Euroack Techno: Stress Testing Doepfer's A-132-4 VCA

Published on May 22, 2013 skrapadelix·24 videos

"I just got a new VCA (well 4 of them actually) in the shape of the Doepfer A-132-4.
I'm really impressed with the size (6hp), value for money and the sound - snappy, loud and clean. Here's a test patch with bass, percussion, hats and stab each routed through a separate VCA - and no matter how hot the levels get, the A-132-4 takes it all like a champ.

Patch details:
Kick drum: Analogue Solutions DB99
Bass: Cyclebox II sequenced by A-149 into VCA channel 1
Percussion: Piston Honda sequenced from A-160/A-161/A-138c into VCA channel 2
hats: A-118 into VCA channel 3
Stab: Flame Talking Synth into Pittsburgh delay into A-124 Wasp filter into VCA channel 4

The whole mix routed through the TipTop Audio Z5000 cv'd by the A-143-1.

As usual everything done in the wooden box in realtime with nothing else added..."

EMS SYNTHI w/ Doepfer A-149-1+2 www.thesynthi.de

YouTube via thesynthi | July 18, 2010

"EMS SYNTHI AKS w/ Doepfer A-149-1+2 and CV/Gate interface, add. effects ProTools. CV from A-149-1 to CH1+ 2. http://www.thesynthi.de"

Ladik K-010 Utility CV Keyboard + K-011 Trigger to Keyboard + C-030 4Ch Clockworks4

Published on Feb 13, 2015 Astro Chicken's Modular Stuffing

"New K-010 mini cv keyboard in action. Right next to it is K-011 keyboard expander. It has a trigger / gate input for every per key, meaning you can remote control the K-010 keyboard. In this demo I trigger it via S-030 4 Channel Clockworks clock divider, Doepfer A-155 step sequencer and Doepfer A-149-2 digital random gates.
Audio is Doepfer A-110-2 baisc VCO through STG Soundlabs Sea Devils filter and Synthrotek Echo."

Ladik K-010 Utility CV Keyboard + K-011 Trigger to Keyboard Demo II

Published on Feb 18, 2015

"Ladik K-011 Trigger to Keyboard module used to trigger notes and octave transposition on Ladik K-010 CV Utility Keyboard module. K-010's output transposing Doepfer A-155 Sequencer output.
Audio signal chain:
Cwejman VCO-2RM, STG Soundlabs Sea Devils Filter, Synthrotek Echo"

Muse Machine

YouTube Uploaded by Ebotronix on Oct 24, 2011

"Modular Synthesizer
Analogue Systems RS 110 RS 360
Doepfer A 114 A 134 A 138m A 149 and more
Make Noise Brains Maths PP Optomix QMMG René Wogglebug
Malekko AO JAG Noisering Uncle
Moog FreqBox CF 251 MP 201
Tiptop Audio Z 8000
Toppobrillo Quantimator Sportmodulator
master clock Logic via Kenton Pro 2000 II to 4 ms RCD"

Muse Machine 2

Uploaded by Ebotronix on Oct 24, 2011

"Modular Synthesizer
Analogue Systems RS 110 RS 360
Doepfer A 114 A 134 A 138m A 149 and more
Make Noise Brains Maths PP Optomix QMMG René Wogglebug
Malekko AO JAG Noisering Uncle
Moog FreqBox CF 251 MP 201
Tiptop Audio Z 8000
Toppobrillo Quantimator Sportmodulator
master clock Logic via Kenton Pro 2000 II to 4 ms RCD"

halloween eleven one

YouTube Uploaded by Ebotronix on Oct 28, 2011

"Malekko JAG controlled by Flight of Harmony Choices
Jag outs to Make Noise Moddemix
( cv in Wogglebug Sportmodulator A 149 Noisering )mixed by A 138m to
Analogue Systems RS 100 RS110 RS 360
Doepfer A 114 A 134 and more
Make Noise Brains Maths Optomix Pressure Points QMMG René
Malekko AO Uncle Noisering
Moog FreqBox CF 251 MP 201
Toppobrillo Quantimator Sport Modulator TWF
Logic Master clock via Kenton Pro 2000II and 4ms RDC
Drums Ultrabeat"

halloween eleven ni

Uploaded by Ebotronix on Oct 28, 2011

"Malekko JAG controlled by Flight of Harmony Choices
Jag outs to Make Noise Moddemix
( cv in Wogglebug Sportmodulator A 149 Noisering )mixed by A 138m to
Analogue Systems RS 100 RS110 RS 360
Doepfer A 114 A 134 and more
Make Noise Brains Maths Optomix Pressure Points QMMG René
Malekko AO Uncle Noisering
Moog FreqBox CF 251 MP 201
Roland System 100 Model 104 sequencer
Toppobrillo Quantimator Sport Modulator TWF
Logic Master clock via Kenton Pro 2000II and 4ms RDC
Drums Ultrabeat"

halloween eleven san

Uploaded by Ebotronix on Oct 28, 2011

Doepfer A-152 & A-149-1 - A Slow Evolving Melody

Published on May 1, 2015 isvisible / isinvisible

"Voltage supplied to the Doepfer A-152 track & hold input from the n2 output from the A-149-1 which has slight modulation on it.
Throughout the track the only thing I'm adjusting is the probability of notes, adjusting upwards until the end.

All reverbs and delays (apart from one track that goes via a Powertran Delay Line) are from the modular and are provided by:
Modcan Dual Delay
SynthTech E580
TipTop Z-DSP with Halls of Valhalla card installed
Mutable Instruments Clouds
Mutable Instruments Elements

www.isvisible.co.uk - melodic(ish)
www.isinvisible.co.uk - less melodic(ish)"

Isla | Eurorack Modular Ambient

Published on Oct 22, 2017 Björn Bommersheim

"This patch is for my little son who turned three years today. Happy birthday my little boy - you are my everything! Thanks for three wonderful and such amazing years filling my heart with pure love. And as you use to say "hutzi auf mallorca - isla de l'a ..." this patch is done by your proud father. When i close my eyes i can truely see you grabbing your child guitar and start hitting the strings with your fist while you shout out some kids tunes ... i slowly but strongly start to realize there is nothing bigger in life than watching you growing up. Ohana!

Onetake recorded eurorack modular patch. Octatrack supports the patch with some pre recorded chord samples from the dsi tetra (off camera). Somehow this patch is a test drive of the manhattan analog svvcf filter.

Feel free to write leave thoughts.

Used modules:

CLICK FOR MORE »

Doepfer A-197 - Analog Meter

via this auction

"Colletors item - no longer available

This module serves to display DC or AC voltages by means of an illuminated moving coil meter with mirror scale. The display range is 0...+10V (resp. -5V...+5V in the offset mode). The module features 3 different measuring methods that are selected by a toggle switch:

✔ Full Wave Rectifier: This mode is normally used to display audio signals resp. AC voltages. The incoming signal is rectified and smoothed with a low pass filter. Even DC voltages can be measured in this mode. The display shows however the absolute value (i.e. positive voltages remain unchanged, negative voltages - e.g. -3V - are converted into the corresponding positive voltages - e.g. +3V). To distinguish between positive and negative input signals a LED is available that lights up in case of a negative signal.

✔ Direct Mode: In this mode the incoming voltage is lead to the meter without additional electronic modification. This mode is planned to display positive DC voltages, e.g. ADSR (A-140/141/A142), MIDI-to-CV (A-190/191), positive random voltages (A-149-1), foot controller (A-177), Gate/Clock signals.

✔ Offset Mode: In this mode +5V are added to incoming voltage before it reaches the meter. Zero volt input correspond to the middle position of the display needle (i.e. +5V read out). This mode can be used to display positive and negative voltages, e.g. a slowly swinging LFO (A-145/146/147), S&H (A-148), bipolar random voltages (A-118), joy stick (A-174), Theremin (A-178), light controlled CV source (A-179).
The measuring input is available as a triple multiple so that the signal to be measured can be used in the system simultaneously. A LED is used as an indicator for negative voltages."

Doepfer A-100 and Plan B Analog Modular

images via this auction

Spot the Oberheim Xpander, Roland MC202, and Roland TR-606

Plan B Model 15 VCO
A-114 Dual Ring Modulator
A-118 Noise Generator
A-180 Multiple X 2
A-105 SSM VCFA-124 WASP VCF
A-106 MS-20 Filter
A-131A EXP VCA
A-138 Mixer
A-111 High End CEM VCO
A-148 Dual S&H
A-140 ADSR X2
A-147 VCLFO
A-145 LFO
A-149 RCV SOU
A-160 Clock Divider
A-174 Joystick
A-134 VC Panner (not currently mounted, but included with auction)
A-100P Portable Case Front PSU

Why You Should Consider Getting a Modular

I wasn't sure when I was going to put this post up, but considering the previous post on a grunge effects module, I figure now is a better time than ever. You will see more effects based posts moving forward, but they will be focused on using them from a synth perspective. My gut tells me you will begin to see more effects based modules over time as well. Here's why, and why you really should consider getting into the modular world if you haven't already.

I'll try to keep this short: a modular doesn't have to be a full blown synth. It doesn't have to be a synth at all. It can be an extension to your existing setup; it can be a simple way to process your synths, guitar, drums, etc.

Start with an empty case that suits your needs and budget. Then buy a single module or two max. Be sure to pick the right size format to start (see this post for modular formats). Once you have a case, a modular can actually be a more affordable way to deal with GAS (Gear Acquisition Syndrome) than other gear. Modules are usually cheaper than synths. Also worth noting, is if you are into effects pedals, a modular system is much less messy and much easier to transport. In time I'm sure more effects oriented modules will be made. What's interesting to note is most modules do not have an on/off bypass switch like pedals. You'll need a bypass mixer module to work around this if this matters to you.

Note the biggest price of entry will be the case, but they can be affordable.

An example would be the following:
Monorocket Mission6 Case - $350
Tiptop Audio Happy Ending Kit - $149 (added 1/20/11)
Or if you want to go really minimal - a Doepfer beauty case for $120
Note the above are just examples and are both Euro-rack format cases.
Be sure to see the format chart for others and plan before you buy. See the shops below to research more and of course search for the other formats.

As for modules and what to start with. There are far too many to list. What you'll want to ask yourself is how do you want to use it. That will be dependent on your current setup. There are pretty much three types of modules to consider - those that process sound (filters, ring mods, effects, etc...), those that produce sound (Oscillators, noise sources, etc...), and those that control sounds (LFOs, envelopes, sequencers, etc).

Examples of how to integrate a modular with your synth:

1. If you have a Pedal input on your synth you can start with any controller module like a sequencer or LFO. I use a Tiptop Audio Z8000 sequencer for example. Plug it into the Pedal or CV in on any of your synths and let it sequence whatever you can route to. You will need something to clock the sequencer or in layman's terms, to get it going. If you have a drum machine, you might be able to use it to clock and sync the sequencer. For example on a Roland TR-909 you can use the Rimshot Out to trigger the sequencer. If you don't have something to clock it, you can get a low cost LFO module.

2. If you pick up a filter or effects module, simply run your audio through it. Pick up a second module like an LFO or sequencer to modulate the filter.

3. Add a sound source module to the mix.

The point of this is that you don't need to buy a full blown modular to get started. My experience was kind of funny. I was waiting for years to get a modular because every time I priced out a base system it was just too high. I finally picked up a Mattson Mini Modular because I wanted a Syntar but knew I couldn't afford one and by the time I did it might not be available. Once I had the MMM, I thought great, now I can get a eurorack case and buy a module here or there over time. I picked up my case and then found myself using it with my synths more than my MMM!!! It was a very duh moment. I realized I could have started a long time ago.

As for what modules to start out with, there are way too many to go into detail here, and it really is a personal thing. The best thing to do is to research and start thinking about what would make sense to you - size/format, cost, and what sort of modules would best work for you.

Shops to research modules and prices:

US:
http://bigcitymusic.com/
http://noisebug.net/
http://analoguehaven.com/

UK and Europe:
http://schneidersbuero.de/
http://postmodular.co.uk/motm
http://modularsquare.com/

BTW, I want to be super fair in this post. If I missed any shops for modular gear, let me know and I will update the post. If you prefer to remain anonymous shoot me an email. My contact info is on the bottom right of the site.

Modulars are like legos for synths - legos of the synth world.

Eurorack Modular Demos by Brandon Logic

Published on Oct 2, 2016 brandon logic

Playlist:
1. Reflex Liveloop use as a sampler demo.

2. Epoch Twin Peak vs the Klangbau Twin Peak filter. Filter sound comparison.

"From 0 to 3:45 i'm filtering a square wave from the Sputnik Oscillator through the Klangbau then through the Epoch. from 3:45 to 8:40 i'm using only triggers from Mutable Instruments Grids into the audio inputs of the filters (and multing to mod a and b of the Epoch). Here, the Epoch is panned hard left and the Klangbau hard right. from 8:40 untill the end, it's back to the sputnik square and some random wiggling of both filters at onece, still panned hard left and right.

Recording is completely dry, no effects or eq. In this demo, i'm using animodule line amp as a buffered mult to split the signal going into the audio input of the epoch to also go into the peak a and peak b mod inputs of the Epoch. This is because this is similar to how the Klangbau's Tr-F1 adn Tr-F2 controls are internally wired. I am using channel two of the line amp to boost the output of the epoch because it tends to output below standard euro modular level. line amp helps boot it normal euro levels. The Epoch requires more patching for this comparison but it also has more cv inputs for modulation and is a little more flexible under cv control and is easier to fine tune with it's knobs compared to the Klangbau's joystick, which make it hard to dial in two specific filter frequencies to track with other oscillators and v/oct, although the joystick is nice for improv and performance . you might notice that the Klangbau sometimes has a little clipping or distortion. from my experience this is part of the character of the the Klangbau version, which can sound nice! it can be controlled to some extent with the input level knob. The Klangbau will consistently self resonate with the resonance all the way up, so it is capable of longer sustaining rings . the Epoch does not self resonate like this without modulation/pings."

3. Glockenspiel vs Modualr adventures in sound.

"here, i'm experimenting with running acoustic sound (glockenspiel and drum) through my synth for both audio processing and triggering sounds and events. the sound runs through the 4ms spectral multiband resonator to convert the audio into envelopes which are then converted to triggers to fire sounds in the synth and trigger random voltages (wogglebug, ura, a-149 and turing machine) which create the variety of sounds you hear. I'm using the 4ms dual dealy to create the loops. the glockenspiel loop is then going through the reflex liveloop to create the glitchy delay and pitch shifting effects. the drum loops its going the warps parasites dealy and then to clouds for more audio manipulations."

4. modular sketch 6-30-16 4ms dld dual looping delay and mutable instruments rings patch

5. First 4ms dual looping delay patch - thumb piano - sound on sound loop and manual delay manipulation

6. Modular evolving random patch in progress

7. modular sketch 4-1-16 improv jam

8. modular drum break chops jam

"jamming in real time, not quantized to a clock so pardon the imperfections.
meng qi voltage memory and intellijel planar controlling the make noise phonogene. other sound sources, mutable instruments rings and sputnik oscillator, and doepfer a 110-4."

9. One module, self patched; 4ms spectral multiband resonator

10. mutable instruments rings with music thing mikrophonie and doepfer ribon controller

"audio quality isnt perfect, just a quick cell phone recording showing how these modules can be used together."

11. modualr synth sketch 2-18-16 v2

12. wave folding comparison WMD & SSF Ultrafold, MI Warps, and ES Disting MK3

"wave folding comparison between WMD & Steady State Fate Ultrafold, Mutable Iinstruments Warps, and Expert Sleepers Disting MK3"

13. wmd ultrafold random voltage krell patch

14. eurorack modular synth drum patch #1

15. Pittsburgh Modular Foundation 3.1 system "west coast" style percussive/bit crushing effect demo

"My first demo video with my Foundation 3.1 modular synth. A 'west coast' percussive patch with some sample and hold bit crushing effects demo."

Trigger Hippie

YouTube Uploaded by Ebotronix on Oct 18, 2011

"Analogue Systems RS 110 RS 170
Doepfer A 134 A 149 and many more
Make Noise Brains Maths Optomix Pressure Points QMMG René Wogglebug
Malekko AO Uncle Noisering
Moog MP 201 for panning
Toppobrillo Sportmodulator Quantimator
Logic Master clock via Kenton Pro2000 II 4x gate to Maths -QMMG
FX :TC G major M3000 Lexicon PCM80 Boss VF 1 all foot pedal controlled"

Trigger Hippie Drum

Uploaded by Ebotronix on Oct 18, 2011

"Analogue Systems RS 110 RS 170
Doepfer A 134 A 149 and many more
Make Noise Brains Maths Optomix Pressure Points QMMG René Wogglebug
Malekko AO Uncle Noisering
Moog MP 201 for panning
Toppobrillo Sportmodulator Quantimator
Logic Master clock via Kenton Pro2000 II 4x gate to Maths -QMMG
FX :TC G major M3000 Lexicon PCM80 Boss VF 1 all foot pedal controlled
Drums Logic Ultrabeat Livecut"

Quadnic, Doepfer SEM, Demora - Berlin School style DEMO

Published on Nov 19, 2016 Alba Ecstasy

Some nice sweet spots in this one.

"Playing the Studio Electronic Quadnic, filtered by Doepfer A-106-5 SEM VCF and processed by Roland Demora.
Spoiler alert: could be a very boring demo if you're not a fan either of modulars or Berlin School style!

First I set up all four oscillators of Quadnic, with different waves and pitch.
Second, I passed a little bit through all Process Modes and kept until to the end of the video my favoured one: W SEQ.

Roland Demora - which suffered a dramatic price drop (about 149 euros on Thomann) - is giving me the exactly pan delay I like. I did not had time to customize with my iPad (I only tested a few factory patches from the customizer) but it seems to be a monster. You see a few twists of its functions.

Disting mk3 - LFO - is modulating a little bit the SEM filter (by the way - a very fat and juicy replica from Doepfer) and I used the Beatstep Pro to control the CV of Quadnic.

ae http://www.albaecstasy.ro"

Doepfer Custom Modular Synth Euro System #001 (WITH BUCHLA RANDOM!)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This system includes:

A-100g6 with psu2 (1200ma) - Case
A-110-1 VCO
A-111-1 VCO 2 HIGH END
A-110-1 VCO
A-114 RING MOD
A-137-1 WAVE MULT
A-138 MIXER
A-124 WASP FILTER
A-106-5 SEM FILTER
A-117 DIGITAL NOISE
A-149-1 "BUCHLA RANDOM"
A-149-2 DIGITAL RANDOM
A-140 ADSR
A-140 ADSR
A-162 TRIGGER DELAY
A-180 MULTIPLES
A-143-3 QUAD LFO
A-156 QUANT
A-145-LFO
A-174-1 JOYSTICK"

CLICK FOR MORE »

Doepfer Modular

images via this auction. There's a video linked in the auction while it's up.

G6 Case + PSU2
A-190 Midi-CV/Sync interface
A-111 (x2) High End Oscillator
A-118 Noise / Random Voltage
A-138a CV Mixer
A-138b Audio Mixer
A-121 Multimode filter
A-131 Audio VCA
A-117 Digital Noise / Clock source
A-114 RingMod
A-180 Multiple
A-170 Dual Slew Limiter
A-140 (x2) Envelope Generators
A-148 Dual Sample & Hold
A-149-1 Quantized / Stored Random Voltages
A-149-2 Digital Random Voltage
A-156 Dual Quantizer
A-146 Variable Waveform LFO
A-147 Voltage Controlled LFO

modular synthesizer eurorack

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"MONOROCKET CASE 2 ROW X 90HP (POWERED)

TOP ROW:
MAKE NOISE DPO
DOEPFER A-149-1
MAKE NOISE MOD DE MIX
MAKE NOISE ECHOPHON
ELBY DESIGN SERGE VCS
PITTSBURGH MODULAR LFO VILFO

BOTTOM ROW:
MAKENOISE WOGGLE BUG
DOEPFER A-101-2 LPG
DOEPFER A-102
PITTSBURGH MODULAR FILTER
PITTSBURGH MODULAR ADSR
PITTSBURGH MODULAR DUAL INDEX
MAKE NOISE BRAINS
MAKE NOISE PRESSURE POINTS"

CLICK FOR MORE »

Richard Devine & Josh Kay (Jeswa) live @ Nophest ATL 2008

Richard Devine & Josh Kay (Jeswa) live @ Nophest ATL 2008 from jeswa on Vimeo.
"Just jamming, nothing serious. A little unadulterated & obnoxious neo-acid.

RD: 808, 303 (Devilfish), Machinedrum, Monomachine, Kaoss Pad, Roland SBX-10 sync box.

JK: Doepfer Suitcase = Livewire AFG, Plan B Model15 (2), MakeNoise QMMG, Doepfer A-119, 188-1y (256), Doepfer A-149-1/2 and a few other goodies. I forget.

...and no computer."
http://devsnd.blogspot.com
http://devinesound.net/

Update via threv in the comments:
Nphest website: www.nophest.com

New Doepfer CV MIDI Modules - A-190-5 & A-192-2

"Module A-192-2 contains two independent CV/Gate-to-Midi/USB interfaces. For each of the two sub-units these inputs are available:

Gate Input (min. +5V)

CVN Input (defines the Midi note number), 1V/octave standard, range 0...+10V (i.e. 10 octaves)

CVV Input (defines the velocity value assigned to the Midi note message), can be used alternatively for Midi volume (CC#7), range 0...+5V

CVC Input (free assignable to any Midi control change number), range 0...+5V

For both sub-units a common CV Transpose input is available (1V/octave, range 0...+10V). The voltage applied to this input is added internally to CVN before the Midi note number is generated. It can be used e.g. to transpose two sequences simultaneously by one voltage.

How it works:
Whenever the rising edge of the Gate input is recogized a Midi note on message is generated. The note number corresponds to the sum of the voltages applied to the CVN input and the common CV Transpose Input. In Velocity mode the voltage applied to the CVV input is used to define the velocity data of the Midi note on message (in Volume mode a fixed velocity value 100 is used). As soon as the falling edge of the Gate input is recognized the corresponding Midi note off message is generated (i.e. with the same note number as the preceding Midi note on message). The voltages at the CVN and CV Transpose inputs during the falling edge of the Gate do not have an effect on the note number of the note off message ! In any case the note number of the preceding note on message is taken. Otherwise hanging Midi notes would occur !
The CVC voltage is permanently converted into the corresponding Midi control change message, as well as the CVV voltage provided that the Volume mode is chosen. The difference between Velocity mode and Volume mode is the function of the voltage applied to CVV. In Velocity mode the voltage CVV is used to define the velocity value of the corresponding Midi note on message and is measured only during the rising edge of the Gate input. In Volume mode the CVV voltage is permanently converted into Midi Volume messages (Midi control change #7).

Adjustment of the Conversion Parameters
The conversion parameters for each unit are adjusted by means of the Learn button in combination with incoming Midi data (e.g. generated by a Midi keyboard connected to Midi In of the A-192-2). The learn mode is initiated by operating the Learn button for about one second. While the unit is in learn mode the corresponding LED is flashing. The next incoming Midi note on message is used to set the Midi channel and note reference for the sub-unit in question. The voltage currently applied to the CVN socket is assigned to the Midi note number of the note message.

Example 1: 0V are applied to CVN (or the CVN socket is left open) and a Midi note message with note number 36 on Midi channel 1 is sent while the upper sub-unit of the module is in learn mode: then a CVN voltage of 0V corresponds to Midi note number 36 for the upper sub-unit and the data are sent on Midi channel 1.
Example 2: +2.5V are applied to CVN and a Midi note message with note number 47 on Midi channel 11 is sent while the lower sub-unit of the module is in learn mode: then a CVN voltage of +2.5V corresponds to Midi note number 47 for the lower sub-unit and the data are sent on Midi channel 11.

If a Midi control change message is sent while the unit is in learn mode the control change number of the Midi message is taken for CVC. In addition program change messages will be used to set other parameters of the unit (e.g. to select the Velocity mode or Volume mode).

The data generated by the module are sent simultaneously on Midi Out and USB. Two or more A-192-2 modules can be daisy-chained via Midi Out - Midi In.

The two LEDs display the activity of the sub-units (i.e. if Midi data are generated by the unit in question).

Typical applications:

Conversion of analog sequences into Midi/USB data (e.g. A-155)

Generating random Midi notes (e.g. with CVN coming from A-118 or A-149-1, Gate e.g. from an LFO)

Generating Midi control change data from analog voltages"

"Module A-190-5 is a four voice Midi/USB to CV/Gate interface. For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers.

These modes are planned (without obligation):

four voice monophonic (i.e. to control four monophonic voices by four succeeding Midi channels)
four voice polyphonic (i.e. to control four monophonic voices by one Midi channel) with several sub-modes (e.g. rotating / non-rotating)
two voice polyphonic (i.e. to control two monophonic voices by one Midi channel)
unisono

The basic mode is selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states.

The range of the CV outputs (CV1...CV3) is 0...+10V (i.e. 10 octaves for CV1). The resolution is 12 bit. The gate voltages are 0/+5V (maybe even adjustable to 0...+10V for non A-100 applications).

We cannot yet specify a definite release date but hope that it will be available about fall/end of 2012.
But this release date is still without obligation !"

via PatchPierre.net

MODULAR SYNTH JAM medic EKG Make Noise MMG motm e340 MFB Doepfer A-149 & BOOMSTAR

Published on Mar 9, 2014 Ritchie DeCarlo·142 videos

"Just having some FUN!! The MFB urzwerg Pro is sending clock to the MEDIC modules EKG & Doepfer A-149-1. Blue Lantern dual Black VCO & e340 Cloud Generator are the sound sources. The MAKE NOISE MMG is sculpting the Bass sound & percussive beeps. My STROH (J3RK) box is providing the Noise/Cymbal effect & the Boomstar SEM is pushing the high parts (controlled by the MFB) with reverb added....."

EMS SYNTHI w/ Doepfer A-149-1 RCV www.thesynthi.de

YouTube via thesynthi | July 13, 2010

"EMS SYNTHI w/ Doepfer A-149-1 RCV (Buchla "Source of Uncertainty" Model 265 clone) http://www.thesynthi.de"