MATRIXSYNTH: Thursday, April 24, 2025


Thursday, April 24, 2025

Echolocator delay on synth, drums, voice and shortwave (no talking)


video upload by Richard DeHove

"First up Erica Synths sent me the Echolocator. That's particularly good of them because I know and I'm sure they know that I would have bought it anyway. After all, I'm the man who bought the Zen delay three times. For delay pedals in general I'm up to about 25 delays bought in the past few years and about 22 sold :D

Here I use the Echolocator with the DB-01, Acidbox III, LXR-02, Tecsun PL-660 radio and the US War Department training film number 471 on triodes and tubes.

No presets are used on any of the examples, it's all live twiddling. The idea throughout is to show the range of real time 'playing' with the delay. Just like the Nightverb I haven't used the presets or programmed any myself, it's so fast to dial in the sound you want it seems better to match things exactly to whatever you happen to be playing. The only thing I think is missing (at least I can't see it) is a WYSIWYG mode where the machine instantly reverts to the current knob positions. The only 'second layer' functions you need to remember are BACK+FREEZE to mute the delay, and BACK+TAP TEMPO to sync to an incoming clock.

Despite the length of this video I've only touched on some of the interesting effects. For example adjusting the compressor makes a huge difference to the feedback; whether the filter is in series or in the feedback loop; playing with the freeze function, and modulation with pitch shifting. So more on all that in later videos. If there's anything in particular you think I should cover please let me know.

Finally, if you notice a slight difference in the video color and position between takes it's because I had to change cameras halfway through.

0:00 Basic synth
3:09 Sparse drums
5:28 Beam me up
6:07 Filter options
8:39 Blippy drums
12:38 Freezy drums
13:34 Long feedback synth
15:11 Drum jam
16:34 Shortwave
18:36 Human voice

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

MAM VF-11 Vocoder + Roland R8 drum machine - MikeSynth


video upload by Mikus Pilatus

"MAM’s internal oscillator for this demo. . Ie no external synth.
(Same vocoder as used by Beastie Boys Intergalactic - they also used its internal oscillator like in this demo)"

Sequential Take 5: "Taking The Five" patches HD Demo - No Talking


video upload by Stefano Daino

"This is the demo of several patches included in the 'Taking the Five' Vol 1 & Vol 2, two libraries each of 64 sounds for the Sequential Take 5 synthesizer.

These patches aim to reproduce the sounds that characterized the music performed with the analog polyphonic synthesizers serie in the '80s, as well as the sounds that are only possible with a new generation analog synthesizer, which have the advantage of touch-sensitive, aftertouch keyboards, which have powerful programmable modulation matrices, and excellent built-in effects.

The 'Taking the Five' Vol 1 & Vol 2 for the Sequential Take 5 are available at https://www.dsp-quattro.com/dspquattr..."

The patches:

Arturia Introduces Updated V Collection with New Virtual Synths


video uploads by Arturia

"As of today, V Collection 11 is officially live.

This is our most expansive edition yet - a powerhouse suite of 45 instruments, 3 exclusive expansion packs, and over 12,000 world-class presets, all crafted for modern music makers.

7 new instruments, 5 major updates - now included.

Fresh additions like Jup-8000 V, Pure LoFi,Augmented MALLETS along with MiniBrute V, Synthx V and Augmented YANGTZE. A completely new version of SEM V, and rebuilt Augmented instruments to push creative boundaries."

Additional details on the release further below.

Playlist:
1. V Collection 11 | Reference Instruments For Music Makers | ARTURIA
2. Jup-8000 V | Supersaw Digital Synthesizer | ARTURIA
3. SEM V | Spellbinding Analog Synthesizer | ARTURIA
4. Augmented Series 2 | Acoustic Instruments Reinvented | ARTURIA
5. Pure LoFi | Low-Fidelity Synthesizer | ARTURIA
6. Tutorials | Jup-8000 V - Overview
7. Tutorials | SEM V - Overview
8. Tutorials | Augmented Series 2 - Overview
9. Tutorials | Pure LoFi - Overview

ARTURIA V Collection V Walkthrough, Demo and Features with MATTHS

video uploads by MATTHS

"Arturia have just released their new JUP-8 V as part of the Arturia V Collection 11! Jup-8000 V is a one-of-a-kind reproduction of the iconic JP-8000 including its legendary supersaw oscillator. Let's have a first look, discover its capabilities and dive in together to see what this can do!

_7 Authentic engines
_Surgical Filter
_Whole voice modelled
_Multi-arpeggiator & Melodic sequencer
_Supercharged effect section
_Advanced Modulation system

Built to deliver the unmistakable 2000s dance sound
and the unique euphoric melancholia of the millennial
generations in just a few clicks." www.matthsmatthsmatths.com



PDF press release in image format:



Introducing Pipo Interfaces


A Sneak Peak into Pipo modules video upload by Pipo Interfaces

"Video produced by Tom Bouchet

Music: "Transition" by Alex-Productions (CC BY 3.0)"

Press release follows:


Pipo Interfaces brings a new versatile toolkit for creative sensing and audiovisual interactions in real-time.

Developed by creative technologist Rupert Renevier, Pipo is a range of electronics modules that connect sensors to computers, and are meant to simplify creative interactivity between people, real-world objects, and digital creation.

Whether you're performing, designing experimental MIDI instruments, or interested in making installations, Pipo builds the foundations of an accessible and adaptable open source toolkit.

When digital experiences become sensible and tangible, they allow for greater engagement and connection. The idea of using sensors for audiovisual applications and arts is far from being new, but still requires building custom solutions on Arduino or Raspberry Pi, which tends to be complex, time-consuming, and therefore not easily accessible to most.

Pipo wants to unlock the creative potential of real-time sensing, and lower the technical barrier to it, by proposing tools that connect the physical world to the digital in a straightforward fashion.

The Pipo recipe is simple: small affordable modules, wireless capabilities, and an intuitive yet powerful user interface. All Pipo modules can be used alone or in combination, fixed, worn on the body, embedded in objects, etc... All Pipo modules have mounting holes to augment all kind of projects and casing will be made available.

The first 3 modules of the family are Pipo Motion, Pipo Range and Pipo Analog.

Pipo Motion is dedicated to sensing movement: orientation, acceleration and magnetic field, thanks to an advanced 9 axis IMU (Inertial Measurement Unit). It allows for relative and absolute orientation.

Pipo Range is an accurate distance sensing unit which can be used to detect hands, obstacles, objects, or people (up to 3m). It can be used the same way as a theremin, or as a people proximity sensor for eg.

Finally, Pipo Analog, a versatile Input/Output device. On one side it has 8 capacitive touch inputs to create original touch buttons (for eg: with wires, metallic tape, vegetables, conductive paint, etc...)

On the other side it has multiple analog voltage inputs/outputs (up to 8). With these you can acquire and use any external buttons, specialized analog sensors modules, knobs or control servo motors, drivers, etc...

Beyond these three first sensing modules, Pipo Interfaces carries a vision for a whole creative ecosystem for many more input and also output modules. It has a strong anchor towards open source development and wants to create a strong user community connection.

Pipo modules can all send standard MIDI and/or OSC data wirelessly for maximum compatibility.

The connectivity is made through WiFi, Bluetooth Low Energy, or USB and every module has an onboard battery charger, so that whatever idea you have, you can test it quickly and have it communicate to your audiovisual software in a matter of seconds (no matter your operating system).

All the settings can be tuned in the field through a web interface hosted on every module.
No need for an app or software, just open any web browser on your mobile. This interface allows you to set various settings like sensing parameters, ranges, and to adapt the incoming and outgoing data streams to your needs, quickly and easily.

You can for example eg fine tune the midi output, choose a note scale, channel, etc...

On a technical level, the project is developed with PlatformIO and the Arduino framework to make it easy for people to hack, modify, upgrade their pipos, or build their own custom Pipos. The software is open source, and the project runs on the Esp32-s3, one of the most versatile and powerful IoT chips around.

Pipo will launch as a pre-order campaign to fund the first production run. If you like Pipo, you can support it by entering your email address on the campaign page, it means a lot ! By doing so, you will also be notified of the launch date, so that you can be among the first people to get yours.

The launch date is pending on gathering a critical mass of people who want to see the project going live, so subscribing helps the project move forward.

All this happens on CrowdSupply, a platform dedicated to launching open source projects:

https://www.crowdsupply.com/pipo-interfaces/pipo

Introducing MONTAG-E – A New Granular Sampler for Reaktor 6.5


video upload by Antonio Blanca (antblanc)

https://antblanca.com/en-usd/pages/montag-e

Press release follows:


Antonio Blanca, creator of the Reaktor instruments NOD-E and DRON-E, is excited to present his new work, MONTAG-E, for NI Reaktor 6.5. This granular sampler is designed for those interested in microsound exploration and creating complex, unique sonic textures. With its particular approach, MONTAG-E offers a wide range of sonic possibilities for sound designers, experimental musicians, film composers and sound artists.

What is MONTAG-E?

MONTAG-E is a granular sampling tool that allows for detailed manipulation of audio, ideal for creating sounds ranging from microsounds to abstract soundscapes, sound effects, ambiences, glitch, noisy textures and more. With four simultaneous granular playheads, the instrument allows for deep exploration of samples, creating anything from minimalistic to complex grain clouds. Additionally, its individual audio outputs are designed to create quadraphonic material, providing flexibility for multi-channel sound creation.

MONTAG-E is also designed to be fully MIDI-controllable, allowing for real-time interaction. Whether you’re performing live or experimenting in the studio, you can easily control parameters on the fly, enhancing your creative process.

New England Synth Fest at Northeastern University, Saturday, May 3



New England Synth Fest on Saturday, May 3 at Northeastern University in Ryder Hall (11 Leon St, Boston, MA 02115). Right next to the Ruggles T Station. DIY workshop starts at 11am. Performances, lectures, exhibits, and petting zoo are happening 12pm to 6pm.

Performances in QUADRAPHONIC SOUND from Switch Angel, David Dawson, Doug Bielmeier, A Campbell Payne, Bill T Miller, Bob Familiar, Andrew Neumann, Leftroman, Donald Martin, Snowbeasts, and Todd Reynolds. Schedule and artist bios here.

Bring your headphones to check out synths in the petting zoo in Room 354. Visit our vendors and exhibitors, Tall Dog, SynthCube, Stompbox Sonic, Source Audio, Circuit Happy, and the Alan R. Pearlman Foundation, also in Room 354. Join in the music making in the Jam Room in Room 458. Full day of lectures listed here in Room 429. Plus, a morning DIY workshop with Cram Audio: build a Eurorack Reverb or a Handheld Theremin!

FREE (except the DIY workshop). Follow on Instagram, Bluesky, and Linkedin for more info and updates.

Check Out the Noisette DIY Theremin | Zeppelin Design Labs


video upload by Musical Miscellany

"I've built a few kits from ‪@zeppelindesign‬ in the past and decided to try their latest offering, the Noisette. This particular kit allows you to build a DIY optical theremin. It's a fun little project that sounds amazing with effects.

You can purchase the kit here: https://zeppelindesignlabs.com/produc...

Intro - 0:00
Build Process - 0:57
Calibrating & Testing - 2:39
Demo with FX - 3:15"



"The Noisette Optical Theremin is really fun to play! The pitch and volume of the audio signal is controlled by 2 light sensors — you can alter the sound by shielding the amount of light that reaches the sensors. We offer the Noisette as a Build-it-yourself kit that’s fun and easy to assemble – soldering is required. For adults of all ages and kids as young as 8 years old, alongside a qualified adult.

Two Optical sensors to control pitch and volume

Two knobs to control master volume and wave shape

On-board speaker

Headphone or Line Out Jack

30 page, assembly manual, with over 100 assembly photographs

Only 18 parts that need to be assembled to the circuit board"

Dream Plant - EDP Wasp Synthesiser, 2 x EDP Gnat Synthesisers, and an EDP Spider Sequencer


video upload by Frequency Central

"I've been out collecting insects and arachnids..."

Synapse Dune 3: 50 Ambient Atmospheric Presets. Sound Demo


video upload by Anton Anru

"🌄 Synapse Audio Dune 3 - Ocean Hollow is an atmospheric cinematic bank of 50 patches inspired by the sea, where you can find deep pads, bright strings, various synths and keys, as well as mysterious textures. The bank was also inspired by artists such as Jupi/ter, Brian Eno and Jon Hopkins, which gave a warm, atmospheric and serene sound.

📦 The soundset includes: 10 Pads, 10 Textures, 10 Keys, 10 Synths, and 10 Strings.
👤 The author of the soundset is skendi (Arseniy Pushkov).

📩 Get these presets: https://antonanru.sellfy.store/p/dune...

🔮 The soundset spans a wide range of tones, from warm, deep and atmospheric textures to soft, clean, punchy, dark, bright and airy timbres.
The sounds include different combinations of oscillators in different modes, such as wavetable and FM, as well as different types of reverbs, delays, filters, and modulations.

🎛 ModWheel adds expressiveness—brightening the sound, introducing vibrato, or adding extra movement for dynamic performance.

💎 The soundset is suitable for many genres: ambient, electronica, cinematic, retrowave, synthwave, darkwave, IDM, downtempo, pop, chill out, new age, progressive, techno, breaks, jungle, drum and bass, and others

💡 Ensure that you are using the latest software version.
To add presets to the collection, open the plugin Browser, click Menu in the upper left corner, then select Import Folder, and specify the folder on your computer.

FIVE MINUTES WITH Roland XV-3080 128 Voice Multi-Timbral Synth


video upload by sonicstate

​‪@magicalsynthadventure3216‬ spends some quality time with the Roland XV-3080 - the 16 part multi-timbral 128 voice rackmount synth.

With a wide range of sounds, synthesis and effects plus the additional SRX PCM expansion cards. In this video the new Wi-Fi Rewritable SR-JV card from Connor Zheng is installed which allows you to flash the PCM cards over the network.

https://www.ddzheng.cc/?page_id=666
https://voguerenege.bandcamp.com/"

Grendel Grenadier RA-9

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

Akai EWI3030m Digital PCM Synthesizer SN A9415-00813

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

Note the seller has additional units listed.

"The Akai EWI3030m is a digital PCM sound module designed specifically for use with Akai’s Electronic Wind Instruments — a family of cutting-edge controllers that have set the standard for expressive wind synthesis since 1987.

Whether you're an experienced wind player or exploring wind synthesis for the first time, the EWI3030m delivers a rich, dynamic playing experience. It features high-quality sampled waveforms and responsive real-time control, capturing every subtle nuance of your performance. Unlike many modern MIDI controllers that rely on quantized steps, the EWI system uses smooth, analog-style control voltages, allowing for seamless transitions in dynamics, filter sweeps, and articulation.

The EWI3030m offers:

Two sampled sound sources (digital oscillators) with 75 high-quality waveforms

Digital filtering, LFO, envelope shaping, and glide for deep sound design
Built-in reverb for added depth

128 fully programmable presets
Footswitch input for switching program chains hands-free

Audio input for EWI-controlled processing of external instruments

MIDI OUT to trigger other sound modules

Designed for expressive performance, the EWI3030m is a powerful tool whether you’re scoring, performing live, or exploring new sonic textures."

Akai EWI3020M Analog Monophonic Synthesizer SN 19915-00149

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing, also on eBay

Note the seller has additional units listed.

"CEM Chip Power – Oberheim Xpander DNA – MIDI Capable

Step into vintage analog glory with the Akai EWI3020M, a rack-mounted monophonic synthesizer designed to pair with the EWI3020 wind controller—but just as capable when triggered via standard MIDI! Yes, it can be used without the wind controller, making it an incredible analog voice module for any MIDI-capable setup.

At its heart lies a Curtis CEM3394 voice chip—the same chip found in the legendary Oberheim Xpander—delivering warm, punchy, and expressive tones. Originally launched in the late '80s, the EWI3020M was part of Akai’s bold foray into wind synthesis, but its standalone capabilities and exceptional tone make it a sleeper hit for analog synth enthusiasts and modular-minded players alike.

Key Features:

Monophonic analog signal path with dual VCOs, VCF, VCA, LFO, and dual EGs
CEM3394 voice chip for rich, vintage sound
Wide modulation matrix: 7 sources, 10 destinations
50 patch slots (factory + user)
Waveforms include Triangle, Saw, Square, and Sync modes
Full MIDI In/Out for use with keyboards, sequencers, or DAWs
Rackmount format – a studio-friendly synth module with stage potential
Whether you're breathing life into it with a wind controller or sequencing it via MIDI, the EWI3020M is a versatile, expressive, and highly underrated gem in the analog world."

Akai S900 MIDI Digital Sampler (1986) /// SERVICED + UPGRADED

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

Pics of the inside below.

"The power cable is the original (rare).
The floppy reader has been removed, and replaced by a new Gotek just for the sale, coming from CPmagneticmedia UK (80 €). It is just perfectly fitting, and solid.

Gotek is a game changer. I decided to replace because the floppy reader was not always responsive.
Now you have 4 user banks of 500 slots each + the possibility to organize your data on 16 Go USB key + some installed Akai Libraries + last version system and a screen to read your file names.

See the complete manual online, here is a short list of features I am enthusiastic:

12 bits sampling 7.5-40kHz.

analog low-pass filter
3U format rack
backlight screen
super easy navigation ansy edit
individual transposing + general tuning
velocity sensitive + aftertouch behavior
MIDI in (16) / out
8 voices polyphony and separate outputs
According AKAI themselves, the S900 is their first professional sampler. I confirm the engineering and build quality is superior to other models I owned (S700, S1000 and S1100)."

Akai S1000 MIDI Stereo Digital Sampler (1988) /// SERVICED w/SCSI Card + Floppies

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

Pic of the inside below.

1985 E-MU Systems SP-12 Turbo 8-Voice Sampling Percussion Drum Machine with Case

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

"E-Mu SP-12 with the Turbo Upgrade in Very Good+ condition, fully functional, and just received a $747 professional service by Advance Musical Electronics in LA — recapped, recalibrated & performing like new.

Originally a standard model with 1.2 seconds of sample time, it’s now upgraded to the Turbo edition with 5 seconds via brand-new RAM and OS (Version 2.6) chips.

Made in Santa Cruz, CA USA.

Highlights:

Boots instantly with internal RAM – no floppy boot loading, no lost work if you forget to save.

Skip the floppies: Modern tools like SP12 Librarian & EMXP make sample management easy via computer.

Lo-fi sampling tricks double or quadruple sample time with pitch shifting — that signature SP sound.

Slightly higher sampling rate than the SP-1200 (on paper) and stock ROM sounds built in.

More unique and rarer than the SP-1200 — only produced for a short time.

Ideal for hybrid setups: use the SP as a sequencer and sound shaper, with a rack sampler for long samples.

Looks cooler, sounds amazing, and (IMHO) it’s better than an SP-1200 for less than the price of one."

Eko Ritmo 12 (Italy, 1982) - Vintage Analog Drum Machine Rhythm Box

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

"The Eko Ritmo 12 has, as the name suggests, a selection of 12 preset rhythms to choose from. The machine also offers Intro and Fill-in breaks for each of the 12 rhythms.

The rhythms are selected by 6 black switches arranged in a 6 x 2 format. All of the switches have built in red LED's to indicate the rhythm selected.

The rhythms encoded in memory are:

· Bank 1: Waltz, Tango, March, Swing, Ballad, Bossa Nova.

· Bank 2: Cha-Cha, Beguine, Samba, Rock, Disco 1, Funky.

The sound quality of the voicing of this drum machine is very good, especially the Snare, Hi-Hat, Cymbal and Cowbell!

Eko was the Italian brand that produced many legendary instruments. The Company was based in Marche, Italy, in the same area where Elka, Elgam, Farfisa, Crumar, Jen, Siel, Solton, CRB, etc. were born.

This is your chance to get your hands on a super rare drum machine made in Italy!"

Sakata • DPM-48 Digital Drum Machine w/ MIDI Upgrade SN 521323

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

"Sakata DPM-48 Vintage Drum machine

Made in Japan
Released 1984
220v

with MIDI kit updrade installed.

Rare musical instrument developed by Sakata, later distributed by Hammond. This digital drum machine uses same technology as Linndrum with samples on eproms. The MIDI kit (developed by FPB Synth Germany) is freshly installed for the sale.

Unfortunately, I lost the RAM card a while ago, so the pattern memories and internal sequencer are not usable… This said the MIDI kit upgrade allows you to control the drum machine from any device including modern sequencers!

So, you have access to the 22 samples via MIDI + you can trig manually at the same time.

Sounds are internally spread over a stereo field (stereo output), you also have independent mono outputs and a phones out . Of course you have the volume fader for each voice (8 sliders) and a general volume knob. So, a nice flexibility for studio environment.

Great sounding drum machine, punchy and pretty unique samples — the cymbals are really interesting. You know, 8-bit unsigned PCM sounds but realistic for the time… it delivers a great vintage flavour. As eprom based, you can totally custom your instrument. The sounds here are stock. One of the eprom has been cloned by FPB too."

Arthur Joly Recodrum

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

"Incredible vibe on this drum machine, 100% fully functional. Seemingly pretty rare. all analog with midi in and individual outputs for each of the 6 sounds, as well as the full 'mix out'"

Big and playable - Tobinski Sequencer & Expander


video upload by Stazma

"Today we are going to check out one of the most advanced analog sequencer on the eurorack market: the Tobinski Sequencer & it's Expander.
I'm a sequencer nerd and this one does have feature I've been dreaming of since quite a while, mostly having multiple channels (four here) that can be clocked independently from each other, multiple parallel voltage outputs and on board switching."

00:00 Intro
02:28 Complex yet simple
08:36 Custom shapes LFO
09:49 1+2 / 3+4 outputs
14:43 Automatic switching 1 & 3 and 2 & 4
17:47 Making weird Jungle music with it
21:27 More on the expander
27:41 Syncing it and making weirdo acid

Reco-Synth Fried Chicken


video upload by Arthur Joly

KORG NTS 3 kaoss pad Editor and Controller, as VST and Standalone


video upload by mller30161



"Here is my ‘KORG NTS-3 kaoss pad Editor’ to control the NTS-3 from a DAW or Standalone.

The editor has two interfaces, one contains all the controllable settings of the NTS-3 and the second has only the controls that are important for live control, with a large x-y pad and x-y controls with which you can precisely set the x-y values or record an automation.

The advantage of my editor is that you can quickly adjust the effect settings in the NTS-3 kross pad and have an overview of all the settings.

With the random function of the editor you can create new and surprising effect combinations.

You can save the Editor settings as Presets and use them again quickly if required.
The 100 factory programmes are also available as editor presets.

The KORG NTS-3 kaoss pad Editor are available for:
PC: As VST2 and Standalone for 32bit and VST2, VST3 and Standalone for 64bit Windows.
MAC: As VST2, VST3, AU and Standalone, compatible with MAC Intel and Silicon.

Info Homepage: korg-nts-1-editor-soundbank.jimdofree.com"

Multitimbrality Comes to Supercritical Synthesizers Redshift 6


Redshift 6 - Multitimbral Techno Tweak video upload by Supercritical Synthesizers

"We are super excited to introduce multitimbrality — it makes the Redshift 6 more than six times more powerful than it already is.

On this demo, we put the Redshift 6’s new multitimbrality feature to the test.

The multitimbrality is currently in beta testing, and this demo uses the beta firmware. The firmware is available on our Discord server. You can join our Discord to access beta versions of the firmware, discuss technical details and development of the Redshift 6, and share demos.

The Redshift 6 is six-part multitimbral, and the new multitimbrality feature makes it possible to assign its six voices in various ways.

The voices can be split into traditional polyphonic keyboard zones, layered across multiple parts to play simultaneously, or, for example, used as six monophonic parts. Thanks to the Redshift 6’s paraphony, these monophonic parts can also be used to play chords.

This demo was recorded live using the Redshift 6’s main and auxiliary outputs. The Dub Chords and Reso Chords were recorded in stereo from the main output and AUX 1. The bass line and noise were recorded in mono from AUX 2.

When the parts are panned left and right, the Redshift 6’s three outputs provide six mono outputs, allowing each of the six parts to have its own dedicated output.

All the synth sounds in this demo were recorded live from the Redshift 6. The drum and FX sounds are samples, created using only the Redshift 6. These samples were sequenced in a DAW after the live tweaking.

We are attending Superbooth 2025 in Berlin. If you're coming to the event, stop by and test the Redshift 6. You can find us at Bungalow B020 in the Bungalowdorf."

UVI Introduces Mosaiq 1.5


video upload by UVI

"Introducing Mosaiq 1.5 - The Ultimate Inspiration Toolbox
https://www.uvi.net/mosaiq

Discover an innovative music production multitool, that features genre-specific collections, chord banks, sequencers, and high-quality samples for instant inspiration. Now available with a new Keyboard mode, to play full instruments presets across your keyboard.

Also included in SonicPass ➡️ www.uvi.net/sonicpass

Video credits: ‪@VenusTheory
________
00:00 - Intro
00:45 - Getting started
06:52 - Deep controls
08:32 - Load your own samples
09:00 - Drum mode
09:31 - Keyboard mode
10:49 - Editing features
12:08 - Motion engine
14:13 - Effects settings
15:29 - Outro"
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