All the soft pads: OB-X8, OB-6, Nord Lead 2, JUNO-6, JX-3P, JP-8000, Reface CS, Eurorack

video upload by thesrabbit

"Warning: The recordings in this video have a LOT of bass, even with a 30Hz EQ low cut. Maybe some of that will get trimmed off in YouTube compression.

Contents:
0:00 OB-X8 with TAL chorus I
1:34 Nord Lead 2 with TAL chorus I
3:04 OB-6 with built-in chorus
4:36 Juno-6 with built-in chorus II
6:06 JX-3P with built-in chorus
7:35 JP-8000 with built-in slow chorus
9:06 Reface CS with built-in chorus
10:43 Polyphonic Eurorack with Mimeophon
12:14 OB-X8 with reverb
13:53 Nord Lead 2 with reverb
15:28 OB-6 with reverb
17:04 Juno-6 with reverb
18:41 JX-3P with reverb
20:15 JP-8000 with reverb
21:52 Reface CS with reverb
23:29 Polyphonic Eurorack with reverb

I had to reupload this due to being a Davinci Resolve noob. There were all sorts of weird artifacts in the audio with the original upload. Hopefully it's fixed now.

I'm not sure if there's a point to this video at all. I love soft pad sounds. They're warm and comforting. I decided to make a pad sound on the Roland JX-3P and one thing led to another and of course I had to make a similar sound on ALL of my analog and virtual analog polysynths, including Eurorack, as I now have all the components to make a 2-VCO 4-voice polysynth. All of these pads are based on a simple 2-oscillator sawtooth, with a little detuning and pitch mod to one of the oscillators, if possible. On the Juno I there's only 1 oscillator, so there's maybe a little more LFO to pitch than on the other synths.

In the beginning, you see me play the notes on the Oberheim OB-X8 (Yes, it's an X8 and not something vintage, I have a pinstripe overlay, mostly for the Page 2 labels). I used that "performance" to capture the MIDI, which is then routed to all the other synths that are featured here, including the Eurorack setup. Before tracking the modular stuff, I removed some notes from the recorded MIDI so that there wouldn't be all sorts of crazy unpredictable voice stealing.

I used the built-in chorus on the JX-3P, so I figured it's only fair to use chorus on everything. I used the TAL Juno Chorus plugin on the OB-X8 and Nord Lead 2, setting 1. I used the built-in Chorus II on the Juno-6, and the "slow chorus" on the JP-8000. For the Sequential OB-6 and Yamaha Reface CS, I went for a similar type of slow chorus. The chorus on the OB-6 is very usable if you keep the rate low. There are sweet spots to be found. For Eurorack, I used the Mimeophon with a short delay time. It doesn't really do the chorus thing so much, but it does sort of act as a stereo widener. So if it sounds a little clangy, that's probably why.

Eurorack 4-voice poly is assembled like so:
Voice 1: 2 VCOs from the System-500 512, System-500 521 VCF, System-500 VCA, System-500 envelope
Voice 2: 2 Eowave Titan VCOs, System-500 521 VCF, System-500 VCA, System-500 envelope
Voice 3: 2 VCOs from the Wavefonix Dual CEM 3340, G-Storm SH5-VCF, Doepfer VCA, Doepfer Envelope
Voice 4: Dreadbox Erebus all internal VCOs, VCF, VCA, and envelope
All voices are mixed together and then fed into the Mimeophon
There is some additional filter modulation applied to all filters via the Erebus LFO

After the first round, all recordings are played again with the wonderfully lush Audiothingies DoctorA modulated plate reverb, approx 50/50 wet/dry mix."

Eowave Titan Discrete oscillator with LPF from Mrg Synthesizers and Pico DSP ( no talking )

video upload by Dziam Bass

"you like solid sound ??... so Titan Discrete oscillator from @eowave_modular is for you, simple demo with LPF from @mrgsynth ... and add some reverb from Pico DSP from Erica Synths .

TITAN modules are elements from the Titan Capsule family. They are sound generators built to recreate the sound of Titan haze. These transistor based oscillators have a wide range and a very particular sound. 2 TITAN modules will create deep and vibrant bass.

Using the « densité des brumes » contriol, the sound will be shaped through Titan’s haze from deep basses to high pitches. The titan transistors generate a bass frequency of +/-15 semi-tones from 1Hz a 6kHz."

Additional posts featuring the Eowave Titan

OB Damned: OB-6, Modular with G-Storm Electro XaVCF, JUNO-6, JX-3P, TR-6S, PRO 2 (80's jam in C maj)

video upload by thesrabbit

"With all the excitement generated by the new Oberheim teasers, I thought it might be fun to do a jam with some classic Oberheim sounds. But really, this is really just an excuse to use this ridiculously complex Eurorack / Pro 2 patch that I made. It's a 4-note paraphonic patch, with each VCO in the rack being modulated by a sine wave from the Pro 2 (each individual Pro 2 oscillator is sent out of CV Ports 1-4). I'm also running the VCO outputs back into the Pro 2's CV inputs to modulate each oscillator's frequency and get true cross mod. Then I've got 8 VCO outputs (4 sawtooth and 4 square wave) going into the G-Storm Electro XaVCF, an OB-Xa filter clone, which is in LP 2-pole mode. With all that signal going into it, it produces a heavily overdriven sound, even without the resonance cranked. None of the sound is coming from the Pro 2 as it just acts as a modulation source. Classic 80's Oberheim sounds are coming from the OB-6, obviously. On bass is the Roland JUNO-6, and the JX-3P gets pad duty. Everything gets a heavy dose of Audiothingies Doctor A delay and reverb, except for the drums, which run through the MIDIVERB II for that nostalgic 80's gated reverb (preset 31, if you're wondering).

I didn't rehearse this jam, just programmed a couple drum parts and went for it, staying in the key of C major the entire time, because the black keys are too hard to find in a jam for someone with my sub-par abilities. Also, having to use the octave keys on the OB-6 would throw another wrench in that I just can't really manage to deal with in a live situation. It's a shame, because the Eurorack patch sounds badass in F, hitting the bottom key on the Pro 2's keyboard. So if I had changed it up, it would have been going down to F and then coming back to C. Too advanced, I know.

Gear Summary
Modular: Eowave Titan Discrete Oscillators (x2), Roland System-500 512 Dual VCO, 530 Dual VCA, 540 Dual Env/LFO, 555 LAG/S&H, G-Storm Electro XaVCF and Spring Tank Reverb driver, modulated by the DSI/Sequential Pro 2 Synths: Sequential/Oberheim OB-6, Roland JUNO-6 and JX-3P
Drums: Roland TR-6S
Effects: Audiothingies Doctor A, Alesis MIDIVERB II"

Analog Four, JV-880 & Modular Synths | Live on MIDI Channel 13

video upload by Mamotreco

"The Analog Four synth (out of frame) is pulling double duty, both sequencing the analog modular (pictured) bass sequence as well as playing some additional melodic sequences. The Octatrack is just passing through MIDI coming from the Push 2 grid controller through the RME Fireface UFX (out of frame) onto the Roland JV-880 synth that is right above the modular synth and is responsible for warm synth pads being played live over the modular synth and Analog Four.
#analogfour #jv880 #synths

Eurorack module list (left to right):
1. TipTop Audio Z3000 Oscillator
2. SSF Ultrafold Wavefolder
3. Eowave Titan Oscillator
4. ALM Busy Circuits O/A/x2 Attenuverter
5. Mutable Instruments Links Buffered multiples and utility module
6. Eowave Zone B.F. dual digital LFOs
7. Intellijel Quadra envelopes
8. Toppobrillo Multifilter SVF multimode filter
9. Meng Qi DPLPG Dual Low Pass Gate module
10. MakeNoise ModDemix Dual VCA module
11. SSF Mixmode and expander mixer and output
12. TipTop uZeus power supply

Current channel music compilation: https://mamotreco.bandcamp.com
Previous music releases available here: https://synthandsundry.bandcamp.com"

Fripper Tripper (Frippertronics with synths: DSI/Sequential Pro 2, Lyra-8, Boss RE-20, DD-20)

video upload by thesrabbit

"For Black Friday, I bought myself Boss DD-20 and RE-20 delay pedals specifically for exploring Frippertronics. They showed up yesterday and I promptly recorded my first jam. It starts with a simple 2 oscillator drone from the modular running through a spring reverb tank (1 Eowave Titan and 1 Roland 512 VCO) The melodies consist of different patches that I've made on the Pro 2, which is another recent purchase. A little further along I introduce the Lyra-8 into the mix, because anything experimental should probably include the Lyra. Unfortunately I didn't have its output level up high enough, and you can't really hear it in the repeats, which is a shame. Other than not getting output levels matched ahead of time, I'm pretty pleased with the result. The modular, Pro 2, and Lyra are also running through the Audiothingies Doctor A in parallel, which is set to a long ping pong delay and a very long modulated plate reverb. To add some tape warble, I fed an attenuated LFO from the Roland 540 module into the RE-20's expression pedal input, which adjusts the "twist" parameter. Everything runs through the DD-20 first, which has a delay time of 7.1 seconds and is set to the "modulated" delay type, then from there it runs into the RE-20. I wonder what it would sound like if the signal chain was reversed. I bet one could pull off mellotron strings vibes pretty easily with this setup."

Photographing Octatrack & OP-1 while Modular Synth Plays On

video by Oblivion Corner

"First, synth gear photography including Octatrack, OP-1 and Modular Rack. Second, a eurorack analog modular sound patching timelapse. Everything is explained and narrated.

Photography Gear: Canon EOS 30D with Canon EF 50mm f1.8
Video Gear: Fujifilm X-T4 with Fujinon 23mm f2
Modular Set Up (from left to right): TipTop Z3000 Oscillator, SSF WMD Ultrafold Wavefolder, Eowave Titan Oscillator, Busy Circuits ALM O/A/X2 Attenuverter, Mutable Instruments Links, Eowave Zone Basses Fréquences LFO, Intellijel Quadra Envelopes, Toppobrillo Multifilter SVF, Meng Qi DLPG Low Pass Gates, TipTop Mod Demix VCA, SSF Mixmode Mixer

If you'd like to support this channel with a one-off purchase, please check out our affordably priced music: https://synthandsundry.bandcamp.com"

Eowave News for Superbooth 2018

via Eowave

"Superbooth 18 starts in less than one week and we can't wait to show you our new prototypes and synths!

We will be at booth number O236, come by to say hi :)

More over we will introduce our new products on Friday the 4th, 3:20pm at the Cinema (o120).

"This year will be about the Quadrantid Swarm release - we are actually waiting for the final product to come back from production.

Saddly we won't have the final version with us during the Superbooth.

It will feature the addition of a new cv input for the control of the Spread parameter of the oscillator, and a switch between decay and release for the envelope.

Oscillator modes have changed too!

We will start shipping the QS during the month of June."

"The real new player in the game is SWING, a pretty simple but life changing module that is going to give life to your sequencer!

Swing is a voltage controlled clock delay with 3 modes. Your sequencers are going to love it."

CLICK FOR MORE »

NAMM 2018: eowave - Capsule Titan MK2, Swing und Orage Eurorack Module

Published on Jan 26, 2018 KEYBOARDS

Eowave at Tokyo Festival Of Modular 2017

Tokyo Festival Of Modular 2017: Eowave Quadrantid Swarm Synthesizer (2nd Prototype)

Published on Nov 20, 2017 SYNTH ANATOMY

"Eowave presented on the TFM2017 the second prototype of their experimental Synthesizer Quandrantid Swarm. Marc gives you a nice overview of the new features compared to the SuperBooth version."

Tokyo Festival Of Modular 2017: Eowave Capsule Titan MKII Eurorack Synthesizer

Published on Nov 20, 2017 SYNTH ANATOMY

"Eowave presented on the TFM2017 the new Capsule Titan MKII Synthesizer, a new version of their compact analog Synthesizer. New features are per example: second envelope, a drive on the VCA, second VCA, Noise and more"

Early experiment with KOMA Field kit including Titan and a modular synth

Published on Apr 23, 2017 Bálint Baráth

KOMA Field Kit
Eowave Titan
Eurorack Modular Synth

Eowave Capsule Titan Black Edition

Published on Jan 21, 2016

"An overview of the Capsule Titan modular synth by Eowave"

Eowave Capsule Titan Black Edition Coming to NAMM

via eowave

"Capsule Titan Black Edition, previewing at @NAMMShow on sale end of January"

Note that is one giant module starting with the Titan 1.  Eowave originally announced the silver faced Capsule Titan back in September of 2013 here.

Bálint's modular music

Published on Jun 26, 2015 Bálint Baráth

Playlist at the time of this post:

Modular Jam - Fighting Oscillators
Modular Jam - II Movement
Modular Jam - Minimal
Modular Jam - Low morphing
Modular Jam - Xfade and CV
Modular Jam - Chatting moduls
Modular Jam - Pulsating white dwarf
Modular Jam - Fighting Oscillators
Installation - The unplanned shadow
Answers and a Jupiter storm on Titan
Makenoise DPO modulated by Shapeshifter LFO, a combination of Eowave Titan and Jupiter storm and some ring modulated sounds."
Microtonal Shapeshifting
"Sounds of Shapeshifter with uMod II and uLFO, some Jupiter Storm via Korgasmatron II modulated by DPO and Maths"

Hippocampus 34 & Telephone Game

Published on May 6, 2014 AdamCobell1·18 videos

Requires headphones (camera mic)
Alm Pamela's Workout
Pittsburgh sequencer, bender, filter, analog delay, lfo2
Snazzy FX Telephone Game
Eowave Titan, rayonnement, magnetosphere, VCA, bass frequencies
Intellijel uscale2, rubicon
Audio damage dub Jnr
Make Noise Maths, Optomix
Analogue Solutions HP01
Knas Moisturizer



"I love this module. I can't describe how much except to say when I'm bit using it I'm thinking about what I can do with it then as soon as I start using it I start going down valleys of new sounds. I'm not the best person to do it justice but I love trying to find as many different things to do with it. Here it is being clocked by Pamela's workout with the tg's clock output going back into the Pamela's workout and the generator outputting various sounds. The pittsburgh bender is the input and there's loads of other things going on. It's a module to get lost in your imagination."

Hippocampus 27

Published on Apr 24, 2014 AdamCobell1·16 videos

"Pittsburgh Modular Sequencer clocked by LFO2 fed into Eowave Titan Capsule modules quantised by Intellijel uScale with the Magnetosphere modulated by Make Noise Maths and Wogglebug, with delay from Audio Damage Dubjnr.
Also the A-149-1 clocked by Pittsburgh Modular Bender controlling Intellijel Rubicon going into Dual VCA with envelope from Maths then going out to Pittsburgj Analog Delay with the Bender going into RCV input. All coming out of Analogue Solutions HP01."

You've 'ad it, inchtya?

Published on Feb 24, 2014 AdamCobell1·11 videos

Eowave Capsule TITAN in there along with Pittsburgh Modular.

Eowave Capsule Titan Double Demo

Published on Feb 10, 2014 analoguezone·16 videos

http://analoguezone.com

"Patch #1

Oberkorn sequencer gate out - ADSR gate input
RAYONNEMENT ADSR output - Filter CV input

2x Discrete Oscillator Square outputs - Mixer input
Mixer output - MAGNETOSPHERE 24 dB Low Pass Filter input
1x Zone BF LFO triangle output - Oscillator PWM input


Patch #2

1x Zone BF LFO Random waveform output - multipled with TipTop Audio Stack Cable -
- 24 dB Low Pass Filter audio + CV inputs - filter in self-oscillation
- VCA input"

eowave germania 241

Published on Nov 7, 2013 marcmodular·29 videos

"eowave voltage controlled germanium amplifier -
3 titan VCOs, 1 magnetosphere VCF , 1 VCA, 1 zone B.F, 1 rayonnement envelope controlled by the "Centre de contrôle" MIDI interface & sequencer"

eowave Releases Capsule TITAN

"Eowave crew is proud to announce the release of the Spatiolab Capsule TITAN, also available in individual modules. Because Titan has a thick atmosphere able to carry sound waves, the moon is a noisy place…

For a long time, we’ve imagined the music of the space to be a sweet song of gods, crystalline magical sounds. And we thought that the space was a silent place, cold and empty. Since 2004, the Cassini-Huygens mission has recorded some sounds of the space, different from everything we’d imagined before, shock of particles launched in the space at a prodigious speed, a deep chaos, unexpected, which the ESA/NASA has sometimes called « alien sounds »… The Cassini-Huygens mission started the exploration of Titan in 2007.

Since 2000, Eowave designs instruments for electronic music. The Titan Capsule is a fascinating and immersive experimentation mixing space mysteries and music. It will make you explore sound dimensions that are still unknown.

Titan has a very thick atmosphere able to carry sound waves. With the Capsule TITAN, we’ll get onboard to explore how the sound goes across Titan orange thick atmosphere. In a way, the Capsule Titan is a simulation station able to reproduce the journey of the sound waves crossing Titan’s atmosphere and offer the possibility to modulate parameters like the thickness of the haze, the ionisation of the magnetosphere, Titan’s magnetic glow, or low frequency zones.

The Capsule Titan is a station composed of 7 modules:

- 2 TITAN discrete oscillators
- 1 MAGNETOSPHERE: 24 dB discrete filter
- 1 SOMMATEUR – ATTENUATEUR: mixer
- 1 A. D. discrete amp
- 1 RAYONNEMENT envelope
-1 ZONE B.F. : 2 x LFOs
- MIDI interface

The Capsule Titan comes in a ½ rack format aluminium case with French oak from Morvan, with MIDI interface, European PSU, and 10 eowave patch cables.

Price : 699 euros incl VAT / 549 euros (without case, no MIDI interface, no patch cables, no PSU)
Each modules are also available for resale separately.

More information on www.eowave.com"

You'll find some videos of eowave's Capsule Titan previously posted here.

eowave titan sequencer

Published on Sep 19, 2013 marcmodular·28 videos

"2 VCOs, 1 VCA, 1 FILTER , 1 ENV, 1 LFO , demonstration of the internal sequencer of the midi interface"

eowave Titan Zone Basses Fréquences

Published on Sep 19, 2013

"demonstration of the eowave Titan dual LFO. with 3 VCOs 1 VCF, 1 VCA."