The Relic: Some of the Most Expressive Analog Sounds I've Ever Played

video upload by Anthony Marinelli Music

Follow-up to this post.

"I sat down with prodigy synthesizer designer Jacob Brashears to explore his remarkable new analog synthesizer, the Relic. Rather than doing a traditional demonstration, I wanted to discover what this instrument could do by creating original sounds for it and performing them for Jacob, shaping and exploring them together in real time.

What immediately struck me about the Relic was its extraordinary expressiveness. From delicate, evolving textures to rich, powerful tones full of movement and character, I found myself creating some of the most expressive analog synthesizer sounds I've ever heard.

Throughout our session, you'll hear us play, listen, experiment, and make adjustments as the sounds evolve. We talk a little about the instrument and what makes its design unique, but most of our time is spent making music, following our ears, and discovering new possibilities.

One of the things I love most about a great musical instrument is that it can lead you somewhere completely unexpected. A small adjustment can change the character of a sound, inspire a new musical phrase, or take a performance in an entirely different direction. The Relic is especially exciting to me because of how naturally it invites any performer to find something new about themself!"

See the Shear Electronics label below for additional posts.

ENSONIQ TS-12 – Transwave & Hyper Wave Synthesizer Demo

video upload by Darksynth Studio

"Discover the unique sounds of the legendary Ensoniq TS-12, a powerful digital synthesizer known for its distinctive sound engine and expressive sound design possibilities.

In this demo, I explore sounds based on Transwave and Hyper Wave synthesis, revealing evolving textures, rich digital timbres and atmospheric tones that make this classic synthesizer so inspiring for electronic music production.

🎧 In this video:

Ensoniq TS-12 sound demo

Transwave synthesis textures

Hyper Wave synthesis sounds

Vintage digital synthesizer tones

Inspiration for synthwave, ambient, cinematic and electronic music

If you love vintage synthesizers, unique digital sounds and classic hardware instruments, this demo is for you!"

How to make the Korg Minilogue XD sound like a Roland JP-8000

video upload by MrSynthmania

"Transform your Korg Minilogue XD into a trance legend!

Get the bundle of 16 Oscillator-Models here: https://synthmania.de/produkt/minilog...

Get the iconic Roland JP-8000 SUPERSAW sound as a digital User Oscillator – with the same parameters as the original.

This is part of my complete Bundle with additional 15 powerful User Oscillators for the Minilogue XD and NTS-1 (MKi).

In this video I’m showing the SUPERSAW in a short trance track and walking through some of the custom parameters:

🎛️ Phase – Control the massive width of the 7 supersaw waves
🎛️ Mix – Balance the dry and detuned signals perfectly
🎛️ Brightness – Open up the filter character for piercing leads
🎛️ SubOsc – Add massive low-end to your supersaw patches
🎛️ Octave Switch – Choose between 1 or 2 octaves for the SubOsc
🎛️ Drive – Boost the punch of the sound

Perfect for owners of the Minilogue XD who want classic trance and progressive sounds."

"This oscillator was written from the ground up in C++ for maximum efficiency and sonic uncompromising quality. Instead of simply stacking standard sawtooth waves, the code uses mathematical refinements otherwise found only in high-end plugins:

Original detune behavior: The oscillator calculates the phase behavior of 7 synchronized sawtooths using the exact asymmetric detune ratios of the original Roland JP-8000.

Fully band-limited: By employing optimized band-limited sawtooth algorithms, the sound stays absolutely clean and free of annoying aliasing even in the highest notes.

Analog-modulated filter design: Inside the code runs a cascade of four highpass filters plus a specialized high-shelf EQ based on BiQuad filter structures. This delivers an extremely clean bass range and silky highs.

CLICK FOR MORE »

NDF - New Digital Frame Synthesizer by Max for Cats

video upload by max forcats

"Available via https://maxforcats.gumroad.com/l/kojut

Max for Cats crafts Software Instruments, Effects, MIDI devices, Sound Design and Samples for Ableton Live."

'NDF (New Digital Frame) is an eight-voice Max for Live synthesizer built on 16 sine partials stored across 8 timbre frames. Each partial has its own amplitude, ratio, FM depth, pan, shape, detune, decay and onset delay, and a frame-morph envelope blends smoothly between the frames over the life of a note."

Element Essentials: ELEMENT One Algorithms

video upload by Modal Electronics

"Unlock the true potential of your synthesizer! 🎹 In this video, we dive deep into the engine room of sound design to explore 40 distinct waveform algorithms. Whether you are looking to create searing leads, lush pads, or evolving cinematic textures, understanding how these algorithms interact is the key to breaking free from presets.

Most synths offer basic Sine, Saw, and Square waves—but what happens when you combine them aqnd add some "funky math magic" to it? In this comprehensive guide, we break down 40 different algorithmic combinations and demonstrate exactly how they shape your sound."

Synth Friday Korg Prophecy The Forgotten Future of Synths!

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you Synth Friday Korg Prophecy The Forgotten Future of Synths!

Digital does analog! The Prophecy was among one of the first synthesizers to lead a revolution started in the mid-nineties by synthesizer makers to satisfy a growing segment of the market that was lusting after old-school vintage equipment in the pursuit of making electronica-style music, by providing a state-of-the-art retro synthesizer that could sound like a classic analog.

Synthesis Engine: Powered by Korg's MOSS (Multi-Oscillator Synthesis System), supporting analog simulation with pulse-width modulation (PWM), Variable Phase Modulation (VPM) for FM-style tones, and physical modeling for brass, reed, and plucked string instruments.

Sound Design Tools: Features nonlinear wave shapers (CLIP/RESO), a sub-oscillator, noise generator, amp feedback routing, four LFOs, and six assignable 5-stage ADBSR envelope generators."

Meet the Stylophone Mini - A Playable Stylophone Keychain Synthesizer

You can find the Stylophone Mini at Perfect Circuit and Amazon.

Press release follows:

The Stylophone Mini puts iconic synth sound in your pocket...

The fully playable miniature instrument combines a metal keyboard, stylus and speaker in three collectible colours

The Stylophone Mini is a pocket-sized, fully playable celebration of one of electronic music’s most recognisable instruments.

Inspired by the original Stylophone, first introduced in 1968, the Stylophone Mini shrinks the unmistakable synth experience into a compact format made to travel. It is small enough to carry with your keys, clip to a bag or keep close at hand, yet it can still be used to play real melodies with the familiar stylus and distinctive Stylophone sound.

From David Bowie to Kraftwerk, countless artists have used Stylophone synths since 1968 and Stylophone currently offers an extensive range of products for the home and studio.

More than a collectible, the Stylophone Mini features a miniature metal keyboard, functional stylus and integrated speaker. Its simple, hands-on design makes it easy to pick up and play wherever inspiration grabs you.

Designed for music fans of all ages, it turns spare moments into opportunities to experiment, create simple tunes and share sound.

With no cables, apps or additional equipment required, the Stylophone Mini offers an immediate way for newcomers to discover Stylophone and for longtime fans to carry a little piece of synth history with them.

John Simpson, CEO Stylophone says "Stylophone is an iconic brand and we wanted to create something that allowed fast, easy creativity and also showcase a beloved synth. In the age of AI, we wanted to make something simple, fun and real".

The new model will be offered in three collectible colours: original, white and pink.

Launch date: October 8th.

CLICK FOR MORE »

Sequential FOURM Synthesizer One of his fav Synthesizers Sound Design n Fun

video upload by James Dyson

"Sequential FOURM Synthesizer One of my fav Synthesizers Sound Design n Fun
Despite only 4 voices and other limitations I love my FOURM
EXT FX"

Introducing DMNO ON — Desktop Synthesizer

video upload by UDO Audio

"DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

The ON System allows players to add an optional synth control unit to recreate the dual-panel DMNO interface, or choose from a range of expansion modules to extend it further and build their perfect DMNO. Play ON!

Soundtrack by ‪@hazelmillsmusic‬"

The New UDO DMNO ON! Desktop DMNO - with George Hearn

video upload by sonicstate

"‪@udo_audio‬ has introduced the UDO DMNO ON, a desktop version of its DMNO synthesizer that keeps the full voice count, the hybrid engine and the multi-timbral architecture while doing away with the keyboard. It is not a cut-down instrument: this is a complete 8-voice, 2-part multi-timbral DMNO in a box measuring 487 x 220 x 107mm and weighing 4.5kg, built around the same two independent analog-hybrid synth engines and retaining the flexible signal architecture of the original.

For anyone who liked the sound of DMNO but did not want another keyboard in the room, this could be for you.

DMNO ONE has the same voice architecture as the keyboard."


DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

CLICK FOR MORE »

PPG 1002 Synthesizer Black Edition

video upload by Cornel Hecht

"Only three Black Editions exist within the total production run of 102 PPG 1002 synthesizers. An all-black finish, larger control knobs, and refined analog VCOs and LFO bring a distinctive touch to this reissue while preserving its vintage character. www.ppgsynth.com"

"Three instruments worldwide.
One of them could be yours.
A SPECIAL PIECE OF PPG

Some instruments are chosen for more than their sound. They embody a history, a distinctive aesthetic, and the joy of having something special in front of you.

The PPG 1002 Black Edition is one such instrument. Limited to just three units worldwide, it combines the distinctive analog PPG sound with a design exclusive to this edition.

Finished entirely in black, with black anodized 3D side panels featuring the PPG logo and larger control knobs, the PPG 1002 reveals a new side of its personality. Clean, striking, and carefully considered down to the last detail.

An instrument to play, explore, and treasure.

Further refinements have been made under the hood: both analog oscillators have been optimized once again to bring out the authentic PPG sonic character."

CLICK FOR MORE »

Cherry Audio Introduces Pentaphonic Synthesizer based on the Gleeman Pentaphonic

video uploads by

Playlist:

1. Cherry Audio | Introduction to Pentaphonic with Mike Martin
2. Cherry Audio | Translucent Presets for Pentaphonic Synthesizer
3. Cherry Audio | "Pentaphonic Cruise" by Steve Peglar

"Cherry Audio's Pentaphonic synthesizer revives the ultra-rare polyphonic hybrid synthesizer originally developed by Gleeman Instruments in 1981. With fewer than 70 units ever produced, this synthesizer is legendary for its rich tone, distinctive design, and pioneering sequencing capabilities. This emulation faithfully reproduces the lush sound of its digitally controlled oscillator (DCO) and analog-filter architecture while capturing the visual essence of the synthesizer "made to be seen, not just heard."

https://cherryaudio.com/products/pent... Cherry Audio has taken its capabilities to new heights with expanded polyphony, expressive performance, polyphonic and parameter sequencing, and a library of studio-quality effects. Our visual makeover offers a choice of stunning designs inspired by the various looks it sported during its brief existence."

Cherry Audio Pentaphonic: A rare synthesizer masterpiece reborn

video upload by CatSynth TV

"CatSynth presents a deep dive into the new Pentaphonic from our friends at Cherry Audio. This is a recreation of the extremely rare Gleeman Pentaphonic synthesizer, complete with its unique look featuring crystaline transparent knobs and a translucent body. The Pentaphonic was an analog polyphonic synth with a few twists, including three digital oscillators with microcontroller-generated waveforms that were fed into an analog Steiner Parker filter. We explore the emulation of these unique features as well as Cherry Audio's enhancements for modulation, effects, and motion. We also check out a few of the factory and expansion-pack presets.

00:00 Introduction
00:25 History of the Gleeman Pentaphonic
01:10 UI Overview
02:06 Oscillators
07:52 Filter
13:15 Amplifier
15:19 Voice modes
16:57 Effects
19:54 Arpeggiator
22:30 Sequencer
26:38 Factory Presets
30:03 Translucent (James Dyson) expansion pack presets
33:17 Andrew Longhurst pack presets
35:50 Conclusion"
Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth




Press release follows:

"Made to Be Seen, Not Just Heard." Pentaphonic resurrects one of the rarest synthesizers ever made: the 1981 Gleeman Pentaphonic.

Cherry Audio is proud to announce the release of Pentaphonic, an innovative virtual instrument that resurrects one of the rarest synthesizers ever made: the Gleeman Pentaphonic. With fewer than 70 units of the original hardware ever produced, this software version is a compelling opportunity for vintage synth enthusiasts and music producers of all genres.

CLICK FOR MORE »

Hardware Synthesizer Live Jam | Hydrasynth Deluxe | Novation Summit | Bitwig DAW

video upload by Paweł Spychała

"A live ambient performance recorded in Bitwig Studio, featuring two powerful synthesizers: the ASM Hydrasynth Deluxe and the Novation Summit.

Everything was performed and recorded live into Bitwig Studio without overdubs to capture the organic feel of hardware synth sound design.

Gear Used:
• ASM Hydrasynth Deluxe
• Novation Summit
• Bitwig Studio (DAW & Audio Capture)"

AnalogFX Announces Availability of Limited-Run LARYNX

AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

Sequential Pro 3 Synthesizer Fun and Sound Design

video upload by James Dyson

ELZ_1 core Tutorial – Sound Design with the New V3 Features

video upload by ChrisLody

0:00 Teaser 0:30 Intro 1:18 Overview 1:56 Connections 2:30 Trig Button 2:54 Connecting a Controller 3:10 Controls 4:20 Macros 5:12 Patch Selection 5:44 Patch and Pattern Demo 6:21 Favourites 6:41 Quick Select 7:18 Sound Design Tutorial 8:03 New Workflow 10:28 Layer Config 11:22 Edit Macros 12:34 Edit ModWheel 14:07 MW Example 14:39 Crossfade Example 16:20 Multi Macro to MW Example 16:36 Save Patch 16:51 User Tags

"If you'd like to support the channel you can grab a 'Pay What You Want' album from my Bandcamp. https://chrislody.bandcamp.com"

"Full Disclosure: I occasionally take on freelance work at Sonicware on an hourly rate producing synth & sample sound design, beta testing, checking English text and videos like this.

ELZ_1 core – Made to order: https://sonicware.jp/pages/elz_1-core

The ELZ_1 core is the third in Sonicware's ELZ_1 series, this time in the form of a small and very powerful desktop synthesizer. To learn more about its synth engines, please see my ELZ_1 playlist:"

Sonicware ELZ_1 tutorials [use the player controls once started to skip around]


Playlist at the time of this post:
1. ELZ_1 core Tutorial – Sound Design with the New V3 Features
2. ELZ_1 play V2 (version 2.0) Quick Guide - Waldorf Wavetables, Layering, New Effects + More
3. SONICWARE ELZ_1 play full tutorial
4. ELZ_1 play - Synth Engine & Looper Showcase

Currents & Nostalgia - Patch making with the coming synth from Unusable Engineering & more presets

video upload by Unusable Engineering

"This is the second video showing about the coming software synthesizer from Unusable Engineering.

This time it is both preset making and showing off presets.

0:00 - 9:40 Patch Making and Workflow (talk and action)
9:40 - 19:58 Presets Playing

This video is going through the basic workflow in Currents & Nostalgia - using its two oscillators, the filter and the slot sequencers.

The idea is to give you a feel for how it is to work with the synth and how it sounds.

After making a new preset, which in no way was prepared, I play through quite a few of the other presets with a touch of reverb on the output. I use Geometry Reverb (which is free with any paid purchase from unusable.net). In the patch making section I also use a few other effects from Unusable Engineering on the very end. Ensemble Diffuser which is an analog style modulation plugin, Geometry Delay which is a multi-tap delay and Cavitation Fractures, which is a fluid simulator reacting to sound and affecting sound. (They are all available already).

CLICK FOR MORE »

Currents & Nostalgia - Coming synth from Unusable Engineering - First Preview - 47 presets - No Talk

video upload by Unusable Engineering

"This is the first video showing of some sound examples of the coming software synthesizer from Unusable Engineering.

I am playing almost 50 preset from Currents & Nostalgia - the first 6 minutes are fully dry, after that I have added reverb from Geometry Reverb (which is free with any paid purchase from unusable.net).

The synthesizer is based around 2 circuit modelled oscillators based on a sawtooth-core of my own design. It is a quite classic, simple synthesizer design, brought a bit more to life by two slot sequencers.

The main idea behind the synth has been to build a synth that was easy to understand and master, while having an inspiring core sound. There are no features hidden in menus, everything available is shown in the interface.

The plan is to release the synth in November 2026. It will be available for Windows and MacOS as VST3i and AU. Current bundle owners will of course get a discount. But I have not decided on a final price yet.

All the Best,
Rasmus Nyåker
Unusable Engineering"

Amiteque FM-01 – Hardware FM Synthesizer with Original Yamaha YM2164 Chip

video upload by Amiteque Electronics

"Amiteque FM-01 — Hardware FM Synthesizer Module

The Amiteque FM-01 is a modern hardware FM synthesizer module built around the original Yamaha YM2164 (OPP) FM synthesis chip, the same sound engine used in the Yamaha FB-01.

Unlike software emulations, the FM-01 generates its sound using a genuine Yamaha hardware FM chip.

The FM-01 combines the characteristic sound of classic 4-operator Yamaha FM synthesis with a modern standalone design and straightforward front-panel operation.

Main features:
• Original Yamaha YM2164 (OPP) hardware FM synthesis chip
• 4-operator FM synthesis
• 8-voice polyphony
• Multitimbral operation planned
• Front-panel voice and setup controls
• 16×1 LCD display
• MIDI IN / OUT / THRU
• SysEx support
• Stereo 6.3 mm audio outputs
• External 9 V DC power supply
• Designed and developed in Canada

This demo features the Amiteque FM-01 together with the Amiteque AR-110 analog drum synthesizer and other studio instruments.

FM-01 is currently under development.

More information:
www.amiteque.com"

The Resynator - Alison Tavel | Podcast

video upload by Sound On Sound magazine

You can find additional posts featuring the Musico Resynator here.

"Alison Tavel talks to Rob Puricelli about Resynator, her documentary exploring the history of the synthesizer invented by her late father. They discuss reconstructing the instrument, its innovative design and early history, tracking down surviving examples, and placing the Resynator into the hands of contemporary musicians.

Chapters
00:00 - Introduction
01:28 - Reasons For Making The Film
12:41 - What Is The Resynator?
20:05 - Reconstructing The Resynator
27:32 - Interviewing Peter Gabriel
31:28 - Filming in Colombia
40:00 - Where To View The Film

https://www.soundonsound.com/people/r...

Alison Tavel Biog
Alison Tavel is a filmmaker and music archivist, currently serving as Director of Archives for Nirvana and previously working with the Tom Petty Estate. Her work with archival material has included directing music videos, documentary projects, commercial spots and EPKs, as well as producing and overseeing archival content for major releases. She was a producer on the 2024 restoration of Cameron Crowe’s Heartbreakers Beach Party and an archival producer on the feature documentary Tom Petty: Somewhere You Feel Free. Earlier in her career, Alison worked in music management and supervision before moving into touring and studio support for artists including Grace Potter, Beck and Jenny Lewis. RESYNATOR is her feature directorial debut, which won the Audience Award following its premiere at SXSW. The film explores the story of the pioneering synthesiser created by Alison's father Don Tavel and its rediscovery decades later.
https://www.resynator.com
Instagram: resynator
Facebook: / resynator
http://x.com/resynator

Rob Puricelli Biog
Rob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.
www.failedmuso.com
Twitter: @failedmuso
Instagram: @failedmuso
Facebook: / failedmuso"

Synthetic Sound Labs Announces Wave Oracle™

Synthesizer module review of the the Wave Oracle video upload by Synthesizer Sound Design

"Synthetic Sound Labs Wave Oracle Model 1910

This video is a review of the 5U / MU multi-function module from Synthetic Sound labs - The Wave Oracle.

The Wave Oracle exists to inspire curiosity about signals—and creativity in what you do with them. Your synthesizer makes voltages, but you usually experience the result through your ears. Wave Oracle adds another way to explore: you can see what is happening while you listen.

Time Index

00:42 Title
00:45 What is the Wave Oracle01:22 What I like about the Wave Oracle
02:56 How I will use the Wave Oracle
03:38 Review of the functions or the Wave Oracle
05:05 Examples
05:08 Understanding Modules Better
05:45 Inverted Envelopes Made Easy
08:26 Examining Harmonics
09:48 Through-Zero FM
10:54 Lissajous figures
12:33 Final Thoughts

** THIS VIDEO IS SPONSORED BY SYNTHETIC SOUND LABS ** they have funded the creation of this video."

Press release follows:

Synthetic Sound Labs announces Wave Oracle™, a multi-function signal visualization and learning instrument designed specifically for modular synthesizers. See and explore your sounds.

Wave Oracle™ combines oscilloscope, XY, spectrum analysis, tuning, metering, audio-responsive visualization and integrated learning functions in a single module. Four signal inputs allow several points in a synthesizer patch to remain connected simultaneously, with channel selection available within applicable modes.

Wave Oracle™ is designed to be easy to learn and use, without requiring a background in electronics or test equipment.

SCOPE
Wave Oracle™ can display signals from oscillators, envelopes, LFOs, modulation and complete voices.

The oscilloscope views these as voltage changing over time, revealing the actual shape and timing of a signal. Laboratory-style adjustable timebases, vertical scaling, positioning and triggering allow visualization and measurement of up to four independent synth signals at once.

XY
Plots two signals against one another to display phase and frequency relationships, modulation and Lissajous figures. XY uses Channels 1 and 2 as its X and Y signal sources.

FFT
Where SCOPE shows voltage over time, Wave Oracle™’s FFT modes reveal frequency content and how it changes over time. Multiple spectrum displays provide different views of fundamentals, harmonics, noise, filter response and the evolving spectral content of complex sounds and complete voices.

Automatic and manual display scaling accommodate signals ranging from individual oscillators to dynamic musical material.

TUNER
Measures frequency and musical pitch for oscillator tuning, matching pitches and checking oscillator tracking.

CLICK FOR MORE »