PlayFader PlayMates - Digitakt - Amen Jungle Breaks mash up Pt1

video upload by Play All Day

https://goplayallday.com/

"PlayFader might just be the best jungle breaks mash-up sequencer ever made!
It’s definitely starting to prove itself as powerful and expressive side-car sequencer to @weareelektron devices!

At least that’s what @djrbrunstein thinks and we’re inclined to agree 😎
He’s a wizard on the #digitakt and totally gets inside the machine with PlayFader, creating a fully expressive and powerful junglist-massive playground for live performance.

Now we can’t help but get excited about what this could do with other Elektron devices, especially an #octatrack!!! Any octatrack or Elektron users out there want to show us what they can do with a PlayFader? We’d love to hear from you ✌️

Patch notes:
Playfader controls the first channel of Digitakt in slice mode, with an amen loaded. Moving the fader enables us to play different slices of the break, and the second channel plays an 808 kick as a bassline, the fader controlling the pitch. A different bassline, and different break pattern are recorded into each buffer and we can switch between them. Finally, we mute the right channel and play a different sample on the digitakt to end.

The next video instalment of this series will show you what you can do in this scenario when you start using the FUN FX like Roll & Random! This is when things get really dynamic and powerful 🤘"

ROLAND SYSTEM 100 + MXR Pitch Transposer/Digital Delay (Restored By Synth Tailor Electronics)

video upload by Synth Tailor Electronics

"Heres a demo of some units we restored , the ROLAND SYSTEM 100 (Model 101, Model 102, Model 103, Model 104) + MXR Pitch Transposer + MXR Digital Delay.

The MXR Pitch Transposer M-129, and the Digital Delay M-113 (both of these units are FOR SALE, if you're interested reach out through our website contact form or email)

HISTORY: The Roland System 100 is a semi-modular analog synth from the mid-1970s, a classic piece of gear that’s still got a cult following. It’s got a gritty, warm sound, perfect for everything from deep basses to wild, experimental noises. The setup includes five main modules: the 101 synthesizer, 102 expander, 103 mixer, 104 sequencer, and 109 speakers. Each module’s got its own vibe, but they’re designed to work together, letting you patch cables to create custom signal paths. The 101’s the core, with a single oscillator, a meaty low-pass filter, and a built-in keyboard. The 102 doubles down, adding another oscillator for fatter sounds. The sequencer’s a standout, letting you craft repetitive patterns that were huge in early electronic music. It’s not as complex as a Moog modular but way more portable and user-friendly for live tweaking. People love it for its hands-on feel and raw, vintage tone.

Video shot and edited by Rakim Escobar

If you have a vintage synth, drum machine, outboard gear or tape machine that needs restored or repaired, please reach out to us or ship in your item to our repair shop, Synth Tailor Electronics. Visit www.synthtailorelectronics.com/contact or send us an email: info@synthtailorelectronics.com for more details!"

Commodore Custom Built Circuit Bent Synth with Cynthcart and Screen

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

"Listing is for a custom built circuit bent commodore synth with cynthcart and screen. This custom build device was made around 2009 and has been used a few times but mostly stored. Honestly forgot I had it. If I recalled I think the purchase price was around 600 from the person who built it.
Some of the knobs are blank for future wiring mods. The ones I checked I listed on with tape. Octave changes, Volume knob, Filter on off switch, Filter cutoff. The cynthcart is the sound module on a card for the commodore sounds and can be played on the darker keys. The device works and was tested before listing however since this is a custom build some functionality may vary. It played sounds and sounds as I remember.
———
Listing is being sold AS IS so if there are any questions please just ask.
———
Functionality for the cynthcart I found is listed below.
———
cynthcart is a cartridge I developed for the Commodore 64 computer that turns it into a standalone analog synthesizer with MIDI support. The Commodore 64's SID is one of the most interesting 8-bit sound chips of all time, and I was unsatisfied with the available SID synthesizer software. Cynthcart supports the original Commodore 64 piano keyboard overlay (shown below), and MIDI interfaces by Datel, Passport, Sequential, and Kerberos. Cynthcart's key-command user interface allows it to be played and controlled without a monitor, making it especially suitable for live performance.
FEATURES:
● 30 preset sound patches
● Arpeggiator, portamento, vibrato, and tremolo effects
● Analog filter control and effects
● Control of attack, release, and other sound parameters
● MIDI support including pitch bend, patch changes, and controllers
● On-screen help
● Color visualizer display
● Mono stack, 3-voice mode, and 6-voice mode (with second SID)
● No latency
● SID hex editor for advanced users
● Ability to turn off video chip to reduce noise
● PAL and NTSC pitch tables with automatic selection
● Copies itself to RAM (cartridge can be removed after booting"

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Complex System

video upload by Memetune Studio

"I was wanting a way of setting up an interactive environment to record sounds from some modular systems which could be the basis for some improvised performance based sound explorations

I figured that if I set up some cybersynth patches (ie patches that are evolving by themselves in some way, or are at least dynamically varied over time) and could record some long stereo samples (loops) that could be manipulated live, this might be an interesting thing to do

It occurred to me that the Octatrack, which I got a few years ago and use as a granulating sample mangler, might be perfect to pair with the modulars in this way

The thing about the Octatrack is that it is so unbelievably deep and sophisticated that it can be very difficult to set things up on. I see it as a truly Complex System (AI Overview definition: Complex systems are characterized by numerous interacting parts and emergent behaviors that are not readily predictable from the individual components) and the user manual is utterly hopeless beyond a very basic overview

With the Octatrack you have to basically tell it what you want to do for any given situation. You create a personalised environment inside it and then work within the limitations you set yourself. You have to think of a setup that you want to create, then you build it for yourself using all the different components. In other words, it's not a preset environment that does a few specific things, you have to decide what you want then make it yourself

So I thought it would be useful to have 4 stereo 'Tape Machines' that can be manipulated in real time, with control over the following in each: Pitch, Playback Speed (Timestretch), Direction (forward / reverse) basic Filtering (bandpass) and Delay with feedback. All the things you might find in a Musique Concrete studio in the 1950s (with the addition of granular timetretching)

I might do a more detailed breakdown of the Octatrack patch in the future, but I wanted to live with this setup for a while and make sure it does everything I want it to do in the most efficient way first

This is my first experiment with it, using the Buchla 200. There are two stereo outs from the Buchla - two independent patches running concurrently - going into the Octatrack's dual stereo inputs. These are then fed into the four "tape machines" I created in the Octatrack, which mixes them into one stereo output along with the two live feeds from the Buchla (so what you are hearing is a live mix of the Buchla's 2 voices plus 4 tape loops (30 seconds each) recorded as we go along from the Buchla. As I said, its a complex system 😁"

Moog Muse Firmware v1.4 Update

video uploads by Moog Music

Playlist:

1. Muse | New Global Modulation

In this video, we explore how to access the new global modulation options added to Muse's MOD MAP in v1.4 firmware.

Firmware v1.4 introduces a wealth of new modulation options: six new global modulation sources (two global LFOs, two global envelopes, and two global random trigger sources) and 23 new modulation destinations—including the much-requested ability to modulate every delay parameter, down to each individual character function.

These new options exponentially expand the sound design possibilities on Muse, opening the door to entirely new sonic landscapes and microcosms to explore.

2. Muse | Per-Timbre Sequencer Probability

In this video, we explore how to use the new per-timbre probability options added to Muse's sequencer in the new v1.4 firmware.

While firmware v1.4 expands Muse's sequencer capabilities in many ways—perhaps the most powerful enhancement is the ability to dial in different generative behaviors per timbre. This enables incredibly deep and detailed methods of introducing probability into your compositions, allowing Muse's sequencer to act as an improvisational partner.

Randomness is a powerful tool for adding surprise and movement to your music, and Muse's sequencer offers a compelling way to incorporate interesting musical twists and turns into your exploration of sound and compositional form.

3. Muse | Dynamic Chorus

In this video, we explore how to use some of the new features in Muse firmware version v1.4 to create dynamic chorus and interactive diffusion patches.

Muse firmware v1.4 allows for modulation of all parameters of the DIFFUSION DELAY using the six new global modulation sources. We first look at how to create a basic chorus sound by using short delay times in the DIFFUSION DELAY and modulating the delay times very gently using the global LFOs.

(Note that PITCH-SHIFT should be selected as the time mode in the DIFFUSION DELAY "More" menu to enable pitch artifacts reminiscent of those found on beloved analog BBD or tape delays.)

We also look at how to integrate Muse’s expressive controls, such as the Mod Wheel, keyboard Aftertouch, and Macro knob to control various parameters of both chorusing and diffusion. A twist on our patch uses the global envelope generators to increase the chorusing rate over the duration of our notes, which will function differently depending on if multi-trig is enabled or disabled for the global envelopes.

4. Muse | Fading Modulation

In this video, we explore how to use some of the new features in Muse firmware version v1.4 to create modulation routings that fade over the course of a note’s duration.

Muse firmware v1.4 introduces a handful of new functions to the MOD MAP which allow you to fade in or out a modulation routing over time. We take a modulation routing that uses global LFO 1 to modulate both delay times in the DIFFUSION DELAY and apply the new fade functions to fade the chorus effect over time.

FADE A fades the modulation in from the onset of a note, while FADE D fades modulation out from the start of a note. FADE R sustains the modulation routing for as long as a note is held and then fades it out when notes are released. Finally, FADE AR applies both an attack and release envelope to the modulation, combining our fade in/out behavior into one handy function. For all fading functions, the amount sets the time of the fade from shorter to longer.

5. Muse | LFO Envelope Mode

In this video, we explore how to use the envelope mode added to Muse's LFOs in the v1.4 firmware.

Firmware v1.4 introduces a bevy of new features to Muse, unlocking countless exciting modulation possibilities. LFO envelope mode is one powerful addition that allows the LFOs to behave more like an envelope.

When you press a key, the LFO will run through a single cycle of its waveform and then pause. When combined with some of the unique user waves found in LFOs 1 and 2 (and now global LFOs 1 and 2, as well), envelope mode enables a wide range of new, key-triggered movements to enhance your sound design experience with Muse.

Lofi beats w/ Novation Circuit, OP-1 field, MOOD MK II | Priority 2025-05-26 by atnr

video upload by atnr

"A track produced with the ‪@NovationTV‬ Novation Circuit, ‪@teenageengineering‬ OP-1 field, and OP-1—a lo-fi beat where modulated synth and e-piano tones ride over abstract rhythms.

Novation Circuit: The beat is built in the DAW and triggered via MIDI. Two synth parts and four drum parts generate both abstract textures and grooves; the output is passed through a ‪@ChaseBlissAudio‬ GENERATION LOSS MK II for tape coloration.

OP-1 field: Plays a modulated sampler patch.

OP-1: Supplies a modulated electric-piano sound, further pitch-shifted and looped with the ‪@ChaseBlissAudio‬ MOOD MK II.

Bass line: Performed on a ‪@MoogSynthesizers‬ Grandmother.

Additional synth stabs: Provided by a ‪@NordKeyboards‬ Nord Lead."

Minimal House w/ KORG MS-20 Prophet-10, CP-88 | Subversion 2025-05-25 by atnr

video upload by atnr

"A piece created with the KORG ‪@KORG_INC‬ MS-20, ‪@SequentialLLC‬ Prophet-10, and YAMAHA CP-88—minimal house where an even kick and evolving bass line support electric-piano and synth layers.

MS-20: The bass line is driven via MIDI sequencing, while I manually tweak the filter and pitch-bend.

CP-88: Plays a Wurlitzer electric-piano patch; delay is added in the intro and outro.

Prophet-10: Provides the synth lead."

Classic Beats & Expanded Modular Approaches with Analog 808 Drums // OCTA from NANO MODULES

video upload by DivKid

"Here we have OCTA from NANO Modules. A set of 4 classic analog drum circuits, authentically taken from the Roland TR-808. We have the kick, snare and both closed & open hi hats. There's added controls, modular volume/drive per track and added section of compression, EQ and side chain envelope following. In this video I take them through classic 808 beats and sounds, expand them with modular mixing and we even turn it into one big pitch tracking (despite lack of pitch CV) bass oscillator ... I don't think anyone will be expecting the doom-laden ambient soundscapes from 808 drums. As always give these patches and ideas a go with your drum modules and enjoy OCTA!"

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Stylophone CPM DS-2: Dark Atmospheric Sounds. No Talk Demo

video upload by Anton Anru

"Obsidian is a collection of 50 custom presets for the analog synthesizer Stylophone CPM DS-2. In this pack, you’ll find drones, textures, FXs, rhythmical patterns and sequences, and immersive soundscapes.
🔮 I was fascinated by exploring this drone machine, and in this collection, I share the results of that journey. My goal was to extract a broad variety of timbres— dark, noisy, vintage/retro, cold, dull, distorted, metallic, tense, as well as atonal, non-harmonic, FX-like, evolving, moving, and sweeping sounds.

📦 Get the soundset: https://antonanru.sellfy.store/p/cpm-...

📺 The soundset draws inspiration from sci-fi movies, soundtracks, dystopian narratives, urban landscapes, noise ambient albums, experimental modern art, and innovative sound design.

📻 Perfect for genres such as Dark, Noise, Ambient, Cinematic, IDM, Electronica, Dub, Deep, Techno, Industrial, Minimal, Garage, Experimental, and more. These timbres also work exceptionally well for movie soundtracks, games, apps, digital art, live sound art performances, and VR landscapes—anywhere a dark, atmospheric vibe is needed.

📓 The soundset is presented in a PDF document. Each page contains notes explaining how each patch works, which parameters to tweak during playback, and techniques to further develop the timbre during performance. By following these instructions and experimenting with the suggested settings, you’ll deepen your understanding of the synth and unlock its true potential.
🎧 Each patch also includes an audio example to help you grasp the intended sound.

💾 The collection additionally includes 24/41000 WAV samples. You can use these samples as they are, or feel free to resample, edit, and apply effects in your DAW, sampler, or granular synth. They provide versatile material for your sonic experimentation.

🖲 The Stylophone CPM DS-2 is an analog synthesizer highly sensitive to both settings and performance. I’ve done my best to document all parameters precisely; however, expect slight variations, as this is a truly alive, analog instrument. This is especially true for pitch, tuning, and FM settings—and in some cases, on the delay. The PITCH/RATE and LFO DEPTH knobs are extremely responsive— even a slight movement can shift the pitch significantly.
Many presets don’t adhere to a strict tonal center, so feel free to experiment with frequency settings. If you need to hit specific notes, I recommend using a tuner when adjusting pitch and FM."

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Minimal Techno w/ EP-133 K.O.II, GAME BOY, MOOG SIRIN | City Depth 2025-05-20 by atnr

video upload by atnr

"A piece created with the ‪@teenageengineering‬ EP-133 K.O.II, ‪@MoogSynthesizers‬ SIRIN, and a Game Boy (LSDj) —minimal techno set against a backdrop of field recordings.

EP-133 K.O.II: Plays percussion while Punch-In FX are triggered. The kick is a Massive patch running in Ableton Live.

SIRIN: Handles the bass line, processed with delay from a. ‪@BOSSinfoglobal‬ DD-6.

Game Boy: Its sounds are routed through the ‪@ChaseBlissAudio‬ MOOD MK II for reverb, looping, and occasional pitch-shifting."

Vintage Classic That's 2 Synths In One // Yamaha CS 15

video upload by Starsky Carr

"A Human League Favourite - You probably never realised you've heard it, but its a super flexible things. The Yamaha CS-15 from 1979 has got 2 state variable VCFs, 2 VCAs, 2 VCOs, 2 ADSR envelopes, 2 Pitch envelopes... and 2 independent routings - you get the gist. The Yamaha CS series isn't as well known as Moogs, Arps and Oberheims, but they can pack quite a punch.

A 12dB filter may have been its future downfall, but its more like a mini modular (like the Kawai 100F I demo'd here ) [posted here]

There's essentially a single 2 VCO monosynth, plus an additional path with noise and one of the VCOs. The additional patch (the upper section) has its own filter, VCA etc. The only real downside is a single LFO for all modulation. The CS30 takes things further but this is a more compact and cheaper unit."

Layered Tensions: 10 Cables

video upload by Maknouchi

"Improvised modular synth performance using Serge Easel system, TKB touch keyboard sequencer, and the Crocodile module. Exploring generative patches, analog textures, ambient noise, and chaotic control voltages.

A 10-cable patch introducing instability to the envelope via pitch CV and comparator output. Layered through looping, the structure reveals Serge’s nuanced volatility—uncertainty and motion coexisting within minimal constraints.

Here is a list of the gear I used for this video :
Random*Source Serge
empress effects Zoia"

Meet the M0SS 101 Synthesizer by Andrew John March

M0SS 101 DEMO video upload by Andrew March

"A quick demonstration on how to build a patch with the M0SS-101 synthesizer."

From the creator of WVR, the the M0SS 101 virtual analog monosynth is currently seeking funding on Kickstarter.

"M0SS-101 is a virtual analog monosynth built for a pure, hands-on subtractive synthesis, packed into a compact, rugged guitar pedal enclosure.

With 26 buttons and a single encoder, M0SS-101 gives you intuitive access to a deep 42-parameter virtual analog synthesis engine. Press a button to select a parameter, turn the encoder to modify it, and monitor your signal flow via the LED system.

Using a MIDI controller, you can map any parameter via simple MIDI learn, making it easy to integrate into your setup. Up to 17 presets can be saved and recalled for quick access to your favourite sounds.

The 26 RGB LEDs use colour and brightness to represent signal flow, modulation paths, settings and selections. A separate row of 11 LEDs at the bottom gives you instant visual feedback on the currently selected parameter. I aim to offer an affordable, compact, and versatile instrument, without sacrificing features, ergonomics, or most importantly, fun. I hope you'll enjoy playing this synth as much as I have :'-)"

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KORG miniKORG 700Sm | Superbooth 2025

video upload by Thomann Synthesizers

"At Superbooth 2025, Korg unveiled the miniKORG 700Sm, a compact reissue of its first analog synthesizer, the miniKORG 700S. Staying true to the original’s warm analog character, the 700Sm adds modern enhancements, including dual oscillators, an updated Traveler filter without physical stops, and a joystick for expressive pitch and modulation control. New features include a built-in spring reverb, ring modulator settings, a multimode arpeggiator, and 14 patch memory slots. It also offers USB, MIDI, CV/Gate, and sync connectivity. Around 86% the size of the original with a 37-key slim keyboard and aftertouch, the 700Sm balances portability with classic sound, and comes bundled with a soft case and software package."

Introducing Moog Messenger | Synth Performance by Lisa Bella Donna

video upload by Moog Music

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700 FM System x BOSS ME-50 – How Many People Still Use This Forgotten Classic?

video upload by Gm Xe

"The BOSS ME-50 is one of my favorite effects units — simple, expressive, and still inspiring after all these years.

In this setup, I combine the 700 FM System with the Buchla 208C in a four-voice configuration:

One voices from the 700 go straight into the Auratie (fully wet).

One more pass through the 208C’s LPG .

The 208C main output runs through the ME-50 to shape the core sound.

The other two voices pass through the Auratie

In this patch, I use the ME-50 for distortion, modulated pitch effects, and a spacious delay that blends with the Auratie

This is a cross-era collaboration: vintage guitar effects, FM synthesis, and West Coast analog character blending into one ambient/experimental performance."

Instruō - Seashell | a new analogue workflow

video upload by Instruō

"We are excited to announce Seashell.

A compact semi-modular system, pairing hands-on hardware with expansive control through dedicated software. Offering seamless integration of Instruō hardware into existing workflows for sound design, music production, and live performance.

Seashell introduces a new way of working with analogue synth voices."

Instruō - Seashell | Video Manual

video upload by Instruō

"Hello!
Welcome to this first detailed overview of the Seashell.

00:00:00 Instruōduction
00:01:41 Getting Started (init patch setup)
00:07:53 DIFFUSE
00:14:35 Software/DAW integration
00:25:44 Filter Source Routing
00:29:26 GATE to VCA
00:32:54 Filter Controls
00:41:09 Oscillator 2 Low Frequency Mode (LF)
00:44:06 F.M. Routing
00:47:41 Analogue FM
00:53:42 Complex Oscillator (Circular) FM
00:57:00 WAVEFOLD
01:12:11 Pulse Width Modulation
01:19:15 Envelope Modes
01:26:33 Pitch Control Routing (1V/OCT)
01:30:04 TRANSPOSE
01:38:12 Oscillator Sync
01:50:40 EXTEND
02:12:52 MIDI Mapping"

Check with dealers on the right for availability.

From Patch to Sound: Logue SDK Custom Oscillators with Pure Data

video upload by boochow

"Pure Data ➡ https://puredata.info/
Pure Data to Logue SDK converter ➡ https://app.boochow.com/pd2logue/
Example patches ➡ https://blog.boochow.com/logue/pure-d...

plugdata is another good choice for pure data editor ➡ https://plugdata.org
hvcc can run in your Python environment ➡ https://github.com/Wasted-Audio/hvcc +
https://github.com/boochow/hvcc_logue...

00:00 Intro
01:00 Launch Pure Data and Make a New Patch
03:05 Export as User Oscillator
04:52 Make the Pitch Follow the Keyboard
05:52 Draw Your Own Waveform
10:18 Advanced Tip — Using tabosc4~
12:38 Final Tips"

Polyphony Without Spaghetti: TipTop Audio ART Modular

video upload by HAINBACH

"I love new music technology. When I heard about TipTop Audio's new ART system that allows for polyphonic pitch, gate and velocity information to be transferred via regular patch cables and their own multi-tip USB style cables, I was intrigued. I never thought of Eurorack as being a fun tool for polyphony, as it requires a lot of modules and a spaghetti mess of connections. Can this tech change that?"

1968 RA Moog Modular IIIC

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"A 3-cabinet authentic, period correct all RA Moog modules system that dates from 1968.

This instrument forms a part of the RL Music Vintage Synthesizer Collection. We have managed to keep some of the very best examples of Vintage Synthesizers that have come through our business over the last 22 years which we kept for our pleasure and interest. Whilst having a privileged position as a specialist dealer in this genre of equipment, we managed to hang on to particular instruments that were interesting and inspiring. The RA Moog Modular IIIC is one of 40 instruments we have, but is the oldest and most historically important.

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