Showing posts sorted by date for query Ian Fritz. Sort by relevance Show all posts
Showing posts sorted by date for query Ian Fritz. Sort by relevance Show all posts
Wednesday, July 01, 2020
Ian Fritz/Elby Designs ChaQuO Explained by Learning Modular
Learning Modular
"This movie takes a deep dive into how the ChaQuO – a quadrature oscillator driving a “double “well” second order chaos circuit – works under the hood. I deal with the design on both a building block and actual schematic level, meaning many of the concepts and explanations can also be applied to software emulations of chaotic modulators. What we learn in the circuit-level explanation is then applied to the controls on the actual module, driving just a single synth parameter – filter cutoff – to make it easy to hear as well as see the results."
Ian Fritz/Elby Designs ChaQuO 2/2: working in multiple dimensions
"Most chaos-based modules have multiple outputs, taken at different points in their internal feedback loops. All of the outputs run at the same underlying frequency and are related in a general way, but have different waveforms present. In this movie we exploring using it to drive two and then three parameters of a 2hp Vowel vocal synthesis module, making it 'speak in tongues'…"
Learn Modular Synthesis
Friday, May 22, 2020
Modulation: Periodic vs Random vs Chaotic
Published on May 22, 2020 Learning Modular
"What are the differences between periodic modulation (i.e. a normal LFO), a random CV source, and a chaotic CV source? Some may be surprised to learn that the chaotic source is actually a cross between a random source and a normal LFO: its output can be fairly consistent for a few cycles like an LFO, but then it will create its own variations on the theme. In this introductory video I demonstrate these differences, both controlling a filter cutoff (one dimension) and the two timbre parameters of a 2hp Vowel oscillator (two dimensions).
If you would like to dive deeper, I’ve created a pair of companion posts for my Patreon supporters. The first (https://www.patreon.com/posts/37383127) goes into more detail comparing these three types of modulators, including patch and application suggestions; the second (https://www.patreon.com/posts/37424894) goes deeper into explaining chaos theory and some common characteristics of chaotic CV sources.
I am also creating videos on Ian Fritz’s ChaQuO, Chaotica, and Hypster modules that will be made available to +5v and above Patrons, as well as those enrolled in the Eurorack Expansion: Extended (Tier 3) course on https://courses.learningmodular.com."
Monday, May 11, 2020
Monster Patch Demo: KARP
Published on May 11, 2020 Learning Modular
"This was the first patch demonstrated during the 'Patching the Monster' live webcast [below] with Chris Meyer of LearningModular.com, Ben 'DivKid' Wilson, and Kim 'Bjooks' Bjørn.
The arpeggiator in a Korg taktile 49 keyboard controller is driving a Mutable Instruments Rings, 2hp Pluck, and an analog synth voice consisting of a Birdkids TheBateleur, Livewire AFG, Rossum Evolution, and Erogenous Tones VC8, modulated by an Ian Fritz Hypster, Befaco VC ADSR, and Erogenous Tones RADAR. Voltage-controlled panning is from a Happy Nerding PanMix; reverb is from a Happy Nerding FX Aid.
The patch diagram for this is available on the Patch & Tweak website: http://editor.patchandtweak.com/patch...
It is also broken down in detail on the Learning Modular Patreon channel: https://www.patreon.com/posts/37007415"
The MONSTER speaks: initial patch ideas // Patching the Monster
Streamed live on May 9, 2020 DivKidVideo
"We had ' Feeding The Monster' where alongside Kim Bjorn and I Chris Meyer walked us through module choices and ideas for filling up his ADDAC Monster system case. Going through the high end power rig and sections of the case. Now we have PATCHING THE MONSTER with audio and with patches!"
Wednesday, January 01, 2020
Catgirl/CGS & Ian Fritz/Elby Systems Serge Systems
Note: Auction links are affiliate links for which the site may be compensated.
via the following listings:
SERGE Black Swamp by Loudest Noise
SERGE Ian Fritz - DoubleDeka Ultrasonic VCO
SERGE Ian Fritz /Uglysound
SERGE CATGIRL - Sequencer
SERGE CATGIRL Synth
SERGE CATGIRL Synth
SERGE Clouds/Buchla/VCO Panel
via the following listings:
SERGE Black Swamp by Loudest Noise
SERGE Ian Fritz - DoubleDeka Ultrasonic VCO
SERGE Ian Fritz /Uglysound
SERGE CATGIRL - Sequencer
SERGE CATGIRL Synth
SERGE CATGIRL Synth
SERGE Clouds/Buchla/VCO Panel
Friday, November 15, 2019
STG LFO Sync Test
Published on Nov 15, 2019 davidryle
"Suit and Tie Guy Envelope Generator in LFO A mode. This thing loops in SYNC mode with the other sync bus modules to give a wonderfully musical performance tool for rhythm and phrasing.
I used an Ian Fritz DDUVCO and Synthetic Soundlabs VCO throughan Ian Fritz 5 Pulser for the sound sources. An STG Soundlabs Post Lawsuit Filter was used on the SSL vco and a synthesizers.com Q150 ladder filter was used for the DDUVCO part.
A pair of Lexicon dual delays (MX200) added some tape delay DSP effects to the final signal.
The entire STG Soundlabs module suite can be bought from stgsoundlabs.com Check it out!"
Saturday, July 27, 2019
Diamonds
Published on Jul 27, 2019 davidryle
"Another adventure with the Arturia MicrFreak, Empress Reverb and Strymon Blue Sky.
The opening sequences are from the MicroFreak. The bass is a pair of Q106 vco's through a Q107 filter. Sequenced by the Q119 step sequencer.
Clocking from the MicroFreak. Clock dividers included 4MS OCD and RCD.
Percussion by Korg Volca Drum.
I noodled around with the System 8 and faded out with a pair of vco's (Harvestman Piston Honda and Ian Fritz DDVCO) sequenced by MI Marbles. Digital delays provided by Modcan and Behringer.
Thanks for listening!"
LABELS/MORE:
4ms,
5U,
Arturia,
eurorack,
harvestman,
Ian Fritz,
Korg,
Modcan,
Mutable Instruments,
Roland,
synthesizers.com
Monday, April 22, 2019
1980 K. Dulay Vintage Modular Synth - Vocoder Synthesizer Panels
via this auction

If anyone knows more about these, let us know!. You can see vocoder Substitute-b K. DULAY 1980 printed on one board, and Mixer D K.DULAY vocoder on another.
Update via Underhill in the comments: "Found this in an old electronotes article, #EN 107 16 Filter Bank Design (Ian Fritz).
'PC BOARDS, rFC_: Send artwork for low cost PC boards; PC boards available for Jan Hall's
vocoder, 4, 8, or 16 channel, ENS-76 VCF Option 1 - $6 = E3 each, ENS-76 VCO Option 1 -
$6 * E3 each (using two TL074). Also, European electronic music records and progressive
music records, electronic music circuits from English electronic magazines available.
K. Dulay, 5, Llewellyn Rd., Leamington Spa, Warwicks,CV31 2BJ, England (UK)'
So some chap named Jan Hall designed a vocoder, and them some other chap, K. Dulay made PCB's for it."
Friday, April 12, 2019
Mammoth 5MU System With Many Extras - Smegmar The Medicant & Sysyphus
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
List of modules at the listing and captured below.
"Large-format modular system offers: 40 modules of various brands and 150 Synthesizer.com modules. In addition, there are various power-related modules, mounted in the front and the rear.
The system is 275 MU’s front face panels spaces plus 32-more in the rear. Featuring: 27 full-range multi-waveform oscillators, 12-filters, 3 discrete MIDI interfaces, and 4 sequencers. ( not including the Matrixbrute features)
It has taken over a year to purchase and assemble all of the modules: this system is completely ready to use. Most of this system is housed in solid walnut cabinetry.
There are a few modules I bought in used condition, but the rest are new purchases. The cabinetry, controllers, and cabling are all new. After assembly, this system has not been moved, exposed to smoke, or touched by anyone but me.
The entire system is in excellent condition, with a couple of VERY minor scuffs where modules have been periodically installed and/or relocated...
History: I first purchased a Moog System-55 re-issue modular. I discovered Synthesizers.com when doing a simple google search. I learned their clone of the Moog Dual Sequencer Compliment wing was not only superior to that of the Moog’s, it was nearly 1/3 the price. So from there, I bought a System 66 and A/Bd both the tonal and functionality aspects of each to discover the Synthesizers.com sounded better to my ears, had more functions, and was more stable. I sold the Moog, and steadily expanded the system it is today.
I am 100% satisfied with this system.
It would take upwards of 6 months to get all of these modules (and a couple of these you may not able to get at all) and a significant amount of time to install and wire the modules, and assemble the large manual binder.
It also took 2 full days to convert 16 of the modules into their revised versions, yet I have not added the price of the conversion kits to the list below."
via this auction

"Large-format modular system offers: 40 modules of various brands and 150 Synthesizer.com modules. In addition, there are various power-related modules, mounted in the front and the rear.

It has taken over a year to purchase and assemble all of the modules: this system is completely ready to use. Most of this system is housed in solid walnut cabinetry.
There are a few modules I bought in used condition, but the rest are new purchases. The cabinetry, controllers, and cabling are all new. After assembly, this system has not been moved, exposed to smoke, or touched by anyone but me.
The entire system is in excellent condition, with a couple of VERY minor scuffs where modules have been periodically installed and/or relocated...
History: I first purchased a Moog System-55 re-issue modular. I discovered Synthesizers.com when doing a simple google search. I learned their clone of the Moog Dual Sequencer Compliment wing was not only superior to that of the Moog’s, it was nearly 1/3 the price. So from there, I bought a System 66 and A/Bd both the tonal and functionality aspects of each to discover the Synthesizers.com sounded better to my ears, had more functions, and was more stable. I sold the Moog, and steadily expanded the system it is today.
I am 100% satisfied with this system.
It would take upwards of 6 months to get all of these modules (and a couple of these you may not able to get at all) and a significant amount of time to install and wire the modules, and assemble the large manual binder.
It also took 2 full days to convert 16 of the modules into their revised versions, yet I have not added the price of the conversion kits to the list below."
Thursday, March 21, 2019
The Double-Pulse Waveform Generator by Ian Fritz
Published on Mar 20, 2019 Ian Fritz
"A synthesizer waveshaper with two pulses rather than the usual single one."
The Double-Pulse Waveform Generator schematic was featured here back in 2009.
Sunday, April 08, 2018
Ian Fritz Teezer Demos
Published on Apr 8, 2018 Ian Fritz
"Showing more clips using the Teezer thru-zero FM VCO module."
Saturday, January 20, 2018
The Hypster Demos by Ian Fritz
Published on Jan 20, 2018 Ian Fritz
"The Hypster hyperchaos generator in each of four modes, controlling various patches with slow modulation of Gain parameter."
LABELS/MORE:
DIY,
eurorack,
Ian Fritz,
New,
New DIY,
New DIY in 2018,
New in 2018,
New Modules,
New Modules in 2018
Thursday, December 21, 2017
Folktek Mescaline - Mutable Instruments Elements + Edges - Reverbs, Delays & Instant Lo-Fi Junky
Published on Dec 21, 2017 isvisible isinvisible
"The Folktek 'Mescaline' is providing the percussion (everything apart from the quiet snare sound which is from Braids) and the low repeating lush reverbed sound.
The wonky continuous slightly phased sound is 'Edges' going through my 'Bistromath', a ZVex 'Instant Lo-Fi Junky', Mungo 'd0' and an SDS Digital 'Reflex Liveloop'.
The slightly orchestral-ish sound is a Mutable Instruments 'Elements' fed into a Tiptop 'ZDSP' and then fed back in on itself.
The struck bowl (more like clunky synth percussion to be honest) type sounds that come in towards the end are the Livewire 'Dalek Modulator' going through a Doepfer 'A-188-2' delay.
Some sequencing being done by a Polyend 'Seq' via the 'Poly' module, and some being done by a 'Turing Manchine' and a Doepfer 'A-155'.
Triggers and gates being provided by an ALM 'Pamela's Workout, Mutable Instruments 'Grids' and Iron Ether's 'Pithoprakta'.
Modulation being provided by Livewire 'Chaos Computer', Mutable Instruments 'Peaks', Ian Fritz 'Bistromath' and a few other things, along with some Doepfer envelopes."
Thursday, September 07, 2017
Ian Fritz Bistromath and Livewire Audio Frequency Generator - Krautrock
Published on Sep 7, 2017 isvisible / isinvisible
"Audio:
Bass - PDO
Fuzzy tones etc - AFG (modulated by Bistromath)
Noise bursts - A-118
Bass drum - Orgone Accumulator
Snare drum - D-333
The Bistromath combines the Ian Fritz designed Threeler VCF, the ChaQuo and the Jerkster, and is an absolute beast.
For more music of the mainly finished variety:
http://isvisible.bandcamp.com [melodic]
http://isinvisible.bandcamp.com [not as melodic]
https://soundcloud.com/isvisible [a mixture of both]
Other things:
http://www.isvisible.me [my website]"
Wednesday, May 03, 2017
Modular vid #268
Published on May 3, 2017 Phisynth
"DSI Pro 2 / Dual Benjolin / Ian Fritz Chaotica and Serge modular interactions"
Sunday, February 05, 2017
Ganymede Terminal
Published on Feb 5, 2017 davidryle
"Space Music, YES. An imagined moon base on Ganymede off Jupiter.
Modular synth for the bass line, percussion and a 16th note octave sequence.
The Oberheim/Dave Smith OB6 for a starting arpeggio, the Roland System 8 for some bridge chords and the Behringer DeepMind 12 for reverb-drenched chorus chords.
The main bass line sequence and percussion were generated by STG Soundlabs Time Modules. The bass sounds realized on the Moslab 901 VCO's and 904-A LPF.
The sixteenth note line introduced halfway in is the synthesizers.com Q119 sequencer to an Ian Fritz/Doug Slocum Double Dekka Ultrasonic VCO fed to two EG's and a Yusynth Minimoog filter.
Delays included Modcan dual delay, Lexicon MX200 (x2) and Behringer DD400.
The snare is a TipTop Audio SD808.
Played live in the studio and recorded to a single stereo track in Cubase. Video recorded with an iPhone7 and edited in Final Cut Pro."
Thursday, January 26, 2017
Modular Synth Live Jam, with live looping.
Published on Jan 26, 2017 LOOK MUM NO COMPUTER
"First live session of the year. using a vegetable Oil can to set the pace. and just a whole lot of modular. and pitched vocals.
Recording is on soundcloud :- https://soundcloud.com/lookmumnocompu...
Vegetable tin goes into a very dodgy looper I'm working on, more info to come. what you see is the extent of its functions though, and it only works in that tempo, for now. juno 106, has max release and is going into a VCA controlled by modular stuff, the sequence was pre programmed before i filmed, so it was a case of increasing the length half way through to open up the rest of the bass riff.
Lots of Arduino's involved. for sequencing modules, arduino nanos to be precise.
Drums are Hexinverter Électronique Mutant drums. except for the clap which is a sample on a SparkFun Electronics, Inc. Wav Trigger. VCO's are jurgen hailble's living VCO's, going into an ms20 style filter, schematic can be found by ian fritz. loads of other stuff..... testing out a panning module i made too which is more of just a switching module.
Yamaha CS10. Vocals going into a Roland vocal transformer then into a Boss Effects Pedals DS-1."
Thursday, November 10, 2016
Ascent and Decline
Published on Nov 10, 2016 Richard Galbraith
"Another performance using Mutable Instruments Rings in Easter Egg mode (the high organ sound), along with Synthesizers.com Q106 oscillators, an SSL/Ian Fritz Doubledeka oscillator, and a FSFX/Ian Fritz Teezer oscillator. Filters are the Synthesizers.com Q150 and Q107, and the MOTM 480. Reverbs are Valhalla."
Monday, October 31, 2016
Cottontail
Published on Oct 30, 2016 davidryle
"Large format modular and Eurorack modular with a looping sequence from the Roland System 8.
The System 8 is sending cv and gate info to a Mutable Instruments Rings and Clouds to generate the very last 8th triplet bell sequence sound. That is doubled with the S8 patch in the modular and sent through a Modcan Dual Delay. The timing for the sequence comes from the Suit & Tie Guy Time Divider to the trigger input of the keyboard.
Everything else is clocked from a midi to dinsync signal into the Pamela's Workout divider. The 4MS Quad Clock Divider, Moon Modular Octal Clock Divider, Intellijel Plog and a Dotcom Q962 Sequential Switch are used to generate other timings.
The main bass line sequence is a Q960 in 5 step pattern, row switched through a Q962. The sounds are the Mos Lab 901 suite through a 904 filter and STG digital attenuators.
The secondary upper sequence is a pair of STG Soundlabs Voltage Mini Stores which again are row switched in a five step pattern through a Malekko switch module. The sound source is The Harvestman Piston Honda mk1 into a Music Thing Spring reverb and TipTop Z-DSP with Clocked Delays chip. AR timing is from an Intellijel Quadra+Expander to an MST Dual VCA.
Both of these sequence patterns are transposed with a dotcom Q119 sequencer. Timing for the change is from a Q173 Gate Maths.
Kick sound is a Sputnik VCS through an Oakley VC State Variable Filter and timing from a Moon Modular 562 Trigger Sequencer. Noise swashes are Sputnik WCRS through an Synthetic Sound Labs Segwencer IV into an STG mixer and on through a Jurgen Haible Tau Pipe Phaser. Additional filtering was through a dotcom Q150 and Q107.
The last sequence is from an Intellijel Metropolis to an Ian Fritz and SSL Double Deka Ultrasonic VCO. The VCO is sent through a MOTM 440 LPF and a SSL Steiner Filter (high pass) on through a dotcom EG and Behringer DD400 digital delay. It is then sent to a Strymon Blue Sky reverb in plate shimmer mode. The MOTM 440 filter is frequency modulated by a bank B output of the DDVCO through an Encore pitch shifter.
Recorded in Cubase in one pass. Video edited in Final Cut Pro. Text title made in Motion."
Tuesday, July 19, 2016
Modular Synth - Patch in Progress 36
Published on Jul 19, 2016 isvisible / isinvisible
"Bass by WMD 'PDO'.
Noises by TipTop 'Z-DSP' & Studio Electronics 'Quadnic'.
Fuzz guitar by Ian Fritz (Serge) panels 'Timbre Tantrum' & 'Chaos Theory'.
Thickening up drone by Livewire 'AFG'.
Drums by Touched by Sound 'Syncussion DRM-1'.
Clocks and triggers by ALM 'Pamela's Workout', Delptronics 'Triggerman', Iron Ether 'Pithoprakta' and Mutable Instruments 'Grids'."
Monday, July 11, 2016
Modular Synth - Patch in Progress 34
Published on Jul 11, 2016 isvisible / isinvisible
"My Ian Fritz panels (Serge) playing very nicely with my Eurorack set-up.
The AFG is clocking the Pithoprakta, which in turn is triggering everything else.
Elements - Bass
Rings - Processing audio from the Radio Music
AFG - low clicky audio processed by the ADDAC Fixed Filter Bank, which has each frequency being modulated by various Ian Fritz designed modules (Chaotica, ChaQuo and Jerkster)
Serge Modular (Ian Fritz - Chaos Theory and Timbre Tantrum panels) - Plinky plonky piano sounds, warbles and atmosphere.
Cheers"
This one make me think of what John Carpenter might sound like exploring modular. Very Carpenter-esque. Love it.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH