MATRIXSYNTH: New Tools in 2019


Showing posts with label New Tools in 2019. Show all posts
Showing posts with label New Tools in 2019. Show all posts

Thursday, August 15, 2019

MeeBlip cubit go: easy USB MIDI interface, ultra-tight timing




via MeeBlip:

"Today, we’re announcing MeeBlip cubit go - a unique USB MIDI interface with incredibly tight timing.

It’s got the ports you most often need when mobile - one input, so you can perform, and four outputs, for sending notes and/or clock.

Here’s the twist: we’ve integrated hardware MIDI thru circuitry on the four outputs. Anything you send to the interface’s output goes to all four jacks simultaneously. There’s no software delay - you get rock-solid, ultra-tight timing.

That makes cubit go the perfect follow-up to our cubit splitter, introduced earlier this year. You still get four outs with identical timing - but now in a USB MIDI interface you can connect to your computer or mobile device.

cubit go is driverless and USB powered, so it works with any desktop OS, but also on phones and tablets (with the appropriate cables, sold separately). And the jacks are top-mounted for convenience.

Just plug it in and use it - there’s nothing to install, no separate power supply needed, and nothing to worry about. cubit go is palm-sized, lightweight, rugged, performs perfectly, and is easy to use.

Features:

1x1 USB MIDI interface with integrated hardware MIDI Thru
Class-compliant USB MIDI - no drivers needed
Four hardware-mirrored output jacks - no software lag
High performance 32-bit ARM Cortex processor
Bright green MIDI light flashes when sending or receiving data for easy troubleshooting
Size: 108 x 76 x 25 mm (4.25 x 3 x 1 inches), weighs 110 g (3.9 oz)
Includes 1 m (3 ft) USB cable
USB powered
Works with macOS, Windows, Linux, iOS and Android*
Made in Canada, available only direct

cubit go is available now for $59.95 US.

Find the product page here.

Through August 23, we’re offering free worldwide shipping on cubit go and MeeBlip geode. Local tax and import duty may apply to international customers.

Also, if you missed it, we visited the amazing Hainbach last week [posted here], and our little MeeBlip geode got to meet his giant wall of sound. It was really fun to do."

Update: I reached out to Peter Kirn of Meeblip and Create Digital Music for some additional clarity on the cubit go. Here's what he had to say:

"It's a 1x1 USB MIDI interface.

The 1 input port is straightforward - that goes to the computer (or iPad or whatever).

The computer then *sends* MIDI to the output port.

That single output port's data is mirrored across all four MIDI output jacks, simultaneously - that's the MIDI thru circuitry. So for something like MIDI clock, it means all four output jacks have essentially zero timing variance from one another. (James likes to be precise - it's a maximum of 44 *nanoseconds*, so billionths of a second.)"

You can find some additional info on Create Digital Music here. Via the FAQ at the bottom:

Should I get cubit go or cubit splitter?

cubit splitter is the device for you if you want to take data sent to one MIDI input jack, and transmit that to four output jacks. (This is also called a “MIDI thru” box – they’re the same thing.)

cubit go is what you want if you need to get MIDI into and out of a computer or supported phone/tablet.

USB on cubit splitter is for power only. USB on cubit go carries both power and data.

Update2: If this is still conceptually foggy, I sent the following to Peter Kirn and he confirmed this is correct. In the most simplest terms, the MeeBlip cubit go is a USB only MIDI interface:

"The MIDI IN jack on the cubit go does not go directly to the MIDI OUTs but rather to the connected computer/USB device, which then does whatever you tell it to do (pass through or process). The USB device then sends to the four OUTs simultaneously as one OUT. The only messages going to the OUTs on the go come from the USB In. The MIDI OUT is just there so you can use external MIDI gear through the connected USB device. An example of how this is useful would be running multiple MIDI tracks on your software sequencer or DAW. The entire output would be transmitted to the four outs on the cubit go. If you have four tracks running you can assign a different MIDI Channel to each and then set each of your four MIDI devices to a corresponding MIDI channel. You can assign the incoming MIDI device coming through the cubit go a specific MIDI channel or channels either on the device itself or your software if supported (pass through or processed)."

Tuesday, July 23, 2019

Moog DFAM self patched through AttFAM


Published on Jul 23, 2019 electro lobotomy

"AttFAM (4) Momentary attenuation. Performance attenuators.. Now listed in my etsy shop:
https://www.etsy.com/shop/ElectroLobo..."


"AttFAM. 4 attenuators, each with a momentary on switch and latch switch. Great performance tool! 3.5mm jacks. Eurorack friendly!"

Tuesday, July 16, 2019

Ableton Live 10.1: CV Tools


Published on May 7, 2019 Ableton

"CV Tools is 10 creative Max for Live devices that let you interact with and control your modular gear with Ableton Live.

The Pack is free for Live 10 Suite owners, or those who own Live 10 Standard plus Max for Live."

Also see Ableton CV Tools First Look.

Monday, July 15, 2019

Radioaktivnost nuclear stochastic MIDI sequencer



via giorgiosancristoforo.net

"Radioaktivnost is a one-of-a-kind MIDI sequencer for software and hardware synthesizers.

If you are interested like me, in randomness and science (especially nuclear), this little toy may give you many hours of fun.

Radioaktivnost is a 16 step sequencer clocked by radioactive decay.

You can use a real Geiger counter, or – maybe, while you wait yours from ebay – use the internal simulator.

Those who are familiar with analog step sequencers will feel quite at home with Radioaktivnost.

There are 16 steps (you can use 1 to 16 steps) and every step can trigger a note on (0 ~ 127).

You can set the sequence forward, backward, palindrome or random.

You can also listen to the geiger sound and watch the counter and take a measure the old school way:

Start the counter and a stopwatch at the same time and see how many counts you get in 60 seconds.

Available at giorgiosancristoforo.net

Price is 20€"

Roland R8 / R8M percussion grinding patch box


Published on Jul 15, 2019 circuitbenders.co.uk


"The circuitbenders.co.uk R8/R8M percussion grinding patch box is an external patchbay case that plugs into the main unit via the sound ROM expansion ports using a custom sound card as an interface. This allows the creation of circuit bent glitching effects without the need to perform any invasive mods on the machine itself.

The patch box itself consist of a 20 way main patching area and three combination patchable switches / patching multiples . Connections made between the patchbay sockets result in the digital drum sample data being temporarily glitched causing all kinds of bizarre percussion warping and digital brutality to be applied to the audio. Connections can be routed through the patchable switches so they can be turned on and off at the flick of a switch, or via the patching multiples in order to connect several sockets to each other at the same time."

Friday, June 28, 2019

Features Overview: Boredbrain INTRFX Eurorack FX Interface


Published on Jun 28, 2019 Boredbrain Music

"This video demonstrates how to use the Boredbrain INTRFX, which facilitates effects processing between eurorack, guitar pedals and electronic instruments.

3 channels of send & return level conversion
Per-channel selection of either eurorack thru pedals or line-instrument thru eurorack
FX blend control with CV input
Capable of FX feedback and linear VCA functionality
Small tabletop form-factor"


via Boredbrain

The INTRFX facilitates effects processing between eurorack, guitar pedals and electronic instruments.

3 channels of send & return level conversion
Per-channel selection of either eurorack thru pedals or line-instrument thru eurorack
FX blend control with CV input
Capable of FX feedback and linear VCA functionality
Small tabletop form-factor

Want to connect outboard gear to your eurorack synthesizer without taking up valuable HP in your case? The INTRFX allows eurorack-level signals to be processed with pedals and/or outboard effects, and also allows line-level instruments to be processed with eurorack modules. Each of its three channels has an Interchange Switch to swap this mode, as well as an FX Blend parameter which can be controlled via CV. Because of its compact physical design, the INTRFX can be placed almost anywhere and connected to eurorack systems with 3.5mm patch cables rather than bulkier 1/4-in cables.

Feedback effects can be achieved by switching into the "wrong" mode, sending the FX return back into the FX send, while still allowing for dry signal blend and modulation. Channels can also be patched into one another and toggled between modes for experimental routing. Conveniently, each channel can operate as a reversed linear VCA for both audio and DC signals when no effects are used.

Whether you'd like to patch eurorack through some classic pedals or run a drum machine through your gnarliest modules, INTRFX makes these connections easy and flexible.

Monday, June 03, 2019

Stratus: CV/Gate Sequencer


Published on Jun 3, 2019 otemrellik

Tutorial comes in at 3:08. New cv/gate sequencer for Eurorack priced at $300. Only 4 made: http://www.otemrellik.com/rdei/


Stratus is a homemade CV/Gate sequencer for Eurorack.

Stratus Features:
4 channels of Gate/CV
32 steps per page
4 pages per channel
CV Out from 0-5v
USB MIDI clock and Eurorack clock input
CV input for page navigation
Independent sequence lengths per channel
Randomization per channel
Save machine state (auto loads when powered)
Mutes per channel
Copy/paste from any page to any other channel/page

Monday, May 13, 2019

dadamachines Composer Pro MIDI Sequencer Exclusive First Look | Superbooth 2019


Published on May 13, 2019 SYNTH ANATOMY

"At Superbooth 19, dadamachines, the creators of the Automat Toolkit presented the Composer Pro, a new standalone MIDI Sequencer that includes a full-featured sequencer also a powerful open audio engine.
Composer Pro is probably a great sequencer for DAWless musicians.

#dadamachines #composerpro #superbooth2019

Join the Patreon page to get access to free sound content (sample & preset libraries, free plugins... & participate on exclusive giveaways) https://www.patreon.com/synthanatomy"

Sunday, May 12, 2019

Retroaktiv MPG-50 MIDI Programmer for Roland Alpha Juno 1, 2, and MKS-50


Retroaktiv MPG-50 Walk-through (With talking) Published on May 12, 2019 Retroaktiv Synthesizers


"Retroaktiv MPG-50 is a fully featured MIDI programmer for the popular Roland Alpha Juno 1 and 2, and the MKS-50 rackmount synthesizer. The MPG-50 is a compact 370mm (14.5") x 149mm (6") x 40mm (1.5"). It features 37 sliders and knobs which control all of the features included on the original PG-300 plus more. The unit is housed in a high-quality rugged powder-coated metal enclosure. Optional powder-coated rack ears are available for an additional $25.

Wednesday, May 08, 2019

Bastl at Superbooth 2019 - New Products and Updates


The Press Release:

Sunday, May 05, 2019

Papareil Synth Labs demo of the TPG800 for Roland JX-8p synthesizer


Published on May 3, 2019 papareil1024

"Demo of the tactile PG800 for Roland JX-8p synthesizers
Made with an Arduino Mega, a 3.2" tft screen ,and a 6 pin DIN plug .
All JX-8p parameters are editable in instant access . The TPG800 containt a extensible library of +500 preset patches.
More to come soon ..."

Wednesday, May 01, 2019

Accessories for Eurorack & beyond from Mutant Modular


Published on May 1, 2019 DivKidVideo

"Here's a pair of passive accessories from Mutant Modular with their 3 channel mixer and attenuator that both fit in line between your cables. These have been really handy! Having more mixing, attention (and VCAs!) around your modulation and audio is the key to unlocking a lot of what's great about the modular format for me. The attenuator has been handy with recording gear, especially with other peoples systems at events when I need to just drop the level of something before it hits a camera or recorder.

More info - http://bit.ly/mutantmodular"

Thursday, April 25, 2019

SUPER SMASH BUTTON - Arcade Audio Gate


Published on Apr 25, 2019 midierror


"The Super Smash Button is an audio gate controlled by an arcade button! It works with anything you plug into it - synths, drum machines, radios, vocals, effects and more.

Available from Tindie here.

The Super Smash Button is an audio gate which allows you to pass any signal at the bash of the big arcade button! Trigger musical elements, vocals, synths, noise and drones through it for rhythmic stutters, jittered melodies and chopped up beats.

It works incredibly well with drones, circuit bent keyboards and weird effects machines - bringing a new dimension rhythm and melody combined. Plug in a radio or play some foley recordings for randomly accessed nuggets of sound to add unpredictability and serendipitous synchronicity to the proceedings.

It has a toggle switch to allow the signal to pass completely, for when your Track and Field skills have come a cropper. Use external effects after the pedal to expand its impact - a delay or loop pedal is the ideal output for an innovative way of making new textures, tones and soundscapes.

This is a hand-made, hard-wearing device in a strong aluminum enclosure, with a tried-and-tested arcade button for years of trigger finger raising. It ships from the UK with either Green, Blue or Yellow buttons and four rubber feet to grip to and protect your surfaces.

The Super Smash Button is 111mm x 31mm (47mm including switch) x 60mm and weights around 150g."

Wednesday, April 24, 2019

Pioneer DJ Introduces the TORAIZ “SQUID”


Published on Apr 24, 2019 Pioneer DJ

Playlist:

TORAIZ “SQUID” Official Introduction – The new multitrack sequencer
TORAIZ “SQUID” Official Walkthrough – The new multitrack sequencer
Pioneer Toraiz SQUID: Creating Polyrhythms - Rishabh Rajan
Pioneer DJ SQUID sequencer review - Ask.Audio

Specs:
16 tracks
64 patterns per track
64 steps per track
Step resolution
Quarter note
Eighth note
Sixteenth note
Twenty-fourth note
Thirty-second note
8 notes per step
128 projects
1 MIDI THRU / OUT
1 USB B port

Width 14.76 in
Height 8.81 in
Depth2.84 in
Weight 4.19 lb

Included Accessories
AC adaptor
Power cord
Quick Start Guide


"THE HEARTBEAT OF YOUR SETUP
Unlock limitless creativity with the SQUID™ multitrack sequencer. Part of our TORAIZ™ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums – all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first* Groove Bend feature, you’ll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

* First slider-operated trigger timing feature in the music production category (according to research conducted by Pioneer DJ Corporation, as of April 18, 2019).

Thursday, February 28, 2019

Spektro Audio ACDGEN – Hardware Edition MIDI Pattern Generator


Published on Feb 27, 2019 Spektro Audio


"ACDGEN – Hardware Edition is a limited edition hardware version of our ACDGEN Max for Live device. ACDGEN is a MIDI Pattern generator which lets you use different algorithms to create 16th-note, acid-style, basslines and melodies with a push of a button and manipulate them live using the different parameters available. You can use ACDGEN to create anything from acid house basslines to lush synth arpeggios.

Besides including the same parameters available on the software version (Key, Scale, Density, Length, etc), the hardware version also includes additional features such as random MIDI velocity, Keyboard Shift, MIDI CC sequencing, Shift modes, Swing modes and more.

The hardware edition is designed and handcrafted in Brazil by Spektro Audio and Vinicius Brazil, the creator of the Vinicius Electrik Eurorack modules."

Wednesday, February 27, 2019

Hpi TBX1 Tuning Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This box can implement microtuning capabilities to most midi synths that respond to pitch bend cc’s. It works best with multitimbral synths or those that have Mode 4 (guitar mode, mks50, esq-m) for polyphonic use but can work for monophonic synths too. It has over 400 tunings included but you can upload your own from a computer. I highly recommend getting HPI’s Custom Scale Editor software if you pick this up as its easier and more intuitive than Scala for creating your own scales. Comes with original power supply.

Tuesday, February 26, 2019

New "oplab module" adds CV, Gate & MIDI to the Teenage Engineering OP-Z


Priced at $149

"oplab module – the magic link.

imagine having the power and flexibility of the OP-Z sequencer available to any other music equipment. now you can, with the new oplab module - the magic link between OP-Z and the rest of the world. the oplab module is the first hardware expansion module for OP-Z. once mounted in the back of your
OP-Z, you can use it to connect to any equipment using standard cv and gate, such as the pocket operator modular or any other modular system. it features three cv outs and one gate out, all programmable and playable from OP-Z. have your wall of modules sequenced from the palm of your hands. use the po sync out

to unleash the power of your regular pocket operators and have them play in sync with the rest of your setup. even connect standard midi devices, using midi over 3.5 mm jack or the included midi over din adapter cable. oplab features both midi in and out ports as well as trig in and out for other synthesizers and sequencers."

Thursday, February 14, 2019

Mindburner MIDI to DINSYNC converter


Published on Feb 14, 2019 Mindburner

"A demo of my DINSYNC device.

24PPQN for Roland and others.
Sync a TB303/TR6060 to MIDI clock
Either from a DAW or hardware sequencer
Other clock outputs, e.g 48PPQN for Korg available on circuit board pads

www.mindburner.co.uk
available with top cover"


"MINDBURNER MIDI TO DINSYNC

Got MIDI gear and Roland DINSYNC kit?
Or need a device that outputs multiple clock rates?
Then this device will help.
Also has a built in MIDI Thru, to pass incoming MIDI data to other synths / modules

What does it do?
It outputs standard 24PPQN and start/stop signals. Has MIDI IN, OUT and DINSYNC OUT
Also pads for 1,2,4,8 and 48 PPQN (used on some old Korg drum machines)

How is it powered?
Comes with 2.1 to USB lead included to power from USB source (0.75m L)
Can also use pretty much any 5-7v DC 'wallwart' type power transformer. With a 2.1 mm female plug. Positive on the Tip of the plug.
Please note...There is no power adapter supplied as standard with this unit.


Saturday, January 26, 2019

NAMM 2019: Second Sound: Pitch to Synth


Published on Jan 26, 2019 Future Music Magazine

Note this is the first post to feature Second Sound. Their ACO100 audio-controlled oscillator is used by Sonicsmith in their audio-controlled synthesizer products, the ConVertor and the Squaver P1.

via: https://secondsound.com:

The Story Behind Second Sound

We consider Second Sound to represent a “new revolution in synthesized sound” quite simply because we are redefining the way sound synthesis is done. Rather than generating sound waveforms electronically “from nothing” as both traditional analog and digital synthesizers do, our synthesizer transforms existing sounds based on fundamental characteristics of the sounds played by musicians on real instruments, such as their frequency and amplitude.

The human voice, a note played on a violin, piano, trumpet, or any of a wide class of musical instruments, all can be used as the source signal for our music synthesis technology, which converts these sounds into either Control Voltage (CV) for controlling analog synthesizers or MIDI for controlling digital synths.

Friday, January 25, 2019

BlueARP Hardware ARP Sequencer


Published on Dec 30, 2017 graywolf2004ru

Note the videos range from 2017 to 2019.


via BlueARP

"For a long time I was seeking for an arp that would allow me to do things like in hardware and finally decided to develop my own one. I took all the best I found in hardware groove boxes and arpeggiators (Korg Electribes, Novation Nova, arrangers) and combined it into single intuitive tool.

BlueARP can be also characterised as: pattern arpeggiator, step sequencer style arpeggiator, arpeggiator with pattern input.

I started development in 2012, now BlueARP is quite stable but I’m keeping further development.

BlueARP comes as a VST plugin for Windows & Mac OSX."


Video Playlist:
1. BlueARP hardware unit mk.1 rev.2 demonstration
This is demonstration of BlueARP hardware unit mk1 rev2 - this time it's mich better - 3d printed case, factory fabricated PCBs.
Sorry for shaky video and a lot of mistakes - I had a very little time for this performance (was mostly working on hardware and software).
But it's here - now this is a real thing I will continue working on.
In the beginning - playing cover for the track "Stardust" by J.M.Jarre and Armin van Buuren.
2. BlueARP hardware prototype v1.0 show-up
This is the result of several months of hard work.
This is a hardware prototype, running full-reatured BlueARP engine. Basically it runs THE SAME optimized code as software BlueARP. It took me a couple of months to re-factor the code and make it compilable for Cotrex-M CPU and hardware.

The final goal it to make it as a serial hardware device. A lot of work is done already, but still even more to do.
3. BlueARP hardware prototype demo #1
This is a 1st musical demonstration of my BlueARP hardware prototype.
It's purely hardware performance, using BlueARP factory bank loaded into prototype.
The same can be done with software BlueARP and VSTs of course, but playing with hardware is so much fun!
4. BlueARP hardware prototype rev.3 demo "Eternity"
This is my current BlueARP prototype - smaller and better (I fixed some design flaws from the previous prototype).
This is 100% hardware demo. Using 5 instances of BlueARP:
- Korg Radias - 4 tracks
- Vermona Mono Lancet - bass (1 track)
I implemented MIDI clock out, BlueARP sends midi clock to Akai MPC. It works, though drums are delayed a bit, need to fix it later.
All patterns were programed on hardware unit. So it's like the old days when I had more synths and made hardware performances )
PS. I finally made USB functionality working (both host and device). It was nightmare - tons of RTFM, 2 months of trials and fails. It's still buggy, so I don't use it here, but I'll improve it). I made this performance to celebrate this milestone.
5. BlueARP DM rev.4 demo, "Imaginary Vectors" by Marshal Arnold, live cover using Novation Nova
I'm so excited to present a complete live cover using BlueARP hardware unit! This is also a great demo for Novation Nova, all sounds cone from it, even drums. No computer used here, folks! My screen shows video for the original track.
I created this performance using only BlueARP hardware unit.
The goal was both to test bluearp unit and to polish the GUI and arp core, here I did a lot of fine tuning (it will benefit bluearp vst as well).
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