MATRIXSYNTH: Search results for spotted and sent in by M Me


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Showing posts sorted by date for query spotted and sent in by M Me. Sort by relevance Show all posts

Thursday, September 03, 2020

Evenfall Mini Modular Designed by Grant Richter of Wiard

Note: Auction links are affiliate links for which the site may be compensated.

This one was spotted and sent in via Soviet Space Child.

via this auction

"I guess 50 (60?) of these were produced, either as kits or assembled products. I bought this to complete my own rack full of Grant Richter modules. It was a largely an impulse buy fueled by the tingly feelings my Wiard 300 modules give me. Make no mistake--this is NOT a Wiard module nor does it sound like one. It is not nearly as awe-inspiring overall, though it does have a few tricks that make it worth exploring. Definitely a cool piece of synthesizer history.

I found this to be, overall, one of those "sweet spot" machines, where nuanced wiggling can give you some really unique and impressive sounds. This is particularly true with the bandpass filter, which really sounds like Satan yelling about the weather while contending with a head cold. Very cool.

There are a few peculiar aspects to this, such as the weird gain staging. Any setting after 12 o'clock in the VCA will saturate/distort. Maybe you like this. I don't care for it personally. That's just the way these things work, as confirmed by several other owners, as well as Cary Grace, who currently builds all modules under the Wiard name, and who tours with an Evenfall Mini Modular (largely because it's small and light, I guess). This is a very lightweight synthesizer.

The pots are all mini pots, like attenuator pots on lots of modern Eurorack modules. I'm a bit of an oaf for these, but they're not difficult to work with.

I have not opened it to check internals or perform any mods. I'm not sure whether there are schematics floating around, but if you choose to go that route I'm sure you're an intrepid enough lad or lass to chase them down.

Cosmetically, there is some damage on the lower right edge of the panel; I have straightened this to the best of my ability.

Their words (copy/pasted info from around the web):
The Evenfall Mini Modular Synthesizer is a rack mountable semi-modular analog synthesizer featuring the warm, organic sound of real analog circuitry and the flexibility of individual control knobs and a patch cord interface.
The Mini Modular also features internally "pre patched" or "normalized" connections among the modules. These connections make the Mini Modular a capable synthesizer even without inserting patch cords. These internal connections can be overridden by inserting 3.5mm patch cables as desired.
The Mini Modular can be patched to make sound by itself or in conjunction with another voltage-controlled synthesizer. It can also be controlled from a MIDI controller via the built-in MIDI to CV interface which provides pitch, velocity, gate, pitch bend, portamento on/off, and modulation output voltages.

-
This synth was designed by Grant Richter of Wiard synthesizers and there were roughly 60 sold, 30 in kit form and 30 assembled. The previous owner told me this is a factory-assembled unit.

Grant wrote this on the old Wiard Yahoo list:

"That is a great little instrument.

It was originally slated to be the Wiard Model 3600, but I decided to pass on it because we could not find knobs to fit the little nubby pot shafts. They are just like TR-808 tuning pots. I feared the lack of knobs would limits sales too much.

Sunday, June 07, 2020

Vintage Kawai R-7 Stereophonic Rhythm Machine

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

This one was spotted and sent in via M Me.

It appears to be the first one to be featured on the site. It looks more like home stereo equipment than synth gear.  Rhythms for lounge parties....

"Kawai R-7, a drumcomputer that due to its look was probably built in the 70s.

It´s obviously an extremely rare species as even long time consuming searches on the internet were unsuccessful.

The R-7 is in a beautiful shape as easily seen on the pics with only minor imperfections on the tolex and the veneer side panels. And the original "Stereo Selector" knob is missing.

After my tests I got the impression that everything works. You can choose between the different rhythms with the white switches or you could simultaneously press several switches for complex rhythms. Individual instruments or instrument groups can be activated or deactivated by the round black switches.

A nice effect is the changing colored backlight (kind of animation) while the rhythms are playing. I have never seen this feature on any other rhythm machine.

Another unusual if not unique feature is the possibility to adjust the left and right volume channel and to switch between mono and stereo - whatever it does."

Friday, June 05, 2020

Simmons Digital Clap Trap w/ Original Box, Manual & Gated Snare & Wood Block Mod?

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

This one was spotted and sent in via M Me.

Pic of the inside below.

"Simmons Digital Clap Trap
original boxed & manual & 3 eproms
(with “Gated Snare, wood block & surprise :-”)

Something that rarely comes up especially with the mod on this version. This is a genuine Simmons unit which was adapted to include a ZIF ("zero insertion-force") socket and a removable panel so the chips could be swapped without unscrewing the whole case. This one is loaded with a Gated Snare chip – sounds superb working on the fly!
If you're looking for interesting synth snare sounds and noise hits, look no further. This is a simple unit, allows you to balance between a gated snare and noise sound which is controlled/manipulated by an analogue circuit.. Pitch and decay adjust for each sound. Very nice sound and surprisingly useful for such a simple device. You can trigger it from an external trigger or audio input, manual trigger button or use the auto-trigger mode (with adjustable speed). The humanizer feature alters the pitch of the snare. To hear the humanizer, use manual trigger and play it very quickly.

fully functional and in nice condition !
original box and manual included, 220V."

Sunday, March 29, 2020

Some info on the Upcoming Buchla Modules (100, 200, and Easel)

This one was spotted and sent in via Soviet Space Child, on muffs.

Post by Eric Fox of Buchla U.S.A. You can find a recent interview with Eric Fox here.

"Hey everyone!

I appreciate the interest in what it is we’re working on. Although I don’t spend too much time on the forum, with all of the announcements and imminent release of Easel Commands into the wild it is probably a good idea for me to poke my head up once in awhile :)
Let’s see if I can quickly shed some light on a few things:

Easel vs Easel Command- When I refer to a “full” Easel, I am indeed referring to the classic configuration of some form of 208+218+Case. Just like what we did with the 208C, the 218 and case needs to be updated in order to make them better, more consistent, and have the ability to scale production based on demand. We’re actively working on these and hopefully I can make an official announcement with details this summer.

Easel Preset Manager- Joel, Darren, and Charles are now working on this one. Those guys are the masters at this stuff, so I’m gonna hopefully have the official rundown of what all it can do soon. While it will be different physically than iProgram Card, it’s my understanding that the the new UX from a software angle might be able to be an update for the iProgram card. I’ll stop talking now about it since those guys will yell at me for not knowing what I’m talking about. We’ll make a clear announcement about this soon :)

200 and 100 reissues- These full-size recreations are being headed up by Jon Nenson (The Human Comparator) and our own in-house designer, Charles Seeholzer. We were planning on having (5) 200 models to show off at SB. These certainly won’t be the only 200’s we offer... but it’s a little difficult to launch 20+ models all at the same time! We insist on making them as good as they can be. Otherwise, what’s the point? Releasing a handful at a time just makes the most sense so that each model can get the proper attention they deserve. If you don’t see your favorite one in this first run, just know that it will probably not be that far behind. Patience young grasshoppers.

Clones vs Official- To clarify, the point I’m trying to make is in regards to not wanting someone to think poorly of any brand based on the possibility that they are playing with a shitty, poorly built, corner-cutting diy project from god knows where. Please don’t confuse that statement with the fact that I know there absolutely are quality builds out there that do a great job of really capturing the true spirit of the original design. I’m friends with a lot of those who are considered some of the best at doing this and that’s why I choose to partner with them when possible. I know that I have the best resources out of anyone to do this right including involving actual people who were there alongside Don when these were being developed. If Buchla can offer a consistently high-quality official version that comes with full warranty/support and it helps support some of the “Associates” who were there with Don... seems like that’s the right way to do it. No shade being thrown at those using quality built products intended.

Who is “Dave”?- All I’ll say is that it is being renamed to “Don’s Barber Shop” as per the request of some of those who were closest with Don.

I hope I didn’t create more questions than answers! If there is a real pressing question you need answered, just hit me up directly and I’ll do my best to answer with the best available info I have and feel free to share my responses with the rest of the class :)

Thanks for your passion. Stay safe+sanitary+sane
-Eric Fox"

Saturday, March 14, 2020

Akai MPC 2000XL Custom “Black Modular” Phenolic & Walnut Bezel

Note: Auction links are affiliate links for which the site may be compensated.

This one was spotted and sent in via M Me.


via this auction

"Custom Akai MPC 2000XL | Caramel Phenolic & Walnut Bezel, MC-2000XL Card Reader
Black Vinyl Wrap, 32MB RAM, 8 Output / Digital I/O Board, v.2 LCD Screen, Fat Pads
Just released October 2019, the 1st unit sold in 4 days. We are now making these units per individual order. Place your order for this custom MPC-2000XL unit by Big Noise MPC. Built to order; we can build your unit to your specifications, colors and desired extras. Price may very depending upon options and part/s availability. Custom builds are delivered within 30 business days.

Tuesday, February 04, 2020

Akai MPC 3000 "SP Custom" by GhostInMPC

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

This one was spotted and sent in via M Me.

"This unit has been refurbished and upgraded to work properly and look good. It is not mint and that´s been acknowledged in the selling price.

One of the four SP Custom units GhostInMPC has made was sold in Japan recently for approximately 3162 US Dollars (about 2800 Euros).

You won´t see these for sale often! EUROPE ONLY! ASK FOR SHIPPING!

- Custom Vailixi 3.50 operating system chips for this specific serial number and "SP Custom" unit. (see pictures)
- Brand new ultra bright LED screen.
- Black wood sides and armrest by Audiocustom pl. The wood side panels are a few millimetres shorter than originals so I am including the plastic sides as well.
- Brand new 32mb maximum ram installed for maximum sampling time
- Installed Jazzcat custom internal SCSI cable for internal zip/SCSI device. Allows you to have the external back port SCSI interface function simultaneously with internal SCSI device.
- Installed 3.5 disk power cable extension cord for easy installation and powering of internal SCSI devices.
- Mpcstuff.com button decals (see pictures)
- Installed internal iomega Zip 100 drive. (Will include zip disk)
- Step down power transformer for European power specifications.
- Fixed a typical Akai MPC 3000 fault: Noise in headphone outputs fixed and removed by qualified technician.
- All tact switches replaced by a qualified technician. Works like new.
- Power supply updated by a qualified technician.
- New pad sensor installed
- New SCSI fuse installed.
- A/D converter board fixed and inspected by a qualified technician.

Happy bidding!

PS. This machine looks beautiful next to a E MU SP 1200 black reissue! ;)"

Monday, January 13, 2020

Akai MPC 1000 "KSP" custom by ghostinmpc



via this auction

-chrome paint
-Brand new All tact switches
-Brand new pad & pad sensor
-Brand new custom LCD
-128MB RAM (max)
-60GB HDD
-JJOS 3.15 installed

This one was spotted and sent in via M Me.

Tuesday, January 07, 2020

RSF KOBOL EXPANDER I+II Clones

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

Note MOS-LAB also made KOBOL Clones.

This one was spotted and sent in via M Me.

"You canmodulate a lot using control voltages:
The VCO’s waveform, LFO rate, resonance, attack time, decay time, sustainlevel, release time (Exp. II)!


The RSF Kobol was the French synth company's firstcompact keyboard synthesizer, certainly inspired by the Minimoog. It is a muchmore compact instrument than the Modular Model 11 series of synthesizers theyhad been making thus far. It is a monophonic analog synthesizer withtraditional controls, knobs, switches and two oscillators for a good solidanalog synth sound. Initally released as a keyboard in 1978, a 3-unitrack-mount system was later released in 1979.

Thursday, December 26, 2019

€39.900,00 / $44,000 Yamaha DX1

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Another one spotted and sent in via M Me.

"This DX-1 is one of only 140 built: they were the flagship of the all-conquering Yamaha DX series of FM digital synths. A veritable behemoth weighing around 50 kilos, with 73 full-length weighted wooden keys and a wooden case. It offers 32 note polyphony and superb sonic performance thanks to the carefully-selected components. Uniquely for a vintage synth, it features polyphonic aftertouch. Yamaha built these to impress, not to a price point (they originally retailed at around £10,000 in 1984 – around £35,000 in today’s money).

Among Yamaha's DX line of synthesizers, the DX1 is definitely the biggest and most expensive. With a dual 6-operator digital FM engine, it's like two DX7's wrapped up in a wood-paneled case and comes with a truly professional weighted 73 note keyboard sensitive to both velocity and aftertouch. The DX7 style membrane buttons have been replaced by actual push-buttons, display screens and the overall layout of buttons and diagrams is nicer and better organized."

Tuesday, December 24, 2019

Korg Mono/Poly Minus Keys

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Due to the conversion, this device works differently from the original:

- The keyboard has been removed

- The modulation wheels have been replaced by the two additional knobs

- The arpeggiator function does not work, but it has MIDI

- The octave selector does not change the pitch, but the filter opening

- It can only be played monophonically, so it's actually a mono / mono"

This one was spotted and sent in via M Me.

Monday, December 23, 2019

TTSH (ARP2600 clone) and ARP sequencer clone 1601

Note: Auction links are affiliate links for which the site may be compensated.

This one was spotted and sent in via M Me.

via this auction

"This is the TTSH v1 and includes fixes from the v1 recommendations, also have Gate input with Gatebooster to ensure compatibility with most synths that uses positive gate norm. (By default the ARP2600 or TTSH doesnt work with most part of gate signals, so need this adapter circuit to accept all positive gates signals) Also includes a top quality linear power supply with toroidal transformer. You can connect direct to AC using standard cable. This linear power supply ensure better performance than other standard switching regulators and DC DC converters... With this power supply the sounds improves a lot and is better to save from external laptop bricks used in the default configurations. The TTSH being a clone of a classic analog synth like the ARP 2600 improves a lot using a classic linear power supply!
The power supply can work in 100/110 or 220/240v. At this moment is set for 220/240v but can be changed via internal switch easily so can be set for your AC voltage spec before shipping.

Also for sale with it, the ARP Sequencer clone. Replica from the classic ARP Sequencer 1601. Is a pleasure to work with it, very musical and intuitive. The power Supply can run from 100 to 240v with no problem.

Instruments build by hand using classic thru-hole components. Not SMT parts are used.

The instruments were built 3 years ago. Instruments are used in studio only. Excellent/perfect working condition. Instruments can have some minor marks of use, but shape is very good."

Tuesday, December 17, 2019

Synthetic Soundlabs Pays a Rare Visit to Bell Lab's VODER Speech Synthesizer From 1939


Update: via Doug: "The console I’m playing is a recreation that was commissioned to me by current Bell Labs President Marcus Weldon. I’m seen here playing it prior to a BL event. Photo by Larry Fast. Also in attendance was Wally DeBacker (Gotye). you can see and hear me play it live on the PBS series 'Breakthrough: History of the Smart Phone' episode [might not be available in your area though]. Narrated by Patrick Stewart, and hosted by former editor of Popular Mechanics, Jim Meigs."

via Synthetic Sound Labs, click through for additional pics.

"For the first time in nearly 80 years, the VODER has been found – well at least some of it. Unfortunately, none of the operator consoles are known to have survived the various archive moves over the years.

On December 15, 2015, SSL’s President Doug Slocum was treated to unprecedented access to the AT&T Archives & History Center in Warren New Jersey to view and record the uncovering of two of the original equipment racks used to train VODER operators in preparation for the Bell System’s 1939 Worlds Fair exhibit."

Check out this post for an old black and white video demo of the VODER when working. You can find a handful of additional posts mentioning the VODER here.

This one was spotted and sent in via M Me.

The Rare Welsh Minimoog Model E Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

This one was spotted and sent in via M Me. You can find a few in previous posts here. There was a period when Moog went out of business and Bob Moog ran Big Briar. Two individuals grabbed the Moog name, Don Martin (Donimoog) in the US and Alex Winters in the UK / Wales.

Google translated from this German listing:

"For sale is a rare collector's item, a Minimoog Model E.

Only about 3-5 of these were built. The manufacturer was Moog by Alex Winter from Wales. When Bob Moog lost the naming rights to his original company in the USA, Alex Winter from Wales bought it for Europe and built a handful of Minimoogs. The condition is very good, except for a scratch on the panel in the right control panel.

It has the same features as the Minimoogs from the USA, but also has PWM for the oscillators and has MIDI.
The sound is absolutely identical to the other Minimoogs.

The buyer can look forward to a well-kept, very rare device, which has the advantage of being significantly younger than the old Moogs and can be integrated into a modern setup due to the midi connection.

I took over the device from a friend who owns a large collection of synthesizers, who bought the device through the company 'Touched-by-Sound'."

Thursday, December 12, 2019

Jurgen Haible - Living Vocoder Custom Build


This one was spotted on Muff's from JanneI and sent in via M Me.

Jurgen Haible started work on the design back in 2009, prototype boards came in 2010, and he unfortunately passed away in 2011. His site is gone, however I was able to find his page on the Living Vocoder at the Internet Archive's Wayback Machine here.

"The Filterbank funktion will have 3 modes:

1) On
The Filterbank will always be mixed with the vocoded sound, acording to how you set the Filterbank sliders.

2) Off
Basic Vocoder function

3) Silence Bridging
The Filterbank function will fade in when there is no speech. So there is always a coloured Excitation signal. While you speak, the colour is set by the speech. When you don't speak, the colour is set by the 20 Filterbank sliders. This allows a seamless blend of ariticulated and non-articulated sound.
You can set the threshold - how many dBs down the speech signal is, before the filterbank is engaged -, and the attack and release time of the filterbank fade in/out, with 3 potentiometers.

Capacitors

I have reduced the expensive, 1% capacitors to two values: 10nF and 47nF.
That way, you can buy them in larger quanities and they won't be that expensive.
You will need about 150 pieces of 47nF 1% and 150 pieces of 10nF 1%.
They are available at www.rs-components.de , order number 169-326 and 166-6421 (These are bags of 10 pieces.)
You'll need a lot of other capacitors as well, of course, butthese can be 5% tolerance - not so hard to source."

You can find additional details and links to schematics here.

SHERMAN FILTERBANK PROTOTYPE - #31 of 40 Made

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"One of just 40 prototype units hand-built by Herman Gillis (aka “Sherman”) in 1996. Excellent condition and full working order.

These original units did not have MIDI.

NOTE: This unit is working well but will be checked internally and tested by our techs. Shipping will be 10 working days from purchase.

According to the Sherman website just 40 of these Belgian beasts were made. No MIDI and the back “panel” is plastic plumbing pipe. No frills – all thrills.

Serial number: 31 – signed on the back by Herman!

In terms of functionality and sound it is obviously closer to the early Filterbank 1.

Very clean with almost no signs of age or use. A small amount of scratching around one screw is all we can see.
220/240v unit. A step-up transformer will be required for use on 110/120v supplies."

This one was spotted and sent in via M Me.

Monday, November 18, 2019

Vintage Bernd Haller of Vermona Alpha 5 Computer Rhythm?


Here's an interesting piece spotted and sent in via M Me. It is currently listed here. It appears to have been built by Bernd Haller of Vermona in 1981. This is the first one to be featured here on MATIXSYNTH.

Googlish translation from the listing:

Saturday, November 16, 2019

GHOSTINMPC Custom Black & Orange/Red Roland TB-303 Devil Fish Mods Ver 2.0

Note: Auction links are affiliate links for which the site may be compensated.


This one spotted and sent in by M Me, via this auction

"Devil Fish remodeled model of the world-famous TB-303 that produced many famous songs!
Fine adjustment of the filter is possible, and it is possible to make a more radical sound than the original, including overdrive.

In addition, this Devil Fish, GHOSTINMPC is custom painted!
Of course there is only one in the world.

* There is some distortion in the main body, and the foot on the right front side is floating about 1mm."

Check out more GHOSTINMPC custom designs here. I created a new label for them moving forward.

Friday, August 30, 2019

Big Synth News Coming From Behringer (& KORG's Hiroaki Nishijima)?


This one was spotted and sent in via Soviet Space Child.

Per the description: "I am in beutiful Japan together with Luigi Scarano, our Synthesizer Innovation leader.

Stay tune from some big news - and i mean BIG news.

Uli"


Note who looks like KORG's Hiroaki Nishijima in the back left. I thought that might be Korg's Fumio Mieda on the right, but I'm not sure. You can find a pic and interview with Hiroaki Nishijima and Fumio Mieda here. Some of the other faces look familiar as well, especially the gentleman on the front left. If you can ID them, please comment.

Could this be the Behringer DS80 / CS80, a partnership with KORG, or other?

Behringer meeting with any representatives of another large scale synth company is a big deal. It will be interesting to find out what this is all about.

You can find an interview with Luigi Scarno here.

Update: Announcement below with a new pic, also in via Soviet Space Child. It looks like Hiroaki Nishijima is indeed joining Behringer.


“Synthesizer Icon Hiroaki Nishijima to Lead Behringer’s New Synthesizer Innovation Center in Japan

Behringer announced today that Hiroaki Nishijima, synthesizer icon and inventor of the famous Korg MS-20 Synthesizer, will lead Behringer’s new high-tech innovation center in its Tokyo headquarter.

Behringer’s vision is to build a large research and development center and invite many talented Japanese engineers to focus on flagship synthesizers, samplers and other innovative product designs.

About Hiroaki Nishijima

“Ever since I was a child, I was always excited to disassemble toys and explore how they work. My father and grandfather helped nurture that side of me by teaching me electronics and how to solder while attending third year of elementary school.

During that time, I got into music. I started playing with my brother’s classical guitar and eventually got lessons from an actual classical guitar teacher. I continued to play and improve until I noticed I was becoming better at it than my brother.

As my skills grew more diverse, so did my taste in music. Pink Floyd, King Crimson, Genesis, ELP and I Pooh became my inspirations. In junior high school, I bought an electric guitar and formed a band. That’s when I saw a synthesizer for the first time. It was amazing and I wanted one for myself, but it was just too expensive for a student like me.

When I entered university, I studied electronic engineering and played in a band. While that was going on, I’d also repair my friends’ amps and would design effects on the side. After graduation, I joined Korg to develop synthesizers like the MS-20 series, Sigma, KES and PME-40X series, Z3 and even Korg’s component modeling technology.

Over the past few years I have watched Behringer deliver high-quality synthesizers and pursue a very strong mission to deliver impressive instruments to musicians around the world. I reached out to Uli Behringer because I wanted to be part of his mission and help Behringer design world-class musical instruments. This is my dream, too.

These days, it’s difficult for current Japanese companies to create the types of synths that I used to develop. This is why I joined Behringer because my ambition to create professional analog synthesizers coincides with Uli Behringer’s love of musical instruments and with that I’m very excited to see what we can dream up.

I am currently looking for experienced embedded software leaders and engineers for our new Innovation center in Tokyo. Please can contact us at yuka.ishigami@musictribe.com.”

About Music Tribe

Uli Behringer, Founder of Behringer and Music Tribe commented: “I am extremely proud to have Nishijima San on our team. This man is a legendary synth icon with decades of experience.
Ever since I designed my own synthesizer in 1977, I have always been obsessed with synthesizers and today, Behringer is on a mission to bring back classic synthesizers as well as design completely new instruments and make them available at prices everyone can afford. We at Behringer believe that everyone should have access to the amazing synthesizers and sounds of the 70’s and 80’s.”

Uli continues: “We are currently recruiting experienced synthesizer engineers from all over the world to join us in our synthesizer mission. People interested can directly contact me at uli.behringer@musictribe.com.”

Sunday, July 14, 2019

ProNote 6 - Sequential Circuits Prophet-5 Inspired Memo Book

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

This one spotted and sent in via M Me.

Google translated from the listing:

"It's a 6-hole Bibble-size ProNote 6 note from Synth Design.
I imagined Sequential Circuits Prophet - 5.
I followed an analog synthesizer feeling with wood in the body.
As an indication Side-Wood is also installed unconventionally.
We strongly protect important notes.
Wood uses agathi wood, which is also used for musical instruments.
It is a heavy feeling in appearance, but it is a light and fine material.
The notes are the size of the general Bible.
It is based on the twisted-ring notebook from LIHIT LAB.
Twisted note can be removed freely.
You can customize it to your favorite note by combining diaries and grid paper.
Everything is easy to write as it can be rotated 360 ° per cover sheet."

Monday, February 25, 2019

New Behringer SP-2400 Sampler - E-Mu SP-1200 x 2 Clone In the Works?



This one spotted and sent in by Soviet Space Child. Update: it's real and it's not from Behringer.

Click on the image for the full sized shot. It's not the highest resolution but you can see SP-2400 Prototype printed on the bottom right. You can also see the following starting on the top left (circuit board print & jacks):

Active EQ for channels 3-6 (or is it 3 - 5)
filter for channels 1-2
Sampler Input LP AMP
CH 1 Out on the right and CH 8 Out on the top left (8 outs)
Mix Out
Stereo IN followed by MIDI In/Out/Through jacks
Power & USB jacks
Post EQ
Post AMP
FREQ Cutoff 1
Resonance 1
GNDA
FREQ Cutoff 2
Resonance 2

Check out some pics and videos of the E-Mu SP-1200 in the archives here.


Update via M Me:

"Hi Matrix, The SP2400 render picture is a fake render,if you zoom in on the picture you can see black lanes that goes in all ways. proportions of some trace planes are not possible,like from very large to one point delta. Also traces that goes to the 'big' processor/DSP comes from all sides and not the way like circuits are drawn.

100% fake"

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