Critter & Guitari Organelle S Programmable Digital Synthesizer (Black)

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Why doesn't Digital Feedback Blow Up Like Analog?

video upload by Cinematic Laboratory

"When I posted my first Plexiphon video, I got a few comments like ‘how about Bruxa x Plexiphon’, or better, ‘how about two Bruxae x Plexiphon’.
I think I can answer that now. Bruxa is a dominating module. This simply means, whatever you patch up, Bruxa is going to demand all attention. New to modular? Bruxa is a Bruxa is a delay/filter using a crappy karaoke toy chip. Sorry, it’s the ‘lo-fi delay’ that reached a cult status in the legendary Soma Lyra-8 Orga(ni)smic Synthesizer.
And then there’s the PoliMaths vs Maths discussion. Maybe they should have called it the PolyFunction, because it’s not Maths. It’s more like a ‘polyphonic function sequencer’, where a function is nothing more than a rise and fall. A slope or envelope depending on the Coast you’re on. It’s an attack/decay shape to sculpt a sound.
In this patch, I am using Echophon – the echo – as a clock, using the clock divider output. It’s a cool example of working with limitations. There’s no clock module in this case, but any ‘repeat’ that ticks is a clock. So today it’s not a tape delay, it’s just sending blips to PoliMaths’ activation IN. PoliMaths is like an eight channel sample and hold. When a trigger comes in, the module ‘activates’ by reading all knob positions (sampling) and holding them until the next activation. The channel index will decide which of the eight channels is affected. Depending on the SPAN mode/color, the channel will either be addressable (white), rotating (yellow) or fire all (cyan blue). If you’ve updated your PM, there’s a purple mode too (binary logic).
In this patch, the eight envelopes are distributed to various effect modules like Bruxa, more Bruxa and Plexiphon. Depending on knob settings (and especially ABSORB) Bruxa can make percussive sounds with its crappy chip. So what can we do with it? We can make a drum machine that nobody else has.
The patch itself is turning my effects units into an improvised lo-fi CMOS drum machine and Plexiphon is adding a bit of reverb. Even on full strength it can’t compete with the two Bruxae.
There’s an intermezzo where I’ll patch a long loop between Echophon, Mimeophon, Bruxa 1, Bruxa 2, Plexiphon and QPAS. In plain English, it’s making a long FX chain, but the end of chain is also the beginning. A snake biting its own tail. It’s like taking ugly feedback noise, and then try to sculpt it into something that faintly sounds like music – or a score from an 80’s horror sci-fi B movie with lots of sax and violins.
I was expecting something like throwing a mentos in a bottle of Coca Cola, but it didn’t happen. Instead, a nice abstract feedback patch emerged. It turned out to be pretty civilized.
In this video I discovered that feedback patching with digital modules is very different from using analog modules. A well designed digital effect doesn’t explode, it stays clear from crashing into digital brick wall and self destruct. In fact, digital feedback patching is more like continuous sound on sound dubbing. If you’re into chaotic feedback patching, you’ll benefit from adding at least one analog module, like a Serge wavefolder, waveshaper, filter or resonant EQ – or any other brand. Just make sure it’s using real analog components and real voltage instead of coded error handlers, limiters, exceptions and guardrails. In the analog domain, chaos is only bound to the rules of Mother Nature.
The ‘crappy drum machine’ patch is decorated by a second take with Error Instruments x This Is Not Rocketscience Kharper. I am running it through dual Bruxae and Plexiphon, where the PP gets modulation from Bruxa’s mysteriously labeled CV outputs. They basically contain CV related to Bruxa’s internal chip rumble. Nothing special, but super cool as a mod-source."

Yamaha DX100 Digital FM Keyboard Synthesizer

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Roland D-10 Linear Synthesizer Digital Keyboard Synthesizer

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AnalogFX Announces Availability of Limited-Run LARYNX

AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

Tangerine Dream – Love On A Real Train | PPG Wave 2.2 & Waveterm | Vintage Synth Cover

video upload by RetroSound

"A synthesizer tribute to Tangerine Dream’s iconic “Love on a Real Train”, recreated using original vintage equipment including the legendary PPG Wave 2.2 synthesizer and PPG Waveterm A.

This cover explores the distinctive digital-analog sound of the PPG system and its role in creating the atmospheric, hypnotic textures associated with the classic Tangerine Dream sound. The performance is inspired by the original recording while using the character, limitations, and unique sonic qualities of vintage PPG hardware.

Love On A Real Train it’s the hypnotic instrumental from the Risky Business soundtrack, originally recorded in 1983. It became one of Tangerine Dream’s best-known film pieces.

Equipment:
• PPG Wave 2.2 Wavetable Synthesizer
• PPG Waveterm A (Sampling, Wave Sequencing)
• Doepfer Dark Time Step Sequencer
• Analog & digital signal processing

🎧 Headphones recommended for the full stereo experience."

Website ► https://retrosound72.wixsite.com/home

SH-4d Digital Groovebox + Desktop Synthesizer

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E-MU Rackmount Sound Modules

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E-MU PROTEUS 1 via this listing

E-MU VINTAGE KEYS via this listing

E-MU CLASSIC KEY via this listing

E-MU PRO/CUSSION DRUM & PERCUSSION MODULE via this listing

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"The Proteus 1 is a compact 1U rack module built around a 4MB ROM library of 16-bit samples drawn from the E-mu Emulator III, covering rock and pop sounds including pianos, organs, strings, horns, guitars, basses, drums, and Latin percussion. It offers 32-voice polyphony, 16-part MIDI multitimbrality, six individual polyphonic outputs, and an extensive modulation and editing system. The Proteus 1 could be expanded to a "Plus Orchestral" configuration using an additional 4MB orchestral ROM card."

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Waldorf Wave (48 voice) Emulation in Software

video upload by Dave Whiting

"This video showcases my software recreation of the legendary Waldorf Wave—a hybrid wavetable synthesizer known for its huge digital oscillators, analogue filters and unusually complex hardware architecture.

The project is built in C++ using JUCE and is available as a standalone instrument and plug-in. Rather than simply making a modern synth that sounds similar, I’ve tried to reproduce the structure and behaviour of the original machine.

The emulation models:

• The Wave’s 250 kHz, 8-bit time-multiplexed wavetable oscillator system
• Signed mixer overflow—including the characteristic Waldorf “ASIC Mix Bug”
• Digital 12 dB high-pass filtering
• CEM3387-style reconstruction filtering, resonant four-pole low-pass filtering, VCAs and panning
• 12-bit stepped control voltages, sample-and-hold behaviour, saturation, noise and output coupling
• Three independent 16-voice WDV boards, matching a fully expanded 48-voice Wave
• The original 480 × 64 monochrome LCD and front-panel workflow

The instrument can also run authenticated Waldorf Wave OS 1.700 firmware. An emulated 68000 CPU executes the original main operating system, while a second runtime executes the genuine WDV voice-board program. Their shared-memory communication, voice-update masks, semaphores and hardware-register writes are reproduced and traced inside the model.

The oscillator ASIC itself remains undocumented, so its internal operation is represented by a behavioural model based on the Wave’s published architecture, firmware activity and known hardware characteristics. This is therefore an ongoing reverse-engineering and preservation project—not a claim of perfect, bit-exact emulation.

Waldorf and Wave are trademarks of their respective owner. This independent project is not affiliated with or endorsed by Waldorf Music.

#WaldorfWave #WavetableSynth #Synthesizer #AudioPlugin #MusicTechnology #ReverseEngineering #JUCE #VintageSynth"

Explore the project and source code on GitHub: https://github.com/mo0kid/wave

These Plugins Sound AMAZING… Except One

video upload by Keith Crosley

"Space Age Strings, Traveler 1.1, Arturia MiniFreak V, and Liminal Space 2 RC6: three plugins I'm excited about, and one that's... fine. Your old pal Keith demos vintage strings, custom wavetable import, Bloom and reverse reverb, and gloriously backward shoegaze. Grab your mod wheel for another episode of your favorite talky synthesizer content show!

First up: Authentic Soundware's Space Age Strings, with gorgeous legatos, vintage ribbon-mic character, and serious Mancini energy. We pair those nine violins with Liminal Space 2's new Space Age Scoring Stage preset and compare the library's built-in reverb with some algorithmic spaciousness.

Then we revisit Traveler! Version 1.1 fixes the big wavetable-workflow frustrations from my previous review: now I can point it at my existing KRC Mathwaves folders without duplicating gigabytes of content. Cue polygonal bells, Morlet wavelet vowels, and a much happier Keith. We also try MiniFreak V's new user-wavetable import. It's great to have it, but I've got opinions about the workflow, the effects, and whether the software version floats my boat.

Finally, we explore my Liminal Space 2 RC6 reverb for macOS and Windows: MIDIverb II-inspired Bloom sounds, reverse-style swells, ACTUAL reversed audio, and instant imaginary Cocteau Twins guitar with Native Instruments' Electric Sunburst Deluxe. We build Bloom effects on piano, shape them with curves and wavetables, and explore Reverse Capture's Diffuse and Clear modes. Then we get dark and wobbly with Clockwarp and the new Vulture 224 filter, inspired by Alex at Vulture Culture. Woot!

Disclosure: Authentic Soundware kindly supplied Space Age Strings; this is not paid placement. I purchased Traveler myself. Liminal Space 2 and KRC Mathwaves are my own products. Liminal Space 2 is demonstrated in RC6; the RC7 Follow feature is teased for a future video."

You can find wavetables and additional resources by Keith Crosley available at https://www.wavetables.lol.

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Roland D-50 vs D-110: Can You Hear the Difference?

video upload by Ian Dixon

"The Roland D-50 and Roland D-110 both come from Roland's late-80s Linear Arithmetic synthesis era, but do they actually sound the same? In this blind comparison I play similar D-50 and D-110 sounds side by side, including warm pads, Soundtrack, synth bells, electric pianos, synth brass, Fantasia/Fantasy style patches, and dual-layer sounds, then reveal which synth was which.

The D-50 is the classic performance synth behind so many iconic digital sounds, while the D-110 is the rackmount, multi-timbral workhorse built for MIDI studios. This test is about the real character of each instrument: the modulation, the shimmer, the effects, the PCM attack, and how close the D-110 can get to the D-50 in practice.

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Yamaha DX7 Digital FM Keyboard Synthesizer

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Dreadbox Typhon - monophonic analog synthesizer with effects

video upload by Alfonse

"Music: "Python" (C) Copyright 2026 Alfonse Download the track here:



All sounds were generated by the Dreadbox Typhon, a monophonic analogue synth with 2 oscillators and stereo digital effects. There are conveniently sized knobs for a bunch of the key analogue parameters, including filter cutoff and resonance, and a central knob that allows you to morph between different waveform variations. Other parameters, including the effects, are adjustable using sliders on the right of the box.

Store: http://alfonse.bandcamp.com
Website: https://www.alfonsemusic.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic"

JvR Spin F1 Elektor Formant Dual

video upload by Jos van Ras

"The JvR Spin F1 Formant Dual is a high-performance Digital Signal Processing (DSP) multi-effects unit designed for the DIY Elektor Formant Synthesizer system. Powered by an ATmega328P microcontroller (standalone DIP-28 package) and a Spin Semiconductor FV-1 DSP chip, this module architecture bridges old-school analog synthesis with modern digital studio effects.

For more info contact me on http://www.josvanras.com/"

"Elektor Formant in a new Design

Modules are all for sale and also complete systems. See under DIY-Projects."

Synth Friday M-Audio Venom The Synth with a Killer Bite!

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you this weeks Synth Friday the M-Audio Venom The Synth with a Killer Bite!

The M-Audio Venom 49-key synthesizer combines the character of classic analog synths with modern digital processing to deliver an aggressive, infectious new sound. Whet your appetite with the included presets, then sink your teeth into creating original sounds—from atmospheric and subtle, to angry and downright nasty. Easily tweak parameters from the intuitive top-panel interface, or explore endless sound design and configuration possibilities with the included software editor. Perform bass lines, leads, and more with a full-size keyboard designed to satisfy serious players. You can even use Venom as an audio interface with Pro Tools* and other music software—forming a powerful production machine to take your music in dangerous new directions.

Dedicated Website https://venom-synth.com/"

You can find additional M-Audio Venom posts here. It's worth noting the man behind the Vemon, Taiho Yamada, is an industry veteran who was also beind the Alesis Andromeda A6. You can find an exclusive MATRIXSYNTH review and interview with Taiho, including tips and tricks from the man himself, posted back in 2011 here.

Roland JD-800 Sound Demo | 90s Synth Magic – Favorite Sounds

video upload by RetroSound

"legendary Roland JD-800! 🎹✨

In this sound demo, I’m playing several of my favorite sounds on this beautiful early-90s synthesizer, showcasing the unmistakable character and atmosphere of the Roland JD-800.

Released in 1991, the Roland JD-800 quickly became one of the most iconic digital synthesizers of its era. With its hands-on controls, powerful PCM sounds and unmistakable 90s character, it remains a favorite among synth enthusiasts, musicians and producers today.

In this video, you’ll hear the JD-800 in action through a selection of classic sounds that I personally love. No complicated technical breakdown — just the beautiful sound of this legendary synthesizer.

If you love vintage synthesizers, Roland keyboards, 90s electronic music and classic synth sounds, I hope you enjoy this little journey back in time."

LeviaSynth Deeper function ASM - Knobcon 2026

video upload by sonicstate

"Ken from ASM gave us a look at LeviaSynth, focussing on some of the nifty ways to controll all that synthesis - 16 voices with 8 oscillators, 13 envelopes per voice, 5 LFOs. Using the Bias controls, and the copy/paste settings between Oscillators for efficient navigation of this behemoth.

The signal path includes the digital filters from Hydrasynth, plus analog gain, analog saturation and an analog filter section. It supports upper and lower layers, key splits and crossfeeds, and the keyboard version includes a refined poly-touch keybed.

Ken shows us stereo mode by splitting eight analog filters left and eight right, with detuning available per side. Stereo behaviour can apply to carriers, modulation, or both. The engine includes 144 algorithms, custom algorithms and smooth morphing between algorithms, with FM, phase distortion, pulse-width modulation and phase modulation available in combination.

Pricing is around $2,499 for the keyboard and $1,999 for the desktop, with dealer pricing to confirm."

ASM Leviasynth - Sounds Only - Knobcon 2026

video upload by sonicstate

"Jim from Earmonkey Music sits down with the *ASM Leviasynth *at the Knobcon 2026 show from last week. We have him to thank for all of these videos from the show.

The Leviasynth is Ashun Sound Machines flagship synthesizer, with 16 voices, each with twin filters, (analog and digital), 8 oscillator per voice, 13 envelopes, 5 LFOs plus FX engine with multiple FX. Contolled by a polyphonic Aftertouch keybed and a ribbon controller."

Modor NF-1 Digital Synthesizer Desktop Module

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RudeBox - Drum Synthesizer

video upload by Illegal State Of Mind

"RudeBox is a DIY single-voice drum synthesizer built around an ESP32-A1S.

BUILD YOUR OWN RudeBox! https://jakubthedeveloper.github.io/R...

It started as a simple synth-tom experiment, but gradually evolved into a much more flexible percussion synth capable of producing deep kicks, toms, short noisy hits, laser-like sounds and all kinds of strange electronic percussion.

RudeBox is played dynamically from an external drum pad, with hit velocity affecting the generated sound. Its controls allow shaping the oscillator, pitch envelope, amplitude decay and transient click/noise:

• Sensitivity
• Oscillator Pitch
• Shape — triangle → square → pulse
• Pitch Drop
• Envelope → Pitch
• Decay
• Click Level
• Velocity → Amplitude

In this demo I’m using RudeBox together with:

• *Novation Bass Station II* — bass / synth lines
• *Korg Volca Sample* — additional drums and samples
• *Allen & Heath ZEDi-10* — mixing everything together

The idea behind RudeBox was to build something simple, immediate and playable rather than another menu-driven digital instrument. Despite running on an ESP32, it behaves much more like a small piece of dedicated hardware: plug in a pad, turn the knobs and play.

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Traveler + $10 Reverb = Cinematic Sci-Fi | Liminal Space 2

video upload by Keith Crosley

"Traveler meets Liminal Space 2 RC5, and things are getting gloriously spacious! Your old pal Keith is pairing KeySolutions Sounds' beautiful new synthesizer VST3 plugin with his haunted digital reverb synth for Blade Runner pads, supersaw bells, enormous churches, and a sitar that's somehow MORE SITAR. So grab your mod wheel, pack a spare delay line, and get ready for a REVERBS-A-GO-GO episode of your favorite talky synthesizer content show!

First, we dig into Traveler: its three different oscillators, gorgeous filters, gain staging, and what happens when you feed it KRC Mathwaves. There are a few Windows wavetable-import quirks to discuss. Naturally, I have opinions.

Then it's on to Liminal Space 2 RC5: new Bricasti M7-inspired algorithm banks evolved from impulse-response measurements, new Micro Pitch and Legacy Enhanced pitch shift modes, and the new Scattering diffusion mode. We compare the Bricasti-inspired "West Church" algorithm against its source IR, explore dark rooms with blooming stereo tails, and put piano, drums, and sitar into some wonderfully unreasonable spaces. There's even a Big Ass Spring. Woot!

Versions shown: Traveler 1.0.9 on Windows and Liminal Space 2 RC5. I purchased Traveler myself. Liminal Space 2 is my own plugin.

-- GET THE SOUNDS --

👻 Liminal Space 2 just $10 (for now):
https://www.wavetables.lol/l/liminal-...

🎁 FREE Liminal Space demo (20-minute sessions, save disabled):
https://www.wavetables.lol/l/liminal-...

🎹 Traveler from KeySolutions Sounds (just $99 with intro bundle price):
https://www.keysolutionssounds.com/

🌊 KRC Mathwaves:
https://www.wavetables.lol/l/wavetables/

💵 STILL ON SALE: Get Liminal Space 2, KRC Mathwaves, and KRC Orchestral Impressions for just $33 in my 3rd Anniversary 'MAD SCIENCE' bundle:
https://www.wavetables.lol/l/mad-scie..."