Novation BassStation: Everybody Needs A 303 (and then some)

video upload by BucketBrigade

"Today, we’re featuring the BassStation - the original, you might say! This was the first synthesiser from a company called Novation - they’ve been rather busy since.

We’ll talk about the story of its development, the market at the time of its release, and comprehensively cover the features of the BassStation from the oscillators, filters, envelopes and utilities. Hopefully by the end of this video you’ll know far more about this synthesiser than you ever wanted to. Thanks for watching :)

My thanks to Keith Littler and Steve Davies for their help in production, as well as Mark for loaning me his synthesiser.

Here is a link to the Novation Bass Station 1 manual. There are separate manuals for both the Bass Station Rack and Super Bass Station: https://www.polynominal.com/novation-...

All music in this video was composed by bucketbrigade Music, 2019-2025, except for the demonstration track of Try Again by Aaliyah recorded by bucketbrigade Music and Beautiful Day by Keith Littler. With the exception of those tracks, they will be available for download in due course.

BucketBrigade Ident sound effects from the BBC Sound Effects Library.

Chapters:
00:00 Intro
02:08 The History
06:35 Demo Track 1 - BassStation Only
09:02 Overview of the unit
10:20 Pre-flight checks, Key’B Util Mode, MIDI
16:08 Tuning
17:11 Patch Memory
19:31 Oscillator 1
20:16 Osc 1 & 2 Modulation
21:57 Oscillator 2
23:52 Filter
27:20 Demo Track 2 - 'Try Again'
28:40 Envelope
34:44 Demo Track 3 - Bass Station Post-rock jam
38:18 Final thoughts
43:23 Credits"

The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

CLICK FOR MORE »

GAMECHANGER Launches the MOTOR Pedal

You can find demos in previous posts here.

Check with dealers on the right on availability and price.

Press release follows:

"Gamechanger Audio Officially Releases the MOTOR Pedal

Electromechanical sound. A gas pedal for your guitar. The ultimate analog noise-machine.

Riga, Latvia – September 29, 2025

After years of development and anticipation, Gamechanger Audio is proud to announce that the MOTOR Pedal is finally available to the public. First teased as a wild experiment back in 2019 and reintroduced earlier this spring as a pre-order, the MOTOR Pedal is now shipping worldwide—bringing a completely new category in sound and performance machines to guitarists, producers, and sonic explorers everywhere.

At its core, the MOTOR Pedal is built on two groundbreaking technical achievements:
A fully controllable musical motor oscillator that transforms brushless DC motors into living, breathing sound sources.
An proprietary monophonic pitch-tracking engine that follows guitars and virtually any instrument with surgical accuracy.
These breakthroughs were forged over years of experimentation. From 2019 to 2022, Gamechanger Audio developed and released the MOTOR Synth MKI and MKII—the world’s first polyphonic synthesizers to use electric motors as vari-speed oscillators. More recently, the company perfected pitch tracking with its acclaimed AUTO Series pedals, released late 2024 The MOTOR Pedal builds directly on these innovations, fusing them into a compact stompbox—creating a powerful, unpredictable, and endlessly fun performance tool.

And in true Gamechanger style, it’s not just about the sound. The MOTOR Pedal introduces a completely new way to control it: a real acceleration foot pedal. This gas-pedal-style controller turns dynamics, pitch bends, and rhythmic sweeps into something you literally drive, delivering an adrenaline-fueled approach to expression that no other stompbox offers.

“Back in 2019, the original MOTOR Pedal was just a spark that set this whole journey in motion - what if we could play MOTORS as Oscillators!?” says Gamechanger Audio founder Ilya Krumins. “Since then, through the MOTOR Synth MKI and MKII and the AUTO Series, we’ve gone deeper and deeper into the world of electromechanical sound. At this point, we feel like we know pretty much everything there is to know about making music with motors and the MOTOR Pedal is the culmination of that knowledge, and the most fun, immediate and accessible way to experience it.”

Key Features:
● Real electromagnetic motor oscillator driven by precision pitch tracking
● Gas-pedal controller with five modes - for dynamic, physical expression
● Hybrid electromechanical + digital signal path for unique textures - five MOTOR engines - each with unique sound
● Compact form factor built for pedalboards, studios, and live rigs
● Replaceable motor block for extended lifetime and serviceability
● Powered by Gamechanger Audio’s MOTOR Synth (MKI & MKII) and AUTO Series technology

The MOTOR Pedal is now shipping worldwide from www.gamechangeraudio.com and with selected dealers world-wide.
The MOTOR Pedal is priced at 399 USD and 399 EUR (incl. VAT) respectively.
For more details, demos, and ordering information, visit www.gamechangeraudio.com."

Rare Gear Demo: The Johnson Intonation Trainer (1966)

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Instrument Attic

via this eBay listing

"The 1966 Johnson Intonation Trainer is a rare and intriguing instrument developed by the E.F. Johnson Company of Waseca, Minnesota. Originally designed to assess pitch-matching and pitch-discrimination abilities, this device has garnered attention for its unique features and potential applications in modern music production.  

One of the standout characteristics of the Johnson Intonation Trainer is its full polyphony, allowing all 37 keys to be played simultaneously. Each key is associated with its own oscillator, enabling microtonal adjustments and the exploration of unconventional scales and tunings. The instrument offers four distinct voicing options, ranging from basic sine waves to more complex, reedy tones. Additionally, the “Scale Selector” switch provides a choice between standard tempered tuning and a tunable mode, with individual “Tunable Scale Controls” corresponding to each note on the keyboard for precise pitch calibration.    

Housed in a robust fiberglass case, the Intonation Trainer features a built-in speaker, though it can also be connected to external amplifiers or mixers via standard 1/4” outputs. Some units include a vibrato effect, though functionality may vary between models. 

In contemporary settings, the Johnson Intonation Trainer has found a niche among experimental musicians and sound designers. Its ability to produce rich drones and facilitate microtonal exploration makes it a valuable tool for creating unique sonic textures. The instrument’s vintage analog circuitry imparts a distinctive warmth and character that is highly sought after in modern music production.

Due to limited production and the passage of time, functional units of the Johnson Intonation Trainer are exceedingly rare. Finding one in full working condition, complete with original documentation, is a remarkable discovery for collectors and enthusiasts alike. The scarcity of this instrument, combined with its unique capabilities, underscores its status as a treasured piece of audio history."

via this eBay listing

"Made in 1966 in Waseca, Minnesota by the E. F. Johnson Company. Originally designed as an ear training and intonation device, but in practice it is a unique fully polyphonic analog synthesizer with extensive tuning control. Very few were made, and surviving examples in this condition are vanishingly rare.

CLICK FOR MORE »

Oxford Synthesizer Company OSCar w/ Original Manuals & Keyboard Report

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Rare synth alert! 80s Oxford Synthesizer Company OSCar Analog Monophonic Synthesizer with MIDI In/Out/Thru and a new battery. Recently serviced.

The Oxford Synthesizer Company OSCar with factory MIDI is a rare British monophonic/duophonic synthesizer, produced in the early to mid-1980s, celebrated for its hybrid digital-oscillator/analog-filter design and aggressive, cutting tone."

CLICK FOR MORE »

Introducing OVUM for Eurorack - Analog Oscillator Bank by Crows Electromusic

video upload by Crows Electromusic

You might remember the stand alone version of OVUM from previous posts here. OVUM has now been ported to eurorack.

Press release follows:


Introducing OVUM for Eurorack - analog oscillator bank

August 6, 2025 - Crows Electromusic, a small synth company fromVancouver, Canada, is thrilled to introduce OVUM for Eurorack, a modular adaptation of our standalone synth OVUM. OVUM for Eurorack is a powerful, all-analog, drone and modulation source designed for exploratory sound synthesis, ambient, drone, and noise music. With five individually controllable and individually routable triangle-core oscillators, OVUM for Eurorack gives you a bank of raw material ready for use in your modular system - as droning dissonance, thick chords, or slow swelling modulation signals.

Features:

• 100% analog circuitry
• Five triangle-core oscillators
• Crossfade between triangle and square waves
• Switch each oscillator to audio-rate or LFO rate
• 4 individual outputs, normalled to 1 main output
• One-control-per-function interface
• 20hp, 3U eurorack standard
• Handmade in Canada

OVUM for Eurorack is our third release, and our first Eurorack module.

It builds on what we’ve learned making standalone products; the palm-sized FM drone box Lore, and the original OVUM. The main challenge of adapting a standalone synth to modular is: how does this fit into a modular context? Five more oscillators is always useful, but with OVUM for Eurorack we’ve built something that can be more than that - an instrument with space available to interact with, either as the voice of your composition, or as the control center for your modulations. We hope OVUM for eurorack will be the place your hands go first when you’re performing a patch.

While it’s designed with ambient, experimental, noise and drone music in mind - we think OVUM for Eurorack is going to be at home in virtually any type of modular system.

OVUM for Eurorack is available now for $150 USD / $200 CAD.

Crows Electromusic is a small synth company based in Vancouver, Canada. Started by Cory Alder in 2023. Crows’ goal is to develop new hardware instruments that challenge the established ways we interact with sound and music creation. Their first product, OVUM, was released in 2023, and their second product, Lore, was released in early 2025.

For more information, please visit Crows’ website at https://crowselectromusic.com/ or follow us on social media (Instagram, Bluesky) at @crowselectromusic.

CLICK FOR MORE »

Pittsburgh Modular 2025 Summer Update / New Modules / Synth Sale / New Stands / Q&A with Richard

video upload by Pittsburgh Modular Synthesizers

"Richard Nicol offers a summer 2025 update for Pittsburgh Modular with 3 new eurorack modules, new eurorack case stands, a July synth sale, and anything else the chat wants to know. Good times."

https://pittsburghmodular.com/

Introducing Crow 3, Double Helix Wavetable Processor, and Local Florist 2

Pittsburgh Modular Safari Series 9 is full of classic sounds, unique effects, and lo-fi digital chaos.

Crow 3 Filter
The latest iteration of the Crow pairs the destructive power of the original, Safari Series #1 module with the smoothest iteration yet of the Pittsburgh Filter sound. This module can sound beautiful or brutal or both.

Double Helix Wavetable Processor
Ten years ago we created a chaotic, low-fi, digital 9-bit wavetable oscillator module. After testing the prototypes, the limitations of our small company forced us to shelve the finished module before a full production run was realized. Recently, we made the mistake of gifting one of these ancient prototypes to our good friend who promptly posted a video and story on SonicState that caused our inbox to explode. So, due to popular demand, the Double Helix Wavetable Processor is finally here.

Local Florist 2
More feedback and a larger palette of options pushes the Local Florist 2 deeper into a unique world of experimentation. The Local Florist 2 offers a range of possibilities effects including flanging (kinda), chorus (yes), reverb (true), spring-y feedback sounds (all day), karplus strong (not really, but sorta), vibrato (yes), plucky percussive string sounds (yes), and general robot space sounds (often). Thank you for continuing to support your Local Florist!

Price, Availability, and More Information
The retail price for the Crow 3 and Local Florist 2 are $199 each. The retail price for the Double Helix is $299. Because these modules are considered experiments, production has been limited. The modules are available now through the Pittsburgh Modular web shop. More information regarding the Crow 3, Local Florist 2, and Double Helix Wavetable Processor Eurorack Modules is available at pittsburghmodular.com/safari.

Meet the M0SS 101 Synthesizer by Andrew John March

M0SS 101 DEMO video upload by Andrew March

"A quick demonstration on how to build a patch with the M0SS-101 synthesizer."

From the creator of WVR, the the M0SS 101 virtual analog monosynth is currently seeking funding on Kickstarter.

"M0SS-101 is a virtual analog monosynth built for a pure, hands-on subtractive synthesis, packed into a compact, rugged guitar pedal enclosure.

With 26 buttons and a single encoder, M0SS-101 gives you intuitive access to a deep 42-parameter virtual analog synthesis engine. Press a button to select a parameter, turn the encoder to modify it, and monitor your signal flow via the LED system.

Using a MIDI controller, you can map any parameter via simple MIDI learn, making it easy to integrate into your setup. Up to 17 presets can be saved and recalled for quick access to your favourite sounds.

The 26 RGB LEDs use colour and brightness to represent signal flow, modulation paths, settings and selections. A separate row of 11 LEDs at the bottom gives you instant visual feedback on the currently selected parameter. I aim to offer an affordable, compact, and versatile instrument, without sacrificing features, ergonomics, or most importantly, fun. I hope you'll enjoy playing this synth as much as I have :'-)"

CLICK FOR MORE »

West Coast Synthesis

video upload by 4ms Company

Patch notes via the 4ms MetaModule forum:

External Audio Path:
-Audio main output on ch. 1 and ch. 2

Internal Audio Path:
-Two VCOs are entangled with their audio outputs mapped to one another’s FM inputs.
-Each oscillator then goes into its own wavefolder.
-The wavefolder’s both have a dedicated lowpass gate.
-The low pass gates are fed into a VCA for volume modulation
-Each VCA is then sent into a stereo mixer
-The stereo mix feeds into two spring reverb units for Left and Right.
-A limiter is placed on the output for master volume control and clip protection

Internal CV Path:
-Free running random voltage generators are fed into a dedicated CV mixer for each VCO.
-The random voltage amount and crossmodulation are mixed with another to create a 1v/octave signal for the VCOs.
-The trigger outputs of each random voltage generator ping the lowpass gates.
-The random voltages go into a full wave rectifier and are used as CV signals for the two VCAs: this creates random volume fluctuations for each channel.

Metamodule knob mappings:
A - VCO 1 Frequency
B - VCO 2 Frequency
C - VCO 1 Random CV
D - VCO 2 Random CV
E - Random rate 1
F - Random rate 2
U - Random 1 crossmodulation
V - Random 2 crossmodulation
W - VCO crossmodulation
X - Wavefold
Y - Decay time
Z - Random shape

Ana Modulation Multiplier

video upload by Mystic Circuits

"Another quick patch showing off Ana's many capabilities. This patch shows how to use Ana to turn a single modulation source into multiple modulation signals and control your entire patch with the turn of a knob. Ana is incredible for feedback patching and unlocking the full potential of modules that provide their own modulation signals for self-patching.

This is a much longer demo because I have been having a lot of fun with this module combo as I have been beta testing the Entropic Loops Grackle, an innovative phase modulation oscillator from a new company that is a collaboration of Naomi from Omi Industries and genius programmer Eris. If you would like to know more about this module there will be some information posted to their website soon:

https://entropicloop.com/

For more information about Ana and to order go to our website below:

www.MysticCircuits.com"

Introducing Lore - FM oscillator pair by Crows Electromusic

Press release via Crows Electromusic:


March 26, 2025 - Crows Electromusic, a small synth company from Vancouver, Canada, is thrilled to introduce Lore, a standalone all-analog tool for exploratory sound synthesis, ambient, drone, and noise music. With individual controls for each function, Lore gives direct control of two independent triangle-core oscillators and can be switched to an FM synthesis mode to unlock a wide range of complex tones. The instrument’s unique un-quantized interface is perfect for exploring pure tones, drones, and FM sound textures.

Features:

• 100% analog circuitry
• Two triangle-core oscillators
• Crossfade between triangle and square waves
• One-control-per-function interface
• Fully standalone, just add headphones
• Transparent bioplastic enclosure
• USB powered
• Handmade in Canada

Lore is our second release, building on what we’ve learned making our first product OVUM analog sound explorer. We had two goals in mind during development: first we wanted to make something that could create a harsher and more aggressive sound, and second, we wanted to see how small a synth we could make. On both fronts we think Lore is a success - it measures under 3 x 3 inches, and the FM mode gives you access to a whole range of shimmering, grinding, and metallic sounds. Just like with OVUM, we prioritized immediate control and ease of exploration. No understanding of oscillators, wave shapes, or FM synthesis is required to pick it up and start creating interesting and inspiring sound. We think people of all ages, musical abilities, and experience levels are going to love this instrument.

Lore is available now for $79 CAD / $59 USD.

Crows Electromusic is a small synth company based in Vancouver, Canada. Started by Cory Alder in 2022. Crows’ goal is to develop new hardware instruments that challenge the established ways we interact with sound and music creation. Their first product, OVUM was released in 2023, and their second product Lore is available now.

For more information, please visit Crows’ website at https://crowselectromusic.com or follow us on social media (Instagram, Bluesky) at @crowselectromusic.

Links:

Lore fm oscillator pair

Our interactive introduction to FM synthesis

OVUM analog sound explorer

https://crowselectromusic.com

Logan String Orchestra

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

"A perfect working Logan String Orchestra, the lush string synthesizer released by the Italian company Logan in 1973. The machine has been recently checked and calibrated by a professional technician, it works like a charm.

Released in 1973, the String Orchestra expanded Logan's range of string synthesizers by offering warmer and more refined sounds. It positioned itself as an alternative to the edgier character of the String Melody I, also produced by Logan, as well as to later string synthesizers like the Solina String Ensemble. The String Orchestra is a fully polyphonic synthesizer featuring three parallel BBD (Bucket Brigade Device) chorus circuits and a unique architecture that makes this machine truly one of a kind.

The Panel
The Logan String Orchestra features five mixable string sounds, each with its own dedicated volume slider. Interestingly, these sliders are duplicated on the front panel, with one set assigned to the first two octaves and the other set assigned to the remaining two octaves on the right. When both sets of sliders are adjusted identically, the same sound is produced across the entire keyboard. However, by setting them differently, you can perform with two distinct sounds simultaneously on the left and right sides. The small panel near the keyboard features the following controls:

Bass: Volume slider for the bass sound, assigned to the left side of the keyboard
Perc: Adjust this slider to make the bass sound punchier
Tone: Functions like the "Brilliance" slider found on many vintage string machines, shaping the brightness of the sound
Slalom: Acts as a pitch bend control, also useful for fine-tuning the main patch
Volume: Master volume slider for the overall output
Hawaii: A piezo tactile switch that temporarily applies a pitch envelope to the notes being played
Orchestra : when this button is ON, the synth deactivates Violins and Bass
The Sound

The overall sound of the String Orchestra is silky, warm, and extremely pleasant—quite similar to the string sounds of the marvelous Godwin Symphony 849. It’s rich and velvety in the midrange, while remaining precise and never harsh in the higher octaves. This makes it quite different from the grittier, wilder sound of the popular String Melody, also produced by Logan.

The Cello, Viola, and Violin sounds represent three different octaves of the same oscillator: a beautiful, smooth, and highly musical sawtooth waveform. When used individually, these three sounds create a peaceful and smooth string tone, where you can truly appreciate the lush effect of the three parallel BBD choruses in action.

The two Orchestra sounds are based on a rectangular waveform. They share the same fundamental frequency but differ in pulse width and filtering. Orchestra I features a very narrow pulse width, a 12 dB/oct low-pass filter fixed at 10 kHz, and a low-frequency cutoff that doesn’t go below 180 Hz—perfect for adding extra harmonics to the patch. Orchestra II has a wider pulse width, a 6 dB/oct low-pass filter with mild resonance, adding warmth and body to the patches.

And finally, the Bass sound. This is a very fat, filtered sawtooth waveform ranging from C0 to A1. The Perc slider adds a gummy sine waveform with a fast attack and a gently quick decay. By lowering all the sliders on the right side, it’s possible to play the Bass sound on its own."

CLICK FOR MORE »

OBERHEIM TEO-5 | ANALOG poly-SYNTH | MUSIC DEMO - NO TALKING 🎹🔥

video upload by FutureMusic.es

"The compact OBERHEIM TEO-5 synthesizer resurrects the legendary analog-polyphonic sound of California...

#oberheim #teo5 #synthesizer

The OBERHEIM TEO-5 is a huge analog polyphonic synthesizer in the vein of the golden age of American synthesizers. We're talking about the legendary original designer, and the same architecture and circuitry that sculpted thick, memorable lines of American analog polysynth in the 70s and 80s.

But a lot happened along the way for us to see the OBERHEIM TEO-5 in its full glory today. Today, OBERHEIM is a revered brand that has regained its status as a rightful contemporary of that golden age of synthesizers.

Signature acronyms, premium electronics, and a huge sound

This sweeping instrument features the exclusive and visionary craftsmanship of Thomas Elroy Oberheim – TEO, hence the name of the device.

And one of the interesting strengths of the OBERHEIM TEO-5 is that it "perfectly combines classic analog warmth with the modern versatility that today's musicians demand", according to the brand's statements.

"I'm very proud to be able to create a synthesizer like this... Compact and affordable, the Oberheim sound for 2024", says Tom Oberheim, founder of the company that bears his name, as well as a legendary designer

In its mission to make Oberheim's classic tone palette "widely accessible", TEO-5 encapsulates decades of analog engineering experience on a musical instrument that is "as innovative as it is visionary."

The five voices of pure analog electronics in the OBERHEIM TEO-5

CLICK FOR MORE »

Stylophone CPM DS-2 - A Drone-Head's First Impressions

video upload by Oscillator Sink

"I don't tend to do review videos - there are others on YouTube who do it well and I don't usually feel like I have anything to add... but the Stylophone DS-2 is an analogue drone synth with built in effects, released by a company usually more well known for more conventional offerings and, I don't know if you've noticed this, but I really like making music with drones.

This video is a real-time documentary of discovery, it arrived earlier on the day I recorded the video and, other than 5 minutes in a noisy exhibition hall last year, I've not had an opportunity to explore this synth until today. Let's see what lurks inside..."

Oberheim SEM SUB-oscillator Mod

video upload by Eric Beam

Also see this post.

"I saw this SEM SUB-oscillator floating around the internets and had to give it a go. 5 stars would go again. Available here from ‪@Lackan110f‬ https://reverb.com/shop/peters-gear-g..."

via this listing

Note the Marion Systems logo on the board. As readers of the site likely know, Marion Systems was Tom Oberheim's follow-up company after Oberheim.

"SUB-oscillator module for the New Oberheim SEM Pro (2009). Installation is very simple, you just have to solder one wire to the +15V point and then attach three connectors.

The +15V point can be located in various places depending on if it is a Marion or Oberheim, and also what model it is. So a multimeter is recommended to verify +15V.

This will give you a -1 octave SUB-oscillator using the EXT-IN knob #1, or a -2 octave SUB-oscillator using the EXT-IN knob #2.

You can also mount it so that you keep EXT-IN on #1 and have SUB -1 OCT on #2 (SUB -2 OCT is then omitted). Se illustration.

Does NOT work in an older vintage SEM (1974-1979) due to different connectors. (the video shows a vintage SEM, but this product is for the New TOM SEM Pro 2009)"

CLICK FOR MORE »

Details on XILS-lab's The Eighty

You might remember the teaser video and announcement video.

The press release with additional details follows:

XILS-lab launches The Eighty as virtual Vangelis soundalike homage to iconic Seventies synth classic, faithful to the original and enhanced for the future

GRENOBLE, FRANCE: XILS-lab is proud to launch The Eighty — effectively acting as a virtual Vangelis soundalike homage to an iconic Seventies-vintage synth classic that the Academy Award-winning Greek musician, composer, and producer of electronic, progressive, ambient, and classical orchestral music made into his signature sound, thanks to its exceptionally complete performer expression features (such as a layered keyboard that was both velocity- and pressure-sensitive in action, albeit, unlike most keyboards of the time, that aftertouch could be applied to individual voices, and a ribbon controller allowing for polyphonic pitch- bends and glissandos), faithful to the original and enhanced for the future as the latest entry into the audio software company’s lengthening lineup of virtual instruments par excellence — as of January 14…

It is fair to say that Bladerunner — the now-classic Ridley Scott-directed sci-fi film from 1982 set in a dystopian future Los Angeles of 2019 — is, for many, inextricably linked with Vangelis’ BAFTA- and Golden Globe-nominated score, showcasing his superlative skills with that iconic Seventies-vintage synth classic that was arguably as ahead of its time as that trailblazing score to which its sound subsequently became inextricably linked in itself. Much missed, Vangelis left this mortal coil in 2022, sadly, while the relatively few remaining fully operational examples of Yamaha’s CS-80 synth — supporting true eight-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers — that musically meant so much to him are highly coveted by high-flying collectors, commanding eye-watering prices extending into high five-figure territory, putting them well beyond the reach of mere musical mortals... not that many could comfortably carry one anyway as they weigh in at a back-breaking 100kg/220lbs (including built-in hard case), regardless of how deep their pockets may well be!

CLICK FOR MORE »

KORG PS-3200 Fully Polyphonic Synthesizer w/ PS-3010 Keyboard SNs 210221 & 811016

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

CLICK FOR MORE »

Fred's Lab MANATEE -new SPECTRAL SYNTH (ONLY SOUNDS demo)

video upload by FutureMusic.es

"The world of synthesis gets a boost with the innovative Fred's Lab Manatee: A four-part multitimbral synthesizer with the power to transform sonic creativity"

https://fredslab.net/

"With its unique combination of synthesis algorithms and intuitive control panel, Fred's Lab Manatee is an agile and amazing tool for any producer or composer.

With its heralded spectral synthesis and multi-timbral/multi-part capability, this beautiful machine generates 16 voices (depending on the loaded preset ) and four parts , meaning great flexibility in terms of sound design power.

Manatee features a generator that combines the best of additive and wavetable synthesis architectures , inviting synthesists to agile exploration through innovative sonic textures (watch our video, above).

Initially a Kickstarter project (2023), the creative and experimental Fred's Lab Manatee is now available from retailers in limited quantities.

Advanced technology for exceptional sound
A wide range of modulation and synthesis tools make Fred's Lab Manatee a perfect instrument for any MPE (MIDI Expressive) controller . With a well-documented MIDI implementation, users will easily integrate it into their ecosystems, whether with hardware or DAW software . This total adaptability makes Manatee an invaluable resource for any experimental production environment.

CLICK FOR MORE »

Cherry Audio Introduces P-10 - Virtual Sequential Circuits Prophet-10

video uploads by Cherry Audio

Playlist:
Cherry Audio | P-10
Cherry Audio | Introduction to P-10 with Tim Shoebridge
Cherry Audio | The Sounds of P-10
Cherry Audio | P-10 Exponents Preset Pack
Michael Whalen Jams on Cherry Audio's P-10!

"P-10 is based on one of the most desirable flagship analog polysynths ever created, a dual-layer synth that was essentially two of the revolutionary P5s in one behemoth dual-manual case. P-10 exactingly reproduces all that is exceptional in this classic, including the original P5 and P10 factory presets. It also adds thoughtful updates to modernize the user experience, including expanded 16-voice per layer polyphony, velocity and polyphonic aftertouch, a four-track sequencer, keyboard split, an arpeggiator, and a complete effects section."

Get P-10 - http://cherryaudio.com/products/p-10

And two user videos from supporting members, CatSynth & Rik Marston

Cherry Audio P-10, the legendary behemoth Prophet 10 polysynth reborn

video upload by CatSynth TV

"We take a deep dive into the P-10, Cherry Audio's new recreation of Sequential Circuits' legendary flagship polyphonic analog synthesizer, the Prophet 10. Essentially two Prophet 5s in a single case with two keyboard manuals, it could be played as two separate voices or stacked together for massive four-oscillator-and-two-filter per voice sound. We go over all the features of the new P-10, as well as a few of the factory presets."

00:00 Introduction
00:25 History of the Sequential Circuits Prophet 10
00:58 Overview of the P-10, including interface and keyboard modes
03:20 Factory presets, including some from the original Prophet 10
06:04 Oscillators
09:07 Modulators
13:13 Oscillator Sync
14:36 Filter
19:12 Amplifier
20:33 Layer EQ
21:25 Dual Layer modes
24:25 Effects Section
33:41 Sequencer
37:46 More factory presets
42:13 Conclusion

https://catsynth.com

Cherry Audio P-10 BEST VST EVER Two MIDI Controllers Prophet Synthesizer Rik Marston

video upload by Rik Marston Official

"Cherry Audio P-10 BEST VST EVER for Two MIDI Controllers"
Virtual Analog Synthesizer Demo by Rik Marston
*Watch in HD!* *NO Talking!* *Turn it up!*
My Etsy store: AhnyxianSoundDesign
https://www.etsy.com/shop/AhnyxianSou...



Cherry Audio P-10 is based on one of the most desirable flagship analog polysynths ever created. Released by SCI in 1980, the original instrument was essentially two of the revolutionary P5 programmable synths in one behemoth dual-manual case, plus a "poly sequencer" built into the bottom-manual end cheek. It could be configured to play as two independent five-voice synths, a single ten-voice synth, dual-patch layered, or alternating between layers with each keystroke.

P-10 exactingly reproduces all that is exceptional in this legendary classic, including the original P5 and P10 factory presets, while boosting its astonishing feature set for today's music production and workflow, and celebrating 50 years of groundbreaking innovation from the company that changed the music industry forever.

Introducing FILTERVERSE 1.0

video upload by Polyverse Music

You can find additional demos of FILTERVERSE in previous posts here.

"Polyverse Music is proud to announce our new flagship plug-in, Filterverse, the most powerful and musical multi-filter plug-in available today. Using Filterverse, any audio can be transformed into a melody, beat, or evolving soundscape very different from the source material. Filterverse can subtly sculpt tracks, alter them dramatically, or do anything in between. Even though Filterverse is so advanced that audio experts will never run out of possibilities, its intuitive interface makes it fun and easy to explore for newcomers to DAWs and desktop music production.

-------

Polyverse Music is a 'by musicians, for musicians' company that creates uniquely powerful tools and instruments for artists on the cutting edge of creativity.

Founded in 2015, Polyverse has continually set the bar in terms of plugin innovation, vision, and user experience. Every person on the Polyverse team is a forward-thinking musician with extensive knowledge and experience with music, sound, synthesizers, and technology. In each new step, Polyverse continues to push the boundary of possibilities with digital musical instruments and effects."

Presenting Filterverse V1.0.0 ! The ultimate filter plug-in.

video upload by Polyverse Music

"Assaf Dar Sagol (Polyverse CEO) presenting Filterverse Verson 1.0!
(as well as 5 new filters, and... a new oscillator!)"

CLICK FOR MORE »