This Analog Synth Will Blow Your Mind – Introducing the Behringer SDS-3!

video upload by Behringer

Follow-up to this post.

"Discover the Behringer SDS-3, the analog synth that rewrites the rules of drum machines! With powerful sounds and full control, the SDS-3 is perfect for those looking for intense vibes, crushing bass, and unique percussion. It’s the synth you didn’t think you could have, but one that will make you fall in love with every beat.

From the raw energy of analog drums to more experimental sounds, the SDS-3 delivers everything you need to create unforgettable music, whether live or in the studio.

Watch this video for an engaging performance and see how the Behringer SDS-3 can transform your sound!"

Sequenced with the Behringer RS-9.

Korg Monopoly Melodic Instrumental

video upload by the nightwater

"I recorded 3 takes with the Korg Monopoly for this track. 1st one was more of a pad layer then 2 plucky leads. Theres also another UDO Super 6 pad and the Moog Mother 32 on bass. Some reverb from the Strymon Bigsky MX."

After October - Panharmonium/Metropolix

video upload by davidryle

"The Intellijel Metropolix sequencer making a dual pattern to a pair of Q206 VCO's. The filters were the Dove D502 Multi-Mode VCF and the Corsynth C110 2044 VCF. They go into the Lower West Side Studios (Yusynth) Panning Mixer then into the Rossum Electro-Music Panharmonium Mutating Spectral Resynthesizer.

The Panharmonium splits the signal to two destinations. The main voice is sent to the TipTop Audio Z-DSP with the Halls of Valhalla plate reverb. The FX voice is sent to the Make Noise Soundhack Erbe Verb reverb.

The Bass part is the Q960 sequential Controller into a pair of Q106 VCO's and The Oakley Sound Systems Diode Super Ladder filter. The on to the Synthetic Sound Labs Digital Delay and Tube VCA.

The fluttering noise effect is the Dove Audio WTF Oscillator in noise mode to the Moon Modular 517S in High Pass on to the Modcan 73B Dual Delay and the Echo Fix tape echo/reverb."

PlantsSystem-SpaceEcho

video upload by plantssystem

"PlantsSystem self-cover 'Space Echo' is an electronic track that reimagines a past work from a new perspective. Produced solely using Korg music production app 'Gadget' this track is characterized by the depth and floating feeling of sound born in a digital space.

While preserving the original's melody and structure, the track redesigns the rhythm and texture to create a new soundscape that seems to float in zero gravity.

The 'echoes' of reflective electronic sounds exude PlantsSystem's signature delicate sound creation and spirit of exploration."

Sequential OB 6 Custom sounds (another one)

video upload by Infested Alien

"I recently started to love the OB6 a lot. I think it has a nice sound for the electronic chill out and EDM. Anyone wondering why it's so overexposed in the video, thats because I messed up with the HDR on post editing."

EMS Universal Sequencer driving Roland MC-202 and SH-101

video upload by analogia pl

"One 'layer' of Universal Sequencer sequences the MC-202 and the other 'layer' is used to play the SH-101 live.

I don’t know what it is with EMS, but each time you get to play one of their quirky and unusual designs, you get a new kind of feeling — as if these sometimes bulky and obsolete electronics are very much alive.

Let’s be frank: there are a million simpler ways to play an SH-101 or an MC-202. But somehow, using the Universal Sequencer makes those classic synths feel completely different."

EMS Universal Sequencer externally triggered

video upload by analogia pl

"Let’s get nerdier. Someone asked if the Universal Sequencer can be triggered from the outside world. Of course it can! What I did here was a recording a sequence into the Uniseq that would play the MC-202, switched trigger to external, then recorded a sequence into the SH-101 and use gate out from 101 to externally trigger in of the Uniseq. It works like a charm."

Celestial Surge

video upload by rimela

00:00 Neon Pulse
01:52 Midnight Reverie
03:59 Celestial Surge
06:29 Phantom Circuitry

3am - Better Late Than Dead

video upload by justin3am

"Spooky Serge! An Evil Pet! BugBrand Brutality! WARNING: STROBE EFFECTS!!
This piece was originally intended to be a halloween themed video but I couldn't get it done in time. lol
Using the ‪@BugBrand‬ Chirper for the main voice, controlled by the ‪@prismcircuits1974‬ Hymenium and processed by ‪@Endorphines‬ Evil Pet. The undulating background is comprised of some classic Serge feedback patches, running through a Bastl Thyme+.

#modularsynth"

Tangerine Dream -You're always on time -by Graal7

video upload by graal7

"the first cover of this song on youtube
cover + (not perfect cover but a different way by graal7)
novation summit (arp and sounds)
moog one (pads)
minimoog d (lead)
matrixbrutre (step sequencer)
drumbrute (drums)
xf8 sequencer"

Serge’s 1979 ÷NCOM - It Compares, Counts, Waits, Fires and It Always Rises

video upload by Cinematic Laboratory

"I bought the #Serge #NCOM in the blind because a) it's the work of a living legend, b) I had no idea what it did, and c) after reading the manual and looking on YouTube I still had no idea how to use it in real life music.

The ÷NCOM is short for pulse divider (by N steps), a comparator (gate goes high where +IN is higher than -IN) and last but not least, a staircase CV is raised one semitone when the compare goes high and the max steps N is not reached. So now you know, and just like me, it still remains a mystery how it can play a role in modular music.

÷NCOM is from 1979, and quantized CV was rare, especially when it's derived from any two compared voltages. It's using two CMOS chips, but only 5 of 8 bits were used (step 0 to 31 = 32 values). So is it early digital? Yes, but without a CPU or code and state of the art precision - for 1979. Is it still relevant in 2025? I am not sure how many voltage comparators are around in eurorack, and you probably never needed one. A staircase CV waveform is simply a matter of running a ramp through a quantizer, and you may be able to use an END of RAMP event on a Maths clone. The ÷NCOM circuit is often used for rhythmic patches, and the staircase is super useful to make synchronized ramps you can use to open a filter or wavefolder. Not to mention arpeggios. It's the opposite of high-tech, it's low tech. A circuit you need to learn, discover and find use for. It was special in 1979, and today it's part of the joy of owning a true Serge module that can always do more than you think."