Moog - Spectravox - Sound Demos

video upload by NOISEBUG

https://www.noisebug.net

See the announcement post here.

"The long wait is finally over. The Moog Spectravox has finally been released and we couldn't be more excited!

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound."

The Center for Haptic Audio Interaction Research Introduces Analog Waveguide Eurorack Module

video uploads by The Center for Haptic Audio Interaction Research

'The Center for Haptic Audio Interaction Research presents the Analog Waveguide, a Eurorack module for physical modelling synthesis."

"Analog Waveguide is versatile stereo reverberation effect that feeds the signals into a rotation matrix. The matrix can be set to any angle. Its signal path is fully analog, and the delay lines are implemented with bucket brigade delays. The design was described in a concept by Michael Gerzon from 1971, but was only implemented digitally in 2011 by Miller Puckette. Our interpretation re-implements and extends the original concept as an Eurorack module with an analog signal path. The resulting resonator is an analog waveguide for vivid physical modeling sound synthesis . The integrated display shows the two signals in a Cartesian coordinate system. The resulting image visualizes the complex oscillating signal in the resonator. The wide range of forms and movements is mesmerizing to watch and allows for a synaesthetic experience of the instrument. The visual representation of the signal also assists the experienced user to remember and recreate parameter settings for specific sounds."

New Moog Spectravox - Semi-Modular Analog Spectral Processor

Moog Spectravox | Jamie Lidell | Awake & Alive video upload by Moog Music

Follow-up to the previous version.

"Experience a captivating musical performance featuring Jamie Lidell's "Awake and Alive," an original composition showcasing the Moog Spectravox. The performance features Aaron Steele on percussion and Luke Schneider on pedal steel.

The Spectravox, Moog's latest semi-modular addition, is a groundbreaking tool for shaping sound. This analog spectral processor, built around a 10-band filter bank, generates lively drones and colorful tonal sweeps, enhancing external sounds with resonant depth and psychedelic spectral movement. With a microphone connected, Spectravox transforms into a 10-band analog vocoder, featuring innovative integrated modulation across all filters. Pushing the boundaries of vocoder and filter bank technology, Spectravox offers immense flexibility as an instrument and signal processor, complete with a comprehensive patch bay for seamless integration into studios of any size."



Playlist:
The Moog Spectravox is a Vocoder, a Spectral Processor and Much More - Reverb
Moog Spectravox is in production! // Review, tutorial and 10 patch ideas - loopop
Moog Spectravox: Overview + Explorations - Sarah Belle Reid
Spectravox x Subharmonicon - A Brief Explainer - Noir Et Blanc Vie
Moog Spectravox - Accidental Arpeggios feat. Moog Subharmonicon - Noir Et Blanc Vie
Moog Spectravox Sound Demo (Machine Talking) - Limbic Bits
Moog Spectravox Sound Demo (no human talking) - Bonedo Synthesizers



The Newest Member of the Moog Family

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

A Groundbreaking Tool for Scultpting Sound

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

10-Band Analog Vocoder

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Electronic Instruments for the Musician

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the Frequency Spectrum

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound.

The last Eurorack sequencer you might ever buy: DROID Moto Kit Demo

video upload by mylarmelodies

"Imagine you could buy an uber-hands-on 4-track performance sequencer with haptic motorised faders, but you could modify or totally redesign how it works - as your interests change? The "DROID Moto Kit" (running the included Motor Fader Performer Sequencer patch) is that thing. It's 'done', and powerful...AND it can be changed. In this video I'll introduce the DROID system, explain basic track creation 5:41, and then jam from 14:57 onwards.

Thanks for Der Mann mit Der Maschine for hiring me to demo the Moto Kit. Given that this was designed by someone who actually plays live, you might expect that my next step is to try this as my live case sequencer."

00:00 What is Droid & The Moto Kit?!
03:12 Sequencer Intro/Overview
05:41 Let's Make a Track!
14:57 Jams: Meet the Quartet
18:27 Electro Aceed O'Clock
20:41 Electro Variation
23:26 Forlorn Acid
26:49 Stinson Acid
33:54 Endless Noodles
35:02 AFX Bass
36:17 Accumulator Jam
39:33 Arpeggiator Explained
43:06 Compose Mode Jam
45:30 Octave Shifting Melodies
49:04 Divided and Multiplied Melodies
51:33 Reprise Funk
53:36 Kosmiche Arpeggiator Jam

Update: press release and pics follow.

CLICK FOR MORE »

Tela – Modal Synthesizer

video upload by Fors

Tela – Walkthrough

video upload by Fors

https://fors.fm/tela

"Tela orchestrates a vast array of resonant peaks, intertwined to form a critical mass of sound. It models nothing – it's a synthesizer for the here and now, to discover and create anew.

In a careful balance of depth and immediacy, Tela explores the inherent character and capabilities of modal synthesis. Like a practical joke, Tela bends a myriad of partials into perfect symmetrical waveforms only for them to dissolve into otherworldly timbres and textures mere seconds later. There are no rules.

Modal synthesis
Imagine hitting a thin piece of metal, a piece of glass or the membrane of a drum– the material vibrates and rings out with its inherent timbre, affected by the motion of the impact and the strength of the hit. This is the basis of what modal synthesis recreates.

CLICK FOR MORE »

Soniccouture Releases Kora: 21 String African Harp For Kontakt Player NKS

Andre Louis: Kora Improv With MIDI PLayer video upload by Soniccouture

"Andre Louis improvises with the built in 'kumbengo' MIDI backing generator in Soniccouture's Kora VI."



via Soniccouture

A beautiful & fascinating African instrument, the Kora is hard to classify. With 21 strings and a cow-hide resonator, it's a type of bridge harp, but with some lute or guitar DNA in the mix.

The kora is made from a gourd, which is cut in half and covered with cow hide. This forms the resonator of the instrument. There are 21 strings, suspended by a double notched bridge - 10 on one side, 11 on the other. This is typical of a double harp and it is classified as such. However, because the strings originate from a 'neck' and cross a bridge into a resonator, this also makes it a lute.

Soniccouture’s VST version is incredibly playable and versatile, featuring a MIDI pattern player for authentic accompaniment.

• 40 VELOCITY LAYERS + MUTE ACCENTS / KEY OFFS • MIC + CONTACT CHANNELS
• MIDI PATTERN PLAYER
• MICRO-TUNING
• 6GB LIBRARY
• KONTAKT PLAYER + NKS
INTRO OFFER
€89 (€129) | $89 ($129)

Until May 15th 2024. Price as marked on website, no code required. Offer excludes other discount codes.

Introducing... The Swarm, By Artium Instruments

video upload by Artium Instruments

"Artium Instruments is thrilled to introduce its very first offering, The Swarm, a polyphonic desktop synthesizer."

via Artium on Kickstarter

At Artium Instruments, we approach our designs with the understanding that musicians cultivate intimate connections with the gear they employ to create their art. We firmly believe that instruments ought to possess not just functionality, but also personality, character, and a distinct identity that inspires its user. First and foremost, we've dedicated significant effort to ensuring that the synthesizer and onboard effects produce exceptional sound quality akin to professional studio-grade equipment. The Swarm features a SuperSaw oscillator with 8-note polyphony, curated onboard effects, and a full-featured arpeggiator.

At Artium Instruments we are committed to knob-for-knob functionality in our desktop synths. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated button presses to access features; everything is conveniently accessible at your fingertips.

With over a decade of experience in the effects industry, we have carefully curated a selection of effects that complements the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the input jacks on the back.

We've invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colors, artwork, and weight of the enclosure, every detail has been considered. These details matter to us because we recognize that the connection a user forms with a piece of gear is nearly as crucial in the creative process as the sounds it produces. We hope you can feel the love and passion we've poured into every detail of The Swarm, from its sonic capabilities to its design aesthetics.

The Swarm is controlled by MIDI through a USB-C port. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility.

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic happens when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

The Swarm employs this SuperSaw oscillator through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns.

All onboard effects can be used with external equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time—a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing you to capture a fresh sample.

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighth notes, eighth notes, and triplets.

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

SUBSPACE ... 50 cinematic ambient patches for the Arturia Minifreak (V)

video upload by

"SUBSPACE is a collection of 50 cinematic ambient patches for the Arturia Minifreak. Of course these sound works on both the hardware Minifreak and its software version.

Like all my sound packs, SUBSPACE is a collection of sounds that were created in a musical context for my own tracks. So the main focus is again on drones, pads, arps and lively pluck sounds in various forms. These sounds are suitable for a variety of genres ... but of course (like all my sound packs) perfectly suitable for ambient, psybient, downbeat, soundtracks and chillout music.

You can buy the sound pack here:
https://substan.gumroad.com/l/subspace

or you can get the sound pack (and much much more) by joining me on Patreon: https://www.patreon.com/substan"

Access Virus B Rackmount Virtual Analog Digital Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Following up on the success of the popular Virus, Access unleashed an upgraded model in 1999, the Virus B. The original Virus A had 12-voice polyphony, but the new OS in the Virus B doubles the polyphony from 12- to 24-voices and the oscillators, from 2 to 3 per voice. The new OS also added an enhanced programmable 32-band vocoder. There are now up to 82 simultaneous effects, a retro-phaser (6-stage stereo phaser with 24 filter-poles), chorus/flanger, ring modulator, multiple forms of distortion, an analog boost algorithm, and an envelope follower. Up to five FM (Frequency Modulation) modes are also on-board now and many new sounds have been created for this bigger and better version of the Virus.

OS 4.0 was released in late 2000 with even more amazing features! The update is downloadable from Access (free of charge!) and comes installed in all new Virus synths to ship after its release. OS 4.0 adds a reverb with advanced features such as pre-delay sync-able to Midi clock. There's also a groove delay, surround sound capability, external effect sends using the individual outputs, an Intelligent Random Patch Generator, sound categories to sort all your patches in a logical order, Direct FX to use your Virus as an effects-processor while maintaining full polyphony, 16 independent arpeggiators with numerous patterns and realtime parameter access, and an advanced distortion module with lo-fi and filter dsp-effects. OS 4.0 makes the Virus one of the best analog modeling synthesizers to date! Complete control of parameters is available via MIDI. "Adaptive Control Smoothing" ensures ultra smooth parameter changes. There's also a free Emagic sound-driver based Editor/Librarian for Windows and MacOS."

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Quasimidi PolyMorph Sequence Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The PolyMorph sequencer / synthesizer is a full featured and powerful virtually analog synthesizer that assumes an evolved form and purpose of its breakthrough hit predecessor - the RaveOLution 309! First the sounds: the PolyMorph is four synths loaded with synth and drum sounds geared towards electronica and other forms of synthesizer music. Individual ADSR's and filters per oscillator make for a totally tweakable and flexible synthesizer. The sequencer: 16 step, 8 variations, 4 parts or instruments. Parts and even notes can be muted or changed in real time to build and decompose your grooves or synth textures. There are also preset phrase patterns to play around with.

Aside from sounding amazing, the PolyMorph is beefed up by a great set of effects. Add distortion, EQing, reverb, chorus, flange, etc. to each of the four parts independently! The controls, knobs and sequencer can all be controlled via MIDI for in-studio use, however the impressive multi-effects implementation alone is a major hint that the PolyMorph is a machine suited for live, DJ and on the fly music production."

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NLC MUN Vocoder

video upload by Steve Castellano

"Richard Feynman out of a Morphagene into the MUN with Plaits (Knit) in chord mode as a carrier source. Reverb and delay by Monsoon. Chord changes are controlled by Pressure Points/Brains, with one channel taking care of pitch and another adjusting chord forms."

via Nonlinearcircuits

"This module is a 22HP 10 channel vocoder based on the Syntovox 222. I own a 222 and have always been impressed with the sound and elegant design, so it was an easy choice of where to start.

The initial design for this module was 42HP with all the fruit – variable envelope lengths, envelope outputs and inputs, filter outputs and inputs, pause stuffing, external noise input, separate carriers for odd/even channels, etc. and it sucked; way too finicky to use.

So I stripped it back to a more minimal version and am much happier with it.

For the Voice section, there is a TRS/mono 6.35mm input for mics, a stereo/mono 3.5mm input for line level sources and a synth level input.

The Carrier section has a synth level input only.

There is no voice/unvoiced switching. Noise from a transistor based source is mixed with the Carrier signal on channels 9 & 10. Pots can control the noise level and the colour (pink/white).

There are jacks for each frequency channel and the envelopes generated. You can also patch in signals to stimulate the carrier signal on the corresponding channel."

Erica Synths - Hexinverter Mutant Machine

video upload by Erica Synths

You might recall Erica Synths was set to resume production of Hexinverter modules.

"The Mutant Machine began as a quest to create a rich-sounding eurorack snare drum synthesis module to complement the existing Mutant Drums. The project quickly became too large and costly to justify the module being capable only of snare drum sounds. So, the decision was made to learn from the architecture of the TR-909’s snare and kick circuits, to develop a module capable of generating multiple forms of analog percussion, and various other effects. Even though it can create alien sounds, it still can deliver those classic 909 house snares and kicks if you want them. There are no microcontrollers in the Machine. The signals and waveforms are all generated by discrete components and ICs, for a distinctly analog sound, and user experience. Now redesigned by Erica Synths in collaboration with Hexinverter Electronique.

Timeline:
00:02 - Jam 1 / Sequenced and modulated with Black Sequencer
01:57 - Manually triggering and designing a sound
02:59 - Jam 2 / Sequenced and modulated with Black Sequencer
04:33 - Jam 3 / Triggered with Drum Sequencer (with accents)
05:58 - Self patched Mutant Machine
06:58 - Triggered with the Drum Sequencer and modulated with the Drum Modulator"

Function Suite - MaxforLive Devices for Ableton Live by Ned RUSH

video uploads by Isotonik Studios

"Functions are a suite of “sound transformers” that use a breakpoint function editor to apply modulation to the sound. Different from many standard audio effects with built in modulation capabilities like LFO’s or envelope generators, the Function allows you to draw in complex custom modulation shapes or multi-stage envelopes, which can then be indexed using a variety of signals, producing linear and non-linear modulations, designed to create interesting forms of movement.

AVAILABLE HERE: https://isotonikstudios.com/product/f..."

EMS Rehberg Logik Analog Synthesizer (Designed By EMS England)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pic of the inside below.

"This edition is rare, and cannot be found anywhere as a set. Made by EMS London, and works differently than the Synthi A, although it appears to be the same. Here is a breakdown of what you get below:

In addition to the power supply, new patch cables as well as the original patch cables (standard mini jack), the lid of the "suitcase synthesis" and the original manual (or textbook) are included.

The modules of the EMS Synthis work perfectly, the overall sound and especially the filter sound very high-quality.

VCO – Voltage Controlled Oscillator • with the vibration forms sine, sawtooth, triangle and rectangle with external control voltage input for pulse width modulation • VCF – Voltage Controlled Filter • Multimode filter with 12 dB slope, low-pass, high-pass, band-pass and phaser • LFO – Low Frequency Oscillator • with the vibration forms sine and rectangle • SRG – Slow Ramp Generator •

with
the vibration form sawtooth • NG
– Noise Generator •
the noise generator offers white
noise • EG –
Envelope Generator (Envelope
Shaper)
• A-D-S-R • RM
– Ring Modulator • INV – Inverter • SL – Slew Limiter (Portamento) • EF – Envelope
Follower • External Audio
Input • Output/Mix
• Control Inputs"

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Pam PRO Sync Guide

video upload by ALM TV

"Here we take a look at numerous ways to sync Pamela's PRO Workout with other hardware and software including syncing two Pams, external Din Sync, MIDI clock, LFO BPM modulation, the Pam Sync DAW plugin, and finally syncing the virtual Pam PRO in VCV Rack.

In general most forms of sync expect a standard 24PPQN clock and Run 'Din Sync' type signal set for the Clk and Run inputs. These settings can be changed from Pam's BPM menu to accomodate other common clock PPQN speeds and Run or Reset signals to align with the sync signals produced by other hardware devices."

Forms - Novation Circuit Tracks Pack by Techtronix

video upload by Isotonik Studios

"Forms, takes a light from a different direction. Music that makes you want to move.

Garage music originated with it mainly being played on pirate radio, It was simply undeniable on dance floors because of its swing and syncopation.
It had a tendancy to naturally make people dance, and as an underground genre, it soon took its form and became massive in the 90's with artists like DJ EZ and the Artful Dodger.

Some of the best Garage music was on white label, Lost in time, these old tapes and records are hard to find.
Forms brings a big slice of this back to the Novation Circuit Tracks, right back to that innocent time when people were passionate about making good music, and bringing it to the masses. Forms leaves you wanting nothing more than time to create.

With a massive selection of 128 patches, 16 inspiring sessions and a percectly suited drum kit for Garage music

FORMS BONUS PERFOMANCE PADS

There are four perfomance pads on each page of project pages at the bottom

These go from green to red.
They are different speed kick drum build ups.
so the fist is a crash and kick. for a drop.
the second one is a 1/4 kick drum.
the next is a faster one, 1/8 twice the speed
and finally the last one is 16ths.
This gives you a way of switching between sesions with a little transition when playing live. It will also stay in sync with your swing and tempo from the project you are switching from. These are Called Performance Pads. and are exclusive to this pack!

To date there hasn't been a Garage pack on the Novation Circuit eco system. Forms not only puts that to bed, but lays a stamp on the 2 step Garage genre,
which is clearly here to stay

FORMS CONTENTS

64 samples
16 kicks
16 snares and claps
8 cymbal one shots
16 chord and synth stabs
8 vocals and more
128 patches
72 bass patches
16 chord stabs
8 pads
32 leads

AVAILABLE HERE: https://isotonikstudios.com/product/f..."

Midicake Announces Groundbreaking Firmware Update for Midicake ARP – Redefining Musical Timing

A REVOLUTION in MIDI Music Timing - Latest v5 Firmware available now - Intro Video upload by midicake

00:00 Intro
00:35 Time Parameters Unleashed
02:10 Classic Arpeggiator Mode
02:53 One Finger Mode
03:20 Keyboard Split/Zones
03:48 Power Button
04:06 Encoder Enhancements
04:33 Macro CC Output
04:51 MIDI Output Routing
05:06 Multi Menu Control
05:21 Outro

Press release follows:


Midicake is thrilled to announce a significant leap forward in electronic music creation with the latest firmware update for the renowned Midicake ARP. Available for download on January 18th, 2024, this update marks a new era in musical timing and creativity.

The new firmware is free for all Midicake ARP users, ensuring both existing and new customers can enjoy the latest advancements. Every new ARP unit will ship with this updated firmware, guaranteeing immediate access to the cutting-edge features.

Revolutionary Time Parameters: Unleash Your Creativity The highlight of this update is the introduction of innovative Time Parameters, revolutionizing the way musicians control musical timing, in the digital MIDI domain. These parameters allow users to effortlessly create complex polyrhythms and polymeters, offering unparalleled freedom in musical time division. Ever dreamed of composing with 23 notes across 7 bars? It’s now possible with the Midicake ARP!

Enhanced Playability with New Features In addition to these timing innovations, the update brings exciting new features to enhance the ARP's playability:

• Classic Arpeggiator Mode: Experience the nostalgic and beloved patterns of traditional arpeggiators.

• One Finger Mode: Simplify your performance without sacrificing creativity.

• Keyboard Zoning: Expand your expressive range by assigning different ARP patterns to various keyboard sections.

These features make playing the ARP not just easier, but also more fun and engaging, suitable for both studio sessions and live performances.

ARP: Your Ultimate Digital Melody Generator With its unique blend of advanced features and user-friendly interface, the Midicake ARP stands as the ideal digital melody generator for all forms of electronic music production.

Midicake invites all electronic music enthusiasts, from budding bedroom producers to seasoned professionals, to explore the new dimensions of musical expression offered by the Midicake ARP's latest firmware update.

Join the Revolution in Musical Timing with Midicake ARP!

https://midicake.com

CLICK FOR MORE »

Forms - Novation Circuit Tracks Pack by Techtronix

video uploadS by Isotonik Studios

"Forms, takes a light from a different direction. Music that makes you want to move.

Garage music originated with it mainly being played on pirate radio, It was simply undeniable on dance floors because of its swing and syncopation.
It had a tendancy to naturally make people dance, and as an underground genre, it soon took its form and became massive in the 90's with artists like DJ EZ and the Artful Dodger.

Some of the best Garage music was on white label, Lost in time, these old tapes and records are hard to find.
Forms brings a big slice of this back to the Novation Circuit Tracks, right back to that innocent time when people were passionate about making good music, and bringing it to the masses. Forms leaves you wanting nothing more than time to create.

With a massive selection of 128 patches, 16 inspiring sessions and a percectly suited drum kit for Garage music

FORMS BONUS PERFOMANCE PADS

There are four perfomance pads on each page of project pages at the bottom

These go from green to red.
They are different speed kick drum build ups.
so the fist is a crash and kick. for a drop.
the second one is a 1/4 kick drum.
the next is a faster one, 1/8 twice the speed
and finally the last one is 16ths.
This gives you a way of switching between sesions with a little transition when playing live. It will also stay in sync with your swing and tempo from the project you are switching from. These are Called Performance Pads. and are exclusive to this pack!

To date there hasn't been a Garage pack on the Novation Circuit eco system. Forms not only puts that to bed, but lays a stamp on the 2 step Garage genre,
which is clearly here to stay

FORMS CONTENTS

64 samples
16 kicks
16 snares and claps
8 cymbal one shots
16 chord and synth stabs
8 vocals and more
128 patches
72 bass patches
16 chord stabs
8 pads
32 leads

AVAILABLE HERE: https://isotonikstudios.com/product/f..."

TMP-2-04 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:32 Introduction
01:22 Little Black Boxes
07:49 Switched On Cybersynths
14:55 Synthesiser Club
18:30 Commercial Break
21:52 Patching Today
35:05 Video Lab
40:34 Outro

////////////////////////////////////////////////////////

Episode four of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

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It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

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In THIS episode:

LITTLE BLACK BOXES - The Casio VZ10M Phase Distortion synth from 1988

SWITCHED ON CYBERSYNTHS - Euclidean Rhythms. We get the abacus out and do some maths in this episode, trying to work out Euclid’s infamous algorithm

SYNTHESISER CLUB - Today, its Club Yamaha!

COMMERCIAL BREAK - Benge’s latest album The View from Vega, released on the DiN label; FORMS SERIES albums on Bandcamp; Polyrythmic Electronica vinyl from the Systems of Objects label; Memetune merchandise - T-Shirts, Tote Bags and Badges

PATCHING TODAY - on the Paia 4700, made in Oklahoma City in 1974. Is this the WORST modular system ever made? Maybe, maybe not!

VIDEO LAB - In this episode - a look at vintage video cameras, and why the Three Tube system rules


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LINKS:

The View from Vega album: https://dinrecords.bandcamp.com/album...

Polyrythmic Electronica vinyl / Systems of Objects: https://systemofobjects.bandcamp.com/...

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: https://www.instagram.com/memetunestu...

Benge FORMS / Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com


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The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2023

Continual Transition - a Memory Machine [Sound/Noise Demonstration]

video upload by Ryan Gaston

"Continual Transition is an electronic sound-making device designed to engage memory, inspired by the unique otherworldly dread of isolation in the Ozarks.

Continual Transition uses a simple synthesis structure, modulated delay lines, sampling, and multiple internal feedback/feedforward nodes to create a chaotic, constantly evolving musical structure. Despite its use of relatively simple synthesis "building blocks," its embrace of chaos and its perhaps-peculiar parameterization makes it such that individual controls often results in individual knobs affecting many aspects of a sound's character, usually in nonlinear or unpredictable ways.

Continual Transition is comprised of two primary sections: on the left, a Temporal Reflection Interval Processor (TRIP), and on the right, an Arbitrarily Traversal Memory Register (ATMR). The TRIP and ATMR are intertwined via multiple intermodulation nodes, allowing them to influence one another's behavior in a number of ways. The TRIP is a continually-degrading memory process, in which user actions are echoed, multiplied, and obfuscated continually as time progresses. The ATMR is a sampling device, which assesses the device's total state for concentrated periods of time, locking small windows of "memory" into a buffer which can be bent, twisted, folded, and traversed linearly or chaotically.

By allowing these two forms of memory to commingle—and by gradually learning the relationship between individual controls, the immediate sound, and the way that sounds progress into the future—the user may develop a peculiar sense of "presentness," in which the events of the past and immediate future gain greater clarity and present actions take on greater-than-typical weight.

Continual Transition was created with a Bela Mini, Pure Data, simple custom circuitry, and Arkansan cedar sourced directly from the forests of the Ozarks. A limited number of Continual Transition devices were created in 2020. Despite initial goals to the contrary, there is no current plan to develop it into a commercial product.

If you want to learn more about Continual Transition (and to hear more examples of how it can sound), see the Summer 2019 edition of SciARC's Offramp online magazine here: https://offramp.sciarc.edu/articles/c..."