Turn any soundsource into Drums with 'Doppler' from Jasmine & Olive Trees.

video upload by Cinematic Laboratory

"Sometimes a module comes along where you'd read the description and think, OK, why? This module turns any sound into drums so if you're not interested in drum sounds, why bother? And what do drumsounds have in common with the Doppler effect where pitch perception would change depending on an object moving towards or away from you?

BUT THEN.
You patch it up, play with a few sources and go WOW.
Check it out."

360 Systems Midi Bass Professional

video upload by General Midi Guy ⚡

"Quick 'demo' of all 8 presets. Although dedicated drum machines are not unusual, the same cannot be said about bass, at least not back when 360 System released the MIDI Bass. It was released in 1986 with the purpose of providing playback voices for Bass sounds. The MIDI Bass was designed primarily for "bass" instruments but has an audio bandwidth of 16 Hz to 16,000 Hz.

The sounds delivered by the MIDI Bass are stored on EPROMS, and it can take up to four different EPROMS at once. 360 Systems used the "Real Bass In A Box" slogan for their advertising of this player due to the fact that it has "real" and not synthesized bass sounds. The MIDI Bass produces the exact sound of acoustic and electric basses and boasted some of the most popular bass sounds of its time. The included library of sounds had everything from Slapped & Popped Funk Bass, Flat Picked Roundwound Jazz Bass, Stand-Up Acoustic Bass, Bowed Bass, and much more. 360 Systems also praised the realism of the MIDI Bass as it is touch-sensitive, follows pitch bends, and responds to MIDI patch changes. As a result, it was marketed as the natural complement to digital drum machines and MIDI sequencer/synthesizer systems"

Diving deep into Doppler by Jasmine & Olive Trees, a Eurorack module that makes drums from any sound

video upload by Perceptes and Jasmine & Olive Trees

"In this video, we'll be diving deep into Doppler, a new Eurorack module from Jasmine & Olive Trees that can turn any sound source into a drum! Doppler also has an amazing new mechanism for changing firmware by simply placing an overlay panel on top of the module."

00:00 Meet Doppler 01:13 Patch previews 01:56 Automatic firmware switching 04:28 Module overview 06:18 Noise output 07:09 Kick drum sounds 09:16 Mod control 09:40 Chord mode 11:14 Doppler mode 12:13 FM mode 13:53 LPG (low pass gate) mode 14:57 Snare drum sounds 15:24 Hi-hat sounds 15:39 FM tom sounds 16:13 Chaotic textures 16:36 Full beat with Traffic 20:07 Glitchy percussion 22:49 Different transient sources 26:16 Speech sample as body input 29:44 Chord progression 32:52 Doppler jam

Includes Door, Rubin and Lichen overlays for free, the firmware is automatically swapped when placing an overlay on top of the modul.

Any sound source becomes percussion.

Feed an oscillator, a sample, or any audio signal into Doppler. It shapes it into a kick, a snare, a hi-hat, a percussion, or something else.

It morphs anything into everything. The best friend for Traffic & Prio.

All the processing moves across a continuous spectrum: from a clean signal, to a pitch envelope, into FM modulation for complex percussive textures.

Built on top of our J&OT DSP platform. Future family firmwares can be swapped for free using a simple USB cable and our J&OT web tool, no extra hardware required.

Highlights

Doppler kick engine: delay-line pitch sweep, five depths from –1 to –3 octaves

Harmonic FM: modulator tracks the spectral peak of your input, plus cross-mod chaos at the top

13 chord voicings: major, minor, sus, 6ths, 7ths, 9ths, 11ths via four pitch-shifted taps

Two inputs: Body (main signal) and Trans (transient channel with auto-tuned band-pass)

VCA / LPG modes: toggle via long-press, saved to memory

Independent noise output: dust oscillator whose density tracks input character

CV: on Attack, Decay, Mod, Amount

Smart Attack: noise decay to the left, or long swell to the right, all on one knob

Self-developing generative melody using sample & hold. KALEIDOSCOPE

video upload by Vadjuse

"I was experimenting with using one looping envelope as the sampling clock for another.

Every End-of-Cycle trigger captures the current value of the modulation envelope. Quantizing those sampled values turns a continuous modulation into a melodic sequence.

Small changes to the relationship between the two envelope periods completely change the resulting phrases, even though the patch itself remains very simple.

Then I added another layer by letting the modulation influence the amplitude envelope pattern itself. Since that pattern determines when sampling happens, the melody starts affecting the mechanism that generates it, creating a feedback loop between rhythm and pitch.

I like building systems like this, where musical structure emerges from interactions rather than explicit note programming.

http://vadjuse.ru/kaleidoscope_en"

BASTL INSTRUMENTS KASTLE ARP DESKTOP MELODY SYNTH

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Bastl Instruments Kastle ARP in excellent condition. It comes with original packaging and accessories.

Manufacturer's description
Kastle ARP is a unique modular melody generator based on a quantized sine wave oscillator with a digital waveshaper.

The pitch selection employs straightforward concepts to unleash surprising intricacy. The quantized oscillator ensures it is always in tune, and its pitch can be selected using the NOTE and CHORD inputs. The decay envelope adds variation by occasionally skipping pitches before retriggering. The timbre control allows you to blend between noble sine waves and 8-bit chip-tunes.

CLICK FOR MORE »

3 Reasons Why Random Voltages are ACE!! // RANDOM8 from Mylar Melodies & Befaco

video upload by DivKid

"Here's a 3 patches series video that distils down many of the reasons I think random voltages are ace to just 3 examples. It's also a bit of a quick demo of the fantastic new RANDOM8, your new random mate from your pal and mine Mylar Melodies (and Befaco)."

*TIMING INDEX // CHAPTERS*
00:00 Hello & previews
00:50 What is Random8 & what are we doing here?

3 PATCHES WITH INCREASING AMOUNTS OF RANDOM
Patch 1 // Random for people that don’t like random (fools!)
02:58 Adding exciting movement to basic synth voices
Patch 2 // Looping random for melodies & riffs
07:17 Looping melodies & modulation for techno jams
Patch 3 // Embrace the random - let the random enter you, be you, surround you
14:54 Generative ambient Krell

THIS VIDEO IS NOT SPONSORED BY ANYONE I was sent the module by Mylar Melodies & Befaco to use as I like but they did not pay for, or have any say in this video. Any questions as always, just ask, clarity is always best."

A demo of RANDOM8: The world's most random module?

video upload by mylarmelodies

"Here's a demo of RANDOM8 (which is out now!) - it gives you 8 stepped or smooth random voltages in 8HP, with per channel looping & attenuator controls, pitch quantiser & more. It's designed to make your modular sound more alive & I designed it in collaboration with Befaco. First I'll explain it (2:33), then we'll Rings in to Clouds it (17:07), then we'll make drums and techno with it (27:42).

I managed to forget to show you how to reset channels to default settings! Just hold the channel button(s) down for 5 seconds. To reset all 8 channels, hold the top and bottom channels for 5 seconds."

CHAPTERS
00:00 - What is RANDOM8?
02:33 - Basic Looping & Evolving
05:35 - Menu Options Summary
06:30 - How to Enter & Edit Menus
07:06 - Steps Menu

CLICK FOR MORE »

DUB PLEX | Make Noise

video upload by MAKEN0ISE

"A subterranean Plexiphon patch.

Plus a visual score by Bruce Magill, realized sonically by Norman Freund!

More info about Norman's performance below:

SoundCloud: / landscape-graphic-score
BandCamp: https://normanfreund.bandcamp.com/tra...

Description:
Late 2025 Walker Farrell from MakeNoise started an international music challenge for musicians to participate in, submit your own Graphic Score, then at the draw of a hat, you would be assigned someone else's score to interpret and create music from. I am always interested in music challenges and the more off-beat the better.

Late December 2025 names were drawn at random, Walker constructed a collection of MakeNoise modular synthesis cards to generate random numbers to set who gets what score. I was allocated a topographical map from Bruce Magill that contained some text notes and penciled in graphics. Bruce had a musical concept in mind for this score but did say "Notes for this graphic score are only a suggestion. You can disregard them and interpret this score in any way you like, if you wish. ... Don't overthink." So I did have free reign to interpret the score as I wished, so I could let my imagination run wild. In my younger years I did a lot of wilderness hiking so was and still am, quite familiar with topographic maps, so for me this was the perfect score, something I could relate to and understood. As a side note, there is no right answer for interpreting a graphic score, so understanding is not an essential ingredient, however a vivid imagination is. It is a bit like laying on the grass and looking up at the clouds -- what do you see beyond back scattered light from suspended vapours in the sky.

CLICK FOR MORE »

ellitone groov~e console

video upload by ellitone instruments

"Limited edition.

ellitone.com

The ellitone groov~e console is a new variant of the original groov~e device. The console version includes the same sounds as the original, but features several new additions including built-in stereo speaker system, battery-power, hardwood body/knobs, and individual volume control over each sound layer

The groov~e console is a fun and mysterious interactive drum-machine and polyphonic-synthesizer that automatically generates musical “grooves”. A “groove” consists of 3 individual sound layers: a drum-machine layer, an ambience-sample layer, and a polyphonic-synthesizer sequence layer. Each of these 3 sound layers can be individually tweaked or swapped out to find the right mixture of sounds to make you say “WHOAH, that’s funky!”.

CLICK FOR MORE »

Stupidly useful, simple & small // Low Fat VCF from AJH Synth

video upload by DivKid

"Here's a fun one and something stupidly simple, really easy to use, small, affordable but way more useful than you might think. It's the Low Fat VCF from AJH Synth, which is a 2HP non resonant (it's supppppeeeer smooth) high pass filter.

I think my favourite thing is using it to pair with low pass filters and to make a variable width band pass filter. It's also nice as a simple "clean up the mix" tool, as a pseudo spectral sidechain, multiband ducking style device or just for performance sweeping low end out of things."

"The Low Fat filter packs a switchable 6dB and 12dB slope High Pass Voltage controlled Filter into a miniscule 2HP of rack space, with a very low power consumption of less than 12mA per rail.

Sometimes there is just too much bottom end in a patch and it swamps everything else, by feeding it through the Low Fat Filter we can remove some of this bottom end to balance things up.

It also makes a great companion to the MiniMod Transistor Ladder Filter and can be placed before or after this in a patch to create a Band Pass filter with a variable passband and a choice of a softly rolling 6dB slope or a stronger 12 dB slope.

It's a great way to populate one of those frustrating gaps in your eurorack modular case with something that is deceptively usefuI.

In Depth

The LOW FAT is a new 2hp Eurorack module by AJH Synth, it's a High Pass filter, with frequency control by either manual pot, and/or external CV with attenuator. It's intended to compliment other filters, particularly low pass VCF modules, in practical tasks such as removing excessive low frequencies, for example when the bass is swamping a mix. It can be switched between 6dB (1 pole) response and 12dB (2 pole) response.

By patching a CV signal to the FCV input it can be voltage-controlled and used musically as with any other VCF. When used in conjunction with a LP filter it forms a fully customisable band pass filter, allowing the range of passbands to be cherry-picked. Feeding in a 1V/Oct pitch CV and setting the FCV pot to a suitable level allows it to track an incoming pitch CV, so the amount of High Pass filtering remains constant as the pitch of the incoming VCOs traverse up and down the frequency range. This can be particularly useful in creating percussive sounds, such as snares and hats, but also on sequenced bass lines. Since it is only 2HP it's a great way to occupy one of those frustrating gaps in your eurorack modular case with something that is deceptively useful, and adds another dimension to the classic bass monster that is the Transistor Ladder Filter."

Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter

video uploads by Unusable Engineering

Note this is the first post to feature Unusable Engineering. You'll find additional plugins by them below.

Playlist:

1. Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter - Walk Through
2. Curves & Membranes - Sound Demo and Patch Ideas - No Talking
3. Curves & Membranes | Synthesizer Patch Creation & Sound Design Walkthrough
4. Curves & Membranes v1.1.0 | New Features and Sound Examples
5. Curves & Membranes Filter Walkthrough | Understanding the Membranes
6. Unusable Engineering Jam | Curves & Membranes in a Different Context
7. Unusable Engineering Update | Curves & Membranes Features and Grain Discharge
8. Unusable Engineering Breakfast Jam | Curves & Membranes + Full Bundle

"Curves & Membranes is a focused mono synth built around a shapeable Bézier oscillator, two visual modulation systems, and a membrane-based filter. In this full walkthrough I go through the core ideas behind the instrument, how the oscillator works, how the preset morphing and orbital modulators create movement, and how the membrane filter shapes the sound.

The goal with Curves & Membranes was not to make a do-everything synth, but to build something more specific: a synth where sound, shape, and motion are tightly connected, and where the structure stays easy to understand while still allowing a lot of character and timbral movement.


More info: https://www.unusable.net/"

And a playlist of addtional plug-ins by Unusable Engineering:



Playlist:

1. Synaptic Resonance | Neural Vocoder Walkthrough

Synaptic Resonance is a neural vocoder-style effect where incoming audio, or an optional sidechain, excites a two-dimensional neural simulation. That simulation is then read back somewhere else and used to animate a bank of forty steep resonant band-pass filters.

In this walkthrough I go through the basic idea behind the plugin, show how the Stim Plane and Read Plane shape the behavior, and explain how the neural controls affect the way the model reacts, spreads, remembers, recovers, and settles.

The core idea is fairly simple: the input excites the model, and the output is affected by reading the model. That is what gives the plugin its character. It can behave like a vocoder, a resonant filter instrument, or something more unstable and alive depending on how it is set up.

CLICK FOR MORE »

FILTER FM (STYLOPHONE PATCHBOOK 2.0) - CPM DS-2 ANALOG DRONE SYNTH

video upload by Stylophone

"CPM DS-2 ANALOG DRONE SYNTH
The FILTER FM patch works by moving Drone 1’s cutoff around at audio rate.
Start by turning down Drone 1 so we can just hear Drone 2.

Pitch Link is switched on, and the pitch is set to the middle. This means any changes to the pitch in Drone 1 will also be matched in Drone 2.

The output is set to a saw wave, and we’ve got the LFO linked to pitch, with the LFO depth turned up just slightly. This means the pitch will drift around a little bit.

Resonance is turned down and the cutoff is all the way open. This means we just get the raw output from Drone 2. Turn its volume all the way up, but plug in a patch cable — we’ll need this later.

Over on Drone 1, the pitch is set to 9 o’clock. We also have a saw wave selected, but the routing switch for the LFO is set to X-Wave. This stops it from affecting the pitch.

We’ve got the cutoff set to 12 o’clock and the resonance at 3, giving us quite a big resonant peak.

Now, when we plug the output of Drone 2 into the cutoff of Drone 1, the filter is going to get moved around at audio rate.

For a more extreme sound, try turning up the pitch LFO on Drone 2.

Also, add a bit of reverb.

WANT MORE PATCHES?
Download the new Stylophone CPM Patchbook 2.0: https://bit.ly/4nTh36w"

Cinematic Drone Patch | Intellijel Multigrain, Sealegs and Swells

video upload by Intellijel

"A small but mighty 62HP palette system turning some simple oscillators into a big, cinematic drone.

• Multigrain - Granular harmonies & pitch shifting
• Sealegs - Tape-style Lo-Fi effects
• Swells - Octave shimmer and reverb"

Backrooms Inspired Sound Design with Omnisphere 3 and Vulture Culture’s Legendary Synths

video upload by Keith Crosley

"We’re noclipping into liminal sonic realms, doing some Omnisphere 3 patches inspired by the Backrooms… and using Vulture Culture’s “Legendary Synths” sample library that I’ve converted to O3 multisampled soundsources! We’ll talky talky talky about liminal ambient inspirations, some of my favorite sound design tricks, and a few of the more unusual effects in Omnisphere. So grab your low-proximity magnetic distortion system and get ready for an ANALOG-HORROR-A-GO-GO episode of your favorite talky synthesizer content show!

-- MENTIONED IN THIS VIDEO --
🎹 Vulture Culture Legendary Synths Collections: https://vultureculture.live/collectio..."

You can find wavetables and additional resources by Keith Crosley available at https://www.wavetables.lol.

─── CHAPTERS ───
00:00 Why Sound Design for the Backrooms (A24 Film + Kane Parsons)
01:02 What This Video Uses: Omnisphere 3 + Vulture Culture's Legendary Synths Vol. 1 & 2
02:14 Why Omnisphere 3's New Effects Are Perfect for Analog Horror
03:07 Pre-Built Patch Walkthrough: Noisemaker, Film Projector & Spring Reverb
03:48 The JX-10 "Mays Pad" + Wavestation Tape Splice Sound

CLICK FOR MORE »

JX2044 "Soundtrack" demo

video upload by adamstan84

"Here's my attempt at recreating famous JX-8P 'Soundtrack' patch on my upcoming #JX2044 synthesizer. There are two variations shown - second one uses fast chorus setting and adds a bit of "brassy" attack on pitch envelope."


See the ADAMSTAN84 label below for additional posts including the prototype.

MAKE BEAUTIFUL DRONES WITH THE STYLOPHONE GEN X 2 - PORTABLE ANALOG SYNTH

video upload by Stylophone

"LEARN HOW TO DRONE WITH THE STYLOPHONE GEN X-2 - PORTABLE ANALOG SYNTH

This month we’re celebrating drone music.

In a few simple steps learn how to drone with our portable analog synth, the GEN X-2:
Hold a note on the Keyboard with a stylus.
With a patch cable plug GATE OUT back into GATE IN
Generate the sound you want by playing around with the LFO and X MOD, OCTAVE SWITCHES & DELAY (DEPTH)
You can tune, by flipping the unit over or using the Pitch Control Knob as demonstrated in the video."

Diving deep into Walk 4, a quad brownian accumulator from Joranalogue Audio Design

video upload by Perceptes and Joranalogue Audio Design

"In this video, we'll be diving deep into Walk 4, a new Eurorack module from Joranalogue Audio Design uses four accumulators to create stepped voltages suitable for audio, modulation, and sequencing."

00:00 Meet Walk 4
00:45 Patch previews
01:20 Module overview
10:16 Subharmonics
16:02 Stacked interval sequences
20:07 Noise source for percussion
23:56 Modulation source for timbral change
27:06 Four pitch sequences
29:37 Walk 4 jam

Sounds from Superbooth 2026: Mordax Siren⁠

video upload by Perfect Circuit

Mordax at Perfect Circuit


"Siren from Mordax and Anonymous Developer is a multi-oscillator drone generator module that delivers complex and compelling tones in a compact package. Outfitted with finger-friendly faders and optimized for performance, Siren offers macro controls which simplify the task of wrangling its massive set of sound generators. Twenty-one oscillators and twenty-three LFOs provide a rich landscape of waves to mix and mangle. Adjust pitch, waveform shape, and amplitude via manual control or CV, and enjoy the evolving textures Siren creates.

Siren is built on a digital core which prioritizes responsiveness and immediacy in addressing its deep sound processing capabilities. Digital artifacts can be welcomed in with open arms at the far ends of Siren's parametric range, inviting sizzling timbral interventions from aliasing and quantization. CV modulation has similarly embraced its digital soul, with no filtering applied for immediate connection and response to incoming signals. Tonalities are organized in whole-number, just intonation ratios, with every voice tightly harmonized with its fundamental pitch, producing a lovely and resonant tonal structure which often diverges from the typical and equal-tempered. Whether you're adding texture and movement in the background of a patch or diving deep into a well of uncanny drone, Siren from Mordax is sure to call you nearer with every patching session.

Siren Features

Digital drone oscillator tuned in just intonation

21 VCOs and 23 LFOs provide an ultra-rich sound engine to manipulate

Streamlined macro controls optimized for intuitive performance

Waveforms not anti-aliased to embrace digital artifacts

CV inputs unfiltered for unique responsiveness and immediacy

Collaborative design with Anonymous Developer

More information available soon"

Ziggy is a desktop Buchla that has all the flexibility of a modular with no patching required – Demo

video upload by MusicRadar Tech

"Buchla’s Ziggy monosynth aims to bring the brand’s singular style of West Coast synthesis to a wider audience, both by dropping the price – at $999, Ziggy is a fifth of the price of the company’s Music Easel – and repackaging the sound engine in a non-modular, self-contained desktop instrument that’s intended to be more modern and accessible than its previous designs.

The format may have changed, but Ziggy still has the digitally-controlled analogue architecture of a classic Buchla: a complex oscillator with wavefolding, a modulation oscillator for FM and AM, and a low-pass gate in place of a conventional filter and VCA, inviting the kind of unconventional sound design that has earned the brand a place in the hearts of those looking for an experimental alternative to the traditional East Coast approach. What makes Ziggy different, though, are additions like browser-managed patch storage, digital effects, and extensive connectivity: alongside CV inputs for pitch, gate and modulation, you get an external audio input and 5-pin MIDI and USB-C connections, which allow for the kind of external control via the KeyStep that you can see here.

It’s fair to say that most music-makers won’t have had the chance to experiment with a Buchla before, and with Ziggy, the company is hoping to change that. While it’s clearly more approachable than a Music Easel or a Skylab, designing sounds with Ziggy will still take some getting used to, as we found out over at Buchla’s booth – but cycling through the instrument’s presets, which showcase the unique, often chaotic timbres that West Coast synthesis is known for, left us eager to dive deeper into the Buchla universe. Mission accomplished."

Monoplex Melodic Microtonal Sequencer - Superbooth 2026 Reveal

video upload by KOMA Elektronik

"We're revealing our Monoplex Sequencer at Superbooth 2026. Come check it out at our booth O400!"

KOMA Elektronik Monoplex
Melodic Microtonal Sequencer
Berlin-based synth makers KOMA Elektronik reveal Monoplex, a performance-driven Eurorack sequencer built for evolving melodic control. Inspired by the Komplex Sequencer, it distills its hands-on philosophy into a focused, single-channel design packed with features. Patch everything into everything and let the melodies evolve.

Every core parameter can be voltage-controlled, opening the door to endlessly shifting yet fully deterministic sequences. From tight Berlin-school patterns to generative melodic systems, Monoplex encourages experimentation.

At its heart is a significantly expanded quantizer. Beyond chromatic, major, and minor modes, Monoplex allows you to upload your own scales via MIDI SysEx using our browser-based tool. Choose from thousands of microtonal scales or create and audition your own instantly.

A dedicated MIDI-note capture mode lets incoming notes define the active scale on the fly. Microtonal scales can also be played on MIDI Synthesizers via Pitch Bend information.

Compact and hands-on, Monoplex delivers an endless supply of melodies and modulations inside your Eurorack system.

Fully CV-able 16-Step Eurorack Analog / MIDI Sequencer
42HP

CV-able Features
First Step (Sequence Start Point)
Sequence Length
Skip Step – Multiple Modes
Gate Length
Repeat Step – Simple or Ratcheting
Glide
Play Mode – Multiple Modes
Transpose
Divisions

Sequencer Features
CV Out
Gate Out
Trigger Out
MIDI Out (Note and CC)
Output Range 2V, 5V, 10V
Unipolar / Bipolar CV-Output
One-Shot Mode
Swing
User Interface Color Changes

Quantizer / User Scales
Wilson MTS-ESP scale system
3 user-definable scales, on-the-fly editing
Live scale upload via web interface directly via browser on PC, laptop and mobile, via SysEx
Live scale input via MIDI, e.g an attached keyboard
Live scale input via slider method on the sequencer itself (future feature)
MIDI implementation via Note On + Pitch Bend information for MIDI synthesizers

Sync
Clock Input
Clock / Division Output
Start Trigger Input & Output
End Trigger
Reset / Pause Trigger Input
MIDI In
MIDI Sync Master / Slave
MIDI Sync Start / Stop


Product page and more info:
https://koma-elektronik.com/monoplex

MSRP: €498,-

Available now through KOMA Elektronik and selected dealers.

Morphor ECHON 6 #2 | Winterdagen

video upload by Winterdagen

"This is one of the most beautiful synth sounds I've ever heard.

For this patch on the amazing ECHON 6 synthesizer by Morphor, I'm not using its exciter/synth section at all. The sound comes from its 6 BBD delay lines feedbacking indefinitely. The fact that the people at Morphor got to make BBD delay chips track pitch this well is already wild, but how they also managed to implement the super special glide you're hearing in this patch is beyond me. It sounds so alive!

I made use of ECHON 6's super intuitive and extensive mod section to give this patch some movement; with some LFOs I'm slowly opening and closing the filter in the feedback path and moving the voices in the stereo field. I applied keytracking to the LFO speeds making sure that each voice has different movements and a different place in the stereo field. I love that you can route keytracking to anything on ECHON 6.

I did use a fair bit of Valhalla Vintage Verb for this patch as the synth doesn't have an internal reverb. A gliding patch like this really benefits from some time based effects.

Every time I sit down with ECHON 6 for a bit, a new sound that I've never made on any other synth arises, it's so cool! I've made a lot more music with it and I'm super exited to show you.

I'm off to Superbooth now, I''ll be back with a new video next week! If you happen to be at Superbooth as well and want to say hi, feel free to shoot me a message on Instagram."