TWISTED KP Now Available

Twisted KP - OSC Converter for Konkreet Labs Performer

YouTube Uploaded by twistedtools on Aug 7, 2011

"Twisted Tools has released Twisted KP, an advanced OSC converter for Konkreet Labs Performer application for the iPad. It allows you to easily connect Performer to a variety of devices, both inside and outside of your computer. Twisted KP converts performer messages to MIDI, *Control Voltage and Reaktor IC Sends, and in any combination.

Simply put, Twisted KP is the bridge between Konkreet Labs Performer and your music software and hardware, allowing you to quickly control almost anything, anywhere.

How it works:

1) Konkreet Labs Performer sends OSC messages to Twisted KP, which runs in Native Instruments' Reaktor standalone mode.

2) Twisted KP receives the messages and provides an easy-to-use interface to convert them to MIDI, analogue control voltage or internal Reaktor messages, called IC sends.

3) You can then route MIDI anywhere out of Reaktor using its virtual MIDI out port, send control voltage out a dc-coupled audio interface to analogue modular synths and/or use an IC SEND menu to instantly select a Reaktor parameter as a destination, via a simple drop down menu.

Features:

Converts Performer messages to MIDI, *Control Voltage or Reaktor IC Sends.

Fast, intuitive and powerful interface.

Presets for NI Maschine, Kore, Moog Voyager, Access Virus and more.

Demo versions and presets for Twisted Tools devices.

Musical scales to play KP in key and create chord clusters.

Bypass entire nodes and/or individual messages.

Message range adjustment.

Message value inversion.

Gate mode.

Quantized note lengths.

Quick Start setup guide within Reaktor.

http://twistedtools.com

Price:

$9

Technical Requirements:

Reaktor 5.6.0

iPad

Konkreet Labs Performer (http://konkreetlabs.com/)

*Control Voltage requires a dc-coupled audio interface. Consult your interface manufacturer's guide to find out if it supports sending control voltage using its outputs before attempting use."

Konkreet Labs Performer - iTunes
iPads on eBay

Cherry Audio Celebrates 2,023 Voltage Modular Modules in 2023

via Cherry Audio

"Cherry Audio announced today that Voltage Modular had reached a milestone of 2,023 modules for its popular virtual modular synthesizer software platform. To mark the occasion, Cherry Audio has launched the "Voltage Modular 2023 in 2023 Celebration Sale" until April 13, 2023.

To commemorate this milestone, Cherry Audio and participating third-party module designers are slashing their prices, including 75% off the list price of Voltage Modular, and dozens of modules on sale with savings of up to 90% off. The sale features innovative modules and bundles for Voltage Modular, including those from AARNVILLE, Adroit Synthesis, Andrew Macaulay, DMT Audio, Dome Music Technologies, HetrickCV, Insomniac Music, M*4, MRB, nekomatic, Nrgzr78, P.moon, planet.6, PSPaudioware, R_Ware, Synthetic Future X, Unfiltered Audio, Vulpus Labs, Vult, Waverley Instruments, Weevil, and more!

The promotion section listing all bundles and modules that are part of the sale is located at:

https://store.cherryaudio.com/... First released in 2018, Voltage Modular is the world's most feature-rich, sonically flexible software modular platform. It obliterates all patching limitations and introduces groundbreaking new ways to build complex patches. It features unlimited pop-up mults on all inputs and outputs, effortless repositioning of modules or groups of modules, cables that can be moved and rerouted at all times, and easy-to-read control panels with extensive visual feedback, including cable signal flow indicators.

All audio processing in Voltage Modular uses high-quality 64-bit double-precision math, and all module processes are zero-latency and operate on individual samples for true modular performance. The innovative module browser allows users to purchase and automatically install modules and sound presets directly from within Voltage Modular for immediate expandability.

Since its debut, Voltage Modular has quickly grown to include over 2,000 modules from over 50 third-party module designers who adopted the platform as their development tool of choice. Cherry Audio is grateful for their continued support and the hundreds of thousands of customers who have chosen to embrace Voltage Modular."

NAMM: SSL 2260 Modulation Orgy

Follow-up to this post where you'll find a video. The following is the official press release.

"Synthetic Sound Labs has just released its first Euro rack format module, the Model 2260 Modulation Orgy, further expanding its line of 5U format synthesizer modules. This flexible new 16 HP width module contains a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility.

LFOs are typically used by analog music synthesists in conjunction with other analog sound producing devices for creating slow, undulating rhythms and sound patterns.

The 2260 features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion. A total of eight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random. All these (except Random) may be modified using the Wave Distort controls to vary waveform duty cycles. Independent output jacks provide both normal and inverted LFO phases.

A unique feature allows the 2260 to synchronize to precise multiples of the musical beat permitting timed vibratos, tremolos, and clocking of external sequencers and sample & hold type devices. Synchronization is accomplished by manually operating a front panel button, or supplying external clock pulses via the external Sync input. Multiple 2260s may also be cascaded to provide complex polyrhythmic modulation patterns, which is aided by use of the Clock output jack.

The basic LFO Tempo (frequency) is adjustable from approximately 0.05Hz (a 20 second cycle) and 12.8Hz. However, in conjunction with the Multiplier, this range is extended from 0.025Hz (a 40-second cycle) to over 50Hz in six overlapping tempo multiplication factors, ranging from 0.5 (1/2 note) to 4.0 (sixteenth note).

The external Level CV input responds linearly and is normalled internally to +5V so that with no input, the 2260 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage controlled modulation depth.

A panel LED displays the LFO output rate. Knobs are conveniently placed to allow ample room for manual adjustment. Top quality 1/8” jacks permit smooth, effortless patching.

Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand-crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 2260 is the first Euro rack module and the sixth in SSL’s continuing line of new analog synthesizer modules.

Pricing is $250 US and availability is off-the-shelf from SSL and Distributors Worldwide.

2260 Specifications at a glance:
Model 2260 Tap Tempo LFO
Function Flexible Low Frequency Oscillator (LFO)
Tempo Adjust .05 Hz to >50 Hz (approx)
Tempo Multipliers Six (0.5, 1, 1.5, 2, 3, 4; overlapping) – Manual & voltage controlled
Waveforms Saw, Ramp, Square, Triangle, Sine, Sweep, Lump and Random – Manual & Voltage controlled
Wave Distortion 10% to 90% (approx, except Random) - Manual & Voltage controlled
Inputs Tempo CV, Multiplier CV, Waveform CV, Distort CV, Sync, Level CV. 0 to +5V nominal. 1/8” Phone jacks. 100k impedance.
Outputs Clock (0 to +5 digital), LFO voltage (10V P-P; +/-5V). 1K impedance. 1/8” Phone jacks.
Panel Indicators LFO Rate – Red LEDs
Panel High quality 0.062” aluminum. Durable black Metalphoto finish with natural aluminum and copper graphics. Complimentary Brass colored knobs.
Power Euro rack standard 16 pin keyed header.

+5VDC @ 14ma, +15vdc @ 16ma, -15vdc 18ma
Size 5.0” H x ~3.25” W x ~1.25” D (16 HP). Skiff ready.

Currently available SSL Modules:
Model Function
1020 Steiner Voltage Controlled Multi-Purpose Filter (MU)
1250 Quad Low Frequency Oscillator (MU)
1260 Tap Tempo Low Frequency Oscillator (MU)
1310 Voltage Controlled Digital Delay (MU)"

http://steamsynth.com/

Uber Rare SMS Analog Modular Synth Sequencer & Voltage Memory Unit

via this auction

[don't miss the Asphodel and Recombinant Media Labs video below]

"SMS Modular 252 Sequencer//Program Memory Programmable Control Voltage Sequencer and Memory System Beyond Rare

Up for auction is a non functioning Salamander Modular synthesizer 252 sequencer and control voltage memorizer! For those in the know, SMS modules are beyond rare as very few systems were built in the late 70's/early 80's due to the overbuilt and expensive nature of SMS modules!

This 252 sequencer/memory unit is in non working condition. It was part of one of the larges SMS systems put together in San Francisco in the early 1980's. From what I've been told this sequencer developed some problems and was pulled from the main modular frame only to never be repaired. I do not at this time have the means to fully test out what exactly is wrong with it and would love to pass on this gem to someone who is interested in devoting some serious service time to get it going. I believe all parts are present on the unit itself except for four 1/8 audio connectors at the very top of the module. These are available almost anywhere for thirty cents to a dollar! Once working though, the SMS operated on standard One Volt Per Octave configuration and as such this unit can be used with a vast assortment of modular synthesizers. I can cycle through 16 different memory locations via an advance and reset inputs. This means it can be used as a programmable voltage sequencer clocked by a standard +5 volt trigger pulse. See the video below for more information regarding where this system comes from. The big black modular is the SMS.

A bit about the studio from which this comes from ... Asphodel Records/Studios and Recombinant Media Labs was San Francisco's cutting edge and award winning production, recording, and performance/research facility. We worked both with artists internal and external to the record label. Some of the clientele has included Academy and Grammy Award nominated M.I.A., members of Nine Inch Nails, Lou Reed, Kode 9, Speedy J, Blixa Bargeld, and many many others. The facility was home to many talented professionals who were the users of the equipment we are selling. Below is a little video profile of Asphodel and RML to give you a better idea about what the facility looked like and did."

See the seller's other items for more.

CLICK FOR MORE »

Twisted KP Controls Doepfer Analogue Modular | twistedtools.com

YouTube Uploaded by twistedtools on Aug 9, 2011
Update: video re-uploaded.
"Twisted KP converts OSC from Konkreet Labs Performer to control voltage which is then routed a Doepfer modular rack.
Gate mode in KP allows for control voltage messages to be sent only sent on touch.

TWISTED KP:
http://twistedtools.com/shop/reaktor/twisted-kp/

KONKREET LABS PERFORMER FOR iPAD
http://konkreetlabs.com

THE FOLLOWING EURORACK MODULES WERE USED:
Livewire AFG, Doepfer A-105 VCF and A-188BBD and A-180 Mult

CV AUDIO INTERFACE:
Control voltage output made possible by using MOTU 828MKII interface. Please make sure that you have a similarly capable dc-coupled audio interface if you plan on using control voltage with TWISTED KP."

Konkreet Performer - Konkreet Labs
iPads on eBay

SSSR Labs VC Divider Commercial

Published on May 27, 2015 rpocc

"The SSSR Labs VC Divider is a dual, voltage controlled frequency divider module. It is equally suitable for both low-frequency or audio-rate signals, so it can be used with LFOs, clock sources, oscillators, or even noise or speech sources. Thanks to a space saving old-school design, the Eurorack version of this DIY-friendly module occupies only 4hp.

Product page: http://www.modularsynth.ru/en/sssrlab..."

"The SSSR Labs VC Divider is a dual, voltage controlled frequency divider module. It is equally suitable for both low-frequency or audio-rate signals, so it can be used with LFOs, clock sources, oscillators, or even noise or speech sources. Thanks to a space saving old-school design, the Eurorack version of this DIY-friendly module occupies only 4hp.

The VC Divider consists of two channels, which can work separately or be linked in different ways. Each channel has one clock input and one clock output. The division factor of each channel can be selected either manually with knobs, or remotely with a voltage applied to the control inputs. The division method is a «musical» type, which means that all patterns generated by this module will be perfectly in beat if they are all reset simultaneously. Unlike Flip-flop or binary counter based dividers, SSSR Labs VC Divider keeps the duration of incoming clocks intact, so it is not only able to trigger envelope generators, but can also directly gate them, providing articulation uniformity with variable rhythmic patterns.

The VC Divider can be used in many different ways: to control a rhythmic pattern of percussive instruments with a sequencer or another clocked CV source, or to divide a master clock to get traditional note durations, or even to get distinctive sub-oscillation. With this module you can easily do stylish complex hi-hat patterns, or create unusual polyrhythmic textures. The linear mode also allows creating patches which imitate game console sound effects.

Modules are shipped as DIY kits. The PCB supports Eurorack format as well as open modular formats such as MOTM and accepts both 12v and 15v supply. It is designed to be easily expanded to add a number of additional features such as: individual reset inputs, advanced signal routing and mode selection. Even when there is no expander, the module can be configured with a few jumpers. Each part has its own dedicated micro-controller in order to achieve the best performance. The firmware is written in assembly language ensuring minimal latency."

Creating Different Pads & Moods | Voltage Labs

video upload by Voltage Labs

"In this video, Jonas dives deep into the world of pad sound design, exploring three distinct moods using the Oberheim TEO-5.

Interesting bits and pieces:
00:31 Dark & Aggressive Pad
02:20 Soft Breathing Pad
04:37 Washed Out Melancholic Pad"

Why did this strange digital Synth become a classic? | Voltage Labs

video upload by Voltage Labs

"What made the Elektron Monomachine go from misunderstood digital oddity to one of the most iconic cult synths in electronic music?

In this video, we explore the story behind the Monomachine, from its controversial 2004 release to its status as a modern-day classic among experimental producers like SOPHIE, Actress, Autechre or even the UK duo Overmono."

Serge Modular Analog Synthesizer & Processor w 8 Preamp Detectors & N Comparator

via eBay

"Up for auction is a beautiful condition Serge Modular Fully Loaded Panel! As you can tell from the photographs, the synth is in immaculate shape and feels exactly like it did straight from Rex Probe at Sound Transform Systems! This Serge is a 1996 Serge and features the build quality and routing of the older more expensive (and expansive) Serge designs. For anyone looking to expand on their Serge rig or their current modular system, this is a great panel to buy. Because this panel features balanced line level inputs it can also be used as a standalone studio/live processors. It's particular strength in this arrangement is multichannel audio processing, but due to the versatility of the modules included, it could also be used for generative and trigger synthesis work. This Serge has had only one owner and I was in charge of maintaining and programming it while I worked for Asphodel Studios and Records/RML. I can assure you that you will not find a better Serge panel unless you order a new one straight from STS. Everything is in mint working order physically and electronically. Scroll towards the bottom to see a video in which the Serge made an appearance in ;-) Also, the information on each module below has been quoted from the original Serge product catalogue. One last important note is that there is no power supply included with this panel. One will have to be ordered from STS if the highest bidder does not already have one.

Preamp Detector:
The new Serge preamps and envelope detectors provide an exceptionally responsive link between external audio signals and the Serge synthesizer modules. The key to this responsivity comes from the fact that our detector was designed to respond to the POWER rather than to the AMPLITUDE of a sound. No other synthesizer system offers this sophisticated capability. Human perception of loudness is proportional to the POWER content of a wave, rather than to its AMPLITUDE. Detecting the AMPLITUDE of a signal produces an inaccurate envelope, sometimes too soft, and most of the time too loud. The new Serge detectors are exceptionally accurate, responsive devices which output a control voltage envelope that is directly proportional to the perceived loudness of an input signal. It operates over a very wide dynamic range, in excess of 70 db, (or the difference between a whisper and a subway train at IS feet!). The output is accurately log--linear at 12 .5 db per volt, a taper which mates perfectly with the. control characteristics of our newest VCA's. Thus it is possible, for example, to control the loudness of a synthesizer sound by the sound envelope of a locomotive, a dog barking, or a voice going from a whisper to a shout. The effect is especially remarkable because of the accuracy of the responses the whisper is really a whisper, and the shout a shout. The PREAMP DETECTOR (PRNV) allies a Serge detector with a multi - purpose preamp suitable for a wide variety of inputs. The LO - Z input accepts high output microphones in the 200 t o 1000 Ohms range (such as most electret microphones), with a sensitivity suited for close - mitring applications such as instrument or voice pickup. The H I - Z input accepts transducers such as guitar pick-ups and contact microphones. It is also suited for- amplifying low level signals from tape machines, tuners, etc. Detector and Preamp can be switched to work separately or Coupled. Sensitivity for the various microphones and audio sources can be adjusted over a very wide range using the Preamp's gain control. Please note that it will not cut the gain to zero. With the Dual Comparator Module, exceeding a pre-set loudness level can be used to provide a trigger pulse to initiate any number of activities within the synthesizer.

N Comparator and Voltage Divider:
The NCOMPARATOR (NCOM) consists of two sections: a comparator and a voltage-control led pulse divider. The divider section outputs a pulse once every "N" comparator pulse, where "N" is a number from 1 to 31, settable with a control voltage at the divider's VC input (or manually via the divider's control knob). Additionally, the Divider outputs a staircase wave with "N" steps. This will produce whole-tone steps when plugged into the 1 V/Oct input of a VCO. This module has two distinct areas of use (in addition to the normal functions of the comparator). For audio frequencies, the divider can be set to Output sub-divided frequencies with digital precision. Output frequency depends on "N". If "N"= ` . 3,4, etc., the output frequencies will be an octave, an octave and a fifth. Or two octaves below the input, respectively. Because "N" is voltage controllable, arpeggios and various melodies can easily be programmed. The nature of this type of division (integer division), results in frequencies that fal l along the sub--harmonic series, a series that has great tonal charm. For sub--audio frequencies, the divider acts like a counter, outputting a pulse only after "N" number of input Pulse. Input pulse's can be fairly random, or regular . This capability is especially powerful for determining tempos and rhythmic patterns when using several sequencers (especially if the "N" vc input is taken from one of a Sequencer's rows of controls). In a more random Situation, using a microphone preamp/detector as input, the divider might be set to count how many times a sound of a certain loudness will have occured, and be set to trigger an event upon reaching the count . Since the Count can be made variable (from 1 to 31), fairly complex and subtle interactions can be generated.

CLICK FOR MORE »

SSL Double-Deka VCO

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

"Voltage Controlled Oscillator (VCO) for MU format modular synthesizer.

This module is one of just a few dozen out there, made in small batches by boutique MU Modular manufacturer SSL. Based on the Ian Fritz design, this module provide two 10-step waveforms to be defined which may be selected from via voltage controlled mix knob or discreet output.

In low frequency mode it can even be used to generate rhythmic pulses.

Below is a copy/past of the SSL product page which describes this product in detail...

'Innovator and designer extraordinaire Ian Fritz has teamed up with Synthetic Sound Labs to bring you one of the most useful and flexible VCOs on the market - the SSL 1130 Double Deka VCO.

The Double Deka is a stable, wide range 1V/Octave VCO with incredible sonic versatility. Imagine "drawing" a 10 stage waveform using lighted front panel sliders. Now imagine two of these separate waveforms, each with a precisely stepped 6 octave range control that can also be externally voltage controlled. In addition, using a built in knob or external control voltage, you can cross-fade between the two waveforms. Add to this, two unique new types of sync, a funky digital ring modulator (DRM) type input, plus separate linear and exponential FM inputs, and you begin to see (and hear) the possibilities.

This unique VCO consists of an ultrasonic oscillator core followed by a parallel pair of waveform generators. Each waveform generator consists of a voltage controlled multi-octave divider, followed by circuitry to generate a 10-step waveform using a set of 10 slider potentiometers. Also included are a novel synchronization circuit with two different operating modes and a built-in "digital ring modulator" (DRM) for producing a wide variety of synchronized and anharmonic sounds. The oscillator core is highly stable (better than 20 ppm/K ) and features wide-range, accurate tracking (better than 0.05% over fifteen octaves). The variable waveform generator provides fine control over an enormous range of available timbres. The high frequency output of the "core" oscillator is provided for use in driving other frequency dividers.

CLICK FOR MORE »

SYNTHETIC SOUND LABS SEGWENCER 2520 MODULAR EURORACK SYNTHESIZER MODULE

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The SSL 2520 Segwencer™ Euro module is indeed in a class of its own. The name derives from the audio term “segue” (fading from one sound to another), and the synth term “sequence” (moving from one point / sound to another), and once combined, there is a synergy that blasts these concepts into a totally new way of morphing sounds, textures and even control voltages.

Before we go any further, a bit of explanation is probably in order. If you know a bit about pipe organ history, you know that a "crescendo" pedal is not a simple volume control. Pipe organs can control volume by opening and closing louvers in front of the pipes (called “swell”), but can’t really control brightness / timbre. A crescendo can add the perception of brightness and impact by adding more “ranks”. This is typically done with a separate pedal that the artist moves forward to bring in brighter and louder sounds. On a pipe organ, the mechanics of this are fairly straight-forward but technically complex. As the artist goes from soft to loud with the crescendo pedal, several “switches” are sequentially engaged. Each successive switch causes a new pipe rank to sound, therefore it becomes increasingly fuller with each stage of the crescendo pedal.

So, what is the SSL Segwencer? In a typical Voltage Controlled studio environment, a control voltage is fed to the “Depth” input which (through an on-board attenuator) controls which of the four Segwencer channels is active based on the input voltage. Each channel of the Segwencer has a separate built in VCA (DC coupled!) input and output, as well as a comvenient Mix output that can frequently save a mixer.

By this description, you might think that the Segwencer harshly “switches” from channel to channel – which is not in itself a bad thing. Here is where the Segwencer really shines.

The Segwencer has a “Width” panel control that literally softens the progressive transitions between the channels. So YOU have complete control over the transition of the “switch” point between the channels, and the “softness” of how that channel switches. Really cool!

Obviously, using a voltage pedal could emulate the actions of a crescendo pedal, but how about feeding the Depth input with an envelope generator? What about an LFO, or even keyboard velocity voltages. And since the VCAs are DC coupled, imagine possibilities of Segwencing control voltages, or even CVs AND audio in the same segwence? The combinations are staggering.

Imagine taking each basic waveform from a VCO into each input of the Segwencer and having the Segwencer smoothly blend the waves? Or how about a sine wave into channel “A” out to a audio mixer, an LFO into channel “B” out to the VCOs CV input, and a wavefolded sine into channel “C” out to the audio mixer? Result: Sine, to FM modulated sine, to distorted sine.

The VCA inputs are conveniently normallized, so - How about a voltage controlled quad panner with each output going to a separate speaker? Or maybe three or four VCOs in a musical chord (or dischord if that floats your boat), each into a separate Segwencer input, with the Segwencer “Mix” output as audio? Result: Think about it.

You'll probably find youself using at least one Segwencer for just about every patch!

Controls
- Width
- Depth CV Amount
- Peaks / Slope selection switch

Inputs
- 4 DC Coupled Linear VCAs
- Depth CV

Outputs
- 4 DC Coupled Linear VCAs
- 1 DC Coupled Mix output

Indicators
- 4 Channel Activity LEDs (Blue)

Power
+15V at..ma, -15V at..ma, 16pin Eurorack header.

Size
Width - 10HP
Depth - 45mm (1.75") behind panel"

Synthetic Sound Labs Introduces the TUBE VCA / TIMBRAL GATE IN MU FORMAT

via Synthetic Sound Labs / SSL

"The Russians Are Coming!

What happens when you apply 1950's era Soviet technology to a modern analog synth?  You get the new SSL 1530 Tube VCA / Timbral Gate module - a wild blend of vacuum tube warmth and distortion, along with an incredibly useful VCA that is so much more than the sum of its parts.

The 1530 uses miniature pencil-sized vacuum tubes that were developed and refined by the Russians over 60 years ago.  They are exceptionally low current and low voltage devices - so there's no need to generate the traditional high-voltage power supplies that are required for most other vacuum tubes.  Very cool stuff!

While it’s a surprisingly good VCA, it really shines when it’s over-driven - rounding and folding the input waveforms like nothing else available. In some modes, it’s prone to whacky self-oscillation that can be made to lock onto the harmonics of the input waveform in cascading howls. Totally adjustable and controllable.

In conjunction with and licensed by Ken Stone (CGS), Synthetic Sound Labs has further expanded on Ken's designs to include several other circuit enhancements to make your Russian dreams "Come True".

SSL has added LEDs behind the tube to visually emulate the warm glow of the filament, and pulsating blue LEDs that simulate tubes as they are being driven by control voltages. A custom acrylic window shows off the effects in true retro fashion.

SSL uses quality fiberglass-epoxy printed circuit boards, precision automated robotics and meticulous hand-crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 1530 is yet another in SSL’s growing line of new synthesizer modules. Proudly made in the USA.

Pricing is $295 US. Available directly from SSL and through NoiseBug, Pomona, CA.

1530 Specifications at a glance:

Model
1530 Tube VCA / Timbral Gate

Function
Tube VCA / Timbral Gate - MU format Module

Controls
- DRIVE 1 – Drive 1 attenuator
- DRIVE 2 / FB – Drive 2 and normalized feedback attenuator
- INIT GAIN – Manual CV gain input
- CV AMT – CV Input gain attenuator

Switches (x2)
- FeedBack (On/Off)
- Bias (Dist/Clean)

Inputs
- DRIVE 1 – Variable gain Signal input
- DRIVE 2/FB – Variable gain Signal input – Input switch selectable feedback from output
- CV IN – Controls output gain. Attenuation control

Outputs
- OUT – Audio Output (AC Coupled)

Panel
High quality 0.062” aluminum. Durable black Metalphoto finish with natural aluminum graphics.

Power
- Current draw: +15V @ 30 ma. and -15V @ 22 ma.
- Synthesizers.com 6 pin Molex standard.

Size
8.75” H x 2.125” W x ~1.25” D (1 Moog Unit / MU)"

Synthetic Sound Labs Announces Soleil String Synth Pod & Modulation Orgy 2.0

Details on each follow. Check with the dealers on the right for availability.

TABLE-TOP MIDI STRING SYNTH POD ANNOUNCED

Inspired by the early vintage synths of the ‘70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.

Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.

The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a “paraphonic” instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.

MIDI is input via a 3.5mm TRS Type “A” jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.

MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non- volatile memory.

A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8”) jacks.


Power is supplied from a user provided +8 to +18 VDC 2.1mm coaxial jack, center positive power source, and draws extremely low current.

Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand- crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The Soleil Pod is the newest in SSL’s continuing line of outstanding analog synthesizer devices.

Pricing is $179.95 US and is available off-the-shelf from SSL and Distributors Worldwide.

UPDATED LFO MODULE ANNOUNCED

Just over 10 years after the release of its popular original 2260 Modulation Orgy LFO, Synthetic Sound Labs have recently released an updated and improved version.

The new 2261 Modulation Orgy has completely reimagined firmware that includes improvements such as waveform morphing and random wave slew. The new module width is now only 8 HP (half the width of its 16 HP predecessor) and is available with either black or silver faced panels.

DETAILS

The 2261 Modulation Orgy is a unique Low Frequency Oscillator (LFO) that offers unmatched modulation flexibility. It features both manual and external voltage control over LFO Tempo (speed), tempo Multiplier, Waveform and Waveform Distortion.

Eight Waveforms are produced, including Sawtooth, Ramp, Rectangle, Triangle, Sine, Sweep, Lumps and Random with morphing between adjacent waves. Waveforms may be further modified using the Wave Distort controls.

A front panel button or external Sync input allow synchronization to precise multiples of the musical beat permitting timed vibratos, tremolos, and clocking of external sequencers and sample & hold type devices. Multiple 2261s may also be cascaded to provide complex polyrhythmic modulation patterns, which is aided by use of the Clock output jack. The Clock output also serves as a powerful input clock multiplier.

In conjunction with the Multiplier controls, LFO Tempo (frequency) is adjustable from approximately 0.1Hz to about 50Hz in six overlapping tempo ranges.

The external Level CV input responds linearly and is normalled internally to +5V so that with no input, the 2261 outputs are at maximum. This convenient input can frequently save a separate VCA when doing voltage-controlled modulation depth.


A panel LED / push button shows the LFO output rate. Knobs are conveniently placed and top quality 1/8” jacks permit smooth, effortless patching.

Quality, solder masked, fiberglass-epoxy printed circuit boards and meticulous hand- crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 2261 is the newest in SSL’s continuing line of outstanding analog synthesizer modules.

Pricing is $250 US and is available off-the-shelf from SSL and Distributors Worldwide. Silver panel – Model 2261S. Black panel – Model 2261B

New SSL Serge Dual Slope Generator in MU Format

"SERGE DUAL SLOPE GENERATOR IN MU FORMAT ANNOUNCED

Synthetic Sound Labs has just released the flexible 1240 Dual Slope Generator (DSG) - a long awaited addition to the MU world - designed in close collaboration with the legendary Serge Tcherepnin.

The 1240 DSG is the ultimate patch-programmable control voltage generator. A Serge Slope Generator is a slew limited unity gain voltage follower whose positive and negative slew rates are voltage controllable. It has an extremely wide range covering sub-sonic to high audio rates. Trigger inputs and pulse / gate outputs extend the slewing functions for use as a voltage controlled (VC) LFO, envelope generator and a variable pulse delay mono-stable functions.

One VC responds roughly exponentially, and two additional VC inputs are routed to individual Rise and Fall slope attenuverters for maximum flexibility and convenience. This newly updated circuit now includes temperature compensation to help eliminate drifting. The linearity and accuracy of the slews allow them to be used for exacting applications such as portamento functions.

The 1240 has two identical slope generators (A & B) - each of which can be set to self- trigger (Loop), or even to trigger each other for some wild modulation and audio
effects. It also has two auxiliary outputs which provide an output that is the greater of A

& B (PEAK), and another that is the lesser of A & B (TROUGH). These are interesting and go far beyond normal summing / mixing.
Among the many functions the 1240 DSG can perform are (x2):
• VC Transient / Envelope Generator - simply started by trigger or gate at TRIG IN.
• VC LFO - The rates are controlled by the Rise and Fall Rate knobs and inputs, and
the slopes controlled from LOG thru Linear to Exponential.
• VC Timing Pulse / Gate generator.
• VC Portamento with separate controls for rise and fall rates, and slopes.
• Envelope Follower (Detector) - The VC decay rate allows the response to be
moved from positive to negative peak detection.
• VC Pulse Delay (Monostable).
• Sub-Harmonic Series Generator. A trapezoidal wave-shape is generated for
sonorous, smooth sounds.
• Audio Generator with variable symmetry and a range into kilohertz regions.
• Non-Linear Low-Pass Filter. The VC slew limiting can progressively turn a sawtooth
wave into a triangle and many variations between. Thus a slope generator can be used as a very interesting low-fidelity VCF.

SSL uses quality fiberglass-epoxy printed circuit boards, precision automated robotics and meticulous hand-crafted assembly assure years of trouble-free service.

Synthetic Sound Labs has been in the analog synthesizer business since 1973. The 1240 is yet another in SSL’s growing line of new synthesizer modules. Proudly made in the USA.

Pricing is $495 US. Available directly from SSL and through NoiseBug, Pomona, CA."

Retro Mechanical Labs Electron Fuzz Custom CV Euro Pedal for Eurorack Modular

Note: Auction links are affiliate links for which the site may be compensated.
Published on Nov 12, 2016

"This is a rather amateurial filmed review of the Retro Mechanical Labs Electron Fuzz Custom CV Euro Pedal for Eurorack Modular Review - as reviewed by a guy who never did a review. So please don't be too harsh with your criticism.

Intro blabbering 00:10
Mirrored knobs and naming brutality 04:43
Sinewave distortion 07:18
Using cv for pain, hurt and fb osc 09:53
Destroying a sequence 13:59
Mangling drums 18:15

Control voltage distortion fuzz pedal with 4 CV inputs and lots of sexy character. Best used with Eurorack modular synthesizers or any other piece of analog synth that has control voltage capabilities (f.e. Moog Sub 37, Electron Analog 4, etc.). Pricing 349,- USD, needs an additional external 9 volt DC power supply (negative tip).

Some additional info I got from Jonathan Irish / RML concerning the functions:

'The 'cut' toggle removes the sub low end frequencies.'

'The knob under the feedback OSC knob is an input attenuation knob. Its marked with -Z and +Z. As you turn it to the right it will add resistance and reduce the amount of signal going into the distortion circuit.'

'As for the OSC Noise: Its pitch can be controlled by the Hurt/Pain CVs while in self oscillation. Sending in CV to the Hurt/Pain or OSC noise you can make it play notes. Nothing exact as 1 volt per octave, but still fun.'"

via this auction

"RETRO MECHANICAL LABS ELECTRON FUZZ EURORACK
Retro Mechanical Labs' acclaimed Electron Fuzz Custom has finally been given the full Eurorack treatment! Along with CV input for Hurt, Pain, Feedback and Distortion level, the modular version features an input gain stage for use with guitars and line level audio and both "Eurorack-level" and pre-gain stage audio output.

ELECTRON FUZZ EURORACK FEATURES
CV inputs for Pain, Hurt, Oscillator Feedback and Distortion
Guitar Pedal Interface (GPI)-style input for attenuating and amplifying the signal going into the distortion circuit
Independent clean mix and distortion volume control for full dry/wet control
x1000 switch for extreme gain
Low cut filter toggle switch
True bypass toggle switch for ease of use during performance"

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monotonic labs Type N38 Synthesizer: Sequencer VCO Analog FM PWM Noise

via these auctions
"Overview
The Type-N38 is the next iteration of the monotonic labs N-Series synthesizers. The N38 is a completely self contained musical instrument featuring a 4-step sequencer and a voltage controlled oscillator (VCO). The sequencer features control voltage (CV) dials for each step, a clock/tempo dial, and a step hold actuator. The VCO features Frequency and Pulse Width Modulation (FM/PWM), as well as a HI/LO octave toggle. The N38 output waveform is square wave (or an infinite sum of sine waves) providing an extremely rich harmonic portrayal of the fundamental. The output can be shaped to other waveforms (sine, triangle, etc.) by applying external filtering circuits to the signal path prior to amplification. The result is a unique and compact device enabling artists to add new dimensions to their musical projects.

How it works
Everything begins with the clock rate control – this determines how fast the sequencer changes steps. Each step of the sequencer has a CV setting which drives the VCO (which can really be thought of as a voltage-to-frequency converter). The more voltage applied to the VCO, the higher the output tone. The sequencer provides a means to program the output sequence of tones from the VCO which can sped up or slowed down with the clock control. The Center Frequency control sets the reference tone on the VCO which CV from the sequencer modulates. For example, if the center frequency on the VCO is set to 440 Hz, applying CV data from the sequencer (i.e. setting any CV dial greater than zero) will proportionally increase the tonal frequency of the VCO above 440 Hz. The Pulse Width control sets the duty cycle of the VCO which creates several interesting effects such as stepped tones and high pass filtering. See demonstration below.
[posted here]

Improvements
Although the N38 is very similar to the N37 synthesizer, it has several improvements. Several N37 users have commented that the Center Frequency (or Frequency Modulation) control is too sensitive. To address this we have broken the Center Frequency control into 2 octaves (switchable by the HI/LO octave toggle) allowing finer tuning of the VCO reference tone. We have also added a step hold actuator to the sequencer which acts as a “pause” button. Internal circuitry improvements include a completely new PCB layout, thicker traces, and a new buffered output stage."

Links
Website
Myspace Page

Meet You At The Top

video upload by davidryle

"A two part piece. Both are pitch voltage quantization controlled from the ACL Sinfonion. I switch presets through the first part from preset 1 - 4 and in the second half I leave it on preset 5.

The Sinfonion chord section is sending pitch quantization to the Doepfer A-111-4 quad VCO and A-105-4 quad SSI filter. The mixer is the Corsynth T-Mixer. The Empress reverb in Ambient Swell green mode is used.

The opening voice is Channel 2 of the Sinfonion and is sent to the Dotcom Q206 with the Dove D502 in BP mode P1, then an SSL Serge Resonant EQ and finally the Strymon Blue Sky.

A counter voice is the Channel 3 quantizer to a pair of Synthetic Sound Labs TZ-VC Oscillators to the Oakley VC-SVF in BP mode. The audio is routed through a Moon 517S high pass filter to roll of the lower mid tones. I used an instance of Relab Development's LX480 classic Lexicon reverb. This same voice is used for the main melodic part in the second section.

The Channel 1 of the Sinfonion is to the bass voice which is the Dotcom Q169 Oscillator++ and Grove Audio G294A ladder filter.

The Sinfonion arpeggiator part is to the STG oscillator duet and the Dove D501 2069 filter. The signal is sent through the Modcan 73B dual delay. In the first section this voice is solo, but in the second section I added in a duplicated run of the MosLab 901/904A through a different envelope which is timed a bit more sparse and sent through the second section of the 73B delay.

Most of my time was spent mixing levels and changing the timing of the SSL Hagiwo Geo-Gruvn euclidean sequencer. The clock timing was controlled by row 3 of the Moon 563 trigger seq. I used two different memory presets on the Geo-Gruvn for each section. These timings were used for the gate controls to the SSL Octal VCA, CV-8 Breakout and AD/AR Expander. The eight channel vca handled four of the voices. Very cool array of modules.

I also sent and effort to control the timing of the STG Voltage Mini Store's timing with row 2 of the 563. The right VMS is used for the Root control to the Sinfonion. The faster moving left VMS is to the arpeggiator of the Sinfonion.

The Sinfonion is using various cv's from the Q960 step sequencers to affect the chord spread and note selections. Also an LFO is used to affect the pre-transpose of the chord section.

A convoluted patch using the Lower West Side Studios CGS88 triple switch, the Dove D900 sequencer and three voltage sources to send control voltage to the transpose on the Sinfonion. I used the Moon 564 trigger stage 1 to turn this on and off by hand when needed.

The final clangorous opening and ending patch voice was the Mutable Instruments Rings through the Behringer Bode Frequency Shifter clone and the Encore Frequency Shifter, and on through the Tip Top Z-DSP signal processor running Halls of Valhalla reverb (Niflheim preset). It was also the midway noise rush background sound where the sections changed. These were added later in Cubase and triggered by hand.

The sections were performed at once live to Cubase and video edited in Final Cut Pro."

A Wanderin On Home

YouTube Published on Jun 20, 2012 by davidryle

"More tinkering with the Dual Analog Shift Register module from Cat Girl Synth. I used a quantizer to an Synthetic Sound Labs Ian Fritz Double Dekka VCO but the other six vco's are un-quantized to show the tuning instability of the ASR.
The two ASR's are in series and clocked together. The voltage source is a Q119 step sequencer from synthesizers.com. Modulation is mixed with the sequencer voltage from a MegaOhm Audio LFO2 module at one point in the video. This makes the "wandering" feeling to the otherwise droning sequence.
I forgot to use the looping portion of the Dual ASR. It is not working correctly because of a voltage droop nature which makes the pitch voltage rise on each loop pass. The effect is pretty novel but not exactly stable."

AtomoSynth Krakken Keyboard

via Atomo Labs

"Krakken Analog synthesizer keyboard MIDI controlled.

This machine gives you the great powerfull analog sound of AtomoSynth now with a build in keyboard and also it is MIDI controlable !!!.

Play it directly, it features a 2 octaves keyboard (tactile button keys ), with octave up and down shift buttons.

Connect it to a MIDI keyboard and play!!!

Control it from a MIDI sequencer, MIDI controller or computer and set it to any of the 16 Midi channels.

Control other analog gear with the built in MIDI to CV converter.

Create weird analog sounds, brilliant leads, acid basslines or make noise, change the sound in real time by tweeking the knobs on stage or in studio.

Specifications
Keyboard: 25-key (tactile button keys).
Octave Shift up/down buttons (5 octave range).
VCO1 and VCO2:
This synth features two analog square and saw waveform VCO (voltage controled oscillator) with a huge pitch range, from subsonic to ultrasonic sound.
Glide: effect control with a wide range that allows radical effects.
White noise generator.
LFO: One square and triangle waveform LFO (low frequency oscillator), that modulates the VCO for the vibrato effect creating old school arcade Atari-like sounds.
Also it modulates the VCF (voltage controled filter) creating a tremolo effect.
It has a led that shows the LFO rate.
VCF: One High pass and Low pass VCF (voltage controlled filter) with cut off and ressonance controls that can be modulated by the LFO and the VCO depth, It also features a decay control.
EG: envelope generator with attack and release control.
MIDI to CV converter:
The Krakken features a MIDI to control voltage converter with a range of 5 octaves, it can be easily set to any midi channel from 1 to 16.
You can control any external analog synthesizer with the CV and Gate Outputs (1Volt/octave).
Also you can connect many Krakken synthesizers in chain with its midi thru output to a computer or midi sequencer and each one will play a different midi channel.
The instrument is is housed in a clear, laser cut, acrilic case that shows the analog circuitry.
It is powered directly from 110V or 220V AC.
Dimensions: 280mm(W), 240 mm(D), 85mm(H. incuded rubber feet and knobs)"

New Synth Gear and Makers in January 2015

After this year's massive New Years post, I thought it might be interesting to see how many new makers and new gear announcements we received in a single month.

This may or may not become a monthly theme on the site depending on interest.  If you think it's worth while, leave a comment.

At a high level we had 12 new makers, one new old maker previously never featured on the site, and a whopping 193 new synth related products. Check out the module list below.  The list is a combination of what was either announced or released this month.

The list in order of appearance:

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