Roland SH-2000 SN 300572

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Moog Realistic Concertmate MG-1 SN 1378

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"This is a mint Realistic Concertmate MG-1 by Moog with ATA-style Road Runner case. It's in beautiful working and cosmetic condition. Serial number 1378..."

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Chamber of Sounds SOLAR SYNTH Demo Video

Published on Jun 12, 2013 chamberofsounds·88 videos

"Here's the SOLAR SYNTH in full sunlight, the shade & indoors. It's the mini synth for all seasons and never needs batteries or external power! Get yours only @ chamberofsounds.com"

Chamber of Sounds on eBay

New on MATRIXSYNTH-C: the great destroyer by feathermeal

Check it out here.

Be sure to see the rest of the site for more.

QuNeo "Enhanced Note Mode" Performance Video

Published on Jun 12, 2013

"QuNeo Enhanced Note Mode Software lets you play in tune whenever you play QuNeo. Download the Max For Live Device and Standalone Version here:
http://www.keithmcmillen.com/QuNeo/do..."

QuNeos on eBay

Update: and the press release:

"Limitless Fun with QuNeo's Enhanced Note Mode!
Now available as a free standalone app or Max for Live device

BERKELEY, California – June 13, 2013 – Keith McMillen Instruments, developer of the most expressive instruments for making music with computers, announced today its Enhanced Note Mode for QuNeo 3D Multi-touch Pad Controller.

Take your QuNeo performance to the next level
QuNeo's new Enhanced Note Mode maps QuNeo's pads to the notes of nine musical scales, while setting the tonic to any of 12 notes. Players can select any of the scales and then jam away without worrying about hitting a wrong note. The scales included in Enhanced Note Mode are Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian, as well as Major Pentatonic and Minor Pentatonic.

Harmonizer
Enhanced Note Mode includes a powerful harmonizer that can add complimentary pitches to each note being played. The timing of the additional harmonizer pitches can be offset to create a rhythmically compelling cascade of notes.

Adding Pitches: QuNeo's far left vertical slider controls the number of additional pitches added to a note. As the value of the slider increases, pitches are layered upon the original note–one octave below, one fifth above, one octave above, and two octaves above.

Offset: QuNeo's second vertical slider offsets the additional harmonizing pitches in time. As the value of the slider increases, the offset time grows from simultaneous to as much as a quarter note.

Pitch Bend
In Enhanced Note Mode, each pad can produce independent vibrato or deep pitch bends at the touch of a finger. Pitch bend sensitivity can be adjusted to suit the player's preference.

LED Feedback
QuNeo's multi-colored LEDs give players guidance in navigating the notes of the different scales. Keys that are illuminated in green are the root notes of the scale. Keys illuminated in orange correspond to the 2nd, 4th, and 6th notes of the scale. Keys illuminated in red are the 3rd, 5th, and 7th notes of the scale.

Octave Switching
QuNeo's arrow buttons in the lower right corner can shift the register up or down within a nine octave range.

Enhanced Note Mode can be downloaded for free as a Max for Live* device, an editable Max patch, or as a standalone application for Mac OS and Windows. Use it in series with any synthesizer or DAW application.

*To use the Max for Live version of Enhanced Note Mode, you must have either Ableton Live 8 Suite or Ableton Live 9 Suite installed on your computer. Additionally, you must have a version of Cycling '74's Max 5 (Suite 8) or Max 6.1.2 (Suite 9).

About Keith McMillen Instruments
Keith McMillen Instruments develops innovative hardware and software technologies that allow musicians to interface with computers in exciting new ways. Based in Berkeley, California, KMI's products provide today's modern musician with the tools needed to bring new dimensions of expression and control to their performances. We believe when a computer is played as a musical instrument it should feel and respond like one, with all the nuance and sensitivity that makes an instrument musical."

New Waldorf Nave Videos & Official Press Release - Available Now!

Nave Sound Demo Published on Jun 12, 2013 WaldorfMusicChannel·3 videos

iTunes link: Nave - Waldorf Music

"Pure Nave sounds, no external FX, no external processing!
All sound examples were directly recorded in Nave´s 4 track recorder."

Programming a Nave Sound in 120 seconds
Published on Jun 12, 2013

"This tutorial shows how to program a wavetable sound within a short amount of time."

"Waldorf advances wavetable synthesis to iPad with Nave

'Nave is wonderful — by far the most impressive iOS synthesizer I have laid my hands on to date.'

- Richard Devine, 2013 (electronic musician and sound designer)


BAD NEUENAHR, GERMANY: high-quality synthesizer developer Waldorf is proud to announce availability of Nave, its first synthesizer app for Apple’s all-conquering iPad, as of June 13...

Jointly created by Stefan Stenzel (audio algorithms), Rolf Wöhrmann (iOS development), and Axel Hartmann (graphic design), Nave transforms any iPad into an advanced wavetable synthesizer fit for truly mobile 21st Century composition, performance, and sound design!

Speaking of which, Nave comes complete with over 500 presets from highly acclaimed sound designers like Richard Devine, Sacha Dikiciyan (of Sonic Mayhem fame), Laurence Rapaccioli (Arksun), David Boldini (7 Skies), and Fletcher Kaufman (Sunsine Audio), amongst many others. All seriously showcase the depth and diversity of this impressive and inspirational iOS synthesizer — so much so, in fact, that Richard Devine was suitably moved to create no fewer than 95 presets alone, all of which are included for free!

For the benefit of those who want to indulge in some serious sound design of their own making, Nave does not disappoint. Its powerful sound engine includes two trailblazing wavetable-based oscillators, leaving all previous attempts at wavetable synthesis severely wanting. While the sound spectrum can cleverly be transposed independently of pitch, the waves can be rendered from perfectly periodic to very noisy and anywhere in between.

Nave’s clear-cut GUI invites both beginners and advanced users alike to experiment both sonically and musically while the hosting iPad’s generous display helps make wavetable creation and editing a blast! Besides integrated speech synthesis, wavetables can also be formed from analysing audio files. Furthermore, stretching, rotating, and shifting in the spectral domain allows wavetables to be refined or distorted in the fullscreen Wavetable Edit Mode. Here users can edit and fine-tune the wavetables using several 3D views that are as easy on the eye as they are to use. And in a reverential nod to Waldorf’s illustrious past and present, factory wavetables from the breakthrough Microwave, mighty Wave, and price barrier-breaking Blofeld synthesizers are all present and accounted for, complemented by an abundance of tasty new ones that make extensive use of those enhanced possibilities!

And if that’s not enough to get your creative juices flowing then Nave additionally includes a classic oscillator with an ultra useful selection of basic waveforms, plus a super-fat-sounding Überwave function for beefing up sounds by up to eight individually detuned oscillators a la Waldorf’s recently released Rocket synthesizer. Nave is, indeed, truly a sound designer’s dream machine!

But, Waldorf being Waldorf, that’s not all: Nave’s flexible Filter section delivers that high-quality synthesizer sound recognisable right away by anyone at all familiar with Waldorf’s noteworthy name, and, as such, features LP (low-pass), BP (band-pass), and HP (high-pass) filter types with either 12 dB or 24 dB slope settings. Its neighbouring Drive section offers contrasting characteristics by being positioned Pre Filter or Post Filter or as a summing overdrive Pre EQ or Post EQ — perfect for those who prefer harsh and screaming sounds rather than delicate wavetable sweeps.

An extended modulation matrix and diverse realtime control functionality also awaits anyone wishing to animate any Nave sound in any desired direction. In addition to the classic virtual chromatic keyboard, Nave can be played with the Blades that allow for dynamic triggering of polyphonic modulation by simply sliding fingers in X and/or Y direction.

Yet more flexible fun is to be had on the FX & Arp page with pro-quality ModFX (Phaser, Flanger, Chorus), Delay, Reverb, parametric Equalizer, and a highly effective Compressor all adding to Nave’s sound and performance possibilities, as does a full-featured Arpeggiator. And last, but by no means least, the Tape & System page plays hosts to an old school, four-track recorder — replete with virtual tape spools. Use it to record complete compositions or simply sketch some musical ideas inspired by the superlative sounds of Nave!

So how does Nave naturally sound, then? Totally in a class by itself. Just like Waldorf! After all, the well-known Waldorf name has been synonymous with high-quality synthesizers for nigh on 25 years; indeed, its innovative position in the musical instrument marketplace dates back to 1989 with the release of the wavetable-based Microwave, an extraordinary reincarnation of the legendary PPG Wave series — arguably amongst the most coveted high-end synthesizers of the early Eighties. Time and technology stand still for no one, of course, and today Nave takes those heady heavyweight hardware developments of yesteryear — and a whole lot more besides — and serves them up to thankful iPad-adoptees at a fraction of the cost of its forebears.

Any adventurous musical iPad owners out there intrigued by the creative possibilities of wavetable synthesis surely owe it to themselves to check out Nave, the advanced wavetable synthesizer from Waldorf. Going for a song on Apple’s App Store, right here, right now!

iPad owners can purchase Nave directly from Apple’s App Store for a five-day special introductory price of €10.99 EUR/$11.99 USD. (Thereafter it will rise to €17.99 EUR/$19.99 USD.)"

iTunes:
Nave - Waldorf Music

X1L3 - circuit bent - Yamaha DD12 - (DE-CAT)

Published on Jun 12, 2013 manufacturedZ3R0·95 videos
X1L3 on eBay

"A yamaha DD12 i stumbled upon at a car boot sale that had previously been circuit bent by (i'll let you guess who by the title of the video)

Not exactly ambitious. Just a selection of toggle switch rom shorts and a couple of pots wired to the amp pcb in the back of the machine to over drive the output. Strangely there was a signed sticker inside the machine with a copyright notice on it? Was the sticker copyright? The two vinyl stickers on the shell or the rom glitches?..... Maybe they had put a copyright on where they drilled the holes in the case? Beware fledgling circuit benders.. You walk on thin ice every time you dare to pick up your soldering irons :-|

Who knows? Who cares?..............

I removed the lot anyway as i wouldn't want to breach these mysterious rights reserved on such innovation.

Lazy:
Two rom pins per switch and not even on a matrix. It was basically a nice easy project that someone getting into bending could have taken on as a first project. No holy grail of fiercely guarded secrets, forbidden fruits and dark art here. Just a shorted out rom....

All evidence of the (i'll let you guess who from the title of the video)'s work was removed but i kept the sticker inside as it made me laugh.

The machine is now fitted with a synthacon filter, psu/noise suppressor, pt2399 'death industrial' delay circuit, rat distortion clone - pretty much a carbon copy in performance the the rat stomp box i own, ltc1799 pitch over ride and a 3 x 15 glitch matrix (and yes it's now one pin per glitch)

It adheres to my familiar filter, delay, distortion formula and sounds pretty good for the make over too. Very 'organic' in feel now as opposed to black or white on/off rom glitching which gets old really fast when you build these things and play about with them.

I fitted blue leds into the holes where (i'll let you guess who from the title of the video) had fitted toggle switches to tidy it up a bit. Turns out it now looks great in a dark place. Seemed a shame to put all that labour and time that had gone into drilling the holes to waste.

As is so often when i see (i'll let you guess who from the titlee of the video)'s work on machines i couldn't help but think to myself "where is the art?" when i picked this machine up.

20 minutes of abstract analogue/digital glitched percussion as it should be..............."

Roland TR-909

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Moog Synthesizer Parts

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Anyone ID the parts?

Norlin Industries Moog based on the bags.

Update via Otherunicorn in the comments: "Moog used to do contract work too. This may be a non-synth board."

Update via Colin f in the comments: "The larger board is a 'The Source' voice card."

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ANALOGUE SYSTEMS Ultimate 32 Box System

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"ANALOGUE SYSTEMS

Bespoke BRITISH handbuilt SYNTHESISER System

stunning and unique 32 box design hardwood case 3 racks, 32 modules, full analogue, controller keyboard tons of patch leads included

CHOSEN and COMMISIONED because of the awesome tone and complete flexability...this system is of the finest quality !!!!

costing over £7k+ when commissioned...

the system consists of: studio logik 88 note controller keyboard bespoke hardwood case as pictured a good sized 'tub of patch cables' and the following modules: RS-220, RS-50, RS-170, RS-150, RS-360, RS-120, RS-390, RS-370, RS-376, RS-510E, RS-500E, RS-180, RS-70, RS-35, RS-95E, RS-100, RS-60, RS-130, RS-200, RS-210, RS-380, RS-110, RS-170, RS-160, RS-60, RS-180, RS-140, RS-95, RS-20, RS-95, RS65, RS-165 http://www.analoguesystems.co.uk/modules.htm"

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Koma Elektronik SVF-201

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Perfect Circuit Audio (RSS)

"The KOMA Elektronik SVF-201 is a state variable filter for the Eurorack modular synthesizer system. Its filter circuit is built up with optical parts (Vactrols) therefor delivering excellent studio audio quality and an unique warm analogue sound. The module uses parallel mounted PCBs so it can be used in skiffs as well as in big cases, the total depth is less than 4 cm. The unit comprises 4 audio outputs that can be used independently of each other at the same time, a High Pass, Band Pass, Low Pass and the unique first ever CV’able Mix Out. The Mix Out out let’s you sweep continuously through the other three outputs by means of a knob and control voltage.

The SVF-201 offers an amazing sounding filter together with a well designed user friendly surface; a professional feeling inviting you to play it real good.

Features

4 Audio outputs: low pass, band pass, high pass and mix
3 CV inputs for cutoff, resonance and mix"

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Roland MC-808 and Korg EMX demo by Midera: The genomic failure

Published on Jun 12, 2013 acemonvw·32 videos

"Just put together a piece using the MC-808 and the Korg EMX."

100 Whooshes in 2 minutes with PS3 controller

100 Whooshes in 2 minutes with PS3 controller from AntonAudio on Vimeo.

"Since I modified my Open Sound Control Max patch to work with a PS3 controller, I had to go ahead and port it as a MIDI controller as well:) I haven't made a MIDI version of a game controller, i'm glad I did as its proven very useful. I like MIDI and have a number of dedicated MIDI controllers I use but the many simultaneous inputs a game controller provides is unmatched by any traditional music controller. You only have two hands so generally its only controlling 2 knobs at the same time, or one XY pad and one knob etc. My Max patch is still a work in progress as i'd like to still add some LFO, envelope and sequencer functionality, but in the meantime I was inspired by Charles Deenen's whoosh design template ( http://designingsound.org/2010/02/charles-deenen-special-100-whooshes-in-2-minutes/ )and thought it would be fun to make something work along those lines, borrowing some of the ideas but using my game MIDI controller to control it.
I'm a huge fan of Charles' designs and have worked with him in the past so this was a fun experiment for me.
Instead of setting it up in a linear way with many tracks in ProTools I chose to use 2 samplers that can randomly load different content on only 2 tracks with select processing. Many, many ways to set something up like this, experimentation is important, and a lot of fun. Anyone need some whooshes?
http://antonaudio.com"

Dtronics Teaser SID6

Published on Jun 12, 2013 Dtronicsmusic·9 videos

Cool Polysix style Polysid logo on the circuit board. I'm guessing this is a six voice SID from Dtronics, makers of various MIDI devices and the DT200 PG-200 clone. See the Dtronics label below for more.

Synthrotek Eurorack Modular Chaos Nand

Published on Jun 12, 2013 synthrotek·95 videos

http://www.synthrotek.com/
Synthrotek on eBay (RSS)

My moaning Korg MS-20 synthesizer... ;-)

Published on Jun 12, 2013 AnalogAudio1·109 videos

"This short movie is for adults only ;-)"

KORG MS20 Minis on eBay

New Free Gimmick Graph Synth from Ju-X Designs

"Demonstration of a new version of Gimmick (Free) Audio Unit Plugin Synth.

Gimmick is a software synthesizer that is loaded with a totally new way of synthesis oscillator. Absolutely digital and mathematical. Check it at ju-x.com/gimmick/ for more information. Get it free, today!

Played with: Juno Ju-X's Sequera MIDI Step Sequencer, Native Instruments Kontakt for bass drum, Avid ProTools for recording and a simple delay effect on Gimmick."

"Highlights: Improved drastically from the last Mini version. Still free to grab!

New Graphing Oscillator.
Now you can look and manipulate Gimmick Oscillator by handling graph directly!

Triple fat oscillation and super-low pass filter.
It produces way fat and massive sounds. And absolutely digital.

New translucent UI design.
The first plugin on the earth with a translucent look! Sometime good to watch what’s going on behind it.

Technology: Gimmick’s oscillator draws waveform by setting how many times to twist it in a cycle, then divides it by scanning Up and Down direction, finally player can determine positions of each turning points."

First patch with the Mutable Instruments Braids and Grids Modules (Plucked Synthesis)

First patch with the Mutable Instruments Braids and Grids Modules (Plucked Synthesis) from Richard Devine on Vimeo.

"First patch experiment using the Mutable Instruments Braids Macro oscillator running in "PLUK" mode. Emulating the sound of raw plucked strings that change with the timbre control via damping, and the color knob changing the plucking position. MakeNoise Rene sending out CV notes to the 1-v/oct input and Gate triggers to the Braids trigger input. The output is then running into the Phonogene for light processing. Liquid drum percussion sequencing by three gate trigger outputs from the Grids module. Trigger one going into the Mungo g0. Trigger two going to the DPO for the lower end kick drum emulation. Final output running lightly through a eventide space pedal. "

http://mutable-instruments.net/

Electro-Harmonix 8 Step Program - "Get On The Bus"

Published on Jun 12, 2013 EHX·164 videos

Electro Harmonix 8 Step on eBay - It's less than you might think.

"The EHX 8 Step Program plugs into the expression pedal or CV input of other effects pedals and synthesizers delivering rhythmic sequencer control. With eight independent sliders, each controlling a sequence step, it can turn an ordinary auto-wah into a step filter, a tremolo into a syncopated pulse effect and a pitch-shifter into an arpeggiator.

This eye-popping video, shot less than a mile from EHX headquarters at Carousel Studios in Greenpoint, Brooklyn, provides a peak into the sound sculpting power of the new 8 Step Program!

Credits for: Get On The Bus video

Music by Polyvox, download:
http://itunes.com/polyvox
http://polyvox.bandcamp.com

Video by Amy Hobby and Tony Zajkowski

Filmed at Carousel Vintage Keyboard Studio, Brooklyn, NY
http://carouselrecording.com

Joe McGinty ~ Composer, Keyboards, Programming
http://www.joemcginty.com

Alyson Greenfield ~ vocals, Omnichord, keyboards
http://www.alysongreenfield.com

Tony Zajkowski ~ guitar, video editor
http://www.tonyzajkowski.com

With the Solid Go Go Dancers: Cindy Gold, Elektra Gold, Roxanne Gold
http://www.facebook.com/SolidGoGo

Choreography by Anna Copa Cabanna
http://www.facebook.com/annacopacabanna"

via Joe McGinty on The MATRIXSYNTH Lounge & Scott Matthews

Random Patch

Published on Jun 12, 2013 nacioda·5 videos

"Maths controlling the Doepfer XTreme Filter with Z3000, Gamma Wave Source and A-111-5 controlled by Maths, everything to optomix.
Tip Top Drums."

via Ignacio Dacio on The MATRIXSYNTH Lounge

The Generalmusic S2 Turbo Demonstration

Uploaded on Nov 15, 2011 keyboardjeff·82 videos
via Synthex Jeff on Facebook in response to this post.

"This is my new S2 Turbo from 1993. It is made by Generalmusic (or GEM) in italy. The weigth is 16 kg, so it is a bit heavy. It can store up to 100 performances, it's 16 part multitimbral, 7 sliders and 7 buttons for real-time control, it has a built-in sampler/sample translator and it has 32 voices of polypohony. So there is plenty of stuff put in this synth.

The sound is made by 2 oscillators per voice (so that's 32 in total). The synthesis methods are : PCM, Wavetables, Multiloop, Crossfade Multiwave and Subtractive Synthesis. It has 2 filters per voice (so that's 32 in total again).
They are two 2 pole dcf's or one 4 pole dcf. Both the filters have 5 modes (Lowpass, Highpass, Bandpass, Par. Cut, Par. Boost) It has a LFO with sine, triangle, saw, square, random and sample&hold waves.

It has plenty of patches and samples in it. You can load all kinds of data and audio in it via the floppy disk drive. It has very nice pith bend and mod wheels on the place you would expect.

The rear panel is very interesting it has these ins and outs (L to R):

2x Midi in
2x Midi out
2x Midi thru
2x Pedal footswitch
1x Pedal volume controller
1x Left and Right wet outputs
4x dry analog outputs (can be assigned to mono or stereo)
AC in

Because of the many midi ins/outs and thru's and 7 realtime-control sliders and buttons, it would be the ideal midi controller or master keyboard."

Ginko Synthese Clock Synced LFO Now Shipping

via Jan Willem on The MATRIXSYNTH Lounge

You'll find details on the Ginko Synthese Clock Synced LFO posted here.

I don't know that you need me

Published on Jun 12, 2013 Khantipol Kasemsant·218 videos

"Waldorf Rocket, Elektron Octatrack and Elektron Analog Four"

MOS-LAB 901 project N°2

Published on Jun 12, 2013 seb17320·14 videos

Dr J looks worried

flickr by Derek Morton

Dr J synth cat & eurorack modular.

Korg KR-55B & KR-55 Vintage Analog Drum Machines

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KR-55 SN 258145 via this auction

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ROLAND JUNO-106S SN 521593 with Original Music Stand

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"Up for sale is ROLAND Juno-106S, a classic analog synthesizer with built in speakers. Unlike HS-60 which was a cheaper hobbyist version of Juno-106, Juno-106S feature same functions with Juno-106 but with speakers."

As far as the synth engine goes the HS-60 is the same. It just has a different case. BTW, check out this custom three octave HS-60 minus speakers.

tokyowax (RSS)

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ARP ODYSSEY Model 2823 SN 28231020

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ROLAND RS-09 Organ/Strings SN 770663

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tokyowax (RSS)

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YAMAHA CS-10 Vintage Analog Monophonic Synthesizer SN 10960

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tokyowax (RSS)

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ROLAND SH-1 Monophonic Synthesizer

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1972 ARP 2600 Series "2600P" & "3604" Keyboard

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via this auction
Some pics of the circuit board below. Tons more at the auction.

"For sale is this vintage 1972 ARP 2600 series "2600P" analog synthesizer and matching "3604" keyboard. This particular set, serial numbers 26189 and 36186, is in very good all original condition and includes the original case lids, the original gray power cable, a non-original keyboard 6-pin cable, and non-original patch cables. The ARP 2600 is considered the absolute benchmark in compact analog semi-modular synthesis. Extremely versatile, and capable of producing a seemingly indefinite amount of both classic and modern synth sounds, the 2600 has become the standard by which other synths are measured. This is an incredibly rare example in that it is from the very highly-regarded early production run with the desirable superior 4027 filters, famous for being one of the best sounding versions. I have owned many ARP 2600s, but this is the best sounding one, the difference between it and others is actually surprisingly significant, so do not miss out on this No Reserve auction with Global shipping, because these do not come along often, and when they do, have been selling for upward of $11,000.00! This is a No Reserve auction which means the highest bidder will win... regardless of price!

Played, and made famous, by a veritable who's who of modern music, the ARP 2600 can be heard on albums by: John Lennon, Stevie Wonder, Joy Division, Kraftwerk, Frank Zappa, Herbie Hancock, Steve Miller, The Beastie Boys, Cat Stevens, The Who, Depeche Mode, U2, and an ever-expansive alumnus of artists whom have featured this amazing synth in their music.

This early-production second version of the 2600 features the coveted 4012 filter which copied Moog's patented ladder-filter design, later ending in a legal dispute which forced ARP to change their faulty 4072 filters in 1977. It also features the rare 4027 chips, known for being more stable than their predecessors, and less noisy than those which followed. This is perhaps the best version made..."

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CRITTER & GUITARI BOLSA BASS

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Official intro video posted here and Switched On demo video here.

"CRITTER & GUITARI BOLSA BASS - KEYBOARD / SYNTHESIZER with MIDI - COMES WITH ORIGINAL BOX & BATTERY!CONDITION: Used - BARELY - GOOD AS NEWThe Critter & Guitari Bolsa Bass is the new bass machine. It has a built-in sequencer, full MIDI capabilities, and these six modes:· Circle Ramp· Sawtooth Ramp· Analog Style· Filter Envelop· FM Pad· Bass DelayThe entire keyboard may be tuned over a 1 octave range by turning the knob second from right. Volume is controlled by the right-most knob. The function of the remaining two left knobs depend on what mode is selected. The synthesizer modes provide elemental monophonic bass sounds, great for all kinds of musical scenarios. From classic filter sweeps to simple and pure tones, lush FM, and even a stretchy tuned delay which makes great string like drones.The built in sequencer lets you quickly create bass lines with the touch of a button. With MIDI in and out you can synchronize your sequences with other devices. The Bolsa Bass also sends and receives note messages so you can use it as a sound module or simple controller.Details· Wooden Buttons· Pink Neon Powder Coated Aluminum Enclosure· Power From 9v Battery or Adapter (not included)· 1/4" Line Output Jack· High quality 32 Bit Floating Point DSP Synthesis"

Siel DK 80 with Cartridge

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3D Display!

"12 voices
- Double sound generation
- Dynamic keyboard
- Advanced MIDI functions
- 87 programmable parameters
- Up to 150 programs on line
- 2-track real time polyphonic MIDI sequencer."

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Roland SBX-80 Sync Box with MIDI SN 470736

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Korg VC-10 SN 161170 Vintage Analog Vocoder & MC-01 Microphone

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trouby modular demo videos

trouby modular sale demo
Published on Jun 12, 2013 therealtrouby·116 videos

"masterclock, trigger sequencers, led fuzz, organ filter"

Drum sounds on the trouby modular

trouby modular - G.D.R. E.Q.
Published on Jun 12, 2013

"a subtractive 6-channel gdr equalizer. frequencies are: 70, 200, 2k, 5k, 10k, 20 khz. made as eurorack, too."

EMS Synthi aks + clavier KS . 2 oscillator sync on my sequencer digital Vintage analog Synth

Published on Jun 12, 2013 INTI FARI·60 videos

"Distilerz Electronic Music Studios 2013"

Latest Guitar Synth Videos by WayneJoness Featuring the Roland GM-70 Turbo

Roland GM-70 Turbo Vintage Guitar Synth Volume Control Options + Hex Fuzz GR-300 Demo

Published on Jun 12, 2013 WayneJoness·265 videos

"http://www.joness.com/gr300/GM-70.htm... The specialized Roland BC-13/GM-70 Turbo circuit board also reconfigures the way volume commands are processed. With the original Roland GM-70, you can have 100% synth output and 0% guitar. Or 0% synth, and 100% guitar. Or any mix between, such as 75% synth, and 25% guitar. But not 100% synth, and 100% guitar. With the GM-70 Turbo Plus, you can have 100% synth, and 100% guitar. The master volume now directly controls the synth volume regardless of the mix/blend control, and the mix/blend controls guitar volume control, dependent on the master volume level."

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Korg Volca Bass VCF - VCO / acid capabilities

Published on Jun 12, 2013

volca bass impression
filter envelope , vco
acid capability

Korg Volcas on eBay

Synth Demo: YAMAHA AN1x - Ambient electronica / space music

Published on Jun 12, 2013 synth4ever·28 videos

"http://www.synth4ever.com - Synth demo of Yamaha AN1x synthesizer -- playing ambient, dreamy and atmospheric electronica / chillout space music.

This ambient soundscape was created using 2 oscillators, reverb, delay, flanger, filter/envelope adjustments, and minor LFO changes.

Performed live, no external processing. Excerpt from a longer session."

DIY Steiner Synthasystem FM noise & Sync

Published on Jun 11, 2013 MrPalebluedot·38 videos

"Just a noisy FM patch."

DIY Steiner Synthasystem sync

Published on Jun 12, 2013

"off screen a minibrute is providing the sequence and clocking the synthasystem sequencer which is sweeping the frequency of the synched oscillator."

blacet time machine

Published on Jun 11, 2013 caleb condit·48 videos

"This was built with a synthcube MU format kit and although it was a serious challenge to finish properly (the hardest thing I've built yet) it was 100% worth it. It's by no means a clean/pristine delay but then again who buys an analog bbd delay expecting that. It's fantastic for sending modulation to and has a great vibe to it. About halfway through, there's no talking and just playing so if that's what you'd like, skip ahead."

Blacet in Synthesizers.com format.

MiniWoouf Minimoog Bean Bag Raffle for Bob Moog Foundation

"Our MiniWoouf sofa stole the show at NAMM (click here for photos!), and now you can get in on the action with a MiniWoouf bean bag of your very own! This unique, hip, analog bean bag was generously donated from our friends at Woouf! in addition to the sweet sofa many of you saw (or saw photos of!) at NAMM."


Details and tickets at The Bob Moog Foundation

1980 Roland SA-09 Saturn German Ad

via synthmuseum.de

Emu Ultra Sampler - Demo #6

Published on Jun 11, 2013 St0neOfficialChannel·7 videos

"All presets I made on Emu E4XT Ultra. After the recording was used lightweight compression. Please use 360p or higher for better sound quality. Facebook: https://www.facebook.com/st0nemusic"