SID SYNTH - Turn Your Commodore 64 Into a Live Synthesizer #C64 ⎍∧∿⩘

video upload by LukHash

"Here is a little demo of SID SYNTH, a software live synthesizer for the Commodore 64 and Commodore 64 Ultimate. V1.0 lands on 6 Nov 2026 as a bonus download with my new album 'Neon Airlines', and it is up for pre-order right now:
💾 https://lukhash.bandcamp.com/album/ne...
Pre-order today and the download link drops straight into your inbox the moment it goes live on release day, so there is no waiting and nothing to chase later. You get the full album with it, and pre-orders genuinely help a release like this land.

⎍∧∿⩘⎍∧∿⩘⎍∧∿⩘⎍∧∿⩘⎍∧∿⩘⎍∧∿⩘⎍∧∿⩘⎍∧∿⩘⎍∧∿⩘

SID SYNTH is a real-time C64 software synthesizer built for playing live. It sits between two amazing programs, the instant playability of Cynthcart and the deep sound design of SID Wizard. That's the middle ground I've been missing. The ultimate tool for live performance on your favourite computer :)

For those who are interested what's under the hood:

Eight waveforms (4 main+combined ones) across three voices (six with a second SID), an adjustable ADSR with hard-restart retrigger, a multimode filter, and fully customisable PWM with its own rate, depth and sweep shapes. Add vibrato, portamento and tremolo, plus switchable ring mod and hard sync. Seven voice modes take you from full polyphony through fifths and octave stacks to arpeggios you can lock to tempo. Then you play it: live pitch bend, vibrato swells and filter swipes you can freeze and latch mid-note, for real expression and sound design beyond presets.

Build your own banks of instruments across 54 slots, save and load them to disk, and jump between sounds on the fly, so a whole set is under your fingers on stage, with a "Live Lock" to keep a stray key from changing anything mid-song.

Full MIDI in adds assignable CC to use with your DAW or any MIDI hardware, program change to switch patches hands-free, and clock sync to keep the arpeggiator in time with your drum machine or sequencer, plus a tap-tempo that sets the arpeggiator's speed straight from the rhythm you tap, so you can lock the arp to your track by ear in seconds.

Twelve reactive visualizers turn a held note into a show, and dual-SID stereo, blackout-clean recording for the real SID chip and automatic PAL/NTSC tuning finish the picture. 👾"

LukHash - Neon Airlines (Album Preview)

video upload by LukHash

"'Neon Airlines' is your boarding pass to a sonic journey where chiptune, synthwave, and other modern electronic styles fuse into a retro-futuristic adventure. Experience the iconic sounds of the Commodore 64, Amiga, SNES, Mega Drive, and Game Boy, brought into the modern era while staying true to their roots. ✈️🌆👾

💾 Bandcamp exclusive: the download includes a bonus MOD track (Patch It!) made on an original Amiga, plus SID SYNTH (v1.0), a live synthesizer by LukHash that turns a real Commodore 64 / C64 Ultimate into a playable instrument. Explore the sounds of Neon Airlines, then make your own.

👉 https://lukhash.bandcamp.com/album/ne..."

Ring Modulation Sound Examples | Quadrant Modulator on a Smooth Synth Pad

video upload by Unusable Engineering

"Almost 20 minutes of Quadrant Modulator sound examples using the same smooth additive synth pad throughout, going through all the factory presets and a selection of my own patches.

There is no talking or explanation in this one. The purpose is simply to hear how wide the range of the plugin can be on one familiar source, from fairly subtle amplitude and tonal movement to obvious ring modulation, rhythmic processing, pitch-following effects, sequenced modulation and much more aggressive transformations.

The source is Partials & Discrepancies (the unusable engineering additive synth) using the preset APD-Wavelength Luminous from the free All Partially Dirty patch bank available on the Partials & Discrepancies product page.

The processing chain is the same throughout:
Partials & Discrepancies
→ Quadrant Modulator
→ Geometry Delay
→ Geometry Reverb

CLICK FOR MORE »

Crossfaded: Complex Modulation

video upload by Mehr Music Machines

"Let’s crossfade between two cycling function generators (RAMPS) and use that x-fade signal output to modulate the filter cutoff on Deuxd. And then let’s take one of Crossfaded’s internal (but accessible) LFOs and pan that signal between the two function generators’ shape modulation CV inputs. Let’s do that together."

Crossfaded is 14HP VCA-core utility for Eurorack Modular Synthesizers

Features: Dual 2-channel crossfader/panner VCA
CV control over pan/fade
Built in LFO with two shapes: Swirl (triangle) & Bounce (square)
Dedicated LFO output

Each of the two crossfader sections has 2-input and 2-output. When using both signal inputs the output signal will present the opposing input signal. For example: Signal input 1A fades between outputs B to A. While simultaneously the opposite is true; Signal input 1B fades between outputs A to B.

When only one input is used the outputs can be patched to a mixer's left + right channels for a classic "Auto-Pan" effect. Adjust the LFO's rate and depth to taste.

CLICK FOR MORE »

Tunary Instruments Releases Cinematic Soundscape Collection

video upload by Tunary Instruments

Best on headphones. "Every sound in this video was made with four Tunary instruments: VRESK, DRUSK, NIVREN and SILT."

via Tunary Instruments

THREE INSTRUMENTS FOR SCORING SPACE, TEXTURE & MOOD

Deep drones, sculpted grains and self-playing glacial beds. Three sound-design instruments made for film, games and ambient music — the sound under a scene, not the tune on top. Buy one, or take all three.

Additional details on each:

VRESK — Drone, Texture & SFX Engine

VRESK holds one sound and lets you move through it.

A drone, texture and sound-design engine: nine different machines under one set of hands, with two reverb spaces built in. Turn the big ROOT knob and the whole voice moves. Everything else colours it.

Nine engines on a 3 by 3 grid. Two oscillators for rings, folds and hard metal. Four wavetable voices for stacks, swarms and crushed digital. Eight partials for beating clusters, quantised chords and noise-struck metal. The knobs stay the same across all nine, and each engine reads them differently, so one panel is really nine instruments.

CLICK FOR MORE »

3am - synth+feet+cat #modularsynth

video upload by justin3am

"More funny noises from unique synthesizers. This patch is based around two shift registers ( @omiindustriies Cacade Register and @synthfoxchannel6287 Shift-Core Register) and a looping envelope (Kon) which clocks them both. The Shift-Core Reigister pings a filter and controls its pitch (pseudo-rungler) the Cascade Register influences a pair of chaotic lfos (Ya Jerk).The lfos control a digital oscillator and a VCA (Sledghammer) which controls a bunch of feedback. Everything gets routed through a granular delay.

With this variation, you can hear how it starts from a simple sound and evolves, iterates. This one features a cameo from Orion."

The M8 Tracker Continues To Blow His Mind // OS 6.6 Release

video upload by EZBOT

"Today I wanted to take a bit of time to explain my deep love for the Dirtywave M8 Tracker while going over the patch notes for the new OS that was released last week. The new OS brings a slew of upgrades to the device in both sound and presentation. Let's check it out and make some tunes."

EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

M8 Changelog on github

Makes for an intersting look back on the development history of the M8:

CLICK FOR MORE »

parallels // LinnStrument + Melbourne Instrument Nina

video upload by the audio dump

"Some quick technical notes since I wasn't feeling the live annotation on this one. If you notice “SWITCH 1” lighting up intermittently on the left side of the instrument, that’s showing when I’m using the sustain pedal. The switch is assignable, so that isn’t necessarily what it means in every LinnStrument setup, but for me it’ll generally be sustain unless otherwise noted.

For those unaware of the Linnstrument, it was created by Roger Linn and has 8 independent rows of notes. By default these are tuned in fourths but mine is tuned (low to high) EAEADGCF. The red lights are a custom setup and do not indicate any specific notes or scales like the stock setup; I made them to resemble the fretboard markers on a guitar. The white lights show what is being played as well as all other locations on the grid where those same pitches occur. You can customize these lights however you want to. I really can't say enough good things about the Linnstrument, so if you have any questions let me know.

The Nina is being restricted to 8 voices despite it being a 12 voice synth. This is to allow a longer release while letting the voice allocation keep things from getting too muddy. The patch is intentionally simple and you can read the details from the front panel. One thing I really like about the Nina is that the oscillator waveforms are not just on/off, so this patch is based around a morph between a triangle and a saw. All effects are internal and from the Nina.

The Nina is being controlled in MPE mode - there is not a lot of in your face MPE gestures here like extreme independent slides, but per note vibrato and occasional slides for phrasing have become practically essential to me now. I really hope more synths add MPE support over time because at least personally it is very much a "once you try it you don't want to go back" sort of thing for performance. Another important feature of MPE is being able to play unison intervals, since the exact same pitch can occur on multiple channels at once (which you can hear here a number of times).

This music came together very quickly, though I had some other ideas that didn't fit here, so most likely this will be the first in a series of 'parallels'."

Free Yamaha DX100 Editor Librarian | Web MIDI Patch Manager

video upload by Ian Dixon

"In this video I demonstrate my free web-based Yamaha DX100 editor librarian, which should also work with the Yamaha DX27. It runs locally in your browser using Web MIDI, so your patch data stays on your own machine.

The editor can read the internal voices from the DX100, show the selected patch in real time, edit algorithms, feedback, LFO settings, pitch bend, operator levels, envelopes and frequency settings, and then send edited patches back to the synth. I also show the librarian side, including saving and loading SysEx libraries so you can build up a bigger DX100 patch collection.

https://thedigitallifestyle.com/w/TDL...

Timestamps:
00:00 Intro and DX100 / DX27 compatibility
00:31 Web MIDI setup and reading voices
01:01 Real-time editor overview
01:34 Operators, carriers, modulators and envelopes
02:02 Velocity sensitivity and live parameter changes
02:32 Randomize and taming new patches
03:32 Editing and renaming a patch
04:01 Downloading and storing the patch
04:25 Saving the DX100 library
04:48 Loading SysEx and building larger libraries
05:15 Sending patches back to the DX100
05:45 More synth editors and wrap-up"

EMW DX5000 | DUAL FM SOUND MODULE | Visão geral

video upload by EMW Synthesizers

Click CC followed by the gear icon and your language at the bottom of the player for subtitles once the video starts.

"Uma breve visão geral do nosso novo DX5000."

"A brief overview of our new DX5000."

I checked their site for details, didn't find the DX500, but I did find the DX7000:



Rediscover the legendary sound of classic FM synthesis with the power and convenience of modern technology.

The DX7000 was designed to deliver the powerful and expressive sound of the original Yamaha DX7, with the unmistakable character that defined an entire generation of music. From crystal-clear electric pianos and metallic bells to punchy basses, expressive brass, lush pads and iconic digital textures, the DX7000 brings the classic FM sound back to your studio or stage.
With 1,110 internal sounds carefully organized into categories, the DX7000 is ready to play right out of the box. It also includes memory for 256 user sounds, which can be received via MIDI SysEx from compatible DX7 libraries, editors and software tools.

DX7000 — the classic FM sound, ready for today.

Main Features

• Powerful sound inspired by the original Yamaha DX7
• 1,110 internal sounds organized into categories
• 256 user sound memories via MIDI SysEx
• 16-voice polyphony
• Responds to Pitch Bend, Modulation Wheel and Sustain Pedal
• MIDI Program Change for remote patch selection
• Compatible with DX7 SysEx sound libraries
• Compact and easy to use
• Ideal for studio and live performance

CLICK FOR MORE »

Isobar Industries Serratus is Completely Unhinged Madness

video upload by Metamyther and Isobar Industries

"Isobar's new module Serratus features 9 comb filters and 9 mutations, which combined with deep sound sculpting parameters, provide completely unparalleled sonic exploration. Make drones, noisy blasts, and even demented choirs with this beast of a module. Required viewing for fans of the Vhikk X, Befaco Oneiroi, or noise, industrial, and dark techno of all kinds."



A matrix of resonant delay bodies and mutations. Serratus weaves nine comb algorithms against nine distortion, saturation, and mutation processes, with each intersection morphable in real time. Chaos and generative modulation treat the whole system as a living organism, while independent routing places filter, distortion, and reverb before, inside, or after the feedback loop, sculpting everything from string plucks and resonant percussion to frozen spectral drones and chaotic self-generating textures.

CLICK FOR MORE »

Unboxing and First Impressions — ASM's Leviasynth.

video upload by Noisegate

"The ASM Leviasynth has landed at Noisegate. We first saw it at the ASM booth at NAMM and we've finally got one in the studio — so here's the unboxing, the first patches, and a proper dig through the algorithmic engine, the analog filter, the effects chain and that four-octave ribbon.

▬▬▬ SPECS ▬▬▬
16-voice hybrid (digital oscillators + analog filter)
8 oscillators per voice, 7 synthesis types, 140+ algorithms
4-pole analog low-pass filter with pre-drive + multimode digital filter
61-note Polytouch polyphonic aftertouch keybed, MPE
4-octave pitch ribbon (doubles as a sequencer step controller)
3-track sequencer + arpeggiator
8 macro controls, deep mod matrix
Pre-FX, delay, reverb and post-FX
CV/Gate I/O — assignable mod in/out, pitch, gate, clock
MIDI in/out/thru, USB, expression + sustain, front-facing headphone out
Aluminium chassis

▬▬▬ CHAPTERS ▬▬▬
0:00 Unboxing
0:31 What is the Leviasynth?
1:05 First preset, first play
1:30 Panel tour and layout
2:52 The analog filter and pre-drive
3:43 8 oscillators, 16 voices
5:24 Random patch generation
6:22 Building from an init patch
6:58 Mod matrix: LFO to oscillator feedback
8:17 How the algorithms actually work
9:35 Performance controls and patch browsing
10:41 The four-octave pitch ribbon
12:21 Arpeggiator
12:54 Signal path and effects
14:06 Delay and sync
17:53 The 3-track sequencer
19:22 Ribbon sequencer step mode
19:53 Build quality and I/O
20:30 Final thoughts"

Coming Soon : NerDie - inspired by SOMA RoAT (sound only, no words)

video upload by Diego Capoccitti

Follow-up to OktaDie and .

"No tutorial. No voiceover. No slides.

Just NerDie, a synth inspired by SOMA RoAT (Rumble of Ancient Times), played live, and the sound that comes out of it.

NerDie is an 8-bit noise synthesizer and sequencer — AAX, VST3, AU, AUv3 (iOS) and Standalone. The engine runs on integer uint8_t arithmetic at a fixed chip rate: overflow, wrap and quantization aren't simulated after the fact — they are the signal.

What you're hearing:

· 4 8-bit oscillators, 16 waveforms each, 19–1350 Hz
· 4 LFOs modulating pitch or level
· 3 mix topologies × 3 nodes × 8 algorithms = 1,536 ways to sum them
(addition, overflow, subtraction, ring mod, XOR, FM, waveshaping)
· Resonant 8-bit lowpass filter
· One-bar sequencer with overdub, master/slave clock
· CHAOS for instant chaos, drift for the slow kind, RND for a full patch
rendered and measured before it arrives — so it always plays
· 32 registers across 8 pages
· MPE: four oscillators, four voices — press, slide, strike and bend routed
through a matrix that decides what they move
· Pixel interface, two views: the panel, with hardware-style pot pickup,
and the matrix, with all 32 registers in sight for DAW work

Recorded in one take, no post-processing on the audio.

Headphones recommended.

Coming soon!

Formats: AAX · VST3 · AU · AUv3 · Standalone (macOS, Windows, iPad, iPhone)

NerDie is an independent project by Diego Capoccitti / 34Audiovisuals,
not affiliated with any hardware manufacturer, inspired by SOMA RoAT (Rumble of Ancient Times)

© 2026 Diego Capoccitti / 34Audiovisuals"

Kodamo Mask 1 EX MK2 + GEOMask - Custom Editor & Librarian.

video upload by GEOSynths

"I've had the Mask 2 EX MK2 for a few weeks now and am very pleased with how it Sounds and most of all, the Price! I paid just short of £400 from Juno Records, which for today, isn't bad for a Polyphonic Synth.

The Mask 1 Keyboard has been out for some years now and while there was a Desktop released (EX Mk1) this version now seems like a complete Product.

In the Video I go over the controls, however one aspect of their Mask 1 Family is that you can only Edit from the front panel using a Data Entry Knob, so with the help of Gemini and Claude, I built a web based Editor and Librarian, which I demonstrate in the Video.

It should work with the MK1, but not sure about Keyboard as I don't have one, but it's essentially the handling of Factory Patches and User Patches that are different, so should work.

The Editor will be released for Free on Sunday August 23rd on my next Live Stream, where I will be covering the Mask 1 EX MK2, answering your questions and making some Patches Live."

00:00 - Overview 02:44 - Custom Patches 05:15 - Front Panel 07:25 - GEOMask - Editor/Librarian 07:58 - Librarian 08:33 - General 09:08 - Initialized Patch 09:53 - Mask Oscillators 14:43 - Pitch & Noise 15:30 - Filters 17:11 - Modulation 19:40 - Arpeggiator 20:38 - X/Y Pad 21:19 - FX 23:40 Custom Patches

Circuit Bent Alesis HR-16 | patch and pitch mods make this an amazing drum machine

video upload by POTAR

"Circuit Bent Alesis HR-16 drum machine by POTAR - Mods include a 28 point patch bay, switchable pitch control via knob or photocell for ultra-dives, and new battery and screen installed, too.
-
https://potardesign.com"

Can a sampler eat itself? (recursive sampling into oblivion)

video upload by djr brunstein

"Patch Memory 7. Patching the Venus Instruments Veno-Orbit back into itself to see what chaos ensues!

Output feeds back into input, via a reverb (my micro Dervish); Pamela's New Workout sequences record, play, pitch, reverse, start position and length across both channels. The module becomes its own sound source. I wasn't sure if I should try and make a sample pack from this one. If you want that, let me know in the comments!

Instagram: djrbrunstein
Bandcamp: https://dorsetgunk.bandcamp.com/
Website: https://djrbrunstein.com

Evolving Patch - Double Knot | Peterlin | Etherealizer

video upload by Lo-Fi-Si

"Lorre Mill - Double Knot V3
Ciat Lonbarde - Peterlin
Walrus Audio - Qi Etherealizer
Teenage Engineering - Sidekick

"Two banana synths patched together, sent into the 2 channel mixer with an effects loop via the Etherealizer.

Just a simple desktop noodle for nothing more than it was fun.

DK sends CV from Envelope B to the blue CV input on the Peterlin. This creates some synchronised pitch variations. Output from the Sidekick to the Etherealizer is via the Cue channels. The little mixer allows me to mix and mute the synths as well as introduce effects with more control for a small basic set up."

Mono Two by Monomono: MS20 Spirit Inside Ableton Live

video upload by Isotonik Studios, Monomono Audio · Max for Live Devices, Push Patterns

"Mono Two by Monomono is a monophonic Max for Live synthesiser built around the semi-modular spirit of the Korg MS20, optimised for Ableton Live and fully operational on Push 3 Standalone. In this walkthrough we go from first filter sweep to full patchbay session, covering everything that makes this device tick. Monomono have expanded on the original MS20 architecture with dual filter circuit switching, tempo-synced LFO, bipolar and unipolar envelope modes, stereo spread, and a guided patchbay with attenuator and multiplier utilities.

GET MONO TWO BY MONOMONO
https://isotonikstudios.com/product/m...

In this walkthrough, we'll explore:

Dual oscillator architecture with waveform selection, pulse width, and ring modulation
K35 versus OTA filter circuit comparison and real-time switching
Filter sweep with peak resonance and highpass filter in action
LFO shapes, free and synced modes, phase reset, and tempo sync
Envelope Generator 1 with delay, attack, and release for frequency modulation
Envelope Generator 2 bipolar and unipolar modes, hold, and legato switching
Modulation visualisation on dials showing scope and depth of applied modulation
Stereo spread control from full mono to wide stereo
Patchbay walkthrough with attenuator, multiplier, and guided orange-highlight routing
Push 3 Standalone patchbay navigation and sample-and-hold patch demonstration

CLICK FOR MORE »

Creating Loops with Granular Sounds | Intellijel Multigrain, Sealegs and Swells

video upload by Intellijel

"With some simple patching, you can create loops and rhythms with Multigrain to accompany your beats - ranging from MPC-style chops to time-stretched samples. This video explores some of the possibilities at a simple level, which have the potential for developing into more complex patches.

Chapters:
00:00 - Introduction and patch
00:53 - Setting up a looping Sound
03:18 - Modulating START
05:02 - Switching out Samples
05:59 - Modulating PITCH
08:06 - Using SYNC
09:31 - Summary"

Audio Damage Introduces AD-202 Synthesizer Inspired by the Roland MC-202

via Audio Damage

"AD-202 is a single-oscillator monosynth in the small-silver-box tradition of the early 1980s. One VCO with saw, pulse, sub, and noise running into a 24 dB ladder filter, one envelope, one LFO, and very little else. Every control is on the front panel, there are no hidden pages of options, and there is exactly one path from a knob to a sound.

Under the vintage panel it is a thoroughly modern instrument. Mono or eight-voice poly, per-voice analog drift, a tempo-syncable LFO with a delayed onset, MPE, MTS-ESP microtuning, and a post-VCA colour section with pre-filter saturation, filter drive, distortion, and a tilt EQ. The vintage part is the ergonomics. The rest of it is not vintage at all.

Same as the rest of our catalog: Mac, Windows, Linux, and iOS. No DRM, no subscriptions, no dongles, perpetual license.

CLICK FOR MORE »

Pittsburgh Modular Lifeforms SV-2 Semi-Modular Analogue Subtractive SonicLab Review

video upload by sonicstate

"We take a look at the @pittsburghmodular Lifeforms SV-2, a 37-key semi-modular analogue synthesizer with an East Coast subtractive focus.
It shares the format of the Taiga Keyboard with two main oscillators, two analogue LFOs that can also be oscillators , dual multimode filters, 2ADSR envelopes, 2 VCAs, spring reverb, arpeggiator and extensive patching.

The oscillators include multiple waveforms, Blade shaping and sub outputs on osc 1, while the LFOs can act as extra pitch-tracking oscillators for richer mono or two-note paraphonic patches.
The filters offer several modes and respond strongly to gain, drive and character settings, giving clean tones or more saturated results with a large amount of gain points both in the filters and in the mixer.

Additional function and velocity outputs with various modes add extra useful modulation.

The SV-2 is available now for around €1599 or $1499.

https://pittsbughmodular.com

Key Moments
00:00:00 Introduction to the Lifeforms SV-2
00:01:08 Keyboard, panel layout and 24HP Eurorack bay
00:03:21 Oscillator waveforms and Blade shape
00:06:16 Using the LFOs as oscillators
00:09:56 Dual multimode filters and gain structure
00:13:25 Driven subtractive sound example
00:14:52 Two-note paraphonic patch
00:16:05 Velocity, envelopes and random functions
00:19:42 Arpeggiator modes and legato transpose
00:21:39 Price, availability and closing thoughts"