Introducing Plinky 12 Blocks, Chords and Toadstep

video upload by Making Sound Machines

Additional videos below.

"We are super excited to introduce 3 new instruments today! Plinky 12 is a family of expressive polyphonic touch synthesizers. The three instruments are built around a shared synth engine. Designed by mmalex, it evokes the unmistakable melancholic sounds of the original Plinky. https://plinky12.com

Each instrument is designed in collaboration with a different synth maker, lending each panel a distinct playability and unique character.

Plinky 12 Chords is a harmonic inspiration machine. It lets you improvise melodies and chords, with expressive control over voicings, progressions, and immediate musical play. Created by Making Sound Machines, Chords is the panel for finding beautiful harmonic movement quickly.

Plinky 12 Toadstep is a 4-track step sequencer built for super funky riffs, experimental self-generative melodies, and good ol' Acid. Created by Toadstool Tech, the designer behind the Ectocore Eurorack module, Toadstep is fun, immediate and easy to jam with!

Plinky 12 Blocks is an open panel built for experimentation, with monome-grid compatibility, Plinky style touch synthesis, and a browser-based coding environment just a click away. While it comes with a fully playable design out of the gate, creator mmalex invites you to build your own adventure with this panel. If you can imagine it, you can make it!

In this video, Enrica and Roland from Making Sound Machines explore the three new Plinky 12 instruments: Blocks, Chords and Toadstep from left to right.

The track builds on a repeating loop created with the built-in sequencer on Plinky 12 Toadstep. The short sequence uses rhythmic step repeats, track step length and animated synth parameters to create an ostinato that keeps sonically evolving over the length of the track.

As the piece continues, Roland plays a progression of harmonies from the rainbow chord palette on Plinky 12 Chords, before launching a sequence that reharmonizes the loop heard from Toadstep. Enrica joins in playing sparkling arpeggios with her fingertips on Plinky 12 Blocks, the surface with the sunset colour-fade print.

As the track progresses, Roland plays a melodic line on Chords, then Enrica takes over with a melody on blocks. The Plinky 12 polyphonic play surface reads both play position and pressure of the touch. It enables bends and glides on the horizontal axis, while allowing for discrete arps in the vertical direction.

They end the piece with a tempo transition showcasing the septuplet feature on the internal sequencer."

CLICK FOR MORE »

Animal Factory Dirty Mirror × Korg Monologue // Fuzz Synth Jam (No Talking)

video upload by Animal Factory Amplification

"Use headphones for this one! Animal Factory Dirty Mirror dual parallel fuzz pedal running a Korg Monologue analog synth — no talking, no post-processing, just raw tone. This was recorded in one take to bring out how the Dirty Mirror becomes an instrument in itself.

A love letter to shoegaze, noise, and harsh textures, the Dirty Mirror pairs a modified Shin-Ei Superfuzz (the "Burn" channel) with a heavily modded Big Muff Pi (the "Churn" channel), plus a pre-fuzz delay modulated by an internal LFO and envelope follower. Hand-built in Mumbai by Animal Factory Amplification and debuted at Superbooth 2025.

Here it's sculpting the Korg Monologue's aggressive analog voice into fuzzscapes, drones, seasick vibrato, and pitch-shifted square-wave chaos. Recorded dry — no EQ, no reverb, nothing but the pedal and the synth. Drums from an MFB Tanzmaus (not processed)

🎛 SIGNAL CHAIN
Korg Monologue → Animal Factory Dirty Mirror → interface"

Animal Factory Dirty Mirror Fuzz on MFB Tanzmaus | Dual Distortion Delay Jam

video upload by Animal Factory Amplification

"Use headphones or speakers with good bass! Dual fuzz chaos meets beat-driven synthesis! Watch the Animal Factory Dirty Mirror transform the MFB Tanzmaus drum machine with creative distortion and delay manipulation. This is pure experimentation—no tutorial, just sonic exploration.

Gear featured:
Animal Factory Dirty Mirror Dual Fuzz Pedal
MFB Tanzmaus Drum Machine

Not just a shoegaze and noise rock machine - the Dirty Mirror is the perfect fuzz for musicians exploring wall-of-fuzz sounds, experimental synthesis, drum machine effects processing, and unconventional gear combinations."

"The Dirty Mirror takes these two behemoths of sonic perversion and adds an extra layer of nasty – using the core circuit of our Coma Reactor Eurorack module.

This three footswitch, 15 knob pedal looks complicated – but it’s not:

The BURN Channel (left side) is based on our Chemical Burn circuit, a nastier FY-6 variant.

The CHURN channel (right side) is based on a heavily modded Big Muff Pi.

There is a short delay circuit before the fuzz circuits.

Both the fuzz circuits can switch between the input sound, 100% wet delayed sound or a blend of wet and dry.

The fuzz circuits are then mixed in parallel into a high-headroom output section.

For added sickness, the delay time can be modified by an envelope follower or LFO.

Choose your filthy reflection – from straight dual parallel fuzz textures, to seasick vibrato to long slow quasi-chorus phasey apocalyptica.

The delay can be used on its own for slapback, chorus and vibrato effects.

Yes, it can get very noisy.
No, you can’t do anything about it - so weep in pain and pleasure, and submit to the swarms of square waves that joyfully fill your room."

FREE SYNTH: NILS' KAWAI K1v (Kawai K1 Emulator) - No talking demo

video upload by ADL-MusicLab

"Hello everyone!

Here's to you my "No talking demo" of this FREE emulation of the Kawai K1 synthesizer developed by Nils Schneider, which brings back to life this iconic synthesizer!

The Kawai K1 is a famous japanese classic from 1988 and it was a massive success with both the critics and the public. The company managed to reportedly shift around 50,000 of them. There also was a rackmount version (K1r) and a tabletop option (K1m).

The key to its popularity was certainly down to its sound, which combined single-cycle additive waves with PCM samples. There was another reason though: in the late 80's this D-50-style sample synthesis was out of reach of most musicians, but then the Kawai K1 came along and it was much cheaper than the Roland D-50!

Now you can have it in your DAW with this amazing FREE software emulation!

CLICK FOR MORE »

Dreadbox Murmux Sound Bank | Demo 3 (patches 52 – 76) | Synth Universe

video upload by Synth Universe

"In this video I demo patches 52 - 76 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient."

Timestamps 00:00 Long playing fifths 00:34 Sync harpsi 00:54 Wailing string 01:34 Mellow rising 02:16 Cloud pad triangles 03:11 Velo plucks 03:53 Raw slow bass 04:20 Samson lead 04:49 Recollections 05:31 Slow pitch poly 06:08 Super mellow 06:48 FM resonance 07:08 Sync bass down sweep 07:41 Analog filter trail 08:19 Meditative 09:06 Rich release keys 09:37 Brass pad 1 10:12 Coarse FM Lead 10:40 Transformation 11:23 Fading filter mod 11:54 Rich riser 12:30 Sync lute 13:03 String pad 13:45 Rising resonance 14:13 Bright poly pluck

Dreadbox Murmux Sound Bank | Demo 4 (patches 77 – 101) | Synth Universe

video upload by Synth Universe

"In this video I demo patches 77 - 101 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient."

Timestamps 00:00 Filter attack keys 00:25 Nasty bass 00:49 Plaintive lead 01:27 Resonant LFO bell 02:20 Thick detuned poly 02:46 Fluttering analog pad 03:28 Analog epiano 03:57 Raw ensemble 04:39 Ethereal sweep 05:22 Spectral promise 05:59 Mellow mod pluck 06:25 Brass pad 2 06:55 Slow Q sine 07:35 Triangle sync lead 07:58 Ambient calm 08:45 Thoughtful lead 09:11 Detuned brass 09:36 Kick sub 09:57 Hi hats 10:18 Open hat & crash 10:37 Snare 10:52 Ghost space 11:34 Effected circuits 12:16 Sonic boom 12:44 Deep sea bubbles

Synth Universe Dreadbox Murmux demos

Sound design and track walkthrough with UDO DMNO

video upload by Martin Stürtzer

"Hello and welcome to an extended sound design session with the UDO DMNO synthesizer. In this video I show the workflow of this duo-timbral hybrid analog / digital synth and design four sounds from the init patch. I use the new sounds to record a new ambient track to demonstrate the musical context, in which I use the instrument.

All music was created by a (cat assisted) human. No AI tools were involved in the production of the music and artwork.

🔔 For exclusive music releases, production walkthroughs and more please consider visiting my Patreon page. Your support is very much appreciated.
/ martinstuertzer"

00:00 Intro
01:33 Pad 1
15:11 Bass
24:22 Sequence
35:14 Pad 2
12:00 Result

Korg Wavestate - "Otherworld" 40 Performances (Soundset)

video upload by LFOstore

"LFO.store presents 'Otherworld' Soundset for Korg Wavestate.

Buy: https://lfostore.sellfy.store/p/korg-...
More Korg Wavestate presets: https://lfostore.sellfy.store/search/...

Welcome to the sound world of cinematics.

The sound pack is dedicated to organic and motion sounds.

In the bank you will find: cinematic soundscape.

The Korg Wavestate is an incredible synth with amazing features and sound that never ceases to amaze and inspire.

40 performances are waiting for you and are ready to fill your compositions with new colors and inspire creativity.

Cinematic, Electronic, Ambient, create new musical worlds with
Korg Wavestate and 'Otherworld'

Each patch of our sound set is musical and can be immediately used in your tracks and production.

Enjoy and let the music be with you!"

Distopian CyberFuture for Baby Audio Atoms (new custom presets)

video upload by NatLife Sounds

"Product Link: https://natlifesounds.com/product/dis...

Distopian CyberFuture for Baby Audio Atoms synthesizer - it's a collection of another dimension sounds from NatLife.

Even if it's still physical modeling synth, I tried to make something different and musical.

With a 64 distopian future presets, you can bring your music with fully unusual scene. This sounds can fit such genres like Synthwave, Cyberpunk, Game & Cinema sound design, Ambient, Space music and Chill Out. Of course, this doesn't stop you from using these presets in other styles.

The library contains 64 Baby Audio Atoms presets & patches, which are:

ARP - 4
Bassline - 8
FX - 5
Key - 1
Lead - 9
NL - 1
Pad - 12
Pluck - 3
Sequence - 7
Synth - 14

With this collection of sounds, find something completely unique and unlike anything else."

Dreadbox Murmux Sound Bank | Demo 2 (patches 26 – 51) | Synth Universe

video upload by Synth Universe

"In this video I demo patches 26 - 51 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient.

Buy the sound bank here: https://synthuniverse.sellfy.store"

"Any effects you hear on the sounds in this video are internal to Murmux.

A list of patches with timestamps and more information about the sound banks is below.

CLICK FOR MORE »

Pirin V1 for Behringer DeepMind 12D/12/6 by NatLIfe

video upload by NatLife Sounds

"Product Link: https://natlifesounds.com/product/pir...

Pirin V1 for Behringer DeepMind 12D/12/6/X by NatLIfe - is a new collection of mix sounds between Melodic Techno, Trance & Ambient.

This is the complex ARP programs(inspired by Martin Roth, Ben Böhmer & Anjunadeep style) together with deep atmosphere in PAD sounds(inspired by Trilucid & Colorize style), Synth, Modular, SFX, Plucks and punching modulated Bass (inspired by Stephan Bodzin & Ben Böhmer styled).

You will not find anything similar to this collection.

The Soundbank contains 50 Behringer Deepmind 12D/12/6/X presets, which are:

10 Sequenced ARP's
3 Bass
5 Modular sounds
18 Pad patches
8 FX
2 Synth
3 SEQ
1 Pluck

I developed these sounds in a place completely remote from civilization, high in the mountains, around wild forests, fields, rivers and lakes, where nature itself told me how a synthesizer should sound.

My main goal was to make an exceptional atmosphere in one library, where I worked hard on every sound for days to make it sound exactly how it should.

Timeline:
00:00 NatLife - Ruchei
02:13 NatLife - Mind & Thoughts
04:16 NatLife - Wind of Montains
05:19 NatLife - Voda Water
06:20 NatLife - Space Sound
07:22 NatLife - Beautiful Things
09:27 NatLife - Pirin"

Inside a Soviet Synth Collection – Rare Analog Sounds You’ve Never Heard

video upload by RetroSound

"In this video, I take you on a tour through my personal "Best Of" collection of rare Soviet Synths gathered over the past 30 years. These instruments are known for their distinctive sound character, shaped by unconventional engineering and vintage components.

Featured in this collection:
0:00 Rodina Alisa 1377
3:11 Formanta Polivoks
9:52 Elektronika EM-26
11:40 RMIF Opus

Each of these synthesizers offers a unique tonal palette – from raw and aggressive textures to warm analog pads and experimental sound design. Their unpredictable behavior and lo-fi charm make them especially inspiring for electronic music production.

If you're into analog synths, vintage gear, or experimental sounds, this collection showcases some of the most interesting and underrated instruments from the Soviet era.

(c)2007-26 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

synth tees: https://retrosound.creator-spring.com
Donation: https://www.paypal.com/ncp/payment/9N..."

East Block Synths playlist:

Dreadbox Murmux Sound Bank | Demo 1 (patches 1 – 25) | Synth Universe

video upload by Synth Universe

"In this video I demo patches 1 - 25 from the Synth Universe Sound Bank, a bank of 101 pro quality analog sounds for the Dreadbox Murmux Adept synthesizer, including pads, poly synths, strings, chimes, brass, leads, bass, keys, and ambient.

Buy the sound bank here: https://synthuniverse.sellfy.store"

Timestamps

00:00 Bright analog keys
00:42 Deep wobbly pad
01:39 One VCO key
02:08 PWM strings
02:52 Vintage resonance
03:30 Ambient filters
04:12 Analog echoes
04:46 Sync brass swell
05:25 Poly glide lead
06:02 Eastern chimes
06:32 PW cello pad
06:59 Flanging pad
07:52 Double filter keys
08:24 Pitch mod poly
08:56 Resonant triangle sweep
09:33 Deep scape
10:22 Soft squares
10:58 One VCO bass
11:28 Analog pulse
12:28 PW pluck
12:57 Polysphere
13:30 Reverse pad
14:21 Modulated plucks
14:49 Murmux strings
15:23 Rich sweep


"Sound bank notes

In my opinion, the Murmux Adept is a modern classic among synthesizers. It oozes quality and depth with a vintage analog sound and a strong personality. The oscillators, filters and analog stereo bucket brigade delay (BBD) interact to create a rich palette of timbres, with an inclination towards dark ambient textures.

It excels at ambient pads, textures and atmospheres so I have exploited this in many of my patches. I have also created more conventional sounds such as strings and brass which sing with power and majesty – rivalling those of the Sequential Prophet 5. Lead sounds are another strength of the Murmux, so you will find many within the bank ranging from pure triangles and sines through to aggressive and expressive saws.

Although the Murmux looks like a very simple synth - lacking complex features like a modulation matrix, in fact it is possible to create many layers of modulation simultaneously. You can for instance, assign velocity (how hard you press the keys) to modulate envelope times while also morphing between waveforms in both oscillators and using aftertouch to control filter cutoff and resonance. In this sound bank I have used modulation comprehensively and all patches have parameters assigned to the mod wheel as well as aftertouch and/ or velocity to maximise the expressiveness of the sounds.

The delay is a big feature of this synth so I have used it a lot, although you will also find traditional analog synth patches with no effects at all. The BBD resonator and ensemble modes are powerful, yet I have tended to use them for subtle modulation to thicken sounds or to create gentle flanging.

No AI was used in the creation of this video.

All musical ideas in this video are my own and are copyright to me."

TEAR - Experimental jam #31 // Vhikk X, Moog Subharmonicon, Bitbox

video upload by David Falcon

"Testing this battery powered mobile setup. The Palette case can be powered via powerbank and with the Bitbox micro I can record within the Modular case itself, without the need of any other equipment. The idea behind it is to take it outside to some special places to record, and maybe add some field recordings in the background.

I finally got to try the Vhikk X after a while trying to get one. The first few hours with it I was not very inspired by it, but kept digging and found this small melody that felt pretty emotional. Ironically the drone bass did not come from the Vhikk, but instead from my favorite, the Subharmonicon.

The Bitbox is here because it can do a lot in such small footprint. It is a sampler in the classic sense, but also is acting as a pseudo-Radio Music module with a radio sample I found, and also is recording the whole piece directly like the 4ms Wav Recorder.

In Ableton I added later on a bit of compression and EQ to even out the sounds.

I have published the first ALBUM that is acompilation of songs, some from this year and some older called "Hipotese". It is available in the streaming platforms and bandcamp. Go check it out!
https://davidfalcon.bandcamp.com

// Patch notes //
Moog Subharmonicon - Drone Bass, modulated from Pam's New Workout
Forge TME Vhikk X - Melody, sequenced from Oxi One and processed with a LPG in the Disting mk4.
1010 Music Bitbox Micro - Synth, piano and radio samples. Records the whole mix that comes out from the Befaco Output Bus. This is what makes the setup truly portable."

Ensoniq SD 1 – Vintage Digital Power

video upload by Nicolas Melis

"A sound demo of the Ensoniq SD-1.All sounds come directly from the synth, with no external effects used."

0:00. in demand - innocence piano
0:30. many roads - fm piano
0:56. flash back
1:04. organ
1:23. strings
1:33. dangerous
1:53. sd1 pad
2:18. its a synth
2:34. choir
2:44. omniverse
2:59. swellstrings
3:18. fat brass

Playing with Parting - Old Blood Noise Endeavors & Emily Hopkins

video upload by Molten Music Technology

"Running a simple bass line through the stunning Parting glitch/ambient machine and exploring the sounds. It's a very touchy feely pedal that's wasted on guitarists and really should be a Eurorack module. Full review coming soon from a synth perspective.
I bought this pedal myself."



"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
Controls

Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.

Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.

Depth sets the depth of the LFO.

Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope

Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.

Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.

Glitch creates various clock subdivisions.

Time sets the timing of the delay/reverb, as well as the reverse.

Filter sets the cutoff point of the post-dissolve filter.

Mix sets the blend of dry and wet signal.

Aux switch for tap tempo, half speed, or preset switching.

Soft-touch On/Off footswitch with relay switching for minimal switch noise"

CLICK FOR MORE »

SYNTH-WERK SW 735 MK II BODE FREQUENCY SHIFTER

video upload by SYNTH-WERK

"The model 735 Mark II is, like its predecessor, the model 735, a most sophisticated and powerful signal processor. In some of its typical applications it can change known sounds with a harmonic overtone structure into new sounds with an entirely different and new arrangement of overtones through additive and subtractive frequency shift. It thus contrasts with and complements the known pitch changers (such as the HARMONIZER), which operate with multiplicative frequency shift.

At the MIX output jacks, a mixture of the OUT A and OUT B signals is obtained, which in the center position of the MIX control is that of a ring modulator.

'...I remember my father telling me that he had completed building his new Bode Frequency Shifter Mark II. This was the unit he built for himself, for his own studio. Soon after, Florian Schneider of Kraftwerk came to visit my father at his home and studio. The Bode family were all big fans and collectors of Kraftwerk music. My father was happy for Florian's visit. He was not planning to sell and part with his new Frequency Shifter. It was a nice visit. He told me, a happy Florian Schneider left with the Bode Frequency Shifter Mark II under his arm.'

Peer Bode"

Kawai K5000W 61-Key Advanced Additive Digital Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"The Kawai K5000W is a 61-key digital synthesizer workstation released in 1996, known for its powerful Advanced Additive synthesis engine capable of producing complex, evolving textures and detailed digital sounds. The “W” model includes an onboard 40-track sequencer, PCM sample playback, General MIDI compatibility, and Kawai’s Auto Phrase Generator (APG) for composition and songwriting."

CLICK FOR MORE »

OBERHEIM TEO-5 - Synth Review, Sounds & Demo | Oberheim sound in a modern format

video upload by synth4ever

"Oberheim TEO-5 synth review, sounds & factory presets, and tutorial demo. The Oberheim TEO-5 is a modern, compact 5-voice analog synthesizer with signature Oberheim sound and many sound design possibilities. In this Oberheim TEO 5 review, I provide an overview of the TEO5 synthesizer, demo sounds and presets, and conclude with my final thoughts."

DYSTOPIA 4 for Arturia MiniFreak | One Shot Dark Improvisation

video upload by ULTIMATE X SOUNDS | Premium Synth Presets

"When you sit down with a synth at 1 PM and don't finish until deep into the night... it means you've become a hostage. You've been completely consumed by its world. I'm glad I managed to pull you into my world too. This video was recorded in one continuous shot... no edits. It’s just another proof that when the sound is right, it speaks for itself." – MR X

⚙️ What's inside DYSTOPIA Vol.4:
• 45 experimental, out-of-the-box presets
• Full compatibility: Arturia MiniFreak (Hardware) & MiniFreak V (Software - Update 4.0)
• Focus on dynamics, depth, and a dark sonic character

🔗 Check the details and download the presets here:
👉 https://www.ultimatexsounds.com/dysto...

Technical note: All audio material is a 100% improvisation recorded straight from the Arturia MiniFreak synthesizer. Master compressor was applied."

Dreadbox Murmux Adept: a Musical Exploration

video upload by Synth Universe

"A musical exploration of sounds and timbres featuring custom-created patches.

I think the Murmux Adept is a modern classic among analog poly synths, even though it was released as a limited edition in 2024 and is only attainable on the used market. It oozes quality and depth with a vintage analog sound and a strong personality. The oscillators, filters and analog stereo bucket brigade delay (BBD) interact to create a rich palette of timbres, with an inclination towards dark ambient textures."

"All sounds in this video are individual patches played straight from the synth except for ‘Alhaqueca’ and ‘Ambient layers’ which are layered tracks. No external enhancement or processing was applied to the sounds except on the track ‘Alhaqueca’ where I used a software delay plugin and a little compression and EQ when mastering."

Time stamps
00:00 Ambient filters
01:11 Velo plucks
01:53 Deep pad
02:46 Alhaqueca
06:52 Rough chimes
07:24 Deep scape
08:58 Ethereal sweep
09:41 Brass pad 2
10:12 Ambient layers
12:18 Murmux strings
13:19 Poly glide lead
13:59 Spiky ambient triangles
15:06 Modulated plucks
15:33 Nasty bass
15:58 Fluttering FM tail
16:33 Pitched delay keys
17:12 Cloud pad triangles
18:07 Expressive keys
18:47 Rich riser
19:23 Plaintive lead
20:02 Deep sea bubbles

Roland Jupiter-4: 8 Famous Songs You Know Instantly

video upload by Andy Whitmore

"Roland Jupiter-4 famous songs and riffs played on the original vintage synth. Hear 20 classic riffs across 8 famous songs recreated on a real Roland Jupiter-4 — no plug-ins, just the real thing.

Where the original records used layered Jupiter-4 parts, those layers are recreated here in the same spirit on the real synth.

Featured songs in this video:
The Human League – Open Your Heart
The Cars – Shake It Up
Depeche Mode – Photographic
Simple Minds – Love Song / Themes for Great Cities
Thomas Dolby – Windpower
Spandau Ballet – To Cut a Long Story Short
Styx – Too Much Time on My Hands
John Foxx – Europe After the Rain

Jupiter-4 programmed by Paul Soulsby
Mixed by Alex Hargreaves

The aim here is simple: let you hear what the Jupiter-4 really sounds like on classic records, while also giving you a clear view of the keyboard, performance and sound settings as each part is played.

Everything in this video is played on the actual Roland Jupiter-4 — one of the most distinctive vintage analogue synths of the early 80s, known for its raw tone, punchy filter, unique arpeggiator and unmistakable character.

No talking, no software emulations, no plug-ins — just famous Jupiter-4 parts played properly on the real thing."