Unleash Your Creativity with Dual Morphing Filters – Swords is Here

video upload by Behringer

"Unleash the full potential of your sound with Swords, the dual filter module inspired by Mutable Instruments Blades. From subtle tonal shaping to wild sonic textures, Swords delivers unparalleled control with analog circuitry, morphing filters, and customizable routing. Ready to transform your modular rig?"

Also see the After Later Audio Razor.

Smashing Sounds With Nuclear Maths: HAINBACH's new Plugin Audiothing Arguments

video upload by HAINBACH

"Arguments, my new plugin with AudioThing is a vintage style test tone generator, a wild processor and a unique combiner of signals. From gentle analog shaping to old school oscillation to absolute signal annihilation, it is a true sound design toolkit Its core idea comes from multiplication modules in the Nuclear Instrumentation format NIM BIN. I have used these for a long to time turn simple signals into heavy beats and basses. With Arguments you can combine any two signals and lock them in a dance for headroom. Or you can use the integrated tone generator for lush 1960s sounding waveforms and pseudo-random noise. Or do both at same time. Arguments is meant to inspire you in your search for the sounds in between.

GET ARGUMENTS: https://www.audiothing.net/effects/ar..."



"Arguments is a vintage-style test equipment plugin for tone generation and dual audio processing. It takes two signals and smashes them together using math derived from analog nuclear research processors. The results are dynamic, often unpredictable but always unique. Since each part of Arguments can run independently, it also works as a sonically rich test tone generator, as a complex distortion unit, or as a multimode filter. Arguments open nature rewards exploration, the presets are a mere suggestion for you to jump off from.

At its core Arguments is an analog computing-based combiner and integrator of signals, re-tuned from science to musical use. These instruments were used in analog nuclear instrumentation modular racks (NIM BIN) to allow for quick calculations without employing a dedicated computer. Arguments takes two signals A and B (B is either external via side-chain or from the internal generator) and puts them together using the argument block. The result is then put through a function block that processes it. This creates a wide range of tones, from simple boosting to high-passed industrial grit, from rhythmic modulations to raw textures. A multi-mode filter stage then allows for exact shaping and modulation. We employed analog modeling at every stage to make Arguments sound not like a calculator but like the rare vintage units that inspired it. " Arguments is available for macOS, Windows, and Linux (VST, VST3, AU, AAX, CLAP, 64-bit only), and also as AUv3 and Standalone on the App Store for iOS and iPadOS.

Behringer Edge+Crave Generative Modular Patches No Talk Demo

video upload by Anton Anru

"«EC Generative» is a collection of 25 patches (+25 patterns for Crave) for semi-modular synthesizers Behringer EDGE + CRAVE.
⚙️ This genre of sound design is very popular in modular culture, and EDGE + CRAVE provide an excellent set of features to get you started. Controlled chaos, randomness, probability, non-repetitiveness, tempo variations, pattern uniqueness, alternating short and long sounds, unexpected changes, silence and density, harmonic and FX-like tones, freaky splashes during sequences—all of these elements are included in the soundset.

🟪🟨 Get the soundset: https://antonanru.sellfy.store/p/behr...

Generative timbres can add to or lead in ambient or techno tracks, jams, and performances. You can also record fragments into your DAW or sampler, slice them into one-shots, or create loops to obtain unique material for further processing.

🔮 The main focus of the soundset is a high level of interconnection. In this patchbook, the timbres of the synths are intertwined and cannot exist separately:
🔸 They modulate each other with LFOs and envelopes.
🔸 A sequence from one synth alters parameters on the other.
🔸 Gates and triggers interact to disrupt predictable patterns.
🔸 Audio signals from OSCs may serve as modulation sources to create harmonies/intervals or wild, experimental inharmonic tones.
🔸 They may also be used as audio sources sent to the other synth for processing with its different filter and envelope, giving them a 'second life.'

CLICK FOR MORE »

Elektron Introduces New Elektron Digitone II

An Introduction video upload by Elektron

"Machine By Machine"

Introducing Digitone II

video upload by Elektron

"We are delighted to announce the release of Digitone II. Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights. Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machine - Wavetone, Swarmer, FM Tone and FM Drum - or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.

Pricing on elektron.se is 999 USD/1049 EUR." Check with dealers on the right for availability.

Digitone II — At A Glance

video upload by Elektron

"Digitone II is a 16 track, 16 voice polyphonic synth capable of unleashing dimensions of exciting sonic possibilities, all framed in a modular workflow. There are multiple forms of digital synthesis to explore, offering deep sound-sculpting satisfaction. Here, Hissquiet and Jeremiah Chiu take turns guiding your eyes and ears around the awesome new features and exceptional sounds on offer.

Digitone II is available to purchase from the Elektron website or from retailers carrying the Elektron range of products. Pricing on elektron.se is 999 USD/1049 EUR."

Check with dealers on the right for availability.

User videos (use the player controls to skip around):



Playlist:
Digitone II - a look into a Preset Pattern - tubesockor
Elektron Digitone II (it is fun + can get really weird). - Sarah Belle Reid
Review: DIGITONE II vs OG Digitone // Everything new in Elektron's Digitone 2 // Detailed tutorial - loopop
DIGITONE 2 - First Track! - True Cuckoo

Details:


16 track polyphonic digital synthesizer
Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Digitone II unleashes layers of exciting sonic possibilities. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights.

Transcend tonal realms
Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machines or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron Sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.

Machine by machine
Synth machines are your route to generating sound with Digitone II. There are four synth machines to play with, each with their own character and every single one stuffed with tweakability.

Dive into Wavetone, a fresh take on the classic 2-oscillator synthesizer. Morph between oscillator shapes, add phase distortion and oscillator modulation, or define with precision the flavor of your noise. Take the buzz to the next level with Swarmer. A super saw-in-origin cluster offering lots of waveform control across the swarm. Pick your shape, combine detune and noise modulation controls, and reach rich, complex textures. FM Tone is the original Digitone FM synthesis engine, and still capable of twisting your sound in all manner of delicious directions. Unleash FM Drum, with heaps of percussive flexibility and fine-tuning on offer to craft your own smacks and booms, and everything in between. And despite the name, capable of melodic magic too.

CLICK FOR MORE »

Runner from Mehr Music Machines (west-coast sequencing)

video upload by NOISEBUG

"Mehr Music Machines - Runner is a sleek looking west coast sequencer that super playable and equally fun when patched as a control surface or utilitarian voltage present manager. Runner features three rows of five stages (steps) and can be clocked forwards and backwards at the same time. Each stage has a dedicated button that will force the sequence to a given stage, ignoring clock advances for the duration of the button press. With no clock the buttons will let you to play the module like a mini keyboard. This can also be performed via external gates utilizing the five gate inputs for direct step-address variations . Furthermore there are dedicated outputs for all gates generated via panel buttons, and another output for triggers. Trigger outputs (when the sequence is moving) there are no menus or shift buttons, runner is 100% analog.

https://www.noisebug.net/products/meh...

Patch ideas not shown in this video:

Clock runner at audio rates for wild wave shaping
Reserve one of the rows for your VCA, create dynamic patterns.
Extend sequence length with a sequential switch

Runner is 22HP and currently available at Noisebug."

via Noisebug

"Inspired by the West Coast modular synth pioneers, this 100% analog CV and Gate sequencer will remind you what makes modular synthesis so special. No nonsense, no menus, no shift function, just voltage

Runner features the following:

100% analog signal path
Five voltage stages for each of the three rows [three voltage outputs]
Two clock inputs for forward and backward sequencing [both can be used at the same time]

Manual stage gate button [can be played as a "keyboard" or preset manager]
Global gate output [outputs a gate at every new stage progression]
Stage gate inputs [send a gate to any stage gate input, and the sequencer will hold that stage's position for the duration of the gate]
Row of red LEDs to track the sequencer's position

Great for pitch sequencing, CV sequencing or use as a keybaord/preset manager"

Fantasia for Buchla 200 Synthesizer: Recorded at EMS Elektronmusikstudion

video upload by Ebe Oke

Buchla & Halldorophone Improvisation at EMS Studio, Stockholm

video upload by Ebe Oke

"Recently I had an amazing time immersing myself in the world of modular synthesis at the renowned EMS studio in Stockholm, Sweden. 🇸🇪 Here is a short document of arranged improvisations on the mind-bending Buchla synthesizer and a stringed beast known as the Halldorophone. I’ll be returning to EMS later this year as a composer in residence.

The Buchla modular synth, born out of Don Buchla’s visionary mind in the 1960s, is a testament to pushing the boundaries of sound creation. Unlike traditional instruments, it ditches the conventional keyboard and focuses on generating entirely new sounds. The patching system offers an expansive range of tonal possibilities, while the metallic touchplates enable unique tunings of these sounds.

And let’s talk about the Halldorophone for a moment! This fascinating instrument, a brainchild of Halldór Úlfarsson, opens up a whole new realm of expressive possibilities. This instrument played similarly to a cello utilises a positive feedback loop as a key element in generating its sound. By amplifying and routing the vibrations of each string through the instrument’s internal speaker, one can manipulate the gain of each string in the feedback loop, resulting in wild and unpredictable surprises.

Thank you, EMS, for fostering a creative haven for research and discovery. I’m counting down the days until I’m back in the studio! 🧡"

EML Electronic Music Laboratories ElectroComp 400/401 Rare 70s Analog Semi Modular Synth Sequencer SN 460

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Three Wave Music Listings

"Rare Synth/Sequencer in incredible condition! EML made only 300 of these. Serial numbers started at 400 I believe, from what I’ve read they start with each model number. Completely checked through and serviced. Works and sounds great, really unique HUGE sound and a really fun sequencer. We have a great record of putting a lot of care into our shipments and will ship protected. Instrument quality and playability is well documented please ask if you need any other pics or vids. Would make an amazing stage or studio instrument. A couple small scratches on the back, as pictured, slight patina on handle.

EML's 400/401 ElectroComp is a rare semi-modular analog synthesizer/sequencer that first appeared in 1970 and although it was produced until 1984, roughly 300 were made. The synthesizer (401) component can be considered a scaled down version of the EML 500 in some ways. It looks very similar in color and layout but lacks a built-in keyboard. It retains patch-cord signal patching and editing associated with modular synths as well as some switches. Dual VCOs produce a monophonic analog sound which can be shaped by the multimode resonant VCF (filter) with switchable hi, low and band pass filtering. Only sawtooth, square and noise waveforms are available from the oscillators. The envelope section offers only attack and release control (the EML 500 envelope section added sustain).

Complementing the EML 401 modular component is the 400 system which, as seen above, is covered with dozens of switches and sliders. Basically it's an analog sequencer component. It is a 12-tone diatonic sequencer with a digitally controlled voltage quantizer built-in - a sophisticated feature for the time. This allows for a variable number of steps-per-octave ranging from 5 to 60...a very unusual feature which makes the unit very useful for those exploring alternate/microtonal tunings. It also offered voltage controlled envelope generators in 16 stages! These could be programmed for creating pretty wild sequences and patterns.

The EML 400 and 401 system was a response to the popular Moog and ARP modulars from the era. It offered new ways of synthesizing classic analog sounds which may not have been better than its competition, but it certainly was unique. Today these rare instruments can still be found in use by synth anoraks around the world."

CLICK FOR MORE »

Knobcon 2024

video uploads by sonicstate

Playlist:
1. Knobcon 24: Circuit Happy - clock over Wi-Fi
2. Knobcon 24: Erogenous Tones Unveils HD Version of Structure
3. Knobcon 24: Wild custom Art Eurorack & Elektron cases from Hite Studios
4. Knobcon 2024: Hive Mind Synthesis: SODApressed, Protomato & Duck
5. Knobcon 24: Audio over Ethernet Cables with Ashton Research
6. Knobcon 2024: Chadra Phonic - 2 New Pedals
7. Knobcon 2024: Entropy & Sons Video Synthesizer
8. Knobcon 2024: GS Music Showcases E7 and bree6 Synthesizers
9. Knobcon 24: Melbourne Instruments Delia
10. Knobcon 24: Dreadbox Murmux [sounds only]
11. Knobcon 24: Melbourne Instruments Delia [sounds only]
12. Knobcon 24: GS Music e-7 [sounds only]
13. Knobcon 24: Analogue Solutions Maximus synth jam [sounds only]
14. Knobcon 24: Rain City Modular
15. Knobcon 24: Sleepy Circuits - Hypno and Mezzz
16. Knobcon 24: Swamp Flux's Biggest Foot Euro Rack Module
17. Knobcon 24: Wildwood Soundworks: Wildwood Express and Wildwood Lightning
18. Knobcon 24: Circuit Happy - clock over Wi-Fi
19. Knobcon 24: Erogenous Tones Unveils HD Version of Structure
20. Knobcon 24: Wild custom Art Eurorack & Elektron cases from Hite Studios
21. Knobcon 2024: Hive Mind Synthesis: SODApressed, Protomato & Duck
22. Knobcon 24: Audio over Ethernet Cables with Ashton Research
23. Knobcon 2024: Entropy & Sons Video Synthesizer
24. Knobcon 24: Audio over Ethernet Cables with Ashton Research
25. Knobcon 24: Erogenous Tones Unveils HD Version of Structure
26. Knobcon 2024: Chadra Phonic - 2 New Pedals
27. Knobcon 2024: GS Music Showcases E7 and bree6 Synthesizers
28. Knobcon 24: Melbourne Instruments Delia
29. Knobcon 24: Dreadbox Murmux [sounds only]
30. Knobcon 24: Rain City Modular
31. Knobcon 24: Sleepy Circuits - Hypno and Mezzz
32. Knobcon 24: Swamp Flux's Biggest Foot Euro Rack Module
33. Knobcon 24: Wildwood Soundworks: Wildwood Express and Wildwood Lightning

Roland SH-5 44-Key Monophonic Analog Synthesizer SN 450417

Note: Auction links are affiliate links for which the site may be compensated.

via this listing, also on Reverb

"The 1976 Roland SH-5 is a legendary monophonic analog synthesizer, revered for its advanced features and powerful sound. A predecessor to the SH-7, the SH-5 stands out with its comprehensive array of controls and sound-shaping capabilities, making it one of the most versatile mono-synths ever produced.

Equipped with two analog VCOs offering triangle, ramp, square, and pulse waveforms, two LFOs, two filters, two VCAs, and both white and pink noise generators, the SH-5 has everything you need to create a wide range of sounds. The oscillators can be modulated by the LFOs or the ADSR envelope generator, giving you extensive control over your sound design. The two LFOs include adjustable rate and waveshape settings, with options for ramp, reverse ramp, triangle, sine, square, and delay, plus a Sample + Hold feature for added versatility.

The dual multi-mode filters are a highlight, offering high-pass, low-pass, and band-pass filtering with controls for cutoff, resonance, keyboard tracking, envelope sensitivity, and modulation. An additional band-pass-only filter expands the sonic possibilities even further. The two VCAs provide Attack/Release and ADSR envelopes, which can be triggered by the Sample + Hold, LFO #2, or an external audio trigger input.

The SH-5's mixer section allows you to adjust the levels of noise, VCO1, VCO2, ring mod, and external signals independently, and each of these signals can be routed through the VCA, multi-mode filter, band-pass filter, or both. The synthesizer also features stereo output with panning controls, portamento, and a ring modulator that adds even more depth to its sound-shaping capabilities.

Built around massive analog oscillators and robust multi-mode filters, the SH-5 delivers punchy, powerful bass, monstrous leads, and wild effects. Its sound is often compared to the highly sought-after System 100/700 modular units, but with a unique character all its own. The SH-5’s filters are particularly notable for retaining bass even when the resonance is cranked, unlike the SH-7. The resonant bandpass filter, used in parallel, produces stunning results, making this synth a powerhouse for creating serious electronic and dance music.

This particular SH-5 is in exceptionally clean condition and is fully functional, a rare find for a synthesizer of this age. It includes the original manual and cover, making it a complete and valuable addition to any collection."

CLICK FOR MORE »

Roland System-500 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Here's an amazing Roland System 500 Analog Modular system. This is the complete set. No longer being made from what I understand. Shame because the sound is so crazy cool. Very much a modern day classic with the sound and soul of the classic roland System 100.. which i also own.. and this 500 was a great complement to it : ) Unlimited basses, leads, wild efx and more!"

CLICK FOR MORE »

SUPERBOOTH 2024: Tiptop Audio - Triax 8 & More

video upload by sonicstate

"At Superbooth 2024, Gur at Tiptop Audio showcased their latest innovations in the world of modular synthesis, introducing the range of new ART polyphonic modules and utilities that are set to revolutionize the way musicians interact with their modular systems. Vortex 6 *, a PPG Wave oscillator, *Octopass Poly Filter*, *Octostages Poly Envelope and Octogain are all set to begin shipping straight after Superbooth 2024.

All these polyphonic modules peak to each other using ART*, Tiptops polyphonic signal, and this signal travels through the *Polytip patch cords. Gur also revealed some new utilities, including *M*, a Polytip Mult.

Next Gur revealed the Triax8*, a fully analog polyphonic oscillator featuring 16 true analog oscillators designed by the renowned *Dave Rossum and his colleagues at SSI*. The *Triax8 offers a rich and diverse sound palette, allowing users to create anything from beautiful pads to classic vintage analog tones. The oscillator also boasts a linear FM with true zero, enabling users to experiment with frequency modulation and create complex and evolving sounds.

Triax 8 Available soon.

All prices can be found on the Tiptop Audio website.

https://tiptopaudio.com/"

Press announcment/release follows:

Polyphonic modular system:

Are you ready for a new chapter in modular synthesis? Soon after Superbooth we will announce preorders and start shipping the first set of the fully Polyphonic modules: Vortex6, Octopass, Octostages, Octogain, Octo I/O and the Polytip patch cables that are used to patch them.

Buchla and Tiptop Audio 200t systems:

Moving forward with our collaboration with Buchla we are demoing a complete 200t system at Superbooth. The system is housed in cool wood-like Mantis cases with a vintage touch. These systems will be available later this year.

CLICK FOR MORE »

Elektron Digitakt 2 Incoming

Update: new pics and details added below.

Update2: Official announcement with videos here.

This one is making the rounds. The big reveal may be coming tomorrow per the screenshot further below, sent my way via Soviet Space Child. .

Details:

"With Digitakt II, you can weave splinters of sound in stereo, ripped from the moment and brought to your fingertips for marvelous audio manipulation and beat arraying. Enjoy easy to use sample-crafting and spectacular sequencing. Preserve or distort reality as you so desire with 16 tracks ready for stereo or mono samples, or MIDI and all kinds of modular adaptability.

Key Features

• Digital drum computer & stereo sampler
• 16 audio tracks all ready for stereo or mono samples, or MIDI
• Swappable filters: 1 Base-width filter and then 1 from Multi-mode, Low pass 4, Comb, EQ, or Legacy LP/HP
• 3 assignable LFOs per track
• Delay, reverb, chorus, bit reduction, sample reduction, and overdrive per track
• Updated modular workflow
• Euclidean sequence generator
• 128-step Elektron sequencer
• Expanded memory and power
• 4 × Trig modes
• Song Mode create, edit & play full compositions with ease"

CLICK FOR MORE »

Myth - an overview of Dawesome's Flagship Synth

video upload by Waveform

00:00 Intro & Description
01:48 User Guide & Tutorials
02:13 The Iris
02:59 Transformers
04:00 Modulation
04:22 Signal Flow
04:40 OSC Modules
05:40 Filter Modules
06:34 Resonator
08:01 BTTFM
09:12 FX Modules
10:07 Glurp!
10:20 ARP +
10:45 Summing Up

https://www.tracktion.com/products/myth

DAWESOME MUSIC videos in order published: video uploads by DAWESOME MUSIC

Playlist:
MYTH
MYTH - demo track
MYTH - BRACE YOURSELF FOR A SHOCK
Mare Tranquillitatis - track made with MYTH
MYTH - Preset Demo

A Living Beast

MYTH was built to create the joy and inspiration we feel when playing with hardware. Instead of “programming” sounds you create sounds by exploration and tweaking. The sound is rich and organic, and the entire system acts like one organism.

Re-synthesis

In classical synthesis, oscillator waves are mostly static and you add filters and modulators to "program" all the variations to make the sound organic and interesting. MYTH offers a paradigm shift: drag and drop audio and it will be re-synthesised as an IRIS. The inherent variations and richness of the sample can now be exploited with the TRANSFORMER dials. Of course - you can also add classical LFOs, envelopes or filters as much as you want. Just...you will rarely feel the need!

Look Mum, no Cables

Modular systems are so powerful, but also complex and easily confusing. MYTH has modules, but no cables: like in a pedal board the modules are simply chained from left to right. Insanely powerful and unbeatably simple!

Weird and Wonderful

You can use MYTH as a virtual analog subtractive synth, create shimmering metallics, add colourful acoustic resonances, create glittering grain clouds ... or do all at the same time. From fragrant pads to striking kicks - MYTH can do any sound with ease. And if you prefer to ride a wild horse: there are things like ORBIT, GLURP or ATARI PUNK - weird and wonderful new stuff.

The Fastest Workflow in the West

Let's be honest: sound design can be tedious, and we all love tweaking presets! MYTH goes one step further with a randomisation system on steroids: for example you can freeze sections to keep them unchanged. Or you "breed" new presets from a selection of parent presets. Or you take a sample and then browse through presets to put them over your sample like a dress. It's incredibly easy, fast and fun!

Full Specs

Advanced organic re-synthesis based on machine learning.
More than 700+ presets created by more than 10 sound designers and artists.
Intuitive modular system.
Trainable resonators (by dropping a sample).
Virtual analog filters.
Creative midi effects.
Full MPE support.
Build-in tutorial system.
Powerful and innovative randomisation system.
Intuitive modulation system.
Supports MTS-ESP for microtonality.

WMD Digital VCA MKIII - Dual Zero-Crossing VCA and Polarizer - Announcement

video upload by WMDevices

"Announcing the MKIII version of the WMD Digital VCA eurorack module. This new and improved dual VCA and Polarizer (bipolar VCA) has a zero-crossing detector and noise source. At only 8HP, this module can do many cool things for any modular synth in a small space."

WMD Digital VCA MKIII - In Depth Demo

video upload by WMDevices

"WMD is back and finally in production with the new Digital VCA MKIII eurorack module. This modern take on a classic WMD design combines a Zero Crossing Detector (ZCD), a Voltage Controlled Attenuator (VCA), and a couple noise sources to make a super versatile tool at only 8HP. Watch as Alex Anderson explains many of the features and use cases.

00:00 Overview
00:54 White Noise Explanation
02:16 VCA overview
04:55 Remove clicks and pops the ZCD
07:59 Trigger Mode
14:06 Amplitude modulation and the Bipolar functions
18:51 Normaling of 'B' inputs with Dual VCA patch example
20:56 Mixing capabilities
23:00 ZCD Outputs"

via WMD

"I've done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Limited run of 410 units for Eurorack Modular Synthesizer systems. I won't be making more or doing another version in the future."

IDUM RETURNS!

video upload by Mystic Circuits

"At long last IDUM is back! IDUM is our multi-effect processor for gates, allowing anything from a little variation to absolute insanity. Here is a little jam showing off using IDUM's new features - split mode and the improved looper.

We have a two IDUM system here with one controlling the VPME quad drum and a second controlling a set of SSF percussion modules as well as a voice made with the Schlappi Engineering Three Body and Boundary. We are also controlling our Tree/ Leaves combo module which is doing the main sequencing duties. The entire patch is mixed using our 3DVCA modules and our upcoming Ana v2 modules are acting as a macro controller, allowing us to change the whole patch with just four knobs. The main sequencer is the amazing Westlicht Performer.

In this jam I am focusing on showing how much variation you can get out of IDUM without changing the source sequence at all. This means that the same trigger sequence is driving IDUM the entire time and the note sequencer is not changed at all either, all of the variation you hear is either from manipulating IDUM or from changing some of the timbre settings of the drums.

If you would like to learn more about IDUM go to our website here:

https://www.mysticcircuits.com/produc..."

"‍IDUM is a gate processing effect that turns its input effortlessly into IDM. Making complex electronic music with the modular usually requires meticulous sequencing done in advance or a large ecosystem of modules. Unfortunately, the level of expertise needed to accomplish this is not accessible to the average modular user. IDUM aims to make this process easier and put Intelligent Dance Music, also known as IDM, into the hands of people with average intelligence. IDUM does not require much knowledge to get immediate and compelling results; but with some extra familiarity, this module can enable innovative music making techniques. Instead of generating musical patterns on its own, IDUM acts like an effects processor for the sequences that run through it. For example, a filter or a delay allows the user to alter their sound by twisting the knobs or modulating the parameters. Similarly, IDUM manipulates the actual gates and sequences of connected modules, but with a level of playability normally inaccessible to a sequencer. IDUM can vary carefully crafted sequences or turn your music into an onslaught of controlled chaos. Its open source code and hardware based on the beginner friendly Arduino Nano Every encourage users to tweak their modules to taste or to add new features all while ensuring future improvements as IDUM makes its way into the wild."

#NAMM 2024: PWM Malevolent and Mantis

video upload by CatSynth TV

"Paul Whittington of PWM walks us through the wild sounds of the PWM Malevolent, a fully analog semi-modular synthesizer with a screaming filter, and the new Mantis, a hybrid analog duophonic synthesizer with digital oscillators and fully analog signal path downstream that takes inspiration from the legendary WASP synthesizer.

To find out more about both instruments, please visit https://www.1pwm.com/"

Cynthia Zeroscillator V1 2009 - Cyndustries Eurorack

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Zeroscillator is a full-featured electronic-music-quality analog VCO capable of linear frequency modulation through zero hertz and into negative frequencies. This makes it capable of the FM Synthesis stuff, wild and crazy sounds simply not available from traditional VCOs, and timbres not available from digital FM synthesizers. Of course, Zeroscillators also make insane LFOs!

This was the first available Through Zero Oscillator, Vince Clark says, it's the best Modular Oscillator (check Youtube). The best you can get for Tone in your Modular Synthesizer.

The Module is very big, you need to use a deep case like the Doepfer Cases."

Side Note: I was on the wait list for a Zeroscillator like everyone else in the day. When mine was available I asked Cynthia to give it to the next person on the list and save me for last. I never did end up getting one.

CLICK FOR MORE »

Instruō Superbooth23: THE MOVIE

video upload by Instruō

WARNING: This video contains flashing lights which may not be suitable for people with photosensitive epilepsy (There's also a wee bit of swearing!)

This is a movie that follows the creative crew that is Instruō.
In 2023 the company travelled to Berlin to present at the Superbooth trade show/festival.
At the time of these captured events, the expanded team at Instruō numbers 20+ personnel.
Pretty much the entire crew goes to Berlin as we show off who we are and what we make.
This is a look behind the scenes of a Eurorack modular synthesiser manufacturer as they present at the world's best Synth-show!

Directed by Mathew Pieraccini
Edited by Jasōn H. J. Lim

"This 'documentary' is the beginning of a new form of content that I'm (Jasōn) working on in parallel to the endless stream of new instruments that we're developing.
It's a long time since it was just myself working solo back in the early days of Instruō
(~2016).
I now have the privilege of working with some of the most fun and creative people I've ever met.
We collaborate now as a creative coop. My hope is to showcase more who we are, what we're doing and how things work at the workshop here in Glasgow.
I've always been a fan of behind the scenes content so my plan is to open thing up a bit to showcase my collaborators and what they do inside and outside of roles at Instruō"
~Jasōn

00:00:00 prologue
00:01:22 Instruōduction
00:02:05 THE TEAM ASSEMBLES, Glasgow 2023-05-08
00:03:02 BUS
00:03:40 Road Trip (UK)

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Kaivo: A Brief Introduction

video upload by Madrona Labs

"techniques (physical modeling and granular synthesis) in an easy-touse semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based)."

Physical Modeling in Kaivo

video upload by Sormena Project

"Last but not least we look at Kaivo. Kaivo is what I call experimental physical modeling. The instrument itself is fully customizable (modular) and when you combine that with a granular sound engine and a physical modeling section you’re going to get some wild results. As you’ll see in the video what you select for the resonator and for the body (the physical modeled modules) has a huge impact on the final timbre that’s produced. Note that unlike PianoTeq or String Studio this instrument requires you to use samples. Therefore physical modeling is just one aspect of this instrument and is used more like an effect that you can blend to taste rather than a dedicated method."

Granular Synthesis | Explanation & Tutorial

video upload by Sounds Good

"I try to figure out all the things that granular synths can do with the help of the granular synth daddy himself, Barry Truax.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
0:00 Intro
2:05 Time Stretching
5:09 Barry Truax's Granular Synth
7:49 What Is Granular Synthesis Actually
12:25 Outro"

Kaivo - Presets and Dials

video upload by Madrona Labs

"Overview of Kaivo's Presets and Dials

Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-touse semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based)."

Introducing Univer Inter: A chainable 8-output MIDI-to-CV converter and USB Interface

video upload by Noise Engineering

"Pre-order the Univer Inter here: https://bit.ly/42SarJl
Orders will begin shipping on Thursday, June 29, 2023.

Visit your favorite retailer or click here for more information about Univer Inter: https://bit.ly/42SarJl

Univer Inter is an 8-channel MIDI-to-CV converter, but it does a lot more. Chain two through the TRS jacks on the front panel. Configure it to send any type of MIDI signal per channel through the UI app at the new-and-improved Noise Engineering Customer Portal. Plus UI has a tiny footprint: just 6HP.

Currently, we have over 20 options for each output, with a bit more planned in the coming months. Are we missing a behavior you'd like the UI to be able to send to your modular? Hit reply and let us know!

Many of you are familiar with the background on UI. In the heady days of January 2020, we went to NAMM and presented three new modules, which we said were all soon-to-be released. In June 2023, we are finally releasing the last of these three. In geologic timescales, we weren't wrong...so I'm sticking with that definition.

Alas, we all know all the trials and tribulations of the past three years. Univer Inter has been waiting patiently for parts and then for us to have the infrastructure for it. And now, at long last, we are so pleased to open preorders.

If you're looking for a way to bring MIDI into your modular system, you'll be amazed at the flexibility and ease of use of Univer Inter."

Describing Univer Inter as merely a MIDI-to-CV module falls short of its immense potential. It serves as an all-encompassing MIDI-to-any-format converter, elegantly packed into a compact 6 HP unit. Connect to your gear via USB B or TRS MIDI, or use the included adapter to plug straight into those 5-pin DIN connecters we all know and love. Whether you’re looking to map clock, note, CC, aftertouch or something else that MIDI can encode, UI can do it: we built in over 20 settings for each of the 8 outputs.

Want to control a pair of monophonic voices, complete with velocity and aftertouch? No problem. How about a polyphonic setup, with gate and pitch per voice? Easy. Need to synchronize an in-the-rack sequencer with your DAW or a MIDI clock? UI has you covered.

Eight outputs isn’t enough, you say? Chain two UI together via their front-panel MIDI ports and a TRS cable for 16 – you read that right, 16 – configurable CV outputs from a single MIDI connection. The possibilities are endless.

We also made configuration simple via the front-panel USB connection and the easy-to-use Univer Inter section on the Noise Engineering Customer Portal. Go wild and set each channel to any output option you need, or just use one of our simple presets. Configuration files can also be saved as sysex files for easy backup and sharing.