This one was shared by Behringer on Facebook. Note Moog is not out of business, see Moog's statement here, so the image shared by Behringer on the left is a bit misleading. [Update: the image is actually from the video below that Behringer refers to. Behringer did not create the image. Thx to @uniquewerkx for the heads up.] That said here's what they had to say.
"Usually we just ignore such inflammatory videos. However, we have decided to respond this time, as it provides a perfect example of why we have previously emphasized that some influencers prioritize clickbait and disparagement over delivering accurate information.
In reality, in May of this year, Mike Adams, the CEO of Moog, reached out to Uli to propose selling Moog. Both individuals have had a longstanding friendly relationship. Therefore, Mike reached out to us first and shared all the financials as well the company’s challenges.
Mike's decision to sell Moog was influenced by his advanced age and serious mistakes made on the supply chain side. The company had purchased excessive inventory, leading to significant cashflow constraints.
While we believe Moog is a great brand, we declined the purchase due to our low-price business model not aligning with the luxury model Moog is pursuing.
Blaming us for Moog's struggles is as reasonable as blaming Yamaha for the bankruptcy of Sequential, Oberheim, ARP and Moog in the 1980s when the DX7 and other digital synths were introduced to the market.
We wish Moog and its people all the best and believe they have a great future. Both brands serve a very different customer base that can perfectly coincide.
Our focus will always be on creating highly affordable products so everyone can discover the world of music. Our mission is to empower the musicians that don’t have deep pockets.
As always, we encourage you to conduct your own research and form your own opinion🙂. Mark."
"Here's my first step working with eurorack modular. And yes, it's a very safe way to start, considering the Behringer Model D costs less than many one-function modules, and offers everything I need for starting out.
My 3 big take-aways from this "proof of concept" would be:
1. The Behringer Model D sounds pretty decent. I've heard enough examples that I'm not too shocked, but I am still a bit surprised.
2. For people who like modular and playing keyboards and synths, the KB37 is an awesome way to combine both worlds.
3. Yes, modular does appear to be a black hole, and it will definitely put a dent in my wallet and bank account.
And a bonus observation...the Studio Electronics 4075 filter module is SWEEEEEET.
Thanks to DivKid for a great vid showing how he installed the Behringer Model D in a eurorack."
Behringer Model D #02 - Eurorack Case Installation
Published on Feb 2, 2018 DivKidVideo
"In the second video (not the jam videos, I numbered / titled those separately) on the Behringer Model D we look at installing the module into a euro rack case. I did plan on covering this later in the series but as I wanted it in the modular for ease of control/modulation/use in my set up and also to have it next to the Mordax DATA oscilloscope here we go. You remove 8 screws, lift up the panel and then remove two cables/connectors and then add the euro rack ribbon power cable to the module, plug that into your euro rack bus board, screw the module onto the rails and you're off. Simple!"
"'Lounge & Chill Out' is a collection of 64 sequences for Behringer TD-3 and TD-3-MO (Modded Out). It's suitable for many genres: Downtempo, Lounge, Chill Out, IDM, House, and others.
The sequences are organized in the following way. Each pattern inside the group has 2 variations: A and B. A has fewer notes and articulations, it's good to start with it, while B is a much more energetic and expressive variant of A. This organization gives an opportunity to develop your bass line from "soft" to "expressive" (or vice versa) just in one click. And, of course, you may do any changes in sequences while performing or jamming.
The Sequences are done in C Major scale, but of course, you may transpose them to any note. Patterns Groups I and II have regular 16 steps length, in Group III - "odd" length (7, 9, 13... steps), in Group IV - "odd" length, and they are in Triplet mode.
💿 Behringer TD-3/TD-3-MO - Old School (64 Patterns) 💿 Behringer TD-3/TD-3-MO - Dreamy Sequences (64 Patterns) 💿 Behringer TD-3/TD-3-MO - Acid Bass Lines (64 Patterns) 💿 Behringer TD-3/TD-3-MO - Lounge & Chill Out (64 Patterns) Get the patterns: https://bit.ly/3dB9yho
For loading the sequences to your TD-3 use the latest version of SynthTribe app. It’s available on the official Behringer website – TD-3 page – Downloads. SynthTribe version should be 2.5.7 or higher if you use TD-3-MO.
Behringer Neutron Plays Super Mario 64 (Dire, Dire Docks)
Behringer Neutron Plays the THX Deep Note
Behringer Neutron Plays Video Games (Sonic the Hedgehog)
Model D/Neutron Red Swatch Sample
Behringer Neutron Beastly Square Kick
Graydon Audio Logo
"Add a Graydon Audio Black Light Reactive Overlay to your Behringer Neutron and you'll get a clean new look and upgraded interface to make your gear both more attractive and more functional. But when you turn the lights off and turn your black light on, the real fun begins.
Made of Polycarbonate
Other overlays are made of synthetic paper. We manufacture ours to last with aerospace grade, scratch-resistant matte polycarbonate so your synth stays looking good.
A Perfect Fit
All of our overlays are made in the USA and are die-cut to extremely precise tolerances in an ISO 9001 certified facility, ensuring a perfect fit and easy installation.
Streamlined Interface
The screen-printed user interface of our overlays has been professionally designed by user interface experts with ease of use and readability in mind.
Ultra-Bright Glow
Our specially formulated phosphorescent pigment gives faceplate graphics the brightest possible glow under your black light, but also looks impressive in normal lighting."
"After introducing our MODEL 55 range of Eurorack modules back last year, we've been following your comments and recognised your demand for pre-assembled systems.
We Hear You. Introducing the Behringer SYSTEM-15/35/55.
Ensuring the systems are historically accurate, SYSTEM-15/35/55 delivers the complete set of modules found in each bundle that was available in the 1960s.
All systems come pre-assembled in the Behringer EURORACK GO case and come ready to patch, straight out of the box.
All systems include our all-new CM1A Midi-to-CV/GATE converter and with the SYSTEM-55, included is our all-new EURORACK GO BRACKETS which links 2 EURORACK GO's together.
Both CM1A and EURORACK GO BRACKETS products will also be available to purchase separately.
In stock and immediately shipping from our factory."
Introducing the Behringer CM1A High-Resolution 16-Bit MIDI to CV/GATE Converter
video upload by Behringer
"The CM1A is an extremely high-precision 16-bit USB/MIDI to CV/GATE converter designed for use with Eurorack setups such as the Behringer System 55, System 100 and 2500 series, etc.
The CM1A module allows you to interface your modular setup between either a DAW, external midi controller or hardware midi sequencer, either via USB MIDI or traditional 5 pin MIDI. Fitted with a rear mounted control switch, the CM1A allows you to select monophonic or duo-phonic modes.
Connecting the CM1A to the Synthtribe application allows for further settings such as midi channel and midi note range to be adjusted and can also be used for firmware updates.
Unlike other interfaces that mostly use 12-bit or simple pulse with modulation, the CM1A is fitted with a high-resolution 16-bit DAC from Texas Instruments - making it one of the most accurate and linear converters available.
List Price: $99 USD (in stock and immediately shipping from our factory)."
We've seen the new Behringer synth videos. It looks like Behringer is going to form a new synth division, which means new synths from Behringer should eventually come. The following was spotted by Soviet Space Child. It is from Uli Behringer.
"The response for this synth has been so overwhelming that we have decided to establish a comprehensive Synthesizer Division. We are currently hiring 30 engineers and product managers in the UK and Canada; feel free to apply.
Please share with us what synths, drum machines, samplers etc. or features you like to have. Be assured we will carefully listen.
Uli"
As for what department made the current new Behringer synth, Soviet Space Child stated: "For the first synth they tapped the engineers from their recently acquired Midas division in the UK. It's essentially a Midas synth but with Behringer branding."
"In our constant pursuit for perfection and authenticity, we proudly introduce the new RD-8 MKII, the most authentic analog recreation ever produced.
This drum machine has been re-designed from the ground up with carefully selected components and circuitry, which have dramatically improved the sound of the voices as well as noise and phase response across both the main and individual outputs.
Most importantly, our engineers - together with our Coolaudio semiconductor sister company - successfully recreated the 40-year-old BA662 chip, which is instrumental for the authentic voices of this instrument.
We’re proud to deliver the most authentic and accurate analog drum machine recreation ever produced.
We Hear You.
List Price: $329 (in stock and immediately shipping from our factory)"
Behringer RD-8 MkII Review by Honeysmack
video upload by Honeysmack
"He is my first review of the new RD-8 MkII.
This video is not a tutorial or a detailed feature run through. As a live Acid Techno improvisor and performer for almost 30 years, I wanted to go through some features I loved and how the RD-8 MKII builds on the spirit of the TR-808 with some nice new sound enhancements and sequencer/performance features. Behringer have said they redesigned some of the key components in an effort to get an authentic 808 sound. The firmware has also been revised.
00:00 RD-8 MKII vs TR-808 sound comparison 00:35 Intro 02:00 Me with hair as a techno raver 02:37 Why Behringer are doing good things! 03:01 How does it compare to the original? 04:24 Sound enhancements overview 04:34 Bass drum 05:04 Open hihat 05:34 Hand clap 05:56 Wave designer 06:48 Dual-mode filter 08:00 Turn your bass drum into a synth 08:57 Sequencer/performance functions overview 09:49 Poly mode 11:14 Step repeat 11:33 Note repeat 12:00 Randomization 12:39 Probability 13:23 Flam 13:51 Conclusion 14:37 RD-8 MK II outro jam
All audio was recorded without any pre/post processing whatsoever, all audio is coming directly out of an old Mackie 24•8 mixer with no EQ. What you are hearing is as raw as possible, with no embellishments.
We all know the 808 sound and it’s hard to not to know it these days as this legendary drum machine has informed a variety of electronic dance music genres from Hip Hop to pop music. Owning an original TR-808 is a rarity these days, I purchased mine over 20 years ago at time before prices went crazy. These days owning vintage drum machines and synths are the fare of privileged people, like old men with ponytails collecting vintage guitars. The RD-8MkII is great riff on the original. The new additions such as filter, wave designer, tuning on the kick, clap offset and the added sequencer features make a great drum machine. I applaud Behringer for producing an affordable, like-for-like clone. This gives more people access and it can only promote more music making! Hope this video provides some insight into this new machine.
Disclaimer: I was a beta-tester on the RD-8 MkII although I do not work for Behringer and they have nothing to do with the making of this video."
"Professional iPAD Docking Station with Audio, Video and Midi Connectivity
Universal Docking Station for APPLE iPAD and iPAD2
Connect your microphones, instruments and audio sources to virtually any audio/MIDI app with the iSTUDIO
Core Audio/MIDI compatible for use with any iOS App
Versatile I/O functionality with adjustable headphone output and direct monitoring control
Separate Video output for connecting your iPAD to TVs and projectors
Standard MIDI I/O plus USB-to-host connectors for ultimate MIDI connectivity
iPAD powering and battery charging via the iSTUDIO dock
Ergonomic design layout – all control elements on top panel with headphone connector on front
Slide-in access for mating with iPAD dock connector (suitable for iPAD 1 & 2)
Locating holes for BEHRINGER P16-MB mounting bracket to attach iSTUDIO to a standard mic, music or drum stand (P16-MB not included)
Universal switch-mode power supply with country-specific wall socket adapter included
High-quality components and exceptionally rugged construction ensure long life
Conceived and designed by BEHRINGER Germany
New from BEHRINGER, the iSTUDIO iPad Docking Station is the perfect music production tool for both home studio and live recording. So much more than just a convenient way to recharge your iPad, iSTUDIO lets you create, produce and perform music using your favorite audio gear and musical instruments. iSTUDIO also includes two phantom-powered Mic/Line inputs (one switchable for Hi-Z inputs such as electric guitar or bass, no DI required), so you can use studio-grade condenser mics for stunningly professional results.
Flexible Functionality
iSTUDIO makes it easy to unleash your creative spirit, giving you access to iPad's powerful internal processor, touch-screen interface and vast array of available apps. With the iSTUDIO and your iPad, you can record, perform, or craft and create music in virtually any situation or location. A convenient onboard MIDI USB interface allows the transfer of MIDI data to and from your iPad for even more creative possibilities. iSTUDIO bridges the gap between your instruments and professional audio devices, creating a dynamically creative environment that will continue to grow as even more apps become available.
Vitally Versatile
The iSTUDIO features two combination XLR - 1/4" inputs, each with its own Gain control and switchable phantom power for use with condenser microphones. These inputs will accept analog signals from virtually any piece of audio gear including amps, mixers and external preamps. A guitar or electric bass can be connected directly to the iSTUDIO thanks to the built-in Hi-Z switch, enabling performers to play, perform and record straight into amplifier- and FX-modeling apps. We've also included a stereo Aux Input, allowing you to connect a wide range of line-level sources, even a turntable perfect for DJs or for archiving your precious vinyl collection.
Recording has Never Been Easier
In the old days when you wanted to record the band, you needed lots of gear and cables, or you had to spend gobs of money renting studio time. iSTUDIO takes all of the hassle out of recording, letting you concentrate on your performance and creativity. Just connect your mixer's outputs to iSTUDIO, open your favorite recording app and hit the button, nothing is easier. You can also use iSTUDIO's MIDI capability to control your external keyboards, samplers, drum machines and sound modules.
We've Got Connections
iStudio provides balanced stereo 1/4" TRS outputs for connecting to your studio monitors, PA systems and much more. Musicians can monitor tracks via dual independently controllable phones outputs, equipped with our adjustable direct monitoring controls for the ideal balance between incoming and playback signals. Two footswitch connectors are available for application-defined remote control of input selection and an expression pedal. If video is part of your production, iSTUDIO's RCA composite connector works with all standard video projectors, as well as most television and computer monitors.
Road-Ready and Rugged
When it comes to rugged reliability, BEHRINGER is an industry leader. Because your reputation, as well as ours depends on it, quality control is the first thing we build into each and every new product. As a result, the iSTUDIO is designed to withstand the rigors of the road and provide dependable performance for many years to come, and we back it with a comprehensive warranty program.
A+ Value
Value is defined as the point where price, features and dependability meet. Providing exceptional value to our customers is goal #1 at BEHRINGER. Compare us to the competition and we think you'll choose BEHRINGER."
"32-Key USB MIDI Controller Keyboard with 64 Step Polyphonic Sequencing, Chord and Arpeggiator Modes
The Behringer SWING gives you full control over any synthesizer or virtual instrument in your DAW via USB or MIDI. Featuring a 64-step sequencer with an 8-note polyphonic sequence combined with 32 compact-sized keys and pitch and modulation touch-strips provide unlimited ways to express yourself in a compact and portable package.
The SWING’s 32-compact-sized keys create a perfect balance between size and playability. The keys give you the ability to create more nuanced and colorful passages with velocity and after-touch functionality. Use the Pitch and Modulation touch-strips to add even more character to your music. Chord Play Mode allows you to play a chord with up to 16 notes with one single key for some really enchanting Trance music. The SWING also features a 64-step polyphonic sequencer so you can create any progression imaginable and even play over it. Switch to Arpeggiator mode and create an amazing string of notes that can sync to the clock of any device the SWING is connected to.
The Mode knob on the SWING can select up to 8 saved programs in Sequencer mode, while in Arpeggiator mode, you can select different playing orders such as up, down, inclusive, exclusive, random, note order, double up and double down modes. Select from 8 different time signatures with the Scale knob and adjust the tempo with the Tempo knob or the Tap button. Press the Record button to start recording a sequence. This also doubles as an Append button when holding down Shift. Use this along with the Stop/Clear Last button and you can edit your sequences and arpeggios on the fly.
Update: And a response from Arturia followed by Axel Hartman who designed the physical look of the Keystep:
Arturia:
"Hello everyone,
We have been informed on Sunday November the 22nd of the upcoming release of a new product called Swing, by Behringer.
This product is in no way the result of a partnership between Arturia and Behringer.
We have worked hard to create the _Step range. We have invested time and money to imagine, specify, develop, test and market the KeyStep. Along our distributors we have been evangelizing this product, placing it in stores, explaining it, servicing it.
Of course we accept competition, and would absolutely understand that Berhinger give their own interpretation of a small and smart controller that would also be a sequencer. Others do, we have no problem with that and see good for the customer, as well as for the industry, in fair competition.
But this is not fair competition here.
Coco Chanel once said: “If you want to be original, be ready to be copied”. So we could in a way consider the Swing as a compliment.
We could.
In any case, thank you, everyone who came out and supported us these past 36 hours! It's been very helpful, very much appreciated.
"I do feel the need to comment on the many postings I can find here @ Facebook in several places regarding my thoughts, feelings, but also the truth about the blunt Behringer copy of the Arturia key step.
Arturia and myself, aka my company design box are designing instruments, synthesizers, controllers, interfaces since many years. As industrial designer, I contribute mostly my services on the asthetical side of a product. This is true for almost all hardware products that you know from Arturia. In all cases, Arturia is buying my services - I never licensed any of the designs. Arturia always pays, and naturally owns the output of my work, that - by the way - is alway the result of an in-depth cooperation with their internal team of specialists.
Arturia and myself are working together since many years, and we share the deep desire of designing innovative products. I could never share any of the designs, that came out of that cooperation with any body else, legally not, and not from my personal high attitude in that regards. So anything, pointing in that direction is simply fake information. Neither the company Behringer, nor Uli himself have ever approached me with a request like that. And I would also never ever do something like that - I can not license anything that is not in my possession.
Personally, I feel sad, and am also upset about that sheer copy of a design, that I once created for, and together with Arturia, the team around Frederic Brun. These people have spent lots of efforts and great energy in building a brand and all that belongs to a brands assets. It is simply not right, somebody else is taking advantage of that hard work (which is not only true for Arturia, but for all great brands, that must see their most successful products being copied)
I do not understand (Uli) Behringer - with his huge company and the power of many great R&D teams - some of the best and most respected and innovative companies we know in our business, that Uli was able to simply buy in the past with his money. A product like that copy simply can not represent the core values of the people, he could convince to be part of his company. It is simply sad, and I can not understand that move (like many, it seems)."
And then there's the following mock-up from Atomic Shadow that pretty much sums it up:
Update via Wikipedia: "Music Tribe, formerly Music Group, is a holding company based in the City of Makati, Metro Manila, Philippines.[2] It is chaired by Uli Behringer, founder of Behringer. Music Group rebranded to Music Tribe in December 2017.[3]...
In 2015, Music Group's portfolio included Midas, Klark Teknik, Behringer, Bugera, Eurocom, Turbosound, TC Electronic, TC-Helicon, Lake, Lab.gruppen, Tannoy, TC Applied Technologies and CoolAudio[6]"
"Since various magazines and Arturia have publicly called us out over the launch of our Swing MIDI Controller, we would like to respond and share some facts around the principles of competition and clear up some misconceptions.
Competition is a highly effective tool to drive innovation by empowering Customers to make their best choices and force manufacturers to constantly reinvent themselves. Innovation means progress and this happens on many levels, whether it relates to customer experience, functionality or cost efficiencies etc. There are 4 established marketing strategies: market leader, market challenger, market follower and market nichers. Here is a great article: https://aytm.com/blog/brand-positioning-for-a-competitive-edge-part-3/
The competition law was designed to avoid companies creating a market monopoly and stifle innovation, which would be detrimental to the rights of the Customers to expect better offerings. The law was specifically designed to encourage everyone to fiercely compete, even when it means over the same functionality and design, provided intellectual property such as utility (functional) and design patents as well as trademarks etc. are respected.
How many Fender Stratocaster or Gibson Les Paul clones are out there in the guitar world and how many SM58 clones are available? How many cars or mobile phones look alike? It is not surprising that Gibson recently lost a substantial legal case trying to prevent others from making V-shape guitars or Fender, who lost all trademark cases related to their Stratocaster design. The reason is simple: the law encourages competition and provides maximum freedom for companies to engage head-on, all for the benefit of the Customer.
We are spending large amounts of resources on innovation, which is reflected in products such as X32, XR18, Flow, DDM4000, etc. This made us the global market leader for analog and digital mixers and over the years we have built an extensive patent portfolio: https://community.musictribe.com/pages/intellectual-property However, we also clearly choose to follow successful brands and products, while adding more features and/or competing on price. Much of our innovation is invisible to the Customer as it relates to our highly advanced and automated design and manufacturing processes and for that we are spending hundreds of millions of US$. For this reason, we have become strategic partners with Microsoft, Siemens, Adobe and many other Tier 1 companies as we are pushing for extreme digitization and automation.
The follower marketing strategy is a very common business model in any industry, which is enabled by law to encourage competition. With our new Swing MIDI Controller, we followed an established concept, but of course wrote our own firmware with added functionality. However, these unique features will only come to life when we launch our free DAW.
The free Music Tribe DAW will form the heart of an incredible eco-system, where all our controllers, synthesizers and drum machines etc. will integrate seamlessly, thus dramatically improve connectivity and workflow. This will make it incredibly easy for our Customers to create, edit and share their music. Only our upcoming controllers will feature total integration with our synthesizers, drum machines, digital mixers and other Music Tribe equipment, while also offering standard functionality with all 3rd party products.
For anyone familiar with the industry landscape, Arturia has been cloned for years (Worlde MiniMidi, etc.), while the company has also been “borrowing” from others with their VST replicas of legendary hardware synths, open-source code from Mutable Instruments, the “Expressive Touche” controller or the registration of known “DX7” and “Synthi” marks. Equally, our own analog Xenyx mixers and many other products have been widely cloned. ¬We will absolutely continue to deliver innovative products but also follow our competitors as we expect our products to be cloned - fair play.
We are very cautious when it comes to our follower approach and employ expert intellectual property firms to ensure our products stay within the boundaries of the law; we are committed to never intentionally infringe on other companies’ intellectual property.
Many years ago, we were entangled in bitter lawsuits with Mackie and Pioneer, which we all won. But we also recently lost a case against Yamaha in China related to a simple fader knob design that involved a design patent we were unfortunately not aware of. We changed the design, we will pay the fees and move on. Notably, Yamaha themselves were sued by Dr. Dre over their headphone designs (https://www.cnet.com/news/dr-dre-sues-yamaha-over-headphones/) or entangled in other legal matters (https://www.gov.uk/government/news/musical-instrument-firms-to-pay-millions-after-breaking-competition-law), which clearly shows how competitive business is. The heated Apple versus Samsung disputes are a prime example.
It is our Purpose and Mission to empower Customers who don’t have deep pockets and provide them with the best possible equipment at fair prices. We do understand that we are a fierce competitor and at times controversial as we’re relentlessly push the envelope.
We would like to thank all our Customers who have supported us over the past 30 years. We are absolutely committed to continue to deliver the best possible products at the lowest possible cost."
“We have 4 synthesizer development teams simultaneously working on 20 synths, drum machines etc..
We’ll be creating both innovative new synths as well as reviving classics.
We’re all in and the teams are on fire.'"
On reproducing vintage chips for the classics:
"We just received the first batch of our 3340 VCO chip.
It is a 100% exact replica of the Curtis CEM3340 which even includes the 40 year old, 8 micron manufacturing process. It was a difficult and expensive undertaking but we are very pleased with the result as this VCO is considered one of the best sounding oscillators.
We are continuing to invest in reviving other legacy Curtis and SSM semiconductors which will allow us to bring back classic synths - all in the most authentic way. We have also reissued the 3320 filter chip which should be arriving in a few months.
Uli"
It's worth noting the Curtis CEM 3340 has already been re-introduced by OnChip Systems, formerly Curtis Electromusic, and is currently available for makers. Behringer's 3340 appears to bypass Curtis Electromusic and is being manufactured by Behringer (via Coolaudio) directly. SSM chips and the CEM 3320, however, are not yet available. Although the chips will obviously be re-issued for use in Behringer synths, it does appear that some if not all may become available to the Synth DIY community as well. More info on that further below, but first a response on the re-creation of Curtis chips from the Curtis family:
"Many of you who are active on synth forums have recently contacted us regarding another company's claim of producing VCO chips that are the equivalent to the CEM3340 that was used in many legendary synthesizers.
To avoid any confusion, please know that there is only one manufacturer of the authentic CEM3340 designed by my late husband, Doug Curtis. Any claims, use of this product designation, and use of the name Curtis Electromusic by other companies are made without permission from OnChip Systems (our current company name) or the Curtis Family.
As much as Doug would be humbled and so very happy about the legacy his products enjoy, we can assure you that as a person of the highest integrity he would be deeply saddened by the attempt of others to trade on his name and to make unsubstantiated claims of equivalency to his original inventions.
In his loving memory and gratitude for the community of musicians and synthesizer enthusiasts, Doug's family is committed to making his authentic designs available as demand presents itself. Thank you for your continued support of Doug's analog synthesizer legacy.
Mary Curtis and our daughters, Ashley and Julia"
It's worth noting that many Dave Smith Instruments synths use Curtis chips and do so with permission from the Curtis family. Dave Smith was friends with Doug Curtis and has been buying parts from OnChip for over 15 years. OnChip was Doug Curtis' company and is now his wife Mary Curtis's company. These chips were used in the Evolver line, the Prophet '08, MoPho line, and the Prophet 12. The Pro 2, Prophet-6, and OB-6 use discrete designs.
"Something clearer. Patent rights are generally 20 years, whereby the technology is freely available for everyone. This allows the inventor, on the one hand, to harvest the fruits of his invention, but also to ensure that no monopoly arises and, after the expiry of the protection, everyone has free access to the technology - without a bad conscience.
In the case of the Curtis or SSM chips, the patent rights of these 40-year-old components have run out for a long time and everyone can reproduce them today. Why this no longer companies do is simply because the mask costs are very high (6-digit USD range per chip) and on the other hand the minimum edition is about 300,000 - 500,000 pieces.
Curtis has registered the name rights for Curtis and CEM, but on the number 3340 etc. there is no protection. Therefore, there are other vendors who have revived these old chips:
Why are these 40 year old chips being rebuilt? Anyone who once belonged to an old Oberheim OB-Xa or a Prophet 5 will agree with me that the sounds of these Curtis and SSM chips are absolutely unsurpassed in their sound qualities. This specific sound is not easy to replicate with discrete technology and since we have an immense passion for analog synthesizers and believe that customers will appreciate these components, we are taking the financial risk of reviving these chips. Coolaudio has just produced the 3340 VCO successfully and the 3320 filter chip is now also under development - further building blocks will follow.
For more than ten years, the company http://www.coolaudio.com, which is affiliated with us, has specialized in restoring expired components. On the one hand the company produces the coveted BBD chips from the Panasonic times, but also VCA's, OTA's, Optocoupler, etc.
Our intention is to focus on the old Curtis and SSM chips, as we want to use them in our future synthesizers. At the same time, Coolaudio will also offer them for sale, which allows other competitors to build analog instruments as well as help people repair old synths. Many of the Coolaudio chips are already used today by our competitors and we are happy if we can make a contribution to the fact that these analogue components are made of music.
I personally consider VA for eyewash because this is ultimately digital technology. No digital synthesizer will ever be able to reproduce the 'unpredictability' and 'inaccuracy' of an analog synthesizer - no matter how much marketing is operated. Anyone who listens to analogue and digital synthesizers in comparison can easily find out. That is exactly why we will be specializing in analogue synths.
Perhaps our desire for analogue technology is simply that we humans are knitted by themselves analogously and the emotions associated with it determine our existence.
Many other leading manufacturers are using Coolaudio chips and by using these parts obviously have no concerns with cloning in general and with using our chips in their products.
If our competitors are not concerned then why should customers be?
Uli'"
The difference of course is currently available vs. not currently available. The CEM3340 is currently available from Curtis Electromusic, and the Minimoog Model D is currently available from Moog Music. You be the judge for yourself.
"Behringer Model D demo song. Nothing big just a short demo of the Behringer Model D and how it sounds in a mix using nothing but it and a drum machine."
Behringer Model D Sounds
Published on Feb 8, 2018 Pure Ambient Drone
"Behringer Model D Sounds. Just messing around with the Behringer Model D and checking out the sounds."
Do they sound the same??! - MiniMoog Model D - VS - Roland SE-02 video below.
"After finally receiving the Behringer D or Model D that was preordered way way back in June 2017 it finally arrived yesterday! To kick things off I wanted to do a Synth Shootout vs the real deal, a Moog MiniMoog Model D Reissue! I have pulled out the MiniMoog's user manual and configured a few patches on both synthesizers and played some tunes. Please forgive me, I'm not the greatest live synth player, but I thought this might be cool to line these synths up so to speak let folks hear what it sounds live vs the real thing.
For those who don't know what all of the fuss is about, the MiniMoog Model D is one of the most famous synthesizers of all time, it's quite expensive. Recently Moog Music reissued this iconic synth after many years of being out of production for a cost of around $3,500.00 USD. All good right? That had my attention and I was able to pick one up, but then about a year or so ago Uli Behringer made several posts referring to a possible Behringer version of the MiniMoog. Then came some pix of what one might look like and it about broke the internet when the Behringer D might cost around $300.00 USD! That's around 1/10th the cost of the new reissue from Moog. So yeah there was some interest in this thing.
Personally I think for the price the Behringer D does a pretty good job, but please realize that with synthesizers like this you can spend hours dialing in these patches, which I did :) but given more time it may be possible to get these to sound even closer than they do in this video."
Do they sound the same??! - MiniMoog Model D - VS - Roland SE-02
Published on Sep 20, 2017 Marshal Arnold
"Tonight I do a quick comparison with the 1st bank of oscillators on the Moog MiniMoog Model D and the new Roland SE-02. Both synths are 3 Oscillator mono synths. For this shootout I will be going though Triangle, Shark tooth, Saw, Square, Pulse 1 and Pulse 2 on both synths. There is an A|B comparison of the waveforms and then a quick check of the filters while using the Shark tooth.
Let me know what you think.. do they sound the same? which do you prefer?
"At Superbooth 2018, Behringer was displaying a wide range of engineering prototypes of clones of classic electronic music gear.
We talked with Rob Belcham, Senior Principal Systems Engineer at Music Group, and got a quick overview of what Behringer had on display.
Many of the synths displayed are being developed by a team in China and are prototypes, so the UK-based engineers that we talked to were seeing them for the first time at Superbooth.
Belcham, however, is supervising the development of the RD-808, a clone of the classic Roland TR-808 drum machine, so he was able to give us a lot more insight into its design and development."
Superbooth 2018 - Behringer Pro-One Synthesizer
Published on May 7, 2018 Synthtopia
"At Superbooth 2018, Behringer was displaying a wide range of engineering prototypes of clones of classic electronic music gear.
We talked with Erik Steckmann - Music Tribe Engineer, Product Management - and he gave us an overview of the Behringer Pro-One, and some insight into its development.
Note: Steckmann said that the Pro-One, along with most of the other new gear on display, was an engineering prototype and that the device's sound, functionality, etc. could change.
An official introduction - with specs, release date, etc - is expected to come later this year."
I don't like to critique but I thought the following was a little funny (also see my note on Behringer below):
"We are very aware of the very strong passion that synth fans have for the JUPITER-8, and some continue to wait for us to introduce a true analog version. This is something we do not plan to do. Our founder Mr. Kakehashi always said, 'Never chase a ghost', and I really understand his meaning. 'Chasing the ghost' of the original JUPITER-8 or TR-808 does not make sense as we will never catch them, and this effort would not align with our vision for the future. Roland has developed many legendary products throughout our history that came from our drive to always design the future by applying the latest technology and our unique know-how from each era. This is our DNA which will never change."
Preceded by:
"Different from the base Virtual Analog of ZEN-Core, the ABM-powered 'Model Bank' synths in the JUPITER-X and Xm reproduce the total character of specific vintage synths including the JUPITER-8, JUNO-106, JX-8P, and SH-101, all with incredible precision. For these synths, we did deep behavioral analysis of elements such as the filter’s curve, range, and response speed, which are different for each model, of course. We even recreate characteristics including oscillator drift driven by temperature changes- we actually put a physical temperature sensor inside the JUPITER-X and Xm to help with this!"
The above is quoted from The Roland Jupiter-X & XM Story posted on Roland's site. There's more to the post, of course, so do check it out, but what I thought was a little funny was the 'Never chase a ghost' quote. They are clearly doing just that, only in the digital realm, not analog. But... they have ventured in analog with the JD-Xa and JD-Xi. Do I think Roland should clone the Jupiter-8 and their vintage analog? No. For one reason: Behringer. Behringer would just put them under with cheaper models, so if I were Roland, I wouldn't bother. I'm guessing the digital clones are more cost effective as well. I'd stay focused on new products just like they are doing now. Seriously, Behringer has made it so no company will ever bother cloning their previous products. I heard that Behringer's goal is to not only offer clones of vintage synths, but to become the largest synth manufacturer for both vintage and new designs. Simply put, the only way to compete will be to create gear that users want and Behringer does not offer for less.
A Legend Comes Back to Life - Introducing MS-5 video upload by Behringer
"Video & Music created by Patrick with the Behringer MS-5."
"Rock the stage with tremendous bass tones and mesmerize the crowd (and your band) with the Behringer MS-5. Couple that with a purely analog signal path and you’ll be pushing out fiery riffs perfect for that next sci-fi masterpiece.
List Price: $599 (in stock and immediately shipping from our factory)"
"For decades now there's been a notable community of online synthesists asking for this legendary and rare synth to be brought back in it's full analog glory, and it's about time someone answered their call."
00:00 Intro
00:33 MS-5 Intro Song
01:20 Prologue
01:52 Return of a Legend
03:35 Oscillator Demos
04:48 Osc Sync Sounds
05:21 Ring Modulation
05:41 Techy Demo
07:27 Jam Licks
08:59 Arp Mash
11:02 Beta Tester Thoughts
"Analog Synthesizer with 37 Full-Size Keys, 2 VCOs, Multi-Mode VCF, VCA, 2 LFOs, 2 Envelopes and Ring Modulator
Rock the stage with tremendous bass tones and mesmerize the crowd (and your band) with the Behringer MS-5, a pure analog synthesizer based on the original “SH-5” – making it a versatile and nuanced synth which can easily make its home in any setup.
The Behringer MS-5 is a faithful reproduction of the original “SH-5” circuit and it comes with 37 semi-weighted keys with velocity functionality allowing you to vary the intensity of a note with how hard or soft a key is pressed. Couple that with a purely analog signal path and you’ll be pushing out fiery riffs perfect for that next sci-fi masterpiece.
The MS-5 comes equipped with two VCOs and LFOs that come with 4 switchable waveforms each plus an array of tone shaping options such as modulations pulse width, pitch, rate and delay time."
This soundset will also work with KORG MS-20mini & Original MS-20.
With slight differences caused by filter models, but overall patches & sound ideas are the same!
By many asks we are continuing series of sounds for Behringer synthesizers.
This soundset splitted on categories:
· BASS (15)
· DRONE (5)
· DRUM&PERC(8)
· SEQ(7)
· FX (2)
· LEADS (16)
· PLUCKS (11)
Suited for all modern genres of electronic music: retrowave,drum’n’bass, techno, ambient, trap, trance, house, classic electronica, downtempo.
Also magical Duophonic & GrooveBox patches inside!
"Checking out the Behringer Odyssey analog synthesizer prototype at Superbooth 2018. This is a clone of the Arp Odyssey synthesizer with three filter modes and a modern step sequencer."
Superbooth 2018 Behringer Odyssey Prototype
Published on May 4, 2018 sonicstate
"Yeah we know right, I mean its not like we're not covering other stuff, but Behringer keep dropping more products here. The full size Odyssey, is as with their other clones, pretty much the same as in this case the Karp Odyssey - three filter revisions, filter drive - but they added a Klark Teknik FX processor, and a 16 step note sequencer - which does bear a cheeky resemblance to the Korg Minilogue sequencer."
"Behringer presented today on Superbooth 2018 the Odyssey Synthesizer, a replica & further development of the original ARP Odyssey. It features now a arp/step sequencer and several digital effects. Here a first look and sound demo of it."
