ASM Hydrasynth Demos and Patches by Major OSC

Major OSC

You can find the patches at http://www.majorosc.com/

This above features quite a few videos, a few of which are pretty long. You can use the controls on the bottom of the player to skip around. You'll find tutorials, feature overviews, and demos.

Playlist
1. MajorOSC Special Presentation: Hydrasynth 1 Hour Review Special
2. Ignition 2 for Hydrasynth In Development
3. ASM Hydrasynth FM / PWM Slider Full Walk through Part 1 & 2
4. Free Ignition Patches for ASM Hydrasynth Now Available
5. Ignition Patch Bank for ASM Hydrasynth - Official Preview Part 1 of 3
6. Ignition Patch Bank for ASM Hydrasynth - Official Preview Part 2 of 3
7. Ignition for ASM Hydrasynth Official Preview Part 3 of 3
8. IGNITION Patch Bank for ASM Hydrasynth - Sneak Peak Patches 1-20
9. Hydrasynth Patches - Ignition Feb Progress Update
10. ASM Hydrasynth Presets: Ignition Patch Collection - MajorOSC
11. ASM Hydrasynth Performance Demo
12. ASM Hydrasynth Sound Design for Keys and Plucks
13. ASM Hydrasynth - 32 Mod Slots Filled ! What a Machine!!! - FULL Patch Bank Now Available

Roland Jupiter X Press Release VHS - Restored from Archive?

Major OSC

"A Note from the MajorOSC: This is pure satire right down to the Zen Core. But for the record, I love my Jupiter X. This video is to show appreciation to all the Roland customers who've kept them in business, despite the strong opinions constantly voiced from the older customers of many years. Jupiter X would not have become a reality had it not been for those of you who purchased the V-Synth. Jupiter 80, Jupiter 60, Juno G, D E, etc. Thanks to Roland for finally making something that celebrates your past, while offering modern functionality. Also, this is quite possibly the most amazing keybed ever."

https://www.majorosc.com

Out of reach (eurorack + guitar redux)

Published on Apr 10, 2020 Time_Controlled_Organism

"improvising in g minor /b flat major penta over some sequences from the fourth track of my latest e.p !

Bass is Mangrove / Doepfer SEM filter
"glass" arp is Antiosc and QZVCO wavefolded by Dannysound Timbre
"Percs" are FCUK Systemx osc through VCFQ
Guitar is an old Hohner
Sequenced and recorded in VCV Rack

https://timecontrolledorganism.bandca..."

Yamaha CS-30 Analog Synth SN 2942

Note: Auction links are affiliate links for which the site may be compensated.

via this auction, also on Reverb

"If you read online about this synth, you'll fine the same verbage and thoughts. It is unlike ANY other synth... the architecture is very different than any other synth, so if youve never played a CS30, you'll find yourself saying "huh??? What is that?... a LOT. Its very much like a modular synth in design and in labeling without the cable patching. The modulation routing alone is mind blowing... you can modulate just about anything in spades... 3, 4, 5 ways of modulating major sections of the synth AT THE SAME TIME... yes, its deep. You can have a sequence being played from one OSC while YOU play the keybed with the other OSC. I can go on and on... There are too many cool things of this synth that are unlike any other."

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ASM Hydrasynth Version 1.3.0 Firmware Update

"LOS ANGELES, CA, USA/HONG KONG, CHINA: musician-empowering musical instruments creator Ashun Sound Machines (ASM) is proud to advance its innovative Hydrasynth digital wave morphing synthesizer — launched late last year to widespread critical acclaim as its inaugural hardware product, produced as a keyboard variant (featuring a proprietary PolytouchTM 49-note polyphonic aftertouch keybed and a user-assignable ribbon controller) and desktop variant (with 24 velocity- and polyphonic aftertouch- sensitive pads, plus an included 19-inch rack-mount kit) — with welcomed new features, thanks to a major firmware update, ultimately coinciding with the first day of The 2020 NAMM Show, January 16-19, Anaheim, CA, USA, where both variants of Hydrasynth will wow visitors for the first time for sure…

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Kawai K5000S Additive Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Kawai K5000s Additive Synthesizer

Excellent condition.

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Modor Microtonal Upgrade v 013

via Modor where you'll find some demos.

"There's a new upgrade for the NF-1 (OS013) and NF-1m (OS006), ready for download at our download page! What's new?

The Chorus/Flanger effect unit finally works entirely stable under heavy feedback, positive or negative. About time! No more ugly digital spikes or speaker-damaging noise bursts, you can safely turn up the feedback and enjoy comb filter self oscillation.

The active Osc and Env selection get saved with the patch (NF-1 only)

Osc phase randomisation can be selected. Before (and still the default), all oscillator phases got reset at the beginning of a note. Now they can be randomized to get some more 'life' in some patches. That's more or less the same as so-called free running oscillators

You can set your NF-1(m) to start from the last loaded/saved patch at bootup. The default is still bootup with the empty init patch, but you can alter this in the System Settings menu

And last but very, very far from least, Modor goes microtonal!

Microtonal? Oh boy ... That ear-torturing stuff for freaks and nerds desperately seeking for something to sound distinct. Really, do we need to go that way?

Well, not entirely ... There's much more than you might think. Listen to the following examples of a major C chord. First in standard 12-tone equal temperament tuning (most synthesizers' basic tuning), and then in Just Intonation. Quite a difference, isn't it? Does the first one have some chorus effect on it? No, not at all...

Most synths (and many, many other instruments) use 12-EDO (12 Equal Divisions of the Octave), also known as (12-tone) equal temperament. The octave just gets divided in 12 equal parts, the 12 semitones of the octave. But that's actually only an approximation of real harmony. On a just intonated chord like the one above, the three notes C-E-G have their frequencies in proportion 4/4 - 5/4 - 6/4, or 1 - 1,25 - 1,5. On an equal tempered chord that's 1 - 1,25992105 - 1,498307077. So that's only an approximation, the three notes are sounding close, but keep slightly beating. In a just intonated chord, the three notes grab each other close and sound together as an integer unity. Both versions do sound well, but you can't say they're equal!"

Click through for demos and additional details.

New MeeBlip geode synth: hands-on demo

Published on Apr 1, 2019 cdmtv

"This is geode, the new monophonic synth from MeeBlip and CDM. Get your hands dirty with this instrument - and be the first to check it out in our first play."

Update: some info and pics via CDM (click through for additional details and audio demos):

"What we love most about synths is wild, weird, dirty sounds – and getting our hands on them. Our new MeeBlip geode focuses on what we think is the best of our synth line.

The goal, as always: make a box that’s easy to play, and that adds a unique sound and personality that doesn’t exist elsewhere. And then make sure it’s fun to twist knobs and make sounds. That’s geode – coming soon, with an intro price of US$149.95 (plus tax/shipping as applicable)...

geode is the fourth major generation of the MeeBlip line created by engineer James Grahame (Blipsonic), as a collaboration with CDM. We’ve been humbled by the response – the original/SE, anode, and triode have all seen critical acclaim. And users have gotten creative, from mods and hacks (including using open source code and circuits), to musical uses in clubs and experimental shows alike.

MeeBlip geode is the culmination of all of the best features of all those different generations. It’s got the sound features and extra controls from the original (including bringing noise back), the anode/triode filter that remains unlike what’s on other synths, the most cutting waveforms, and all the subtle improvements James has cooked up over the years. It’s still compact, but expands to a palm-sized rectangle with more controls. It’s got great-feeling new knobs and some new tweaks.

And for the first time, we have USB MIDI support, so you can connect and power geode with any computer or compatible mobile device. (MIDI DIN is still there, so your gear from the 80s works, too.)"

Update2: and the official press release with specs:

"MeeBlip geode synthesizer is the newest from Blipsonic, CDM

Raw and digital, dirty and analog - in one compact box.

MeeBlip geode is the latest in a line of award-winning synthesizers from engineer James Grahame (Blipsonic) and CDM (createdigitalmusic.com).

geode has one goal: to let you plug in a box and dial in edgy, cutting, grimy sounds you won’t mistake for anything else. Building on the MeeBlip line’s digital sound features and unique Twin-T analog filter, geode adds more control, more sound twists, and now both USB MIDI and MIDI IN operation.

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Novation Bass Station II Goes Black with Major 2.5 Feature Update & 25th Anniversary Edition Giveaway

Published on Nov 1, 2018 NovationTV

Playlist:
Novation // Bass Station II 2.5 - Overview with -CALC-
Novation // Bass Station II 2.5 - Paraphonic Mode
Novation // Bass Station II 2.5 - Filter Tracking
Novation // Bass Station II 2.5 - Micro Tuning
Novation // Bass Station II 2.5 - Re Trigger
Novation // Bass Station II 2.5 - Osc Error

And the limited edition black themed 25th Anniversary Bass Station II & official press release:

"Major firmware update + synth giveaway

To celebrate 25 years of Bass Station and thank users for their support, Novation is releasing the Bass Station II v2.5 firmware update and giving away a Bass Station II 25th Anniversary Edition – one of only five units off the production line!

To be in with a chance of winning the limited edition monosynth, join the Synth Owners Facebook group and like the competition post from 1-7 November 2018.

Bass Station II v2.5

The v2.5 firmware update adds some of the most requested features including filter tracking, paraphonic mode, microtuning and new preset Soundpacks. Installation couldn't be easier from the Novation Components content manager.

Paraphonic mode

Bass Station II is now a paraphonic monosynth, because you can control the pitches of each of the two oscillators separately in its single-voice architecture. Play two notes at a time rather than just one and get interesting interactions through the Ring and Filter Mod.

Filter tracking

Filter tracking was one of the most requested features. The filter includes variable keyboard tracking in Bass Station II v2.5 – the best for matching higher notes to increased brightness.

Envelope retriggering

Bass Station II's secret sound-design weapon is envelope retriggering. It’s now possible to configure your envelopes to retrigger once the decay stage has ended, opening up a whole range of new possibilities.

Oscillator error

Oscillator error introduces a small and adjustable random detune on each note-on event. This can be used to generate some very beautiful, subtle (or not) musical dissonance, very much in the same way that vintage synths do (because of the looser tolerance of their electronic components). Paraphonic mode makes it as dramatic as possible.

Microtuning editing

Completely control the frequency triggered by each key press, giving your scales another dimension.

New presets

Two new Soundpacks are in Components: Silver and Sinevibes. Silver's presets explore the v2.5 features and inspire new tracks and sound design. Sinevibes, designed by Sinevibes’ founder Artemij Pavlov, gives 101 classic Bass Station II presets.

Warm greetings to you all

Bass Station II can now support a custom message display at start-up.

Join the synth owners group here

To read more about the history of Bass Station, click here"

Matrixbrute: Analog Stereo Delay & Harmonic Series LFO Waveshaping

Published on Aug 4, 2018 Kris Lennox

"Try with headphones/read below for more details RE the patch. This one took quite a while to make. Despite the actual matrix itself looking like not much has been altered, what has been altered has been altered specifically i.e. to exact numeric values.

Delay should be obvious to the ear. When I'm off to the far right, this is me playing with the delay settings. I'm not actually doing too much with the delay, just playing with the depth.

LFO 1 is sitting on a square wave - hence you'll hear the jumps in pitch. Of course, sine etc would create the distinct 'sweep' - but I was looking for something different, and with pitch specificity rather than range sweeping.

LFO 2 is altering between triangle and sine waves. When on sine, the harmonic series can be heard. I programmed the series to run between the major 3rd (i.e. E if on C), and the upper 9th (i.e. D on C).

Playing with the phase of LFO 1 determines the harmonic content. I'm beginning with a hard phase inversion. At about 0:17 the low octave can be heard entering. At about 0:40 the perfect 5th enters. At about 1:37 I'm changing LFO 2 waveform to sine - at which point the entire harmonic series can be heard.

In terms of tuning, VCO 2 has a focus on the sub-osc - plus the LFO is pre-programmed to drop it the octave - hence it sounds far deeper.

VCO 3 is set to the major 3rd (i.e. E on C).

I'm doing almost nothing on the keys aside from changing the octave of C. Function here is to illustrate the programming rather than focusing on playing.

PS I'm sure most MB owners already know this, but holding in PANEL and pushing the PRESET button initialises the preset, then you can build from scratch.

All best
Kris"

Fang Synth - motion modulated synth - now available for Android

Published on Apr 24, 2018 thIIIrd musique

You can find a few more videos at http://thiiird.com/fang/

"Fang synth, the motion modulated Pure Data powered synth, is now available. Here is a presentation of a few presets. Download: https://play.google.com/store/apps/de..."

"Fang is a synth app based on motion modulated control through accelerometer information. Each parameter can be linked to different directions of motion. Contains presets, wav recording, a stepped arpeggiator with diatonic scale locking, a multi-pattern sequencer, wave shaping oscillators, resonant filter with envelope and pitch locking, and an effects rig (including formant (vowel) filter, pitched delay, reverb, down-sample, bit reduction.) Capable of strange sonic textures, complex evolving arpeggios, or classic sequenced synth sounds.

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John Bowen Solaris 1.4.0 OS Update

via http://johnbowen.com

"New version 1.4.0 OS Released - Dec. 15, 2017

Just in time for Christmas, I am really happy to announce another major OS update to cap off 2017 - v1.4.0 is released today.

Here's the new features added with v1.4.0 OS:

1) A reworking of the voice handler for significantly better performance.

2) All parameter communication has been completed to work as SysEx commands. NRPNs are no longer supported (and were never fully implemented previously anyway). A complete SysEx implementation document is available online in the User Guides section.

3) A "Poly Chain" mode has been added, so you can have multiple units slaved together for increased polyphony (i.e., 20 notes from 2 units).

4) Added the new parameter “LoadSamp” on the System page 1/2. When enabled, the Solaris will automatically load the first sample pool on bootup.

5) The following parameters were moved from the Home page 3/4 to the System page 2/2: VTIntensity, VTOffset, ATIntensity, ATOffset. Renamed some of the labels for the pedal parameters. Renamed VTIntens and ATIntens to VTCurve and ATCurve (because response curves are what they actually are).

6) The following parameters are now saved to the global init file: Polychain, VTCurve, VTOffset, ATCurve, ATOffset. This means they are no longer stored per preset.

7) Improved display and editing of time values above 1 second.

8 ) Since EG6 controls the overall shape of the sound, the Solaris now boots up with EG 6 selected.

9) After samples are loaded, the wave number is always reset to 1 in the Oscillator Wave display.

10) An extra parameter was added for the Osc modulation amount parameter when the destination is LinFM. This separated it from the amount parameter for Shape. Older presets will sound correct IF the destination is set to Shape. However, if the the preset uses destination LinFM, when the preset is loaded by an older OS the sound will not be the same because the Osc modulation amount will not be correct. Also note there is no way to make such a preset backward compatible by setting the Shape amount because the ranges for the two amount parameters are different.

11) Parameters for setting the MIDI Device ID and transmitting the current preset buffer added (important for Poly Chain mode).

12) Improved encoder acceleration for the following parameters: LFO rate, EQ frequency, Phaser Offset, Oscillator and Rotor NoTrack frequency.


Again, I want to thank Jim Hewes ('minorguy' in the Forum) for all the arduous work he did to get SysEx fully working! With over 1250 preset parameters (and numerous additional front panel controls) completed, a major block in writing complete proper software editors for the Solaris has been removed. While I understand that some DAW software (such as Studio One or Cubase) still have issues recording SysEx, the only other option would be to assign a selection of the 1250 parameters to available CC numbers. We will investigate this for a future OS release, and would appreciate feedback as to how owners end up using the new SysEx implementation.

Also note: the User Guide has not been fully updated yet, but should be ready soon."

Kauldron: Smart Analog Modeling Synth for iPad and iPhone

Published on Nov 15, 2017 YonacSoftware

iTunes: Kauldron - Yonac Inc.

"Kauldron is our warmest sounding, punchiest synth yet! A completely new modeling technology, combined with carefully designed features help you create aggressive synth sounds full of rich analog textures with the fewest knob tweaks. The result is a pure, head-on tone that requires little or no FX or post-production to sound big.

Kauldron pushes every available iOS technology to the max: it is not only fully universal (you can run it natively on your iPad and iPhone), but also an Audio Unit plugin. In fact, it is one of the first fullscreen AUv3 plugins for iOS: with iOS 11 and a compatible DAW, you can enjoy all the great Kauldron features on a nice, big spread.

Kauldron debuts the next generation of our Artificial Intelligence preset creation system, SPAWN². Completely reimagining the groundbreaking SPAWN algorithms in our hugely popular Magellan, the new SPAWN² gives you unprecedented control over generating presets. In the expert mode, you can accomplish anything from subtle ‘variations on a theme’ to bold new sounds. In the basic mode, where Kauldron does all the thinking, you get preset after usable preset with just a touch. This is not simple randomization: it is the power of machine learning put to benevolent use!

Kauldron is designed with modulation and fine dynamic control in mind. The two fully-featured LFOs and the mod envelope combine with a wide variety of MIDI learnable controls to manipulate multiple parameters. Everything is easily set up in a clearly laid out ‘mod matrix.’ The dual XY-pads can be used for controlling modulation or a wide range of synth parameters. MIDI aftertouch can be routed via the matrix for even greater control over expression and tonality.

Powerful arp with both live & program modes; comprehensive MIDI features with effortless MIDI learn; over 900 presets; recording, sharing, IAA, Audiobus 3, Ableton Link — these are just some of the features brewing inside Yonac’s Kauldron.

Selected Specs

SYNTH
• 3 analog modeling oscillators w/ multiple waveforms & true PWM
• FM via Osc 2
• Maximizer module with drift, spread & voice count for huge, stereophonic all-synth sounds
• New vAnalog filter design w/ ‘dirt’ overload for even warmer, harmonically complex tones
• Dedicated filter ADSR envelope
• Filter tracking, contour & more
• Pink/white noise generator
• Osc. phase reset & sync
• Retro & modern glide algorithms
• Virtual VCA envelope with 2 attack types
• Poly/mono operation
• Legato mode for buttery smooth passages
• Extensive modulation options via the ‘mod matrix’
• 2 LFOs w/ BPM sync, keytracking, trigger mode & more
• Assignable mod envelope
• 23 mod targets
• 11 mod controllers, including aftertouch, velocity & keytracking
• 2 XY-Pads for controlling mod targets or synth parameters
• Arpeggiator with live & program modes, 11 algorithms, gate, swing, note value, octaving & more
• Stereo mod effect with chorus & flanger modes
• BPM-syncable stereo delay
• Studio quality reverb w/ 7 room types, damping, time & mix
• 900+ presets in a wide variety of styles & sounds

SPAWN²
• Automatic preset generation via artificial intelligence
• Generate infinite new, usable presets at the touch of a button
• Expert mode lets specify Variation & Autonomy for each major synth module
• 3 unique A.I. algorithms
• Auto arp programming in any listed scale

PRO FEATURES
• AUv3 - use as Audio Unit plugin on iPad & iPhone
• Fullscreen AU mode in compatible DAWs & iOS versions
• Extensive MIDI: MIDI learn, aftertouch, MIDI CC map save/share, KB mapping, program changes & more
• Inter-App Audio
• Audiobus 3
• Ableton Link

APP
• Universal
• Powerful YPAT2 preset management system
• Classic or ribbon key controller
• Ribbon controller: Poly aftertouch into Kauldron
• Ribbon controller: Settable musical key & scale
• Classic KB: Velocity w/ sensitivity setting
• Tapedeck: Record, loop & share
• Metronome
• Tap BPM

Supported Systems
• iOS 10.3 & newer
• iPad Air, iPad Mini 2, iPhone 6, 6 Plus, & newer"

Native Instruments Releases Free REAKTOR Blocks 1.3 Update

via Native Instruments:

"Major update of Native Instruments’ Eurorack-inspired modular system adds a new family of modules and synthesizer patches

June 8, 2017, Berlin – Native Instruments today released REAKTOR Blocks 1.3, a substantial update to this acclaimed virtual modular system, provided with REAKTOR 6.

Free for existing users, Blocks 1.3 introduces a new Blocks family: Kodiak. These five modules are not modelled on specific hardware. Instead, Kodiak modules combine analog character with digital power.

Duality OSC is a dual oscillator that adds innovative wave-shaping to Blocks. It offers phase-, frequency-, amplitude-, and timbre-modulation, and is ideal for growling basses, vibrant leads, and rich percussion.

Shift Sequencer is an unconventional step sequencer. It has independent sequence-length and direction controls for pitch, octave, velocity, hold, and gate, making polyrhythmic sequencing easy.

Curve Sequencer takes a modern classic – MASSIVE’s stepped modulation sequencer – and places it in the Blocks rack. It enables complex stepped modulation, perfect for electronic music.

Morph Filter delivers a triple-resonant filter bank designed to morph between settings for vowel sounds, chords, or percussion.

Flip Gen is a versatile tone generator and experimental noise source. It is perfect for generating bleepy sequences, bell-like FM, morse, pitched noise, crackly textures, and for use as a creatively random modulator.

Blocks 1.3 also includes five new ensembles – each one a powerful new synthesizer in its own right. They showcase the five new modules, with over 195 new presets, covering everything from self-generating polyrhythmic techno grooves to Daft Punk-style vowel-filtered leads.

Blocks 1.3 is part of REAKTOR 6. REAKTOR 6 is available for purchase now at the NI Online Shop for $199 / 199 € / ¥ 24,800 / £169 / AU$279.

Existing REAKTOR 6, KOMPLETE 11, and KOMPLETE 11 ULTIMATE owners can download and install the update using Native Access."

Modular Patch/Performances by Mike Thomas

Published on May 14, 2017 Mike Thomas

Notes for each further below.

Playlist:
Modular Jam : Lords of the West : Rings, Elements, Clouds, Peaks
Modular Melody: Church of Meta Q - Tides (Parasite), Function, Clouds
Modular Jam: SynthTech E350/E355/E440, Mutable Instruments Elements/Clouds, Pittsburgh SV-1/KB-1
Modular Patch/Performance: Slow to Go
Modular Patch/Performance:- The Big Build
Modular Patch/Performance: Sargasso
Modular Patch/Performance: Fair Winds
Modular Patch/Performance - Over the Clouds
Modular Patch/Performance: March of the Shift Register
Modular Etude #1

Notes:

CLICK FOR MORE »

New Generation of MIDI Controllers: OTO

Reminds me of Percussa's Audio Cubes. You can find the campaign for the OTO on kickstarter here.

Details:

"Touch the shape of sound (Berlin, November 5th 2016) -

Sonic Geometry is proud to introduce its first product, OTO: a geometrically intuitive audiovisual controller, available now on Kickstarter. OTO is a polyhedric, gesture based MIDI controller that lets users 'touch the shape of sound'. Each OTO controller houses an IMU that communicates with a host computer via Bluetooth. The host computer translates the raw physical data into the musicalized output that users experience. MIDI notes, CC data, frequency bands and filter-sweeps: with a system of OTO controllers, anything is possible. With OTO users can play synths, DJ, perform live electronic music, and even control their favorite Digital Audio Workstations such as Ableton and Traktor. Each set of OTO controllers will ship with a suite of both standalone and DAW-control software, so whether you’re an experienced artist or just an enthusiast, a live musician, a producer, or a DJ, you can use OTO exactly how you want.With OTO, or a system of networked OTO controllers, users can send Midi and OSC, trigger and modulate audiovisual data, control virtual reality, CAD environments... The possibilities are endless. The current suite of software patches is only the beginning. We want to build vast, interactive, generative musical topographies, powered by devices that are both invitingly simple, and surprisingly powerful.

OTO was born as a Masters’ Thesis Project at Berklee College of Music in 2015, and has been evolving continuously. At last, after extensive prototyping, we are proud to announce that OTO is ready for launch. OTO has been featured at Maker Faire Rome 2016 and Sonar + D Festival 2016.Cost has been a major factor in OTO’s creation, as throughout the creative process we have sought to make instruments that are widely accessible, while maintaining quality. After months of analysis and research, Sonic Geometry is thrilled to be able to offer OTO at an affordable price point, without compromising the scope of its function. OTO’s Kickstarter campaigned launched yesterday and was almost instantly selected by the crowdfunding website as 'Project we love' and featured on the homepage. In less than 24 hours OTO was able to raise 10% of its goal."

The Modal Electronics Modal CRAFTsynth

It looks like Modal Electronics, makers of the Modal 002 and 008 line of flagship synth, is coming out with a new compact mini desktop synth. This comes as no surprise as one of the men behind Modal Electronics is Paul Maddox of Vaco Loco. I'm not seeing anything on their site yet.

Here are some details via Synth Anatomy:

"Easy Self-Assembly

The Modal CRAFTsynth Monophonic Synthesizer Kit allows you to build up the synthesizer from 5 separate boards, with its simple yet effective design making it easy to assemble. The assembly process requires no soldering, tools or specialist knowledge, everything you need comes straight out of the box and allows you to slot the pieces together with ease. You can assemble the synthesizer within 10 minutes, giving you a hands-on experience when it comes to building your synth.
Powerful Monophonic Performance

The CRAFTsynth features 2 oscillators per voice with a range of controls for in-depth manipulation such as detune and fine detune for OSC 2 as well as a selection of different waveforms including: Sine, Tri, Saw PWM, Noise and FM (OSC2 modulates pitch of OSC1). This versatile range of controls allows you to sculpt your own synth sounds with ease. The LFO features six destinations in total including: VCA amplitude, filter cutoff, FM amount, OSC mix, PWM amount and pitch/frequency. This wide range of parameters allows you to create your own sounds with extreme precision, giving you in-depth control over every part of the sound. There is also a mixer stage of OSC levels, allowing you to further edit your sound for added depth and clarity. The Unison/Spread mode splits the oscillators into four separate sub oscillators per oscillator, virtually expanding your synth to a total of eight oscillators which are also de-tunable for a massive sound. The Modal CRAFTsynth is also fully class compliant, meaning it can be controlled by a wide range of popular DAWs, offering seamless integration for your favourite programs and applications.
LFOs and Presets

The Modal CRAFTsynth features four LFO wave forms in total, with each LFO being invertible for added versatility. The LFO wave forms are as follows; Sine, Tri, Saw, Square. This standard range of LFOs allows you to create everything from atmospheric pads to in-your-face leads and more. The resonant low pass filter can become state variable when using the CRAFTapp (available end of 2016). The CRAFTapp that comes included with the synthesizer allows you to get in-depth with your synthesis, giving you the ability to control custom enveloped, low pass filters and more.
Intuitive Layout

The highly intuitive layout of the Modal CRAFTsynth places everything you need right at your fingertips. The eight front panel potentiometers offer unparalleled editing control with two pages of editing functionality, allowing you to control parameters with precision. The CRAFTsynth also features 16 path storage locations (expandable through CRAFTapp) as well as 16 recallable EG presets for ease of use (full editing control with CRAFTapp). The playable touch panel interface features five note keys plus controls for scale and glide time. The touch panel interface’s keys are clearly labelled with its primary function giving you the ability to change between scales and more. Delay and distortion effects are also included for adding harmonics and texture to your sound. A Headphone and Line output are included for direct monitoring as well as outputting the CRAFTsynth to speakers and other audio devices. The synthesizer itself is powered via a USB cable or an optional AA battery pack.

Modal CRAFTsynth specification:

Monophonic DSP based self assembly synthesiser, requires no soldering or electronics skills, tools or knowledge
Eight front panel potentiometers for editing control, with two pages of editing functionality
2 oscillators per voice (sine, tri, saw, pwm, noise plus FM (OSC2 modulates pitch of OSC1) - detune and fine detune for OSC2
Mixer stage for OSC levels
Unison / spread mode that splits the oscillators into four separate sub oscillators per oscillator
giving a total of eight oscillators, de-tunable for a HUGE sound
LFO with six destinations (VCA amplitude, filter cutoff, FM amount, OSC mix, PWM amount, pitch / frequency,
Four LFO wave forms, each invertibleSine, tri, saw, square
LFO auto syncs to MIDI clock if present
Resonant low pass filter
16 recallable EG presets for ease of use
Soon to be released, CRAFTapp will provide full editing control of EG’s for custom envelopes which can be stored within a patch
16 patch storage locations (manageable through Modal CRAFTapp)
Playable touch panel interface with five note keys plus controls for scale and glide time
Scale changes between major, minor, diatonic and blues
Delay and distortion (waveshaping overdrive, not bit crushing) effects
Headphone and line output
Class Compliant MIDI provided over USB connection to host computer or tablet
Powered by USB or optional AA battery pack
Modal CRAFTapp for iOS*, Macintosh and PC coming end of 2016 (subject to Apple AppStore conditions), Android support planned for Q1 2017.

Due to ship mid-December 2016, MSRP UK £79.99 including VAT, projected US and Euro pricing TBA. Pre-Order here: Gear4music.com" BTW, I included the Gear4Music pre-order link for you, but please do check with the shops on the right. They make this site possible. At the time of this post, Gear4Music does not.

Couple more pics:

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Kyma 7.1 — Sound Design Inspiration

Kyma 7.1 — Sound Design Inspiration from Symbolic Sound on Vimeo.

"New features in the Kyma 7.1 sound design environment are designed to help you stay in the creative flow by extending automatic Gallery generation to analysis files and Sounds, keeping your sound interactions lively and dynamic with support for new, multidimensional physical controllers, while expanding your sonic universe to include new synthesis and control algorithms that can be combined with the extensive library of algorithms already in Kyma."

Press release:

"Kyma 7.1 Sound Design Software Release

More inspiration, more live interaction, more ways to generate sound

CHAMPAIGN — November 14, 2016 — Symbolic Sound today announced that Kyma 7.1, the latest major release of the world’s most advanced sound design environment, is now available as a free update for sound designers, musicians, and researchers currently using Kyma 7. In Kyma 7.1, you can automatically generate an extensive gallery of inspiring sound design ideas based on your own signal-flow patches, samples, or analysis files. From there, it’s easy to map any parameter to an external physical controller so you can perform live sound-to-picture and design new musical instruments. Quickly create unique, high-quality sounds by combining some of the newly-developed sound synthesis modules exclusive to Kyma 7.1 with the massive library of existing synthesis and processing modules already available in Kyma.

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Synthi In Euro (2013)

Published on Oct 11, 2016 VoltageCtrlRtv

"Synthi in Euro Patch:
Choices Y Out to Wiard Anti-OSC 1v. Oct In
Choices X Out to Wiard OSC EXP In, set attenuator to 12 O' Clock
Mult Choices X Out to Wiard 1v. Oct In
Wiard OSC Square 2 Out to Maths Ch. 4 signal In
Quantum Rainbow Pink noise Out to Anti-OSC EXP In Attenuator set to 1 O' clock
Maths Ch. 4 Signal Out (bottom) to ModDemix CV In 1.
Anti- OSC Triangle to ModDemix Signal In 1 Attenuator full CW
ModDemix Out to main mixer out ch.1
Maths Ch. 4 Out (top) to Positronic Transient Gate In A
PTG Out B- to Maths ch.4 rise in
PTG Out A- to Z2040 FM in
ModDemix Out 2 to PTG in B Attenuator at full CW
PTG Out B + to Z2040 Resonance In
Anti-OSC Mayhem out to Z2040 in
adjust Z2040 Frequency to taste
Z2040 to main mixer out ch. 2
Use Choices joystick to control the patch.
With a sprinkle of spring reverb.
The Steady State Fate Positronic Transient played a major role in this patch by FMing the filter and cving the resonance of the z2040.
Visit: steadystatefate.com for more info on the Positronic transient Gate module and Quantum Rainbow.
Links to other module manufacturers that were used in this patch:
makenoisemusic.com
tiptopaudio.com
malekkoheavyindustry.com
flightofharmony.com"

MATRIXSYNTH Review and Overview of the Novation UltraNova

Hi everyone, you might remember, back in July I posted some pics of my newly acquired UltraNova, and mentioned that review posts would eventually follow. Well, I’m happy to tell you the first post is here. The UltraNova is one powerful synth, so to make the overall review a bit more consumable, it will be broken up over time. This first section includes an Overview, the Oscillators, and the Mixer sections. When new sections go up, I will be sure to let you know via a new post.

As with most of my reviews, I will say this one goes pretty deep into the synth engine and all editable parameters. If you are the type of person that likes to dissect and explore all of the available parameters on a synth, then this post is for you. I will touch on what each parameter does and will call out any interesting features and limitations as I do so. There are some pretty special parameters on the UltraNova that give you control beyond most other synths. Hopefully this review will give you some insight into what makes the UltraNova special.

Overview & Quick Comparison to Previous Nova Synths

The Novation UltraNova, released back in 2010, is a 20 voice virtual analog & wavetable synth with three oscillators, two ring modulators and one noise source per voice. The UltraNova also features two audio ins that can be assigned to the oscillator section and/or a 12-band vocoder. It’s worth noting that the Novation Nova from 1999 featured a 40-band vocoder, while the Supernova II from 2000 featured a 42-band vocoder. The UltraNova is a monotimbral synth while the 12 voice Nova was six part multitimbral and the Supernova II (24, 36, or 48 voice) was eight part multitimbral. The UltraNova supports up to 5 simultaneous effects per patch. The Nova supported 42 simultaneous effects, while the Supernova II supported up to 56. The Supernova II also supported FM synthesis while the Nova and UltraNova omit it.

The UltraNova, however, is the first Nova synth to feature wavetable synthesis. An interesting side note is that all of the oscillators on the UltraNova are actually stored as wavetables, including the standard waveforms. According to Novation, “The wavetables in the Supernova series are all calculated. The wavetables in the UltraNova, even the standard analogue waves are wavetable oscillators. This change in oscillator generation was first used on the A-Station and K-Station and subsequently in the KS series, X-Station and Xio.” This allows the UltraNova to have some advanced tricks when it comes to the oscillator section, which will be covered in detail below.

I asked Novation about the lack of FM synthesis and they told me, “FM would have been a lovely addition to the UltraNova, but it would have been asking too much of the DSP to be able to run everything the UltraNova can do and also add in FM. The wavetables were a really good way to introduce a new (to Novation) type of synthesis that is able to cater for some of the synth sounds that FM is known for and also to be able to create lush evolving pads.”

The UltraNova features two routable filters per voice with a total of 14 filter types to chose from including 6dB (no resonance), 12dB, 18dB, and 24dB with Lowpass, Bandpass and Hi-pass modes. The Nova and Supernova II lacked a 6dB mode.

As for hardware, although the UltraNova may have fewer knobs per function than its predecessors, it is extremely well laid out and super intuitive to use. Along with both keyboard velocity and aftertouch, the UltraNova has touch sensitive knobs. They literally respond to touch and can be assigned to various parameters. Worth noting, velocity is configurable, however, aftertouch is not. I found the aftertouch to be good, but it does require a little extra force than I prefer; it’s good for not accidentally triggering it, but not so good for subtle, natural performance.

Please note the above comparisons with the Nova and Supernova II were only for quick reference. The UltraNova of course is its own synth with a few tricks up its sleeves that are lacking in the original Nova line, including a level of control over the synth engine often only found in the modular realm. It sounds incredible, and for the price, currently only $599 new, it is an extremely flexible and powerful synth. You get the current top-of-the-line Novation Nova synth engine with new wavetables and more. The UltraNova is both a performance oriented synth as well as a synth programmers dream. It can be configured for easy access to specific parameters for a live situation, or you can dig as deep as you want with a clearly well thought out interface.

That said, let’s dig in.

The following review and overview will essentially go over the signal flow of the UltraNova followed by performance controls including the arpeggiator and the hardware interface. I’ll go into a little detail on what each feature can and cannot do in an attempt to give you a detailed idea of what the synth is capable of. Because my reviews tend to be a bit on the longer side, I will be posting the sections in chunks over time to make it easier on you to consume and for me to compose.

First we start with…

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