"Manufacturer's description
The EssenceFM is a powerful 300-voice polyphony 16-part multitimbral FM synthesizer with a modern touchscreen interface, built-in effects, separate outputs and more. It turns FM synthesis into a fun and enjoyable experience. Create your own sounds faster than on any other synthesizer!
With its incredible sound layering capabilities (up to 128 layers per note), the EssenceFM excels at rich sound textures. Each voice also has its own digital multimode filter and 6-slot modulation matrix that allows real-time control over 200+ parameters."
Note: links to listings are affiliate links for which the site may be compensated.
"The K4 from Kawai can be thought of as a warm and fuzzy digital synthesizer. A sample-based digital synth, its sounds are those typically weird industrial type sounds that can still be useful in lo-fi, big-beat and trip hop music styles. The sounds are 16-bit preset PCM samples of acoustic instruments. However, unlike its predecessor the K1, the K4 adds a welcomed digital filter section. This truly makes the K4 more flexible, fun and useful for today's filter tweaking music effects!
The XD5 is an awesome drum synth module that has 256 waveforms, four of which can be combined to create a drum sound. It also has great resonant lowpass filters and envelopes for shaping the sounds and is excellent for techno, electro and industrial drums. For effects, a delay type effect is possible as well as a ring-modulator. It also has stereo outputs plus 6 individual outs for the studio pros. Mouse On Mars might use it.
The MM16 is a multi-purpose MIDI data processor with 17 front panel faders. Each of the sliders can be assigned for continuous controller information over any one of 16 MIDI channels, a "velocity mode" that uses the 16 sliders to become a "graphic EQ" for velocity data, and a system exclusive mode for transmitting system exclusive information to control individual synthesizer functions. Setups are included for Kawai K1, K4, K5, Yamaha DX7, and Roland D50. The MM16 can merge two MIDI signals, and can perform MIDI channelizing. You can also use it as a control surface for DAWS"
Check with dealers on the right on availability and price.
Playlist:
1. Waldorf Protein Trailer
2. Waldorf Protein Sounddemo
3. Protein - Deep Dive - Tutorial with CTO Rolf Wöhrmann
User Videos:
Playlist:
1. New Wavetable Synth: WALDORF PROTEIN - Sound Demo (no talking) - Limbic Bits
2. Waldorf Protein Demo (no talking) - New Wavetable Synth from Waldorf! - Bonedo Synthesizers
3. Waldorf Protein - Sounds, walkthrough and sound design - Martin Stürtzer
Protein is an affordable and compact 8 voice polyphonic Wavetable synthesizer based on the original Microwave 1 ASIC oscillators combined with modern features of Iridium heritage like the sophisticated arpeggiator, step sequencer, chord mode, effects and more. Protein links back to the very beginnings of Waldorfs instrument makings but interprets the original ideas in a contemporary and surprising way.
With handy dimensions of 252 × 170 × 48 mm (including controls) and a weight of 0.9 kg, the Protein is a true powerhouse packed into a compact and portable new form factor that stands as the first statement of a new upcoming product line.
Specifications
Oscillators • Two oscillators based on unique Waldorf Microwave ASIC chip. • Internally running with 250 kHz sampling rate to match original ASIC sampling rate. • Modeling of digital-to-analog converters for each voice (DAC). • Unique digital noise generator based on ASIC technology.
Wavetables • All original wavetables of Microwave 1 based on the original coding and bit-identical to original. • Including algorithmic and speech wavetables. • Beautiful recreation of 8-bit quantization and aliasing. • Full waveform catalogue of original Microwave.
Filter • Faithful modeling of CEM analogue filters. • Adjustable de-calibration of cutoff and resonance to model detuned hardware. • Cutoff and resonance modulations. • Additional „Dirty“ types: Noise, crackle, click, geiger and bursts.
Modulation • 3 Envelopes • 2 LFOs with tempo sync and sample & hold • 8 slot modulation matrix • Poly-aftertouch capable • MPE modulation sources.
Performance features • Advanced Arpeggiator • Step-sequencer with up to 32 steps • Chord & Scale modes • MPE Compatible • MIDI CC Learn
Patches • Over 150 factory patches • Capacity of 250 patch memory slots • Category filter for patch list • Import- and export of patches via MIDI Sysex
Connections • Stereo Audio Out with 6.35 mm jacks with optional mono and TRS stereo connections • Headphones mini TRS output • DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included) • USB Type C for power supply and USB MIDI connection • Firmware updates via USB
Overall • Sturdy metal front plate on a colorful plastic case • Dimensions: 252 mm wide by 170 mm depth by 48 mm height (including controls) • Weight: 0.9 kg • Power Supply via USB (not in the box)
What’s In the Box? • Waldorf Protein Synthesizer • Two MIDI adapters: mini TRS to DIN sockets • USB C to C cable • Printed Quick Start Guide
"Mercury-8 synthesizer builds on Cherry Audio's renowned Mercury legacy with a passionate focus on detail and modern technical advancements. Every aspect of the original hardware has been carefully modeled to capture the sound and behavior that made the JP-8 so legendary. Furthermore, Mercury-8 goes "beyond Jupiter" by offering expanded polyphony, versatile modulation options, studio-quality effects, and expressive performance capabilities. It not only captures the distinctive essence of a JP-8 but can even exchange SysEx data with MIDI-modified hardware.
Cherry Audio and @TimShoebridge have collaborated once again to share an in-depth introductory video for Mercury-8. This comprehensive guide demonstrates how simple it is to create powerful sounds from scratch, maximize the modulation matrix, and get the most out of splits and dual layers. Additionally, the video highlights the new effects and Mercury-8's remarkable capability to import original JP-8 patch bank SysEx data via a drag-and-drop feature.
00:00 - Mission Mercury! by Mal Meehan, James Terris, and Robert Saint John
01:16 - Introducing Mercury-8 with Tim Shoebridge
02:48 - A Little Experiment
05:20 - Music: "From Scratch"
07:26 - Front Panel: VCOs and LFO
11:45 - Music: "Two Notes"
12:05 - Filters and Envelopes
15:00 - Music: "Plucks"
15:20 - Mod Matrix
16:35 - Layers, Dual and Split
18:05 - Effects
25:45 - Music: "Lo-Fi"
26:27 - Quick Tour: Sequencer, Arp, Performance, Assign Mode, and the Digital Display
27:43 - Digital Display and Expanded Settings
34:41 - Mercury-8 and JP-8: Factory Presets and SysEx Data Exchange
37:37 - Conclusion and Music: 'Timeline'"
Playlist of videos (note the desciption above is for the first video):
1. Cherry Audio | Introduction to Mercury-8 with Tim Shoebridge
2. Cherry Audio | Mercury-8 Synthesizer - NEW! - Cherry Audio and Michael Oakley Official
3. Cherry Audio | The Grid Preset Pack for Mercury-8 by Michael Oakley
4. Cherry Audio | Mercury-8: A Tour of the Presets with Mike Martin
5. Cherry Audio | JUPITER-8 x MERCURY-8 - Factory Presets Compared
6. Cherry Audio Mercury-8: Artist Demo - James Dyson
7. Cherry Audio Mercury-8: Artist Demo - Jezz Woodroffe
And two user videos:
Cherry Audio Mercury-8 Jupiter-8 Strings Pads FX VST Virtual Analog Synthesizer Rik Marston
NOTE: Soundset tested only on PC, not checked on MAC.
MAC - if you want install soundset on MAC - you need to find KORG\TRINITY\Presets\PCGData And put file there.
It is a beautiful, state of the art and superb sounding music workstation which first appeared in 1995, now on your computer with Korg Legacy Collection 6
This workstation seamlessly combines excellent digital sounds, in-depth yet intuitive programming, real-time controllers, upward expandability and elegant design to create the perfect all-around synthesizer.
Following the Cosmic Sounds Series after Korg M1, Wavestation,M3, M50 - we made 50 great patches for Trinity!
"Waldorf Music has released the Protein, a new 8-voice polyphonic wavetable synthesizer. The instrument combines the technology of earlier Waldorf instruments with modern features in a compact and portable design.
The Protein utilizes the original ASIC oscillators of the Microwave 1, reproducing its characteristic digital vintage sound at a 250 kHz sample rate and retaining the original 8-bit quantization and aliasing characteristics. Its design and architecture are particularly noteworthy. The Protein boasts a new, portable form factor. Measuring 252 x 170 x 48 mm and weighing just 0.9 kg, it is designed for both studio and mobile use.
The user interface is designed for intuitive operation and direct access. At its core, the Protein offers 8 voices and a flexible 4-layer concept that enables complex sound layering, round-robin modes, and polytimbral operation via MIDI. The Load Layer function allows for quick recombination of existing layers from the library. The device stores over 150 factory presets and up to 250 user presets. Each layer has access to an 8-slot modulation matrix for sound design, complemented by modern support for polyphonic aftertouch. A special feature is the "Flavor" control, which adds organic micro-fluctuations to digital sounds.
Modern features from the Iridium family are also integrated, including an arpeggiator, step sequencer, and various effects. The Protein aims to offer an affordable entry into the world of classic Waldorf wavetable synthesis. The official launch of the Protein will take place on November 27, 2025, at 8 p.m. in Berlin. Following the launch, the artist Zavoloka will perform a 30-minute live set using the Protein."
"The legenday PPG Wave 2.3 is a hybrid digital-analog synthesizer from the mid-1980s known for its distinctive wavetable sound. Combines digitally generated waveforms with analog filters, giving it a unique blend of crisp digital timbres and warm analog character.
The 2.3 model expanded memory and multitimbrality, making it far more flexible than earlier versions. Its evolving, glassy textures helped define many classic electronic and film scores of the era!
This PPG Wave 2.3 is in very clean condition and has been pro maintained its entire life. Feel free to reach out of you have any questions about this gorgeous specimen.
Service notes:
-Firmware v8.2 (fixes bugs in the original OS, allows for sysex dumps and transfers wave files to the PPG from the Wavesim plugin) -Replaced electrolytic capacitors and serviced power supply -Remounted memory battery -Cleaned all edge connectors and sockets to motherboard -Serviced keybed and cleaned key contacts -Cleaned internally -Tested sysex transfer, loaded sound via sysex and saved"
WE'RE BACK!
We are thrilled to announce that Synthesizers.com is returning to full operation — under new management and with a renewed commitment to excellence in all things 5U/MU!
Thank you for your patience as we finished our big transition: relocating the company from Texas to our new home in the Boston area, rebuilding production lines, organizing inventory, and preparing to craft the same world-class instruments you’ve always known us for.
We’re reaffirming our dedication to founder Roger Arrick’s vision while entering a new era for Synthesizers.com. Our path forward is guided by three core commitments:
Commitment One
We will continue to hand-build the highest-quality modular synthesizer instruments here in the USA — crafted with care, precision, and in the spirit of the modular community that has supported us for decades, designed and built for musicians, artists, engineers, performers and hobbyists around the world.
Commitment Two
We will honor the legacy of our existing modules while exploring the boundaries of what’s next. A few legacy modules will retire, and in their place we will design and introduce an exciting new generation of analog and digital modules to expand the Synthesizers.com catalog.
Commitment Three
We will remain dedicated champions for the entire 5U/MU community. That means expanding options for 5U/MU cases, power systems, and accessories — and actively supporting the broader ecosystem of 5U makers, builders, and designers who continue to grow this format.
In the coming weeks, you’ll see updated inventories, new product announcements, and a stronger customer-service focus. Under the leadership of Dan Snazelle of SnazzyFX fame, our team is here for you — by phone, email, social channels, or on the ModWiggler Synthesizers.com forum.
Here are a few words from Dan about the Synthesizers.com journey.
"As someone who has spent the last 30 years involved with synthesizers I am extremely excited to be stepping into the role of leading Synthesizers.com. We have put together a great team so we can continue the tradition of making synthesizers by hand, while also working to bring new modules to our customers. I can't wait to meet people who own our systems and I am also going to be putting a lot of thought into bringing new musicians to large format synthesis"
Thank you for welcoming us back. We can’t wait to show you what’s coming.
"Diosynth - a powerful new wind synthesizer that combines the award winning Hydrasynth synthesis engine with new sample playback engine as well in an instantly familiar form factor utilizing mouthpiece with reed sensor for bite, breath sensor, gyroscope for positional sensing, true key action and a host of tactile controls . for more info please visit Ashunsoundmachines.com
Video by: @exploredinary
Starring/Original Music by: @joemarcelberry
Creative Direction: @danieltroberg
Product Specialist: @flux302
Product Design and Management: @glendarceyaudio
Animation by: @driensky_drawings
Styling and Movement Direction by: @toogiesaurus"
"Today at Ashun Sound Machines, we are proud to announce the Diosynth wind synthesizer.
The Diosynth is a new wind synthesizer designed for great playability and sound creation. With a real key action that is familier to most woodwind players it is easy to pick up and play. The Hydrasynth® based sound engine + the addition of a sample playback oscillator allows for deep synthesizer sounds as well as acoustic sound playing and processing.
In this video, CEO of Ashun Sound Machines, Glen Darcey, introduces you to the features of this amazing new electronic wind synthesizer instrument."
"The ASM Manager is a software librarian designed to ease organization of your Hydrasynth patches as well as updating your Hydrasynth firmware.
For more information please head to Ashunsoundmachines.com
Download the new Firmware and manager here https://www.ashunsoundmachines.com/do...
The new ASM Manager is a dedicated desktop application designed to simplify how users interact with their Hydrasynth. It replaces the original Hydrasynth Manager with a refreshed interface and smoother workflow, making sound management more efficient and intuitive.
Features include:
• A redesigned, user-friendly UI
• List View for streamlined patch browsing
• Patch Sorting by name, category, and color
• Search by patch name
• Color tagging directly within the browser
• Organize Favorites
• Integrated Hydrasynth Updater for simplified firmware installation
• Export of patch banks as Microsoft Excel® list files for easy referencing
Whether organizing sound libraries, performing updates, or customizing Favorites, ASM Manager enhances everyday interaction with Hydrasynth."
"The Diosynth from ASM brings powerful digital synthesis and sampling to a new generation of electronic wind performers, offering a deeply expressive wind synthesizer with a vast timbral range. Combining ASM's expansive synthesis engine design with sample playback, Diosynth is an electronic wind instrument that provides nuanced control over both acoustic and electronic sounds. Mechanical keys offer a premium playing experience that feels familiar for experienced wind players, with versatile fingering modes and quantization options to welcome players of any background. Over eight octaves of notes are provided for uncompromising range, with comprehensive expressive controls including breath and bite sensors, internal gyrometer, X/Y joystick, two pressure pads, and three programmable switches.
In your first moments with Diosynth, you can immediately immerse yourself in 384 patches including everything from traditional wind instruments, rare and unique sounds from around the world, and the vastly expansive internal synthesis engine based on ASM's acclaimed Hydrasynth. Wavescan oscillators and Diosynth's sample playback oscillator can be processed through the ultra-flexible 16-mode filter, providing vast sonic terrain to empower your creativity. Cultivate your own sound with up to 768 storable patch locations on hand, including the ability to create layered sounds that fuse acoustic and electric tones, multiple synth patches, and more. Diving deep into sound design is easy thanks to the Diosynth editor app, allowing for endless exploration into nuanced patch design.
An integrated speaker is available for easy, on-the-go performance, with optional battery power via two 18650 batteries that enables portable playing anywhere the music takes you. The 1/4" stereo output enables easy connectivity into a local amplifier or front of house mix, while the onboard headphone output with dedicated volume control is perfect for those long nights in the woodshed honking to your heart's content. The Diosynth also includes MIDI via 5-Pin DIN and USB connectivity, as well as Bluetooth MIDI input and audio input for wireless practice and performance. Built for a professional performance experience, Diosynth comes with a hardshell case and all necessary cables and accessories, providing a perfect foundation to craft your bespoke performance practice. Whether you're a wind player looking for new sounds or an electronic musician looking to bring nuanced expression to your productions, Diosynth from ASM is a breath of fresh air.
DIOSYNTH FEATURES
Electronic wind synthesizer Combines both sampling engine and deep synthesizer engine based on ASM's Hydrasynth for both acoustic and electronic sounds 384 factory patches including traditional wind instruments, rare and exotic instruments, and expressive synth patches 128 meticulously sampled instrumental sounds Use single patches or layer multiple sounds in a single patch 8+ octave range Mechanical keys for premium and familiar feel Multiple fingering modes Scale / chord quantization locking modes Breath and bite sensors, gyrometer, X/Y joystick, 2x pressure pads, and 3x programmable switches for expressive control Up to 768 total patch locations for storing user creations Mac/PC editor and iOS/Android app for simple patch editing and live performance control MIDI via 5-PIN DIN and USB Bluetooth MIDI input and audio input for wireless control and backing tracks Built-in speaker, stereo 1/4" output, and headphone output with dedicated volume control Powered via USB-C or 2x 18650 batteries (batteries not included) Includes hard-shell case and all required cables / accessories Included accessories: Hard-shell travel case folding stand 2x mouthpieces neck strap power supply with universal power adapters USB A–C cable USB C–C cable USB power Y cord spit scrunchy cleaning cloth printed User guide"
"DIY Synthi - piano stand test! #synthesizer #electronicmusic #synth #synthi #diysynthi #matrixsynth"
And a playlist in chronological order:
"Currently running the following:
Oscillators 1-4 - started out with the XR2206, schematic, pretty much from the data sheet.
This part is the crazy chaos part. The XR2206 can be amplitude modulated as well as frequency modulated (here with a button) Oscillators 5-6 - Digital (this part will be CV volt-octave controlled)
https://www.alldatasheet.com/datashee...
1. DIY SYNTHI first test all components
2. DIY Synthi longer demonstration….
3. DIY Synthi, stick demonstration
4. DIY Synthi - CV to Matrix test
5. Ölands Norra Udde - the Northern Head of Öland (DIY Synthi jam)
6. Alla världar som finns - (All Worlds That Exist) voice/lyrics Johan Holmlund
7. Synthi - Piano short improv
Sound Bundle for Korg Wavestate / mkII / Se /Module/ Native
1) Korg Wavestate "3IAtlas" sound pack
This year, we will be visited by a rare visitor – the interstellar comet 3I/ATLAS! Finding such an object is extremely rare: 3I/ATLAS is only the third interstellar object known to humans.
However, not everyone agrees that 3I/ATLAS is just a comet: could an alien spacecraft have entered our solar system?
What’s Inside: •40 performances •87 programs •51 MB of custom multisamples •Designed for cinematic, ambient, and electronic use •Includes analog, digital, evolving, and hybrid tones •Works seamlessly in professional and experimental contexts
"So whilst on soak test I came across this crazy bank:
Notes from the .txt
ART SPRINGER STRIKES AGAIN (free)
Reviewed by Mike Metlay
All right, gang, I know what you're expecting in this space, so I'll oblige you
and get it over with. Ready? Here goes: "WAHOOLAZUMA! Everybody's
favorite twisted puppy is back from the audio torture chamber, and he's brewed up
the most brain-slashing package of monstrous elektronoyze EVER! This stuff's
great for warping your brain patterns, killing your cat, etc..."
Okay. Happy now? Good, now let's get serious. I heard from Art recently that
he didn't get a terribly good response to his first mailing, and that few, if any,
XUG members looked him up for his second set of patches
He seemed in a pretty good humor about it, but I couldn't help wondering if my
presentation of his patch set didn't scare a lot of people away just by the wording.
So, with a new patch set from Art (more diverse than the first two) in hand, I'd
like to try again.
One of the most unhealthy trends I see in today's patch-editing software is the
patch randomizer, that cute but overused utility that generates random patches at
the click of a mouse. Literally thousands of these random patches are being sold
by unscrupulous hackers as "original sounds," and a whole new generation of
MIDI morons is springing up (pardon the pun) whose idea of "good programming
chops" is the ability to tweak a randomly generated sound into something that
(almost) works. No program of this type exists yet for the xpander, and I'm glad of
it: the lack of computer-generated garbage on the market forces the user
community to seek one another for new ideas, rather than some electronic I
Ching. We come together in this Group to share ideas and learn from one another
and I believe that studying another human being's work beats watching a
computer coughing up random numbers. Which brings us to the music of Art
Springer.
In my opinion, these patches are important. VERY important. I get so enthused
about Art's work because I see in him a reflection of my college days, when I
puttered about with ARP and Buchla modular monsters creating sounds for the
sheer joy of it, putting together tonalities never before heard on Earth rather than
trying to make a realistic shakuhachi. This was, and often still is, the meat and
potatoes of electronic music to me. And when I hear Art telling me that people-
Xpander users!-are returning his work because it's "too weird," I know
something's wrong. The Xpander isn't a sampler or a digital piano. It's not an
imitative instrument by nature. It's a powerful, multiply interfaceable modular
synthesizer with a great deal of flexibility. Art Springer takes a stance on its use
that no other Group member has had the courage to try: using its Power as a CV
percussion device to enhance the sounds of his more traditionally oriented synths.
(By the way, Lionel and I are big fans of his music ... it's not as inaccessible as
you might think, and the odd tonalities make his dance pieces a lot of fun.) This is
a new idea to a lot of you, and I don't blame you for being frightened. But it's
better to learn from someone whose ideas differ from yours than to convince a
computer to feed you something safe. I'd like to suggest something simple to start
with: get one of Art's sound sets, trigger your Xpander with your drumbox, and
try writing music with these sounds as part of the atmosphere rather than
conventional drum noises. Or do something completely different. The important
thing is to try to expand (hm) your horizons to something new. These sounds of
Art's do take getting used to, but I think you'll learn a lot from them. Trust me."
We have officially sold half of our limited edition CD; we are also going to end our introductory 'Name Your Price' for downloads on BandCamp soon, so don't hesitate to purchase today!
Praise from BandCamp (Alan R Pearlman Foundation and Projekt Records )
"A tribute to the creator of my favorite music instruments. I Like the sound of the ARPs in classical electronic albums. Great record with many great contributions!"
"No favourite track, just indulging in the sonic wash of this amazing album. Just wonderful."
"...what an AMAZING collection!! ..."
"A ritual offering—ARP as oracle, muse, and monument. The machine has a soul. And here, it sings."
"It's hard to pick a favorite track off of this compilation... Lots of groovy music by a lot of artists.I had never heard of, but there are a few artists.I am familiar with. this is pretty groovy stuff... "
"Awesome tribute and collection. Mr. Roach has somehow found time to be an archivist. would love a second volume. get this as both sampler and tribute..."
Purchase from BandCamp
"great and very rare semi-modular synth hand made produced in 2009/2011
VolFram is semi-modular noise synthesizer and fx-proccesor based on digital 8-bit echo chip Ht-8970
it can be used as flexible delay/reverb processor, fuzz and complex. All these fx-capabilitys can be mixed and controlled with much flexibility
Only 56 unit were made
It has a very rare Dimitri's modification: very usefull sensitive knob on the right (see pic)
Great for noise/experimental synth, released a few years ago for a specific art project by Russian genious artist ::Vtol:: aka Dmitriy Morozov.
Part of a set of other semi modular machines, it is a stand alone dekstop device that offers different frequencies, from nasty high-pitched noise, to throbbing medium basses. Suggested for artists working with industrial, noise, power electronics, drone, and experimental.
A great piece of artisanship that I didn't use much but was worth the money. released in 55 models
fx-proccesor based on digital 8-bit echo chip Ht-8970.
Needs a BOSS type 9- power supply
demos on line are not as exciting as the machine really does great potential."
"I show how it sounds at 4:17 and play it with a keyboard at 5:50
Winter is getting closer so this is the time of year when I start building things. The first of my projects is a revisit to an old idea of synthesizing waveforms with a frequency divider. This time the waveform in question is a sine wave and some other waveforms derived from it.
The old idea is here: • Synthesizing waveforms with a frequency di... [below]
The project is quite a bit more complicated than the previous 'digital' waveform synthesizer as the sine wave is very..... well....wavy, as there are no straight lines like there is in the triangle and sawtooth waves. Therefore I had to take a different approach using a couple of 74LS138 3-8 decoders and an awfull lot of resistors.
The music is my attempt at playing something relaxing on my Wersi Prisma DX-5 organ."
The normal approach to generating waveforms is to start with a sawtooth wave and then fold it into a triangle wave and schmitt trigger it into a square wave.
But it is also possible to synthesize the waveforms by means of a frequency divider and some logic gates. Off course the generated waveforms will be somewhat 'edgy' but that can probably be filtered out and some people might even find it usefull.
The music is something I made back in 2005 on the homemade synthesizers I had then. It's not the best piece I have made but I am still willing to take responsability for it :-)"
"This song is done entirely with the Modor NF1m synthesizer. Sounds ranging from deep pads to locomotive whistles showcase the flexibility of this digital synth."
