum. All-pass filter stages appear in the vast majority of voltage-controlled filter topologies as well as serving as a core building block within DSP.

The normalled I/O of dåpf allows for cascaded or independent use of the two all-pass filter circuits, offering everything from classic phase-shifting to psychoacoustic stereo enhancement and synthetic Doppler effect.

• Two parallel all-pass filters
• Independent attenuverters for voltage control
• 1-Pole/2-Pole configuration for left channel
• Cascaded normalisation
• Global 1 volt per octave tracking"


Instruō - dåpf Overview

video upload by Instruō

"This video is long... But the second half is very much optional expansion and deep dive into some theory of all-pass filters.
The first few examples are much quicker, more practical examples of dåpf patched.
Thanks for watching :)"
~Jason
---
00:00:00 Instruōduction
00:03:24 Overview | Stereo Enhancement
00:04:19 Stereo Enhancement - Subtractive patch sound source
00:04:55 Stereo Enhancement - Traditional stereo panning
00:06:13 Stereo Enhancement - Spectrally transparent waveshaping
00:07:22 Stereo Enhancement - dåpf inputs/outputs
00:09:42 Stereo Enhancement - Controls and CV inputs
00:10:14 Stereo Enhancement - 6dB/12dB pole switch
00:11:18 Stereo Enhancement - Mono to Stereo patching
00:15:41 Stereo Enhancement - Static phase shift
00:17:32 Stereo Enhancement - Level 1: modulation
00:19:40 Stereo Enhancement - Level 2: modulation + waveshaping
00:25:02 Stereo Enhancement - Level 3: modulation + timbre
00:27:50 Vibrato Everything
00:28:17 Vibrato Everything - What is vibrato?
00:29:35 Vibrato Everything - Non-FM vibrato
00:30:22 Vibrato Everything - (tangent: sine phase)
00:31:34 Vibrato Everything - (tangent: sine spatialisation)
00:32:37 Vibrato Everything - Non-FM vibrato (sine wave)
00:34:11 Vibrato Everything - Non-FM vibrato (sawtooth wave)
00:38:42 Vibrato Everything - Non-FM vibrato (complex audio)
00:40:46 Vibrato Everything - Non-FM... FM? ...PM! (Phase Modulation)
00:43:47 Feedback Processing |"Doppler"
00:44:33 Feedback Processing |"Doppler" - Lúbadh feedback patch
00:46:38 Feedback Processing |"Doppler" - Doppler shift description
00:48:08 Feedback Processing |"Doppler" - Doppler dåpf 1pole/2-pole
00:49:20 Feedback Processing |"Doppler" - Doppler dåpf 3-pole/-4pole
00:51:28 Feedback Processing |"Doppler" - Doppler dåpf in stereo!
00:52:02 Feedback Processing |"Doppler" - Delay feedback
00:54:54 Feedback Processing |"Doppler" - Audio rate modulation
00:56:32 Building a phaser - Deep dive into all-pass filters
00:58:44 Building a phaser - Phase shift of a fundamental
00:59:41 Building a phaser - Quadrature: sine | cosine
01:00:43 Building a phaser - Drawing perfect circles
01:01:41 Building a phaser - Drawing (non-)perfect circles
01:02:16 Building a phaser - Frequency dependent phase shift
01:04:22 Building a phaser - 1V/octave tracking
01:07:40 Building a phaser - More than one sine wave
01:08:58 Building a phaser - The harmonic overtone series
01:10:19 Building a phaser - Sawtooth wave low-pass filtered (reference)
01:11:15 Building a phaser - Phase shifting harmonic overtones
01:15:42 Building a phaser - Inside a phaser
01:18:00 Building a phaser - Stereo Phaser
01:22:19 Building a phaser - uPhaser Befaco FXBoy
01:23:46 Building filters - Any-pass filter?
01:25:05 Building filters - RC low-pass filter
01:26:03 Building filters - Spectral cancellation principles
01:28:35 Building filters - APF to LPF
01:30:10 Building filters - APF to HPF
01:32:03 Building filters - Parallel dual all-pass filters
01:37:41 Building filters - Resonant filters"

And a video from Divkid:

Wow! I didn't know All Pass Filters could do this // 3 Patches with dapf from Instruo
video upload by DivKid

"I'm always striving to learn and explore with sound and music and dapf (the new Eurorack module from Instruo) certainly brought a big slap of school day into DivKid HQ. I was aware of all pass filters, getting past the funny idea that "all" frequencies pass (so what's the point?) and knowing they were use for phase shifts. What I didn't know is how core and important to filter topologies they were and how creatively useful they could be.

Some exploring later and here we are, with 3 patches that really show the power of phase manipulation. While dapf makes a fantastically chewy phaser FX unit I didn't expect it would be such a great stereo expander for a single VCO nor did I know I could be MUSICAL and totally analogue 3 operator FM/PM (like the digital Yamaha DX and Casio CZ phase/FM methods) synth."

Xaoc Devices strikes back with Batumi II

Update via Xaoc Devices: "Unfortunately, we had made an error in the Batumi II description you received suggesting the assign waveform selection was performed on a per-channel basis even without the Poti II expander. That is not the case."

Updated press release follows:

Xaoc Devices presents Batumi II – a greatly improved and enhanced new iteration of the modern day classic that is/was the original Batumi, preserving its layout and form factor. The premise remains the same: four LFO’s with individual outputs for sine, assign and rectangle waves. The channels can operate independently or they can be linked – phase shifted, divided or multiplied (new mode alert) with regard to the first channel. Multiple major and minor improvements have been implemented, e.g. when synced to an external clock source, each channel’s frequency slider selects a clock division for that channel’s outputs.

We have managed to incorporate the features of the original expander into Batumi II (sync mode switching and assign waveform selection) without changing the size of the module which opened up new possibilities for the new optional expander. The Poti II expander for Batumi II adds multi destination inputs for sine wavefolding, assign output waveform selection or rectangle pulse modulation with the destination set for each channel independently. Poti II also features frequency input attenuation as well as sine and assign output attenuation. All adjustments may be performed separately for each individual channel or for all channels simultaneously.

The Batumi II software has been rewritten from scratch to ensure best performance. The hardware has also been updated to allow for V/oct tracking and stable operation up to audio rates (more powerful CPU, precise, wideband converters, antialiased waveforms).


Batumi II notable features:

– 4 LFO’s
– redesigned from scratch – both the hardware and software
– new waveforms for the assign output (including random)
– new frequency multiplication mode
– all features of the Poti expander incorporated into the main module
– very wide frequency range well into audio rate
– 1V/oct tracking = so can be used as 4 VCO’s
– in the Phase/Divide/Mult modes the random waves at the ASGN output follow the values available in the master/A channel
– 10HP
– +90/-50mA


PRICE: 330 EUR MSRP

Poti II expander notable features:
– per-channel input and output attenuation for the SINE and ASSGN outputs
– per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
– stores settings during a power cycle
– LED indication of the discrepancy between the stored setting and current pot position
– 4HP
– +10/-0mA from Batumi II

PRICE: 90 EUR MSRP

CLICK FOR MORE »

Synclavier Digital's Regen Gets Wider Release

video upload by Synclavier Digital

Regen Tutorials


Regen Quickies


You can find additional posts featuring demos of the Regen here.

Press Release follows:

"Synclavier Digital releases regenerated Synclavier® II trailblazer as timeless Regen desktop synthesizer bolstered by present-day DSP developments

NOVA SCOTIA, CANADA: soft-launched late last year to widespread critical acclaim at the Synthplex® synthesizer expo and electronic music festival hosted at the Marriott Convention Center in Burbank, CA, USA with pre-orders opening for fulfilment in 2023, timeless synthesis product manufacturer Synclavier Digital is proud to announce wider availability of Regen — released as a desktop synthesizer that is, in short, a real regeneration of New England Digital’s seminal Synclavier® II digital synthesizer that took the pro audio industry by storm when introduced in its initial incarnation in 1980 (evolving beyond that to blaze more technological trails with polyphonic sampling and, ultimately, DAW — Digital Audio Workstation — capabilities well before that term was invented, even), extended and enhanced to take advantage of the increased computing power available today to make it as compelling in a modern setting as the prohibitively pricey original did during its time (finding favour with top-tier film composers, record producers, and recording artists), while the considerable cost and size reductions associated with Regen’s present-day design criteria conversely position it well within reach of (almost) anyone — as of June 29…

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NAMM 2023 Zynaptiq Orange Vocoder - Its Here, Finally!

video upload by sonicstate

"Dennis from Zynaptiq was pleased to be able to finally show us the new Orange Vocoder 4 plugin, which is set to start shipping on May 1st. The plugin offers a variety of vocoding modes with 24 different options, including speech modeling and zero-latency analog modeled features. This allows users to experiment with a whole range of sound hybridization options, making it a versatile tool for creating unique vocal parts and harmonies quickly.

One of the standout features of the Orange Vocoder 4 is its built-in synthesizer, which offers a range of modulation options, different flavors of polyphonic distortion, and various ring modulation options. The plugin also features Zynaptiq's signature mouse-over menus, which allow users to hear all the options by hovering above them, making it fast and easy to come up with cool synth sounds. With a range of other features on offer, including an automatic tuning effect, the Orange Vocoder 4 plugin is a must-have for producers and musicians looking to create unique and innovative sounds.

For more information and to take advantage of the introductory offer of $149 (a hundred bucks below the regular price), head over to Zynaptiq's website and grab the plugin before the price goes back up. The Orange Vocoder 4 is compatible with VST2, VST3, AAX native audio units on Mac and Windows, and Apple Silicon native out of the gate. So, if you're looking for a versatile vocoder plugin with a whole range of features, be sure to check out the Orange Vocoder 4 from Zynaptiq.

Orange Vocoder 4: https://www.zynaptiq.com/orangevocoder/
Zynaptiq's website: https://www.zynaptiq.com/"

Based on the Prosoniq Orange Vocoder

"Heard on countless songs in multiple genres worldwide, ORANGE VOCODER AU is indeed THE classic software vocoder plug-in. Originally developed by Prosoniq in 1998, ORANGE VOCODER has since evolved through numerous iterations, always staying at the cutting edge right to this day. It has a reputation for being the single most transparent sounding and flexible vocoder plug-in available...and we at Zynaptiq agree.

ORANGE VOCODER features a built-in 32-voice synthesizer, 8 different vocoder algorithms ranging from analog modelled circuits to far-out digital cross-synthesis modes, filter-bank freezing and reverb, a 10-band graphic EQ, and more...a dream-machine for creating new sounds!


The ORANGE VOCODER features at a glance:

Realtime vocoder effects plug-in for the Apple AudioUnits (AU) format.
Flexible Carrier/Modulator Routing, including side-chain input.
Integrated 32-voice virtual analog synthesizer.
8 unique vocoder algorithms.
HF Passthrough & Voiced/Unvoiced Detector with noise generator.
Filterbank Freeze & Filterbank Reverb.
10-band Graphic EQ with Analyzer.
Integrated Hall Reverb.
ORANGE VOCODER Algorithm Selector
One Vocoder? How About 8...

ORANGE VOCODER doesn't just give you one great vocoder sound, it gives you eight. Two different 24-band analog emulations give you classic vocoder sounds in linear and minimum phase. The ORANGE VOC 3 and Classic ORANGE algorithms give you the state-of-the-art ORANGE VOCODER algorithm, as well as its digital classic counterpart from the original plug-in from 1998. The unique MR 1st order, MR 2nd order and MR 3rd order Multi-Resolution modes use wavelet transform mathematics to provide frequency dependent time resolution, and sounds ranging from extremely natural to completely synthetic, while Colorize applies the Modulator's phase response in addition to its frequency amplitude data, for a wild cross-synthesis effect."

See https://www.zynaptiq.com/orangevocoder/ for additional details.

New STG Soundlabs modules for St Patrick's Day!

via STG Soundlabs

The first is the new thing: the MooSonics Vanilla Envelope. It is a 1MU envelope generator and VCA based on a certain 1970s cream-coloured synthesiser. I have also settled on the knobs I'm going to use for this product line, kind of an MXR style. I think this looks better for these modules than the aluminum inlay knobs I use for the aluminum panel modules.

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'Classic Flute' - How to create a more realistic all-analog patch than Classic vintage preset synths

video upload by AJH Synth Official

"A more realistic flute patch than you'll find on classic vintage synths, showing how it's possible to attain a more convincing recreation of an acoustic sound with modular synths, and without the need for samples or digital modules. A truly realistic flute is too much of a tall order - a greater amount of modules, and a more complex controller, would no doubt get you nearer, but here is a more modest way of achieving a reasonable, and nice-sounding impersonation.
Some of the early self-contained synths of the 1970's tried to make useable impersonations of 'real', acoustic or familiar instruments using easily-selectable presets with a very simple voice architecture. Some sounded better than others, but whilst they were often sonically appealing in their own right, they were seldom anywhere near realistic. Among the more famous were the ARP Pro Soloist, Roland SH1000/SH2000, and the Korg 700/700S - all of which very characterful and unique instruments, with their own strengths, and much loved to this day. This patch is a nod to those classic synths, but also exploring what is possible now with modest amount of purely analogue Eurorack modules.
Patch sheet with notes below.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires

Patch Sheet: https://kvisit.com/8AE/kYAH
NOTES
_______
Green dots show approximate pot and switch positions. Pots and switches that do not have green dots are not used in this patch, and should be left at their zero or off positions. Multiple cables may branch from one output to different destinations, so here a multiple should be used.
This patch needs a lot of fine-tuning, so precise pot positions cannot possibly be illustrated, but this should serve as a starting point, from where further experimentation should be applied. The video tries to explain what is happening with the core modules, which should make it easier to understand what needs fine-tuning.
KEYBOARD: Here the controller's MOD output is used to send Aftertouch, but alternatively Velocity, or direct control from the MOD wheel/strip could be sent to the Dual LFO's CV input instead, depending on your controller and personal preference. In the video I also used the Glide module as 'slew' to soften the harsh changes in aftertouch CV from this particular controller, which may not be needed on others.
TAP TEMPO LFO: Because the base tempo is selectable by tap, the rate of the LFO will have to be set by ear.
VCO: If you don't wish to use the envelope to affect PWM, then PWM SHAPE will need to be set just below -1 - the envelope makes a subtle difference here, changing the shape of the VCO's sound slightly.
NEXT PHASE: This is optional, as the noise is heard subtly in this patch, and only becomes more apparent when the AUDIO MIX of the Gemini is in favour of VCF1 (noise) rather than VCF2 (VCO), but to my ears it makes the sound of the noise more similar (see video description).
GEMINI 2412: I'm using the 'high resonance' setting on VCF1. which is set by the rear jumper, or optionally using the Gain Switch (see User Guide video or manual on the website. Without it the resonance will need to be set to maximum, but still might not be quite enough.
Modules used from top-left to bottom-right: Glide + Noise, Vintage Transistor Core VCO, Contour Generators, V-Scale, Tap Tempo VC-LFO, Next Phase, Gemini 2412, Discrete Cascaded VCA.

#eurorack #synth #modular"

United Plugins Introduces JMG Sound Retronaut - LoFi Nostalgia Machine Multi-effect Plug-in

video upload by United Plugins

Press release follows:

United Plugins puts past into present with JMG Sound Retronaut, realised as LoFi Nostalgia Machine multi-effect plug-in

“I hate to overuse superlatives, but, it has to be said, within a minute of trying out the amazing features of the Retronaut plug-in, I was astounded. Its versatility will work across all manner of instruments, from guitars to drums; I even tried some of the effects on a piano piece, and the results were extraordinary. This is going to be a great asset for film and media compositions, as well as my commercial recordings.”

- Chris Payne, orchestral composer for film and television/synthpop pioneer (co-writer of Visage's 1981 hit single ‘Fade to Grey’/former Gary Numan backing band member), 2023

PRAGUE, CZECH REPUBLIC: independent development teams federation United Plugins is proud to announce availability of Retronaut from founding partner JMG Sound — swinging back into action and putting the (analogue) past into the (DAW-driven) present as a so-called LoFi Nostalgia Machine multi-effect plug-in, perfectly capturing the vibe of old analogue gear by mixing bucket brigade chips, cassette tapes, VCFs (Voltage-Controlled Filters), vintage choruses, vinyl records, and more to transport its users back in time to explore their magical (musical) memories — as of February 15...

Explore the past
History has it that mankind has not only travelled the world and the ‘Seven Seas’ but beyond that to take one giant leap to touch down on the Moon, meaning the sky is not the limit. Steps still need to be taken to literally leave future footprints further away from the natural satellite of Earth, yet reality reasons that humanity cannot physically step back in time to explore the past in person, however, rather relying on history to tell its story. Saying that, Retronaut, JMG Sound’s so-called LoFi Nostalgia Machine, musically transports those interested in exploring their magical (musical) memories from where they originated; after all, music has a miraculous ability to transport anyone back in time. Therefore, seatbelts should be securely fastened in readiness for an ‘analogue’ expedition through history!

LoFi Nostalgia Machine
Make sure, then, that those seatbelts are securely fastened, for an ‘analogue’ expedition through history awaits as Retronaut is assuredly announced as a multi-voice vibrato and chorus plug-in, pulsating with lo-fi effects. Indeed, it is inspired by old analogue gear with which wisened ears welcoming warmth will already be familiar — think bucket brigade chips, cassette tapes, VCFs, vintage choruses, and vinyl records... Retronaut revisits that nostalgic musical magic of the past, putting it into the (DAW-driven) present with multiple ways to age and DEGRADE the signal being processed, thanks to controls for FLUTTER (adds random fluctuations to the modulation shape, simulating tape flutter); DUST (adds noise to the modulation shape); FAIL (adds random glitches of pitch and level drops to simulate old failing gear); WARP (adds pitch drift and a little tremolo at half-rate to all the VOICES globally); DIRT (controls the amount of tape-style saturation); FEED (controls the amount of cross-feedback by taking the outputs of the VOICES and feeding them into each other); and MONO (switches the signal to mono, simulating old gear with only one speaker, such as radios).

DIVERGE, MOD, MIX, and more
Meanwhile, it is possible to offset the multi-voice engine — enabling users to MIX from a single vibrato voice up to 4 VOICES, resulting in a rich chorus — in various ways to create organic and evolving movements via the DIVERGE section: SPREAD (offsets the LFO phase in the left and right channels); LAG (introduces a time delay for each voice); PHASE (offsets the LFO phase for each voice); V2 SCALE (offsets the voice 2 modulation rate from the main modulation rate); V3 SCALE (offsets the voice 3 modulation rate from the main modulation rate); V4 SCALE (offsets the voice 4 modulation rate from the main modulation rate); and RESYNC (resets the LFO phases). But beating at the musical heart of Retronaut is its MOD (modulation) section with HP MOD (controls the modulation depth of the virtual analogue high-pass filter in both positive and negative polarity) and LP MOD (controls the modulation depth of the virtual analogue low-pass filter in both positive and negative polarity); dialling down the modulation depth for the vibrato effect with the associated VIBE control and then using other effects encourages that warm, woolly, and compressed tape sound. Shape the tone with the VCF section — anchored around those virtual analogue high-pass and low-pass filters, switchable between 2 (12dB per octave) and 4 (24dB per octave) POLE slopes, with RESO (resonance) control — and MIX to perfection. Possibilities are endless, almost: add lo-fi to drums, rich chorus to synths, and lush reverb to anything... ask orchestral composer for film and television/synthpop pioneer Chris Payne (Visage, Gary Numan), who was well versed in working with original analogue gear — of the kind that inspired Retronaut — on a number of historic hit records. “I particularly love the DEGRADE section, which can add a huge amount of expression to any sound you use,” he enthuses, ending on an equally high note: “I’ll certainly be building up a huge library of sounds using Retronaut over the coming months, and cannot wait to get started with it on my forthcoming projects.”

Key features:
Captures the vibe of old analogue gear, mixing bucket brigade chips, cassette tapes, vintage choruses, and more in one powerful multi- effect plug-in
Smoothly mix from a single vibrato voice up to four, resulting in a rich chorus
Add that nostalgic lo-fi (musical) magic with the DEGRADE section — age sound from gentle dust and warmth to old, broken gear
Control each voice independently with the DIVERGE section — offset them in various ways to create organic and evolving movements

JMG Sound’s Retronaut is available to purchase for a time-limited introductory promo price of only €24.00 EUR until March 19, 2023 — rising thereafter to its regular price of €89.00 EUR — as an AAX-, AU-, VST-, and VST3-compatible plug-in (using internal 64-bit audio processing capable of handling any sample rate) directly from its dedicated webpage (https://unitedplugins.com/Retronaut/), where a 15-day, fully-functional trial version for macOS 10.10 and newer and Windows 8/10/11 can also be downloaded for free.

Note that no iLok, dongle, or internet access is required for Retronaut activation. (All United Plugins software uses license files for activation and owners can freely use purchased software — with free-for-life updates — on all their computers, as long as they are the user.)

ADSR:LPG Card Playdate

video upload by Todd Barton

"My first day with the new Portabellabz ADSR/LPG Card. Just trying out a bunch of different things as I begin to learn it. Thought I'd share these impromptu explorations. When released they can be ordered here: https://www.portabellabz.be
My Patreon: https://www.patreon.com/synthtodd"

via Mod Wiggler

"The card features a versatile analogue VC looping ADSR (AS3310 based), a preamp, a LPG and an output mixer.

It's an ideal companion for the VCS3 Card or Triglav's Radio Receiver one to add a full 3rd voice.

ADSR

LED : monitors the ADSR output

Pots
Attack : sets the attack time
Decay : sets the decay time
Sustain : sets the sustain amplitude
Release : sets the release time

Black banana CV inputs
Attack : controls the attack time (attenuator trimmer easily accessible next to the pot)
Decay : controls the decay time
Sustain : controls either the sustain amplitude or the pulse length (see below), selected with a mini slide switch
Release : controls the release time

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Cherry Audio Introduces Sines Diverse Waveshaping Synthesizer

video upload by Cherry Audio

Introduction to Cherry Audio Sines Synthesizer with Tim Shoebridge


Cherry Audio Sines // Review and Walkthrough // East vs West, Analog vs Digital all in one synth!

video upload by Starsky Carr

"Sines is our latest original and innovative polyphonic synthesizer utilizing diverse waveshaping to bend pure sine waveforms into infinitely variable and complex shapes and sounds. With four sine-wave oscillators, wide-ranging modulation capabilities, and integrated effects, Sines users can create a distinctive array of unique timbres ranging from the sublime to the sizzling.

Cherry Audio's Sines synthesizer is now available at https://bit.ly/getsines and authorized resellers worldwide at the extraordinary price of only $39.

To get users up and running, Cherry Audio and Tim Shoebridge have again teamed up to create an introductory video to walk users through the outstanding features and sound design strategies of Sines: https://youtu.be/a_n_awi5ad0

About Sines

The state-of-the-art Sines interface provides immediate access to all sound parameters and comes alive with illuminated indicators, color, and mini oscilloscopes, providing instant visual feedback. The primary sound design controls highlight the "four of everything" nature of Sines: four LFOs with 14 wave shapes, four oscillators, and four envelope generators. At the core of each section are unique sine-wave oscillator waveshaping controls: feedback, phase, width, shape, wavefold, and drive, along with a sub and super sine-wave oscillators. Phase modulation and ratio controls allow oscillators to be configured in modulator/carrier arrangements for four-op DX/FM-style synthesis.

Sines also features Cherry Audio's most extensive multimode filter to date, an arpeggio, a "best of" selection of Cherry Audio's finest acclaimed effects, a drift function, and an eight-band graphic EQ. Many controls include an adjacent mod source button, and an outrageously comprehensive four-slot mod matrix provides considerable modulation options for nearly every Sines parameter.

Sines includes all of Cherry Audio's exceptional touches, including polyphonic aftertouch, MIDI Polyphonic Expression (MPE), flexible MIDI mapping, and its industry-leading preset browser with a massive library of over 700 presets created by our elite team of sound artists. Altogether, Sines is the complete package for new frontiers in sound design and performance.

Get Sines

Sines is now available at https://cherryaudio.com/ and authorized resellers worldwide. The software is provided as both a standalone application and in AU, VST, VST3, and AAX plugin formats for Windows and macOS, and is already compatible with macOS 13 Ventura. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, and an extensive collection of awe-inspiring sound demos."

Try the Sines demo for free at https://cherryaudio.com/products/sines

Synthesized - UK Synth Event at The Center for Computing History This Saturday & Sunday

via The Center for Computing History

"Synthesized is a two day festival celebrating the computer and synthesiser - and how the two technologies grew up together.

The two technologies have crossed paths many times since the CSIRAC mainframe played the "Colonel Bogey March” in 1951. The mighty Fairlight CMI, the PPG and the humble Dragon 32 both share the same processor - as do the Moog Source, Prophet-5 and the ZX Spectrum.

By 1990, the Atari ST found its way into almost every recording studio. Technologies from the flagship Yamaha DX7 and Roland D-50 found their way into almost every PC sound card of the 1990s. Today, modern computers can emulate almost any classic synthesiser with near perfect accuracy.

Without computers we wouldn’t have FM, wavetable, additive and phase distortion synthesis - or even be able to save the sounds on our analog synthesiser.

This year it's a special celebration - MIDI, the protocol that allows our synthesisers and computers to talk to each other, is 40 years old this year. We'll be demonstrating the power of this little five-pin cable that all electronic musicians know and love by showing a range of MIDI equipped computers.

It's with much sadness with note that Dave Smith, a key player in the development of MIDI and founder of Sequential Circuits and designer of the groundbreaking Prophet-5, has recently died at the age of 72.

Over the years we've were lucky enough to have a Fairlight CMI, a PPG Waveterm and a Greengate DS4 together in the same room. We even had Colin Holgate from Greengate and John Molloy from 80s band Mainframe to demonstrate it to us.

This year we hope the event will be even bigger, even better, even noisier and will have more wonderful synthesisers for everyone to see and use! While we're waiting to confirm exhibitors for this year - and to get you all in the mood - here's some pictures from the last event."

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Subterranean Commute || Ambient Eurorack Modular Synthesizer + Moog Semi-Modulars

video upload by Sam Kyzivat

"The year is 2130, and major cities have begun moving underground. Those who can afford it have followed. For the rest of us, a 30-floor long, 100-foot wide escalator commute starts and ends each day. The overhead lights have been expertly tuned to mimic the sunrise, and the transition from natural to artificial light is hardly detectable. As you descend, you close your eyes and mentally hit shuffle on a curated playlist of 6 minute long ambient tracks (the exact length of the trip) and a track called 'Subterranean Commute' starts playing. You didn't sleep well last night — the ceaseless low frequency rumbles from underground construction don't seem to bother anyone but you. The music fills your head and you immediately feel the tension in your shoulders relax. The algorithm has chosen well. You look around you at the sea of heads, some gently bobbing, some motionless, a scattering of head-bangers, and wonder what everyone else is listening to...

Patch notes:

RINGS, in modal resonator mode with two-note polyphony, is receiving gate and pitch CV from an arpeggio on the KEYSTEP PRO that's playing back randomly. The output is going into BEADS for clocked grain generation, which is creating a quasi-contrapuntal melody to the input material.

MOTHER-32 is receiving gate (Euclidean rhythm) and pitch CV (quantized random) from PAM's, with its internal LFO modulating the filter cutoff. It's also sending noise into RIPPLES for filtering (more apparent in the second half of the track).

DFAM, with a short VCA decay, is receiving somewhat erratic triggers from PAM's Euclidean rhythm via MOTHER-32.

STO is receiving random pitch CV from NOISE TOOLS' sample & hold circuit, quantized and offset by the DISTING EX. The sine wave output is then going into a VCA with every third pulse receiving an envelope from PAM's, giving some variation as the sound goes from a sustained note to a pluckier sound. The output is then sent to MAGNETO for tape delay.

PLAITS is in the two operator FM mode, receiving pitch CV from MARBLES, and then going to KAMIENIEC for subtle phase shifting, before heading to its penultimate destination: DATA BENDER for glitchiness followed by a VCA with a relatively slow LFO bringing it in and out of the mix."