Switched On Austin - Synth studio & store tour | Austin, TX

synth4ever

https://www.switchedonaustin.com

A synth studio and store tour of Switched-On in Austin, Texas -- including the Switched On synthesizer showroom, walk-through of the Switched On synth store and brief highlight of the synthesizer repair area.

During a trip to Austin in early 2020 I had a chance to revisit the Switched On synth shop I first toured in 2018 [video bellow]. Switched On have since moved from their original location to a new spot and are under new ownership, so it was a great opportunity to see the new synth store.

This synth studio and store walkthrough showcases Switched On's extensive record collection, tape machines, various synthesizers, modular gear, classic vintage synths, rack units and more. To learn more about Switched On, visit https://www.switchedonaustin.com

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Emu Systems DRUMULATOR Vintage Drum Machine Model#7000

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via this auction

"Emu drumulator model 7000 Rare vintage in awesome condition. Some keys stick so you need to clean contacts but it works. Just used in studio to play beats on and wow classic! One of a kind in this."

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Super Rare Vintage Synthesizer 1970s SLM Concert Spectrum Keyboard SN 153145

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via this auction

You can find a demo of one here.


"This is a Concert Spectrum sold by ST. Louis Music.

These were only made and sold in 1975 and 1976.

These were intended for professional use and were used heavily by the likes of ELO and Journey in the studio and on stage in the mid to late 1970s.

Incredible vintage sounds and effects from this ahead of it's time keyboard.

Variety of voices and rally cool stereo and panning effects built in. You can conbine any of the voicings and it will let you pan certain voicings to different amps and cabs, you can even mix these voicings during playing. Incredibly innovative for the time.

The last couple of these keyboards sold for over $1000 on Reverb in comparable condition.

Some things to consider with this specific keyboard:

The top-side pannning sliders and buttons are a bit scratchy and could use some cleaning.

It is missing two volume slider knobs on the front of the keyboard. One of the sliders (the volume for the bass portion of the violin voice) has been broken off although the slider still works well and moves freely with your fingers, an easy fix for sure.

Five keys do not work with the "piano" and "harpsichord" voicings. These same keys work well with the other instrument voices. I think that most musicians will not be concered with this due to the fact that these are the two least desirable voices on this model. You really want this synth for it's wonderful vintage sounding "violin" and "cello" voices.

The 'decay' on one key is fairly short and doesn't respond to the adjustment setting. Almost impossible to discern when playing chords and solos.

This keyboard came with two metal "legs" that were used for a stand. These legs were missing when I acquired it. This keyboard is better suited for a multi tierd stand...It would look awesome with a vintage Moog sitting under it!"

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Arturia Keystep Pro: The Modular Experience

Patchwerks Seattle

"In this video Matthew Piecora (aka EZBOT) takes the new Arturia Keystep Pro for a spin with some of his favorite modular gear including WMD Crater, Crucible, Chimera, Fracture, Malekko Manther Growl, Mutable Instruments Plaits, Divkid Ochd, Make Noise Mimeophon, WMD Performance Mixer, WMD Muscle, WMD Overseer, and the Intellijel Quadrax.

Buy Keystep Pro here: https://bit.ly/Keystep_Pro

From Arturia:
"An all-in-one sequencing solution. Take full control of your modular rigs, outboard synths, and software studio all at the same time. If you prefer keys to pads, you’re in for a treat. KeyStep Pro features a great-feeling 3 octave keyboard with velocity sensitivity and aftertouch. Letting you fully articulate your musical ideas, this expressive little sequencer truly puts the power at your fingertips.

KeyStep Pro works the way you want it to, and removes the barriers between you and the music you want to create.

Powerful performance controls. Our sequencers can be seen all over the world, and are loved by top artists, studios, and amateur producers alike. KeyStep Pro makes gigging easy and fun, with instant and intuitive access to inspiring performance features. Multi-mode arpeggiator, randomness, easy chord mode, and real-time recording for creating on the fly. The crisp OLED displays and LED-illuminated controls will help you see it all in the dark, too!

Unite your gear! Your ever-growing collection of boutique modular gear, vintage synths, and software instruments can finally perform in unison, thanks to the jaw-dropping connectivity KeyStep Pro has to offer. 4 CV, Gate and Mod outputs, 8 dedicated drum Gate outputs, Clocks, MIDI in, 2 MIDI outs, a solo metronome output, sustain input to let you get expressive with your performance, and USB for easy power and DAW/softsynth control.

Control hardware, software, and your DAW at the same time. If you prefer to create music “in the box”, KeyStep Pro can also help your creativity come alive. Easily sequence and arpeggiate your virtual instruments, sync it with your software studio, and switch to the dedicated Control mode to control parameters in your favorite synths and effects. The possibilities are limitless."

https://patchwerks.com/
Demo by: Matthew Piecora (aka EZBOT)
https://www.youtube.com/EZBOTMUSIC"

PPG Wave 2.2

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via this auction

"This is one of my most prized and cared for possessions. If we weren't in the middle of an unprecedented financial crisis, I would prefer have this beauty buried with me. ;) It's the absolute king of wavetable synthesizers, the first and only of its kind if you ask me (and virtually anyone else who's had the privilege to use one). I've had this particular one for the better part of 20 years, and she's never let me down (unlike multiple new synths where I find myself flustered when firmware corrupts or memory erroneously wipes out); she's just been steadfast and true for her treasured time with me. Always kept in a non-smoking studio, voltage regulated and on battery backup. When I bought this beauty some 20 years ago I was under the impression the previous owner had a good working relationship with PPG when they were still in business and this was one of the first editions in circulation. This beauty was exported to the UK and found a home with one of the curators of the early 2000 (UK) PPG Conferences. With the help and guidance of PPG connoisseur, H. Seib, she was gone through with a fine tooth comb and had been swapped out with new bushings, keys and factory formatted. Since my acquisition of this unit (3rd owner by my understanding) I had created and sculpted custom waves with the Waveterm A (When it still functioned, but sadly that is now a very distant memory) and a wide range of factory sounds which are still in place. I had considered the upgrade to V8.3 to save much of the library I had created but wouldn't attempt it without the expertise and assistance of a few friends in Toronto who had years of experience working on these, but sadly that never did come to fruition. Time is always the greatest enemy, isn't she? ;) I also have the entire factory soundset from the floppy disk of the 2.3, Waveterm A and B as well as many wavetables shared on the old PPG forum so the update would probably be worth it. It's a fairly easy upgrade and still available to purchase if you're considering using the SYSEX features of V8.3. There was discussion some years ago about a virtual waveterm being available at some point (Waveterm C), perhaps a gentle nudge in the PPG discussion forum and it will eventually materialize with those DIY monowaves. ;) Until then, I leave you with one of the worlds finest synthesizers ever imagined. This is the stuff dreams are made of, not kidding. Serious inquiries only, thanks!

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Vintage 1980's Sequential Circuits Prophet-5 Analog Synth SN 2723

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via this auction

"This keyboard was purchased by my father in 1982 to set up a home studio to work with my sister, Shannon Worrell, who is a professional and well known indie singer and songwriter. [Wikipedia article]

This keyboard was used on several recordings of different albums she made as well as live performances. In the 1990's she later used it on the album, Three Wishes which famed musician and friend, Dave Mathews performed back up vocals for her. By the early 2000's the keyboard was in storage where I found it and had it sent to back to California at Sequential to be refurbished as some of the keys would no longer play notes. My sister gave it to me since she no longer wanted it.

The synth gets played a couple times a year for fun and that's about it. I collect many instruments and have run out of space for some of them so I have decided to let this one go. It has been well cared for and shows no abuse or abnormal wear. It is fully operational and ready to play.

The keyboard is all original except for three dial caps and some springs for some keys in side. It has never been modified or converted to MIDI. I am assuming that means it is Rev 2. I don't really know. It works perfectly and has a low serial number which I was told made it kind of rare since it also hadn't been modified. It's a super cool machine and an amazing piece of technology. It will make any collector stoked I am sure..."

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FORMANTA EMS-01 - Rarest Vintage Analog Synthesizer Demo

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Published on Feb 20, 2020 VintageShopVideo

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"FORMANTA EMS-01 is an electronical music instrument combining a polyphonic organ and a monophonic synthesizer. It was produced by Katchkanar radio equipment factory "Formanta", which is the manufacturer of such well-known makes of synthesizers as Polivoks, Formanta, Maestro etc. It bears the same logo on the package and retains some of its most impressive capabilities. It is designed to perform music of all genres and to create various sound effects while recording soundtracks for movies and plays, or studio recording. The organ has a 5-octave keyboard, 6 preset sound timbres, frequency vibrato with adjustable vibrato delay, decay adjustment and a stereophaser (both for organ and synthesizer). The "vibrato delay" scheme is activated again only after all the previously pressed keys are released. In the "legato" mode the "vibrato delay" scheme is not activated.

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KORG Officially Introduces the New ARP 2600

ARP 2600 FS | Welcome Back Published on Jan 9, 2020 ARP

Follow-up to this post.

KORG ARP 2600 FS posts

User & Dealer videos:



Playlist:
The ARP 2600: The Story of a Legendary Synthesizer | Reverb Feature
Korg ARP 2600 FS Synthesizer - All Playing, No Talking! - Kraft Music
Korg ARP 2600 FS Synthesizer - Overview with Nick Kwas - - Kraft Music
Korg Arp 2600 - 1st Look - sonicstate
ARP 2600 Semi-modular Analog Synthesizer System Demo - Sweetwater
ARP 2600 Synthesizer | Overview and Demo - Guitar Center
NEW Korg ARP 2600! | Namm 2020 - GAK - previously posted

"The Total Package

More than a synthesizer, the ARP 2600 is a complete sound design studio. Even today, the ARP 2600 stands as a bridge between the individual elements of modular synthesis and the immediacy of a production / performance instrument. Included are an ample supply of oscillators, envelopes, a filter and amplifier – all of the building blocks of analog synthesis. But the ARP 2600 goes even further, with a spring reverb tank and even a pair of built in monitor speakers. Also present is much of the versatility of a vintage modular system, including a ring modulation, lag and voltage processors, an envelope follower, audio preamp, a clock-able switch, noise source, a sample & hold module, signal inverters, an auxiliary mixer, and even a set of parallel-wired/multi jacks.

The ARP 2600 FS reproduces the sounds of these components at the circuit level. Under the supervision of David Friend, the co-founder of ARP Instruments, parts were carefully selected and every detail was adjusted to replicate the original unit's distinctive synthesis.

Profile of David Friend:
Co-founder of ARP Instruments, Inc. together with the founder Alan Robert Pearlman. In addition to designing the ARP 2600 and Odyssey, he was involved with the development of numerous products, and subsequently entered management, eventually becoming president of the company. His achievements as an entrepreneur have also been acclaimed, and in 2010 he received the "Entrepreneur of the Year" (Emerging Technology category) award from Ernst & Young. After serving as the President and CEO of Blue Archive, Inc., currently he serves as the President, CEO and Co-founder of Wasabi, as well as being a lecturer at MIT's Sloan School of Management. He is also an emeritus of the New England Conservatory and Berklee College of Music.

Normalled Pathways

Nearly every slider and switch on the ARP 2600 front panels is hard wired to specific control source. For example, the front panel controls allow the pitch of Oscillator 1 to be controlled by the keyboard (On/Off switch), the output of the Sample & Hold module (slider), the shape of the ADSR envelope generator (slider), and/or by the sine wave output of Oscillator 2 (slider), and each in varying amounts. These hardwired pathways provide massive amounts of immediate control that make excellent use of all the ARP 2600 has to offer, allowing the ARP 2600 to be played as is – no patching needed. In true modular fashion, inserting a patch cord into the jack associated with any hardwired control overrides that internal connection, letting you create a new signal path of your choosing. As a programming aid, the detailed panel graphics clearly show the available signal routings.

Patch Bay Precision

Unlike earlier modular synthesizers that relied on bulky 6.3mm (1/4") jacks and patch cords, the ARP 2600 uses a more streamlined 3.5mm (1/8”) jack that allows for more patch points to occupy the same amount of panel space, delivering more options and more versatility. Most of the patch points are arranged in a single row below the controls of the individual sound modules. This arrangement keeps the main panel clear and unobstructed for tweaking the controls during performance. Needless to say, these patchable connections and the onboard processors can be used to interact with nearly any modular or Eurorack synthesizer system.

3620 Keyboard

While faithful to the original design, the functionality of the 3620 Keyboard has been greatly enhanced for this limited ARP 2600 release. The 3620 Keyboard contains 49 full-size keys, aftertouch, portamento, and is also duophonic, allowing two keys to be played at once – Single or Multiple Triggering is available. In addition, the duophonic keyboard can use an optional foot switch to lock the interval between any two notes, without retuning the oscillators during performance. Vibrato can be added via a dedicated circuit controlled by aftertouch, or by the onboard LFO (Low Frequency Oscillator), using any of three available waveforms. Most noticeable is the addition of a flexible Arpeggiator that allows a user-defined pattern to be manually sequenced and played back. Still present are the original Pitch Bend knob and the Two Octave Up / Two Octave Down Transpose switch. Connecting the keyboard to the main unit now uses a secure eight-pin din cable.

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Korg SV-2: The evolution of a modern classic

Published on Jan 7, 2020 Korg

Korg SV-2 Stage Piano 1st Look

Published on Jan 7, 2020 sonicstate

"Never before has a single instrument captured the signature sound, the unique performance experience, and the aesthetic satisfaction of so many definitive keyboards as the KORG SV-2 Stage Vintage.

Ten years ago, KORG launched the Stage Vintage line to wild acclaim. The combination of an intuitive live panel, the premier keybed, the ultimate realization of coveted vintage sounds, the clarity of world-class pianos, the warmth and character of period-proper effects, and the distinctively smooth shape has inspired musicians from around the globe for over a decade. Available with either 88 keys or 73 keys, these SV-2 models are the latest additions to the Stage Vintage series, featuring more of everything that makes an SV great. More Sounds. More Memory. More Polyphony. More Presets. More Control. It is quite literally everything one could want in a performance stage piano … and more. Plus, be sure to check out the SV-2S models, equipped with an internal K-ARRAY speaker system.

More. More. More.

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New Korg Wavestate Wave Sequencing Synthesizer Revealed

Published on Jan 6, 2020 Korg

Update: Details are in... Playlist with the first user videos added below.

"Legendary synthesis, radically re-imagined. Organic, inspirational, and mind-blowingly powerful.

KORG’s legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup."

Korg Wavestate User Videos

New Korg Wavestate Vector & Wave Sequencing Synthesizer - Perfect Circuit
Korg Wavestate - All Playing, No Talking! - Kraft Music
Korg Wavestate - Overview with Nick Kwas - Kraft Music
Korg Wavestate - New Keyboard! - sonicstate
KORG WAVESTATE FIRST IMPRESSIONS - BoBeats
Korg WAVESTATE // Review and full tutorial // Wave sequencing and Vector synthesis explained - loopop
Korg Wavestate Wave Sequencing Synthesizer | Reverb Demo
First Look: Korg Wavestate Synthesiser with Wave Sequencing 2.0 - Noisegate
First jam with the Korg Wavestate - Honeysmack
Korg Wavestate - Sound Design Tutorial 1 - True Cuckoo



Highlights:

"With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns–but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane’s start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities."

"KORG R&D created the original Wavestation, co-created the OASYS and Kronos, and has developed fundamental technologies behind many other KORG instruments. The wavestate reflects their unique aesthetic, delivering stunning sound and deep flexibility via cutting-edge technologies.

Three of the key sound designers from the original Wavestation, John Bowen [of John Bowen Synth Design & the Solaris], John “Skippy” Lehmkuhl (Plugin Guru), and Peter “Ski” Schwartz, joined Belgian artist Airwave and the renowned KORG voicing team to create the incredible wavestate sound library."

"Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics–filter, envelopes, LFOs, effects–are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you’ll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more."

"Randomization that inspires.

Looking for even more inspiration? A dedicated front-panel button, marked by a “dice” icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.
An arsenal of effects.

The wavestate’s superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you’ll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals."

"Choose your filter.

Add vintage character to your sounds with the aggressive MS-20 Lowpass or Highpass filters, or the strong, sweet Polysix Lowpass. Shape and refine with a full collection of resonant 2-pole and 4-pole Lowpass, Highpass, Bandpass, and Band Reject filters. Or, step outside the box with KORG’s unique Multi Filter, which creates modulatable blends of multiple modes simultaneously.
Ample samples. 64 stereo voices.

Totaling in the gigabytes, the wavestate’s sample library is more than a thousand times larger than that of the original Wavestation. That’s a lot of great-sounding raw material for Wave Sequences. There’s a bank of samples from Plugin Guru, brand-new samples from KORG, and a selection from the Kronos and Krome libraries. Of course, KORG also provides all of the Wavestation’s samples (including all options), plus a huge library of Wavestation Wave Sequences. Play up to 64 stereo voices with pristine clarity, using KORG’s proprietary anti-aliasing sample playback technology."

"Multiply by four.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance–each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters."

"Set Lists and Smooth Sound Transitions.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
Plays well with others.

Balanced stereo outputs connect to any recording or monitoring system, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The wavestate supports class-compliant USB MIDI connections to Windows and Mac computers, and the wavestate librarian program is available as free download from KORG."

via https://www.korg.com/us/products/synthesizers/wavestate/

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Akai AX60

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via this auction

"Fantastic, underrated analog poly from the 1980s. This is a real sleeper -- beautiful filter for pads and vintage sounding brass with tons of character. And, just like the beloved Roland Juno 60, it has a fantastic arpeggiator which can be synced to clock. If you're looking for a Juno 60 but not excited about spending 2800$, this might be exactly what you're looking for!

Condition wise: cosmetically, it's in fantastic shape. Playability wise: equally fantastic shape. All keys work, all voices are perfect and bulletproofly stable. Master volume knob is scratchy, but otherwise I see no issues -- this is ready for studio work!"

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Roland JP-4 Jupiter-4 Compuphonic Synthesizer Owned by Ben Folds

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Ben Folds's Reverb Shop.

"This Roland JP-4 Jupiter-4 Compuphonic Synthesizer is from the private collection of Ben Folds, used in 'Ben's Studio' which was the former RCA Studio A in Nashville, TN

SN: 003733. Whoa! What an awesome vintage beats. Some scratchy pots and sliders but everything settles in. Missing the plastic slider on the VCF/LFO but the metal is still there. Some wear around the wooden veneer. Tape residue on some of the keys.

"Yes, I love this thing. I like that thing, that old Roland. I had a few Roland's, that's my favorite because it's the dirtiest sounding one. It will test your patience tuning it because you have to get a screwdriver out and then it goes in like little sections but, I used to do the tuning. I didn't mind doing that, but it's not like today. You know where everything is just in tune, you have to earn it with that keyboard, but it's so cool.

There's nothing that sounds like it. Yeah. I had bought about 4 synths in about, I don't know, 2002 maybe on on eBay. I think I was drunk on tour and I came home off tour and there are all these big boxes outside the studio and that was in one of them and I used it so many times. I used that for so much stuff.

That was the main keyboard for an album called Lonely Avenue that I made with Nick Hornby, the author, British novelist. I used it on an Amanda Palmer record. Actually, it's funny, I was using that. There's some lost tapes I made with Josh Groban where we were recording him and just odd circumstance that you wouldn't imagine his voice sitting into. I though it was beautiful. Apparently I think his label, and his producer at the time said, "You should not do that. Don't hang out with that guy anymore." But I remember using that as like a kind of a low bass sound doubling Josh's voice and an acoustic guitar and it was actually absolutely gorgeous.

It was really, really cool. It's nothing like what he normally does, which is great too, but actually that's what I think of the most when I think of that synth because it just something about the dirt of that synthesizer and Josh's voice was just very, very cool. Yeah. Lost lost tapes." - BF

All items in The Official Ben Folds Reverb Shop ship fully insured with delivery confirmation and include a signed and embossed Certificate Of Authenticity from Ben Folds"

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Vintage Oberheim OB-8 Analog Synthesizer SN C33725

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"This synth has been in our studio's in-house, climate/humidity controlled storage for a number of years. It is in original, 1983 unrestored condition. The steel chassis and wood side panels are in excellent condition. The paintwork is glossy with only a few small nicks. We don't know the history of this keyboard prior to our ownership, but it was clearly well taken care of. All knobs and buttons are in tact. All LED lights function. No rust or corrosion is visible.

We have the OB-8 listed as "for parts or not working" so as not to misrepresent the condition; however, prior to listing, we tested the unit and here is what we found. The OB-8 powers up, and makes sound. We were able to manipulate volume, tuning, hold, filters, oscillators, ADSR, pitch bend etc. Most keys function; some are intermittent, some don't seem to function.

This keyboard is approximately 36 years old. Most Oberheims of this age and era require a restoration by a qualified technician. This OB-8 is in no way ready for the stage or studio just yet, but it is an excellent candidate for restoration."

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1982 Vintage USSR Synthesizer FORMANTA EMS-01

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via this auction

"FORMANTA EMS-01 was produced by Katchkanar radio equipment factory "Formanta", which is the manufacturer of such well-known makes of synthesizers as Polivoks, Formanta, Manual, Maestro etc. It bears the same logo on the package and retains some of its most impressive capabilities.

FORMANTA EMS-01 is an electronical music instrument combining a polyphonic organ and a monophonic synthesizer. It is designed to perform music of all genres and to create various sound effects while recording soundtracks for movies and plays, or studio recording. The organ has a 5-octave keyboard, 6 preset sound timbres, frequency vibrato with adjustable vibrato delay, decay adjustment and a stereophaser (both for organ and synthesizer). The "vibrato delay" scheme is activated again only after all the previously pressed keys are released. In the "legato" mode the "vibrato delay" scheme is not activated.

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UVI Introduces UVX670 - Akai VX600 & AX73 Sample Based Soft Synth

Published on Jul 10, 2019 UVI

Intro price $49, down from $79.

"With UVX670 we're heading back in time to the '80s to deep-dive, layer and combine sounds from two unique, underrated analog gems from Japanese synthmaker Akai; the VX600 and the AX73. Both are six-voice analog polysynths, the VX600 being a pad monster with dual VCOs per-voice and the AX73 being remarkable for leads and basses with a 6 VCO architecture usable in either poly, stacked or unison modes through Curtis 4-pole 24/db resonant lowpass filters.

These two synths both employed versatile modulation systems capable of a wide range of sounds. The VX600 had a complex mod matrix, 2 LFOs per voice and allowed frequency modulation. The AX73, with 1 LFO per voice has variable pulse width with PWM usable on any of the waveforms. Individually, neither the VX600 or AX73 have a well-known vintage classic status, but it's not due to lack of capability or rich sound potential. Combined, these synths make an incredible complement, each lending strength to the other and creating some truly powerful sounds when employed together."

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Vintage Aries 300 Series Modular Synthesizer with 61 key Control Keyboard

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via this auction

"What you are looking at is a special instrument.

300 Series Modules
The core of this system is five modules from the Aries 300 Series. There is one VCO module, one VCF module, one EG module, one VCA module, and one Clock/Noise/S&H generator. Yes, this is basic; here are the module names:

AR-317 VCO
AR-312 EG
AR-314 VCF
AR-316 VCA
AR-318 SH/Clock/Noise Generator
But of course, that's only the core. This system is bookended with some interesting devices. To say that it is "modified" would really be an understatement. It has been lovingly built by a lifelong musician.

The great thing about this system is that it was used by a professional musician as part of his home studio and performance rig for decades. It's often the case with these vintage units that they have aged poorly due to being left for decades in a closet or basement or whatever. But this was used consistently over its lifetime, up to the time of its builder's death. It has been played, as pieces like this need to be.

As you can see, the VCO module has been modified to include a further fine-tuned frequency control, right in the middle of the four knobs.

The Sound

There are an enormous number of modular and semi-modular systems available for musicians right now; the possibilities are almost endless. However, this has an edge that many modern synths don't have: the sound. These modules together sound much more like an ARP 2600 or vintage Moog modular than anything currently on the market. In fact, the sound of the filter is somewhere between Moog modular and early ARP filter. This probably isn't a coincidence, since Aries was a DIY synth-kit company founded by a former member of ARP in Massachusetts.

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Roland System 100 Model 101 Vintage Analog Synth SN 642996

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"A beautiful Roland System 100/Model 101 synthesizer that has been serviced, and works 100% perfectly. The person I bought it from recapped it and cleaned it up. All keys play as they should (no double-triggering), tuning is stable, all original knobs, sliders, switches and jacks are present and work perfectly. Cosmetically it is in beautiful condition, with only a small amount of dings (and some wear around the cutoff freq. slider, and a small scratch). From a smoke-free studio. No writings or stickers anywhere.

This synth's tone has been described as "legendary," "majestic," "silky smooth and clear" and "the best Roland mono ever." It has that classic SH-series sound, but it is thicker, warmer, more detailed, powerful... you get the idea."

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New Moog Matriarch Revealed

Published on Apr 24, 2019 Moog Music Inc

"Matriarch: Place / Time / Memory illuminates the interconnectedness between one’s sense of place, our perceptions of sound organized in time, and the impressions they leave behind.

Exploring the Moog Matriarch synthesizer from their personal home studios, multi-instrumentalist Lisa Bella Donna, Ghostly Intl. electronic producer Max Ravitz (Patricia), Anthem / Call of Duty / Assassins Creed composer Sarah Schachner and Paris Strother of Grammy-nominated R&B duo We Are KING, express 4 unique sonic perspectives on the new instrument within the context of their own creative environments."

Update:I'm not seeing the White Noise Generator, Spring Reverb, or Linear FM that are featured on the Grandmother. Interesting if this is indeed the case, and good news for those that invested in a Grandmother. Some quick diffs compared to the Grandmother:

49 velocity sensitive keys with aftertouch vs 32 velocity minus aftertouch
4 oscillators vs 2
2 filters vs 1
Dual VCA
Second simple LFO
Analog Delay
3 bipolar attenuators with ring mod vs 1
2x4 mults vs. 1x4
Mono, duo, & 4 note paraphonic vs Mono
256 step sequencer adds 4 note per step & 12 stored patterns vs 3
90 patch points (for the added modules) vs 41

And again, the Matriarch appears to be missing the White Noise Generator, Spring Reverb, and Linear FM on the Grandmother.

Update2: new hi-res image. It looks like Noise and Linear FM are there.  So we have the Stereo Delay in place of Spring Reverb.

"The Pinnacle of Moog's Semi-Modular Family of Analog Synthesizers.

Moog Matriarch is a patchable 4-note paraphonic analog synthesizer with a built-in Sequencer, Arpeggiator, stereo Ladder Filters, and stereo Analog Delay. Create rich evolving chord patterns immediately with 'no patching required', then tap into an abundance of inspiring textures, new sounds, and an endless supply of happy accidents through Matriarch’s 90 modular patch points. Based on the vintage circuitry of classic Moog synthesizer modules, Matriarch is a catalyst for creative ideas and a medium for multidimensional expression.

Sequence and perform in mono, duo, and 4-note paraphonic modes.

Classic and ping-pong style repeats with lush infinite delay trails.

Create, mangle and explore the endless expanse of sound with 90 modular patch points.

Matriarch is an analog synthesizer with an emphasis on imagination. The pinnacle of Moog’s semi-modular family of synthesizers, Matriarch’s patchable architecture and vintage Moog circuits reward open exploration with endless sonic possibilities and unparalleled analog sound.

Easily create rich harmonic shapes with up to 4 notes of paraphony that can be sequenced, saved, and shifted with Matriarch’s intuitive 256 step sequencer, or stack the analog VCOs to play on a massive 4 oscillator mono synth.
With a deep assortment of synthesis modules based on Bob Moog’s original circuit designs, Matriarch’s 100% analog signal path spans a dynamic sonic vocabulary – from overdriven monophonic bass to gently evolving paraphonic plucks that cycle through waveshapes into a wash of infinite delay trails. Coupling the power of vintage stereo ladder filters, dual Envelope Generators, stereo Analog Delays, and stereo VCAs, Matriarch delivers a multidimensional sound that empowers the sonic exploration of space and time.

Though Matriarch’s semi-modular design requires absolutely no patching, 90 modular patch points are easily accessible throughout the panel via the included 3.5mm patch cables. This powerful electronic instrument is a highly-versatile addition to any stage or studio that can effortlessly transform from a performance keyboard to a fully modular analog synthesizer at a moment’s notice.

In addition to its standalone function, Matriarch is also an ideal processor of external sound sources and a powerful keyboard front-end for expanding a DFAM, Mother-32, Grandmother, or Eurorack modular system.

**Matriarch Semi-Modular Analog Synthesizer begins shipping in Summer of 2019."

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An ARP 2500 for Your Mac

Published on Mar 11, 2019 G2500

via NicomSoft

"G2500 is the virtual version of the classic ARP 2500 first created and released in 1970 by Alan R. Pearlman.

The G2500 is made from in-house developed proprietary and optimized virtual analog modules to reproduce the unique and fat analog sound of the original bringing it to your desktop. All the original control features from the ARP 2500 are there, and because you can now save your carefully programmed patches, the G2500 is even better than the real thing!

Features

Ten different virtual modules also found in the original:
1002 Power Control
1004-T Oscillator
1005 Modulator Amplifier
1006 Filter Amplifier
1016 Dual Noise / Random
1027 Ten-Position Sequencer
1033 Dual Envelope Generator
1036 Sample & Hold / Random Voltage
1047 Multimode Filter / Resonator
1050 Sequential Mixer
A new 1102 I/O Control virtual module not found in the original
A virtual version of the 3001 Keyboard also found in the original
Play notes using 16 keys on the computer keyboard and selecting octave with two additional keys
Audio input from any system sound input device selected in the Preferences
Audio output to any system sound output device selected in the Preferences

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UVI Introduces FM Suite - 5-Instrument Exposé of Vintage FM Synthesis

Published on Jan 24, 2019 UVI

FM Suite is a collection of 5 new and updated instruments that deliver the history of FM synthesis straight into your DAW. From the sounds of singular instruments like the dual 6-operator DX1 and 8-operator FVX-1, to the early GS2, ubiquitous DX7, and everywhere in-between, FM Suite gives you a huge range of expertly programmed and immaculately sampled vintage FM sounds made with the genuine hardware. Explore hundreds of custom-designed presets, quickly edit them with modern controls, add high-quality built-in effects, and create unique layered hybrids. FM Suite delivers the ultimate collection of authentic vintage FM sounds!

Each of the 5 instruments in FM Suite provides a detailed sound design exposé of an individual or group of vintage FM synthesizers, including a full complement of custom designed patches from iconic bass, brass, electric pianos, pads, plucks, bells and keys to experimental ambiences, fx and more.

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