Synclavier at KnobCon 2025

video upload by Synclavier Music

"Join us at KnobCon 2025 in Chicago IL on September 6th and 7th. Meet Cameron Warner Jones, famed co-inventor of the Synclavier Digital Synthesizer. Cameron will be Keynote Speaker at Saturday's Gala and there will be a Q&A Session on Sunday where you can learn more about Cameron's history and perhaps pick up some hints about what we are working on."

Synclavier's Cameron Warner Jones to be Knobcon's Guest of Honor

via Knobcon

"We are delighted to announce Cameron Jones as our esteemed guest of honor. Join us at the annual banquet for his keynote address and to help us honor him.

Cameron Warner Jones is the co-inventor and principal software architect of the Synclavier, the groundbreaking digital synthesizer and music workstation developed in the late 1970s. Jones, co-founder of New England Digital, designed the Synclavier’s real-time software engine, interface, and iconic button panel, helping create one of the most advanced instruments of its era—combining FM and additive synthesis, sampling, and sequencing. He later revived the technology through modern apps and hardware, ensuring the Synclavier’s legacy lives on.

The annual catered banquet will be held Saturday, September 6, 2025 at 7pm in the Sapphire Pavilion. Tickets are available as an add-on to your Knobcon attendance. Seating is limited."

Teaching Kids to ‘Think Like a Synth’

video upload by Anthony Marinelli Music

"What happens when you program an ARP 2600 with two curious kids? A whole lot of wild and fun sounds. In this video, Anthony shows his daughters how to “Think Like a Synth” by recreating everything from a roaring lion to a 727 jet taking off — plus rain forest, crickets, birds, fire truck sirens, and even a talking synth that says “Oh yeah!”. Many of these patches are available for you to create using the ARP 2600 patch book.

This isn't just about music — it’s about learning how to shape sound, think creatively, and have fun doing it! There’s plenty of laughter, hands-on excitement, curious faces, and “wait, what?!” moments.

If you’ve ever wondered what synthesis is all about, this video shows how anyone — even kids — can dive in — and Think Like a Synth."

"🎛️ Think Like a Synth Learn the exact method I've used for decades on hit records & films 👉 https://anthonymarinellimusic.com/pro..."

---
Crazy side note: when I (matrix) was in the 9th grade, I actually visted Anthony Marinelli's studio in the 80s on a mini field trip with a few studens in my Geometry class. Anthony sampled our voices and played them back on his Synclavier. Not long after, I bought my first synth, an Oberheim Matrix-6 in 1986. The matrix alias comes from the Matrix-6.

New Synclavier ORK II Keyboard Synthesizer In the Works

Brochure spotted by Andrew Ward at the Synclavier booth at this weekend's London Synth & Pedal Expo.

Visible text from the brochure:

"For over four decades, Synclavior hos defined the pinnacle of digital audio innovation, shaping music history.

Today, we merge our legendary sound with modern technology, delivering tools that empower creators to push sonic boundaries.

INTRODUCING THE SYNCLAVIER ORK II KEYBOARD
The ORK Il is envisioned as a groundbreaking instrument that builds on the acclaimed capabilities of Synclavier Il and Regen. Designed for professional musicians, producers, and sound designers, this keyboard fuses cutting-edge technology with legendary Synclavier sound quality to deliver an unparalleled creative tool.

Core Features at a Glance
Synclavier Heritage, Expanded Power
Enjoy all the features that made the Synclavier Il and Regen revolutionary, now enhanced with even greater flexibility and control. The ORK II combines iconic additive and FM synthesis with subtractive synthesis and intuitive hands-on performance controls.

Next-Level DSP Effects Suite
Transform your sound with a curated set of premium DSP effects, including:
Reverb: Create lush, immersive soundscapes.
Delay: Add rhythmic echoes and intricate time-based effects
Modulation Effects: Enhance your tones with..."

UVI Introduces PX WaveFrame

video upload by UVI

See this post from back in 2016 for a vintage WaveFrame flyer featuring the AudioFrame.

"UVI PX-WaveFrame - A Modern Take on a Digital Sampling Pioneer

With a blend of pristine digital sampling and freshly-crafted FX variants, a cutting-edge engine, professionally designed presets, and a vintage-styled UI, PX WaveFrame is a comprehensive and modern reimagining of a digital sampling classic.

Also included in SonicPass ➡️ www.uvi.net/sonicpass

Video credits: Anthony Hak
Music Credits: Harel Tsemah"

UVI PX WaveFrame | Preset Showcase

video upload by UVI

"With a blend of pristine digital sampling and freshly-crafted FX variants, a cutting-edge engine, professionally designed presets, and a vintage-styled UI, PX WaveFrame is a comprehensive and modern reimagining of a digital sampling classic.

Video credits: Théo G.

00:00 - Intro
00:06 - Dobachi Doux
00:17 - Rocky
00:26 - Wes Dream
00:39 - SEQ Broken IA
00:48 - Road And Seq
00:58 - Ambient String Ensemble
01:15 - Power Synth B
01:25 - Harcastlead
01:29 - Mask Power Up / KPR Five 2"

UVI PX WaveFrame | Overview

video upload by UVI

"PX WaveFrame - A Modern Take on a Digital Sampling Pioneer
https://www.uvi.net/px-waveframe"

"PX WaveFrame captures the groundbreaking essence of the WaveFrame AudioFrame, a high-end digital sampler and audio production system that made waves in the late 1980s. Developed in Boulder, Colorado, this system was a formidable competitor to the Synclavier and Fairlight, featuring advanced capabilities like non-aliased transposition, phase-coherent polyphony, and 24-bit processing features that were light years ahead of their time. Even with a focus on post-production, the AudioFrame was embraced by forward-thinking musicians and producers for its pristine sound and unique sonic character, with artists like Peter Gabriel, Stevie Wonder, and many others utilizing it for both studio and stage."

See the WaveFrame label below for additional posts.

Pro Synth Network LIVE! - Episode 242, with Special Guest, Anthony Marinelli!

video upload by Pro Synth Network

"Music Technology Discussion with Kent Spong, Andrew Longhurst & Rob Puricelli and our very special guest, Anthony Marinelli!

This week we welcome back our friend, composer, conductor. programmer, sound designer and now mega YouTuber, Anthony Marinelli. Anthony has been in the business for nearly five decades, composing music for film and advertising as well as being a go-to guy for synthesis programming, including the legendary NED Synclavier, on which he became expertly proficient.

Anthony has something very special to share with us so make sure you join us from the start of the show to find out what that is!"

Scenic California Highway 20 along the shore of Clear Lake

video upload by CatSynth TV

"We ride along California Highway 20 on the north shore of Clear Lake, from the community of Lucerne east to Clear Lake Oaks. Along the way we treated to scenic views of the lake and the surrounding volcanic peaks.

Original music by Amanda Chaudhary features:
AudioModeling SWAM Cello Section and Bassoon
East West Stormdrum II and III
Metasonix R53 and R54 modules
Cherry Audio GX-80, Memorymode, and Stardust 201
Bhargava hand drums from New Delhi, India
Strymon Starlab
Arturia Synclavier V, Augmented Brass, Tape Mello, LX-24 Reverb

If you haven't already, please check out our previous video following California Highway 29 around Lakeport to CA 20 near the start of this video.

00:00 Introduction
00:10 Lucerne
01:23 Clear Lake shore
06:49 Clear Lake Oaks
08:11 Conclusion"

Building the Synclavier | Cameron Jones

video upload by Anthony Marinelli Music

"Join us in this fascinating excerpt into the mind of Cameron Jones, co-inventor of the revolutionary Synclavier! Discover the innovative spirit and groundbreaking techniques behind this iconic instrument that transformed the music industry. From concept to creation, Cameron shares his journey of blending technology and artistry, reshaping how we experience sound. Don’t miss this chance to explore the magic of the Synclavier and the visionary who brought it to life!"

How the Synclavier & Cameron Jones Changed Music

video upload by Anthony Marinelli Music

"Step into the world of the Synclavier - the revolutionary instrument that forever changed how music and sound are created. Join me and tech expert Rob Rosen as we explore the visionary genius work and life story of Cameron Jones, co-inventor of the Synclavier. This incredible instrument redefined music production with its groundbreaking capabilities, high-res sampling to precise event editing, transforming the workflow for engineers, producers and filmmakers. Discover how the Synclavier altered the course of music history with its lasting impact on how composers could write music and what they co do with quick access to mind-blowing sounds. You'll also find out what Cameron sees for the future of music creation, expression, music tech and AI. This video is a must-watch for musicians, music lovers, inventors, tech enthusiasts...anyone with a dream!

00:00 - The Future is Now
01:08 - Video Intro
02:14 - How The Synclavier Change Music
09:39 - Early Days of Electronics
18:51 - N.E.D. The Digital Music Revolution Begins
33:06 - Selling a Dream
38:37 - Fearless Design
43:39 - Mainstream Success
51:05 - Iconic Design
1:04:57 - Synclavier Rises Again
1:09:23 - The Power of Digital
1:21:33 - Epilogue"

Resonance Studios - New Studio Featuring Vintage Synths Opens in Stockport, UK

Press Release follows

**Revolutionary Music Studio Opens in Stockport, UK: Preserving Musical Heritage for Future Generations**

**Stockport, UK, 8th August 2024** – A ground breaking music recording studio is set to open in Stockport, offering musicians from all backgrounds access to some of the most elite and rare music equipment ever made. This state-of-the-art facility, set less than 500m from Strawberry Studios (10cc, Joy Division), is dedicated to preserving musical heritage and ensuring future generations can experience and utilise these exceptional instruments.

The studio features over 250 pieces of new and vintage music equipment, including legendary items such as the Roland Jupiter 8, Synclavier II, Linn LM1, 2 Arp 2600s, a Yamaha CS50 and CS60, and the Voyetra 8. Additionally, it houses extremely rare instruments like The Waldorf Wave, Baloran The River and The Pool, Knas The Ekdahl Polygamist, and the elusive Yamaha DX1, with fewer than 150 of each still inexistence.

As the third largest studio of its kind globally, this new facility not only provides musicians with access to these extraordinary instruments but also offers comprehensive recording, MIDI sync and tracking capabilities. The sampling station, equipped with twin Technics 1210 turntables, Emu SP12 (Public Enemy, Beastie Boys), Akai MPC60 (DJ Premier, DJ Shadow), and a library of over3,000 LPs and singles, providing an authentic and diverse sampling experience.

The studio's mixing and mastering setup features elite level equipment such as Neve 1073DPX Preamps and 8816 Summing Mixer, Shadow Hills Master Compressor,2 Distressors and iconic effects including the Publison Infernal Machine 90,Lexicon 224 and Eventide H3000 which are enhanced by excellent listening and monitoring capabilities, thanks to the support from a partnership with Focal. This ensures that every project attains the highest audio standards, providing artists with label-ready quality recording.

In alignment with a commitment to the community and musical preservation, 3% of all profits are donated to the charity Shelter, supporting efforts to combat homelessness. The remaining profits are reinvested into maintaining and expanding the studio's collection, ensuring that this invaluable resource continues to grow and thrive.

Resonance Studios are also proud to announce a collaboration with local institutions to offer free studio sessions, making this incredible facility accessible to musicians who might otherwise never have the opportunity to work with such high-calibre music equipment. Further details to be announced.

This new music studio in the vibrant Stockport, UK embodies a unique blend of historical preservation and cutting-edge technology, creating a haven for creativity and innovation. Musicians, producers, and enthusiasts alike are invited to explore and utilise this exceptional space, ensuring that the legacy of these remarkable instruments continues for generations to come.

**About the Studio:** Located in the heart of Stockport, UK, our music studio is a creative space for musicians and producers. With a collection of over 250 pieces of elite and vintage music equipment, top-tier recording and mastering capabilities, and a commitment to preserving musical history, we aim to inspire and empower artists from all walks of life.

https://resonancestudios.co.uk

John Chowning, Computer Music, DX7 & FM Discovery

video upload by Anthony Marinelli Music

"It was an honor for me to interview John Chowning who is directly responsible for the way we create music today in every genre! His visionary ideas have profoundly shaped contemporary music creation, including the integration of computers, AI, digital synthesis, sound sharing, and surround sound.

He stands as a monumental figure in 21st-century music, renowned for his pioneering contributions as a composer, musician, and educator. As the founding director of the Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University, Chowning made groundbreaking strides in the field. His historic discovery of FM synthesis not only became one of Stanford’s most valuable patents but also paved the way for Yamaha’s DX7 synthesizer through their licensing of FM sound synthesis technology.

Another important aspect of Chowning's work is the simulated motion of sound through physical space creating an illusion of a continuous 360-degree space using only four speakers. John’s boundless curiosity and groundbreaking achievements have established him as a bright shining beacon of inspiration for musicians everywhere.

00:00 - Cold Open
00:42 - intro
02:27 - Read to Discovery
06:15 - Stanford & Early Electronic Music
14:26 - Discovering FM Synthesis
19:25 - The FM Enlightenment
23:14 - Yamaha DX7
31:09 - Synclavier VS Yamaha
36:02 - FM Made Simple
43:04 - The Power of Timbre
51:09 - Where are we now?"

Synclavier: Regen | Full Demo and Review

video upload by Happy Mag

"Dive deep into the world of synthesis with the Synclavier Regen! This isn't just any synth; it's a revival of a legendary brand that shaped the sound of music.

We unbox and explore the Regen, a digital FM powerhouse packed with the DNA of the iconic Synclavier II.

From Frank Zappa to The Church, this synth has left its mark on countless classics. Discover how additive and subtractive synthesis blend together to create otherworldly sounds.

We'll show you how to harness the power of 24 harmonics, create massive super saws, and explore the vast library of presets and samples.

Watch as we craft an entire song using only the Regen, from drums to bass, strings, and everything in between.

This is a must-watch for synth enthusiasts, sound designers, and anyone curious about the history of electronic music."

Dire Straits & Yamaha DX7

video upload by Espen Kraft

"Dire Straits 'Brothers In Arms' from 1985 had a lot of synths in it. Digital synths like the Yamaha DX7 and Synclavier were utilized a lot on that album.

I'm using both the DX7s and the TX802 in this video. The first string patch uses the low strings from the TX802 while the high "tremolo" strings are coming from the DX7s. Throughout the video the patches are evenly divided between these two synths. Except for the first 'Brothers in arms' string sound, no sound is layered.
Chorus and reverb are used on some of the patches.
With careful programming the DX7 can sound very lush and slick, even for string- and pad sounds. The last two patches, where I play freestyle (not Dire Straits chords)are such examples.
Both these two patches are edited from the first string patch I show in this video.

All the patches in this video were made by a guy known as Hedge777 or ElectronicSupersonic [video below]

I will not send his sysex patches to anyone so don't bother asking me. Ask him yourself.

Find my music here:
Bandcamp: https://espenkraft.bandcamp.com/

00:00 Brothers In Arms Strings
02:19 Brothers In Arms - the album
04:01 Different sounds"

Yamaha DX7 w E! My “Dire Straits” bank 1

video upload by ElectronicSupersonic

"Note that SysEx file is no longer available."

Yamaha DX7 w E! My “Dire Straits” bank 2

video upload by ElectronicSupersonic

"note that the SysEx file is no longer available."

Synclavier Regen // The 7 stages of ownership

video upload by Starsky Carr

"It's not like other synths... it's part of music history... it's complex.. it's unique... it sounds amazing... it's a thing. I've had this for a few months now, and created a couple of tracks, made a patch bank, tried re synthesis, samples, additive synthesis, single cycle samples... whole sessions and complex partials.

Here's a rundown of my experience, what it is, how it works and how to get the most out of it. We go through a number of phases
Fascination and intrigue, confusion, understanding, discovery, exploration, acceptance before finally landing on enjoyment

https://patreon.com/starskycarr
https://starskycarr.com"

MJ's "Beat It" - The Untold Story by Tom Bähler

video upload by Anthony Marinelli Music

"It's my pleasure to re-unite with my old friend Tom Bähler who generously tells us all the details of his experiences with Michael and Quincy during the making of 'Beat It'. This untold story is a result of Tom contacting me after seeing one of our videos about how to make the gong sound on 'Beat It'.

He felt it was time to fill-in some blanks in the timeline about how and when things happened and to also share some of his most intimate, inspiring moments about the creation of the song. In this segment we'll tap into a little bit of history about the Synclavier and how this game changing synthesizer got into the hands of Michael. Then you'll find out how the infamous gong sound was discovered, that it was slightly altered and who actually played it on the record. Tom is a gifted storyteller who colorfully weaves relevant and fun anecdotal sidebars in the process of describing the historical facts. He tops off this segment with the back story about Michael's incredibly drawn out search to find the perfect sound to play on the 4th beat of each bar in "Beat It". Michael had the sound in his head but needed to discover what instrument could make it. The first thing I saw when I (Anthony) arrived to play on the album was Michael hitting drum cases with 2 x 4's, but I never knew about the events leading up to that day. Now we all will. I hope you enjoy this special interview and rare opportunity to hear these personal stories directly from Tom Bähler, a living legend. And stay tuned to Anthony Marinelli Music for the other segments with Tom about Working with Michael, Working with Quincy, Arranging for "We Are the World" and writing what some consider to be their favorite song by Michael, 'We are the World'.

0:00 Introduction to Tom Bahler
1:33 Discovering the Synclavier
3:16 The Gong Story, Michael & Bruce
9:48 Copyright
12:35 Michael's Search for the 4th Beat of "Beat It"
19:40 Michael & Quincy Speaking in Colors
20:18 Conclusion"

UVI Introduces Synth Anthology 4

video uploads by UVI

Note the above is a playlist featuring 4 videos. You can use the player controls to skip through them or just watch them all in order.

Details on Synth Anthology 4 follow:

The authentic sound of 200 synthesizers, from vintage to modern
4,000+ presets and layers deliver incredible sound with hardware soul
Feature-packed dual-layer engine with fx, arpeggiator and more

Synth Anthology 4 - A Synthesizer Tour de Force
https://www.uvi.net/synth-anthology-4

Rebuilt from the ground-up, Synth Anthology 4 now features the authentic hardware sound of 200 vintage and modern synthesizers, a fully redesigned engine with powerful features, fx, arpeggiator, smart sound suggestion engine, native MPE support, and more.
A dreamlike collection!

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass

Video credits: Anthony Hak
Music Credits: Théo & Thomas

"The Best Keeps Getting Better

What's new in version 4?

Almost everything!
We've rebuilt the engine from the ground-up, added more synths, more presets, more effects, more filters, more modulation, a dedicated browser, a second fully-customizable layer for creating hybrid and blended timbres, an all-new smart suggestion engine that helps you quickly find similar sounds, a more powerful arpeggiator/phraser, bus effects, native MPE support, and more!

Real Hardware Sounds There is something unmistakable about the sound of a real hardware synth, from subtle differences between voice circuits and drift to the varied way filters bite into the sound; there's a distinct character and energy. Synth Anthology 4 delivers the authentic and uncompromising hardware sound with all the conveniences of a modern software instrument.

Every piece of hardware represents a unique creative vision, sonic character, innovations, and strengths. Whatever you're looking for, from analog to digital, vintage classic to future classic, you will find it here. Synth Anthology 4 delivers an incredible collection of hardware, every major manufacturer, every type of synthesis, every era, 200 synthesizers in all.

You won't find a more complete collection anywhere else."

The list:

CLICK FOR MORE »

Stand by Me: The Sounds Made for the Film

video upload by Anthony Marinelli Music

"In this video, Anthony tells the story surrounding the musical score from (1986) hit film Stand by Me which features an All-Star cast that incudes River Phoenix, Wil Wheaton, Corey Feldman, Jerry O'Connell, Kiefer Sutherland, Casey Siemaszko, John Cusack and Richard Dreyfuss.

We learn that the first version of the film was titled The Body, named after the novel by Stephen King. The film's director, Rob Reiner intuitively changed the film's name to Stand by Me after licensing the rights to the song with the same name written by Ben E. King along with Jerry Leiber and Mike Stoller. The name change was made only one week before the film's delivery date. With little time to spare, the musical score was re-created using the sounds and melody from the song and performed on the Synclavier Digital Music System using it's on board sequencer/recorder and employing a sound modeling technique unique to the Synclavier called "Resynthesis".

Anthony describes "Resynthesis"as creating synthesizer sounds based on samples analyzed by the computer that use cross fades of back-to-back wave tables. "Resynthesis" gives you the tonal character of the original sampled sound with all the benefits of a synth (e.g less memory, same length across the keyboard, more editing capabilities...) Along with Brian Banks, Anthony programmed all the sounds and replayed the entire score in this way after the original score by Oscar Winning composer Jack M. Nietzsche was abandoned. The film's director Rob Reiner was present throughout the scoring process. The duo had just completed work programming and performing Jack's score for the John Carpenter Oscar Nominated film Starman.

In this video you'll hear the actual sounds used in the film that Anthony loads from the original 5.25" floppy disks (that still work perfectly after being in storage for close to 40 years). The final score used a core instrumentation of resynthesized versions of a flute, stand up bass, bowed wine glasses and piano. There was no DAW in existence so all the tracks were input into the Synclavier's internal sequencer/recorder and locked to picture using the latest feature SMPTE time code. With this set up, everyone could watch the film while the music was being recorded.

Anthony also states the importance of a good film or a good song. It's all the difference in the potential of your work as a programmer, arranger or performer. He advises to step back and really listen to what you are creating to find the emotion in the sounds.

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

https://www.discogs.com/release/19915...

Instagram: https://instagram.com/anthonymarinell...

Website: www.anthonymarinelli.com"

Product Specialist Kevin Maloney - Full Interview

video upload by Anthony Marinelli Music

"In this video, I visit and talk with former New England Digital Synclavier Product Specialist Kevin Maloney while surrounded by his two Synclavier Digital Music Systems.

Together, we present a complete history of the Synclavier with a stories and examples of how we used it on some massive hit records and films.
First, we listen to a track on the the original blue vinyl record titled 'The Incredible Sounds of the Synclavier II Demonstration Record'
that was the original source sound for the intro to Michael Jackson's 'Beat It'.Kevin's talks about sitting next to Michael while working on the Bad" album.He'll show us a complete breakdown of the components that make up the "Smooth Criminal" bass sound and a recreation of the sampled drum part.Then you'll see, in real time, how Synclavier's unique sequencer can drastically and quickly manipulate (or even transform) the recreated "Smooth Criminal" track.Kevin tells us how he worked closely with producer Quincy Jones to create the intro to "We Are the World". Quincy wasn't satisfied with silver bells, so Kevin turned silver bells into gold bells. Quincy said, he wanted to “send out bells to call all the people of the world to come and hear this song”. We delve into the Synclavier's one-of-a-kind ability to analyze samples (recordings of instruments or sounds) in order to create a series of short frames that each consist of a static wavetable. By cross fading the frames the user is able to recreate the complexity of a sample with a synthesizer sound. This process is called Resynthesis. The user is now able to manipulate the synthesizer sound in many more ways than can ever be done with a sample. We then heavily distort some vocal sounds that were generated using Resynthesis to show the level of control that is possible. We take a look at some preset sampled sounds from the original Synclavier Orchestral library including the string sounds used by Mark Knopfler in Rob Reiner's "The Princess Bride". Anthony talks about how he created a flute sound generated from Resynthesis and later used it to perform practically every cue in the film "Stand by Me" which is another Rob Reiner hit. We take you through the evolution of the Synclavier that includes: The Synclavier I, the Synclavier II with it's original keyboard, the addition of the velocity and polyphonic keyboard, The expanded track sequencer, the addition of more buttons and secondary functions accessed by double clicking the buttons to send them into "blinking mode". BTW - These buttons were originally designed for the B-52 bomber.

We cover MIDI, SMPTE, polyphonic sampling voices and more memory (at a cost of $4500 per megabyte) that were available to add to your system.

We highlight the reason why the Synclavier cost so much and how New England Digital managed to integrate cutting edge 3rd party technology that all worked perfectly together in one unified music system. Finally we review the far more accessible versions of the Synclavier like the Synclavier V by Arturia, Synclavier Go! and Synclavier Pocket! and the most recent addition to the family - Synclavier Regen which actually has unlimited FM synthesis and sampler voices along with the long awaited... resonant Multimode FILTERS!!! The evolution of Synclavier is filled with a plethora of breath-taking features that were nowhere to be found on any other single instrument and it includes a discography of legendary proportion. It's also a history that's deeply personal to me because it ran parallel with my evolution as a composer, songwriter, arranger and programmer. The Synclavier is alive and well in 2023!

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

Website: www.anthonymarinelli.com"

Synclavier Under the Hood Tour

video upload by Anthony Marinelli Music

"We discuss the basic hardware and software components, how to boot up the system with a 5.25" floppy disk and some special features that were later added. Remember this is an early computer and it's physically a lot bigger than what you would expect to see today. You'll see how it's built and connected together by ribbon cables with big connectors. Also the available memory was a lot less than what we have come to expect today. The early floppy disks held no more 128 kilobytes of data and the early internal 5 megabyte hard drive sold for $20,000. Here is a list of the features in this system:

-additive synthesis
-FM synthesis with 32 voices
-5 MB Hard Drives
-monophonic sampling
-8 channels of MIDI
-filter switches
-SMPTE sync code
-2 floppy disk drives

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website: www.anthonymarinelli.com"

MJ’s “We Are the World” Synclavier Intro

video upload by Anthony Marinelli Music

"In this video Kevin Maloney and I demonstrate how the intro to 1985 Grammy winning song “We Are the World” (written by Lionel Richie and Michael Jackson) was constructed. The synthesizer sounds on the original recording were programmed by Kevin on the Synclavier II Digital Music System using its FM synthesizer engine. We break down the patches for all the featured sounds in the intro including a special sound described by the song’s producer Quincy Jones as “Golden Bells”. This sound was created to “send out bells to call all the people of the world to come and hear this song”. The music, lyrics, performances and production were a worldwide commercial success. The song topped music charts throughout the world and became the fastest-selling U.S. pop single in history. "We Are the World" received a Quadruple Platinum certification by the Recording Industry Association of America, becoming the first single to be certified multi-platinum. The promotion and merchandise helped raise more than $63 million at that time for humanitarian aid in Africa and the United States.

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website: www.anthonymarinelli.com"