Monotrail Tech Talk Eurorack Sound Design Sessions - Noise & Transients

Can NOISE make you sound better!? – Eurorack Sound design sessions

video upload by Monotrail Tech Talk

"Noise is a common ingredient in synthesis. But many stand alone synths have limited ways to use it. In this video I explore some ways to patch and use noise in modular patches. Not just the classic white noise. But also sampled and self made noise!

My Patreon: https://www.patreon.com/monotrail

Timetable:
00:00 – All about noise
02:37 – Noise in a voice
08:37 – Sound design & texture
12:48 – Noise as a modulation source"

My sounds changed when I discovered transients! – Eurorack sound design ep2

video upload by Monotrail Tech Talk

"A transient - or the short start of a sound - has a lot of impact on how a sound is perceived. Yet a lot of synths and patches don’t explore transients very well. With a modular system, there are many ways to create and sculpt transients in detail, so in this video we take a closer look at some options!

My Patreon: https://www.patreon.com/monotrail

Timetable:
00:00 – Transients
01:13 – Basic filter transient patches
04:53 – More filter transient patches
08:28 – Sound shaper transient patches
12:59 – Separate transient patches"

TAL Software Introduces TAL-Pha Roland MKS 50 / Alpha Juno II Emulator & Software Editor

video upload by TAL Software

"All synthesizer sounds were created with TAL-Pha"

TAL Pha vs MKS 50 / Alpha Juno II

video upload by

"This video compares our hardware MKS 50 with the TAL-Pha audio plug-in, which emulates the sound of the hardware device.

The videos try to capture the essence of some sounds. You will not hear beautiful melodies, just some raw hardware factory presets. I'm also a bad piano player. Probably someone else can make a better video.

The tests are carried out with the factory presets of the hardware. Both synthesizers play at the same time. We alternate the output every few seconds. The sequencer shows the volume curves; the first channel is the software and the second is the hardware.

The first row of the spectrum analyzer shows the software synthesizer. The second row is the hardware. The oscilloscope on the top shows the master channel with the waveform of the final output.

The MKS 50 is an analog device. Things will never match exactly. LFOs and DCO phases are free-running and never match. Volume, resonance intensity, and hardware envelopes are slightly different for each voice.

The intro is done with the software emulation and it's internal FX.

Notes:
We improved some things like the envelope, the chorus, and also the bass boost after we made this video."



via TAL Software

TAL-Pha is an instrument plug-in that emulates the sound of the analog 80's synthesizer Alpha Juno II (MKS-50 is the rack version).

The plug-in produces the classic analog sound, combined with modern flexibility and many additional functions. The plug-in can read and convert sysex information from the hardware and can also be used as a controller.

Authentic emulation of the 80's hardware synthesizer.

Resonance boost for filter self-oscillation.

The possibility to detune, modulate, and sync the pulse part of the DCO.

Simple but powerful FX section with delay, reverb, and a bell-eq.

Arpeggiator with different modes.

Stereo UNISON mode with up to seven voices.

Aftertouch and MPE support.

Microtuning support (tun file import and MTS Client).

Original factory banks included.

More than 380 fresh presets by Electric Himalaya, The Unfinished, Saif Sameer, emptyvessel and TAL.

Individual tuning for every voice converts the synths DCO into a VCO.

Reads Sysex files and Sysex MIDI from the hardware device.

Can also control a hardware device. If enabled, it sends Sysex through the plug-in MIDI output (only possible when supported by the DAW).

DSI Prophet 08 (the better one) night time melodies

video upload by MIDERA

"I had no interest in recording anything tonight, but I feel like any time I sit down with the DSI Prophet 08, I enjoy it, so I recorded this. Sorry about the crackling. I don't know what it is about the P08, but it seems to distort more easily than other synths. Maybe I just have the levels all wrong.

I had been comparing the P08 to the P10, side by side, and I still have to say to myself 'WTF - I like the P08 more.' In almost every sound I create, the P08 feels more melodic. I don't get it. There's something almost 'boring' in the P10. Or maybe it can just go too wild at the 'same settings'? I don't know what it is, I am sure the P08 is more tame so in a way it more easily makes things sound pleasant. I can usually get them super close (which speaks highly to the P08 I think).

Also - I call it the 'better one' because I absolutely hated the REV2, after owning it once and borrowing it from a friend to compare to the P08. I concluded that the P08 was better then. And it's still one of the best synths I have. I like it more than the P10, PE, P12 (easily), Jupiter 6... Not sure about the Chroma Polaris, which itself is wild, but in a more "Bladerunner" sort of way.

On a personal note - I'm one week into being bald. It's weird. Most people don't say a word and I wonder 'Does that mean they think it looks terrible or does nobody care?' One person did stop me to say they thought I looked good, but I felt like maybe they said that just to be kind, knowing I must feel pretty bad otherwise. Truthfully, it's hard to get used to. I think 'great, I'm just another bald dude...' and think a bit less of myself, but part of me loves the idea of not having to think about my hair after I have a hat on or bike somewhere.

And finally, today I got my final gift from my mom. It was new indoor slippers. She bought me a pair about 10 years ago and I wore them beyond the point that they had holes in the soles. I asked her for a new pair for christmas, but she didn't make it to then, and so I bought myself a pair. I'm wearing them now. It will be sad to throw the old pair out, but I should lay them to rest. They've served me well.

Prophet 08 with Eventide Blackhole VST"

Creating a midi controller for the microKorg

video upload by Dean Coyle

"I really do love the microkorg, I think the features it brings at the price point were amazing when it first was released. It gives you enough of a taste of important tools synthesizers use to create sounds. I think it could be a great beginner synth, but then again it is still used by LCD soundsystem to the Killers.

I set myself the challenge of creating a midi controller to help unlock features of the synth and make it more user friendly. My goal was to move away from the matrix tool and have a control for every possible control.

Ok on reflection this is turning a microkorg into a ms2000.

Though I do find the synth a lot more enjoyable to play and feel more in control of shaping the sound.

Normally I would cover more of the coding and electronics, but I don't think I can do Notes and Volts justice: https://www.youtube.com/c/NotesAndVolts

Overall it was a fun project, there are a couple more synths that need this treatment.... watch this space."

"I'll Have The Kebab, Please!" - Arabic Themed Adventure

video upload by

"This piece came about from the Hardware Jams Facebook Group's pretty epic challenge this week, which was:

'Good night out, just got back from that your favourite music gig. You're in the kebaby drooling over that spit of Donner meat (chicken or falafel options available), contemplating if you're pissed/stupid/both enough to steal that spit of meat/falafel and run it home and a song comes on the radio that stops you. Make that song!'

I used the Ableton Push 3, some samples sourced from Loopcloud, the Erica Synths Perkons drum machine and the Roland TR8s drum machine to create this.

Whatever kind of music you are making - KEEP IT UP, Friends!
Don't stop making *YOUR MUSIC*!!



▼CONNECT with me / SUPPORT creativity and good content▼
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters"

Verby Kicks and Plinky Clicks With Susie | LIL TECHNOBOX | WMD Crater, Addac T-Networks

video upload by Bilijie

"How you like your kicks? How you like your blips?
Big and boomy? Tight and snappy?
Clicky and poppy? Stiff and twangy?

This is the third in a short series of videos is all about making techno-ish dance music with a specifically-tailored eurorack case. This time we're comparing a short, brighter percussive kick to a darker, boomier kick using the same module WMD Crater. We're also adding some short plate reverb to the kick and toms so they start to ring out a bit. I find that makes the T-networks clicks and pops sound like Chinese New Year firecrackers.

Shout out to Susie

I'll be releasing completed mixes of these one-shot improvisations later this month.
To hear more of my work with modular techno, check out
https://soundcloud.com/bilijie
Or buy stuff at https://bilijie.bandcamp.com
Also Spotify if you must

Sequencing:
Acid Rain Constellation, Clank Chaos

Voices:
WMD Crater, Addac 104 VC T-Networks, SSL Thundrum, Erica Synths Pico Drums, Prok Drums flashed as Music Thing Radio Music, Befaco Pony

Filter:
WMD C4rbn

VCA:
Bastl Aikido

Function generator:
Cosmotronic Delta V

FX:
Happy Nerding FX Aid

Mixing and EQ:
Worng Soundstage II, Nano CEQ, Make Noise XOH"

Nord Rack 2 virtual analog synth jam, only using digital synth for all melodic sounds, with Ableton

video upload by Expanding Sound

https://expandingsound.com

I know digital synths, especially virtual analog style aren't really all that sought after. Analog or bust seems to be the mindset of most musicians these days, so when this thing came into my possession I wasn't all that excited to test it out. After breaking it out for this jam I will say I was pleasantly surprised. I don't subscribe to the idea that some pieces of gear are terrible, more so they just might not be the right tools for a specific job.

All sounds are from the Nord Rack 2, except the drums. I couldn't make a snare drum sound I liked on the synth so I just made a rack in Ableton.
There is a little delay and reverb on some patches but that's basically it, besides that it's just the rack. #nord #synth #synthesizer #Ableton #music"

BRiES Nontemporary Toolkit / LYRATE for Decent Sampler

video upload by BRiES

"To download or find out more about the LYRATE plugin pack, visit the Decent Samples webshop: http://www.decentsamples.com

Inspired by the leftfield Lyra 8 instrument by Soma Labs LYRATE offers an unusual interface that enables harmonic (and dissonant) experimentation with a broad set of soundsources. Just like with the SYNTHS one plugin pack I wanted to provide the means to make complex and cinematic sounds yourself. To make this pack I didn’t sample a real Lyra 8, instead I recorded several other (hardware) synths including modular VCOs and a vintage Korg MS20. The core feature of Lyra 8 (i.e. being able to tune and tweak the individual voices) is what excited me to create these virtual instruments."

Priming PCMCIA SRAM Cards for the Korg Wavestation SR & 01/W Series Synths

The following, in via Neil Hetrick, is a more detailed update to this earlier post. via Neil: "I wanted to post this information regarding use of PCMCIA SRAM cards with the Korg Wavestation SR (and presumably also with the Korg 01/W series) in case it proves helpful for others trying to use custom waveform data with their synth.

It turns out that the synth requires that the PC Card be dual-mode, auto-switching 8-bit/16-bit. Currently-available (in 2023) PCMCIA SRAM cards are all single-mode, 16-bit only or 8-bit only, due to a specific chip no longer being available. After having trouble with a modern, 16-bit-only SRAM card, I received a tip-off from a kind fellow at Voice Crystal (they used to make custom soundware for many vintage Korg synths of that era) suggesting that the auto-switching functionality may be an important factor in getting a card to work with the synth. I subsequently found some forum info online relating a similar issue with PCMCIA cards in the Alesis Andromeda: About the 8-bit/16-bit dual-mode PCMCIA SRAM cards

CLICK FOR MORE »

Casio CZ Series Programming (CZ-101, CZ-1, CZ-1000, CZ-3000, CZ-5000) Part 1 of 4

video upload by Scifi Funk

All parts here

"How to program the Casio CZ Series from the CZ-101 to the CZ-1

https://hyperfollow.com/scififunk/

A Step-by-step tutorial for programming the Casio CZ Series of Vintage Synthesizers. I explain what each Pot and Slider does on the synthesizer and how they interact to create sound.

This series demonstrates how the synth works at a high level, enough to get you making sounds. For an in-depth look at programming the Synth as a whole. Please refer to my advanced programming series.

00:00 Introduction demo playing with settings that can easily be tweaked live.
03:30 All the CZ synths are basically the same architecture. The CZ-1 is the best model as it is velocity-sensitive.
04:16 Articles from the period explaining how to program the CZ-101.
04:58 The essence of Phase Distortion programming.
05:30 All 8 basic waveforms that start sound on a Casio CZ-101 etc.
06:50 How the synth sound chain hangs together (DCO, DCW, DCA)
07:48 Line select. How the oscillators work together. This is an important setting.
08:20 Noise and Ring modulator, plus detune, examples of using them with line select.
Please watch the whole video to make sense of the chapters.

The Casio CZ-101 was my very first poly synth bought way back in 1985."

Ekzil - "Chasing illusions" : Circuit Track / Volca sample / Volca bass

video upload by Geoffroy AULAGNER

"Today I wanted to test a completely new setup, more compact. I said goodbye to my favorite midi controller. I decided to use uniquely the synths performance capability.
I took out the Volca Sample 2 that I never managed to use .. until now 😁
The "step jump" function of the volca sample is really interesting in a live context ! it allows you to make original transitions..

Hope you like it !

Setup:
Novation Circuit Tracks: Drums, bass, chords progression
Volca sample 2: Drums
Volca Bass: main melody
Korg NTS-1: reverb, chorus, build up with the noise oscillator and outro melody (with FM oscillator)

This jam was performed and recorded live to a stereo output.
I edited the mix in Ableton, by adding EQ and compression."

Vangelis Blade Runner End Titles #Synthwave edition #cs80 #jupiter8 #minimoog #rhodes #vangelis

video upload by Jose's Vintage Keys

"I didn't seem to make sense to make a exact copy of this great song - so I decided to give it a Synthwave feel and have a go at it with almost all synths I own. And inspired by a request by @educouchez6709 I have added some Rhodes solo's"

Lunar - Ambient Noise 🎄 (Arp 2600 m // Waldorf M + Red Panda Particle 2 // Arturia Keystep Pro)

video upload by 2-Minute Warning

"For the last video of 2023, I really wanted to spotlight the raw sound of the amazin ARP 2600 M 🤩
So throughout the whole track, you'll only hear the sound coming directly from the ARP 2600 M without any external effects, though I did use its onboard spring reverb (+ a bit of EQ/comp where used for mixing purposes).
Contrary to my previous (which was the first) video featuring the ARP which was an uptempo track, no beats or kick here! Only the ARP and the Waldorf M (+ Particle granular delay).
The same track from the Keystep Pro is sequencing both synths.

As you can see, I use some patching in this one for the ARP:
 - The VCF output is going through its preamp input to make the distorted sound you gradually hear (it's being played in parallel of the dry sound coming out from VCF output)
 - I also used the LFO to modulate the filter and pulse width of oscillator 2
 - I did did some patching as well, in order to play portamento with one of the ARP's oscillator (using the voltage processor "Lag Time")

* Hardware used *

// SYNTH:
 - Korg ARP 2600 M (semi modular analog synth) - RAW sound
 - Waldorf M (8-voice hybrid digital and analog wavetable) + Red Panda Particle v2 (digital granular delay)

// SEQUENCER:
 - Arturia Keystep Pro"

ARP OMNI-2 with Lexicon PRIME TIME 93

video upload by CGMAGIK

"I've had both these units for quite some time now, but both needed repairs.
I got the ARP back around 1997 (for only $100 at the time!). It generally worked fine for many years, but was missing the bass voices and the XLR output didn't work. As time went on, it developed some sustaining note issues etc. The Lexicon was given to me in non-working condition around 2004. I brought it to a few people over the years to try and get it working but never with any luck. For the past few years, I have a had a great tech working on some synths and studio gear for me (check him out! - www.shooksound.ca) and he was able to bring the Prime Time to life! The Omni-2 had a complete make over. New key bushings, total re-cap, all new sliders and now works and sounds fantastic. I just got both of these back today and what better way to celebrate their new found life than to plug them in together for some sweet sounds. AND SWEET THEY ARE!"

Korg Volca FM2 Vs. Sonicware Liven XFM Sound Comparison

video upload by Dylan Ferno

"These are 2 portable and budget, 6 voice, FM synthesizers. While the Sonicware Liven XFM is more capable as a beat making machine, I thought I'd put the Korg Volca FM2 up to the sound test to see where it can compete. No external effects were added.

Since synths can make millions of different sounds, it is hard to directly compare them. So to do the best I could, I compared some of my favorite presets/custom patches in the following categories:

0:00 Pads
0:45 Ambience
1:45 Bass
3:15 Lead
4:20 Keys
5:55 Brass
6:47 Strings
7:57 Mallets
9:00 Whistles
9:58 Drums

In my opinion, the XFM is warmer sounding and better for traditional electronic sounds with its own unique twist. While the Volca FM2 is better for beutifully replicating the sounds of acoustic instruments."

EML ElectroComp 101 EML-101 w/ Seq Mod

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Luminous Trilogy & A CATALOGUE OF FM MATERIALS by Element433 ( a.k.a. Pere Villez)

via Element433 (Pere Villez)

"When I made the popular YouTube series 'FM Catalogue of Materials', many viewers commented that they would love to see some more of the 'music tech as cinema' style created in the videos.

My new project 'Luminous Trilogy' release, does exactly that. In part 1 'WTD', synths and synth technical diagrams, together with Pure Data/Max patches, become casual parts of the film's environment, which is set in an alt near future. Part 1 was realised with analogue modular, whereas Part 2 "Breath" was scored using binaural audio, VCV rack and live Indian tablas. Part 3 'Contrails' uses physical models, Samplicity's Berlin Studios and vintage FM hardware."

Update: Element433 has made the VCV patch and assets used in the film "Breath" below a free download. You can find instructions on downloading the patch and setting it up here: http://tinyurl.com/e433WpBrvcv.

Luminous Trilogy

video uploads by Element433 ( a.k.a. Pere Villez)

"Three music shorts around the theme of light, from incandescent urban folklore set in the near future, electric neon glowing medussae to impossible skies, all to the sound of dark ambient and techno-world music"

Playlist:

Walking The Dulzaina - Luminous Trilogy - Part 1

Walking The Dulzaina is an edited one-shot music film which details the manic walkthrough time-lapse of an imaginary synthesised dulzaina (Spanish folkloric instrument) being taken for a walk through the "Las Vegas" like dressed streets of a small village festive celebration set somewhere in the near future.

The visuals are nods to the Bladerunner, Lynch, Weirdcore and Kubrick where the glow of transparent neon CRTs, display technical diagrams with a music technology theme. Some suddenly slide up from the ground, while others cross from one side of the street to another.

The music is inspired by minimalism, industrial techno synth-folk where Steve Reich and Techno meet Raymond Scott and 1960's BBC radiophonic.

Musical Equipment Detail:

Intro: Moog Subharmonicon through Fairfield Randy's Revenge ring modular - into two crunchy Elby Systems stereo valve preamps and out into a stereo pair of Doepfer A-199 spring tanks).

Dulzainas: Buchla Easel Command sometimes untreated and sometimes solo through a J.H. 'Son of a Storm Tide' stereo analogue studio flanger (built by Van Daal Electronics (second dulzainas and very low transition whoooses). Buchla and Subharmonicon sync locked and clock divided by Ornaments and Crime clock divider.

Final wormhole sequence: Subharmonicon through stereo A-199 Doepfer spring reverbs and Paulstretched.

This work is not sponsored by any the manufacturers mentioned. They are personally purchased pieces of equipment.

Album:
https://distrokid.com/hyperfollow/ele...

CLICK FOR MORE »

Leploop The ArpoLoop Update & Black Friday Sales

Supporting member, Leploop is trying to gauge how many ArpoLoop's to produce up front as well as any input on design. If you are interested head over to Leploop here and let them know.

They are also having a sale. BTW, I don't normally post sales on the site unless it's mentioned in some other news or content like this post. It's common knowlege sales happen during Black Friday. Click through the banners on the right to check on what sort of sales are going on and of course check with your favorite manufacturers. Note the banners on the right are not affiliate banners, they are sponsors of the site. They help make this site possible, so please support them. They are all well respected shops.

On the ArpoLoop:

"The new PCB and the box prototype have arrived, here are some improvements:
The final synth will be available with an 1.5 mm aluminum enclosure, foldable voice board with a brass hinge, size 310×315×22 mm, 60HP-7U, rough black matte paint finish.
The wood box could be standard or on a request ?
We are doing all our best to keep the final price under €1000, and we have even written to Bheringher, but unfortunately they can’t help us to keep production cheaper !
Now we need to build the final prototype and test everything, final production is scheduled for late January/early February 2024.
Additionally, we are creating a list of interested people to gather feedback and get an idea of how many synths we will produce.
If you are interested in an ArpoLoop, email us: tonylight222@gmail.com"

Roland Announces FANTOM EX Upgrade

video uploads by RolandChannel

"Major Upgrade Package for the Flagship FANTOM Synthesizers Adds ACB Modeling, New V-Piano and ZEN-Core Model Expansions, and More"
Full press release further below.

Playlist:
Roland FANTOM EX Upgrade Josh Blair Interview
Roland FANTOM EX Upgrade Sound Demos
Roland FANTOM EX Upgrade Install Guide

User demo video from Gattobus:

FANTOM EX - ACB JUPITER-8 Tone Programming Experience

video upload by gattobus

"In this video I wanted to make you feel the Analog Circuit Behavior of the JP-8 on the new FANTOM-EX update. A hands on programming experience starting from scratch!

WARNING:
Mind your volume levels, there are some serious filter sweeping frequencies that may caught you unprepared!!! :D

Enjoy!"

Press release follows:

"Major Upgrade Package for the Flagship FANTOM Synthesizers Adds ACB Modeling, New V-Piano and ZEN-Core Model Expansions, and More

Los Angeles, CA, Nov. 7, 2023 — Roland announces the FANTOM EX Upgrade, a powerful new system expansion for the company’s FANTOM 6, 7, and 8 synthesizer models. Bounding with exciting new features and workflow enhancements, the user-installable FANTOM EX Upgrade supercharges Roland’s premier synthesizer series with even more creative firepower. The most significant update in FANTOM’s history expands and enriches the core platform with powerful Analog Circuit Behavior technology, two new grand pianos, JD-800 and n/zyme Model Expansions, studio-grade reverb effects, and more. Available for purchase on Roland Cloud, this value-packed upgrade is a must-have for current and future FANTOM owners.

Introduced in 2019, FANTOM was designed as an evolving creative hub that continually grows through sound expansion, software integration, and user-requested features. The FANTOM EX Upgrade integrates a host of sound engine and system enhancements, launching the FANTOM platform far beyond the impressive capabilities of previous versions. In development for many months, this important upgrade embodies Roland’s ongoing dedication to its flagship synth and the worldwide FANTOM community.

JUPITER-8 and SH-101 ACB Expansions
Roland’s acclaimed Analog Circuit Behavior (ACB) is the core technology behind AIRA products such as the TR-8S and SYSTEM-8, as well as the extensive Legendary series of software instruments on Roland Cloud. ACB brings an authentic analog sound experience to life in the digital realm, faithfully recreating analog circuitry and all their interactive behaviors at a deep component level.

Realized through new engineering breakthroughs, the processor-intensive ACB architecture is now available to FANTOM owners with the JUPITER-8 ACB and SH-101 ACB Expansions in the FANTOM EX Upgrade. These circuit-level recreations of influential Roland synths offer all the latest ACB advancements, including Circuit Mod and Condition functions for dialing in varying degrees of vintage character.

Two Concert-Class Acoustic Pianos
The FANTOM EX Upgrade features two deeply expressive grands primed to elevate stage and studio endeavors with Roland’s renowned piano performance. Additionally, FANTOM’s V-Piano interface has been refreshed with an attractive new graphical design.

Originally developed for the flagship RD-2000 stage piano, the German Concert V-Piano Expansion 01 is a versatile and inspiring instrument with a rich, powerful, and detailed voice. The SuperNATURAL Acoustic Piano 3 Expansion offers 15 distinctive sounds, from bright, dynamic tones for stage playing to dark, moody variations for ambient explorations.

JD-800 and n/zyme Model Expansions
The FANTOM EX Upgrade also includes two of Roland’s most recent Model Expansion titles, driven by the ZEN-Core engine for advanced sonic range and performance versatility.
Combining the original JD-800 waveforms with advanced modeling techniques, the JD-800 Model Expansion puts the gleaming tone and monster sound-shaping potential of this vintage digital icon inside FANTOM.

The n/zyme Model Expansion is a thoroughly modern instrument with an all-new synth engine developed for the FANTOM environment. Combining wavetable oscillator layers, phase and shape modulation, resonant filters, and two powerful Step LFOs, n/zyme is a highly interactive music tool that sparks endless creative explorations.

Effect and Workflow Enhancements
The FANTOM EX Upgrade further enhances the synthesizer’s smooth workflow and deep feature set. New Shimmer Reverb and Modulation Reverb algorithms instantly infuse any sound with spaciousness and intense harmonic color. FANTOM’s DAW control has been expanded with profiles for Steinberg Cubase and PreSonus Studio One. Additionally, the Master FX processor includes new preset templates for faster workflow and refreshed graphical interfaces for the Mastering Comp and Mastering EQ sections.

Availability & Pricing
The Roland FANTOM series, including the FANTOM 6, FANTOM 7, and FANTOM 8, are available in the U.S. for: $3,499, $3,899, and $4,199, respectively. The Roland FANTOM EX Upgrade is now available for $199."

"You're a Badass!" - LIVE JAM

video upload by Electronisounds Audio

"Recording Date: 11/04/2023
Tempo: 122bpm
Key: A minor

This piece came about from the Hardware Jams Facebook Group's weekly challenge - which was to create the lushest-sounding pads or chords, juxtaposed against the most spiky and hellish beats you can conjure up. These beats are less than hellish, for sure 🤔 - but I tried to get the Erica Synths PERKONS rumbling hard.... The evolving pad sound is from a Mutable Instruments Braids Clone made by Blue lantern Modules. I wanted to add more pad sounds and make the pad part more sophisticated, but I ran out of inputs on the 1010 Bluebox mixer (Eurorack Version) I was using to record everything - because I already added too much before adding the pad sound - DOH! 12 Tracks runs out FAST!

(Eurorack is always teaching me patching and routing lessons for "next time", lol...)

CHECK OUT THE HWJ FACEBOOK GROUP:
https://www.facebook.com/groups/hardw..."