Sequential Prophet rev2 // a unique sounding synthesizer

video upload by Daniel Mana

"The Sequential Prophet rev2 is a unique sounding synthesizer, I have read so many things about it, a lot of people say it doesn't good, some say it's the best synth ever, well....I love it!
Does it sound like a Prophet 5? No
Does it sound like a Prophet? Absolutely yes
Is it better or worse than a Prophet 5? it's different, it has its own sounds and I really like it, you can dial in any sound really, and it does sound big!
There is one thing though that I've read and I do agree with, it's not an "easy" synth, and by easy I mean that it does take a little bit longer in order to dial in a certain sound that you are looking for.
It offers infinite possibilities of modulation, maybe too many, but it's very easy to use and intuitive.
The possibilty to split the keyboard or to stack two layers of sounds makes it a beast!"

Waldorf Pulse 2 - Bass Machine [SOUNDSET] • Custom Presets

video upload by Mr. Card

"My private collection of favourite bass sounds dedicated to Waldorf Pulse 2 (Bright Bass, Res Bass, Soft Bass, Sub Bass). I’ve always loved analog fat bass sounds. Waldorf Pulse 2 is a true Bass Machine. I really like this synth for its functionality and beefy sound. With this soundset, you can take your instrument to the next level. Check out my soundset: https://www.mrcardmusic.com/product/p... 🎵"

Polybrute 12: Cutting-edge or Old Tech?

video upload by Ricky Tinez

"The Polybrute 12 is a great sounding analog synthesizer aimed at keyboard players. It’s very expensive, but if you get your hands on one you’ll know why. It’s everything you’d want in an analog synth. But do you NEED all that stuff to have a good time? Of course not. But today I'll show you why this thing is special"

00:00 Polybrute 12 Overview
01:01 The Adgenda
01:16 The Morph Knob Is what really stands out.
02:46 Touchpad Morphing between patches!
04:29 The Knob per function
05:21 No More Boring Analog Sounds
06:27 One of the BEST mod matrix in the synth world
07:12 Mapping the Morpheé is SUPER simple!
08:00 LFO 3 is dope!
08:25 The Effects are GOOD not great...
09:24 The Cons!
09:35 Filter Section Confusion
10:09 i STILL can't do this at this price?
10:37 It's A LOT to learn... Be prepared!
11:18 Only 1 mod envelope? Really...
11:36 My Take on the "Full Touch" Keyboard Technology. Not for me. YET

4X Expanded Roland JV-1080 Super JV Rack SN AH34786

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Dance, Vintage Synth, Pop, and World expansion stickers on front.

The listing states:

"While this Roland JV-1080 shows signs of use (minor scrapes and other wear), it’s in perfect working order. Used on more recordings than any other module in history, it has a full range of acclaimed Roland sounds, as well as four expansion slots. It’s a sample-based synthesizer and sound module housed in a 2U rack format."

Slots only, or expansions installed? Check with the seller and as always go through eBay's buyer protection to cover yourself.

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Recreating Pink Floyd's 'On the Run' with Synthi AKS | Tribute

video upload by Andy Whitmore

"Welcome to an in-depth musical journey where we recreate the iconic sounds of Pink Floyd's 'On the Run' from their best-selling album, 'Dark Side of the Moon.' Using the legendary EMS Synthi AKS, we bring to life every synth part that made this track a groundbreaking piece of music history.
🎹 Recreated Parts:

0:00 - Sample of video
0:25 - Intro
0:42 - The main VCS3 synth sequence
1:07 - Introduce Resonance Melody
2:04 - Different waveforms
2:28 - Dramatic gated white noise sounds
3:01 - Gated Noise plus Resonance
3:18 - Noise plus Main sequence line
4:05 - Spring Reverb
5:35 - Summary
5:49 - Bass drone at the song beginning
6:05 - Noise FX
6:28 - Bass Attack
7:18 - Full 'On the Run' sequence

On the album cover, the Synthi AKS is wrongly credited as the VCS3, which is essentially the same synth—the difference lies in the box and the name.

📖 History of 'On the Run': 'On the Run' is a progressive instrumental track created by Roger Waters and David Gilmour. Known for its pioneering use of synthesizers, it's a testament to the innovative spirit of Pink Floyd. The track plays a crucial role in the album’s concept, evoking themes of travel and existential anxiety.

🔦 History of the Synthi AKS: The EMS Synthi AKS is a compact, portable synthesizer, first released in 1972. Famous for its distinctive sounds, it was used extensively throughout the 1970s by various artists. It’s known for its patch pin matrix and portability, making it a favorite for musicians looking for both creativity and convenience in their synthesizers."

Sn loft fm/drone synth sound demos 1

video upload by DecadeBridge

"Jump to the time stamps below to skip through.

https://decadebridge.etsy.com/uk/list...

Here are a few examples of the types of sounds that can be created with Sn.
Most patches have a little delay or reverb added in Ableton.

00:00 Sequencing. Carrier pitch controlled using a quantised random voltage from Pam's new workout. Occasional sine LFO from Pam's controlling FM amount.
00:25 Kick sounds. Looping EG controlling carrier pitch. Occasional sine LFO from Pam's controlling FM amount. Modulator pitch controlled using a quantised random voltage.
01:13 Sequencing. Carrier pitch controlled using a quantised random voltage from Pam's new workout. Occasional sine LFO from Pam's controlling FM amount. Looping EG controlling modulator pitch.
01:46 Drones. SQ1 CV A sending a simple two note sequence to the carrier pitch. FM amount controlled with SQ1 CV B set to a smooth, 7 step sequence.
02:14 Notes and Arps. Arturia keystep pitch out to carrier pitch CV in. Keystep mod out to FM amount to control modulation using the mod wheel.
03:31 Subtle sequences. Beats coming from Prok drum modules. EG out to Sn's VCA in. Carrier pitch controlled using a quantised random voltage from Turing machine through sonic potions quantiser. FM amount controlled using an EG.
04:07 Metallic sequences. EG controlling FM amount. Carrier pitch controlled using a quantised random voltage from Pam's new workout.
05:42 Using the subharmonicon's sequencer to control carrier pitch and it's EG to control FM amount. All sounds from Sn.
06:35 Sequences. SQ1 CV A to carrier pitch. CV B to FM amount.
07: 29 FM Glitches. Using the subharmonicon's sequencer to control FM amount and it's EG to control carrier pitch. All sounds from Sn.
08:15 Sequences. SQ1 CV A to carrier pitch. CV B to FM amount.
09:14 Subtle bass. Beats from Prok drum modules. FM amount controlled using an EG. VCA controlled using an EG (Ataxia). Carrier pitch controlled using a quantised random voltage from Turing machine through sonic potions quantiser.
10:36 Ambient sequences. SQ1 CV A to carrier pitch. CV B to FM amount. Running the output into the Microcosm."

Analog Vol.2 for Access Virus Ti & Adam Szabo VIPER EDITION | Classic presets

video uploads by ultimateXsounds [ custom presets for synths ]

Two vids for:

"ANALOG Vol.2 for VIPER Software Synthesizer.
The collection of sounds drawing inspiration from the rich legacy of Classic Analogue Synthesizers such as Minimoog, Polymoog, Moog Modular, Juno, Jupiter, Buchla, EMS Synth, and CS-80, alongside nods to retro digital synths like the DX7, D50, and SQ80."

"ANALOG Vol.2 for Access Virus Ti Hardware and VIPER Software Synthesizer.
The collection of sounds drawing inspiration from the rich legacy of Classic Analogue Synthesizers such as Minimoog, Polymoog, Moog Modular, Juno, Jupiter, Buchla, EMS Synth, and CS-80, alongside nods to retro digital synths like the DX7, D50, and SQ80."

https://www.ultimatexsounds.com/

Behringer Pro-1 Patches: Bass, Lead, Pluck. No Talk Demo

video upload by Anton Anru

"Analog Classics is soundset for the analog synthesizers Behringer Pro-1.
It is a collection of 50 patches: 15 Leads, 15 Basses, 15 Plucks, 5 Drones.
It includes famous sounds that are found in many electronic tracks, from vintage to modern, musical solo timbres; basses that will fit into any track or performance.
Plucks are excellent for use with arpeggiators or sequencers. You may use the internal Pro-1 arpeggiator or sequencer, or you may integrate your preferred arpeggiators or sequencers from your DAW or MIDI controllers.

💽 Get the soundset: https://bit.ly/3RXognl

The patches will add uniqueness to your music, featuring the sound introduced by the Behringer Pro-1.

The presets are suitable for a variety of genres, including: ambient, electronica, IDM, deep, techno, house, progressive, trance, lounge, downtempo, pop, chill out, new age, cinematic, breaks, jungle, drum and bass, dub and others.

The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its
true depth.

There are audio examples of all patches inside the folder with the soundset.

CLICK FOR MORE »

Enter the Moog Labyrinth

video upload by Moog Music

Labyrinth | Moog Demo Library
video uploads by Moog Music

User videos:



Playlist (use the player controls to skip around):

1. Perfect Circuit: Moog Semi-Modular Comparison 2024: Labyrinth, Mother-32, & More (feat. Sarah Belle Reid)
2. Sarah Belle Reid: Moog Labyrinth Semi-Modular Synth: Overview + Explorations
3. Loopop: Moog Labyrinth // A Synth that’s a Generative Idea Machine // 13 patch ideas, review & tutorial
4. mylarmelodies: Moog Labyrinth Demo: Explanation & Generative Techno Jams
5. Reverb: Exploring Generative Synthesis with the Moog Labyrinth
6. Jorb: Moog Labyrinth // Generative Synthesis At It's Best
7. SUTURE SOUND: A ton of Moog Labyrinth sounds (no talking)
8. Bonedo Synthesizers: MOOG Labyrinth Sound Demo (no talking) - Preset Sheets
9. Limbic Bits: MOOG Labyrinth Sound Demo (no talking): 6 Improvisations on the Labyrinth
10. Starsky Carr: Moog Labyrinth // 3 Minute Manual + Full Review & Demo

AN UNEXPECTED PATH FORWARD

Labyrinth introduces a classic West Coast sound into the Mother Ecosystem experience rich analog synthesizer history in both surprising and recognizable sonic textures. Two generative sequencers bring to life sounds that bloom over time, letting you control their evolution and scale, then play them off of each other for striking polymetric melodies.

With parallel analog signal paths, this adventurous instrument shines when adding color to the steady backdrop of a drum pattern or bassline.

GENERATIVE SEQUENCER
The beating heart of Labyrinth is a robust dual sequencer, which uses chance calculations to generate two unique eight-step paths which twist and curve around one another.

SONIC WANDERING
A parallel voice processing path with a voltage-controlled blending allows you to morph sounds over time.

VOLTAGE-CONTROLLED WAVEFOLDER
A fresh interpretation of the Moog sound via a voltage-controlled wavefolder. Two oscillators drive duophonic melodic counterpoints, metallic FM tones, and analog synthetic drums.

Moog's semi-modular lineup expands to include the Labyrinth, a generative synthesizer that brings you two parallel sequencers, two oscillators, and endless possibilities. Based around a core sine VCO and a triangle Mod VCO, these sound sources have independent level controls, as well as a Ring Mod and Noise level control that all feed a saturating mixer that can add a touch or grit. From the mixer, we have the switchable option to go into a voltage controllable wave folder then into a classic Moog filter, the opposite with our filter going into the wave folder, or have both of these run in parallel.

The heart of the Labyrinth is the sequencer section. A dual 8-step sequencer gives you interactive quantized melodies that can affect various parameters, based on the labeled trimmers. These sequencers send out both notes CV and triggers and with a Trig Mix you can get rhythmic interplay that is quite satisfying. Each sequencer has a Length settings and a Bit Shift when adjusts the position of activated steps. The Bit Flip and Corrupt parameters present gives you more randomness and serendipity allowing you to create evolving patterns.

As with all of their semi-modular synths, Moog gives you access to 32 patch point patchbay with 12 outputs and 20 inputs. This gives you the option to self-patch and integrate it into your existing Eurorack ecosystem. Moog's Labyrinth is the perfect expansion to your existing system or a great starting point as an entry to modular synthesis, especially for those who are looking to get expressive rhythmic patterns quickly.

LABYRINTH FEATURES

- Parallel generative analog synthesizer

- Two oscillators, a sine-based and triangle-based

- Switchable wave folder to filter, filter to wave folder, or parallel processing

- Diode-transistor hybrid wavefolder with smooth Fold and Bias control

- Morphable Low pass to Band pass 2-pole filter

- Adjustable decay time for both decay envelopes

- Blend Sequence 1 and Sequence 2 triggers for complex rhythms

- Each sequencers has options to adjust length, per-step adjustments, adjustable randomness (Corrupt), and shifting the pattern on-the-fly

- Quantizable pitches to 16 different scales

- 32-Point patch bay, 12 outs 20 ins

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Sequential Circuits DrumTraks 12-Voice Drum Machine

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional SYNTH CITY Listings

"One of the earliest MIDI capable drum machines, the Sequential Circuits Drumtraks is punchy, unique, and will integrate effortlessly into a contemporary studio. The sound of this thing is fantastic, with 13 8-bit sample based drum sounds and a powerful pattern sequencer. This drum machine is fully tested and in good repair. Includes an extra custom made EPROM set featuring TR-909 sounds and more."

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Blip Box Sixteen Voice iOS & MacOS Drum Synthesizer

factory preset demo video upload by

"Blip Box is a 16 voice drum synth that can be used as a standalone app or an AUv3 plug-in. Here I've loaded an instance of Octachron as a MIDI trigger (using it's built-in Blip Box preset), and created a random sequence to run though Blip Box's factory presets. Both are hosted in AUM, but you could use Logic or another host if you prefer.

Blip Box drum synth: https://apps.apple.com/gb/app/blip-box-drum-synth/id6452880190
Octachron: https://apps.apple.com/gb/app/octachron-midi-drum-sequencer/id1453137215"

Video Overviews by the maker, Sketch Audio
video uploads by Sketch Audio

Blip Box is a sixteen voice drum synthesizer that may look nice but can sound mean. Blip Box takes inspiration from a variety of synths, both analog and digital. We pulled together all the things we love about drum synthesis: complex audio rate modulation, snappy envelopes, harsh effects; and put them together in a compact, touch-friendly package. The result is a truly unique digital sound engine that has taken on a life of its own.

Whatever you do, don’t have fun with it!

Features:
- Focused, fun, and characterful synth engine
- Touch-first design, almost the entire screen is part of a control
- Runs standalone or as AUv3 plug-in (in compatible host)
- Universal purchase on Apple platforms: runs on iPhone, iPad, and Mac
- Presets synced across your devices via iCloud
- Hook up a MIDI controller to play with a keyboard (optional)

Details:
- Pure synthesis engine, no samples
- Complex digital oscillator with two-way frequency modulation
- White noise source
- Two snappy AD envelopes with variable shape
- Unique mix control for pure oscillator sound or ring mod mayhem
- “Choose-your-own-adventure” effect: analog (ish) wavefolder or digital degradation
- State variable filter for tone shaping
- Envelopes can be routed to modulate oscillator shape, pitch, or filter cutoff
- Mix to filter cutoff modulation available for crispy filter FM
- Velocity responsive, either in traditional level (gain) mode or brightness mode
- Multi-out mode available when running in AUv3 mode
- Master tune for keeping tonal drum sounds in tune with your song
- Includes 13 inventive and usable factory kits to get you started making music

Known compatible DAWS:
- Ableton Live (11.2+)
- Logic Pro
- Reaper

Atlantix: Basic Drum Sounds

video upload by Intellijel

"Did you know: Atlantix can also be powerful drum synthesizer. Matt creates some basic drum sounds to show you how it can sound.

The Atlantix module is a complete synthesizer voice, full of features that push it beyond basic mono-synth patches. What better way to show this than by building a selection of synthesized drum sounds - Kicks, Snares, Hi-Hats, Claps and more. All the sounds that you're hearing in this video are the raw, unprocessed sounds from Atlantix - with a tiny hint of Sealegs for delay & reverb every now and again!"

Chapters:
00:00 - Introduction
00:24 - Kick
01:43 - Snare
02:33 - Clap
03:13 - Hi-Hat
04:03 - Cowbell
05:03 - Toms
06:48 - Full Drum Pattern

Akai AX73 - The White Analog | Short edit reupload

video upload by Espen Kraft

"This track is done with the Akai AX73 analog synth from the mid 80s. All sounds are coming from it except the kick drum which is Roland TR-808. And the crickets?.... they've been recorded in my own garden with a Zoom H1.

This is a short edit of a longer video I once had on my channel about the AX73.

This track "Indian Summer" is part of my album "Dreams" from 2022.
https://espenkraft.bandcamp.com/"

Roland Juno 106 & Rolanda Beat Feat: Roland TR-33, SH-101, EM-101, Boss DB-33, DR-110 (No Talk)

video upload by Keyboard Kingpin

"Come Explore the legendary sounds of the Roland Juno 106 and an array of iconic Roland gear! Featuring the TR-33, SH-101, EM-101, Boss DB-33, and DR-110, this beat-driven journey is all about pure music with no interruptions. Dive into the synth magic and rhythm of these classic instruments. Also Don't Sleep on Rolanda!! She is an Instrument in herself."

Ambient jam with Novation AFX Station, Vongon Replay, Empress Zoia

video upload by Jay Hosking

"Please support my work on Patreon: https://www.patreon.com/jayhosking
A live, semi-improvised synthesizer jam performed entirely on hardware.

I'm on an island taking a bit of time to relax and recharge, and have been spending most of my days doing anything but music: reading, swimming, hiking, and so on. I keep the Novation AFX Station up on the island because it's small and because, well, I have more than one mono synth.

But I think I have to bring this thing home with me. The AFX Station (i.e. the Bass Station II) is just such a remarkable synth, maybe the most underrated synth I can think of. A phenomenal sound with two filters and two drives, it can produce a wider variety of timbres than most mono synths, while also having a fantastic layout for patch design, a pretty unique sequencer/arpeggiator that introduces rhythms, a great portable size, and all the other bells and whistles people love (AFX mode, paraphony, etc.). The only thing I wish it had was a "set sound to panel settings" mode. Otherwise, I am regularly impressed with the AFX Station.

I also brought the Vongon Replay with me because it's quite portable and very immediate in its setup. Yes, I know all its flaws quite well, but a small polysynth that sounds good, has everything I need already on the panel, and has a latchable arpeggiator is quite handy. Once I had a sound on the AFX Station, I played an arp, and the song was basically there.

And for effects on the whole thing, the Empress Zoia came through. I also keep this one on the island because it can be whatever effects I need it to be, and because it's extremely flexible with how you set it up for routing. Here, I've set it to have to mono audio signals coming in, and sending a stereo effected signal out, something that most pedals can't do. Plus, Empress makes great effects, and having their delay and reverb at the same time is awesome.

All in all, a very inspiring setup with great results.

Thanks for listening.

Novation AFX Station - Melody/bass mono synth
Vongon Replay - Latched arpeggio with slow attack
Empress Zoia - Reverb, delay, and special sauce on both synths

Performed and recorded live to a stereo input, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

ARP Pro-Soloist Monophonic Analog Synthesizer SN 173865

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Rare ARP Pro Soloist Restored by Custom Vintage Keyboards in Los Angeles. Nothing else sounds like it.

Even after restoration, this synth is fragile, temperamental and needs a long warm up, so should only be used in the studio. The original flimsy particleboard bottom has been replaced with a real wood one and all the aftertouch has been gone through and feels excellent. A previous owner scratched some letters near the output jack, and one of the end cheeks has a square mark from a sticker, but otherwise this is in good cosmetic condition."

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Atlantix Guide: The Envelope & VCA Section

video upload by Intellijel

"A more in depth look at the Envelope & VCA Section on Atlantix.

The Envelope and VCA are closely linked on Atlantix. This section of the module provides you tools for versatile shaping of synth sounds - often without the need for additional patching. That being said, the flexibility to patch out the envelope or route external sources through the VCA is also available to you. Matt runs us through the full list of features on this corner of Atlantix."

Chapters:
00:00 - Introduction
00:21 - Envelope Rate Switch
01:03 - Envelope Normalled Connections & Outputs
01:39 - Envelope ENV/GATE switch
02:21 - Drive Modes
03:20 - ENV/VCA Control Inputs
03:28 - Envelope Retrig Input
04:08 - Envelope Level Input
04:25 - VCA Input from External Source
04:39 - Manual Gate Trigger
04:55 - Summary

Boards of Deluge #2 Revisited - 25 Additional Patches (51-75) for the Community Firmware

video upload by Krzysztof Steplowski

"Now 75 patches in total! Only $12 for the whole!
Get the pack here: https://synth-patches.com/deluge/boar...

New, additional patches for the Boards of Deluge #2 soundbank. For the same price now you get 75 sounds in total!"

Completely Overhauled Original Lyricon Wind Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"classic, early 1970s Lyricon I analog wind synthesizer made by Computone, in the USA.

It was completely overhauled ($850) less than two years ago and everything works perfectly.

This is an analog synth that is keyed for sax, clarinet, and flute players, offering an extra set of sound dynamics through the mouthpiece.

You do need to experiment with the controls; the manual explains how to get started, and then you have a wide range of analog controls to work through to create sounds. There is no storage of sounds.

Comes as pictured, including a photocopy of the manual, original document, and an original magazine advertisement."

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FM MIDI Synth Photo-Theremin

video upload by TroniCraft Instruments

"An FM (Frequency Modulation) synthesizer with experimental sounds. Optional photo sensors for optical Theremin effects.
Made by Tony Amendolare of Lunakraft.com & Axetronic.com
Can be used with any external MIDI Transmitter, keyboard or software like Ableton or Pure Data."